28.10.2014 Views

POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Johnny flattens himself behind the doorframe.<br />

Tone just splits. Down the hall like a greyhound.<br />

PAPPAS <strong>is</strong> on one knee, h<strong>is</strong> piece drawn fast, holding<br />

Fiberglass in a neck-lock with one massive arm.<br />

Bunker, wild-eyed and bleeding, <strong>is</strong> on h<strong>is</strong> knees in the<br />

bathroom doorway.<br />

He ra<strong>is</strong>es the Steyr. M<strong>is</strong>take.<br />

Angelo FIRES. 30 years in the field tends to show.<br />

Three rounds. Chest. Chest. Head.<br />

Bunker <strong>is</strong> off the planet.<br />

MUNOZ KICKS THE BACKDOOR IN like they do in the movies.<br />

He and Cole charge into the rancid kitchen. Badass FBI<br />

agents.<br />

JOHNNY, hotwired and hyperventilating, pops out for a shot<br />

around the doorframe. He gets a glimpse of Warchild's<br />

back d<strong>is</strong>appearing into the hallway. FIRES. H<strong>is</strong> shot <strong>is</strong><br />

wasted, punching plaster.<br />

Suddenly a pink freight-train hits him.<br />

He forgot about the girl in the shower.<br />

Naked except for her tattoos, she bodyslams him face-first<br />

into the wall.<br />

As he tries to turn she grabs h<strong>is</strong> hair in both hands and<br />

hammers h<strong>is</strong> head into the medicine-cabinet -- CRASH --<br />

shattering the mirror.<br />

Then she knees him in the balls as he ricochets off the<br />

wall into her.<br />

She drives her elbow into h<strong>is</strong> back as he drops.<br />

"FREIGHT TRAIN" lands knee-first on h<strong>is</strong> gun hand, and<br />

viciously kicks the p<strong>is</strong>tol away with one bloody foot. It<br />

skitters under the bed.<br />

She's cut up from flying glass. Demon-eyed and wired, her<br />

body lithe and muscular under white skin. She sprints<br />

across the bedroom, leaving Utah slumped, heaving for<br />

breath.<br />

IN THE HALLWAY, Tone <strong>is</strong> hidden behind a doorway.<br />

White-knuckling the forty-five. A wild-eyed kid with a<br />

big gun and not the slightest idea how to use it.<br />

He hears footsteps POUNDING behind him and spins.<br />

It's Warchild, running with the shot-gun.<br />

WARCHILD<br />

Move it, man. Let's get the fuck<br />

out of here!<br />

Off-guard, Tone <strong>is</strong> SLAMMED BY THE DOOR as Munoz drives<br />

into it with h<strong>is</strong> shoulder.<br />

Pounded between the door and wall, Tone <strong>is</strong> wired so tight<br />

he pulls the trigger and blows a hole through h<strong>is</strong> own<br />

right foot.<br />

He screams and drops to the floor.<br />

Munoz sandwiches him with the door and draws down on<br />

Warchild, who dives into a doorway.<br />

Cole drives past Munoz, who has Tone pinned, and pounds<br />

down the corridor.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!