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IFFI-2008 - International Film Festival of India

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AKI KAURISMAKI<br />

<strong>IFFI</strong>-<strong>2008</strong><br />

Aki Kaurismäki started his career as a co-director in the films <strong>of</strong> his<br />

elder brother Mika Kaurismäki. His debut as an independent<br />

director was Crime and Punishment (1983), Dostoevsky's famous<br />

crime story set in modern-day Helsinki. He gained worldwide fame<br />

with his movie Leningrad Cowboys Go America. His style has been<br />

influenced a lot by such directors as Jean-Pierre Melville and<br />

Robert Bresson, as he relies on low-key acting and simple<br />

cinematic storytelling to get his messages across. Critics have also<br />

seen an influence from Rainer Werner Fassbinder but Kaurismäki -<br />

a keen film buff himself - has said that he somehow never got<br />

around to seeing any Fassbinder movies until recent years. His<br />

movies have a unique downplayed humorous side that can also be<br />

seen in the films <strong>of</strong> Jim Jarmusch, who has a cameo in Kaurismäki's<br />

film Leningrad Cowboys Go America. Much <strong>of</strong> his work is centred<br />

on his native city <strong>of</strong> Helsinki, particularly Calamari Union which is<br />

largely set in the working class neighbourhood <strong>of</strong> Kallio, and the<br />

trilogy that comprises Shadows in Paradise, Ariel, and The Match<br />

Factory Girl. His vision <strong>of</strong> Helsinki is, it should be noted, both<br />

critical and singularly unromantic. Indeed, the characters <strong>of</strong>ten<br />

speak about how they wish to get away from Helsinki: some end up<br />

in Mexico (Ariel), others in Estonia (Calamari Union and Take<br />

Care <strong>of</strong> Your Scarf Tatjana). The setting is the 1980s, even in the<br />

more recent movies. In terms <strong>of</strong> awards, Kaurismäki's most<br />

successful movie to date has been The Man Without a Past. It won<br />

the Grand Prix and the Prize <strong>of</strong> the Ecumenical Jury at the Cannes<br />

<strong>Film</strong> <strong>Festival</strong> in 2002 and was nominated for an Academy Award in<br />

the Best Foreign Language <strong>Film</strong> category in 2003. However,<br />

Kaurismäki refused to attend the gala, noting that he didn't<br />

particularly feel like partying in a nation that is currently in a state<br />

<strong>of</strong> war. Kaurismäki's next film Lights in the Dusk was also chosen<br />

to be Finland's nominee in the category for best foreign film.<br />

Kaurismäki again decided to boycott the Awards and refused the<br />

nomination as a protest against US President George W Bush's<br />

foreign policy. In 2003, in one <strong>of</strong> his most famous protests,<br />

Kaurismäki boycotted the 40th New York <strong>Film</strong> <strong>Festival</strong> backing his<br />

Iranian fellow director, Abbas Kiarostami who was not given a US<br />

visa in time for the festival.<br />

<strong>Film</strong>ography:<br />

Features: Crime and Punishment, 1983; Calamari Union, 1985;<br />

Shadows in Paradise, 1986; Hamlet Goes Business, 1987; Ariel,<br />

1988; Likaiset kädet (Les mains sales), 1989 (production for<br />

Finnish TV); Leningrad Cowboys Go America, 1989; The Match<br />

Factory Girl, 1990; I Hired a Contract Killer, 1990; La Vie de<br />

Bohème, 1992; Take Care <strong>of</strong> Your Scarf, Tatiana, 1994; Leningrad<br />

Cowboys Meet Moses, 1994; Drifting Clouds, 1996; Juha, 1999;<br />

The Man Without a Past, 2002; Lights in the Dusk, 2006.<br />

Documentaries: Saimaa-ilmiö (Saimaa Gesture), 1981; Total<br />

Balalaika Show, 1994<br />

Short films: Rocky VI, 1986 (8 min); Through the Wire, 1987 (6<br />

min); Rich Little Bitch, 1987 (6 min); L.A. Woman, 1987 (5 min);<br />

Those Were The Days, 1991 (5 min); These Boots, 1992 (5 min);<br />

Välittäjä, 1996; Dogs Have No Hell, 2002 (10 minute episode in the<br />

collaborative film Ten Minutes Older - The Trumpet)<br />

102

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