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THE BEST OF ALL POSSIBLE SEASONS - Goodman Theatre

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18<br />

2010/2011 Season Productions<br />

In the Owen Bruner <strong>Goodman</strong> <strong>Theatre</strong><br />

JanuarY 27–29, 2011<br />

Belarus free TheaTre’s<br />

BeinG harold<br />

Pinter<br />

AdAPtEd And diRECtEd bY VLadiMir ShChErBan<br />

PRoduCEd bY nikoLai khaLEZin and nataLia koLiada<br />

In an unprecedented artistic event, <strong>Goodman</strong><br />

<strong>Theatre</strong> invited Eastern Europe’s Belarus Free<br />

<strong>Theatre</strong> to Chicago for a limited engagement of<br />

Being Harold Pinter. Presented in partnership<br />

with Northwestern University, the League of<br />

Chicago <strong>Theatre</strong>s and Chicago Shakespeare<br />

Theater, Being Harold Pinter arrived in Chicago<br />

on the heels of its sold-out engagement at<br />

New York’s Under the Radar Festival— in which<br />

the Belarus Free <strong>Theatre</strong> participated after its<br />

members narrowly escaped imprisonment in<br />

their homeland in December 2010.<br />

Hailed as “truly passionate, truly political theater<br />

[that] isn’t just admirable, it has virtues beyond<br />

its relevance and bravery” (The New York Times),<br />

Being Harold Pinter incorporates transcripts from<br />

Belarusian political prisoners with excerpts from<br />

Nobel Prize–winning playwright Harold Pinter’s<br />

lifetime of writings. Belarus Free <strong>Theatre</strong> created<br />

visually striking images with simple means and<br />

underscores the fierceness of Pinter’s words with<br />

the intense physicality of the actors. Being Harold<br />

Pinter blurred the boundaries between art and<br />

reality, delivering a poignant contemporary<br />

commentary on violence, oppression, freedom<br />

and human dignity.<br />

(Left) Aleh sidorchyk, dzianis tarasenka and Pavel haradnitski. (Right) Maryna Yurevich, Yana Rusakevich and nikolai Khalezin. Photos of Being Harold Pinter by Liz Lauren.

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