The 47 Ronin v1.3 (c#1A72A6.fdr - Whoa is (Not)
The 47 Ronin v1.3 (c#1A72A6.fdr - Whoa is (Not)
The 47 Ronin v1.3 (c#1A72A6.fdr - Whoa is (Not)
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73.<br />
But before Isogai has fin<strong>is</strong>hed h<strong>is</strong> rant, the old man slides<br />
h<strong>is</strong> walking stick apart to reveal THE MOST BEAUTIFUL EXAMPLE<br />
OF SWORDMAKING WE HAVE EVER SEEN.<br />
Even Minoru, completely engrossed in carving h<strong>is</strong> ivory block,<br />
looks up in wonder.<br />
In h<strong>is</strong> hands, the Ainu holds a DOUBLE-EDGED KATANA, pol<strong>is</strong>hed<br />
mirror bright. Like liquid silver. A steel dream...<br />
Words choke in Isogai’s throat. O<strong>is</strong>hi stares in open<br />
aston<strong>is</strong>hment at the quality.<br />
OISHI<br />
Koto blade...<br />
From the reverence in h<strong>is</strong> tone, we can tell it’s the Holy<br />
Grail of swordmaking.<br />
How..?<br />
OISHI (CONT’D)<br />
ONE-ARMED AINU<br />
<strong>The</strong> rest of Japan may have<br />
forgotten the true art of<br />
swordmaking...but the Ainu have<br />
not.<br />
And as the old man begins to tell the story, PUSH IN on the<br />
coals in the brazier on the table and --<br />
DISSOLVE TO:<br />
A RIVER OF FLOWING LAVA<br />
-- snaking beneath the earth. We are:<br />
INT. MT. FUJI<br />
-- where we FOLLOW the lava flow through a maze of VOLCANIC<br />
TUNNELS formed of solidified molten rock. Orange light<br />
suffuses the tunnels, making them glow. From somewhere<br />
ahead, and the sound of SMITHS’ HAMMERS can be heard.<br />
ONE-ARMED AINU (VO)<br />
Frustrated at the deterioration of<br />
the swordmaking art, the<br />
descendants of legendary swordmaker<br />
Amakuni retreated into the lava<br />
tunnels beneath Mt. Fuji to<br />
red<strong>is</strong>cover their ancestor’s lost<br />
techniques.