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Volume 5 NO 11 november 2012<br />
trust<br />
news<br />
Australia<br />
<strong>NATIONAL</strong> <strong>TRUST</strong><br />
INSIDE >
Summer<br />
at the National Gallery of Australia<br />
14 December 2012 to 2 April 2013 | Book now: ticketek.com.au<br />
PRINCIPAL PARTNERS<br />
EXHIBITION PARTNER<br />
Henri de Toulouse-Lautrec Queen of Pleasure [Reine de Joie] 1892 (detail), colour lithograph,<br />
National Gallery of Australia, Canberra, purchased with the assistance of Mary Peabody 2011<br />
nga.gov.au Parkes Place, Canberra | 10 am – 5 pm daily | Enquiries: (02) 6240 6502<br />
Summer<br />
exhibitions<br />
Carol Jerrems<br />
Until 28 January<br />
Free entry<br />
Abstract Expressionism<br />
Until 24 February<br />
Free entry<br />
Kastom: Arts of Vanuatu<br />
8 February 2013 – 16 June 2013<br />
Free entry<br />
Jesse Traill<br />
16 February 2013 – 23 June 2013<br />
Free entry
5<br />
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Inside<br />
ISSN: 1835-2316<br />
Vol 5 No 11 2012<br />
Trust News is published quarterly for<br />
National Trust members and subscribers<br />
in February, May, August and November.<br />
Publication is coordinated by the National<br />
Trust of Australia (WA) on behalf of the<br />
National Trusts of Australia and supported<br />
by the Department of Sustainability,<br />
Environment, Water,<br />
Population and Communities.<br />
National Trust of Australia (WA)<br />
ABN 83 697 381 616<br />
PO Box 1162<br />
West Perth WA 6872<br />
T: 08 9321 6088 F: 08 9324 1571<br />
W:www.ntwa.com.au<br />
Editor: Gina Pickering<br />
gina.pickering@ntwa.com.au<br />
T: 08 9321 6088<br />
Advertising: For advertising rates,<br />
contact the Editor.<br />
Design: Dessein Graphics<br />
Cover: A wild koala undergoes a health<br />
assessment prior to release.<br />
Currumbin Wildlife Sanctuary.<br />
Next Issue: February 2013<br />
Copy deadline:10 November 2012<br />
Please help us to save our environment and<br />
circulate this magazine as widely as possible.<br />
This magazine is printed on recyclable paper<br />
and packed in 100% degradable wrap.<br />
The views expressed in Trust News are not<br />
necessarily those of the National Trusts or the<br />
Department of Sustainability, Environment,<br />
Water, Population and Communities. The<br />
articles in this magazine are subject to<br />
copyright. No article may be used without the<br />
consent of the National Trust and the author.<br />
November - January 2013<br />
Greetings,<br />
In this edition, a preview of breathtaking<br />
conservation works at the oldest Executive<br />
Council Chamber in Australia and a million<br />
dollar facelift for Perth’s only surviving 19th<br />
Century stone building.<br />
South Australian treasures revealed in the<br />
Ayers House Museum Collection and convict<br />
work in clay defines changes in style and<br />
form.<br />
The National Trust also supports an<br />
Australian icon in the firing line as the<br />
community rallies with vital support.<br />
Enjoy<br />
Gina Pickering | Editor<br />
my Word<br />
with editor<br />
Gina Pickering<br />
4 The Cascades Female<br />
Factor<br />
5 An elegant mid-Victorian<br />
survivor<br />
8 School’s out on the Terrace<br />
10 The Broad Arrow Bricks<br />
12 New perspectives on<br />
Northwest cultural<br />
landscapes<br />
14 Right on Q<br />
16 Getting to know the<br />
Curtins in Cottesloe<br />
18 The Fabric of Society:<br />
Australia’s Heritage Quilts<br />
20 Tunnellers Net<br />
21 A chamber of delight for<br />
Sydney architects<br />
24 A Master Plan<br />
for the Old Farm<br />
26 In the firing line<br />
27 War on Pests<br />
at Miss Porter’s House<br />
28 Future for South Australian<br />
Riverland nature reserves<br />
29 Goulbourn Anniversary<br />
30 National Trust Way<br />
Holiday Tours<br />
3 Trust News Australia november 2012
perspectives<br />
Sustaining Australia’s World Heritage<br />
Tony Burke | Minister for Sustainability, Environment, Water, Population and Communities<br />
I am delighted that over the past couple of months I have been able to announce<br />
significant funding for two world heritage listed places.<br />
At the World Heritage Listed<br />
Cascades Female Factory in<br />
Tasmania I announced $374,000<br />
in funding to improve the visitor<br />
experience as part of a conservation<br />
and interpretation project funded<br />
by the Your Community Heritage<br />
program.<br />
The yards of the Cascades<br />
Female Factory are filled with the<br />
footprints of the convict buildings<br />
that housed over 1000 convict<br />
women and children who were<br />
once held and worked there.<br />
Heritage is fundamental to our<br />
national identity and informs us<br />
about where we have come from<br />
and who we are. The Cascades<br />
Female Factory played an important<br />
role in Australia’s history and this<br />
funding will ensure that it is able to<br />
continue telling that story.<br />
The factory opened in 1828 and<br />
operated as a prison and place<br />
of punishment for re-offending<br />
female convicts, a female labour<br />
hiring depot, a hospital, a nursery,<br />
a place for pregnant convicts and a<br />
workplace.<br />
As one of the only places of<br />
early female imprisonment with<br />
intact remains, it is one of the most<br />
significant sites of convict heritage<br />
in the world.<br />
In addition to the support for<br />
the Cascade Female Factory I also<br />
recently announced an injection<br />
of $20 million for important<br />
works to Melbourne’s iconic Royal<br />
Exhibition Building and Carlton<br />
Gardens. The funding will assist<br />
with conservation works for the<br />
building and promotional and<br />
interpretive activities.<br />
The magnificent building is<br />
a great treasure of international<br />
importance. The funds will help<br />
Museum Victoria uphold the values<br />
that led to the site’s inscription on<br />
the World Heritage List in 2004.<br />
The Royal Exhibition Building<br />
was built for the 1880 Melbourne<br />
International Exhibition as an<br />
opportunity to promote Australia’s<br />
technological innovations to the<br />
world. The building also hosted<br />
the opening of the first Federal<br />
Parliament in 1901. It is part of our<br />
story as a nation and is a special<br />
place for all Australians.<br />
I am pleased that two significant<br />
heritage places are receiving the<br />
recognition and funding needed<br />
to assist in protection, promotion<br />
and the sharing of their story.<br />
Above Left Royal Exhibition Building and Carlton Gardens. DSEWPaC<br />
Above right Cascades Female Factory. DSEWPaC<br />
Trust News Australia november 2012<br />
4
places<br />
An elegant<br />
mid-Victorian survivor<br />
Janine Hook | Ayers House Museum Manager<br />
Ayers House stands today not only as the last surviving<br />
mansion of its era on the southern side of<br />
North Terrace, it also interprets the life of a leading South<br />
Australian family of the 19 th Century.<br />
Trust News Australia november 2012<br />
5
Sir Henry Ayers came from<br />
England as a young man<br />
with little schooling and went<br />
on to become Premier of South<br />
Australia and Secretary of the<br />
Burra Copper Mine.<br />
In 1858 he commissioned the<br />
conversion of an early nineroomed<br />
brick house which was<br />
to become the forty roomed<br />
mansion present today.<br />
Architect Sir George Strickland<br />
Kingston (1807-1880) produced<br />
what was by then a conservative,<br />
regency-style masterpiece.<br />
By the time Sir Henry’s North<br />
Terrace House was completed in<br />
1876 the interior had been handstencilled<br />
room by room and the<br />
magnificent Lyon and Cottier<br />
designed formal dining room<br />
ceiling is regarded as among the<br />
most significant hand-painted<br />
ceilings in the country.<br />
The National Trust of South<br />
Australia’s fine collection in the<br />
house is displayed to highlight<br />
original Ayers family pieces.<br />
TOP The Grand Staircase - access to the Guest Wing of the house and today access to the upstairs section of the Museum.<br />
The plush red carpets indicate that this staircase was used by the family and invited guests – not the staff of the house. G Gillman<br />
bottom External view of Ayers House. G Gillman<br />
right The Saratoga Trunk. J Hook<br />
Trust News Australia november 2012<br />
6
above The Family Dining Room – the small<br />
dining room located behind the front<br />
verandah where the family would have<br />
dined together. G Gillman<br />
Recent preparations for South<br />
Australia’s museum reaccreditation,<br />
have revealed some previously<br />
hidden treasures in the Ayers House<br />
Museum collection. These items<br />
include South Australia Illustrated -<br />
volumes of watercolours by George<br />
French Angas (son of founding<br />
chairman of the South Australian<br />
Company George Fife Angas) which<br />
give insight into how early settlers<br />
saw the environment, Indigenous<br />
families and lifestyles.<br />
Another special find is a “Saratoga<br />
Trunk”, in this case fitted internally<br />
as a ladies travel companion with<br />
glove drawers and stationery<br />
compartments.<br />
The costume collection has been<br />
extended due to these finds as well.<br />
In the next year (with the installation<br />
of a new storage system courtesy<br />
of funding from History South<br />
Australia’s Community Museums<br />
Program) the upstairs Guest Wing<br />
will be rearranged to include a<br />
Ladies Dressing Room and stand<br />
alone Gentlemen’s bedroom. The<br />
introduction of the Ladies Dressing<br />
Room will allow a proper and more<br />
contextually relevant interpretation<br />
of costumes on a rotational basis.<br />
Using reflections on social<br />
history, visitors to the property are<br />
introduced to how life may have<br />
been for both the Ayers family and<br />
those “below stairs”.<br />
Henry Ayers: The Man Who<br />
Became a Rock<br />
Author: Jason Shute<br />
Between the lines<br />
Publisher: IB Taurus & Co, London 2011<br />
Reviewer: Marcus Beresford<br />
National Trust (SA) Councilor<br />
Mining magnates are topical and this book brings to<br />
life Australia’s first mining magnate, Sir Henry Ayers,<br />
a key player in the great copper boom at Burra, South<br />
Australia in 1845. Ayers was inaugural President of the<br />
Australian Institute of Mining and Metallurgy.<br />
From humble carpentry beginnings in Portsmouth England, Ayers first<br />
worked in SA legal offices, then became secretary of the SA Mining Association<br />
which exploited the “Monster Mine” at Burra. He also managed the financial<br />
affairs of big investors in that mine and went on to become Premier of South<br />
Australia seven times and President of the Legislative Council for 12 years.<br />
Uluru was named after him, but that legacy is fading. As to Ayers’ other<br />
legacies, these are not entirely obvious apart from Ayers House, the supremely<br />
elegant mansion on North Terrace, Adelaide, now a Museum of the National<br />
Trust of South Australia. Ayers was leader of the South Australian government<br />
at the time of both the settlement of the Northern Territory and construction<br />
of the Overland Telegraph (a major development for Australia giving rapid<br />
communication with Britain and other centres for the first time), but this book<br />
suggests that he may not have been pivotal in such developments. The reader<br />
gets the impression that Ayers was more the facilitator than initiator.<br />
In other areas he “set the scene” for later initiatives, without pushing things<br />
to a new level. These included women’s property rights after marriage, public<br />
education, eight hour work-days, unionism, and inter-colonial conferences.<br />
However, he appears to have been fiscally conservative and private enterprise<br />
orientated.<br />
Ayers became a member of the Unitarian Church, a religion advocating<br />
freedom from formal dogma or doctrines (and which embraced people like<br />
Catherine Spence, author and electoral reformer).<br />
He appears to have been quite patriotic about his new country, realising<br />
it had much to offer to people of his background. Unlike many other early<br />
Australian colonists who “made good”, he long delayed returning to England.<br />
The book contains an extraordinary amount of detail about Ayers’ life in<br />
South Australia including his relationship with his wife Annie, and in turn<br />
reveals much about life in the colony generally. Of particular interest is Ayers’<br />
relationship with Henry Rymill, a younger man who worked under him<br />
initially but later became antagonistic. The suggestion is that Ayers and Rymill<br />
were very alike and that there was an intergenerational struggle.<br />
Shute’s book is a significant contribution to Australian history and<br />
hopefully the first of books analysing this important figure in depth.<br />
Available from mostlybooks@internode.on.net (08) 8373 5190<br />
Trust News Australia november 2012<br />
7
School’s out on the Terrace<br />
Gina Pickering | Editor National Trust (WA)<br />
Old Perth Boys’ School located in the hubbub of St Georges Terrace<br />
business throng is both elegant and eye-catching.<br />
Its style (Gothic Revival), refreshed limestone facade and new tuckpointing<br />
identify it as something special in the city’s heart - and it is. Old Perth<br />
Boys’ School is the only mid 19 th century stone building surviving in Perth<br />
Central Business.<br />
More than a million dollars worth of conservation work has recently been<br />
pumped into Perth’s first purpose-built public school.<br />
It’s become part of shining gateway to the headquarters of industry giant<br />
BHP. Some say it’s a landscape of David and Goliath proportions in which<br />
Old Perth Boys’ School is confidently holding its own.<br />
The conservation of Old Perth<br />
Boys’ School has been a major<br />
commitment of the National Trust<br />
over the past two years and is<br />
unique in many ways.<br />
Brookfield Multiplex’s new City<br />
Square Development features a 45<br />
level office block, shops, cafes and<br />
a heritage precinct which includes<br />
Newspaper House, Perth Technical<br />
College, WA Trustees, Royal Union<br />
as well as Old Perth Boys’ School.<br />
TOP The fresh face of Old Perth Boys’ School.<br />
G Pickering / NTWA<br />
ABOVE An enhanced public space is an outcome of the<br />
National Trust (WA) commitment to conservation work.<br />
G Pickering / NTWA<br />
RIGHT An interpretive element reflects the West Australian<br />
Times. G Pickering / NTWA<br />
Trust News Australia november 2012<br />
8
now and<br />
then<br />
Old Perth Boys’ School is a<br />
heritage survivor on Perth’s St<br />
Georges Terrace. Vested in the<br />
National Trust’s care since 1979,<br />
it was the Trust’s headquarters<br />
through to 1986.<br />
The recent program of works is<br />
unique in many ways.<br />
Finding funds for conservation<br />
works is always a challenge and<br />
the National Trust took a bold,<br />
innovative approach in order to<br />
complete the external conservation<br />
works to Old Perth Boys’ School.<br />
Through the sale of plot ratio<br />
(commonly known as “airspace”) to<br />
the developer, Brookfield Multiplex,<br />
some $960,000 was secured.<br />
National Trust CEO Tom<br />
Perrigo said the approach<br />
illustrates a National Trust ethos<br />
and commitment to innovative<br />
sustainable outcomes.<br />
“In addition, the National Trust<br />
(WA) has also contributed an<br />
additional $340,000 to project<br />
management and architectural<br />
services to deliver an enhanced city<br />
centre location that’s now available<br />
for lease,” he said.<br />
National Trust Conservation<br />
and Landscape Architects provided<br />
guidance for this project which<br />
had a set of unique conditions<br />
and required stringent meshing<br />
with the Brookfield Multiplex<br />
requirements.<br />
The challenges associated with<br />
the project included extensive<br />
works adjacent to and within the<br />
conservation site.<br />
According to National Trust<br />
conservation architect Caroline<br />
Stokes the extensive use of cement<br />
mortar in former conservation of<br />
the building was one of the biggest<br />
issues of the project.<br />
“We ensured all the cement<br />
mortar and cement repairs<br />
discovered during our exploration<br />
of the site received appropriate<br />
attention,” Ms Stokes said.<br />
“The presence of cement mortar<br />
leads to sacrifice of the limestone<br />
and so it was a priority for us to<br />
ensure it was removed,” she said.<br />
The face of Old Perth Boys’<br />
School which greets the city<br />
community was scrubbed with<br />
soap and water and the new tuck<br />
pointing has provided a refreshed<br />
finish.<br />
Eric Hancock, Conservation<br />
Project Officer who was responsible<br />
for the extensive stoneworks, said the<br />
project offered some real surprises.<br />
“One of the highlights was<br />
discovering original tuck pointing<br />
of the stone work at the back of the<br />
building,” Mr Hancock said.<br />
“Our archaeological consultants<br />
revealed part of the life of Old Perth<br />
Boys’ School turning up a collection<br />
of pencils, buttons, inkwells and<br />
even some long lost marbles,” he<br />
said.<br />
It is one of a group of heritage<br />
buildings which has undergone<br />
conservation and adaptive reuse<br />
after remaining dormant for many<br />
years.<br />
Old Perth Boys’ School has links<br />
with education dating back to the<br />
early days of the Swan Colony<br />
and which continued into the<br />
20th century as part of the Perth<br />
Technical School.<br />
Even one of the principal<br />
consultant architects - Alan Kelsall<br />
- was a former Perth Technical<br />
School student.<br />
National Trust Landscape<br />
Architect Phil Palmer said research<br />
did not reveal any evidence of<br />
original ground treatments for Old<br />
Perth Boys’ School and a decision<br />
was made to finish the forecourt<br />
with high quality granite because of<br />
its attractive and durable qualities.<br />
“A natural granite material with<br />
soft earthy tones has been used to<br />
pave the surface and complement<br />
the limestone,” Mr Palmer said.<br />
Old Perth Boys’ School is a<br />
survivor. A classroom to many of<br />
Western Australia’s most prominent<br />
citizens and a significant legacy<br />
listed on Western Australia’s<br />
Heritage Register.<br />
“We have had an opportunity<br />
to conserve this truly important<br />
heritage place and contribute to<br />
the contemporary development in<br />
the heart of Perth,” Ms Stokes said.<br />
The National Trust worked<br />
with a team of consultants<br />
from Kelsall-Binet Architects<br />
and Wood & Grieve Engineers.<br />
Works includes:<br />
• A new rainwater<br />
and drainage system<br />
• Storm water collection<br />
• Paint finishes<br />
• Structural issues<br />
above National Trust (WA) conservation team including (L-R) Eric Hancock, Conservation Project Officer, Caroline Stokes, Conservation Architect and Phil Palmer,<br />
Landscape Architect. G Pickering / NTWA<br />
Trust News Australia november 2012<br />
9
innovation and invention<br />
Excavations<br />
in<br />
New south<br />
wales<br />
The Broad Arrow Bricks<br />
Allan Hackett<br />
The broad arrow originated in<br />
England in 1698. It was an<br />
identification mark introduced<br />
to prevent the pilfering of<br />
Government property. Hence<br />
bricks, axes, shovels and other<br />
items were marked with the<br />
broad arrow. In New South<br />
Wales this practice of<br />
identification is usually<br />
accepted as commencing after<br />
1819 when Commissioner Bigge<br />
arrived in Sydney to investigate<br />
the state of the colony. His<br />
reports were extremely critical<br />
of Governor Macquarie for his<br />
lenient treatment of convicts.<br />
However, I believe there is evidence that the broad arrow appeared<br />
prior to 1819. Archaeological excavations were carried out at the<br />
site of the Westfield shopping centre at Parramatta.<br />
Bricks which were thought to be unmarked or “clean skins” by the<br />
archaeologist were unearthed and a sample of four bricks were made<br />
available for examination. These bricks were recovered from one of the<br />
nineteen allotments on the site which was occupied by a private settler<br />
in 1810. However, examination of these bricks has revealed that they<br />
were in fact marked. In this instance the marking took the form of a<br />
series of dots and interestingly the dots are arranged in the form of two<br />
broad arrows. These may be the first government broad arrow bricks<br />
made in <strong>NSW</strong>. In addition, shell mortar is associated with the bricks<br />
and all measure the standard English size of 100cm x 21.5cm x60cm.<br />
The dot markings were impressed in the brick surface with nailheads<br />
protruding from the kick of the stockboard as the clay was pressed into<br />
the mould.<br />
Further evidence of the broad arrow predating 1819 has been provided<br />
by excavations at the site of the third old Parramatta hospital.<br />
The hospital was built in 1818. Double arrow bricks were found on<br />
site in the wall footings and can still be seen today covered by a glass<br />
floored building.<br />
For more information visit www.turnofthefirstclay.com or contact Allan Hackett<br />
at brickyone@bigpond.com<br />
Trust News Australia november 2012<br />
10
innovation and invention<br />
Between the lines<br />
Farewell, Dear People<br />
Author: Ross McMullin<br />
ABOVE left Governor Lachlan Macquarie’s building<br />
regime occurred at the same time the single arrow<br />
appeared in Sydney. Early bricks were of English size<br />
but changed to 10cm x 23.5cm x 7cm in the late 1820s.<br />
A Hackett<br />
left Brickmakers sent to the penal colony at Port<br />
Macquarie from 1821, produced bricks on a quota<br />
system. Gangs assisted the brickmakers and each had<br />
their own identification mark. A Hackett<br />
ABOVE Dot markings form broad arrows in bricks from<br />
the Westfield site in Parramatta, <strong>NSW</strong>. A Hackett<br />
BELOW Brickmakers sent to the penal colony at Port<br />
Macquarie, from 1821 produced bricks on a quota<br />
system. Gangs assisted the brickmakers - each had<br />
their own identification mark. A Hackett<br />
Publisher: Scribe Publications<br />
Reviewer: Robert Mitchell<br />
National Trust members taking<br />
advantage of reciprocal privileges with<br />
the National Trust for Scotland and<br />
the National Trust in the remainder<br />
of Britain may be aware the role of<br />
death and taxes in the transfer of many<br />
country houses and estates to National<br />
Trust stewardship. While the imposition of death duties was a<br />
primary cause, the death of “heirs male” during the Great War 1914<br />
– 1919 was often an important factor. While the national sacrifice<br />
and community loss was widespread, the line of succession for<br />
many family estates was extinguished in the mud of Flanders<br />
and elsewhere. The collective impact of the national loss was also<br />
reflected in “government by the second eleven” a phrase describing<br />
the lack of depth of political leadership in Britain between 1919 and<br />
1939.<br />
In Australia the focus of commemoration of the Great War has<br />
been on service and sacrifice and battlefield accomplishments.<br />
Biographies, unit histories and memoirs continue these themes.<br />
As the centenary of the Great War approaches new publications<br />
are allowing us to re-examine the impact of the War on Australia<br />
and to present previously untold stories. The 60,000 soldiers lost<br />
in death to a young nation with a relatively small population was<br />
both devastating and politically potent as in the famous interaction<br />
between Prime Minister Billie Hughes and US President Woodrow<br />
Wilson over the League of Nations’ mandate for New Guinea<br />
demonstrated. Sometimes forgotten within the remembrance of<br />
the magnitude of loss are the individual stories of extraordinary<br />
Australians and what they might have contributed had they lived.<br />
Farewell, Dear People by Ross McMullin contains ten extended<br />
biographies of young men who exemplified Australia’s gifted lost<br />
generation of World War I. This book seeks to retrieve their stories<br />
and to fill the gaps in the nation’s collective memory. It shows how<br />
their deaths were a loss to Australia and part of the lasting legacy of<br />
the Great War. Although each biography culminates in death, these<br />
are not narratives of military history but rather a rich portrayal<br />
of Australia and Australians from the 1870s and into the 1930s. I<br />
entirely agree with Michael McKernan of the Canberra Times who<br />
characterised the narrative as a deeply felt engagement with lost<br />
lives, and a superb union of research and writing.<br />
I also agree with Peter Cochrane in his review in The Australian,<br />
that sometimes McMullin’s empathy for his selected individuals<br />
draws a long bow and loses historical context including the<br />
conjecture that General Sir John Monash could have replaced<br />
Field Marshall Sir Douglas Haig as Commander in Chief in France.<br />
Overall however the book is a compelling read with many links<br />
to heritage places like Woodbridge in Western Australia which is<br />
under National Trust of Australia stewardship.<br />
Available from info@scribepub.com.au<br />
Trust News Australia november 2012<br />
11
connections<br />
History<br />
reveals<br />
Muliticultural<br />
environment<br />
New perspectives on<br />
Northwest cultural landscapes<br />
Dr Kate Gregory | Special Project Historian National Trust (WA)<br />
Crossing the floodplains of the Harding River in the Shire of Roebourne, barefoot with cool soft mud<br />
between our toes and behind us the spectacular Table Hill, Cooya Pooya Station finally comes into view.<br />
It is like entering an abandoned world and our efforts to access the site are rewarded for although much<br />
degraded, this heritage site is rich with revelations about the past.<br />
The station dates from the 1870s<br />
although, like many Pilbara<br />
pastoral stations, destructive<br />
cyclones necessitated successive<br />
rebuilding campaigns. Labour<br />
history, the work of Aboriginal<br />
station hands and domestic<br />
workers, and shearing life are<br />
clearly evident in the collection<br />
of buildings, characterised by<br />
ingenious use of concrete to<br />
combat cyclones and termites.<br />
Rocky outcrops overlooking the<br />
complex are a picture gallery of<br />
ancient and contact rock art.<br />
ABOVE Cooya Pooya Station with remains of shearing shed and view of Table Hill, Shire of Roebourne. K Gregory/NTWA<br />
Trust News Australia november 2012<br />
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The history revealed is of a complex and contested multicultural<br />
environment around the earliest European settlement of the Northwest<br />
New research into the history<br />
and combined material culture of<br />
the site is being developed through<br />
a partnership between the National<br />
Trust of Australia (WA) and the<br />
University of Western Australia,<br />
as part of a review of the Shire of<br />
Roebourne’s Municipal Heritage<br />
Inventory. Fieldtrips to review<br />
sites already on the inventory,<br />
assess new sites for inclusion, and<br />
meet with the community to find<br />
out about places of local heritage<br />
significance have recently been<br />
undertaken with Professor Alistair<br />
Paterson from the University of<br />
Western Australia and Dr Kate<br />
Gregory from the National Trust.<br />
The history revealed is<br />
of a complex and contested<br />
multicultural environment around<br />
the earliest European settlement of<br />
the Northwest; striving mercantile<br />
trade reliant on a network of ports<br />
and landings; a long history of<br />
resources extraction through<br />
pastoralism, pearling and mining;<br />
evidence of frontier violence;<br />
labour histories from forced labour<br />
to imported labour; adaptation<br />
to the environment and design<br />
innovation; and rich social histories<br />
emerging out of a diversified<br />
community.<br />
Cossack and Roebourne are<br />
amongst the State’s most significant<br />
heritage areas in a region rapidly<br />
expanding as a consequence of<br />
the mining boom. Yet still there<br />
are discoveries of overlooked<br />
and forgotten heritage sites.<br />
Nestled atop spinifex covered hills<br />
between Cossack and Roebourne<br />
we recorded a site of amongst the<br />
earliest European stone structures<br />
in the Northwest. A series of stone<br />
stock yards, shelters and lookouts<br />
well camouflaged within the<br />
natural rocky outcrops, would likely<br />
have been built by the first parties of<br />
European settlers. The site is largely<br />
intact and was probably only used<br />
in the first few years of European<br />
settlement. With strategic views<br />
of both the landscape and the<br />
ocean, the sense of uncertainty<br />
and encounter is palpable, with<br />
the need for security paramount.<br />
New research into the complex<br />
heritage of the region will develop<br />
understanding and help ensure<br />
the unique heritage of the area<br />
is valued within this changing<br />
landscape.<br />
above Contact rock art at Cooya Pooya Station, clay pipe engraving visible. K Gregory/NTWA<br />
top Recording stone stock yards near the upper landing Cossack, with Dr Kate Gregory and Professor Alistair Paterson. E Wright<br />
Trust News Australia november 2012<br />
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Right on Q<br />
Louise O’Flynn and Cath Snelgrove | <strong>NSW</strong> National Parks & Wildlife<br />
One of Sydney’s outstanding heritage landscapes is offering visitors<br />
a unique experience based on history and environmental values<br />
while fulfilling stringent monitoring of its conservation and<br />
management program.<br />
Quarantine Station is of<br />
outstanding cultural<br />
significance and listed on the<br />
<strong>NSW</strong> State Heritage Register,<br />
while the whole of North Head<br />
in registered on the National<br />
Heritage List.<br />
In February 1833, the site was<br />
dedicated as a place of quarantine<br />
to protect the colony from deadly<br />
ship-borne diseases, which<br />
included typhus fever, yellow fever,<br />
smallpox and bubonic plague. For<br />
140 years its use ebbed and flowed<br />
as modes of transport changed<br />
and new epidemics brought new<br />
threats.<br />
Over the decades, development<br />
of the 27 hectare site grew to include<br />
67 buildings which represent fine<br />
examples of architecture, as well<br />
as evidence of changes to social<br />
values including lifestyle and<br />
medical practice in the control of<br />
disease.<br />
The site contains around 12,000<br />
movable objects and is also<br />
home to the Little Penguin and<br />
the locally endangered Long<br />
Nosed Bandicoot. It also contains<br />
significant remnants of Eastern<br />
Suburbs Banksia Scrub.<br />
Ownership of Quarantine<br />
Station was transferred from the<br />
Commonwealth Government to<br />
the <strong>NSW</strong> National Parks & Wildlife<br />
Service (NPWS) in March 1984,<br />
and while the Service consistently<br />
carried out basic repairs as far as<br />
budget allowed, it was clear that a<br />
massive injection of funds would<br />
be needed to conserve and present<br />
the site to its full potential.<br />
The leasing of Quarantine<br />
Station on Sydney’s North Head to<br />
a private company in the late 1990s<br />
was a controversial period in the<br />
history of the Station, prompting<br />
heated debate. The <strong>NSW</strong> National<br />
Trust was concerned about the<br />
potential threat to Quarantine<br />
Station’s fragile and complex<br />
significance posed by commercial<br />
involvement.<br />
In 2000, a conditional lease<br />
was signed with the Mawland<br />
Group which proposed re-use of<br />
existing buildings to provide onsite<br />
accommodation, conference<br />
and other facilities. Supporting<br />
the interpretation of Quarantine<br />
Station and reflecting its significant<br />
history, the plan also detailed<br />
revenue raising options to protect<br />
it for the future. The National<br />
Trust expressed concern about the<br />
length of the proposed lease and<br />
the possible conflict between the<br />
need to make a profit and keeping<br />
the integrity of the site.<br />
right Heritage buildings have been meticulously conserved. C Shain<br />
Trust News Australia november 2012<br />
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The reuse project has<br />
been conspicuously<br />
successful in achieving<br />
environmental and<br />
cultural objectives,<br />
restoring and<br />
managing the<br />
natural landscape,<br />
while stabilising<br />
and restoring<br />
historic buildings<br />
On 26 October 2006, a lease for 21 years was granted to Mawland Quarantine<br />
Station (MQS). Within the most stringent framework of controls seen in Australia<br />
for such a project, conservation and adaptation works commenced in 2007 and<br />
have been ongoing since that time. Hotel accommodation on the site, now known<br />
as Q Station, has been in operation for three and a half years.<br />
A significant number of detailed conservation planning documents were<br />
prepared, and no less than 233 Conditions of Approval were issued, one of which<br />
required that an Independent Comprehensive Environment Audit of the project<br />
be undertaken every five years from the commencement date, for the life of<br />
the project. The recently completed second audit received a score of 96%, an<br />
exceptional level of compliance by both MQS and National Parks.<br />
The audit considered environmental performance, the adequacy of the<br />
monitoring program and the response to issues raised by the community. It<br />
concluded that the reuse project had been conspicuously successful in achieving<br />
environmental and cultural objectives, restoring and managing the natural<br />
landscape, while stabilising and restoring historic buildings. It found that the<br />
sensitive adaption of buildings to allow the successful operation of quality hotel<br />
accommodation and heritage tourism operation focused on providing guests<br />
with an experience based on the history and environmental values of the site.<br />
Movable heritage had been conserved and interpreted to both protect it and add<br />
valuable dimension to visitor understanding of the site.<br />
While the Independent Environmental Audit reflects the commitment by NPWS<br />
and Mawland Quarantine Station to protect the cultural and natural values of the<br />
site, the project itself demonstrates the vast potential community benefits offered<br />
through the detailed, sensitive and innovative conservation and management of<br />
large and complex heritage sites.<br />
above The former baggage handling station now houses a restaurant designed to leave no mark on the original fabric. C Shain<br />
Trust News Australia november 2012<br />
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Getting to know the Curtins in Cottesloe<br />
Elizabeth Hoff | Guest Curator<br />
More than 360 people visited Curtin Family Home during its four week open season. The beachside<br />
residence is one of only three former prime ministerial homes open to the public.<br />
Members of seniors’ groups,<br />
young Perth leaders and other<br />
visitors seized the opportunity<br />
to tour the Curtin Family Home,<br />
explore the garden and take an<br />
audio tour by ‘Elsie Curtin’.<br />
A special feature of this year’s<br />
program was a series of live readings<br />
from family correspondence in the<br />
Curtins’ lounge room. Visitors were<br />
warmly welcomed and enjoyed<br />
tea and talk in the kitchen and<br />
dining room of the Curtins’ former<br />
residence as part of the National<br />
Trust program.<br />
Many commented that they<br />
were aware of a sense of intimacy,<br />
of being guests at a place that<br />
continues to evoke its past as a<br />
family home. One visitor later<br />
recalled ‘the passion, knowledge<br />
and dignity’ that had marked their<br />
visit, which was ‘a memorable<br />
introduction to the Curtin family<br />
and to John Curtin himself’.<br />
A team of National Trust<br />
volunteers assisted with the<br />
readings, which were offered as<br />
part of the 2012 National Year of<br />
Reading program that is celebrating<br />
literacy across Australia.<br />
Team member Trish O’Neil<br />
found her involvement with the<br />
initiative rewarding.<br />
“Not only has my interest and<br />
understanding of Curtin, the man,<br />
been expanded but there has been<br />
a fascinating wealth of stories and<br />
memories from the people who<br />
have visited,” Ms O’Neil said.<br />
“The simple nature of the Curtin<br />
home makes it a place that so many<br />
can relate to,” she said.<br />
This year’s season included an<br />
open day that featured activities<br />
for children, a chance to take the<br />
audio tour, and further readings<br />
in the family’s lounge room. For<br />
the first time, the Trust partnered<br />
with Deckchair Theatre in Perth<br />
during its season of The Fremantle<br />
Candidate which focused on John<br />
Curtin’s political and personal<br />
battles. The association also led<br />
to some double takes in Jarrad St<br />
Cottesloe when actors from the<br />
production visited the former<br />
Curtin’s residence.<br />
The annual program concluded<br />
on 3 October with an evening<br />
lecture at The Grove Library,<br />
Cottesloe, from Andrew Robb<br />
AD MP, the Federal Member for<br />
Goldstein. Mr Robb spoke on<br />
mental health in public life.<br />
The Trust was recently awarded<br />
a grant to support preparatory<br />
work for the creation of a heritage<br />
trail that will expand the present<br />
interpretation of the Curtin Family<br />
Home. The trail will reveal memories<br />
of the Curtin family in Cottesloe,<br />
Cottesloe landmarks, and stories<br />
about the suburb’s development.<br />
The project’s consultant is<br />
seeking people willing to share<br />
recollections of these aspects of<br />
Curtin family and Cottesloe history<br />
in an online survey and one-onone<br />
consultations.<br />
For more information<br />
curtintrail@gmail.com or<br />
call 0407 161 045.<br />
above A prime ministerial pose on the front steps of the Curtin Family Home. G Pickering/NTWA<br />
Insert Members of the National Trust attended a special performance of The Fremantle Candidate at PICA in Perth’s cultural heart. G Pickering/NTWA<br />
Trust News Australia november 2012<br />
16
connections<br />
1<br />
2<br />
3 4<br />
5 6<br />
“The simple nature<br />
of the Curtin<br />
home makes it a<br />
place that so many<br />
can relate to.”<br />
1 Cast members from The Fremantle Candidate visit Curtin Family Home. G Pickering/NTWA<br />
2 Open Day at Curtin Family Home with National Trust Education Officer Kim Hawkes. K Rippingale/NTWA<br />
3 Members of the Sir Charles Court Young Leaders Program visited Curtin Family Home as part of their annual program. G Pickering/NTWA<br />
4 Representatives from local government authorities and the Western Australian State Heritage Office visit Curtin Family Home. G Pickering/NTWA<br />
5 Over 350 people visited the former residence of the Curtin Family Home during the National Trust’s annual program. E Hoff/ NTWA<br />
6 (L–R) Actor Steve Turner, National Trust Chairman John Cowdell, Actor Christie Sistrunk and Conservation Architect Kelly Rippingale at the opening night of<br />
The Fremantle Candidate. G Pickering/NTWA<br />
Trust News Australia november 2012<br />
17
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The Fabric of Society:<br />
Australia’s Heritage Quilts<br />
Dr Annette Gero FRS | Quilt Historian<br />
Australia has a wonderful quilt heritage. The earliest ‘Australian-made’ quilts were those crafted on ships by<br />
convict women during their transportation to the Colony. The women of Newgate Prison in England,<br />
sentenced to transportation to <strong>NSW</strong> for life, were taught to make patchwork quilts by the Quaker prison<br />
reformer, Elizabeth Fry. From 1817 to 1843 Elizabeth supervised those who were to make the long voyage to<br />
Australia and supplied them with patchwork as a skill to keep them occupied. Each convict woman was<br />
provided with one Bible, two aprons, one small bag of tape, one ounce of pins, one hundred needles, nine<br />
balls of sewing cotton, twenty four hanks of coloured thread, one small bodkin, one thimble, one pair of<br />
scissors and two pounds of patchwork pieces.<br />
Of all the patchwork quilts<br />
made by women on these<br />
voyages only one, the ‘Rajah’ quilt,<br />
has survived. Made on board the<br />
Rajah in 1841, the quilt bears an<br />
inscription in very fine cross stitch<br />
on one of its borders indicating that<br />
it was worked by the transported<br />
women. It is dated June 1841, and<br />
was presented to the ladies of<br />
the convict ship committee as a<br />
testimony of gratitude.<br />
Quilts were also made by genteel<br />
ladies, dressmakers, home makers<br />
and housewives, wealthy shop<br />
owners, WWI diggers, people who<br />
were forced off the land during<br />
the Depression, WWII Australian<br />
prisoners of war, rabbit trappers<br />
and artists’ wives.<br />
The thread that holds this<br />
patchwork of Australian history<br />
together is that each story told<br />
includes the making of a quilt.<br />
It draws on women’s memories,<br />
diaries, their letters to relatives,<br />
official records, newspaper and<br />
magazine articles reflecting the<br />
current domestic influences and,<br />
of course, the old magazines which<br />
provided the quilt patterns.<br />
The search and documentation<br />
of old Australian quilts over the past<br />
twenty years includes all periods of<br />
Australian history. The quilts and<br />
their stories, which include the<br />
social history of countless ordinary<br />
people, are to be found in my new<br />
book, Fabric of Society: Australia’s<br />
Quilt Heritage from Convict Times<br />
to 1960.<br />
By the 1850s the community<br />
had evolved into a wealthy<br />
pastoral society, and the women<br />
who had settled here had the time<br />
and means for patchwork as a<br />
decorative art. Fortunately many<br />
of these quilts have survived. One<br />
of the most beautiful old Australian<br />
quilts from this period was made<br />
in Sydney c1850 by Frederica Mary<br />
Josephson. The cotton and chintz<br />
quilt is a combination of stars,<br />
hexagons and tumbling blocks in<br />
striking early fabrics which would<br />
have been imported to the Colony<br />
from England.<br />
‘“Quilt of Hexagons and<br />
Diamonds”, attributed to Frederica<br />
Josephson and made in Sydney<br />
c1850’, is in the <strong>NSW</strong> National Trust<br />
collection and was shown at an<br />
above Quilt of Diamonds and Hexagons Made by Frederica Mary Josephson, Sydney, c1850. NT<strong>NSW</strong><br />
right The Quilt Study Group works on the replica. NT<strong>NSW</strong><br />
Trust News Australia november 2012<br />
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Between the lines<br />
exhibition of Historical Australian<br />
Quilts at Old Government House,<br />
Parramatta, in 2000.<br />
Frederica Josephson was born<br />
in Sydney in 1833. On 21 July 1853<br />
she married Emmanuel Josephson,<br />
son of the convict silversmith,<br />
Jacob Josephson, who also made<br />
his mark in Australia’s history.<br />
Frederica and Emmanuel built<br />
Riverview Cottage at Longueville,<br />
Sydney and lived there from 1853<br />
to 1873. The estate was later sold to<br />
the Jesuits and is now St Ignatius<br />
College.<br />
In 2010, on a recommendation<br />
by <strong>NSW</strong> National Trust Collection<br />
Manager, Jennifer Palmer, the<br />
Quilt Study Group of <strong>NSW</strong> (a subcommittee<br />
of the Quilters’ Guild<br />
of <strong>NSW</strong> Inc) agreed to replicate<br />
Frederica’s quilt so that the original<br />
could ‘rest’.<br />
In the 1850s Frederica’s quilt<br />
would have taken at least two<br />
years to make, representing an<br />
extraordinary amount of work.<br />
As well as the tiny pieces of what<br />
was then highly fashionable fabric,<br />
there are hundreds of thousands<br />
of stitches, many of them probably<br />
worked in lantern light.<br />
The replica coverlet,<br />
affectionately known as ‘Frederica’,<br />
took 14 months to make and<br />
involved over 48 people who met<br />
each month to sew it together. The<br />
main challenge was to find fabrics<br />
similar to the lovely chintzes in the<br />
original quilt. It was finished and<br />
presented to the National Trust on<br />
13 June 2012 and is a significant gift<br />
which reflects the workmanship<br />
and the beauty of the original.<br />
For enquires about the book Fabric of<br />
Society: Australia’s Quilt Heritage from<br />
Convict Times to 1960 see www.<br />
annettegero.com or write to<br />
PO Box 398, Neutral Bay, <strong>NSW</strong> 2089.<br />
Alexander Macleay: From Scotland<br />
to Sydney<br />
Author: Derelie Cherry<br />
Publisher: Paradise Publishers<br />
Reviewer: Brian Fletcher<br />
Back in the early 1990s, a rather determined<br />
young lady came to see me at Sydney University<br />
and asked me to read an essay she had written. Her<br />
object was to see whether I thought her eligible to<br />
enrol as a PhD student in history. Her choice of<br />
subject was Alexander Macleay, one of that interesting group of men who did<br />
so much to advance the interests of early New South Wales. Derelie Cherry’s<br />
enthusiasm for her topic has resulted in her biography earning a doctoral<br />
degree and the recent release of a much-needed book, Alexander Macleay:<br />
From Scotland to Sydney.<br />
Derelie’s book is a colourful, entertaining work which in no way<br />
undermines its value as a scholarly resource – about a man who, until now,<br />
has somehow missed being the subject of a full-length biography.<br />
The book brings out Macleay’s role in numerous aspects of <strong>NSW</strong> history<br />
between 1826 when he arrived and 1848, the year of revolutions in Europe,<br />
when he died. He was, by any standards, a remarkable man who formed<br />
part of the Scottish diaspora which took talented Scots to the far ends of the<br />
globe in the nineteenth century. Coming to New South Wales to take up the<br />
demanding position of Colonial Secretary, he established close ties with<br />
Governor Darling and, in conjunction with Henry Dumaresq, the three men<br />
formed a triumvirate which acted as an inner cabinet.<br />
Although he later shared in Darling’s unpopularity among colonists of<br />
liberal inclination, his political career was resurrected after representative<br />
government was introduced in 1842. He was elected to the Legislative Council<br />
and became its first Speaker.<br />
Macleay stands out in the pages of history as a talented administrator and<br />
a bastion of conservatism. But, as a leading landowner, he also made his mark<br />
in the burgeoning pastoral industry which helped to transform New South<br />
Wales from penal settlement to colony. Perhaps unusual in a Scot, he did not<br />
handle his financial affairs particularly well and incurred heavy debts. He did<br />
however have well-developed intellectual and scientific interests and, while<br />
in England, was elected a Fellow of the Linnean Society and the Royal Society.<br />
He built up one of the finest collections of insects in the world, was deeply<br />
interested in horticulture, served as President of the Australian Museum, vicepatron<br />
of what became the Royal Agricultural Society of New South Wales and<br />
contributed to the work of the Subscription Library.<br />
His interest, as Derelie shows, knew no bounds and exceeded those of<br />
most of his fellow colonists. He was a complex figure, however, who certainly<br />
did not appeal to everyone. Derelie faces up to these criticisms and succeeds<br />
in presenting a balanced picture of the man and a fascinating account of his<br />
family life. The important story of the Macleay women has not been neglected,<br />
including that of Fanny Macleay who was a talented botanical artist.<br />
Despite what was said about him, Macleay was undeniably a man of taste.<br />
Nothing illustrates this more than Elizabeth Bay House which he built in the<br />
1830s, living there with was family until 1845 when he succumbed to financial<br />
pressures resulting from the collapse of the colonial economy in 1842, and his<br />
own precarious financial position.<br />
Available from Alexander Macleay: From Scotland to Sydney by Derelie<br />
Cherry is published by Paradise Publishers and is available from all good<br />
bookshops and online www.alexandermacleay.com<br />
Trust News Australia november 2012<br />
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Tunnellers Net<br />
Gina Pickering | Editor<br />
A couple of amateur researchers have embarked on a project to record the<br />
life stories of a particular group of Australians linked to the First World War.<br />
Tunnelling activities of<br />
Australian units at war is<br />
their passion, and their platform<br />
is a website that details men and<br />
missions of the Australian Mining<br />
Corps, and the battlefield units<br />
which evolved from it.<br />
The website intends to record<br />
the individual stories of the<br />
members of A.I.F. who were, for<br />
some part of their military service,<br />
posted, assigned or allotted to<br />
the Australian Mining Corps, an<br />
Australian Tunnelling Company<br />
or the Australian Electrical and<br />
Mechanical Mining and Boring<br />
Company, and to reproduce,<br />
without comment, original<br />
accounts of incidents involving<br />
those units.<br />
The team has so far identified<br />
4,772 men associated with the<br />
Tunnellers including 374 who<br />
died in service and a further 252<br />
who were individually decorated.<br />
Amongst them is my grandfather<br />
Clifford Braybon and my family<br />
has been touched by the extent to<br />
which research was undertaken on<br />
his life for the project.<br />
I am advised by the ‘Tunnellers<br />
team’ that the story of the Australian<br />
Tunnellers in World War I begins in<br />
Scotland in about 1846 when 3664<br />
2/Cpl George Paul was born and<br />
that it ends in November 1995 with<br />
the death of 5873 Spr James Joseph<br />
Hallinan at the age of 99.<br />
Men who served with the<br />
Tunnellers also participated<br />
in the Ashantee War (1873-74);<br />
Isandhlwana (1877-79); Egypt<br />
(1882-91); Boer War (1899-1902);<br />
Russo-Jap War (1904-05); Balkan<br />
War (1912); Afghan/Russia Border;<br />
the punitive raid on Pancho Villa<br />
(Mexico 1916); World War 1 (1914-<br />
1920); Russian Relief (1919-20) and<br />
World War II (1939-45).<br />
Known National Trust connections to the Tunnellers:<br />
Tunnellers<br />
Lota House – QLD Heritage Register<br />
Lt Edwin Marsden Tooth<br />
Allan Slab Hut - QLD Heritage Register 5276 Sapper John Allan<br />
Robin Boyd House - Vic Heritage Register 5 Sergeant Theodore Penleigh Boyd<br />
Walkley House – SA Heritage Register 5 Sergeant Theodore Penleigh Boyd<br />
Wooroloo Cemetery & Asylum<br />
– WA Heritage Register 12 Tunnellers buried at this location<br />
For more information visit: www.tunnellers.net<br />
ABoVe right Sapper Clifford Braybon.<br />
above Anzac Day march, Sydney, c. 1950s - photo courtesy Anne Mayoh, daughter of Lt. Karl Mayoh CdeG(Bel), 1ATC.<br />
right The Tunnellers Net website.<br />
Trust News Australia november 2012<br />
20
now and<br />
then<br />
A chamber of delight for Sydney architects<br />
Clive Lucas | Clive Lucas, Stapleton & Partners, Architects<br />
The oldest Executive Council Chamber in this country is in the northern wing of the legendry<br />
Rum Hospital built by Governor Macquarie between 1811-1816. This wing was in fact two surgeon’s<br />
residences and the room requisitioned, and redecorated by Governor Ralph Darling, for this purpose<br />
in 1829, was probably the principal surgeon’s dining room. It is in fact the largest room on the<br />
ground floor of the semi-detached houses which make up the northern wing.<br />
above Looking north along the balcony of the northern wing over Macquarie Street towards Horbury Terrace and the cast iron Free Church. (photo c1860 Parliament House)<br />
Left The restored room with its Brussels weave carpet and oak graining. The doors access the enlarged chamber added in 1843. C Lucas<br />
right The ‘Tutankhamun’ window is uncovered having been hidden since 1843. C Lucas<br />
Trust News Australia november 2012<br />
21
now and<br />
then<br />
As architects involved with<br />
Parliament House for a<br />
number of years, one of our first<br />
tasks was to provide a new security<br />
guardhouse at the northern edge of<br />
the site. This meant that this room<br />
which for many years had been<br />
subdivided, first as a library and<br />
later for the security checking area,<br />
could be opened up to its original<br />
size and proportion. As a result the<br />
latest work has uncovered what<br />
is arguably the oldest domestic<br />
reception room in this country. In<br />
the east wall an original window<br />
was discovered which had been<br />
studded out and bricked up at the<br />
time of the construction of the new<br />
Legislative Council wing in 1843.<br />
This window had survived with its<br />
original oak graining and details<br />
almost completely intact. It was like<br />
opening up Tutankhamun’s tomb.<br />
The removal of various bookcases,<br />
wallpapers, partitions, false ceilings<br />
and other bits and pieces, which<br />
enclosed the room, located the<br />
chair rail and other details of<br />
this important early interior. The<br />
galleries added in 1838, and which<br />
seem almost unbelievable, were<br />
proven by the discovery of what<br />
appears to have been a doorway in<br />
the south wall giving access from<br />
the principal staircase.<br />
The room has been redecorated,<br />
putting back all the oak graining,<br />
and painting the dado in its<br />
original Trompe-l’oiel panelling.<br />
Pink distemper has been put back<br />
on the plasterwork. The Gothic<br />
inspired chimneypiece which<br />
probably dates from 1843 has<br />
been re-marbled as originally in<br />
imitation of a black Belgian marble.<br />
The fine 1840s steel register grate<br />
has been repaired, stripped of paint<br />
and polished.<br />
The room is now used as an<br />
annexe to the Legislative Assembly<br />
Chamber next door which as<br />
stated above was originally built<br />
for the Legislative Council. The<br />
room has been fitted with an 1830s<br />
reproduction Brussels weave carpet<br />
which conforms to records of the<br />
original refurbishment of the room<br />
in 1829.<br />
The room has been redecorated,<br />
putting back all the oak graining,<br />
and painting the dado in its<br />
original Trompe-l’oiel panelling.<br />
above ‘Elevation of the General Hospital at Sydney AD 1811’. The Council Chamber is the most left hand ground floor room of the left hand wing.<br />
(P.R.O. London, Bigge Papers)<br />
above Left Opening by Governor Gipps of the new Legislative Council Chamber on 3rd August1843 (Illustrated Sydney News)<br />
right The uncovered original window with its reveal shutters and its 1829 oak graining which provided the sample for graining the other joinery.<br />
A master painter repaints the Trompe-l’oiel dado. C Lucas<br />
Trust News Australia november 2012<br />
22
now and<br />
then<br />
The room is now used as<br />
an annexe to the Legislative<br />
Assembly Chamber next door<br />
which was originally built<br />
for the Legislative Council.<br />
TOP The regrained oak joinery to an original window<br />
embrasure facing Macquarie Street. C Lucas<br />
ABOVE The wooden 1843 chimneypiece with steel grate,<br />
painted in imitation of Belgian marble and the plaster<br />
dado painted in Trompe-l’oiel. C Lucas<br />
background ‘A.A.A.A. Proposed Addition to the present<br />
Council Chamber for the New Council Hall’. An early<br />
sketch proposal for adding a full size chamber to the<br />
northern wing. The room is here described as ‘Present<br />
Council Chamber 25 x 24’. It housed a council of 15.<br />
(Colonial Architect’s Report 1843)<br />
Trust News Australia november 2012<br />
23
now and<br />
then<br />
Masterplan<br />
Vision enhances<br />
heritage values<br />
A Master Plan<br />
for the Old Farm<br />
Sarah Murphy | Director, Conservation and Stewardship<br />
Old Farm, Strawberry Hill has all the elements needed to provide<br />
an outstanding tourist and community facility based on a place<br />
of national significance. In the National Trust’s golden jubilee<br />
year an indicative site masterplan was developed to express the<br />
vision for future development of the place. In 2011, a grant from<br />
the Commonwealth Government boosted the National Trust’s<br />
financial ability to commission a detailed, costed masterplan for<br />
this very important heritage place.<br />
T<br />
here is no doubt the place<br />
is of exceptional heritage<br />
significance. It was the first farm<br />
in Western Australia commencing<br />
in 1827 within a few months of<br />
establishment of the Military<br />
settlement of King George Sound.<br />
Stock was kept there and vegetables<br />
grown for the survival of soldiers<br />
and later the early settlers. A wattle<br />
and daub, thatched roof cottage<br />
was constructed in 1831 and was<br />
destroyed by fire in 1870. The two<br />
storey granite extension was built<br />
in 1836 and is what visitors see<br />
today.<br />
At one time the farm extended<br />
over 52 hectares. Today only<br />
approximately 1.7 hectares remain<br />
containing the main house<br />
building (1836), a cottage built<br />
pre 1889 and extensive grounds<br />
with some early plantings. In 1964<br />
Old Farm, Strawberry Hill became<br />
the first property acquired by<br />
the National Trust of Australia in<br />
Western Australia.<br />
Above: Members of the consultancy team discuss proposals for the master plan at a site meeting with National Trust staff. L-R National Trust Landscape<br />
Architect Phil Palmer, National Trust Interpretation Manager Anne Brake, Anthony Coupe, National Trust Director Conservation and Stewardship Sarah Murphy<br />
and Paul Kloeden. E Paech/Mulloway Studio<br />
top: An overview from the Old Farm Strawberry Hill Master Plan.<br />
Trust News Australia november 2012<br />
24
now and<br />
then<br />
Left: Historical image courtesy Bird Family<br />
Collection, NTWA The main house as viewed from<br />
the south-east during the Bird family’s period of<br />
ownership and today.<br />
Below: The shoulder of this silver teapot is<br />
engraved with the words: “LUNIVERSITA DELLE<br />
QUATTRO CITTA DI MALTA AL MERITO DEL S.<br />
TEN. RICCAR. SPENSER D”, which roughly<br />
translates as having been given to (Sir) Richard<br />
Spencer by the University of the Four Cities of<br />
Malta. It is on display at Old Farm, Strawberry Hill.<br />
S Murphy/National Trust<br />
bottom: Contemporary image of Old Farm<br />
Strawberry Hill. S Murphy/NTWA<br />
The recently completed<br />
masterplan articulates a vision in<br />
which Old Farm becomes a key<br />
destination in Western Australia for<br />
both locals and visitors providing<br />
a platform for one of the most<br />
significant heritage experiences<br />
in Australia. Once the plan is<br />
implemented it is anticipated<br />
there will be an increase in<br />
visitors, greater utilisation by the<br />
local community and enhanced<br />
financial sustainability.<br />
The intent of the masterplan<br />
was to ensure all future works and<br />
activities at Old Farm contribute<br />
to and enhance the appreciation<br />
and understanding of its State<br />
and National heritage values.<br />
Importantly, it provides a means by<br />
which conservation, interpretation<br />
and enhanced access can be<br />
guaranteed through achievable<br />
and sustainable outcomes.<br />
Currently costed at $5 million, the<br />
project incorporates conservation<br />
works to the heritage buildings<br />
and grounds worth an estimated<br />
$3 million and the construction<br />
of an entry building in which to<br />
house a cafe, retail space, volunteer<br />
facilities, school and group visitor<br />
spaces, theatrette and areas for<br />
interpretation.<br />
In many ways the landscape<br />
strategies provide the most<br />
significant shift from the current<br />
presentation of the place. With<br />
reference to its significance as a<br />
farm, and with a desire to provide<br />
active public programs, the main<br />
strategies include a focus on<br />
productive gardening. Several<br />
areas will be planted with heritage<br />
variety plants taking the form of<br />
crops and orchards. The main drive<br />
is particularly evocative of the Bird<br />
period and its distinct character will<br />
be restored and enhanced through<br />
subtle interpretive elements and<br />
plantings.<br />
The main house is a focal point<br />
of the plan. It was built under the<br />
instruction of Sir Richard Spencer<br />
and is a very evocative tool in<br />
telling the stories of the occupants<br />
of Old Farm, Strawberry Hill. The<br />
house will continue to be central<br />
for interpretation within the site.<br />
It is intended that in the future<br />
visitors will enter the rooms<br />
and engage with interactive<br />
and immerse displays, while<br />
provenanced artifacts will be<br />
exhibited in a more interpretive<br />
context.<br />
The master plan will form the<br />
basis of future funding applications<br />
from Federal and State bodies<br />
supplemented by self generated<br />
funds from the National Trust<br />
over the next two years. It is highly<br />
desirable that the project is carried<br />
out within a defined timeframe<br />
so as to maintain momentum,<br />
minimise disruption to the site<br />
and to maximise opportunities for<br />
income generation.<br />
Trust News Australia november 2012<br />
25
places<br />
community<br />
Support assists<br />
endangered Koalas<br />
In the firing line<br />
Sue Finnigan | National Trust QLD<br />
Staff at Currumbin Wildlife Hospital on the Gold Coast deal with the koala’s plight first-hand.<br />
Disease and trauma caused by<br />
dog attacks and car strikes,<br />
have contributed to a 400 percent<br />
rise in koala rescues in the Gold<br />
Coast region in just three years.<br />
Within three months (August to<br />
October last year), the Sanctuary<br />
took in and treated seventy injured<br />
koalas in seventy days.<br />
In mid-2011 the Federal<br />
government declared the koala to<br />
be ‘vulnerable’ on the threatened<br />
species list, announcing that koala<br />
numbers had dropped dramatically<br />
by one third in New South Wales<br />
and by forty percent in Queensland<br />
over the last 20 years.<br />
Currumbin Wildlife Hospital’s<br />
dedicated veterinarian of 10 years,<br />
Michael Pyne called for community<br />
responsibility - for people to slow<br />
down, lockup their dogs in at night<br />
and cover their pools.<br />
“We are struggling to keep up.<br />
At the rate the koalas are declining<br />
on the Gold Coast they will soon be<br />
critically endangered,” he said.<br />
Last year the Currumbin Wildlife<br />
hospital treated 6,726 injured<br />
animals from as far afield as<br />
Lismore in New South Wales and<br />
north to Brisbane. “<br />
“Each year this number is<br />
increasing by about 1,000 animals<br />
and we are struggling to find the<br />
estimated $450,000 required to<br />
keep running at its current level,”<br />
Dr Pyne said.<br />
Funding issues reached a<br />
critical point and the Gold Coast<br />
community responded.<br />
It was then that the help started<br />
coming in. A grade one teacher<br />
from a local school organised a<br />
charity dinner at a local restaurant<br />
and raised around $1,000 for the<br />
hospital. The Gold Coast District<br />
RSL donated $5,000. The black<br />
tie gala dinner fundraiser for the<br />
newly created Currumbin Wildlife<br />
Hospital Foundation raised a record<br />
$22,000 thanks to the generosity of<br />
all those that attended. Queensland<br />
X-Ray, Fuji Film and Voyager<br />
Imaging donated a state of the<br />
art second hand X-ray machine<br />
which has been invaluable. This<br />
has allowed staff to wade through<br />
their ever increasing workload<br />
more quickly and at a reduced<br />
cost. Zarraffa’s Coffee announced<br />
they would donate about $70,000<br />
in products and machinery,<br />
enabling the Sanctuary to create<br />
ongoing revenue. The annual Palm<br />
Beach ‘Christmas by the Sea’ event<br />
chose the Wildlife Hospital to be<br />
the recipient of their 2011 charity<br />
fundraiser and the donations from<br />
individuals and groups far and<br />
wide have been gratefully received.<br />
In response to community’s<br />
concerns, the Gold Coast City<br />
Council has promised $120,000<br />
per annum for the next three years<br />
which will provide a foundation<br />
for the long term future of this vital<br />
community service.<br />
National Trust members can<br />
support native wildlife by visiting<br />
Currumbin Wildlife Sanctuary<br />
while at the Gold Coast. Every<br />
member’s discounted entry fee<br />
assists the Sanctuary in its day to<br />
day running. If you wish to donate<br />
directly, visit the Currumbin<br />
Wildlife Hospital Foundation at<br />
www.savingyourwildlife.org.au<br />
right Vet Nurse Patricia Smith with a Currumbin Patient. Currumbin Wildlife Hospital<br />
Trust News Australia november 2012<br />
26
places<br />
War on Pests<br />
at Miss Porter’s House<br />
Dr Roland Bannister | National Trust (<strong>NSW</strong>)<br />
Miss Porter’s House in Newcastle West is a free-standing, Edwardian<br />
house that contains family history spanning a century. Its extraordinary<br />
collection of furniture, clothes, needlework, millinery and household<br />
goods were used daily from 1910 to 1997 by Florence Porter and the two daughters she<br />
raised on her own, Ella and Hazel, following the untimely death of her husband, Herbert,<br />
in 1919. Ella and Hazel both remained single, living in the house until they died.<br />
Their home reflects the women’s<br />
interests and activities such as<br />
sewing, tending the garden, taking<br />
tea together and with friends,<br />
attending local cultural events<br />
and caring for the possessions<br />
which, after the death of Hazel in<br />
1997, were bequeathed with the<br />
property to the National Trust.<br />
Two years ago, a pest inspection<br />
identified threats to Miss Porter’s<br />
House from household pests.<br />
Fortunately the danger was<br />
potential, rather than actual<br />
although there was some evidence<br />
of silverfish, moth, cockroaches,<br />
carpet beetles and mould. An<br />
‘Integrated Pest Management’<br />
strategy has been implemented<br />
to conquer the issues by the Miss<br />
Porter’s House Management<br />
Committee (MPH),and some<br />
heritage hard-hitters including the<br />
National Trust’s Jennifer Palmer<br />
(Collection Manager) and Stephen<br />
Buckland (Properties and Facilities<br />
Manager), Tamara Lavrencic<br />
(former Manager of Collections at<br />
the Historic Houses Trust) and Alex<br />
Roach (Principal of Heritage Pest<br />
Management).<br />
First up, the House and<br />
Collection Sub-committee and<br />
other volunteers washed all<br />
washable textiles replaced paper<br />
and cardboard containers with<br />
plastic bins, archival quality storage<br />
boxes and Mylar sleeves. Then an<br />
intriguing series of treatments was<br />
undertaken to maximise results.<br />
Freezing: Certain organic items<br />
including cloth, clothes, shoes,<br />
hats, books and documents, were<br />
taken to Carrington Cold Storage<br />
for three weeks of freezing at minus<br />
17 degrees celcius. Smaller objects<br />
were packed into labelled and<br />
sealed 55 litre plastic tubs. Plastic<br />
bags were fashioned with the help<br />
of a heater sealer to contain larger<br />
individual objects.<br />
Oxygen deprivation: Small<br />
organic objects were sealed<br />
in plastic bags with oxygen<br />
scavengers and packed into tubs,<br />
while larger items - a wooden<br />
ladder for example - were packed in<br />
individual sealed plastic bags with<br />
oxygen scavengers. These tubs and<br />
objects were stored at Kennard’s, or<br />
remained in the House. Alex Roach<br />
set up a large plastic bubble made<br />
from a high-barrier film in the<br />
parlour to house the lounge suite,<br />
cushions and<br />
books. The<br />
oxygen was<br />
displaced by nitrogen and<br />
the bubble sealed. The room was<br />
heated to 30 degrees celcius and<br />
left for a total of four weeks.<br />
Bactigas: A low toxin, volatile<br />
Tea Tree Oil spray was directed at<br />
areas affected by mould.<br />
Spraying for museum pests: A<br />
small amount of toxic spray was<br />
directed to places where pests<br />
might congregate.<br />
More than 150 tubs and objects<br />
were taken off-site during the<br />
process and while the House was<br />
relatively empty, the interior was<br />
painted and professionally cleaned.<br />
The <strong>NSW</strong> National Trust<br />
contributed about $25,000 to the<br />
project, while volunteer initiated<br />
museum grants from Museums<br />
and Galleries <strong>NSW</strong> contributed<br />
$1,500 (last year) and $1,350 (this<br />
year) to help pay for archival<br />
storage products.<br />
The House now looks fresher, the<br />
bugs have met their doom, and the<br />
Trust’s volunteers have succeeded<br />
in a project of considerable<br />
magnitude and satisfaction.<br />
Left & centre The lounge suite and other organic items including paper ephemera were subjected to oxygen deprivation in a large sealed plastic bubble in a<br />
heated room for a month. C Shain<br />
right Items of clothing were sealed in individual plastic bags and frozen for three weeks. C Shain<br />
Trust News Australia november 2012<br />
27
places<br />
Future for South Australian<br />
Riverland nature reserves<br />
Marcus Beresford | Councilor National Trust (SA)<br />
Government proposals for the Murray Darling Basin Plan include 2,750GL of extra water for the<br />
environment. It is uncertain whether this additional flow will sustain environmental assets in the South<br />
Australian portion of the Basin as previous advice showed an extra 7,600GL was required for good<br />
environmental outcomes.<br />
The future of the National<br />
Trust of South Australia’s<br />
twelve nature reserves in the<br />
Murray Basin is directly linked<br />
to government decisions about<br />
water. For some, like Woolmer<br />
Reserve, a superb but tiny area (2<br />
ha) of remnant Mallee vegetation,<br />
the outcome looks positive because<br />
of the species adaptation to arid<br />
conditions. The future is also<br />
looking bright for larger areas like<br />
DB Mack Reserve (265 ha), with its<br />
nationally endangered Mallee Fowl<br />
population.<br />
Other reserves inland from the<br />
river also look sustainable. Loveday<br />
Reserve (5.2 ha) which contains<br />
particularly dense and untouched<br />
native vegetation, conserves<br />
eight bird species classified as<br />
vulnerable, rare or uncommon in<br />
South Australia including Regent<br />
Parrots.<br />
However, the future of riverside<br />
reserves is less certain. Beautiful<br />
Margaret Dowling Reserve (26 ha)<br />
with its wetlands and interesting early<br />
woodcutter’s bridge, is already under<br />
stress from four wheel drive vehicle<br />
access, and the impact of houseboat<br />
access which has resulted in barren<br />
riverbank camping areas. Joint<br />
management arrangements with an<br />
adjacent government Conservation<br />
Park are being explored.<br />
ABOVE Cave Cliffs Reserve showing dieback on flats. M Beresford/NTSA<br />
insert Cadell Reserve Acacia ligulata. M Beresford/NTSA<br />
Trust News Australia november 2012<br />
28
places<br />
Similarly already under some<br />
pressure is the iconic Overland<br />
Corner Reserve (283 ha) with the<br />
historic Trust-owned Overland<br />
Corner Hotel (1858) - a stopping<br />
point for early coaches and stock<br />
drovers, and adjacent Heron’s<br />
Bend Reserve (17 ha), with its<br />
spectacular riverside cliffs rich<br />
with 15 million year old fossils.<br />
There are 132 indigenous plant<br />
species within the reserve<br />
including five classified rare<br />
in South Australia. However<br />
conditions are perilous. Drought<br />
and insufficient water releases<br />
have seen the death of hundreds<br />
of huge River Red Gums in these<br />
reserves. Fortunately young<br />
saplings are emerging from the<br />
devastated landscape.<br />
Meantime, Cave Cliffs Reserve<br />
(17.7 ha) with its important<br />
Aboriginal heritage cave, canoetree<br />
and middens, plus spectacular<br />
cliff views, faces other threats<br />
including salinity and stock<br />
intrusions.<br />
On a recent visit by the National<br />
Trust of South Australia’s Natural<br />
Heritage Committee, Bery<br />
Bery Reserve (16 ha) could not<br />
be accessed due to the high<br />
river, while a rare population of<br />
Prickly Bottlebrush Callistemon<br />
brachyandrus was identified<br />
during the same visit at riverside<br />
Cadell Reserve (8.7 ha). The<br />
possibility of joint management of<br />
Bery Bery and Cave Cliffs is to be<br />
explored with the local Aboriginal<br />
Lands Trust.<br />
Goulburn Anniversary<br />
Goulburn, <strong>NSW</strong>, will celebrate 150 years since Queen Victoria<br />
declared it a city by Letters Patent in March 2013.<br />
As part of the celebrations the Goulburn & District Historical<br />
Society will hold two exhibitions of architectural drawings by<br />
Edmund Cooper Manfred, architect of Goulburn.<br />
One Exhibition, in the Goulburn Regional Art Gallery will feature<br />
architectural drawings of the CBD from 1880 – 1920 including the<br />
Town Hall, Fire Station, Mechanics’ Institute, Band Pavilion, shops<br />
and commercial premises.<br />
The second Exhibition at St Clair, the<br />
Archives of the Goulburn & District Historical<br />
Society will feature drawings of residences<br />
from tiny cottages to two storey villas which<br />
are included in two self-guided Walks.<br />
The Historical Society was recently<br />
awarded a grant in excess of $10,000 for<br />
the preservation of some of the collection<br />
by the National Library of Australia --<br />
such a sizeable grant is rarely awarded,<br />
indicating the significance of the<br />
collection.<br />
Enquiries contact Daphne Penalver<br />
penalver@goulburn.net.au<br />
Above West End -- architectural drawings of residences from tiny cottages to grand villas. St Clair,<br />
318 Sloane St, Goulburn, from 24 February to late June, 2013.<br />
Above right Proposal for Town Hall, Auburn St, Goulburn – 1887. Goulburn and Districts Historical<br />
Society.<br />
Trust News Australia november 2012 29
National Trust Way Holiday Tours<br />
NEW ZEALAND’S SOUTH<br />
ISLAND COUNTRY ESTATE AND<br />
LANDSCAPE TOUR<br />
13-22 April 2013<br />
In conjunction with Homestead Tours<br />
this is a rare chance for National Trust<br />
members to visit private high country<br />
stations and historic homesteads, wine<br />
makers and local artists; to explore this<br />
beautiful area of the Southern Lakes<br />
of New Zealand’s South Island and to<br />
experience the generous hospitality of<br />
our hosts. We have chosen April as the<br />
autumn colours will be at their peak and<br />
the roses and late summer flowers still<br />
in bloom - a most magical time of year to<br />
visit. From Christchurch to Queenstown<br />
unparalleled scenic beauty awaits as we<br />
travel via Lake Tekapo, Lake Wanaka,<br />
Lake Dunstan and Lake Hawea. With<br />
mostly two or three night stays we have<br />
daily visits to private properties, historic<br />
homesteads, towns and villages. This<br />
tour is full of surprises as we experience<br />
highlights of New Zealand’s spectacular<br />
South Island.<br />
Cost per person twin share: $4,790<br />
Single room supplement: $950<br />
Note: Costs do not include airfares<br />
Expressions of interest: David Smith,<br />
Travelscene on Capri<br />
P: 1800 679 066 License No: TA1091<br />
Leader: Jill Bunning T: 02 9798 8914<br />
NORFOLK ISLAND<br />
15-22 April 2013<br />
Visiting Norfolk Island is a unique<br />
experience. Rich in history, it is blessed<br />
with a temperate climate. It was first<br />
settled by Governor Arthur Phillip as<br />
a penal settlement and later became<br />
home to the Pitcairn settlers, survivors<br />
of the Mutiny on the Bounty, and their<br />
families, descendants of whom still<br />
live there today. Visit historic Kingston,<br />
Cascade and Longridge. See and hear<br />
about the famous convict buildings,<br />
beautiful beaches and golf course. Tour<br />
of the Museums and cemetery and sites<br />
of the First and Second settlements<br />
will provide you with a unique and<br />
truly memorable experience. Visit<br />
the Pittcairn Settlers Village and learn<br />
about the colourful history of Norfolk<br />
Island’s most recent settlement - the<br />
Pittcairners and their descendants, on<br />
one of the last few remaining original<br />
settler’s properties. The dramatic show<br />
“Mutiny on the Bounty” involves scores<br />
of the descendants of the mutineers,<br />
who bring the story of the Mutiny alive.<br />
Dining is also a unique experience on<br />
the picturesque island with fresh fish<br />
and traditional island food.<br />
Cost per person twin share: $3,690<br />
Single room supplement: $990<br />
Note: Cost include airfares ex Sydney,<br />
7 nights accommodation at the<br />
Governors Lodge and most meals<br />
Enquiries: David Smith, Travelscene<br />
on Capri<br />
P: 1800 679 066 License No: TA1091<br />
Leader: Lorraine Collins T: 0439 947 479<br />
above Unmistakably French; the streets of<br />
Provence<br />
PROVENCE<br />
24 April - 7 May 2013<br />
From its herb-scented hills to its<br />
spectacular coastline, no other region<br />
of France fires the imagination as<br />
strongly as Provence. Unpack only<br />
twice on this delightful tour in spring.<br />
After a few days exploring the French<br />
Riviera we move to the heart of<br />
Provence to a comfortable hotel in<br />
Les Baux-de-Provence for leisurely<br />
daily excursions to the surrounding<br />
area. Visit the splendid gardens of<br />
Villa Ephrussi-de-Rothschild, the artist<br />
Cezanne’s studio and the exciting new<br />
museum with works by Pierre Bonnard.<br />
Walk through beautiful villages such as<br />
Gordes, St Paul-de-Vence and Rousillon<br />
and see UNESCO world heritage<br />
sites including the historic centre of<br />
Avignon, the Roman and Romanesque<br />
monuments of Arles and the Pont-du-<br />
Gard aqueduct. Early bookings are<br />
highly recommended as we will only be<br />
taking a group of maximum 15 people.<br />
Cost per person twin share: $5,290<br />
Single room supplement: $980<br />
Note: Costs do not include airfares<br />
Expressions of interest: David Smith,<br />
Travelscene on Capri<br />
P: 1800 679 066 License No: TA1091<br />
Leader: Loma Priddle T: 02 9412 2875<br />
NORTHERN ITALY: LAKES,<br />
MOUNTAINS & THE RIVIERA<br />
14-26 September 2013<br />
This exciting new itinerary has been<br />
tailor made for National Trust members<br />
in conjunction with Ugo and Barbara<br />
Mariotti, who have been conducting<br />
enjoyable Trust tours in Italy over the<br />
past 10 years. Unpack only twice as<br />
we stay in centrally located hotels first<br />
in the town of Como, set in an idyllic<br />
landscape of mountains on the lake<br />
of the same name, then in the resort<br />
town of Santa Margherita Ligure in<br />
the heart of the Italian Riviera. Visit the<br />
spectacular gardens of Villa Carlotta<br />
and Villa Melzi; Bellagio, known as<br />
the ‘Pearl of Lake Como’; the Swiss<br />
town of Lugano and the gloriously<br />
decorated Certosa di Pavia. Leisurely<br />
daily excursions on the Italian Riviera<br />
include Portofino, the famous villages<br />
of the ‘Cinque Terre’ coastline and<br />
the heritage listed small port of Porto<br />
Venere. A day tour to Lucca, one of<br />
the most beautiful towns in northern<br />
Tuscany, is also included.<br />
Cost per person twin share: $6,190<br />
Single room supplement: $990<br />
Note: Costs do not include airfares<br />
Expressions of interest: David Smith,<br />
Travelscene on Capri<br />
P: 1800 679 066 License No: TA1091<br />
Leader: Jill Bunning T: 02 9798 8914<br />
above Bellagio on Lake Como.<br />
Courtesy Italian Tourist Office<br />
Trust News Australia november 2012<br />
30
QUILTY TOURS<br />
- 2013 -<br />
12<br />
days<br />
FLINDERS RANGES<br />
Adelaide to Sydney $4,475<br />
27 April to 8 May<br />
(twin share)**<br />
OUTBACK AUSTRALIA<br />
(including Lake Eyre)<br />
14<br />
days<br />
18<br />
days<br />
Sydney to Sydney<br />
25 May to 7 June<br />
REMOTE QUEENSLAND<br />
& BEYOND<br />
Sydney to Sydney<br />
19 July to 5 August<br />
$5,475<br />
(twin share**<br />
$6,950<br />
(twin share)**<br />
For full details of these tours go to<br />
www.quiltytours.com.au<br />
OR Contact Richard Quilty<br />
personally on 0418 201 677<br />
Heritage<br />
in the making<br />
Celebrating its 25th anniversary in 2012,<br />
Perth-based graphic design studio<br />
Dessein has provided design services to<br />
the National Trust since 1990 making it the<br />
company’s oldest continuous client.<br />
Dessein’s creative team shapes Trust News<br />
Australia, Trust News WA and Heritage Living<br />
for the National Trust (SA) and has developed<br />
the National Trust’s new interactive magazines<br />
available online.<br />
Dessein is internationally recognised for its<br />
design concepts.<br />
Thanks for your commitment to the<br />
National Trust.<br />
Like to see what dessein can do?<br />
visit www.dessein.com.au<br />
Award winning<br />
design SINCE 1987<br />
** Single Supplements are available<br />
31 Trust News Australia november 2012
Magnificent Australia<br />
Heritage Air Tour 2013<br />
limited availability<br />
2 departures<br />
July 16 & August 21<br />
15 days<br />
17 seats<br />
per departure<br />
National Trust Members Price<br />
Exclusive Substantial Discount<br />
on published fare<br />
With 25 years of exploratory air touring throughout the continent,<br />
Flight Through The Spectacular Land Of The Dreamtime Pty Limited<br />
has created for National Trust members an extraordinary itinerary of<br />
remote Australia and the founder and director of these tours,<br />
David Marks has been acknowledged as the pioneer of modern day air touring in Australia.<br />
During the “dry season” - July and August 2013, two only departures will realize lifelong ambitions to experience a vast<br />
expanse of Australia, visiting destinations of world importance for wilderness and cultural heritage.<br />
The diverse and exciting itinerary includes specially arranged visits to ancient rock art sites in the Kimberley and in stone country of<br />
western Arnhemland. Also included is a rare opportunity for cultural exchange with Aboriginal saltwater people in remote eastern<br />
Arnhemland. Extensive surface touring by vehicle and boat on inland waterways is provided with expert or informed commentary.<br />
National Trust members wanting to join either of the two departures are urged to apply without delay<br />
to avoid disappointment, as each departure is limited to 17 passengers.<br />
Enquiries and Brochure:<br />
Flight Through The Spectacular Land of the Dreamtime Pty Limited<br />
Level 57, MLC Centre, Martin Place, Sydney, <strong>NSW</strong>, Australia 2000<br />
Phone: (02) 9230 7070 Fax: (02) 9238 7633<br />
Email: info@dreamtimebyair.com.au<br />
www.dreamtimebyair.com.au