POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

More documents

Recommendations

Info

Warchild slams into the wall next to Bunker. WARCHILD There's two guys by the back door. Ducked down. TONE Oh, shit. Shit!! We're fucked, man. BUNKER That fat fuck comes through the door I'm gonna pump him up. Swear to Christ, man, I'm gonna blow the dude up! Scared and vicious, like a cornered dog. We believe him. Bunker jacks the bolt on the Steyr. Warchild cocks the shotgun. EXT. HOUSE JOHNNY is pissing himself. He can see it all going down. So fast he doesn't have time to think. He goes into motion -- slipping rapidly along the wall to the next window. The bathroom window. PAPPAS, AT THE FRONT DOOR, makes his move. He pushes the door open, breaking the security chain, and jams his FBI shield in the girl's face as he grabs her arm. PAPPAS FBI, gorgeous. Now let's take a look around-- INT. HOUSE Bunker's eyes bug out as he sees Pappas coming through the door. He snaps the assault rifle to his shoulder. Suddenly Johnny is behind him -- half-in the bathroom window, pistol gripped double-handed like they taught him in Quantico. UTAH FBI!! DROP IT! Bunker whips around. Squeezing off a wild burst! B-B-B- BLAM! It rips the plaster next to Johnny's shoulder. Shatters the shower door behind him. The BLACK-HAIRED GIRL screams. Johnny flinches, FIRING RAPIDLY. Wild. Bunker drops, hit. Warchild lets go with the 12 gauge. KABOOM! Takes a chunk like a shark bite out of the doorframe by Johnny's head. Deafening in the confined space.
Johnny flattens himself behind the doorframe. Tone just splits. Down the hall like a greyhound. PAPPAS is on one knee, his piece drawn fast, holding Fiberglass in a neck-lock with one massive arm. Bunker, wild-eyed and bleeding, is on his knees in the bathroom doorway. He raises the Steyr. Mistake. Angelo FIRES. 30 years in the field tends to show. Three rounds. Chest. Chest. Head. Bunker is off the planet. MUNOZ KICKS THE BACKDOOR IN like they do in the movies. He and Cole charge into the rancid kitchen. Badass FBI agents. JOHNNY, hotwired and hyperventilating, pops out for a shot around the doorframe. He gets a glimpse of Warchild's back disappearing into the hallway. FIRES. His shot is wasted, punching plaster. Suddenly a pink freight-train hits him. He forgot about the girl in the shower. Naked except for her tattoos, she bodyslams him face-first into the wall. As he tries to turn she grabs his hair in both hands and hammers his head into the medicine-cabinet -- CRASH -- shattering the mirror. Then she knees him in the balls as he ricochets off the wall into her. She drives her elbow into his back as he drops. "FREIGHT TRAIN" lands knee-first on his gun hand, and viciously kicks the pistol away with one bloody foot. It skitters under the bed. She's cut up from flying glass. Demon-eyed and wired, her body lithe and muscular under white skin. She sprints across the bedroom, leaving Utah slumped, heaving for breath. IN THE HALLWAY, Tone is hidden behind a doorway. White-knuckling the forty-five. A wild-eyed kid with a big gun and not the slightest idea how to use it. He hears footsteps POUNDING behind him and spins. It's Warchild, running with the shot-gun. WARCHILD Move it, man. Let's get the fuck out of here! Off-guard, Tone is SLAMMED BY THE DOOR as Munoz drives into it with his shoulder. Pounded between the door and wall, Tone is wired so tight he pulls the trigger and blows a hole through his own right foot. He screams and drops to the floor. Munoz sandwiches him with the door and draws down on Warchild, who dives into a doorway. Cole drives past Munoz, who has Tone pinned, and pounds down the corridor.
Page 1 and 2:
POINT BREAK by James Cameron & Kath
Page 3 and 4:
FAST NOW -- the surfboard rips a br
Page 5 and 6:
shotgun. Halt. FBI! UTAH Pig Nose #
Page 7 and 8: Utah is wearing a suit, carrying a
Page 9 and 10: I've been in the field 33 years, fi
Page 11 and 12: Reagan leaps onto the counter. Stan
Page 13 and 14: Now Munoz starts to smile. MUNOZ Ha
Page 15 and 16: UTAH Well, what're your ideas on th
Page 17 and 18: UTAH Thanks for the tip. I needed t
Page 19 and 20: EXT. MALIBU PIER - DAY Utah and Pap
Page 21 and 22: Politeness counts, ASSHOLE! The sur
Page 23 and 24: He's coughing out saltwater. ON THE
Page 25 and 26: next to her. She pulls on a T-shirt
Page 27 and 28: TYLER Gimme a break. (to cook) One
Page 29 and 30: Tyler and Utah straddle their board
Page 31 and 32: He SPINS the football on his finger
Page 33 and 34: INT. BULLPEN Utah tries to act casu
Page 35 and 36: PAPPAS Yeah, yeah, I remember, last
Page 37 and 38: INT. FORENSICS LAB - NIGHT A long s
Page 39 and 40: Utah drops his end as the others cl
Page 41 and 42: each-types coming and going. UTAH F
Page 43 and 44: Utah on the cellular, Pappas behind
Page 45 and 46: GROMMET Do your worst, man! Roach d
Page 47 and 48: walk on in to the beach if you don'
Page 49 and 50: you, Johnny? Bodhi seems to stare i
Page 51 and 52: Bodhi is looking at the lights alon
Page 53 and 54: UTAH Goosebumps. Come here. She lea
Page 55 and 56: hairs, goddammit. Babbit moves the
Page 57: I can't hear jack shit over this la
Page 61 and 62: Babbit kicks him off Johnny, face d
Page 63 and 64: He does this. TYLER CUT TO: EXT. BE
Page 65 and 66: ig dog can teach ya how to bark. Pa
Page 67 and 68: RENT" sign out front. The driveway
Page 69 and 70: UTAH Here's your lemonade. (he look
Page 71 and 72: the process. Utah's car starts to s
Page 73 and 74: Broken field run through toys, swin
Page 75 and 76: can't go on. Reagan reaches the top
Page 77 and 78: have that look again, it's like you
Page 79 and 80: BEEP! He rests the telephone on his
Page 81 and 82: News, last night... those guys, the
Page 83 and 84: ut no activity besides Bodhi's rock
Page 85 and 86: laterally. Utah flails, the last to
Page 87 and 88: EXT. AIRFIELD - DAY Bodhi walks tow
Page 89 and 90: BODHI See! That's what I like about
Page 91 and 92: BOOM -- THE DOORS bang open, REVEAL
Page 93 and 94: woman. DUGGAN Do whatever they say,
Page 95 and 96: check so long has been let off its
Page 97 and 98: ide him in. HARP Yeah, sure. Why no
Page 99 and 100: The ride is over. BODHI I say when
Page 101 and 102: Utah doesn't notice. Or is beyond c
Page 103 and 104: price. UTAH You're cold because all
Page 105 and 106: WHAM! Slams into Bodhi in a mid-air
Page 107 and 108: hops into the shotgun seat and the
Page 109 and 110:
UTAH (V.O.) I knew you wouldn't mis
show all

POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?