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The 47 Ronin v1.3 (c#1A72A6.fdr - Whoa is (Not)

The 47 Ronin v1.3 (c#1A72A6.fdr - Whoa is (Not)

The 47 Ronin v1.3 (c#1A72A6.fdr - Whoa is (Not)

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73.<br />

But before Isogai has fin<strong>is</strong>hed h<strong>is</strong> rant, the old man slides<br />

h<strong>is</strong> walking stick apart to reveal THE MOST BEAUTIFUL EXAMPLE<br />

OF SWORDMAKING WE HAVE EVER SEEN.<br />

Even Minoru, completely engrossed in carving h<strong>is</strong> ivory block,<br />

looks up in wonder.<br />

In h<strong>is</strong> hands, the Ainu holds a DOUBLE-EDGED KATANA, pol<strong>is</strong>hed<br />

mirror bright. Like liquid silver. A steel dream...<br />

Words choke in Isogai’s throat. O<strong>is</strong>hi stares in open<br />

aston<strong>is</strong>hment at the quality.<br />

OISHI<br />

Koto blade...<br />

From the reverence in h<strong>is</strong> tone, we can tell it’s the Holy<br />

Grail of swordmaking.<br />

How..?<br />

OISHI (CONT’D)<br />

ONE-ARMED AINU<br />

<strong>The</strong> rest of Japan may have<br />

forgotten the true art of<br />

swordmaking...but the Ainu have<br />

not.<br />

And as the old man begins to tell the story, PUSH IN on the<br />

coals in the brazier on the table and --<br />

DISSOLVE TO:<br />

A RIVER OF FLOWING LAVA<br />

-- snaking beneath the earth. We are:<br />

INT. MT. FUJI<br />

-- where we FOLLOW the lava flow through a maze of VOLCANIC<br />

TUNNELS formed of solidified molten rock. Orange light<br />

suffuses the tunnels, making them glow. From somewhere<br />

ahead, and the sound of SMITHS’ HAMMERS can be heard.<br />

ONE-ARMED AINU (VO)<br />

Frustrated at the deterioration of<br />

the swordmaking art, the<br />

descendants of legendary swordmaker<br />

Amakuni retreated into the lava<br />

tunnels beneath Mt. Fuji to<br />

red<strong>is</strong>cover their ancestor’s lost<br />

techniques.

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