IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
IFFI-2008 - International Film Festival of India
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COMPETITION<br />
PETER HO-SUN CHAN<br />
<strong>IFFI</strong>-<strong>2008</strong><br />
Peter Ho-Sun Chan co-founded the United <strong>Film</strong>makers Organization (UFO) in Hong Kong in the early 1990s, and produced a solid track record <strong>of</strong> box<br />
<strong>of</strong>fice and critical hits. Chan has made an indelible mark on both sides <strong>of</strong> the Pacific with his Hong Kong comedy-dramas Alan and Eric: Between Hello and<br />
Goodbye; Tom, Dick & Harry and He's a Women, She's a Man. His commercially and critically acclaimed Comrades: Almost a Love Story was named one <strong>of</strong><br />
the Ten Best Movies <strong>of</strong> 1997 by Time Magazine and swept a record-breaking nine Hong Kong <strong>Film</strong> Awards. In 1998, he was voted one <strong>of</strong> the Top Ten<br />
Helmers to watch by Variety. Chan also directed the romantic comedy The Love Letter for Steven Spielberg's Dreamworks SKG in 1999. Chan furthered his<br />
vision for international collaborations by establishing his own company, Applause Pictures Ltd, in year 2000. The films produced include: Jan Dara<br />
(Thailand-Hong Kong), One Fine Spring Day (Japan-Korea-Hong Kong), The Eye (Singapore-Thailand-Hong Kong), Three (Thailand-Korea-Hong Kong),<br />
Golden Chicken and its sequel Golden Chicken 2, The Eye 2 (Thailand-Singapore-Hong Kong), Three…Extremes (Japan-Korea-Hong Kong), The Eye<br />
Infinity and McDull, The Alumni (Hong Kong-China). In 2005, Chan widened his range by embarking on Hong Kong-China co-productions. Perhaps Love,<br />
his first collaboration with film pr<strong>of</strong>essionals on the Mainland, became one <strong>of</strong> the best-selling Chinese films in China, Hong Kong and Taiwan that year,<br />
picking up 29 honors at nine awards ceremonies. It was also selected as Hong Kong's entry to the 78th Annual Academy Awards in the Best Foreign Language<br />
<strong>Film</strong> category. In 2007, Chan produced Derek Yee's Protégé and directed The Warlords. The two films took the top two spots as the highest grossing coproductions<br />
<strong>of</strong> the year both in Hong Kong and China.<br />
Perhaps Love / Ru guo · Ai<br />
2005, 35 mm, Colour, 107 mins, Mandarin Chinese<br />
Director<br />
Peter Ho-Sun Chan<br />
Screenplay<br />
Aubrey Lam, Raymond To<br />
Cinematography<br />
Christopher Doyle, Peter Pau<br />
Editor<br />
Chi-Leung Kwong, Wenders Li<br />
Music<br />
Peter Kam, Leon Ko<br />
Cast<br />
Takeshi Kaneshiro (Lin Jian-dong), Xun Zhou (Sun Na), Jacky<br />
Cheung (Nie Wen), Jin-hee Ji (Monty), Eric Tsang (Producer),<br />
Sandra Ng Kwan Yue (Lin's Manager)<br />
Production Design<br />
Chung Man Yee<br />
Art<br />
Pater Wong<br />
Costumes<br />
Dora Ng<br />
Production & World Sales<br />
Celestial Pictures<br />
Shaw Administration Bldg. Lot 220, Clear Water Bay Rd.<br />
Kowloon, Hong Kong<br />
T: +852 2927 1170<br />
F: 852-2243-0008<br />
Email: enquiry@celestialpictures.com,<br />
soonen.wong@celestialpictures.com<br />
<strong>Festival</strong>s<br />
Venice, Seattle, Sydney, Palm Springs, San Francisco, Hong Kong<br />
A love triangle develops between the male and female leads and the director during the<br />
making <strong>of</strong> a musical in mainland China. The film depicts the pain and suffering that can<br />
come from true love. Lin Jian-Dong, a Hong Kong heartthrob arrives in Shanghai to<br />
work on a new musical by director Nie Wen. Sun Na, a driven-for-success actress with a<br />
popularity that extends to Hollywood, has long been Nie Wen's partner - both on the<br />
screen and <strong>of</strong>f - but this new collaboration has issues. Nie Wen doubts his creative fire,<br />
and looks to his new film to reassert his once-established filmmaking genius. Thanks to<br />
Nie Wen's artistic temperament, the relationship between the two suffers from some<br />
strain. But with the arrival <strong>of</strong> Jian-Dong, Nie Wen and Sun Na's relationship is about to<br />
get a whole lot messier. This is also the film in which <strong>India</strong>n choreographer-turneddirector<br />
Farah Khan showcased her creativity as a choreographer at an international<br />
level.<br />
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