POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)
POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)
POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Johnny flattens himself behind the doorframe.<br />
Tone just splits. Down the hall like a greyhound.<br />
PAPPAS <strong>is</strong> on one knee, h<strong>is</strong> piece drawn fast, holding<br />
Fiberglass in a neck-lock with one massive arm.<br />
Bunker, wild-eyed and bleeding, <strong>is</strong> on h<strong>is</strong> knees in the<br />
bathroom doorway.<br />
He ra<strong>is</strong>es the Steyr. M<strong>is</strong>take.<br />
Angelo FIRES. 30 years in the field tends to show.<br />
Three rounds. Chest. Chest. Head.<br />
Bunker <strong>is</strong> off the planet.<br />
MUNOZ KICKS THE BACKDOOR IN like they do in the movies.<br />
He and Cole charge into the rancid kitchen. Badass FBI<br />
agents.<br />
JOHNNY, hotwired and hyperventilating, pops out for a shot<br />
around the doorframe. He gets a glimpse of Warchild's<br />
back d<strong>is</strong>appearing into the hallway. FIRES. H<strong>is</strong> shot <strong>is</strong><br />
wasted, punching plaster.<br />
Suddenly a pink freight-train hits him.<br />
He forgot about the girl in the shower.<br />
Naked except for her tattoos, she bodyslams him face-first<br />
into the wall.<br />
As he tries to turn she grabs h<strong>is</strong> hair in both hands and<br />
hammers h<strong>is</strong> head into the medicine-cabinet -- CRASH --<br />
shattering the mirror.<br />
Then she knees him in the balls as he ricochets off the<br />
wall into her.<br />
She drives her elbow into h<strong>is</strong> back as he drops.<br />
"FREIGHT TRAIN" lands knee-first on h<strong>is</strong> gun hand, and<br />
viciously kicks the p<strong>is</strong>tol away with one bloody foot. It<br />
skitters under the bed.<br />
She's cut up from flying glass. Demon-eyed and wired, her<br />
body lithe and muscular under white skin. She sprints<br />
across the bedroom, leaving Utah slumped, heaving for<br />
breath.<br />
IN THE HALLWAY, Tone <strong>is</strong> hidden behind a doorway.<br />
White-knuckling the forty-five. A wild-eyed kid with a<br />
big gun and not the slightest idea how to use it.<br />
He hears footsteps POUNDING behind him and spins.<br />
It's Warchild, running with the shot-gun.<br />
WARCHILD<br />
Move it, man. Let's get the fuck<br />
out of here!<br />
Off-guard, Tone <strong>is</strong> SLAMMED BY THE DOOR as Munoz drives<br />
into it with h<strong>is</strong> shoulder.<br />
Pounded between the door and wall, Tone <strong>is</strong> wired so tight<br />
he pulls the trigger and blows a hole through h<strong>is</strong> own<br />
right foot.<br />
He screams and drops to the floor.<br />
Munoz sandwiches him with the door and draws down on<br />
Warchild, who dives into a doorway.<br />
Cole drives past Munoz, who has Tone pinned, and pounds<br />
down the corridor.