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Volume 5 NO 11 november 2012<br />

trust<br />

news<br />

Australia<br />

<strong>NATIONAL</strong> <strong>TRUST</strong><br />

INSIDE >


Summer<br />

at the National Gallery of Australia<br />

14 December 2012 to 2 April 2013 | Book now: ticketek.com.au<br />

PRINCIPAL PARTNERS<br />

EXHIBITION PARTNER<br />

Henri de Toulouse-Lautrec Queen of Pleasure [Reine de Joie] 1892 (detail), colour lithograph,<br />

National Gallery of Australia, Canberra, purchased with the assistance of Mary Peabody 2011<br />

nga.gov.au Parkes Place, Canberra | 10 am – 5 pm daily | Enquiries: (02) 6240 6502<br />

Summer<br />

exhibitions<br />

Carol Jerrems<br />

Until 28 January<br />

Free entry<br />

Abstract Expressionism<br />

Until 24 February<br />

Free entry<br />

Kastom: Arts of Vanuatu<br />

8 February 2013 – 16 June 2013<br />

Free entry<br />

Jesse Traill<br />

16 February 2013 – 23 June 2013<br />

Free entry


5<br />

10<br />

Navigating your way through this pdf.<br />

16<br />

8<br />

21<br />

28<br />

Simply click on the featured photo within the contents page to<br />

link you to the start of that article. Click again on the Contents<br />

bookmark ribbon to return to the contents.<br />

Look for this symbol to link to external web resources<br />

related to this topic.<br />

Inside<br />

ISSN: 1835-2316<br />

Vol 5 No 11 2012<br />

Trust News is published quarterly for<br />

National Trust members and subscribers<br />

in February, May, August and November.<br />

Publication is coordinated by the National<br />

Trust of Australia (WA) on behalf of the<br />

National Trusts of Australia and supported<br />

by the Department of Sustainability,<br />

Environment, Water,<br />

Population and Communities.<br />

National Trust of Australia (WA)<br />

ABN 83 697 381 616<br />

PO Box 1162<br />

West Perth WA 6872<br />

T: 08 9321 6088 F: 08 9324 1571<br />

W:www.ntwa.com.au<br />

Editor: Gina Pickering<br />

gina.pickering@ntwa.com.au<br />

T: 08 9321 6088<br />

Advertising: For advertising rates,<br />

contact the Editor.<br />

Design: Dessein Graphics<br />

Cover: A wild koala undergoes a health<br />

assessment prior to release.<br />

Currumbin Wildlife Sanctuary.<br />

Next Issue: February 2013<br />

Copy deadline:10 November 2012<br />

Please help us to save our environment and<br />

circulate this magazine as widely as possible.<br />

This magazine is printed on recyclable paper<br />

and packed in 100% degradable wrap.<br />

The views expressed in Trust News are not<br />

necessarily those of the National Trusts or the<br />

Department of Sustainability, Environment,<br />

Water, Population and Communities. The<br />

articles in this magazine are subject to<br />

copyright. No article may be used without the<br />

consent of the National Trust and the author.<br />

November - January 2013<br />

Greetings,<br />

In this edition, a preview of breathtaking<br />

conservation works at the oldest Executive<br />

Council Chamber in Australia and a million<br />

dollar facelift for Perth’s only surviving 19th<br />

Century stone building.<br />

South Australian treasures revealed in the<br />

Ayers House Museum Collection and convict<br />

work in clay defines changes in style and<br />

form.<br />

The National Trust also supports an<br />

Australian icon in the firing line as the<br />

community rallies with vital support.<br />

Enjoy<br />

Gina Pickering | Editor<br />

my Word<br />

with editor<br />

Gina Pickering<br />

4 The Cascades Female<br />

Factor<br />

5 An elegant mid-Victorian<br />

survivor<br />

8 School’s out on the Terrace<br />

10 The Broad Arrow Bricks<br />

12 New perspectives on<br />

Northwest cultural<br />

landscapes<br />

14 Right on Q<br />

16 Getting to know the<br />

Curtins in Cottesloe<br />

18 The Fabric of Society:<br />

Australia’s Heritage Quilts<br />

20 Tunnellers Net<br />

21 A chamber of delight for<br />

Sydney architects<br />

24 A Master Plan<br />

for the Old Farm<br />

26 In the firing line<br />

27 War on Pests<br />

at Miss Porter’s House<br />

28 Future for South Australian<br />

Riverland nature reserves<br />

29 Goulbourn Anniversary<br />

30 National Trust Way<br />

Holiday Tours<br />

3 Trust News Australia november 2012


perspectives<br />

Sustaining Australia’s World Heritage<br />

Tony Burke | Minister for Sustainability, Environment, Water, Population and Communities<br />

I am delighted that over the past couple of months I have been able to announce<br />

significant funding for two world heritage listed places.<br />

At the World Heritage Listed<br />

Cascades Female Factory in<br />

Tasmania I announced $374,000<br />

in funding to improve the visitor<br />

experience as part of a conservation<br />

and interpretation project funded<br />

by the Your Community Heritage<br />

program.<br />

The yards of the Cascades<br />

Female Factory are filled with the<br />

footprints of the convict buildings<br />

that housed over 1000 convict<br />

women and children who were<br />

once held and worked there.<br />

Heritage is fundamental to our<br />

national identity and informs us<br />

about where we have come from<br />

and who we are. The Cascades<br />

Female Factory played an important<br />

role in Australia’s history and this<br />

funding will ensure that it is able to<br />

continue telling that story.<br />

The factory opened in 1828 and<br />

operated as a prison and place<br />

of punishment for re-offending<br />

female convicts, a female labour<br />

hiring depot, a hospital, a nursery,<br />

a place for pregnant convicts and a<br />

workplace.<br />

As one of the only places of<br />

early female imprisonment with<br />

intact remains, it is one of the most<br />

significant sites of convict heritage<br />

in the world.<br />

In addition to the support for<br />

the Cascade Female Factory I also<br />

recently announced an injection<br />

of $20 million for important<br />

works to Melbourne’s iconic Royal<br />

Exhibition Building and Carlton<br />

Gardens. The funding will assist<br />

with conservation works for the<br />

building and promotional and<br />

interpretive activities.<br />

The magnificent building is<br />

a great treasure of international<br />

importance. The funds will help<br />

Museum Victoria uphold the values<br />

that led to the site’s inscription on<br />

the World Heritage List in 2004.<br />

The Royal Exhibition Building<br />

was built for the 1880 Melbourne<br />

International Exhibition as an<br />

opportunity to promote Australia’s<br />

technological innovations to the<br />

world. The building also hosted<br />

the opening of the first Federal<br />

Parliament in 1901. It is part of our<br />

story as a nation and is a special<br />

place for all Australians.<br />

I am pleased that two significant<br />

heritage places are receiving the<br />

recognition and funding needed<br />

to assist in protection, promotion<br />

and the sharing of their story.<br />

Above Left Royal Exhibition Building and Carlton Gardens. DSEWPaC<br />

Above right Cascades Female Factory. DSEWPaC<br />

Trust News Australia november 2012<br />

4


places<br />

An elegant<br />

mid-Victorian survivor<br />

Janine Hook | Ayers House Museum Manager<br />

Ayers House stands today not only as the last surviving<br />

mansion of its era on the southern side of<br />

North Terrace, it also interprets the life of a leading South<br />

Australian family of the 19 th Century.<br />

Trust News Australia november 2012<br />

5


Sir Henry Ayers came from<br />

England as a young man<br />

with little schooling and went<br />

on to become Premier of South<br />

Australia and Secretary of the<br />

Burra Copper Mine.<br />

In 1858 he commissioned the<br />

conversion of an early nineroomed<br />

brick house which was<br />

to become the forty roomed<br />

mansion present today.<br />

Architect Sir George Strickland<br />

Kingston (1807-1880) produced<br />

what was by then a conservative,<br />

regency-style masterpiece.<br />

By the time Sir Henry’s North<br />

Terrace House was completed in<br />

1876 the interior had been handstencilled<br />

room by room and the<br />

magnificent Lyon and Cottier<br />

designed formal dining room<br />

ceiling is regarded as among the<br />

most significant hand-painted<br />

ceilings in the country.<br />

The National Trust of South<br />

Australia’s fine collection in the<br />

house is displayed to highlight<br />

original Ayers family pieces.<br />

TOP The Grand Staircase - access to the Guest Wing of the house and today access to the upstairs section of the Museum.<br />

The plush red carpets indicate that this staircase was used by the family and invited guests – not the staff of the house. G Gillman<br />

bottom External view of Ayers House. G Gillman<br />

right The Saratoga Trunk. J Hook<br />

Trust News Australia november 2012<br />

6


above The Family Dining Room – the small<br />

dining room located behind the front<br />

verandah where the family would have<br />

dined together. G Gillman<br />

Recent preparations for South<br />

Australia’s museum reaccreditation,<br />

have revealed some previously<br />

hidden treasures in the Ayers House<br />

Museum collection. These items<br />

include South Australia Illustrated -<br />

volumes of watercolours by George<br />

French Angas (son of founding<br />

chairman of the South Australian<br />

Company George Fife Angas) which<br />

give insight into how early settlers<br />

saw the environment, Indigenous<br />

families and lifestyles.<br />

Another special find is a “Saratoga<br />

Trunk”, in this case fitted internally<br />

as a ladies travel companion with<br />

glove drawers and stationery<br />

compartments.<br />

The costume collection has been<br />

extended due to these finds as well.<br />

In the next year (with the installation<br />

of a new storage system courtesy<br />

of funding from History South<br />

Australia’s Community Museums<br />

Program) the upstairs Guest Wing<br />

will be rearranged to include a<br />

Ladies Dressing Room and stand<br />

alone Gentlemen’s bedroom. The<br />

introduction of the Ladies Dressing<br />

Room will allow a proper and more<br />

contextually relevant interpretation<br />

of costumes on a rotational basis.<br />

Using reflections on social<br />

history, visitors to the property are<br />

introduced to how life may have<br />

been for both the Ayers family and<br />

those “below stairs”.<br />

Henry Ayers: The Man Who<br />

Became a Rock<br />

Author: Jason Shute<br />

Between the lines<br />

Publisher: IB Taurus & Co, London 2011<br />

Reviewer: Marcus Beresford<br />

National Trust (SA) Councilor<br />

Mining magnates are topical and this book brings to<br />

life Australia’s first mining magnate, Sir Henry Ayers,<br />

a key player in the great copper boom at Burra, South<br />

Australia in 1845. Ayers was inaugural President of the<br />

Australian Institute of Mining and Metallurgy.<br />

From humble carpentry beginnings in Portsmouth England, Ayers first<br />

worked in SA legal offices, then became secretary of the SA Mining Association<br />

which exploited the “Monster Mine” at Burra. He also managed the financial<br />

affairs of big investors in that mine and went on to become Premier of South<br />

Australia seven times and President of the Legislative Council for 12 years.<br />

Uluru was named after him, but that legacy is fading. As to Ayers’ other<br />

legacies, these are not entirely obvious apart from Ayers House, the supremely<br />

elegant mansion on North Terrace, Adelaide, now a Museum of the National<br />

Trust of South Australia. Ayers was leader of the South Australian government<br />

at the time of both the settlement of the Northern Territory and construction<br />

of the Overland Telegraph (a major development for Australia giving rapid<br />

communication with Britain and other centres for the first time), but this book<br />

suggests that he may not have been pivotal in such developments. The reader<br />

gets the impression that Ayers was more the facilitator than initiator.<br />

In other areas he “set the scene” for later initiatives, without pushing things<br />

to a new level. These included women’s property rights after marriage, public<br />

education, eight hour work-days, unionism, and inter-colonial conferences.<br />

However, he appears to have been fiscally conservative and private enterprise<br />

orientated.<br />

Ayers became a member of the Unitarian Church, a religion advocating<br />

freedom from formal dogma or doctrines (and which embraced people like<br />

Catherine Spence, author and electoral reformer).<br />

He appears to have been quite patriotic about his new country, realising<br />

it had much to offer to people of his background. Unlike many other early<br />

Australian colonists who “made good”, he long delayed returning to England.<br />

The book contains an extraordinary amount of detail about Ayers’ life in<br />

South Australia including his relationship with his wife Annie, and in turn<br />

reveals much about life in the colony generally. Of particular interest is Ayers’<br />

relationship with Henry Rymill, a younger man who worked under him<br />

initially but later became antagonistic. The suggestion is that Ayers and Rymill<br />

were very alike and that there was an intergenerational struggle.<br />

Shute’s book is a significant contribution to Australian history and<br />

hopefully the first of books analysing this important figure in depth.<br />

Available from mostlybooks@internode.on.net (08) 8373 5190<br />

Trust News Australia november 2012<br />

7


School’s out on the Terrace<br />

Gina Pickering | Editor National Trust (WA)<br />

Old Perth Boys’ School located in the hubbub of St Georges Terrace<br />

business throng is both elegant and eye-catching.<br />

Its style (Gothic Revival), refreshed limestone facade and new tuckpointing<br />

identify it as something special in the city’s heart - and it is. Old Perth<br />

Boys’ School is the only mid 19 th century stone building surviving in Perth<br />

Central Business.<br />

More than a million dollars worth of conservation work has recently been<br />

pumped into Perth’s first purpose-built public school.<br />

It’s become part of shining gateway to the headquarters of industry giant<br />

BHP. Some say it’s a landscape of David and Goliath proportions in which<br />

Old Perth Boys’ School is confidently holding its own.<br />

The conservation of Old Perth<br />

Boys’ School has been a major<br />

commitment of the National Trust<br />

over the past two years and is<br />

unique in many ways.<br />

Brookfield Multiplex’s new City<br />

Square Development features a 45<br />

level office block, shops, cafes and<br />

a heritage precinct which includes<br />

Newspaper House, Perth Technical<br />

College, WA Trustees, Royal Union<br />

as well as Old Perth Boys’ School.<br />

TOP The fresh face of Old Perth Boys’ School.<br />

G Pickering / NTWA<br />

ABOVE An enhanced public space is an outcome of the<br />

National Trust (WA) commitment to conservation work.<br />

G Pickering / NTWA<br />

RIGHT An interpretive element reflects the West Australian<br />

Times. G Pickering / NTWA<br />

Trust News Australia november 2012<br />

8


now and<br />

then<br />

Old Perth Boys’ School is a<br />

heritage survivor on Perth’s St<br />

Georges Terrace. Vested in the<br />

National Trust’s care since 1979,<br />

it was the Trust’s headquarters<br />

through to 1986.<br />

The recent program of works is<br />

unique in many ways.<br />

Finding funds for conservation<br />

works is always a challenge and<br />

the National Trust took a bold,<br />

innovative approach in order to<br />

complete the external conservation<br />

works to Old Perth Boys’ School.<br />

Through the sale of plot ratio<br />

(commonly known as “airspace”) to<br />

the developer, Brookfield Multiplex,<br />

some $960,000 was secured.<br />

National Trust CEO Tom<br />

Perrigo said the approach<br />

illustrates a National Trust ethos<br />

and commitment to innovative<br />

sustainable outcomes.<br />

“In addition, the National Trust<br />

(WA) has also contributed an<br />

additional $340,000 to project<br />

management and architectural<br />

services to deliver an enhanced city<br />

centre location that’s now available<br />

for lease,” he said.<br />

National Trust Conservation<br />

and Landscape Architects provided<br />

guidance for this project which<br />

had a set of unique conditions<br />

and required stringent meshing<br />

with the Brookfield Multiplex<br />

requirements.<br />

The challenges associated with<br />

the project included extensive<br />

works adjacent to and within the<br />

conservation site.<br />

According to National Trust<br />

conservation architect Caroline<br />

Stokes the extensive use of cement<br />

mortar in former conservation of<br />

the building was one of the biggest<br />

issues of the project.<br />

“We ensured all the cement<br />

mortar and cement repairs<br />

discovered during our exploration<br />

of the site received appropriate<br />

attention,” Ms Stokes said.<br />

“The presence of cement mortar<br />

leads to sacrifice of the limestone<br />

and so it was a priority for us to<br />

ensure it was removed,” she said.<br />

The face of Old Perth Boys’<br />

School which greets the city<br />

community was scrubbed with<br />

soap and water and the new tuck<br />

pointing has provided a refreshed<br />

finish.<br />

Eric Hancock, Conservation<br />

Project Officer who was responsible<br />

for the extensive stoneworks, said the<br />

project offered some real surprises.<br />

“One of the highlights was<br />

discovering original tuck pointing<br />

of the stone work at the back of the<br />

building,” Mr Hancock said.<br />

“Our archaeological consultants<br />

revealed part of the life of Old Perth<br />

Boys’ School turning up a collection<br />

of pencils, buttons, inkwells and<br />

even some long lost marbles,” he<br />

said.<br />

It is one of a group of heritage<br />

buildings which has undergone<br />

conservation and adaptive reuse<br />

after remaining dormant for many<br />

years.<br />

Old Perth Boys’ School has links<br />

with education dating back to the<br />

early days of the Swan Colony<br />

and which continued into the<br />

20th century as part of the Perth<br />

Technical School.<br />

Even one of the principal<br />

consultant architects - Alan Kelsall<br />

- was a former Perth Technical<br />

School student.<br />

National Trust Landscape<br />

Architect Phil Palmer said research<br />

did not reveal any evidence of<br />

original ground treatments for Old<br />

Perth Boys’ School and a decision<br />

was made to finish the forecourt<br />

with high quality granite because of<br />

its attractive and durable qualities.<br />

“A natural granite material with<br />

soft earthy tones has been used to<br />

pave the surface and complement<br />

the limestone,” Mr Palmer said.<br />

Old Perth Boys’ School is a<br />

survivor. A classroom to many of<br />

Western Australia’s most prominent<br />

citizens and a significant legacy<br />

listed on Western Australia’s<br />

Heritage Register.<br />

“We have had an opportunity<br />

to conserve this truly important<br />

heritage place and contribute to<br />

the contemporary development in<br />

the heart of Perth,” Ms Stokes said.<br />

The National Trust worked<br />

with a team of consultants<br />

from Kelsall-Binet Architects<br />

and Wood & Grieve Engineers.<br />

Works includes:<br />

• A new rainwater<br />

and drainage system<br />

• Storm water collection<br />

• Paint finishes<br />

• Structural issues<br />

above National Trust (WA) conservation team including (L-R) Eric Hancock, Conservation Project Officer, Caroline Stokes, Conservation Architect and Phil Palmer,<br />

Landscape Architect. G Pickering / NTWA<br />

Trust News Australia november 2012<br />

9


innovation and invention<br />

Excavations<br />

in<br />

New south<br />

wales<br />

The Broad Arrow Bricks<br />

Allan Hackett<br />

The broad arrow originated in<br />

England in 1698. It was an<br />

identification mark introduced<br />

to prevent the pilfering of<br />

Government property. Hence<br />

bricks, axes, shovels and other<br />

items were marked with the<br />

broad arrow. In New South<br />

Wales this practice of<br />

identification is usually<br />

accepted as commencing after<br />

1819 when Commissioner Bigge<br />

arrived in Sydney to investigate<br />

the state of the colony. His<br />

reports were extremely critical<br />

of Governor Macquarie for his<br />

lenient treatment of convicts.<br />

However, I believe there is evidence that the broad arrow appeared<br />

prior to 1819. Archaeological excavations were carried out at the<br />

site of the Westfield shopping centre at Parramatta.<br />

Bricks which were thought to be unmarked or “clean skins” by the<br />

archaeologist were unearthed and a sample of four bricks were made<br />

available for examination. These bricks were recovered from one of the<br />

nineteen allotments on the site which was occupied by a private settler<br />

in 1810. However, examination of these bricks has revealed that they<br />

were in fact marked. In this instance the marking took the form of a<br />

series of dots and interestingly the dots are arranged in the form of two<br />

broad arrows. These may be the first government broad arrow bricks<br />

made in <strong>NSW</strong>. In addition, shell mortar is associated with the bricks<br />

and all measure the standard English size of 100cm x 21.5cm x60cm.<br />

The dot markings were impressed in the brick surface with nailheads<br />

protruding from the kick of the stockboard as the clay was pressed into<br />

the mould.<br />

Further evidence of the broad arrow predating 1819 has been provided<br />

by excavations at the site of the third old Parramatta hospital.<br />

The hospital was built in 1818. Double arrow bricks were found on<br />

site in the wall footings and can still be seen today covered by a glass<br />

floored building.<br />

For more information visit www.turnofthefirstclay.com or contact Allan Hackett<br />

at brickyone@bigpond.com<br />

Trust News Australia november 2012<br />

10


innovation and invention<br />

Between the lines<br />

Farewell, Dear People<br />

Author: Ross McMullin<br />

ABOVE left Governor Lachlan Macquarie’s building<br />

regime occurred at the same time the single arrow<br />

appeared in Sydney. Early bricks were of English size<br />

but changed to 10cm x 23.5cm x 7cm in the late 1820s.<br />

A Hackett<br />

left Brickmakers sent to the penal colony at Port<br />

Macquarie from 1821, produced bricks on a quota<br />

system. Gangs assisted the brickmakers and each had<br />

their own identification mark. A Hackett<br />

ABOVE Dot markings form broad arrows in bricks from<br />

the Westfield site in Parramatta, <strong>NSW</strong>. A Hackett<br />

BELOW Brickmakers sent to the penal colony at Port<br />

Macquarie, from 1821 produced bricks on a quota<br />

system. Gangs assisted the brickmakers - each had<br />

their own identification mark. A Hackett<br />

Publisher: Scribe Publications<br />

Reviewer: Robert Mitchell<br />

National Trust members taking<br />

advantage of reciprocal privileges with<br />

the National Trust for Scotland and<br />

the National Trust in the remainder<br />

of Britain may be aware the role of<br />

death and taxes in the transfer of many<br />

country houses and estates to National<br />

Trust stewardship. While the imposition of death duties was a<br />

primary cause, the death of “heirs male” during the Great War 1914<br />

– 1919 was often an important factor. While the national sacrifice<br />

and community loss was widespread, the line of succession for<br />

many family estates was extinguished in the mud of Flanders<br />

and elsewhere. The collective impact of the national loss was also<br />

reflected in “government by the second eleven” a phrase describing<br />

the lack of depth of political leadership in Britain between 1919 and<br />

1939.<br />

In Australia the focus of commemoration of the Great War has<br />

been on service and sacrifice and battlefield accomplishments.<br />

Biographies, unit histories and memoirs continue these themes.<br />

As the centenary of the Great War approaches new publications<br />

are allowing us to re-examine the impact of the War on Australia<br />

and to present previously untold stories. The 60,000 soldiers lost<br />

in death to a young nation with a relatively small population was<br />

both devastating and politically potent as in the famous interaction<br />

between Prime Minister Billie Hughes and US President Woodrow<br />

Wilson over the League of Nations’ mandate for New Guinea<br />

demonstrated. Sometimes forgotten within the remembrance of<br />

the magnitude of loss are the individual stories of extraordinary<br />

Australians and what they might have contributed had they lived.<br />

Farewell, Dear People by Ross McMullin contains ten extended<br />

biographies of young men who exemplified Australia’s gifted lost<br />

generation of World War I. This book seeks to retrieve their stories<br />

and to fill the gaps in the nation’s collective memory. It shows how<br />

their deaths were a loss to Australia and part of the lasting legacy of<br />

the Great War. Although each biography culminates in death, these<br />

are not narratives of military history but rather a rich portrayal<br />

of Australia and Australians from the 1870s and into the 1930s. I<br />

entirely agree with Michael McKernan of the Canberra Times who<br />

characterised the narrative as a deeply felt engagement with lost<br />

lives, and a superb union of research and writing.<br />

I also agree with Peter Cochrane in his review in The Australian,<br />

that sometimes McMullin’s empathy for his selected individuals<br />

draws a long bow and loses historical context including the<br />

conjecture that General Sir John Monash could have replaced<br />

Field Marshall Sir Douglas Haig as Commander in Chief in France.<br />

Overall however the book is a compelling read with many links<br />

to heritage places like Woodbridge in Western Australia which is<br />

under National Trust of Australia stewardship.<br />

Available from info@scribepub.com.au<br />

Trust News Australia november 2012<br />

11


connections<br />

History<br />

reveals<br />

Muliticultural<br />

environment<br />

New perspectives on<br />

Northwest cultural landscapes<br />

Dr Kate Gregory | Special Project Historian National Trust (WA)<br />

Crossing the floodplains of the Harding River in the Shire of Roebourne, barefoot with cool soft mud<br />

between our toes and behind us the spectacular Table Hill, Cooya Pooya Station finally comes into view.<br />

It is like entering an abandoned world and our efforts to access the site are rewarded for although much<br />

degraded, this heritage site is rich with revelations about the past.<br />

The station dates from the 1870s<br />

although, like many Pilbara<br />

pastoral stations, destructive<br />

cyclones necessitated successive<br />

rebuilding campaigns. Labour<br />

history, the work of Aboriginal<br />

station hands and domestic<br />

workers, and shearing life are<br />

clearly evident in the collection<br />

of buildings, characterised by<br />

ingenious use of concrete to<br />

combat cyclones and termites.<br />

Rocky outcrops overlooking the<br />

complex are a picture gallery of<br />

ancient and contact rock art.<br />

ABOVE Cooya Pooya Station with remains of shearing shed and view of Table Hill, Shire of Roebourne. K Gregory/NTWA<br />

Trust News Australia november 2012<br />

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connections<br />

The history revealed is of a complex and contested multicultural<br />

environment around the earliest European settlement of the Northwest<br />

New research into the history<br />

and combined material culture of<br />

the site is being developed through<br />

a partnership between the National<br />

Trust of Australia (WA) and the<br />

University of Western Australia,<br />

as part of a review of the Shire of<br />

Roebourne’s Municipal Heritage<br />

Inventory. Fieldtrips to review<br />

sites already on the inventory,<br />

assess new sites for inclusion, and<br />

meet with the community to find<br />

out about places of local heritage<br />

significance have recently been<br />

undertaken with Professor Alistair<br />

Paterson from the University of<br />

Western Australia and Dr Kate<br />

Gregory from the National Trust.<br />

The history revealed is<br />

of a complex and contested<br />

multicultural environment around<br />

the earliest European settlement of<br />

the Northwest; striving mercantile<br />

trade reliant on a network of ports<br />

and landings; a long history of<br />

resources extraction through<br />

pastoralism, pearling and mining;<br />

evidence of frontier violence;<br />

labour histories from forced labour<br />

to imported labour; adaptation<br />

to the environment and design<br />

innovation; and rich social histories<br />

emerging out of a diversified<br />

community.<br />

Cossack and Roebourne are<br />

amongst the State’s most significant<br />

heritage areas in a region rapidly<br />

expanding as a consequence of<br />

the mining boom. Yet still there<br />

are discoveries of overlooked<br />

and forgotten heritage sites.<br />

Nestled atop spinifex covered hills<br />

between Cossack and Roebourne<br />

we recorded a site of amongst the<br />

earliest European stone structures<br />

in the Northwest. A series of stone<br />

stock yards, shelters and lookouts<br />

well camouflaged within the<br />

natural rocky outcrops, would likely<br />

have been built by the first parties of<br />

European settlers. The site is largely<br />

intact and was probably only used<br />

in the first few years of European<br />

settlement. With strategic views<br />

of both the landscape and the<br />

ocean, the sense of uncertainty<br />

and encounter is palpable, with<br />

the need for security paramount.<br />

New research into the complex<br />

heritage of the region will develop<br />

understanding and help ensure<br />

the unique heritage of the area<br />

is valued within this changing<br />

landscape.<br />

above Contact rock art at Cooya Pooya Station, clay pipe engraving visible. K Gregory/NTWA<br />

top Recording stone stock yards near the upper landing Cossack, with Dr Kate Gregory and Professor Alistair Paterson. E Wright<br />

Trust News Australia november 2012<br />

13


connections<br />

Right on Q<br />

Louise O’Flynn and Cath Snelgrove | <strong>NSW</strong> National Parks & Wildlife<br />

One of Sydney’s outstanding heritage landscapes is offering visitors<br />

a unique experience based on history and environmental values<br />

while fulfilling stringent monitoring of its conservation and<br />

management program.<br />

Quarantine Station is of<br />

outstanding cultural<br />

significance and listed on the<br />

<strong>NSW</strong> State Heritage Register,<br />

while the whole of North Head<br />

in registered on the National<br />

Heritage List.<br />

In February 1833, the site was<br />

dedicated as a place of quarantine<br />

to protect the colony from deadly<br />

ship-borne diseases, which<br />

included typhus fever, yellow fever,<br />

smallpox and bubonic plague. For<br />

140 years its use ebbed and flowed<br />

as modes of transport changed<br />

and new epidemics brought new<br />

threats.<br />

Over the decades, development<br />

of the 27 hectare site grew to include<br />

67 buildings which represent fine<br />

examples of architecture, as well<br />

as evidence of changes to social<br />

values including lifestyle and<br />

medical practice in the control of<br />

disease.<br />

The site contains around 12,000<br />

movable objects and is also<br />

home to the Little Penguin and<br />

the locally endangered Long<br />

Nosed Bandicoot. It also contains<br />

significant remnants of Eastern<br />

Suburbs Banksia Scrub.<br />

Ownership of Quarantine<br />

Station was transferred from the<br />

Commonwealth Government to<br />

the <strong>NSW</strong> National Parks & Wildlife<br />

Service (NPWS) in March 1984,<br />

and while the Service consistently<br />

carried out basic repairs as far as<br />

budget allowed, it was clear that a<br />

massive injection of funds would<br />

be needed to conserve and present<br />

the site to its full potential.<br />

The leasing of Quarantine<br />

Station on Sydney’s North Head to<br />

a private company in the late 1990s<br />

was a controversial period in the<br />

history of the Station, prompting<br />

heated debate. The <strong>NSW</strong> National<br />

Trust was concerned about the<br />

potential threat to Quarantine<br />

Station’s fragile and complex<br />

significance posed by commercial<br />

involvement.<br />

In 2000, a conditional lease<br />

was signed with the Mawland<br />

Group which proposed re-use of<br />

existing buildings to provide onsite<br />

accommodation, conference<br />

and other facilities. Supporting<br />

the interpretation of Quarantine<br />

Station and reflecting its significant<br />

history, the plan also detailed<br />

revenue raising options to protect<br />

it for the future. The National<br />

Trust expressed concern about the<br />

length of the proposed lease and<br />

the possible conflict between the<br />

need to make a profit and keeping<br />

the integrity of the site.<br />

right Heritage buildings have been meticulously conserved. C Shain<br />

Trust News Australia november 2012<br />

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The reuse project has<br />

been conspicuously<br />

successful in achieving<br />

environmental and<br />

cultural objectives,<br />

restoring and<br />

managing the<br />

natural landscape,<br />

while stabilising<br />

and restoring<br />

historic buildings<br />

On 26 October 2006, a lease for 21 years was granted to Mawland Quarantine<br />

Station (MQS). Within the most stringent framework of controls seen in Australia<br />

for such a project, conservation and adaptation works commenced in 2007 and<br />

have been ongoing since that time. Hotel accommodation on the site, now known<br />

as Q Station, has been in operation for three and a half years.<br />

A significant number of detailed conservation planning documents were<br />

prepared, and no less than 233 Conditions of Approval were issued, one of which<br />

required that an Independent Comprehensive Environment Audit of the project<br />

be undertaken every five years from the commencement date, for the life of<br />

the project. The recently completed second audit received a score of 96%, an<br />

exceptional level of compliance by both MQS and National Parks.<br />

The audit considered environmental performance, the adequacy of the<br />

monitoring program and the response to issues raised by the community. It<br />

concluded that the reuse project had been conspicuously successful in achieving<br />

environmental and cultural objectives, restoring and managing the natural<br />

landscape, while stabilising and restoring historic buildings. It found that the<br />

sensitive adaption of buildings to allow the successful operation of quality hotel<br />

accommodation and heritage tourism operation focused on providing guests<br />

with an experience based on the history and environmental values of the site.<br />

Movable heritage had been conserved and interpreted to both protect it and add<br />

valuable dimension to visitor understanding of the site.<br />

While the Independent Environmental Audit reflects the commitment by NPWS<br />

and Mawland Quarantine Station to protect the cultural and natural values of the<br />

site, the project itself demonstrates the vast potential community benefits offered<br />

through the detailed, sensitive and innovative conservation and management of<br />

large and complex heritage sites.<br />

above The former baggage handling station now houses a restaurant designed to leave no mark on the original fabric. C Shain<br />

Trust News Australia november 2012<br />

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connections<br />

Getting to know the Curtins in Cottesloe<br />

Elizabeth Hoff | Guest Curator<br />

More than 360 people visited Curtin Family Home during its four week open season. The beachside<br />

residence is one of only three former prime ministerial homes open to the public.<br />

Members of seniors’ groups,<br />

young Perth leaders and other<br />

visitors seized the opportunity<br />

to tour the Curtin Family Home,<br />

explore the garden and take an<br />

audio tour by ‘Elsie Curtin’.<br />

A special feature of this year’s<br />

program was a series of live readings<br />

from family correspondence in the<br />

Curtins’ lounge room. Visitors were<br />

warmly welcomed and enjoyed<br />

tea and talk in the kitchen and<br />

dining room of the Curtins’ former<br />

residence as part of the National<br />

Trust program.<br />

Many commented that they<br />

were aware of a sense of intimacy,<br />

of being guests at a place that<br />

continues to evoke its past as a<br />

family home. One visitor later<br />

recalled ‘the passion, knowledge<br />

and dignity’ that had marked their<br />

visit, which was ‘a memorable<br />

introduction to the Curtin family<br />

and to John Curtin himself’.<br />

A team of National Trust<br />

volunteers assisted with the<br />

readings, which were offered as<br />

part of the 2012 National Year of<br />

Reading program that is celebrating<br />

literacy across Australia.<br />

Team member Trish O’Neil<br />

found her involvement with the<br />

initiative rewarding.<br />

“Not only has my interest and<br />

understanding of Curtin, the man,<br />

been expanded but there has been<br />

a fascinating wealth of stories and<br />

memories from the people who<br />

have visited,” Ms O’Neil said.<br />

“The simple nature of the Curtin<br />

home makes it a place that so many<br />

can relate to,” she said.<br />

This year’s season included an<br />

open day that featured activities<br />

for children, a chance to take the<br />

audio tour, and further readings<br />

in the family’s lounge room. For<br />

the first time, the Trust partnered<br />

with Deckchair Theatre in Perth<br />

during its season of The Fremantle<br />

Candidate which focused on John<br />

Curtin’s political and personal<br />

battles. The association also led<br />

to some double takes in Jarrad St<br />

Cottesloe when actors from the<br />

production visited the former<br />

Curtin’s residence.<br />

The annual program concluded<br />

on 3 October with an evening<br />

lecture at The Grove Library,<br />

Cottesloe, from Andrew Robb<br />

AD MP, the Federal Member for<br />

Goldstein. Mr Robb spoke on<br />

mental health in public life.<br />

The Trust was recently awarded<br />

a grant to support preparatory<br />

work for the creation of a heritage<br />

trail that will expand the present<br />

interpretation of the Curtin Family<br />

Home. The trail will reveal memories<br />

of the Curtin family in Cottesloe,<br />

Cottesloe landmarks, and stories<br />

about the suburb’s development.<br />

The project’s consultant is<br />

seeking people willing to share<br />

recollections of these aspects of<br />

Curtin family and Cottesloe history<br />

in an online survey and one-onone<br />

consultations.<br />

For more information<br />

curtintrail@gmail.com or<br />

call 0407 161 045.<br />

above A prime ministerial pose on the front steps of the Curtin Family Home. G Pickering/NTWA<br />

Insert Members of the National Trust attended a special performance of The Fremantle Candidate at PICA in Perth’s cultural heart. G Pickering/NTWA<br />

Trust News Australia november 2012<br />

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connections<br />

1<br />

2<br />

3 4<br />

5 6<br />

“The simple nature<br />

of the Curtin<br />

home makes it a<br />

place that so many<br />

can relate to.”<br />

1 Cast members from The Fremantle Candidate visit Curtin Family Home. G Pickering/NTWA<br />

2 Open Day at Curtin Family Home with National Trust Education Officer Kim Hawkes. K Rippingale/NTWA<br />

3 Members of the Sir Charles Court Young Leaders Program visited Curtin Family Home as part of their annual program. G Pickering/NTWA<br />

4 Representatives from local government authorities and the Western Australian State Heritage Office visit Curtin Family Home. G Pickering/NTWA<br />

5 Over 350 people visited the former residence of the Curtin Family Home during the National Trust’s annual program. E Hoff/ NTWA<br />

6 (L–R) Actor Steve Turner, National Trust Chairman John Cowdell, Actor Christie Sistrunk and Conservation Architect Kelly Rippingale at the opening night of<br />

The Fremantle Candidate. G Pickering/NTWA<br />

Trust News Australia november 2012<br />

17


connections<br />

The Fabric of Society:<br />

Australia’s Heritage Quilts<br />

Dr Annette Gero FRS | Quilt Historian<br />

Australia has a wonderful quilt heritage. The earliest ‘Australian-made’ quilts were those crafted on ships by<br />

convict women during their transportation to the Colony. The women of Newgate Prison in England,<br />

sentenced to transportation to <strong>NSW</strong> for life, were taught to make patchwork quilts by the Quaker prison<br />

reformer, Elizabeth Fry. From 1817 to 1843 Elizabeth supervised those who were to make the long voyage to<br />

Australia and supplied them with patchwork as a skill to keep them occupied. Each convict woman was<br />

provided with one Bible, two aprons, one small bag of tape, one ounce of pins, one hundred needles, nine<br />

balls of sewing cotton, twenty four hanks of coloured thread, one small bodkin, one thimble, one pair of<br />

scissors and two pounds of patchwork pieces.<br />

Of all the patchwork quilts<br />

made by women on these<br />

voyages only one, the ‘Rajah’ quilt,<br />

has survived. Made on board the<br />

Rajah in 1841, the quilt bears an<br />

inscription in very fine cross stitch<br />

on one of its borders indicating that<br />

it was worked by the transported<br />

women. It is dated June 1841, and<br />

was presented to the ladies of<br />

the convict ship committee as a<br />

testimony of gratitude.<br />

Quilts were also made by genteel<br />

ladies, dressmakers, home makers<br />

and housewives, wealthy shop<br />

owners, WWI diggers, people who<br />

were forced off the land during<br />

the Depression, WWII Australian<br />

prisoners of war, rabbit trappers<br />

and artists’ wives.<br />

The thread that holds this<br />

patchwork of Australian history<br />

together is that each story told<br />

includes the making of a quilt.<br />

It draws on women’s memories,<br />

diaries, their letters to relatives,<br />

official records, newspaper and<br />

magazine articles reflecting the<br />

current domestic influences and,<br />

of course, the old magazines which<br />

provided the quilt patterns.<br />

The search and documentation<br />

of old Australian quilts over the past<br />

twenty years includes all periods of<br />

Australian history. The quilts and<br />

their stories, which include the<br />

social history of countless ordinary<br />

people, are to be found in my new<br />

book, Fabric of Society: Australia’s<br />

Quilt Heritage from Convict Times<br />

to 1960.<br />

By the 1850s the community<br />

had evolved into a wealthy<br />

pastoral society, and the women<br />

who had settled here had the time<br />

and means for patchwork as a<br />

decorative art. Fortunately many<br />

of these quilts have survived. One<br />

of the most beautiful old Australian<br />

quilts from this period was made<br />

in Sydney c1850 by Frederica Mary<br />

Josephson. The cotton and chintz<br />

quilt is a combination of stars,<br />

hexagons and tumbling blocks in<br />

striking early fabrics which would<br />

have been imported to the Colony<br />

from England.<br />

‘“Quilt of Hexagons and<br />

Diamonds”, attributed to Frederica<br />

Josephson and made in Sydney<br />

c1850’, is in the <strong>NSW</strong> National Trust<br />

collection and was shown at an<br />

above Quilt of Diamonds and Hexagons Made by Frederica Mary Josephson, Sydney, c1850. NT<strong>NSW</strong><br />

right The Quilt Study Group works on the replica. NT<strong>NSW</strong><br />

Trust News Australia november 2012<br />

18


connections<br />

Between the lines<br />

exhibition of Historical Australian<br />

Quilts at Old Government House,<br />

Parramatta, in 2000.<br />

Frederica Josephson was born<br />

in Sydney in 1833. On 21 July 1853<br />

she married Emmanuel Josephson,<br />

son of the convict silversmith,<br />

Jacob Josephson, who also made<br />

his mark in Australia’s history.<br />

Frederica and Emmanuel built<br />

Riverview Cottage at Longueville,<br />

Sydney and lived there from 1853<br />

to 1873. The estate was later sold to<br />

the Jesuits and is now St Ignatius<br />

College.<br />

In 2010, on a recommendation<br />

by <strong>NSW</strong> National Trust Collection<br />

Manager, Jennifer Palmer, the<br />

Quilt Study Group of <strong>NSW</strong> (a subcommittee<br />

of the Quilters’ Guild<br />

of <strong>NSW</strong> Inc) agreed to replicate<br />

Frederica’s quilt so that the original<br />

could ‘rest’.<br />

In the 1850s Frederica’s quilt<br />

would have taken at least two<br />

years to make, representing an<br />

extraordinary amount of work.<br />

As well as the tiny pieces of what<br />

was then highly fashionable fabric,<br />

there are hundreds of thousands<br />

of stitches, many of them probably<br />

worked in lantern light.<br />

The replica coverlet,<br />

affectionately known as ‘Frederica’,<br />

took 14 months to make and<br />

involved over 48 people who met<br />

each month to sew it together. The<br />

main challenge was to find fabrics<br />

similar to the lovely chintzes in the<br />

original quilt. It was finished and<br />

presented to the National Trust on<br />

13 June 2012 and is a significant gift<br />

which reflects the workmanship<br />

and the beauty of the original.<br />

For enquires about the book Fabric of<br />

Society: Australia’s Quilt Heritage from<br />

Convict Times to 1960 see www.<br />

annettegero.com or write to<br />

PO Box 398, Neutral Bay, <strong>NSW</strong> 2089.<br />

Alexander Macleay: From Scotland<br />

to Sydney<br />

Author: Derelie Cherry<br />

Publisher: Paradise Publishers<br />

Reviewer: Brian Fletcher<br />

Back in the early 1990s, a rather determined<br />

young lady came to see me at Sydney University<br />

and asked me to read an essay she had written. Her<br />

object was to see whether I thought her eligible to<br />

enrol as a PhD student in history. Her choice of<br />

subject was Alexander Macleay, one of that interesting group of men who did<br />

so much to advance the interests of early New South Wales. Derelie Cherry’s<br />

enthusiasm for her topic has resulted in her biography earning a doctoral<br />

degree and the recent release of a much-needed book, Alexander Macleay:<br />

From Scotland to Sydney.<br />

Derelie’s book is a colourful, entertaining work which in no way<br />

undermines its value as a scholarly resource – about a man who, until now,<br />

has somehow missed being the subject of a full-length biography.<br />

The book brings out Macleay’s role in numerous aspects of <strong>NSW</strong> history<br />

between 1826 when he arrived and 1848, the year of revolutions in Europe,<br />

when he died. He was, by any standards, a remarkable man who formed<br />

part of the Scottish diaspora which took talented Scots to the far ends of the<br />

globe in the nineteenth century. Coming to New South Wales to take up the<br />

demanding position of Colonial Secretary, he established close ties with<br />

Governor Darling and, in conjunction with Henry Dumaresq, the three men<br />

formed a triumvirate which acted as an inner cabinet.<br />

Although he later shared in Darling’s unpopularity among colonists of<br />

liberal inclination, his political career was resurrected after representative<br />

government was introduced in 1842. He was elected to the Legislative Council<br />

and became its first Speaker.<br />

Macleay stands out in the pages of history as a talented administrator and<br />

a bastion of conservatism. But, as a leading landowner, he also made his mark<br />

in the burgeoning pastoral industry which helped to transform New South<br />

Wales from penal settlement to colony. Perhaps unusual in a Scot, he did not<br />

handle his financial affairs particularly well and incurred heavy debts. He did<br />

however have well-developed intellectual and scientific interests and, while<br />

in England, was elected a Fellow of the Linnean Society and the Royal Society.<br />

He built up one of the finest collections of insects in the world, was deeply<br />

interested in horticulture, served as President of the Australian Museum, vicepatron<br />

of what became the Royal Agricultural Society of New South Wales and<br />

contributed to the work of the Subscription Library.<br />

His interest, as Derelie shows, knew no bounds and exceeded those of<br />

most of his fellow colonists. He was a complex figure, however, who certainly<br />

did not appeal to everyone. Derelie faces up to these criticisms and succeeds<br />

in presenting a balanced picture of the man and a fascinating account of his<br />

family life. The important story of the Macleay women has not been neglected,<br />

including that of Fanny Macleay who was a talented botanical artist.<br />

Despite what was said about him, Macleay was undeniably a man of taste.<br />

Nothing illustrates this more than Elizabeth Bay House which he built in the<br />

1830s, living there with was family until 1845 when he succumbed to financial<br />

pressures resulting from the collapse of the colonial economy in 1842, and his<br />

own precarious financial position.<br />

Available from Alexander Macleay: From Scotland to Sydney by Derelie<br />

Cherry is published by Paradise Publishers and is available from all good<br />

bookshops and online www.alexandermacleay.com<br />

Trust News Australia november 2012<br />

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connections<br />

Tunnellers Net<br />

Gina Pickering | Editor<br />

A couple of amateur researchers have embarked on a project to record the<br />

life stories of a particular group of Australians linked to the First World War.<br />

Tunnelling activities of<br />

Australian units at war is<br />

their passion, and their platform<br />

is a website that details men and<br />

missions of the Australian Mining<br />

Corps, and the battlefield units<br />

which evolved from it.<br />

The website intends to record<br />

the individual stories of the<br />

members of A.I.F. who were, for<br />

some part of their military service,<br />

posted, assigned or allotted to<br />

the Australian Mining Corps, an<br />

Australian Tunnelling Company<br />

or the Australian Electrical and<br />

Mechanical Mining and Boring<br />

Company, and to reproduce,<br />

without comment, original<br />

accounts of incidents involving<br />

those units.<br />

The team has so far identified<br />

4,772 men associated with the<br />

Tunnellers including 374 who<br />

died in service and a further 252<br />

who were individually decorated.<br />

Amongst them is my grandfather<br />

Clifford Braybon and my family<br />

has been touched by the extent to<br />

which research was undertaken on<br />

his life for the project.<br />

I am advised by the ‘Tunnellers<br />

team’ that the story of the Australian<br />

Tunnellers in World War I begins in<br />

Scotland in about 1846 when 3664<br />

2/Cpl George Paul was born and<br />

that it ends in November 1995 with<br />

the death of 5873 Spr James Joseph<br />

Hallinan at the age of 99.<br />

Men who served with the<br />

Tunnellers also participated<br />

in the Ashantee War (1873-74);<br />

Isandhlwana (1877-79); Egypt<br />

(1882-91); Boer War (1899-1902);<br />

Russo-Jap War (1904-05); Balkan<br />

War (1912); Afghan/Russia Border;<br />

the punitive raid on Pancho Villa<br />

(Mexico 1916); World War 1 (1914-<br />

1920); Russian Relief (1919-20) and<br />

World War II (1939-45).<br />

Known National Trust connections to the Tunnellers:<br />

Tunnellers<br />

Lota House – QLD Heritage Register<br />

Lt Edwin Marsden Tooth<br />

Allan Slab Hut - QLD Heritage Register 5276 Sapper John Allan<br />

Robin Boyd House - Vic Heritage Register 5 Sergeant Theodore Penleigh Boyd<br />

Walkley House – SA Heritage Register 5 Sergeant Theodore Penleigh Boyd<br />

Wooroloo Cemetery & Asylum<br />

– WA Heritage Register 12 Tunnellers buried at this location<br />

For more information visit: www.tunnellers.net<br />

ABoVe right Sapper Clifford Braybon.<br />

above Anzac Day march, Sydney, c. 1950s - photo courtesy Anne Mayoh, daughter of Lt. Karl Mayoh CdeG(Bel), 1ATC.<br />

right The Tunnellers Net website.<br />

Trust News Australia november 2012<br />

20


now and<br />

then<br />

A chamber of delight for Sydney architects<br />

Clive Lucas | Clive Lucas, Stapleton & Partners, Architects<br />

The oldest Executive Council Chamber in this country is in the northern wing of the legendry<br />

Rum Hospital built by Governor Macquarie between 1811-1816. This wing was in fact two surgeon’s<br />

residences and the room requisitioned, and redecorated by Governor Ralph Darling, for this purpose<br />

in 1829, was probably the principal surgeon’s dining room. It is in fact the largest room on the<br />

ground floor of the semi-detached houses which make up the northern wing.<br />

above Looking north along the balcony of the northern wing over Macquarie Street towards Horbury Terrace and the cast iron Free Church. (photo c1860 Parliament House)<br />

Left The restored room with its Brussels weave carpet and oak graining. The doors access the enlarged chamber added in 1843. C Lucas<br />

right The ‘Tutankhamun’ window is uncovered having been hidden since 1843. C Lucas<br />

Trust News Australia november 2012<br />

21


now and<br />

then<br />

As architects involved with<br />

Parliament House for a<br />

number of years, one of our first<br />

tasks was to provide a new security<br />

guardhouse at the northern edge of<br />

the site. This meant that this room<br />

which for many years had been<br />

subdivided, first as a library and<br />

later for the security checking area,<br />

could be opened up to its original<br />

size and proportion. As a result the<br />

latest work has uncovered what<br />

is arguably the oldest domestic<br />

reception room in this country. In<br />

the east wall an original window<br />

was discovered which had been<br />

studded out and bricked up at the<br />

time of the construction of the new<br />

Legislative Council wing in 1843.<br />

This window had survived with its<br />

original oak graining and details<br />

almost completely intact. It was like<br />

opening up Tutankhamun’s tomb.<br />

The removal of various bookcases,<br />

wallpapers, partitions, false ceilings<br />

and other bits and pieces, which<br />

enclosed the room, located the<br />

chair rail and other details of<br />

this important early interior. The<br />

galleries added in 1838, and which<br />

seem almost unbelievable, were<br />

proven by the discovery of what<br />

appears to have been a doorway in<br />

the south wall giving access from<br />

the principal staircase.<br />

The room has been redecorated,<br />

putting back all the oak graining,<br />

and painting the dado in its<br />

original Trompe-l’oiel panelling.<br />

Pink distemper has been put back<br />

on the plasterwork. The Gothic<br />

inspired chimneypiece which<br />

probably dates from 1843 has<br />

been re-marbled as originally in<br />

imitation of a black Belgian marble.<br />

The fine 1840s steel register grate<br />

has been repaired, stripped of paint<br />

and polished.<br />

The room is now used as an<br />

annexe to the Legislative Assembly<br />

Chamber next door which as<br />

stated above was originally built<br />

for the Legislative Council. The<br />

room has been fitted with an 1830s<br />

reproduction Brussels weave carpet<br />

which conforms to records of the<br />

original refurbishment of the room<br />

in 1829.<br />

The room has been redecorated,<br />

putting back all the oak graining,<br />

and painting the dado in its<br />

original Trompe-l’oiel panelling.<br />

above ‘Elevation of the General Hospital at Sydney AD 1811’. The Council Chamber is the most left hand ground floor room of the left hand wing.<br />

(P.R.O. London, Bigge Papers)<br />

above Left Opening by Governor Gipps of the new Legislative Council Chamber on 3rd August1843 (Illustrated Sydney News)<br />

right The uncovered original window with its reveal shutters and its 1829 oak graining which provided the sample for graining the other joinery.<br />

A master painter repaints the Trompe-l’oiel dado. C Lucas<br />

Trust News Australia november 2012<br />

22


now and<br />

then<br />

The room is now used as<br />

an annexe to the Legislative<br />

Assembly Chamber next door<br />

which was originally built<br />

for the Legislative Council.<br />

TOP The regrained oak joinery to an original window<br />

embrasure facing Macquarie Street. C Lucas<br />

ABOVE The wooden 1843 chimneypiece with steel grate,<br />

painted in imitation of Belgian marble and the plaster<br />

dado painted in Trompe-l’oiel. C Lucas<br />

background ‘A.A.A.A. Proposed Addition to the present<br />

Council Chamber for the New Council Hall’. An early<br />

sketch proposal for adding a full size chamber to the<br />

northern wing. The room is here described as ‘Present<br />

Council Chamber 25 x 24’. It housed a council of 15.<br />

(Colonial Architect’s Report 1843)<br />

Trust News Australia november 2012<br />

23


now and<br />

then<br />

Masterplan<br />

Vision enhances<br />

heritage values<br />

A Master Plan<br />

for the Old Farm<br />

Sarah Murphy | Director, Conservation and Stewardship<br />

Old Farm, Strawberry Hill has all the elements needed to provide<br />

an outstanding tourist and community facility based on a place<br />

of national significance. In the National Trust’s golden jubilee<br />

year an indicative site masterplan was developed to express the<br />

vision for future development of the place. In 2011, a grant from<br />

the Commonwealth Government boosted the National Trust’s<br />

financial ability to commission a detailed, costed masterplan for<br />

this very important heritage place.<br />

T<br />

here is no doubt the place<br />

is of exceptional heritage<br />

significance. It was the first farm<br />

in Western Australia commencing<br />

in 1827 within a few months of<br />

establishment of the Military<br />

settlement of King George Sound.<br />

Stock was kept there and vegetables<br />

grown for the survival of soldiers<br />

and later the early settlers. A wattle<br />

and daub, thatched roof cottage<br />

was constructed in 1831 and was<br />

destroyed by fire in 1870. The two<br />

storey granite extension was built<br />

in 1836 and is what visitors see<br />

today.<br />

At one time the farm extended<br />

over 52 hectares. Today only<br />

approximately 1.7 hectares remain<br />

containing the main house<br />

building (1836), a cottage built<br />

pre 1889 and extensive grounds<br />

with some early plantings. In 1964<br />

Old Farm, Strawberry Hill became<br />

the first property acquired by<br />

the National Trust of Australia in<br />

Western Australia.<br />

Above: Members of the consultancy team discuss proposals for the master plan at a site meeting with National Trust staff. L-R National Trust Landscape<br />

Architect Phil Palmer, National Trust Interpretation Manager Anne Brake, Anthony Coupe, National Trust Director Conservation and Stewardship Sarah Murphy<br />

and Paul Kloeden. E Paech/Mulloway Studio<br />

top: An overview from the Old Farm Strawberry Hill Master Plan.<br />

Trust News Australia november 2012<br />

24


now and<br />

then<br />

Left: Historical image courtesy Bird Family<br />

Collection, NTWA The main house as viewed from<br />

the south-east during the Bird family’s period of<br />

ownership and today.<br />

Below: The shoulder of this silver teapot is<br />

engraved with the words: “LUNIVERSITA DELLE<br />

QUATTRO CITTA DI MALTA AL MERITO DEL S.<br />

TEN. RICCAR. SPENSER D”, which roughly<br />

translates as having been given to (Sir) Richard<br />

Spencer by the University of the Four Cities of<br />

Malta. It is on display at Old Farm, Strawberry Hill.<br />

S Murphy/National Trust<br />

bottom: Contemporary image of Old Farm<br />

Strawberry Hill. S Murphy/NTWA<br />

The recently completed<br />

masterplan articulates a vision in<br />

which Old Farm becomes a key<br />

destination in Western Australia for<br />

both locals and visitors providing<br />

a platform for one of the most<br />

significant heritage experiences<br />

in Australia. Once the plan is<br />

implemented it is anticipated<br />

there will be an increase in<br />

visitors, greater utilisation by the<br />

local community and enhanced<br />

financial sustainability.<br />

The intent of the masterplan<br />

was to ensure all future works and<br />

activities at Old Farm contribute<br />

to and enhance the appreciation<br />

and understanding of its State<br />

and National heritage values.<br />

Importantly, it provides a means by<br />

which conservation, interpretation<br />

and enhanced access can be<br />

guaranteed through achievable<br />

and sustainable outcomes.<br />

Currently costed at $5 million, the<br />

project incorporates conservation<br />

works to the heritage buildings<br />

and grounds worth an estimated<br />

$3 million and the construction<br />

of an entry building in which to<br />

house a cafe, retail space, volunteer<br />

facilities, school and group visitor<br />

spaces, theatrette and areas for<br />

interpretation.<br />

In many ways the landscape<br />

strategies provide the most<br />

significant shift from the current<br />

presentation of the place. With<br />

reference to its significance as a<br />

farm, and with a desire to provide<br />

active public programs, the main<br />

strategies include a focus on<br />

productive gardening. Several<br />

areas will be planted with heritage<br />

variety plants taking the form of<br />

crops and orchards. The main drive<br />

is particularly evocative of the Bird<br />

period and its distinct character will<br />

be restored and enhanced through<br />

subtle interpretive elements and<br />

plantings.<br />

The main house is a focal point<br />

of the plan. It was built under the<br />

instruction of Sir Richard Spencer<br />

and is a very evocative tool in<br />

telling the stories of the occupants<br />

of Old Farm, Strawberry Hill. The<br />

house will continue to be central<br />

for interpretation within the site.<br />

It is intended that in the future<br />

visitors will enter the rooms<br />

and engage with interactive<br />

and immerse displays, while<br />

provenanced artifacts will be<br />

exhibited in a more interpretive<br />

context.<br />

The master plan will form the<br />

basis of future funding applications<br />

from Federal and State bodies<br />

supplemented by self generated<br />

funds from the National Trust<br />

over the next two years. It is highly<br />

desirable that the project is carried<br />

out within a defined timeframe<br />

so as to maintain momentum,<br />

minimise disruption to the site<br />

and to maximise opportunities for<br />

income generation.<br />

Trust News Australia november 2012<br />

25


places<br />

community<br />

Support assists<br />

endangered Koalas<br />

In the firing line<br />

Sue Finnigan | National Trust QLD<br />

Staff at Currumbin Wildlife Hospital on the Gold Coast deal with the koala’s plight first-hand.<br />

Disease and trauma caused by<br />

dog attacks and car strikes,<br />

have contributed to a 400 percent<br />

rise in koala rescues in the Gold<br />

Coast region in just three years.<br />

Within three months (August to<br />

October last year), the Sanctuary<br />

took in and treated seventy injured<br />

koalas in seventy days.<br />

In mid-2011 the Federal<br />

government declared the koala to<br />

be ‘vulnerable’ on the threatened<br />

species list, announcing that koala<br />

numbers had dropped dramatically<br />

by one third in New South Wales<br />

and by forty percent in Queensland<br />

over the last 20 years.<br />

Currumbin Wildlife Hospital’s<br />

dedicated veterinarian of 10 years,<br />

Michael Pyne called for community<br />

responsibility - for people to slow<br />

down, lockup their dogs in at night<br />

and cover their pools.<br />

“We are struggling to keep up.<br />

At the rate the koalas are declining<br />

on the Gold Coast they will soon be<br />

critically endangered,” he said.<br />

Last year the Currumbin Wildlife<br />

hospital treated 6,726 injured<br />

animals from as far afield as<br />

Lismore in New South Wales and<br />

north to Brisbane. “<br />

“Each year this number is<br />

increasing by about 1,000 animals<br />

and we are struggling to find the<br />

estimated $450,000 required to<br />

keep running at its current level,”<br />

Dr Pyne said.<br />

Funding issues reached a<br />

critical point and the Gold Coast<br />

community responded.<br />

It was then that the help started<br />

coming in. A grade one teacher<br />

from a local school organised a<br />

charity dinner at a local restaurant<br />

and raised around $1,000 for the<br />

hospital. The Gold Coast District<br />

RSL donated $5,000. The black<br />

tie gala dinner fundraiser for the<br />

newly created Currumbin Wildlife<br />

Hospital Foundation raised a record<br />

$22,000 thanks to the generosity of<br />

all those that attended. Queensland<br />

X-Ray, Fuji Film and Voyager<br />

Imaging donated a state of the<br />

art second hand X-ray machine<br />

which has been invaluable. This<br />

has allowed staff to wade through<br />

their ever increasing workload<br />

more quickly and at a reduced<br />

cost. Zarraffa’s Coffee announced<br />

they would donate about $70,000<br />

in products and machinery,<br />

enabling the Sanctuary to create<br />

ongoing revenue. The annual Palm<br />

Beach ‘Christmas by the Sea’ event<br />

chose the Wildlife Hospital to be<br />

the recipient of their 2011 charity<br />

fundraiser and the donations from<br />

individuals and groups far and<br />

wide have been gratefully received.<br />

In response to community’s<br />

concerns, the Gold Coast City<br />

Council has promised $120,000<br />

per annum for the next three years<br />

which will provide a foundation<br />

for the long term future of this vital<br />

community service.<br />

National Trust members can<br />

support native wildlife by visiting<br />

Currumbin Wildlife Sanctuary<br />

while at the Gold Coast. Every<br />

member’s discounted entry fee<br />

assists the Sanctuary in its day to<br />

day running. If you wish to donate<br />

directly, visit the Currumbin<br />

Wildlife Hospital Foundation at<br />

www.savingyourwildlife.org.au<br />

right Vet Nurse Patricia Smith with a Currumbin Patient. Currumbin Wildlife Hospital<br />

Trust News Australia november 2012<br />

26


places<br />

War on Pests<br />

at Miss Porter’s House<br />

Dr Roland Bannister | National Trust (<strong>NSW</strong>)<br />

Miss Porter’s House in Newcastle West is a free-standing, Edwardian<br />

house that contains family history spanning a century. Its extraordinary<br />

collection of furniture, clothes, needlework, millinery and household<br />

goods were used daily from 1910 to 1997 by Florence Porter and the two daughters she<br />

raised on her own, Ella and Hazel, following the untimely death of her husband, Herbert,<br />

in 1919. Ella and Hazel both remained single, living in the house until they died.<br />

Their home reflects the women’s<br />

interests and activities such as<br />

sewing, tending the garden, taking<br />

tea together and with friends,<br />

attending local cultural events<br />

and caring for the possessions<br />

which, after the death of Hazel in<br />

1997, were bequeathed with the<br />

property to the National Trust.<br />

Two years ago, a pest inspection<br />

identified threats to Miss Porter’s<br />

House from household pests.<br />

Fortunately the danger was<br />

potential, rather than actual<br />

although there was some evidence<br />

of silverfish, moth, cockroaches,<br />

carpet beetles and mould. An<br />

‘Integrated Pest Management’<br />

strategy has been implemented<br />

to conquer the issues by the Miss<br />

Porter’s House Management<br />

Committee (MPH),and some<br />

heritage hard-hitters including the<br />

National Trust’s Jennifer Palmer<br />

(Collection Manager) and Stephen<br />

Buckland (Properties and Facilities<br />

Manager), Tamara Lavrencic<br />

(former Manager of Collections at<br />

the Historic Houses Trust) and Alex<br />

Roach (Principal of Heritage Pest<br />

Management).<br />

First up, the House and<br />

Collection Sub-committee and<br />

other volunteers washed all<br />

washable textiles replaced paper<br />

and cardboard containers with<br />

plastic bins, archival quality storage<br />

boxes and Mylar sleeves. Then an<br />

intriguing series of treatments was<br />

undertaken to maximise results.<br />

Freezing: Certain organic items<br />

including cloth, clothes, shoes,<br />

hats, books and documents, were<br />

taken to Carrington Cold Storage<br />

for three weeks of freezing at minus<br />

17 degrees celcius. Smaller objects<br />

were packed into labelled and<br />

sealed 55 litre plastic tubs. Plastic<br />

bags were fashioned with the help<br />

of a heater sealer to contain larger<br />

individual objects.<br />

Oxygen deprivation: Small<br />

organic objects were sealed<br />

in plastic bags with oxygen<br />

scavengers and packed into tubs,<br />

while larger items - a wooden<br />

ladder for example - were packed in<br />

individual sealed plastic bags with<br />

oxygen scavengers. These tubs and<br />

objects were stored at Kennard’s, or<br />

remained in the House. Alex Roach<br />

set up a large plastic bubble made<br />

from a high-barrier film in the<br />

parlour to house the lounge suite,<br />

cushions and<br />

books. The<br />

oxygen was<br />

displaced by nitrogen and<br />

the bubble sealed. The room was<br />

heated to 30 degrees celcius and<br />

left for a total of four weeks.<br />

Bactigas: A low toxin, volatile<br />

Tea Tree Oil spray was directed at<br />

areas affected by mould.<br />

Spraying for museum pests: A<br />

small amount of toxic spray was<br />

directed to places where pests<br />

might congregate.<br />

More than 150 tubs and objects<br />

were taken off-site during the<br />

process and while the House was<br />

relatively empty, the interior was<br />

painted and professionally cleaned.<br />

The <strong>NSW</strong> National Trust<br />

contributed about $25,000 to the<br />

project, while volunteer initiated<br />

museum grants from Museums<br />

and Galleries <strong>NSW</strong> contributed<br />

$1,500 (last year) and $1,350 (this<br />

year) to help pay for archival<br />

storage products.<br />

The House now looks fresher, the<br />

bugs have met their doom, and the<br />

Trust’s volunteers have succeeded<br />

in a project of considerable<br />

magnitude and satisfaction.<br />

Left & centre The lounge suite and other organic items including paper ephemera were subjected to oxygen deprivation in a large sealed plastic bubble in a<br />

heated room for a month. C Shain<br />

right Items of clothing were sealed in individual plastic bags and frozen for three weeks. C Shain<br />

Trust News Australia november 2012<br />

27


places<br />

Future for South Australian<br />

Riverland nature reserves<br />

Marcus Beresford | Councilor National Trust (SA)<br />

Government proposals for the Murray Darling Basin Plan include 2,750GL of extra water for the<br />

environment. It is uncertain whether this additional flow will sustain environmental assets in the South<br />

Australian portion of the Basin as previous advice showed an extra 7,600GL was required for good<br />

environmental outcomes.<br />

The future of the National<br />

Trust of South Australia’s<br />

twelve nature reserves in the<br />

Murray Basin is directly linked<br />

to government decisions about<br />

water. For some, like Woolmer<br />

Reserve, a superb but tiny area (2<br />

ha) of remnant Mallee vegetation,<br />

the outcome looks positive because<br />

of the species adaptation to arid<br />

conditions. The future is also<br />

looking bright for larger areas like<br />

DB Mack Reserve (265 ha), with its<br />

nationally endangered Mallee Fowl<br />

population.<br />

Other reserves inland from the<br />

river also look sustainable. Loveday<br />

Reserve (5.2 ha) which contains<br />

particularly dense and untouched<br />

native vegetation, conserves<br />

eight bird species classified as<br />

vulnerable, rare or uncommon in<br />

South Australia including Regent<br />

Parrots.<br />

However, the future of riverside<br />

reserves is less certain. Beautiful<br />

Margaret Dowling Reserve (26 ha)<br />

with its wetlands and interesting early<br />

woodcutter’s bridge, is already under<br />

stress from four wheel drive vehicle<br />

access, and the impact of houseboat<br />

access which has resulted in barren<br />

riverbank camping areas. Joint<br />

management arrangements with an<br />

adjacent government Conservation<br />

Park are being explored.<br />

ABOVE Cave Cliffs Reserve showing dieback on flats. M Beresford/NTSA<br />

insert Cadell Reserve Acacia ligulata. M Beresford/NTSA<br />

Trust News Australia november 2012<br />

28


places<br />

Similarly already under some<br />

pressure is the iconic Overland<br />

Corner Reserve (283 ha) with the<br />

historic Trust-owned Overland<br />

Corner Hotel (1858) - a stopping<br />

point for early coaches and stock<br />

drovers, and adjacent Heron’s<br />

Bend Reserve (17 ha), with its<br />

spectacular riverside cliffs rich<br />

with 15 million year old fossils.<br />

There are 132 indigenous plant<br />

species within the reserve<br />

including five classified rare<br />

in South Australia. However<br />

conditions are perilous. Drought<br />

and insufficient water releases<br />

have seen the death of hundreds<br />

of huge River Red Gums in these<br />

reserves. Fortunately young<br />

saplings are emerging from the<br />

devastated landscape.<br />

Meantime, Cave Cliffs Reserve<br />

(17.7 ha) with its important<br />

Aboriginal heritage cave, canoetree<br />

and middens, plus spectacular<br />

cliff views, faces other threats<br />

including salinity and stock<br />

intrusions.<br />

On a recent visit by the National<br />

Trust of South Australia’s Natural<br />

Heritage Committee, Bery<br />

Bery Reserve (16 ha) could not<br />

be accessed due to the high<br />

river, while a rare population of<br />

Prickly Bottlebrush Callistemon<br />

brachyandrus was identified<br />

during the same visit at riverside<br />

Cadell Reserve (8.7 ha). The<br />

possibility of joint management of<br />

Bery Bery and Cave Cliffs is to be<br />

explored with the local Aboriginal<br />

Lands Trust.<br />

Goulburn Anniversary<br />

Goulburn, <strong>NSW</strong>, will celebrate 150 years since Queen Victoria<br />

declared it a city by Letters Patent in March 2013.<br />

As part of the celebrations the Goulburn & District Historical<br />

Society will hold two exhibitions of architectural drawings by<br />

Edmund Cooper Manfred, architect of Goulburn.<br />

One Exhibition, in the Goulburn Regional Art Gallery will feature<br />

architectural drawings of the CBD from 1880 – 1920 including the<br />

Town Hall, Fire Station, Mechanics’ Institute, Band Pavilion, shops<br />

and commercial premises.<br />

The second Exhibition at St Clair, the<br />

Archives of the Goulburn & District Historical<br />

Society will feature drawings of residences<br />

from tiny cottages to two storey villas which<br />

are included in two self-guided Walks.<br />

The Historical Society was recently<br />

awarded a grant in excess of $10,000 for<br />

the preservation of some of the collection<br />

by the National Library of Australia --<br />

such a sizeable grant is rarely awarded,<br />

indicating the significance of the<br />

collection.<br />

Enquiries contact Daphne Penalver<br />

penalver@goulburn.net.au<br />

Above West End -- architectural drawings of residences from tiny cottages to grand villas. St Clair,<br />

318 Sloane St, Goulburn, from 24 February to late June, 2013.<br />

Above right Proposal for Town Hall, Auburn St, Goulburn – 1887. Goulburn and Districts Historical<br />

Society.<br />

Trust News Australia november 2012 29


National Trust Way Holiday Tours<br />

NEW ZEALAND’S SOUTH<br />

ISLAND COUNTRY ESTATE AND<br />

LANDSCAPE TOUR<br />

13-22 April 2013<br />

In conjunction with Homestead Tours<br />

this is a rare chance for National Trust<br />

members to visit private high country<br />

stations and historic homesteads, wine<br />

makers and local artists; to explore this<br />

beautiful area of the Southern Lakes<br />

of New Zealand’s South Island and to<br />

experience the generous hospitality of<br />

our hosts. We have chosen April as the<br />

autumn colours will be at their peak and<br />

the roses and late summer flowers still<br />

in bloom - a most magical time of year to<br />

visit. From Christchurch to Queenstown<br />

unparalleled scenic beauty awaits as we<br />

travel via Lake Tekapo, Lake Wanaka,<br />

Lake Dunstan and Lake Hawea. With<br />

mostly two or three night stays we have<br />

daily visits to private properties, historic<br />

homesteads, towns and villages. This<br />

tour is full of surprises as we experience<br />

highlights of New Zealand’s spectacular<br />

South Island.<br />

Cost per person twin share: $4,790<br />

Single room supplement: $950<br />

Note: Costs do not include airfares<br />

Expressions of interest: David Smith,<br />

Travelscene on Capri<br />

P: 1800 679 066 License No: TA1091<br />

Leader: Jill Bunning T: 02 9798 8914<br />

NORFOLK ISLAND<br />

15-22 April 2013<br />

Visiting Norfolk Island is a unique<br />

experience. Rich in history, it is blessed<br />

with a temperate climate. It was first<br />

settled by Governor Arthur Phillip as<br />

a penal settlement and later became<br />

home to the Pitcairn settlers, survivors<br />

of the Mutiny on the Bounty, and their<br />

families, descendants of whom still<br />

live there today. Visit historic Kingston,<br />

Cascade and Longridge. See and hear<br />

about the famous convict buildings,<br />

beautiful beaches and golf course. Tour<br />

of the Museums and cemetery and sites<br />

of the First and Second settlements<br />

will provide you with a unique and<br />

truly memorable experience. Visit<br />

the Pittcairn Settlers Village and learn<br />

about the colourful history of Norfolk<br />

Island’s most recent settlement - the<br />

Pittcairners and their descendants, on<br />

one of the last few remaining original<br />

settler’s properties. The dramatic show<br />

“Mutiny on the Bounty” involves scores<br />

of the descendants of the mutineers,<br />

who bring the story of the Mutiny alive.<br />

Dining is also a unique experience on<br />

the picturesque island with fresh fish<br />

and traditional island food.<br />

Cost per person twin share: $3,690<br />

Single room supplement: $990<br />

Note: Cost include airfares ex Sydney,<br />

7 nights accommodation at the<br />

Governors Lodge and most meals<br />

Enquiries: David Smith, Travelscene<br />

on Capri<br />

P: 1800 679 066 License No: TA1091<br />

Leader: Lorraine Collins T: 0439 947 479<br />

above Unmistakably French; the streets of<br />

Provence<br />

PROVENCE<br />

24 April - 7 May 2013<br />

From its herb-scented hills to its<br />

spectacular coastline, no other region<br />

of France fires the imagination as<br />

strongly as Provence. Unpack only<br />

twice on this delightful tour in spring.<br />

After a few days exploring the French<br />

Riviera we move to the heart of<br />

Provence to a comfortable hotel in<br />

Les Baux-de-Provence for leisurely<br />

daily excursions to the surrounding<br />

area. Visit the splendid gardens of<br />

Villa Ephrussi-de-Rothschild, the artist<br />

Cezanne’s studio and the exciting new<br />

museum with works by Pierre Bonnard.<br />

Walk through beautiful villages such as<br />

Gordes, St Paul-de-Vence and Rousillon<br />

and see UNESCO world heritage<br />

sites including the historic centre of<br />

Avignon, the Roman and Romanesque<br />

monuments of Arles and the Pont-du-<br />

Gard aqueduct. Early bookings are<br />

highly recommended as we will only be<br />

taking a group of maximum 15 people.<br />

Cost per person twin share: $5,290<br />

Single room supplement: $980<br />

Note: Costs do not include airfares<br />

Expressions of interest: David Smith,<br />

Travelscene on Capri<br />

P: 1800 679 066 License No: TA1091<br />

Leader: Loma Priddle T: 02 9412 2875<br />

NORTHERN ITALY: LAKES,<br />

MOUNTAINS & THE RIVIERA<br />

14-26 September 2013<br />

This exciting new itinerary has been<br />

tailor made for National Trust members<br />

in conjunction with Ugo and Barbara<br />

Mariotti, who have been conducting<br />

enjoyable Trust tours in Italy over the<br />

past 10 years. Unpack only twice as<br />

we stay in centrally located hotels first<br />

in the town of Como, set in an idyllic<br />

landscape of mountains on the lake<br />

of the same name, then in the resort<br />

town of Santa Margherita Ligure in<br />

the heart of the Italian Riviera. Visit the<br />

spectacular gardens of Villa Carlotta<br />

and Villa Melzi; Bellagio, known as<br />

the ‘Pearl of Lake Como’; the Swiss<br />

town of Lugano and the gloriously<br />

decorated Certosa di Pavia. Leisurely<br />

daily excursions on the Italian Riviera<br />

include Portofino, the famous villages<br />

of the ‘Cinque Terre’ coastline and<br />

the heritage listed small port of Porto<br />

Venere. A day tour to Lucca, one of<br />

the most beautiful towns in northern<br />

Tuscany, is also included.<br />

Cost per person twin share: $6,190<br />

Single room supplement: $990<br />

Note: Costs do not include airfares<br />

Expressions of interest: David Smith,<br />

Travelscene on Capri<br />

P: 1800 679 066 License No: TA1091<br />

Leader: Jill Bunning T: 02 9798 8914<br />

above Bellagio on Lake Como.<br />

Courtesy Italian Tourist Office<br />

Trust News Australia november 2012<br />

30


QUILTY TOURS<br />

- 2013 -<br />

12<br />

days<br />

FLINDERS RANGES<br />

Adelaide to Sydney $4,475<br />

27 April to 8 May<br />

(twin share)**<br />

OUTBACK AUSTRALIA<br />

(including Lake Eyre)<br />

14<br />

days<br />

18<br />

days<br />

Sydney to Sydney<br />

25 May to 7 June<br />

REMOTE QUEENSLAND<br />

& BEYOND<br />

Sydney to Sydney<br />

19 July to 5 August<br />

$5,475<br />

(twin share**<br />

$6,950<br />

(twin share)**<br />

For full details of these tours go to<br />

www.quiltytours.com.au<br />

OR Contact Richard Quilty<br />

personally on 0418 201 677<br />

Heritage<br />

in the making<br />

Celebrating its 25th anniversary in 2012,<br />

Perth-based graphic design studio<br />

Dessein has provided design services to<br />

the National Trust since 1990 making it the<br />

company’s oldest continuous client.<br />

Dessein’s creative team shapes Trust News<br />

Australia, Trust News WA and Heritage Living<br />

for the National Trust (SA) and has developed<br />

the National Trust’s new interactive magazines<br />

available online.<br />

Dessein is internationally recognised for its<br />

design concepts.<br />

Thanks for your commitment to the<br />

National Trust.<br />

Like to see what dessein can do?<br />

visit www.dessein.com.au<br />

Award winning<br />

design SINCE 1987<br />

** Single Supplements are available<br />

31 Trust News Australia november 2012


Magnificent Australia<br />

Heritage Air Tour 2013<br />

limited availability<br />

2 departures<br />

July 16 & August 21<br />

15 days<br />

17 seats<br />

per departure<br />

National Trust Members Price<br />

Exclusive Substantial Discount<br />

on published fare<br />

With 25 years of exploratory air touring throughout the continent,<br />

Flight Through The Spectacular Land Of The Dreamtime Pty Limited<br />

has created for National Trust members an extraordinary itinerary of<br />

remote Australia and the founder and director of these tours,<br />

David Marks has been acknowledged as the pioneer of modern day air touring in Australia.<br />

During the “dry season” - July and August 2013, two only departures will realize lifelong ambitions to experience a vast<br />

expanse of Australia, visiting destinations of world importance for wilderness and cultural heritage.<br />

The diverse and exciting itinerary includes specially arranged visits to ancient rock art sites in the Kimberley and in stone country of<br />

western Arnhemland. Also included is a rare opportunity for cultural exchange with Aboriginal saltwater people in remote eastern<br />

Arnhemland. Extensive surface touring by vehicle and boat on inland waterways is provided with expert or informed commentary.<br />

National Trust members wanting to join either of the two departures are urged to apply without delay<br />

to avoid disappointment, as each departure is limited to 17 passengers.<br />

Enquiries and Brochure:<br />

Flight Through The Spectacular Land of the Dreamtime Pty Limited<br />

Level 57, MLC Centre, Martin Place, Sydney, <strong>NSW</strong>, Australia 2000<br />

Phone: (02) 9230 7070 Fax: (02) 9238 7633<br />

Email: info@dreamtimebyair.com.au<br />

www.dreamtimebyair.com.au

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