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IFFI-2008 - International Film Festival of India

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COMPETITION<br />

JURY<br />

<strong>IFFI</strong>-<strong>2008</strong><br />

Peter Ho-Sun Chan<br />

(Chairman)<br />

Peter Ho-Sun Chan co-founded the United <strong>Film</strong>makers<br />

Organization (UFO) in Hong Kong in the early 1990s,<br />

and produced a solid track record <strong>of</strong> box <strong>of</strong>fice and<br />

critical hits. Chan has made an indelible mark on both<br />

sides <strong>of</strong> the Pacific with his Hong Kong comedy-dramas<br />

Alan and Eric: Between Hello and Goodbye; Tom, Dick<br />

& Harry and He's a Women, She's a Man. His<br />

commercially and critically acclaimed Comrades:<br />

Almost a Love Story was named one <strong>of</strong> the Ten Best<br />

Movies <strong>of</strong> 1997 by Time Magazine and swept a recordbreaking<br />

nine Hong Kong <strong>Film</strong> Awards. In 1998, he was<br />

voted one <strong>of</strong> the Top Ten Helmers to watch by Variety.<br />

Chan also directed the romantic comedy The Love Letter<br />

for Steven Spielberg's Dreamworks SKG in 1999. Chan<br />

furthered his vision for international collaborations by<br />

establishing his own company, Applause Pictures Ltd, in<br />

year 2000. The films produced include: Jan Dara<br />

(Thailand-Hong Kong), One Fine Spring Day (Japan-<br />

Korea-Hong Kong), The Eye (Singapore-Thailand-Hong<br />

Kong), Three (Thailand-Korea-Hong Kong), Golden<br />

Chicken and its sequel Golden Chicken 2, The Eye 2<br />

(Thailand-Singapore-Hong Kong), Three…Extremes<br />

(Japan-Korea-Hong Kong), The Eye Infinity and McDull,<br />

The Alumni (Hong Kong-China). In 2005, Chan widened<br />

his range by embarking on Hong Kong-China coproductions.<br />

Perhaps Love, his first collaboration with<br />

film pr<strong>of</strong>essionals on the Mainland, became one <strong>of</strong> the<br />

best-selling Chinese films in China, Hong Kong and<br />

Taiwan that year, picking up 29 honors at nine awards<br />

ceremonies. It was also selected as Hong Kong's entry to<br />

the 78th Annual Academy Awards in the Best Foreign<br />

Language <strong>Film</strong> category. In 2007, Chan produced Derek<br />

Yee's Protégé and directed The Warlords. The two films<br />

took the top two spots as the highest grossing coproductions<br />

<strong>of</strong> the year both in Hong Kong and China.<br />

Marco Mueller<br />

(Member)<br />

Born in Rome in 1953, Marco Mueller is a Sinologist and<br />

anthropologist turned film critic who contributed to various European<br />

periodicals and dailies in Italy, France, Switzerland and Netherlands. A<br />

film-historian, author, editor or contributor <strong>of</strong> books about Asian cinema<br />

and theatre, he has served as festival director at Turin "Electric shadows"<br />

during 1979-82, Pesaro <strong>Film</strong> <strong>Festival</strong>/Mostra Internazionale del Nuovo<br />

Cinema during 982-89, Rotterdam <strong>Film</strong> <strong>Festival</strong> during 1989-91;<br />

Locarno <strong>Film</strong> <strong>Festival</strong> during 1991-2000 and consultant for Venice <strong>Film</strong><br />

<strong>Festival</strong> during 1981-92. He has also curated retrospectives and theme<br />

programmes for festivals in Italy and other European countries, during<br />

1982-91. In his various capacities as Head <strong>of</strong> the Hubert Bals Fund in<br />

Rotterdam, <strong>of</strong> the "Fondazione Montecinemaverità" <strong>Film</strong> Fund in<br />

Lugano, and <strong>of</strong> the "Fondazione Officina Cinema Sud Est" in Bologna -<br />

all <strong>of</strong> which he initiated - he has co-financed over 200 films from Eastern<br />

Europe and Asia, Africa, Americas. Head <strong>of</strong> the <strong>Film</strong> & Video<br />

Department <strong>of</strong> Benetton's Fabrica through 1998-2002, he has also<br />

produced, co-produced and co-financed films for Fabrica Cinema, the<br />

production unit he has created in 1997. Among his credits as a producer<br />

are: Chinese director Zhang Yuan's Seventeen Years -- Guo nian hui jia<br />

(Best Director Award at the 1999 Venice <strong>Film</strong> <strong>Festival</strong>); Iranian director<br />

Samira Makhmalbaf's second feature Blackboards -- Takhté siah<br />

(Special Jury Award at the 2000 Cannes <strong>Film</strong> <strong>Festival</strong>, Unesco "Year <strong>of</strong><br />

the Culture Peace Award"); the debut-film <strong>of</strong> the first Bosnian New<br />

Wave auteur, Danis Tanovic's No Man's Land (Best Script Award at the<br />

2001 Cannes <strong>Film</strong> <strong>Festival</strong>, Academy Award for Best Foreign Language<br />

film); Brazilian Laís Bodanzky's Brainstorm" -- Bicho de Sete Cabeças<br />

(Youth Jury Award at the 2001 Locarno <strong>Film</strong> <strong>Festival</strong>, 17 different<br />

awards at the Brazilian festivals <strong>of</strong> Brasília, Recife and Gramado); Secret<br />

Ballot -- Raye makhfi (Best Director Award at the 2001 Venice <strong>Film</strong><br />

<strong>Festival</strong>); and Iranian director Babak Payami's Angel on the Right --<br />

Fararishtay kifti rost (2002 Cannes <strong>Film</strong> <strong>Festival</strong>, "Un Certain Régard",<br />

FIPRESCI Award at the 2002 London <strong>Film</strong> <strong>Festival</strong>, Special Jury Prize<br />

at 2002 Tokyo <strong>Film</strong>ex). He is currently the CEO <strong>of</strong> "Downtown<br />

Pictures" in Bologna (Italy), the independent company he has created<br />

with several Itallian and Swiss "business angels" to foster production <strong>of</strong><br />

films by new directors. In 2004, he was appointed artistic director <strong>of</strong> the<br />

Venice <strong>International</strong> <strong>Film</strong> <strong>Festival</strong>.<br />

6

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