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POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

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TRACKING SLOWLY IN ON JOHNNY staring, mouth open.<br />

Watching the four horsemen of the Apocalypse ride toward<br />

him.<br />

IN SLOW MOTION, BODHI grins as he slashes past Nathaniel's<br />

shining white butt.<br />

ON JOHNNY, as he reacts to the dawning certainty.<br />

He feels weak, dizzy... like the ground <strong>is</strong> moving under<br />

him.<br />

TYLER<br />

Hey. You okay? You look like you<br />

saw a ghost.<br />

SHOCK CUT -- ANGELO TURNING TOWARD HIM, at the drop car<br />

scene. Eons ago. The sound of h<strong>is</strong> voice ringing...<br />

PAPPAS<br />

Forget about it, kid, They're<br />

ghosts...<br />

BACK TO JOHNNY, as he backs away from Tyler. Still in<br />

shock, recoiling from the situation.<br />

UTAH<br />

I... I gotta go.<br />

TYLER<br />

Johnny... what's going on? I don't<br />

get it... did I do something?<br />

UTAH<br />

No. I'm sorry. I have to go.<br />

I'll, uh... I'll call you later.<br />

I'm sorry.<br />

He sets off running up the beach.<br />

Tyler stares after him. Confused and hurt.<br />

EXT. PAPPAS' HOUSE - NIGHT<br />

DISSOLVE TO:<br />

Early evening. Utah pulls into the driveway. When he<br />

kills the engine we hear Greek music from inside the<br />

house.<br />

AT THE ENTRANCE Johnny finds the door ajar. He pushes it<br />

open a little to reveal--<br />

INT. HOUSE<br />

Pappas dancing alone in the living room with h<strong>is</strong> shirt<br />

off, holding a glass of ouzo. Facing away from the door<br />

the ample Greek hears Utah's tentative knock. Without<br />

breaking from h<strong>is</strong> dance or turning he calls out--<br />

PAPPAS<br />

Hey, babe. Get on over here so the

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