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PETER RICE<br />

Peter Rice was born in Ireland and<br />

studied engineering at Queens<br />

University in Belfast and Imperial<br />

College. He joined Ove Arup &<br />

Partners in 1956 and since then hos<br />

advised on the design of some of the<br />

most significant buildings of our time.<br />

He become a Director of Ove Arup &<br />

Partners in 1978. Between 1977 and<br />

1979 he was a Portner of Piano Rice<br />

and he hos been a Director of RFR in<br />

Paris and the Ove Arup Partnership<br />

since 1984.<br />

Peter Rice's work hos been<br />

characterised by on innovative use of<br />

materials. Some of the more<br />

important projects he hos worked on<br />

hove included the Sydney Opera<br />

House where he was resident<br />

engineer on site in the 1960s; Centre<br />

Pompidou, Paris with architects Piano<br />

and Rogers, where he was the<br />

designer of the steel structure and<br />

introduced the use of cost steel; the<br />

Gloss Serre at the Museum of Science<br />

and Industry, Lo Villette, Paris, with<br />

the architect Adrien Fo insilber; the<br />

Mound Stand at Lords, London<br />

working with architect Michael<br />

Hopkins and Partners; Lloyds of<br />

London, designed by the Richard<br />

Rogers Partnership; the Menil<br />

Museum, Houston, Texas, where he<br />

explored the use of ductile iron and<br />

ferro-cement; the Son Nicolo Football<br />

Stadium, Bari, Italy and the BIGO<br />

sculptural symbol of the Colombo '92<br />

Festival, Genoa, Ita ly, all with Renzo<br />

Piano Building Workshop, Genova,<br />

Italy; Kansai International Airport<br />

Terminal, Osako, Japan with Renzo<br />

Piano Building Workshop, Japan and<br />

the fabric 'Clouds' at the Grande<br />

Arch, Paris with architects J. 0 .<br />

Spreckelsen and P. Andreu. A recent<br />

project, the Pavilion of the Future in<br />

Expo '92 Seville, Spain, explores the<br />

use of stone in on original structural<br />

way. The architects were Martorell<br />

Bohigos MocKoy. Studies of designs<br />

for natural lighting for new galleries<br />

at the Louvre, Paris, and the gloss<br />

enclosures to the Sculpture<br />

Courtyards, Paris, were recently<br />

developed in close collaboration with<br />

I. M. Pei Architects, New York.<br />

In 1988 Peter Rice was mode on<br />

Honorary Fellow of the Royal Institute<br />

of British Architects and two years<br />

later on Honorary Member of the<br />

Royal Institute of Architects in Ireland.<br />

He was awarded Lo Medoille<br />

d'Argent de lo Societe<br />

d'Encourogement pour l'lndustrie<br />

Notionole in 1987 and in 1989<br />

received Lo Medoille d'Argent de lo<br />

Recherche et de lo Technique from<br />

the Acodemie d'Architecture. He was<br />

joint author with Hugh Dutton of 'Le<br />

Verre Structure!' published by Editions<br />

du Moniteur in 1990 and hos been a<br />

contributor to numerous international<br />

books and journals on architecture,<br />

design and engineering.<br />

Peter hos been on examiner at the<br />

Architectural Association and the<br />

Royal College of Art in London. He<br />

hos also been a port-time tutor in<br />

Design at the Engineering Deportment<br />

of Cambridge University.<br />

57

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