IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
<strong>IFFI</strong>-<strong>2008</strong><br />
CINEMA OF THE WORLD<br />
Taiwan<br />
Cape No. 7<br />
<strong>2008</strong>, 35 mm, Colour, 129 mins, Chinese<br />
Aga left Hengchun for Taipei in the hope <strong>of</strong> becoming the singer in a band. After ten<br />
years <strong>of</strong> hard work, he returns home, his dream unfulfilled, and soon gets a job at the<br />
local post <strong>of</strong>fice. Tomoko is a Japanese model going down in popularity who is asked to<br />
put together a local warm-up band for an upcoming Japanese super star beach concert to<br />
be held in Hengchun. However, recruiting the band members proves to be as difficult a<br />
task as the search for the famous seven samurai. Still, seven ordinary Hengchun<br />
residents end up forming the band. One day, Aga receives a parcel from Japan not meant<br />
for him - in fact, it was to have been delivered at Cape No.7., an address that doesn't exist<br />
anymore … But even though he cannot find the address, Aga doesn't return the parcel to<br />
Japan. Rather, he opens it to find love letters written some 60 years ago by a Japanese<br />
teacher and addressed to a Taiwanese girl he was deeply in love with, but had to leave<br />
behind in Taiwan. During the process <strong>of</strong> putting the band together, Aga and Tomoko are<br />
constantly at odds with each another, but thanks to the love letters, their conflict-ridden<br />
relationship slowly turns into love. And even though they eventually find the lady the<br />
parcel was meant for, it seems that Aga and Tomoko are destined to follow the same<br />
footsteps as the girl and the teacher in their own love story … Tomoko must now decide<br />
whether she will stay together with Aga or go back to Japan alone.<br />
Director<br />
Wei Te-Sheng<br />
Screenplay<br />
Wei Te-Sheng<br />
Cinematography<br />
Chin Ting-Chang<br />
Editor<br />
Lai Hui-Chuan, Su Pei-I<br />
Music<br />
Fred Lu, Lo Chi-Yi<br />
Cast<br />
Van Tanaka Chie, Min-Hsiung, Ma Nien-Hsien, Ying Wei-<br />
Min, Joanne, Johnny C.J. Lin, Shino Lin, Bjanav Zenror<br />
Sound<br />
Tu Duu-Chi<br />
Production<br />
ARS <strong>Film</strong> Production<br />
2F, No. 82, Fuxing S. Rd., Section 2, Da-an District<br />
Taipei City 106, Taiwan<br />
T : 886-958-483-258<br />
Email: christa@url.com.tw<br />
World Sales<br />
Good <strong>Film</strong>s Workshop<br />
11F, No. 294-1, Sec. 1, Dunhua S. Rd., Da-an District<br />
Taipei City 106, Taiwan<br />
T: 886-936-968-411<br />
F: 886-2-2709-8521<br />
Email: ritachuang@hotmail.com<br />
<strong>Festival</strong>s & Awards<br />
Taiwan Official Entry for the Best Foreign Language Oscar at<br />
st<br />
the 81 Academy Awards, 2009; Taipei (Audience Choice<br />
Award, New Talent Competition), Pusan, Hawaii<br />
Wei Te-Sheng's film career began when he found a job in a small production company.<br />
In 1993, he became grip assistant in Edward Yang's film studio, and at the time when<br />
Yang was filming Mahjong (1996), Wei was promoted from grip assistant to assistant<br />
director. Then, from 1995 to 1998, he himself shot a number <strong>of</strong> shorts including Face in<br />
the Evening (1995), Three Dialogues (1996) and Before Dawn (1997), all three <strong>of</strong> which<br />
won Golden Harvest Award for <strong>Film</strong> and Digital Video. Following these, his first feature<br />
film, About July (1999), was well received by film critics in Taiwan and was honored<br />
with a Special Mention from the Alcan Dragons And Tigers Award For Young Cinema at<br />
the Vancouver <strong>International</strong> <strong>Film</strong> <strong>Festival</strong>. Wei was also the associate producer <strong>of</strong><br />
Double Vision (2002), a film <strong>of</strong> the Columbia Pictures <strong>Film</strong> Production Asia.In 2004, he<br />
raised 2.5 million dollars to shoot the trailer <strong>of</strong> Seediq Bale, the first step towards raising<br />
200 million dollars to finance the shooting <strong>of</strong> the complete film. Wei always endeavours<br />
to use the talent and ability <strong>of</strong> Taiwanese film artisans to their fullest.<br />
79