PDF of regtests for 2.16.2 - LilyPond

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117 Rests can have pitches – these will be affected by transposition and relativization. If a rest has a pitch, rest/rest and beam/rest collision resolving will leave it alone. ‘rest-pitch.ly’ rest pitch rest pitch Pitched rests under beams. ‘rest-pitched-beam.ly’ Rests avoid notes. Each rest is moved in the direction of the stems in its voice. Rests may overlap other rests in voices with the same stem direction, in which case a warning is given, but is suppressed if the rest has a pitch. ‘rest-polyphonic-2.ly’ In polyphonic situations, rests are moved according to their direction even if there is no opposite note or rest. The amount is two staff-spaces. ‘rest-polyphonic.ly’ There is a big variety of rests. Note that the dot of 8th, 16th and 32nd rests rest should be next to the top of the rest. All rests except the whole rest are centered on the middle staff line.
‘rest.ly’ … … … … … 4 6 … … … … In rhythmic staves stems should go up, and bar lines have the size for a 5 line staff. The whole rest hangs from the rhythmic staff. ‘rhythmic-staff.ly’ … This should not survive lilypond –safe-mode ‘safe.ly’ Scores can be generated with scheme, too, and inserted into the current book(part). Generated and explicit scores can be mixed, the header informations from top- and booklevel stack correctly. ‘scheme-book-scores.ly’ Score with a c Main Title Main subtitle Piecetitle Title 1 Sub1 Score with a d Piecetitle Piecetitle
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LilyPond Regression Tests
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Regression test cases Accidentals a
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‘accidental-ledger.ly’
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Tied notes with accidentals do not
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The command \alterBroken may be use
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‘arpeggio-bracket.ly’ Arpeg
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‘auto-beam-exceptions.ly’ 4 2
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‘autobeam-nobeam.ly’
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2 12 16 1/8 beams
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‘baerenreiter-sarabande.ly’ Sar
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25 Segno bar lines can be used to
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(1) 3 (4) (7)
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‘bar-number-volta-repeat.ly’
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30
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… 2 3 4
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3 4 5 6
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‘beam-collision-beamcount.ly’
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3
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Beams can be typeset over fixed dis
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Beams can be typeset over fixed dis
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In complex configurations of knee b
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6 (2.19,2.19) 12
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‘beam-single-stem.ly’ Beams
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‘bend-after.ly’
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‘bookpart-variable.ly’
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The default callback for break-alig
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Cm 7 D The 11 is only adde
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‘chord-repetition-relative.ly’
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‘chord-tremolo-whole.ly’ Ch
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8 ‘clef-oct.ly’ 8 9 15
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‘clip-systems.ly’ bla
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Single head notes may collide. ‘c
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When merging heads, the dots are me
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Note head completion may be broken
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‘context-mod-context.ly’
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Clefs for cue notes should not infl
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‘define-event-function.ly’ p
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• moving dots up. ‘dots.ly’
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‘dynamics-alignment-breaker-subse
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‘dynamics-hairpin-length.ly’
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Empty chords accept articulations,
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‘figured-bass-continuation.ly’
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‘fill-line-test.ly’ 1 2 1 3 2 1
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‘fingering-cross-staff.ly’
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TM and No should not be changed int
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2 k l * † ‡ § 3
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7 2 13 15 17 14
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2 k l 5 7 6 8 3
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2 2 foo 4 3 … bar
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‘footnote-footer-padding.ly’
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7 2 11
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‘footnote.ly’ a b 1 d 2 f 3 h i
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‘fret-diagram-origins.ly’ C X O
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The size, spacing, and symbols used
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8 ff 9 Broken glissandi anticip
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Glissandi are not broken. Here a \b
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‘grace-nest2.ly’ In ne
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‘grace-types.ly’ W
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With grid lines, vertical lines can
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5 Hairpin grobs do not collide
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‘hara-kiri-alive-with.ly’
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3 4 Staves, RhythmicSta
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4 2 stanza numbers remain, eve
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‘header-book-multiple.ly’ Title
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‘header-bookpart-multiple.ly’ T
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Piece correct (set at top level)
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‘identifiers.ly’
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23 27 31 35 39 43 2 1
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2 The Voice.instrumentCu
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‘instrument-name-markup.ly’ Cla
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The switchInstrument music function
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Key signatures may appear on key ch
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6 7 8 9 10 2
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‘ledger-line-shorten.ly’ 4 2
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The ligature bracket right-end is n
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Polyphonic rhythms and rests do not
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2 e d c A LyricExtender may sp
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Melismata may be entered manually b
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Adding a Bar_engraver to the Lyrics
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The implicit directional marks, U+2
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‘markup-eps.ly’ The eyeglass
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‘markup-music-glyph.ly’ c'est
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The \path markup command supports t
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‘markup-syntax.ly’ foo bar
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‘mensural.ly’ 9
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A metronome marking can be added to
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MIDI and partial measures work toge
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‘midi-unisons.ly’ … …
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‘morgenlied.ly’ Sängers Morgen
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‘mozart-hrn-3.ly’ Allegro p
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Horn in F 39 …
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The multimeasure rest is centered e
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2 3 2 7 Round up to the longer rest
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‘newaddlyrics.ly’ My N
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Notes can be set in the Sacred Harp
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57 kievan … 12 22 Notes ca
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‘one-line-breaking.ly’ 2. 8
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6 2 9 Music e
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‘override-nest-scheme.ly’ S
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2 If a page break is forced where
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2 01 Music engraving by LilyPond
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2 02 Music engraving by LilyPond 2.
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4 3 Music engraving by LilyPond 2
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‘page-breaking-min-distance3.ly
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12 2 14 15 16 17 Music e
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‘page-breaking-outside-staff-esti
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‘page-breaking-page-count3.ly’
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2 A B C D E F G H I J K L M N O P Q
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5 2 7 Music engra
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4 2 5 6 Music engraving by Li
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5 2 Instrument 6 7 8
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‘page-headers-and-footers.ly’ f
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3 last-page-header-text 13 14
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First score 3 A (page 3) 2
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‘page-layout-manual-position.ly
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The space between systems can be li
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page top 3 6 7 8 9
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Links to labels and explicit page n
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2 B Music engraving by LilyPond
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2 Text Text Tagline The minimal pag
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2
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‘page-spacing-dynamics.ly’ f
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‘page-spacing-nonstaff-lines-betw
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‘page-spacing-nonstaff-lines-head
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A non-staff line (such as Lyrics) a
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2 3 StaffGroups can be nest
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‘page-spacing-stretchability.ly
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‘page-spacing-system-count-overfu
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‘page-spacing-tall-headfoot.ly’
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10 t a l l h e a d e r t a l l f
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By setting page-top-space, the Y po
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‘page-turn-page-breaking-auto-fir
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‘page-turn-page-breaking-auto-fir
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‘page-turn-page-breaking-repeats.
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8 26
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‘paper-default-margins-def.ly’
Page 277 and 278: ‘paper-margins-consistency.ly’
Page 279 and 280: ‘paper-margins-left-margin.ly’
Page 281 and 282: ‘paper-margins-line-width.ly’
Page 283 and 284: ‘paper-margins-no-checks.ly’
Page 285 and 286: ‘paper-margins-overrun.ly’
Page 287 and 288: ‘paper-margins-right-margin.ly’
Page 289 and 290: ‘paper-margins.ly’
Page 291 and 292: ‘paper-nested-override2.ly’ 2.8
Page 293 and 294: 85 ‘paper-twosided-bcorr.ly’
Page 295 and 296: 195
Page 297 and 298: 85 ‘paper-twosided.ly’
Page 299 and 300: 195
Page 301 and 302: ‘part-combine-a2.ly’ 2 a2
Page 303 and 304: The part combiner detects a2, solo1
Page 305 and 306: The standard piano pedals style com
Page 307 and 308: ‘profile-property-access.ly’ Li
Page 309 and 310: ‘quote-cue-during.ly’ quoteMe o
Page 311 and 312: ‘quote-kill-cues.ly’
Page 313 and 314: When a score takes up only a single
Page 315 and 316: 3 Rests should not keep sta
Page 317 and 318: … … … The two dots of a repea
Page 319 and 320: … excentric four-line staff ve
Page 321 and 322: Tremolos work with chord repetition
Page 323 and 324: ‘rest-collision-beam-restdir.ly
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Page 327: 81 93
Page 331 and 332: \consists can take a scheme alist a
Page 333 and 334: 9 17 Scripts use skylines with accu
Page 335 and 336: In addition to Slur, the music func
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Page 339 and 340: ‘skyline-horizontal-padding.ly’
Page 341 and 342: ‘slur-avoid.ly’ Across lin
Page 343 and 344: ‘slur-dash.ly’
Page 345 and 346: An additional opening slur during a
Page 347 and 348: ‘slur-script.ly’
Page 349 and 350: ‘song-breathe.ly’ 4 3 play t
Page 351 and 352: Accidentals in different staves do
Page 353 and 354: Empty barlines do not affect spacin
Page 355 and 356: ‘spacing-horizontal-skyline-grace
Page 357 and 358: In the absence of NoteSpacings, wid
Page 359 and 360: ‘spacing-short-notes.ly’ 4
Page 361 and 362: The SpanBarStub grob takes care of
Page 363 and 364: Span bars are drawn only between st
Page 365 and 366: ‘staff-change-autobeam.ly’
Page 367 and 368: ‘stem-cross-staff-articulation.ly
Page 369 and 370: ‘stem-shorten.ly’
Page 371 and 372: ‘stencil-scale.ly’ String num
Page 373 and 374: System separator positioning works
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Page 377 and 378: When the staff-space is increased,
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Context property defaultStrings def
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When a harmonic note is tied in tab
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8 3 2 0 0 0 0 0 1 5
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‘test-output-distance.ly’
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2 Ties behave properly at line
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In the single tie case, broken ties
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… …… … …… 4 …
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4 Second score Music engraving b
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The trill symbol and the wavy line
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With full-length-to-extent, the ext
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Tuplet number position is correct w
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‘typography-demo.ly’ LilyPond d
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Broken volta spanners behave correc
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‘warn-unterminated-span-dynamic.l
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Lists all possible keys for all ins
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