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summer/fall 2013 catalog of courses - Denver Botanic Gardens

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GUEST WORKSHOPS<br />

Edible and Admirable: The Art <strong>of</strong> Chinese Fruit and Flower Painting<br />

Bring the Chinese garden to you. Learn the techniques <strong>of</strong> Chinese brush painting during this three-day<br />

intense workshop returning to <strong>Denver</strong> <strong>Botanic</strong> <strong>Gardens</strong> for its fifth year. Learn to look at and paint<br />

pumpkins and chrysanthemums in the Chinese way, study their hidden meanings and uncover a possible<br />

secret message. This class will teach you to create and decipher the meanings and read the secret<br />

messages in Chinese art. Fee: $350 member, $400 non-member. No Prerequisites.<br />

No refunds for registration cancellations after August 12 unless your seat can be filled.<br />

WEEKEND WORKSHOP<br />

DATE: Fri. – Sun., Sept. 20 – 22 | TIME: 9 a.m. – 4 p.m. (18 hours)<br />

Instructor: Sally Yu Leung, San Francisco, CA<br />

Sally Yu Leung<br />

Sally Yu Leung is an author, independent curator <strong>of</strong> Chinese decorative arts and the cultural ambassador<br />

<strong>of</strong> the Asian Art Museum in San Francisco. She has been a teacher <strong>of</strong> Chinese calligraphy and brush<br />

arts at Pixar University for many years.<br />

Pushing the Boundaries - Master Class<br />

Strong composition is essential to creating memorable works <strong>of</strong> art. This is particularly true in botanical<br />

art, where good composition can lift a work from the mundane to the sublime. In this master class<br />

you will learn the elements that go towards making a balanced and harmonious illustration. Individual<br />

guidance and new techniques get you thinking “outside the box” and develop your own particular style.<br />

This workshop is suitable for students working in any medium. Fee: $350 member, $400 non-member.<br />

Prerequisites: Open for all students with the <strong>Botanic</strong>al Art and Illustration Certificate <strong>of</strong> Completion, and<br />

counts toward diploma exam requirements.<br />

No refunds for registration cancellations after August 12 unless your seat can be filled.<br />

WEEKEND WORKSHOP<br />

DATE: Fri. – Sun., Sept. 20 – 22 | TIME: 9 a.m. – 4 p.m. (18 hours)<br />

Instructor: Ann Swan, U.K.<br />

Tips and Tricks: Techniques Intense<br />

Color pencil techniques are constantly evolving as new materials come onto the market and old materials<br />

are rediscovered for new techniques. Spend a day with Ann Swan trying out her latest techniques for fine<br />

details, foundation, complex layering and creating vibrant colors. Fee: $140 member, $180 non-member.<br />

Prerequisites: Pencil I, Light on Form, Color Layering for Colored Pencils, Colored Pencil I, Colored Pencil II.<br />

No refunds for registration cancellations after August 12 unless your seat can be filled.<br />

DATE: Mon., Sept. 23 | TIME: 9 a.m. – 4 p.m.<br />

Instructor: Ann Swan, U.K<br />

Ann Swan works primarily in graphite and colored pencil, and is well known for her exquisitely fine<br />

detail, vibrant colors and strong contemporary style. She champions the underdog in the plant world,<br />

drawing our attention to Brussels sprouts or beetroots, feeling they are just as beautiful as the iris or tulip.<br />

She is passionate about colored pencils, believing they are easy to master, forgiving and accessible so<br />

that even a complete beginner can quickly produce work <strong>of</strong> quality.<br />

Ann Swan began exhibiting in 1990 and now shows her work worldwide. Exhibitions include The<br />

Royal <strong>Botanic</strong> <strong>Gardens</strong> at Kew and the Hunt Institute in Pittsburgh. She has won four Gold Medals from<br />

the Royal Horticulture Society and several awards form UKCPS (Colored Pencil Society <strong>of</strong> the United<br />

Ann Swan<br />

Kingdom) and SBA (Society <strong>of</strong> <strong>Botanic</strong>al Artists). She is a member <strong>of</strong> the RHS Picture Committee. Her<br />

work is represented in the prestigious Shirley Sherwood Collection and features in many private collections around the world. Ann’s recent<br />

book “<strong>Botanic</strong>al Painting with Coloured Pencils” is already in its second print run and has been very well received both in the United<br />

Kingdom and in the U.S., where it is published as “<strong>Botanic</strong>al Portraits with Colored Pencils.”<br />

= Visiting Instructor<br />

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