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CITATION<br />

"Peter Rice is one of the foremost<br />

structural engineers of his time. His<br />

work hos greatly advanced<br />

architecture, reaffirming the deep<br />

creative interconnection between<br />

humanism and science, art and<br />

technology. His many distinguished<br />

contributions started with his<br />

appointment as site engineer for Ove<br />

Arup and Partners to the Sydney<br />

Opera House, after which he<br />

designed the structure at the<br />

Pompidou Centre in Paris, where his<br />

innovative choice of cost steel<br />

enabled the scale of this large<br />

building to be sympathetic to the<br />

fabric of the city.<br />

His approach to using materials hos<br />

always been innovative and<br />

sympathetic to their nature. Yet he<br />

hos never pursued innovation for its<br />

own sake, but to improve the quality<br />

of buildings and human life.<br />

Noteworthy in this context ore his<br />

travelling workshops for Otronto in<br />

Italy where, with his partner Renzo<br />

Piano (himself a Royal Gold<br />

Medallist), he invented collapsible<br />

fabric tents to provide the means by<br />

which local inhabitants could improve<br />

their own surroundings without<br />

having to leave their homes. His<br />

collaborations with Piano hove<br />

always produced work of the highest<br />

order. Perhaps the most impressive<br />

result of their teamwork is the De<br />

Menil Collection Museum at Houston,<br />

T exos, where his choice of ferroconcrete<br />

and ductile iron for the<br />

leaves of the roof, allowed a<br />

marvellous quality of light in the<br />

interior.<br />

He hos worked with many other<br />

architects besides Piano. His gloss<br />

walls at the Science Museum at Lo<br />

Villette in Paris incorporate<br />

components from the motor industry to<br />

allow vistas of great splendour; his<br />

canopy under the Grande Arche at Lo<br />

Defense brings human scale to a huge<br />

monument; his ingenious<br />

collaboration with Michael Hopkins<br />

and Partners in the design of the<br />

Lord's Mound Stand enabled the<br />

immemorial English village tradition<br />

of watching cricket from tents and<br />

pavilions to be reinvoked in our own<br />

days for large numbers of people in<br />

the middle of London.<br />

He hos mode a great contribution to<br />

anchoring the art of architecture to<br />

real life, real science and real<br />

modernity. His contribution to the<br />

creative process is continuous, both in<br />

relation to other members of the team<br />

for a particular project and to the art<br />

of architecture in general. For him,<br />

the creative process is not linear but a<br />

loop between interactive disciplines.<br />

The creation of architecture is mode<br />

up of periods of silence, of sudden<br />

intuition and of passionate teamwork,<br />

and the quintessence of this is Peter<br />

Rice. His passionate belief that<br />

technology is a tool to be used with<br />

imagination for the benefit of<br />

mankind hos inspired a generation of<br />

designers of buildings of all<br />

disciplines."

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