PDF of regtests for 2.16.2 - LilyPond

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‘pdfmark-metadata-unicode.ly’ UTF-16BE title:² € ĂĄœŖŮůſЖюљ)\ ¡ UTF-16BE with parentheses: ) € ĂĄœŖŮůſЖюљ Latin1 composer (with special chars): Jöhånñ Strauß The PDF backend uses several header fields to store metadata in the resulting PDF file. Header fields with the prefix pdf override those without the prefix for PDF creation (not for visual display on the page). ‘pdfmark-metadata.ly’ Title of the piece Subtitle of the piece The Genius Composer The Arranger f The brackets of a piano pedal should start and end at the left side of the main note-column. If a note is shared between two brackets, these ends are flared. At a line-break, there are no vertical endings. Pedal changes can be placed at spacer rests. ‘pedal-bracket.ly’ una corda long mark 6 Unterminated piano pedal brackets run to the end of the piece. ‘pedal-end.ly’
The standard piano pedals style comes with Ped symbols. The pedal string can be also tuned, for example, to a shorter tilde/P variant at the end of the melody. ‘pedal-ped.ly’ The appearance of phrasing slurs may be changed from solid to dotted or dashed. ‘phrasing-slur-dash.ly’ 5 LilyPond does not support multiple concurrent phrasing slurs with the parentheses syntax. In this case, warnings will be given and the nested slur will not be generated. However, one can can create a second slur with a different spanner-id. ‘phrasing-slur-multiple.ly’ PhrasingSlurs go over normal slurs. ‘phrasing-slur-slur-avoid.ly’ Phrasing slurs do not collide with tuplet numbers. ‘phrasing-slur-tuplet.ly’ 3 … ‘point-and-click-types.ly’ f
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LilyPond Regression Tests
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Regression test cases Accidentals a
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‘accidental-ledger.ly’
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Tied notes with accidentals do not
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The command \alterBroken may be use
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‘arpeggio-bracket.ly’ Arpeg
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‘auto-beam-exceptions.ly’ 4 2
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‘autobeam-nobeam.ly’
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2 12 16 1/8 beams
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‘baerenreiter-sarabande.ly’ Sar
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25 Segno bar lines can be used to
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(1) 3 (4) (7)
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‘bar-number-volta-repeat.ly’
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30
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… 2 3 4
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3 4 5 6
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‘beam-collision-beamcount.ly’
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3
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Beams can be typeset over fixed dis
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Beams can be typeset over fixed dis
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In complex configurations of knee b
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6 (2.19,2.19) 12
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‘beam-single-stem.ly’ Beams
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‘bend-after.ly’
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‘bookpart-variable.ly’
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The default callback for break-alig
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Cm 7 D The 11 is only adde
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‘chord-repetition-relative.ly’
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‘chord-tremolo-whole.ly’ Ch
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8 ‘clef-oct.ly’ 8 9 15
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‘clip-systems.ly’ bla
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Single head notes may collide. ‘c
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When merging heads, the dots are me
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Note head completion may be broken
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‘context-mod-context.ly’
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Clefs for cue notes should not infl
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‘define-event-function.ly’ p
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• moving dots up. ‘dots.ly’
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‘dynamics-alignment-breaker-subse
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‘dynamics-hairpin-length.ly’
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Empty chords accept articulations,
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‘figured-bass-continuation.ly’
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‘fill-line-test.ly’ 1 2 1 3 2 1
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‘fingering-cross-staff.ly’
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TM and No should not be changed int
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2 k l * † ‡ § 3
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7 2 13 15 17 14
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2 k l 5 7 6 8 3
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2 2 foo 4 3 … bar
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‘footnote-footer-padding.ly’
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7 2 11
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‘footnote.ly’ a b 1 d 2 f 3 h i
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‘fret-diagram-origins.ly’ C X O
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The size, spacing, and symbols used
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8 ff 9 Broken glissandi anticip
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Glissandi are not broken. Here a \b
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‘grace-nest2.ly’ In ne
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‘grace-types.ly’ W
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With grid lines, vertical lines can
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5 Hairpin grobs do not collide
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‘hara-kiri-alive-with.ly’
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3 4 Staves, RhythmicSta
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4 2 stanza numbers remain, eve
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‘header-book-multiple.ly’ Title
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‘header-bookpart-multiple.ly’ T
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Piece correct (set at top level)
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‘identifiers.ly’
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23 27 31 35 39 43 2 1
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2 The Voice.instrumentCu
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‘instrument-name-markup.ly’ Cla
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The switchInstrument music function
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Key signatures may appear on key ch
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6 7 8 9 10 2
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‘ledger-line-shorten.ly’ 4 2
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The ligature bracket right-end is n
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Polyphonic rhythms and rests do not
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2 e d c A LyricExtender may sp
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Melismata may be entered manually b
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Adding a Bar_engraver to the Lyrics
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The implicit directional marks, U+2
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‘markup-eps.ly’ The eyeglass
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‘markup-music-glyph.ly’ c'est
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The \path markup command supports t
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‘markup-syntax.ly’ foo bar
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‘mensural.ly’ 9
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A metronome marking can be added to
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MIDI and partial measures work toge
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‘midi-unisons.ly’ … …
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‘morgenlied.ly’ Sängers Morgen
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‘mozart-hrn-3.ly’ Allegro p
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Horn in F 39 …
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The multimeasure rest is centered e
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2 3 2 7 Round up to the longer rest
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‘newaddlyrics.ly’ My N
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Notes can be set in the Sacred Harp
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57 kievan … 12 22 Notes ca
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‘one-line-breaking.ly’ 2. 8
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6 2 9 Music e
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‘override-nest-scheme.ly’ S
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2 If a page break is forced where
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2 01 Music engraving by LilyPond
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2 02 Music engraving by LilyPond 2.
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4 3 Music engraving by LilyPond 2
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‘page-breaking-min-distance3.ly
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12 2 14 15 16 17 Music e
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‘page-breaking-outside-staff-esti
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2 2 Music engraving by LilyPond 2
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‘page-breaking-page-count3.ly’
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2 A B C D E F G H I J K L M N O P Q
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5 2 7 Music engra
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4 2 5 6 Music engraving by Li
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5 2 Instrument 6 7 8
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‘page-headers-and-footers.ly’ f
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3 last-page-header-text 13 14
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First score 3 A (page 3) 2
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‘page-layout-manual-position.ly
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The space between systems can be li
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page top 3 6 7 8 9
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Links to labels and explicit page n
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2 B Music engraving by LilyPond
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2 Text Text Tagline The minimal pag
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2
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‘page-spacing-dynamics.ly’ f
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‘page-spacing-nonstaff-lines-betw
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‘page-spacing-nonstaff-lines-head
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A non-staff line (such as Lyrics) a
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Page 261 and 262: 10 t a l l h e a d e r t a l l f
Page 263 and 264: 2 2 Music engraving by LilyPond 2
Page 265 and 266: By setting page-top-space, the Y po
Page 267 and 268: ‘page-turn-page-breaking-auto-fir
Page 269 and 270: ‘page-turn-page-breaking-auto-fir
Page 271 and 272: ‘page-turn-page-breaking-repeats.
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Page 275 and 276: ‘paper-default-margins-def.ly’
Page 277 and 278: ‘paper-margins-consistency.ly’
Page 279 and 280: ‘paper-margins-left-margin.ly’
Page 281 and 282: ‘paper-margins-line-width.ly’
Page 283 and 284: ‘paper-margins-no-checks.ly’
Page 285 and 286: ‘paper-margins-overrun.ly’
Page 287 and 288: ‘paper-margins-right-margin.ly’
Page 289 and 290: ‘paper-margins.ly’
Page 291 and 292: ‘paper-nested-override2.ly’ 2.8
Page 293 and 294: 85 ‘paper-twosided-bcorr.ly’
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Page 297 and 298: 85 ‘paper-twosided.ly’
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Page 301 and 302: ‘part-combine-a2.ly’ 2 a2
Page 303: The part combiner detects a2, solo1
Page 307 and 308: ‘profile-property-access.ly’ Li
Page 309 and 310: ‘quote-cue-during.ly’ quoteMe o
Page 311 and 312: ‘quote-kill-cues.ly’
Page 313 and 314: When a score takes up only a single
Page 315 and 316: 3 Rests should not keep sta
Page 317 and 318: … … … The two dots of a repea
Page 319 and 320: … excentric four-line staff ve
Page 321 and 322: Tremolos work with chord repetition
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Page 327 and 328: 81 93
Page 329 and 330: ‘rest.ly’ … … … …
Page 331 and 332: \consists can take a scheme alist a
Page 333 and 334: 9 17 Scripts use skylines with accu
Page 335 and 336: In addition to Slur, the music func
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Page 339 and 340: ‘skyline-horizontal-padding.ly’
Page 341 and 342: ‘slur-avoid.ly’ Across lin
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Page 345 and 346: An additional opening slur during a
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Page 349 and 350: ‘song-breathe.ly’ 4 3 play t
Page 351 and 352: Accidentals in different staves do
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‘spacing-horizontal-skyline-grace
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In the absence of NoteSpacings, wid
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‘spacing-short-notes.ly’ 4
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The SpanBarStub grob takes care of
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Span bars are drawn only between st
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‘staff-change-autobeam.ly’
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‘stem-cross-staff-articulation.ly
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‘stem-shorten.ly’
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‘stencil-scale.ly’ String num
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System separator positioning works
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System separators may be defined as
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When the staff-space is increased,
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Context property defaultStrings def
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When a harmonic note is tied in tab
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8 3 2 0 0 0 0 0 1 5
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‘test-output-distance.ly’
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2 Ties behave properly at line
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In the single tie case, broken ties
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… …… … …… 4 …
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4 Second score Music engraving b
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The trill symbol and the wavy line
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With full-length-to-extent, the ext
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Tuplet number position is correct w
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‘typography-demo.ly’ LilyPond d
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Broken volta spanners behave correc
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‘warn-unterminated-span-dynamic.l
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Lists all possible keys for all ins
show all

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