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POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

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check so long has been let off its leash.<br />

BODHI<br />

Don't anybody fucking move!<br />

Roach, clutching h<strong>is</strong> side, moves to Grommet, who <strong>is</strong> on h<strong>is</strong><br />

knees.<br />

Beneath LBJ's stony countenance a river of blood flows<br />

down Grommet's chest. Roach pulls off the mask.<br />

Revealing a terrified kid.<br />

Grommet pulls h<strong>is</strong> blood-drenched hand away from h<strong>is</strong><br />

throat, stares at it bug-eyed.<br />

GROMMET<br />

Oh no, oh my god, oh god... it's all<br />

comin' out man, gotta stop it...<br />

it's all gonna come out... do<br />

something!!<br />

He's trying to hold it in with h<strong>is</strong> hands. Th<strong>is</strong> doesn't<br />

work.<br />

A paste-white frightened kid. Eighteen years old.<br />

Suddenly realizing that th<strong>is</strong> <strong>is</strong> not some video game. That<br />

death <strong>is</strong> real.<br />

He slumps back, losing the battle for consciousness.<br />

WE HEAR SIRENS APPROACHING.<br />

ROACH<br />

(freaking to Bodhi)<br />

We gotta bug out, man! We're eatin'<br />

it bad on th<strong>is</strong> one. Let's go!<br />

Bodhi reaches down and picks up Johnny's FBI shield off<br />

the floor.<br />

He considers it for a long time. Then looks up at Johnny.<br />

H<strong>is</strong> eyes seem to ask for forgiveness...<br />

A moment before he smashes the Casull into Johnny's skull.<br />

JOHNNY'S POV, as he drops to h<strong>is</strong> knees. Everything going<br />

dark as we see Bodhi's face d<strong>is</strong>tantly, h<strong>is</strong> mouth moving<br />

slowly...<br />

BODHI<br />

Good<strong>by</strong>e, Johnny.<br />

The floor rushes up and smashes us in the face.<br />

A view of shoes, running away from us, leaving bloody<br />

footprints. Then total darkness.<br />

INT./ EXT. FIRST SECURITY BANK - LATER<br />

CUT TO:<br />

Ten minutes later the bank "crime scene" <strong>is</strong> in full swing.<br />

UNIFORM COPS are everywhere, trying to get statements from<br />

sobbing witnesses. HARP, MUNOZ, COLE AND PAPPAS represent<br />

the FBI contingent. Cole has one arm strapped to h<strong>is</strong> body<br />

in a fairly elaborate sling, and he moves slowly.<br />

Harp <strong>is</strong> barking orders to everyone in sight. Outside<br />

(v<strong>is</strong>ible beyond the doors) it's total pandemonium, with

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