PDF of regtests for 2.16.2 - LilyPond

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In feathered beams, stems in knees reach up to the feathered part correctly. ‘beam-feather-knee-stem-length.ly’ Specifying grow-direction on a beam, will cause feathered beaming. The \featherDurations function can be used to adjust note durations. ‘beam-feather.ly’ Even very flat but slanted patterns should give slanted beams. ‘beam-flat-retain-direction.ly’ 4 2 L 1.20 c1/704 The direction of manual beams can be forced using _ and ^. ‘beam-forced-direction.ly’ 4 2 In French style beaming, the stems do not go between beams. ‘beam-french.ly’ Funky kneed beams with beamlets also work. The beamlets should be pointing to the note head. ‘beam-funky-beamlet.ly’
In complex configurations of knee beaming, according to Paul Roberts, the first stem of a beam determines the direction of the beam, and as such the way that following (kneed) stems attach to the beam. This is in disagreement with the current algorithm. 2 ‘beam-funky.ly’ 8 8 Beams can be placed across a PianoStaff. ‘beam-isknee.ly’ Point-symmetric beams should receive the same quanting. There is no up/down bias in the quanting code. ‘beam-knee-symmetry.ly’ Beams should look the same. ‘beam-length.ly’ Beaming can be overidden for individual stems. ‘beam-manual-beaming.ly’ Kneed beams (often happens with cross-staff beams) should look good when there are multiple beams: all the beams should go on continuously at the staff change. Stems in both staves reach up to the last beam.
Page 1 and 2: LilyPond Regression Tests
Page 3 and 4: Regression test cases Accidentals a
Page 5 and 6: ‘accidental-ledger.ly’
Page 7 and 8: Tied notes with accidentals do not
Page 9 and 10: The command \alterBroken may be use
Page 11 and 12: ‘arpeggio-bracket.ly’ Arpeg
Page 13 and 14: ‘auto-beam-exceptions.ly’ 4 2
Page 15 and 16: ‘autobeam-nobeam.ly’
Page 17 and 18: 2 12 16 1/8 beams
Page 19 and 20: ‘baerenreiter-sarabande.ly’ Sar
Page 21 and 22: 25 Segno bar lines can be used to
Page 23 and 24: (1) 3 (4) (7)
Page 25 and 26: ‘bar-number-volta-repeat.ly’
Page 27 and 28: 30
Page 29 and 30: … 2 3 4
Page 31 and 32: 3 4 5 6
Page 33 and 34: ‘beam-collision-beamcount.ly’
Page 35 and 36: 3
Page 37 and 38: Beams can be typeset over fixed dis
Page 39: Beams can be typeset over fixed dis
Page 43 and 44: 6 (2.19,2.19) 12
Page 45 and 46: ‘beam-single-stem.ly’ Beams
Page 47 and 48: ‘bend-after.ly’
Page 49 and 50: ‘bookpart-variable.ly’
Page 51 and 52: The default callback for break-alig
Page 53 and 54: Cm 7 D The 11 is only adde
Page 55 and 56: ‘chord-repetition-relative.ly’
Page 57 and 58: ‘chord-tremolo-whole.ly’ Ch
Page 59 and 60: 8 ‘clef-oct.ly’ 8 9 15
Page 61 and 62: ‘clip-systems.ly’ bla
Page 63 and 64: Single head notes may collide. ‘c
Page 65 and 66: When merging heads, the dots are me
Page 67 and 68: Note head completion may be broken
Page 69 and 70: ‘context-mod-context.ly’
Page 71 and 72: Clefs for cue notes should not infl
Page 73 and 74: ‘define-event-function.ly’ p
Page 75 and 76: • moving dots up. ‘dots.ly’
Page 77 and 78: ‘dynamics-alignment-breaker-subse
Page 79 and 80: ‘dynamics-hairpin-length.ly’
Page 81 and 82: Empty chords accept articulations,
Page 83 and 84: ‘figured-bass-continuation.ly’
Page 85 and 86: ‘fill-line-test.ly’ 1 2 1 3 2 1
Page 87 and 88: ‘fingering-cross-staff.ly’
Page 89 and 90: TM and No should not be changed int
Page 91 and 92:
2 k l * † ‡ § 3
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7 2 13 15 17 14
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2 k l 5 7 6 8 3
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2 2 foo 4 3 … bar
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‘footnote-footer-padding.ly’
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7 2 11
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‘footnote.ly’ a b 1 d 2 f 3 h i
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‘fret-diagram-origins.ly’ C X O
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The size, spacing, and symbols used
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8 ff 9 Broken glissandi anticip
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Glissandi are not broken. Here a \b
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‘grace-nest2.ly’ In ne
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‘grace-types.ly’ W
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With grid lines, vertical lines can
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5 Hairpin grobs do not collide
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‘hara-kiri-alive-with.ly’
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3 4 Staves, RhythmicSta
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4 2 stanza numbers remain, eve
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‘header-book-multiple.ly’ Title
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‘header-bookpart-multiple.ly’ T
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Piece correct (set at top level)
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‘identifiers.ly’
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23 27 31 35 39 43 2 1
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2 The Voice.instrumentCu
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‘instrument-name-markup.ly’ Cla
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The switchInstrument music function
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Key signatures may appear on key ch
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6 7 8 9 10 2
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‘ledger-line-shorten.ly’ 4 2
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The ligature bracket right-end is n
Page 151 and 152:
Polyphonic rhythms and rests do not
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2 e d c A LyricExtender may sp
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Melismata may be entered manually b
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Adding a Bar_engraver to the Lyrics
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The implicit directional marks, U+2
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‘markup-eps.ly’ The eyeglass
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‘markup-music-glyph.ly’ c'est
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The \path markup command supports t
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‘markup-syntax.ly’ foo bar
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‘mensural.ly’ 9
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A metronome marking can be added to
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MIDI and partial measures work toge
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‘midi-unisons.ly’ … …
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‘morgenlied.ly’ Sängers Morgen
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‘mozart-hrn-3.ly’ Allegro p
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Horn in F 39 …
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The multimeasure rest is centered e
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2 3 2 7 Round up to the longer rest
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‘newaddlyrics.ly’ My N
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Notes can be set in the Sacred Harp
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57 kievan … 12 22 Notes ca
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‘one-line-breaking.ly’ 2. 8
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6 2 9 Music e
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‘override-nest-scheme.ly’ S
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2 If a page break is forced where
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2 01 Music engraving by LilyPond
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2 02 Music engraving by LilyPond 2.
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4 3 Music engraving by LilyPond 2
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‘page-breaking-min-distance3.ly
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12 2 14 15 16 17 Music e
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‘page-breaking-outside-staff-esti
Page 213 and 214:
Page 215 and 216:
‘page-breaking-page-count3.ly’
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2 A B C D E F G H I J K L M N O P Q
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5 2 7 Music engra
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4 2 5 6 Music engraving by Li
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5 2 Instrument 6 7 8
Page 225 and 226:
‘page-headers-and-footers.ly’ f
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3 last-page-header-text 13 14
Page 229 and 230:
First score 3 A (page 3) 2
Page 231 and 232:
‘page-layout-manual-position.ly
Page 233 and 234:
The space between systems can be li
Page 235 and 236:
page top 3 6 7 8 9
Page 237 and 238:
Links to labels and explicit page n
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2 B Music engraving by LilyPond
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2 Text Text Tagline The minimal pag
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2
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‘page-spacing-dynamics.ly’ f
Page 247 and 248:
‘page-spacing-nonstaff-lines-betw
Page 249 and 250:
‘page-spacing-nonstaff-lines-head
Page 251 and 252:
A non-staff line (such as Lyrics) a
Page 253 and 254:
2 3 StaffGroups can be nest
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‘page-spacing-stretchability.ly
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‘page-spacing-system-count-overfu
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‘page-spacing-tall-headfoot.ly’
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10 t a l l h e a d e r t a l l f
Page 263 and 264:
Page 265 and 266:
By setting page-top-space, the Y po
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‘page-turn-page-breaking-auto-fir
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‘page-turn-page-breaking-auto-fir
Page 271 and 272:
‘page-turn-page-breaking-repeats.
Page 273 and 274:
8 26
Page 275 and 276:
‘paper-default-margins-def.ly’
Page 277 and 278:
‘paper-margins-consistency.ly’
Page 279 and 280:
‘paper-margins-left-margin.ly’
Page 281 and 282:
‘paper-margins-line-width.ly’
Page 283 and 284:
‘paper-margins-no-checks.ly’
Page 285 and 286:
‘paper-margins-overrun.ly’
Page 287 and 288:
‘paper-margins-right-margin.ly’
Page 289 and 290:
‘paper-margins.ly’
Page 291 and 292:
‘paper-nested-override2.ly’ 2.8
Page 293 and 294:
85 ‘paper-twosided-bcorr.ly’
Page 295 and 296:
195
Page 297 and 298:
85 ‘paper-twosided.ly’
Page 299 and 300:
195
Page 301 and 302:
‘part-combine-a2.ly’ 2 a2
Page 303 and 304:
The part combiner detects a2, solo1
Page 305 and 306:
The standard piano pedals style com
Page 307 and 308:
‘profile-property-access.ly’ Li
Page 309 and 310:
‘quote-cue-during.ly’ quoteMe o
Page 311 and 312:
‘quote-kill-cues.ly’
Page 313 and 314:
When a score takes up only a single
Page 315 and 316:
3 Rests should not keep sta
Page 317 and 318:
… … … The two dots of a repea
Page 319 and 320:
… excentric four-line staff ve
Page 321 and 322:
Tremolos work with chord repetition
Page 323 and 324:
‘rest-collision-beam-restdir.ly
Page 325 and 326:
9
Page 327 and 328:
81 93
Page 329 and 330:
‘rest.ly’ … … … …
Page 331 and 332:
\consists can take a scheme alist a
Page 333 and 334:
9 17 Scripts use skylines with accu
Page 335 and 336:
In addition to Slur, the music func
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‘size26.ly’ 1. 2. 4 cuivr
Page 339 and 340:
‘skyline-horizontal-padding.ly’
Page 341 and 342:
‘slur-avoid.ly’ Across lin
Page 343 and 344:
‘slur-dash.ly’
Page 345 and 346:
An additional opening slur during a
Page 347 and 348:
‘slur-script.ly’
Page 349 and 350:
‘song-breathe.ly’ 4 3 play t
Page 351 and 352:
Accidentals in different staves do
Page 353 and 354:
Empty barlines do not affect spacin
Page 355 and 356:
‘spacing-horizontal-skyline-grace
Page 357 and 358:
In the absence of NoteSpacings, wid
Page 359 and 360:
‘spacing-short-notes.ly’ 4
Page 361 and 362:
The SpanBarStub grob takes care of
Page 363 and 364:
Span bars are drawn only between st
Page 365 and 366:
‘staff-change-autobeam.ly’
Page 367 and 368:
‘stem-cross-staff-articulation.ly
Page 369 and 370:
‘stem-shorten.ly’
Page 371 and 372:
‘stencil-scale.ly’ String num
Page 373 and 374:
System separator positioning works
Page 375 and 376:
System separators may be defined as
Page 377 and 378:
When the staff-space is increased,
Page 379 and 380:
Context property defaultStrings def
Page 381 and 382:
When a harmonic note is tied in tab
Page 383 and 384:
8 3 2 0 0 0 0 0 1 5
Page 385 and 386:
‘test-output-distance.ly’
Page 387 and 388:
2 Ties behave properly at line
Page 389 and 390:
In the single tie case, broken ties
Page 391 and 392:
… …… … …… 4 …
Page 393 and 394:
4 Second score Music engraving b
Page 395 and 396:
The trill symbol and the wavy line
Page 397 and 398:
With full-length-to-extent, the ext
Page 399 and 400:
Tuplet number position is correct w
Page 401 and 402:
‘typography-demo.ly’ LilyPond d
Page 403 and 404:
Broken volta spanners behave correc
Page 405 and 406:
‘warn-unterminated-span-dynamic.l
Page 407:
Lists all possible keys for all ins
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