IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
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COMPETITION<br />
JURY<br />
<strong>IFFI</strong>-<strong>2008</strong><br />
Peter Ho-Sun Chan<br />
(Chairman)<br />
Peter Ho-Sun Chan co-founded the United <strong>Film</strong>makers<br />
Organization (UFO) in Hong Kong in the early 1990s,<br />
and produced a solid track record <strong>of</strong> box <strong>of</strong>fice and<br />
critical hits. Chan has made an indelible mark on both<br />
sides <strong>of</strong> the Pacific with his Hong Kong comedy-dramas<br />
Alan and Eric: Between Hello and Goodbye; Tom, Dick<br />
& Harry and He's a Women, She's a Man. His<br />
commercially and critically acclaimed Comrades:<br />
Almost a Love Story was named one <strong>of</strong> the Ten Best<br />
Movies <strong>of</strong> 1997 by Time Magazine and swept a recordbreaking<br />
nine Hong Kong <strong>Film</strong> Awards. In 1998, he was<br />
voted one <strong>of</strong> the Top Ten Helmers to watch by Variety.<br />
Chan also directed the romantic comedy The Love Letter<br />
for Steven Spielberg's Dreamworks SKG in 1999. Chan<br />
furthered his vision for international collaborations by<br />
establishing his own company, Applause Pictures Ltd, in<br />
year 2000. The films produced include: Jan Dara<br />
(Thailand-Hong Kong), One Fine Spring Day (Japan-<br />
Korea-Hong Kong), The Eye (Singapore-Thailand-Hong<br />
Kong), Three (Thailand-Korea-Hong Kong), Golden<br />
Chicken and its sequel Golden Chicken 2, The Eye 2<br />
(Thailand-Singapore-Hong Kong), Three…Extremes<br />
(Japan-Korea-Hong Kong), The Eye Infinity and McDull,<br />
The Alumni (Hong Kong-China). In 2005, Chan widened<br />
his range by embarking on Hong Kong-China coproductions.<br />
Perhaps Love, his first collaboration with<br />
film pr<strong>of</strong>essionals on the Mainland, became one <strong>of</strong> the<br />
best-selling Chinese films in China, Hong Kong and<br />
Taiwan that year, picking up 29 honors at nine awards<br />
ceremonies. It was also selected as Hong Kong's entry to<br />
the 78th Annual Academy Awards in the Best Foreign<br />
Language <strong>Film</strong> category. In 2007, Chan produced Derek<br />
Yee's Protégé and directed The Warlords. The two films<br />
took the top two spots as the highest grossing coproductions<br />
<strong>of</strong> the year both in Hong Kong and China.<br />
Marco Mueller<br />
(Member)<br />
Born in Rome in 1953, Marco Mueller is a Sinologist and<br />
anthropologist turned film critic who contributed to various European<br />
periodicals and dailies in Italy, France, Switzerland and Netherlands. A<br />
film-historian, author, editor or contributor <strong>of</strong> books about Asian cinema<br />
and theatre, he has served as festival director at Turin "Electric shadows"<br />
during 1979-82, Pesaro <strong>Film</strong> <strong>Festival</strong>/Mostra Internazionale del Nuovo<br />
Cinema during 982-89, Rotterdam <strong>Film</strong> <strong>Festival</strong> during 1989-91;<br />
Locarno <strong>Film</strong> <strong>Festival</strong> during 1991-2000 and consultant for Venice <strong>Film</strong><br />
<strong>Festival</strong> during 1981-92. He has also curated retrospectives and theme<br />
programmes for festivals in Italy and other European countries, during<br />
1982-91. In his various capacities as Head <strong>of</strong> the Hubert Bals Fund in<br />
Rotterdam, <strong>of</strong> the "Fondazione Montecinemaverità" <strong>Film</strong> Fund in<br />
Lugano, and <strong>of</strong> the "Fondazione Officina Cinema Sud Est" in Bologna -<br />
all <strong>of</strong> which he initiated - he has co-financed over 200 films from Eastern<br />
Europe and Asia, Africa, Americas. Head <strong>of</strong> the <strong>Film</strong> & Video<br />
Department <strong>of</strong> Benetton's Fabrica through 1998-2002, he has also<br />
produced, co-produced and co-financed films for Fabrica Cinema, the<br />
production unit he has created in 1997. Among his credits as a producer<br />
are: Chinese director Zhang Yuan's Seventeen Years -- Guo nian hui jia<br />
(Best Director Award at the 1999 Venice <strong>Film</strong> <strong>Festival</strong>); Iranian director<br />
Samira Makhmalbaf's second feature Blackboards -- Takhté siah<br />
(Special Jury Award at the 2000 Cannes <strong>Film</strong> <strong>Festival</strong>, Unesco "Year <strong>of</strong><br />
the Culture Peace Award"); the debut-film <strong>of</strong> the first Bosnian New<br />
Wave auteur, Danis Tanovic's No Man's Land (Best Script Award at the<br />
2001 Cannes <strong>Film</strong> <strong>Festival</strong>, Academy Award for Best Foreign Language<br />
film); Brazilian Laís Bodanzky's Brainstorm" -- Bicho de Sete Cabeças<br />
(Youth Jury Award at the 2001 Locarno <strong>Film</strong> <strong>Festival</strong>, 17 different<br />
awards at the Brazilian festivals <strong>of</strong> Brasília, Recife and Gramado); Secret<br />
Ballot -- Raye makhfi (Best Director Award at the 2001 Venice <strong>Film</strong><br />
<strong>Festival</strong>); and Iranian director Babak Payami's Angel on the Right --<br />
Fararishtay kifti rost (2002 Cannes <strong>Film</strong> <strong>Festival</strong>, "Un Certain Régard",<br />
FIPRESCI Award at the 2002 London <strong>Film</strong> <strong>Festival</strong>, Special Jury Prize<br />
at 2002 Tokyo <strong>Film</strong>ex). He is currently the CEO <strong>of</strong> "Downtown<br />
Pictures" in Bologna (Italy), the independent company he has created<br />
with several Itallian and Swiss "business angels" to foster production <strong>of</strong><br />
films by new directors. In 2004, he was appointed artistic director <strong>of</strong> the<br />
Venice <strong>International</strong> <strong>Film</strong> <strong>Festival</strong>.<br />
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