IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
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COMPETITION<br />
CINEMA OF THE WORLD<br />
<strong>IFFI</strong>-<strong>2008</strong><br />
USA<br />
Women Behind the Camera<br />
2007, 35 mm, Colour, 95 mins, English<br />
Director<br />
Alexis Krasilovsky<br />
Screenplay<br />
Alexis Krasilovsky<br />
Cinematography<br />
Denise Bailie, Michelle Crenshaw, Kristin Glover, Mary<br />
Gonzales, Mairi Gunn, Jendra Jarnagin, Stephanie Martin,<br />
Hilda Mercado, Jakobine Motz, Yoshiko Osawa, LeRoy<br />
Patton, Karin Pelloni, El H. Sambi Sarr, Eva Testor (AAC) and<br />
others<br />
Editor<br />
Katey Bright<br />
Music<br />
Elizabeth Sellers<br />
Sound<br />
Steve Wohler<br />
Production<br />
Alexis Krasilovsky<br />
Rafael <strong>Film</strong><br />
1607 Landa St, Los Angeles, CA<br />
90026-2065 USA<br />
T: 323.662-5746<br />
Email: alexiskras@aol.com<br />
www.alexiskrasilovsky.com<br />
<strong>Festival</strong>s & Awards<br />
San Francisco Women's <strong>Film</strong> <strong>Festival</strong> (Best Women in Cinema<br />
Award, Tribute Award), Female Eye film festival (best<br />
documentary), Spirit <strong>of</strong> Moondance - Los Angeles (best<br />
documentary feature), Tiburon, Baltimore, Portland Women's<br />
<strong>Film</strong> <strong>Festival</strong>, Flying Broom <strong>International</strong> <strong>Film</strong> <strong>Festival</strong><br />
(Ankara), San Francisco Women's <strong>Film</strong> <strong>Festival</strong>, Women's<br />
<strong>International</strong> <strong>Film</strong> <strong>Festival</strong> (Florida), Dhaka<br />
Who knew that only two per cent <strong>of</strong> cinematographers on the largest budget American<br />
films were women? And what will the world <strong>of</strong> film be like when the vision <strong>of</strong> women<br />
informs it in a fuller way? This made-by-women-for-women global documentary,<br />
based upon Krasilovsky's book <strong>of</strong> the same name, connects globally, exploring the lives<br />
<strong>of</strong> camerawomen in Canada, China, France, Germany, <strong>India</strong>, <strong>India</strong>, Iran, Mexico,<br />
Russia, Senegal, and other countries in a way never seen before. For six years, the film's<br />
makers followed the lives <strong>of</strong> over 50 camerawomen, from video journalists risking their<br />
lives in war zones, to feature directors <strong>of</strong> photography, shooting buddies-with-guns<br />
escaping in slow motion from total destruction on commercial sets… from secret films<br />
by camerawomen <strong>of</strong> the Taliban beating Afghani women, to historic footage by China's<br />
first camerawomen <strong>of</strong> Mao's travels through the Chinese countryside… from the<br />
narrative <strong>of</strong> a Russian filmmaker who filmed the fall <strong>of</strong> the Soviet Union, whose choice<br />
<strong>of</strong> career is told as a love story… to rural <strong>India</strong>, where subsistence-level women are<br />
taught camerawork as a means <strong>of</strong> empowerment…to the glowing young Senegalese<br />
camerawoman willing to climb onto a man's shoulders - literally - to get her subject,<br />
Krasilovsky shows us a world <strong>of</strong> beauty, courage and technical skill. <strong>India</strong>n<br />
camerapersons featured in the film include Sabeena Gadihoke, Ashok Mehta, Leelaben<br />
Paben, Priya Seth Rao, M Shanti and Vijayalakshmi.<br />
After studying film history at Yale University, Alexis Krasilovsky embarked on a career<br />
as an independent filmmaker and holographer. Krasilovsky was the first to include the<br />
film techniques <strong>of</strong> zooming and dissolving in a motion picture hologram, Created and<br />
Consumed by Light (1975). Her pro-choice hologram, Childbirth Dream, was exhibited<br />
at the Georges Pompidou Center, Paris and other museums and festivals. She did an<br />
MFA in <strong>Film</strong>/Video Graphics from California Institute <strong>of</strong> the Arts. As head <strong>of</strong> her own<br />
production company, Krasilovsky has written, directed, produced and shot numerous<br />
documentaries, video-poems and art films, including Beale Street, Exile, What Memphis<br />
Needs, Blood, and End <strong>of</strong> the Art World. Krasilovsky is currently a pr<strong>of</strong>essor in the<br />
Department <strong>of</strong> Cinema and Television Arts at California State University, Northridge,<br />
teaching film production, screenwriting and film studies and continuing to make her<br />
own movies. She and her son live in Los Angeles.<br />
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