IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
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AKI KAURISMAKI<br />
<strong>IFFI</strong>-<strong>2008</strong><br />
Aki Kaurismäki started his career as a co-director in the films <strong>of</strong> his<br />
elder brother Mika Kaurismäki. His debut as an independent<br />
director was Crime and Punishment (1983), Dostoevsky's famous<br />
crime story set in modern-day Helsinki. He gained worldwide fame<br />
with his movie Leningrad Cowboys Go America. His style has been<br />
influenced a lot by such directors as Jean-Pierre Melville and<br />
Robert Bresson, as he relies on low-key acting and simple<br />
cinematic storytelling to get his messages across. Critics have also<br />
seen an influence from Rainer Werner Fassbinder but Kaurismäki -<br />
a keen film buff himself - has said that he somehow never got<br />
around to seeing any Fassbinder movies until recent years. His<br />
movies have a unique downplayed humorous side that can also be<br />
seen in the films <strong>of</strong> Jim Jarmusch, who has a cameo in Kaurismäki's<br />
film Leningrad Cowboys Go America. Much <strong>of</strong> his work is centred<br />
on his native city <strong>of</strong> Helsinki, particularly Calamari Union which is<br />
largely set in the working class neighbourhood <strong>of</strong> Kallio, and the<br />
trilogy that comprises Shadows in Paradise, Ariel, and The Match<br />
Factory Girl. His vision <strong>of</strong> Helsinki is, it should be noted, both<br />
critical and singularly unromantic. Indeed, the characters <strong>of</strong>ten<br />
speak about how they wish to get away from Helsinki: some end up<br />
in Mexico (Ariel), others in Estonia (Calamari Union and Take<br />
Care <strong>of</strong> Your Scarf Tatjana). The setting is the 1980s, even in the<br />
more recent movies. In terms <strong>of</strong> awards, Kaurismäki's most<br />
successful movie to date has been The Man Without a Past. It won<br />
the Grand Prix and the Prize <strong>of</strong> the Ecumenical Jury at the Cannes<br />
<strong>Film</strong> <strong>Festival</strong> in 2002 and was nominated for an Academy Award in<br />
the Best Foreign Language <strong>Film</strong> category in 2003. However,<br />
Kaurismäki refused to attend the gala, noting that he didn't<br />
particularly feel like partying in a nation that is currently in a state<br />
<strong>of</strong> war. Kaurismäki's next film Lights in the Dusk was also chosen<br />
to be Finland's nominee in the category for best foreign film.<br />
Kaurismäki again decided to boycott the Awards and refused the<br />
nomination as a protest against US President George W Bush's<br />
foreign policy. In 2003, in one <strong>of</strong> his most famous protests,<br />
Kaurismäki boycotted the 40th New York <strong>Film</strong> <strong>Festival</strong> backing his<br />
Iranian fellow director, Abbas Kiarostami who was not given a US<br />
visa in time for the festival.<br />
<strong>Film</strong>ography:<br />
Features: Crime and Punishment, 1983; Calamari Union, 1985;<br />
Shadows in Paradise, 1986; Hamlet Goes Business, 1987; Ariel,<br />
1988; Likaiset kädet (Les mains sales), 1989 (production for<br />
Finnish TV); Leningrad Cowboys Go America, 1989; The Match<br />
Factory Girl, 1990; I Hired a Contract Killer, 1990; La Vie de<br />
Bohème, 1992; Take Care <strong>of</strong> Your Scarf, Tatiana, 1994; Leningrad<br />
Cowboys Meet Moses, 1994; Drifting Clouds, 1996; Juha, 1999;<br />
The Man Without a Past, 2002; Lights in the Dusk, 2006.<br />
Documentaries: Saimaa-ilmiö (Saimaa Gesture), 1981; Total<br />
Balalaika Show, 1994<br />
Short films: Rocky VI, 1986 (8 min); Through the Wire, 1987 (6<br />
min); Rich Little Bitch, 1987 (6 min); L.A. Woman, 1987 (5 min);<br />
Those Were The Days, 1991 (5 min); These Boots, 1992 (5 min);<br />
Välittäjä, 1996; Dogs Have No Hell, 2002 (10 minute episode in the<br />
collaborative film Ten Minutes Older - The Trumpet)<br />
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