PDF of regtests for 2.16.2 - LilyPond

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‘grace-staff-length.ly’ Pieces may begin with grace notes. ‘grace-start.ly’ Stem lengths for grace notes should be shorter than normal notes, if possible. They should never be longer, even if that would lead to beam quanting problems. ‘grace-stem-length.ly’ … … Here startGraceMusic should set no-stem-extend to true; the two grace beams should be the same here. ‘grace-stems.ly’ Grace notes in different voices/staves are synchronized. ‘grace-sync.ly’ There are three different kinds of grace types: the base grace switches to smaller type, the appoggiatura inserts also a slur, and the acciaccatura inserts a slur and slashes the stem.
‘grace-types.ly’ When grace notes are entered with unfolded repeats, line breaks take place before grace notes. ‘grace-unfold-repeat.ly’ 6 A volta repeat may begin with a grace. Consecutive ending and starting repeat bars are merged into one :||:. ‘grace-volta-repeat-2.ly’ … … … Repeated music can start with grace notes. Bar checks preceding the grace notes do not cause synchronization effects. ‘grace-volta-repeat.ly’ 4 2 … You can have beams, notes, chords, stems etc. within a \grace section. If there are tuplets, the grace notes will not be under the brace. Main note scripts do not end up on the grace note. ‘grace.ly’ 3 The graphviz feature draws dependency graphs for grob properties.
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LilyPond Regression Tests
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Regression test cases Accidentals a
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‘accidental-ledger.ly’
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Tied notes with accidentals do not
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The command \alterBroken may be use
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‘arpeggio-bracket.ly’ Arpeg
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‘auto-beam-exceptions.ly’ 4 2
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‘autobeam-nobeam.ly’
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2 12 16 1/8 beams
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‘baerenreiter-sarabande.ly’ Sar
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25 Segno bar lines can be used to
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(1) 3 (4) (7)
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‘bar-number-volta-repeat.ly’
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30
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… 2 3 4
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3 4 5 6
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‘beam-collision-beamcount.ly’
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3
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Beams can be typeset over fixed dis
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Beams can be typeset over fixed dis
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In complex configurations of knee b
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6 (2.19,2.19) 12
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‘beam-single-stem.ly’ Beams
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‘bend-after.ly’
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‘bookpart-variable.ly’
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The default callback for break-alig
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Cm 7 D The 11 is only adde
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‘chord-repetition-relative.ly’
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‘chord-tremolo-whole.ly’ Ch
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8 ‘clef-oct.ly’ 8 9 15
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‘clip-systems.ly’ bla
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Page 65 and 66: When merging heads, the dots are me
Page 67 and 68: Note head completion may be broken
Page 69 and 70: ‘context-mod-context.ly’
Page 71 and 72: Clefs for cue notes should not infl
Page 73 and 74: ‘define-event-function.ly’ p
Page 75 and 76: • moving dots up. ‘dots.ly’
Page 77 and 78: ‘dynamics-alignment-breaker-subse
Page 79 and 80: ‘dynamics-hairpin-length.ly’
Page 81 and 82: Empty chords accept articulations,
Page 83 and 84: ‘figured-bass-continuation.ly’
Page 85 and 86: ‘fill-line-test.ly’ 1 2 1 3 2 1
Page 87 and 88: ‘fingering-cross-staff.ly’
Page 89 and 90: TM and No should not be changed int
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Page 93 and 94: 7 2 13 15 17 14
Page 95 and 96: 2 k l 5 7 6 8 3
Page 97 and 98: 2 2 foo 4 3 … bar
Page 99 and 100: ‘footnote-footer-padding.ly’
Page 101 and 102: 7 2 11
Page 103 and 104: ‘footnote.ly’ a b 1 d 2 f 3 h i
Page 105 and 106: ‘fret-diagram-origins.ly’ C X O
Page 107 and 108: The size, spacing, and symbols used
Page 109 and 110: 8 ff 9 Broken glissandi anticip
Page 111 and 112: Glissandi are not broken. Here a \b
Page 113: ‘grace-nest2.ly’ In ne
Page 117 and 118: With grid lines, vertical lines can
Page 119 and 120: 5 Hairpin grobs do not collide
Page 121 and 122: ‘hara-kiri-alive-with.ly’
Page 123 and 124: 3 4 Staves, RhythmicSta
Page 125 and 126: 4 2 stanza numbers remain, eve
Page 127 and 128: ‘header-book-multiple.ly’ Title
Page 129 and 130: ‘header-bookpart-multiple.ly’ T
Page 131 and 132: Piece correct (set at top level)
Page 133 and 134: ‘identifiers.ly’
Page 135 and 136: 23 27 31 35 39 43 2 1
Page 137 and 138: 2 The Voice.instrumentCu
Page 139 and 140: ‘instrument-name-markup.ly’ Cla
Page 141 and 142: The switchInstrument music function
Page 143 and 144: Key signatures may appear on key ch
Page 145 and 146: 6 7 8 9 10 2
Page 147 and 148: ‘ledger-line-shorten.ly’ 4 2
Page 149 and 150: The ligature bracket right-end is n
Page 151 and 152: Polyphonic rhythms and rests do not
Page 153 and 154: 2 e d c A LyricExtender may sp
Page 155 and 156: Melismata may be entered manually b
Page 157 and 158: Adding a Bar_engraver to the Lyrics
Page 159 and 160: The implicit directional marks, U+2
Page 161 and 162: ‘markup-eps.ly’ The eyeglass
Page 163 and 164: ‘markup-music-glyph.ly’ c'est
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The \path markup command supports t
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‘markup-syntax.ly’ foo bar
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‘mensural.ly’ 9
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A metronome marking can be added to
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MIDI and partial measures work toge
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‘midi-unisons.ly’ … …
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‘morgenlied.ly’ Sängers Morgen
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‘mozart-hrn-3.ly’ Allegro p
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Horn in F 39 …
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The multimeasure rest is centered e
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2 3 2 7 Round up to the longer rest
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‘newaddlyrics.ly’ My N
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Notes can be set in the Sacred Harp
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57 kievan … 12 22 Notes ca
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‘one-line-breaking.ly’ 2. 8
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6 2 9 Music e
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‘override-nest-scheme.ly’ S
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2 If a page break is forced where
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2 01 Music engraving by LilyPond
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2 02 Music engraving by LilyPond 2.
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4 3 Music engraving by LilyPond 2
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‘page-breaking-min-distance3.ly
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12 2 14 15 16 17 Music e
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‘page-breaking-outside-staff-esti
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‘page-breaking-page-count3.ly’
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2 A B C D E F G H I J K L M N O P Q
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5 2 7 Music engra
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4 2 5 6 Music engraving by Li
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5 2 Instrument 6 7 8
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‘page-headers-and-footers.ly’ f
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3 last-page-header-text 13 14
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First score 3 A (page 3) 2
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‘page-layout-manual-position.ly
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The space between systems can be li
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page top 3 6 7 8 9
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Links to labels and explicit page n
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2 B Music engraving by LilyPond
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2 Text Text Tagline The minimal pag
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2
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‘page-spacing-dynamics.ly’ f
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‘page-spacing-nonstaff-lines-betw
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‘page-spacing-nonstaff-lines-head
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A non-staff line (such as Lyrics) a
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2 3 StaffGroups can be nest
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‘page-spacing-stretchability.ly
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‘page-spacing-system-count-overfu
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‘page-spacing-tall-headfoot.ly’
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10 t a l l h e a d e r t a l l f
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By setting page-top-space, the Y po
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‘page-turn-page-breaking-auto-fir
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‘page-turn-page-breaking-auto-fir
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‘page-turn-page-breaking-repeats.
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8 26
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‘paper-default-margins-def.ly’
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‘paper-margins-consistency.ly’
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‘paper-margins-left-margin.ly’
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‘paper-margins-line-width.ly’
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‘paper-margins-no-checks.ly’
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‘paper-margins-overrun.ly’
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‘paper-margins-right-margin.ly’
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‘paper-margins.ly’
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‘paper-nested-override2.ly’ 2.8
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85 ‘paper-twosided-bcorr.ly’
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195
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85 ‘paper-twosided.ly’
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195
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‘part-combine-a2.ly’ 2 a2
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The part combiner detects a2, solo1
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The standard piano pedals style com
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‘profile-property-access.ly’ Li
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‘quote-cue-during.ly’ quoteMe o
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‘quote-kill-cues.ly’
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When a score takes up only a single
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3 Rests should not keep sta
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… … … The two dots of a repea
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… excentric four-line staff ve
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Tremolos work with chord repetition
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‘rest-collision-beam-restdir.ly
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9
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81 93
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‘rest.ly’ … … … …
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\consists can take a scheme alist a
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9 17 Scripts use skylines with accu
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In addition to Slur, the music func
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‘size26.ly’ 1. 2. 4 cuivr
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‘skyline-horizontal-padding.ly’
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‘slur-avoid.ly’ Across lin
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‘slur-dash.ly’
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An additional opening slur during a
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‘slur-script.ly’
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‘song-breathe.ly’ 4 3 play t
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Accidentals in different staves do
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Empty barlines do not affect spacin
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‘spacing-horizontal-skyline-grace
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In the absence of NoteSpacings, wid
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‘spacing-short-notes.ly’ 4
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The SpanBarStub grob takes care of
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Span bars are drawn only between st
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‘staff-change-autobeam.ly’
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‘stem-cross-staff-articulation.ly
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‘stem-shorten.ly’
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‘stencil-scale.ly’ String num
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System separator positioning works
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System separators may be defined as
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When the staff-space is increased,
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Context property defaultStrings def
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When a harmonic note is tied in tab
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8 3 2 0 0 0 0 0 1 5
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‘test-output-distance.ly’
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2 Ties behave properly at line
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In the single tie case, broken ties
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… …… … …… 4 …
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4 Second score Music engraving b
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The trill symbol and the wavy line
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With full-length-to-extent, the ext
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Tuplet number position is correct w
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‘typography-demo.ly’ LilyPond d
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Broken volta spanners behave correc
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‘warn-unterminated-span-dynamic.l
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Lists all possible keys for all ins
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