PDF of regtests for 2.16.2 - LilyPond

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2 A glissando between chords should not interfere with line breaks. In this case, the music should be in two lines and there should be no warning messages issued. Also, the glissando should be printed. ‘glissando-chord-linebreak.ly’ 2 <strong>LilyPond</strong> typesets glissandi between chords. ‘glissando-chord.ly’ 11 Lilypond prints consecutive glissandi. ‘glissando-consecutive.ly’ Cross staff glissandi reach their endpoints correctly. ‘glissando-cross-staff.ly’ Individual glissandi within a chord can be tweaked. ‘glissando-index.ly’
Glissandi are not broken. Here a \break is ineffective. Use breakable grob property to override. ‘glissando-no-break.ly’ NoteColumn grobs can be skipped over by glissandi. ‘glissando-skip.ly’ Between notes, there may be simple glissando lines. Here, the first two glissandi are not consecutive. The engraver does no time-keeping, so it involves some trickery to get > working correctly. ‘glissando.ly’ 2 3 The autobeamer is not confused by grace notes. ‘grace-auto-beam.ly’ Bar line should come be<strong>for</strong>e the grace note. ‘grace-bar-line.ly’ Grace notes do tricky things with timing. If a measure starts with a grace note, the measure does not start at 0, but earlier. Nevertheless, lily should not get confused. For example, line breaks should be possible at grace notes, and the bar number should be printed correctly.
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LilyPond Regression Tests
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Regression test cases Accidentals a
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‘accidental-ledger.ly’
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Tied notes with accidentals do not
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The command \alterBroken may be use
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‘arpeggio-bracket.ly’ Arpeg
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‘auto-beam-exceptions.ly’ 4 2
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‘autobeam-nobeam.ly’
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2 12 16 1/8 beams
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‘baerenreiter-sarabande.ly’ Sar
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25 Segno bar lines can be used to
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(1) 3 (4) (7)
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‘bar-number-volta-repeat.ly’
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30
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… 2 3 4
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3 4 5 6
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‘beam-collision-beamcount.ly’
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3
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Beams can be typeset over fixed dis
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Beams can be typeset over fixed dis
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In complex configurations of knee b
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6 (2.19,2.19) 12
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‘beam-single-stem.ly’ Beams
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‘bend-after.ly’
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‘bookpart-variable.ly’
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The default callback for break-alig
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Cm 7 D The 11 is only adde
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‘chord-repetition-relative.ly’
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‘chord-tremolo-whole.ly’ Ch
Page 59 and 60: 8 ‘clef-oct.ly’ 8 9 15
Page 61 and 62: ‘clip-systems.ly’ bla
Page 63 and 64: Single head notes may collide. ‘c
Page 65 and 66: When merging heads, the dots are me
Page 67 and 68: Note head completion may be broken
Page 69 and 70: ‘context-mod-context.ly’
Page 71 and 72: Clefs for cue notes should not infl
Page 73 and 74: ‘define-event-function.ly’ p
Page 75 and 76: • moving dots up. ‘dots.ly’
Page 77 and 78: ‘dynamics-alignment-breaker-subse
Page 79 and 80: ‘dynamics-hairpin-length.ly’
Page 81 and 82: Empty chords accept articulations,
Page 83 and 84: ‘figured-bass-continuation.ly’
Page 85 and 86: ‘fill-line-test.ly’ 1 2 1 3 2 1
Page 87 and 88: ‘fingering-cross-staff.ly’
Page 89 and 90: TM and No should not be changed int
Page 91 and 92: 2 k l * † ‡ § 3
Page 93 and 94: 7 2 13 15 17 14
Page 95 and 96: 2 k l 5 7 6 8 3
Page 97 and 98: 2 2 foo 4 3 … bar
Page 99 and 100: ‘footnote-footer-padding.ly’
Page 101 and 102: 7 2 11
Page 103 and 104: ‘footnote.ly’ a b 1 d 2 f 3 h i
Page 105 and 106: ‘fret-diagram-origins.ly’ C X O
Page 107 and 108: The size, spacing, and symbols used
Page 109: 8 ff 9 Broken glissandi anticip
Page 113 and 114: ‘grace-nest2.ly’ In ne
Page 115 and 116: ‘grace-types.ly’ W
Page 117 and 118: With grid lines, vertical lines can
Page 119 and 120: 5 Hairpin grobs do not collide
Page 121 and 122: ‘hara-kiri-alive-with.ly’
Page 123 and 124: 3 4 Staves, RhythmicSta
Page 125 and 126: 4 2 stanza numbers remain, eve
Page 127 and 128: ‘header-book-multiple.ly’ Title
Page 129 and 130: ‘header-bookpart-multiple.ly’ T
Page 131 and 132: Piece correct (set at top level)
Page 133 and 134: ‘identifiers.ly’
Page 135 and 136: 23 27 31 35 39 43 2 1
Page 137 and 138: 2 The Voice.instrumentCu
Page 139 and 140: ‘instrument-name-markup.ly’ Cla
Page 141 and 142: The switchInstrument music function
Page 143 and 144: Key signatures may appear on key ch
Page 145 and 146: 6 7 8 9 10 2
Page 147 and 148: ‘ledger-line-shorten.ly’ 4 2
Page 149 and 150: The ligature bracket right-end is n
Page 151 and 152: Polyphonic rhythms and rests do not
Page 153 and 154: 2 e d c A LyricExtender may sp
Page 155 and 156: Melismata may be entered manually b
Page 157 and 158: Adding a Bar_engraver to the Lyrics
Page 159 and 160: The implicit directional marks, U+2
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‘markup-eps.ly’ The eyeglass
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‘markup-music-glyph.ly’ c'est
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The \path markup command supports t
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‘markup-syntax.ly’ foo bar
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‘mensural.ly’ 9
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A metronome marking can be added to
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MIDI and partial measures work toge
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‘midi-unisons.ly’ … …
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‘morgenlied.ly’ Sängers Morgen
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‘mozart-hrn-3.ly’ Allegro p
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Horn in F 39 …
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The multimeasure rest is centered e
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2 3 2 7 Round up to the longer rest
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‘newaddlyrics.ly’ My N
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Notes can be set in the Sacred Harp
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57 kievan … 12 22 Notes ca
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‘one-line-breaking.ly’ 2. 8
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6 2 9 Music e
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‘override-nest-scheme.ly’ S
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2 If a page break is forced where
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2 01 Music engraving by LilyPond
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2 02 Music engraving by LilyPond 2.
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4 3 Music engraving by LilyPond 2
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‘page-breaking-min-distance3.ly
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12 2 14 15 16 17 Music e
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‘page-breaking-outside-staff-esti
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‘page-breaking-page-count3.ly’
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2 A B C D E F G H I J K L M N O P Q
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5 2 7 Music engra
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4 2 5 6 Music engraving by Li
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5 2 Instrument 6 7 8
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‘page-headers-and-footers.ly’ f
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3 last-page-header-text 13 14
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First score 3 A (page 3) 2
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‘page-layout-manual-position.ly
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The space between systems can be li
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page top 3 6 7 8 9
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Links to labels and explicit page n
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2 B Music engraving by LilyPond
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2 Text Text Tagline The minimal pag
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2
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‘page-spacing-dynamics.ly’ f
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‘page-spacing-nonstaff-lines-betw
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‘page-spacing-nonstaff-lines-head
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A non-staff line (such as Lyrics) a
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2 3 StaffGroups can be nest
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‘page-spacing-stretchability.ly
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‘page-spacing-system-count-overfu
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‘page-spacing-tall-headfoot.ly’
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10 t a l l h e a d e r t a l l f
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By setting page-top-space, the Y po
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‘page-turn-page-breaking-auto-fir
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‘page-turn-page-breaking-auto-fir
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‘page-turn-page-breaking-repeats.
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8 26
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‘paper-default-margins-def.ly’
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‘paper-margins-consistency.ly’
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‘paper-margins-left-margin.ly’
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‘paper-margins-line-width.ly’
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‘paper-margins-no-checks.ly’
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‘paper-margins-overrun.ly’
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‘paper-margins-right-margin.ly’
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‘paper-margins.ly’
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‘paper-nested-override2.ly’ 2.8
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85 ‘paper-twosided-bcorr.ly’
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195
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85 ‘paper-twosided.ly’
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195
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‘part-combine-a2.ly’ 2 a2
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The part combiner detects a2, solo1
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The standard piano pedals style com
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‘profile-property-access.ly’ Li
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‘quote-cue-during.ly’ quoteMe o
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‘quote-kill-cues.ly’
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When a score takes up only a single
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3 Rests should not keep sta
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… … … The two dots of a repea
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… excentric four-line staff ve
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Tremolos work with chord repetition
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‘rest-collision-beam-restdir.ly
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9
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81 93
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‘rest.ly’ … … … …
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\consists can take a scheme alist a
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9 17 Scripts use skylines with accu
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In addition to Slur, the music func
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‘size26.ly’ 1. 2. 4 cuivr
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‘skyline-horizontal-padding.ly’
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‘slur-avoid.ly’ Across lin
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‘slur-dash.ly’
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An additional opening slur during a
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‘slur-script.ly’
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‘song-breathe.ly’ 4 3 play t
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Accidentals in different staves do
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Empty barlines do not affect spacin
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‘spacing-horizontal-skyline-grace
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In the absence of NoteSpacings, wid
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‘spacing-short-notes.ly’ 4
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The SpanBarStub grob takes care of
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Span bars are drawn only between st
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‘staff-change-autobeam.ly’
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‘stem-cross-staff-articulation.ly
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‘stem-shorten.ly’
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‘stencil-scale.ly’ String num
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System separator positioning works
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System separators may be defined as
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When the staff-space is increased,
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Context property defaultStrings def
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When a harmonic note is tied in tab
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8 3 2 0 0 0 0 0 1 5
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‘test-output-distance.ly’
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2 Ties behave properly at line
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In the single tie case, broken ties
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… …… … …… 4 …
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4 Second score Music engraving b
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The trill symbol and the wavy line
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With full-length-to-extent, the ext
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Tuplet number position is correct w
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‘typography-demo.ly’ LilyPond d
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Broken volta spanners behave correc
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‘warn-unterminated-span-dynamic.l
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Lists all possible keys for all ins
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