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IFFI-2008 - International Film Festival of India

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COMPETITION<br />

CINEMA OF THE WORLD<br />

<strong>IFFI</strong>-<strong>2008</strong><br />

Malaysia<br />

Shadows / Wayang<br />

<strong>2008</strong>, 35 mm, Colour, 110 mins, Malay<br />

Director<br />

Hatta Azad Khan<br />

Screenplay<br />

Hatta Azad Khan<br />

Cinematography<br />

Mazli Abdul Rahman<br />

Editor<br />

Hafiz Kamaruzaman<br />

Cast<br />

Eman Manan (Awang Lah), Zul Huzaimy Marzuki (Awi),<br />

Mas Muharni<br />

(Melor), Ida Nerina (Mak Esah), Wan Kenari (Jusoh)<br />

Art<br />

Hafshizan Hashim<br />

Sound<br />

Faizal Ghazali<br />

Production & Sales<br />

Universiti Teknologi Mara<br />

Fact / Kampus Puncak Perdana<br />

40150 Shah Alam<br />

Selangor, Malaysia<br />

T: 603 7962 2401<br />

F: 603 7962 2405<br />

Email: hattazad@yahoo.com<br />

Master puppeteer, Awang Lah, becomes a uneasy teacher to Awi, a blind, orphaned boy,<br />

and Melor, a girl with a nasal problem. Though blind, Awi is adept at memorising<br />

wayang kulit stories. Melor, too, shows great skill in creating the puppets and<br />

manipulating them on the screen as Awi recites the stories. Now adult, Awi's innovative<br />

ways <strong>of</strong> telling the time-worn tales <strong>of</strong> the Ramayana is well-received by his audience but<br />

Awang Lah is not pleased. To him, the traditional wayang kulit performance are<br />

sacrosanct and must not be tampered with. Awang Lah's problems are further<br />

compounded by the antics <strong>of</strong> his cousin, Jusoh, who considers Awang Lah and his<br />

wayang kulit as heretical. Loves begins to bloom between the blind Awi and Melor.<br />

Jusoh, who has an eye for Melor, begins to throw all manner <strong>of</strong> obstacles in their path,<br />

resulting in Awi being blamed for burning down Awang Lah's wayang kulit theatre.<br />

Awang Lah confronts Jusoh when he discovers that Jusoh was the real culprit. Now<br />

strongly protective <strong>of</strong> Awi and Melor, Awang Lah warns Jusoh to keep away from them.<br />

Circumstances become too much for Awang Lah and he collapses during a wayang kulit<br />

performance.<br />

Pr<strong>of</strong> Hatta Azad Khan was born in 1952. He studied theatre directing and scenography<br />

in the US and film studies in Australia. He is a pr<strong>of</strong>essor <strong>of</strong> theatre and film studies, and<br />

the dean <strong>of</strong> the Faculty <strong>of</strong> Artistic and Creative Technology <strong>of</strong> Universiti Teknologi<br />

Mara, Malaysia. He writes and directs stage plays and musicals, and also writes scripts<br />

for feature films, documentaries and sitcoms. He wrote and directed the most popular<br />

and the longest-running sitcom Pi Mai Pi Mai Tang Tu, which ran for 18 years on<br />

Malaysia's TV3 channel. His first feature film, Mat Som (based on Lat's comic book),<br />

won the best screenplay award at the 1992 Malaysian <strong>Film</strong> <strong>Festival</strong> and represented<br />

Malaysia in international film festivals in Tokyo, Fukuoka, Hawaii, Bangalore, Taipei<br />

and Jakarta. Wayang is his second feature film based on his own screenplay.<br />

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