PDF of regtests for 2.16.2 - LilyPond

More documents

Recommendations

Info

‘song-skip.ly’ twin kle Festival song synthesis output supports slurs. ‘song-slurs.ly’ … more slow ly go fas ter still Festival song synthesis output supports divided voices. ‘song-splitpart.ly’ we shall not o- ver- come will Festival song synthesis output supports multiple stanzas. ‘song-stanzas.ly’ 4 3 … play the speel joue het le game spel jeu Festival song synthesis output supports changing tempo in the middle of a piece. ‘song-tempo.ly’ 4 3 do re mi = 60 do re mi Accidentals don’t collide with shifted-down rests. ‘spacing-accidental-rest.ly’
Accidentals in different staves do not affect the spacing of the eighth notes here. ‘spacing-accidental-staffs.ly’ Accidentals do not influence the amount of stretchable space. The accidental does add a little non-stretchable space. ‘spacing-accidental-stretch.ly’ 4 2 Horizontal spacing works as expected on tied notes with accidentals. No space is reserved for accidentals that end up not being printed, but accidentals that are printed don’t collide with anything. ‘spacing-accidental-tie.ly’ 4 1 4 7 8 Accidentals sticking out to the left of a note will take a little more space, but only if the spacing is tight. ‘spacing-accidental.ly’ 4 8 An accidental following a bar gets space so the left edge of the acc is at 0.3 staff space from the bar line
Page 1 and 2:
LilyPond Regression Tests
Page 3 and 4:
Regression test cases Accidentals a
Page 5 and 6:
‘accidental-ledger.ly’
Page 7 and 8:
Tied notes with accidentals do not
Page 9 and 10:
The command \alterBroken may be use
Page 11 and 12:
‘arpeggio-bracket.ly’ Arpeg
Page 13 and 14:
‘auto-beam-exceptions.ly’ 4 2
Page 15 and 16:
‘autobeam-nobeam.ly’
Page 17 and 18:
2 12 16 1/8 beams
Page 19 and 20:
‘baerenreiter-sarabande.ly’ Sar
Page 21 and 22:
25 Segno bar lines can be used to
Page 23 and 24:
(1) 3 (4) (7)
Page 25 and 26:
‘bar-number-volta-repeat.ly’
Page 27 and 28:
30
Page 29 and 30:
… 2 3 4
Page 31 and 32:
3 4 5 6
Page 33 and 34:
‘beam-collision-beamcount.ly’
Page 35 and 36:
3
Page 37 and 38:
Beams can be typeset over fixed dis
Page 39 and 40:
Beams can be typeset over fixed dis
Page 41 and 42:
In complex configurations of knee b
Page 43 and 44:
6 (2.19,2.19) 12
Page 45 and 46:
‘beam-single-stem.ly’ Beams
Page 47 and 48:
‘bend-after.ly’
Page 49 and 50:
‘bookpart-variable.ly’
Page 51 and 52:
The default callback for break-alig
Page 53 and 54:
Cm 7 D The 11 is only adde
Page 55 and 56:
‘chord-repetition-relative.ly’
Page 57 and 58:
‘chord-tremolo-whole.ly’ Ch
Page 59 and 60:
8 ‘clef-oct.ly’ 8 9 15
Page 61 and 62:
‘clip-systems.ly’ bla
Page 63 and 64:
Single head notes may collide. ‘c
Page 65 and 66:
When merging heads, the dots are me
Page 67 and 68:
Note head completion may be broken
Page 69 and 70:
‘context-mod-context.ly’
Page 71 and 72:
Clefs for cue notes should not infl
Page 73 and 74:
‘define-event-function.ly’ p
Page 75 and 76:
• moving dots up. ‘dots.ly’
Page 77 and 78:
‘dynamics-alignment-breaker-subse
Page 79 and 80:
‘dynamics-hairpin-length.ly’
Page 81 and 82:
Empty chords accept articulations,
Page 83 and 84:
‘figured-bass-continuation.ly’
Page 85 and 86:
‘fill-line-test.ly’ 1 2 1 3 2 1
Page 87 and 88:
‘fingering-cross-staff.ly’
Page 89 and 90:
TM and No should not be changed int
Page 91 and 92:
2 k l * † ‡ § 3
Page 93 and 94:
7 2 13 15 17 14
Page 95 and 96:
2 k l 5 7 6 8 3
Page 97 and 98:
2 2 foo 4 3 … bar
Page 99 and 100:
‘footnote-footer-padding.ly’
Page 101 and 102:
7 2 11
Page 103 and 104:
‘footnote.ly’ a b 1 d 2 f 3 h i
Page 105 and 106:
‘fret-diagram-origins.ly’ C X O
Page 107 and 108:
The size, spacing, and symbols used
Page 109 and 110:
8 ff 9 Broken glissandi anticip
Page 111 and 112:
Glissandi are not broken. Here a \b
Page 113 and 114:
‘grace-nest2.ly’ In ne
Page 115 and 116:
‘grace-types.ly’ W
Page 117 and 118:
With grid lines, vertical lines can
Page 119 and 120:
5 Hairpin grobs do not collide
Page 121 and 122:
‘hara-kiri-alive-with.ly’
Page 123 and 124:
3 4 Staves, RhythmicSta
Page 125 and 126:
4 2 stanza numbers remain, eve
Page 127 and 128:
‘header-book-multiple.ly’ Title
Page 129 and 130:
‘header-bookpart-multiple.ly’ T
Page 131 and 132:
Piece correct (set at top level)
Page 133 and 134:
‘identifiers.ly’
Page 135 and 136:
23 27 31 35 39 43 2 1
Page 137 and 138:
2 The Voice.instrumentCu
Page 139 and 140:
‘instrument-name-markup.ly’ Cla
Page 141 and 142:
The switchInstrument music function
Page 143 and 144:
Key signatures may appear on key ch
Page 145 and 146:
6 7 8 9 10 2
Page 147 and 148:
‘ledger-line-shorten.ly’ 4 2
Page 149 and 150:
The ligature bracket right-end is n
Page 151 and 152:
Polyphonic rhythms and rests do not
Page 153 and 154:
2 e d c A LyricExtender may sp
Page 155 and 156:
Melismata may be entered manually b
Page 157 and 158:
Adding a Bar_engraver to the Lyrics
Page 159 and 160:
The implicit directional marks, U+2
Page 161 and 162:
‘markup-eps.ly’ The eyeglass
Page 163 and 164:
‘markup-music-glyph.ly’ c'est
Page 165 and 166:
The \path markup command supports t
Page 167 and 168:
‘markup-syntax.ly’ foo bar
Page 169 and 170:
‘mensural.ly’ 9
Page 171 and 172:
A metronome marking can be added to
Page 173 and 174:
MIDI and partial measures work toge
Page 175 and 176:
‘midi-unisons.ly’ … …
Page 177 and 178:
‘morgenlied.ly’ Sängers Morgen
Page 179 and 180:
‘mozart-hrn-3.ly’ Allegro p
Page 181 and 182:
Horn in F 39 …
Page 183 and 184:
The multimeasure rest is centered e
Page 185 and 186:
2 3 2 7 Round up to the longer rest
Page 187 and 188:
‘newaddlyrics.ly’ My N
Page 189 and 190:
Notes can be set in the Sacred Harp
Page 191 and 192:
57 kievan … 12 22 Notes ca
Page 193 and 194:
‘one-line-breaking.ly’ 2. 8
Page 195 and 196:
6 2 9 Music e
Page 197 and 198:
‘override-nest-scheme.ly’ S
Page 199 and 200:
2 If a page break is forced where
Page 201 and 202:
2 01 Music engraving by LilyPond
Page 203 and 204:
2 02 Music engraving by LilyPond 2.
Page 205 and 206:
4 3 Music engraving by LilyPond 2
Page 207 and 208:
‘page-breaking-min-distance3.ly
Page 209 and 210:
12 2 14 15 16 17 Music e
Page 211 and 212:
‘page-breaking-outside-staff-esti
Page 213 and 214:
Page 215 and 216:
‘page-breaking-page-count3.ly’
Page 217 and 218:
2 A B C D E F G H I J K L M N O P Q
Page 219 and 220:
5 2 7 Music engra
Page 221 and 222:
4 2 5 6 Music engraving by Li
Page 223 and 224:
5 2 Instrument 6 7 8
Page 225 and 226:
‘page-headers-and-footers.ly’ f
Page 227 and 228:
3 last-page-header-text 13 14
Page 229 and 230:
First score 3 A (page 3) 2
Page 231 and 232:
‘page-layout-manual-position.ly
Page 233 and 234:
The space between systems can be li
Page 235 and 236:
page top 3 6 7 8 9
Page 237 and 238:
Links to labels and explicit page n
Page 239 and 240:
2 B Music engraving by LilyPond
Page 241 and 242:
2 Text Text Tagline The minimal pag
Page 243 and 244:
2
Page 245 and 246:
‘page-spacing-dynamics.ly’ f
Page 247 and 248:
‘page-spacing-nonstaff-lines-betw
Page 249 and 250:
‘page-spacing-nonstaff-lines-head
Page 251 and 252:
A non-staff line (such as Lyrics) a
Page 253 and 254:
2 3 StaffGroups can be nest
Page 255 and 256:
‘page-spacing-stretchability.ly
Page 257 and 258:
‘page-spacing-system-count-overfu
Page 259 and 260:
‘page-spacing-tall-headfoot.ly’
Page 261 and 262:
10 t a l l h e a d e r t a l l f
Page 263 and 264:
Page 265 and 266:
By setting page-top-space, the Y po
Page 267 and 268:
‘page-turn-page-breaking-auto-fir
Page 269 and 270:
‘page-turn-page-breaking-auto-fir
Page 271 and 272:
‘page-turn-page-breaking-repeats.
Page 273 and 274:
8 26
Page 275 and 276:
‘paper-default-margins-def.ly’
Page 277 and 278:
‘paper-margins-consistency.ly’
Page 279 and 280:
‘paper-margins-left-margin.ly’
Page 281 and 282:
‘paper-margins-line-width.ly’
Page 283 and 284:
‘paper-margins-no-checks.ly’
Page 285 and 286:
‘paper-margins-overrun.ly’
Page 287 and 288:
‘paper-margins-right-margin.ly’
Page 289 and 290:
‘paper-margins.ly’
Page 291 and 292:
‘paper-nested-override2.ly’ 2.8
Page 293 and 294:
85 ‘paper-twosided-bcorr.ly’
Page 295 and 296:
195
Page 297 and 298:
85 ‘paper-twosided.ly’
Page 299 and 300: 195
Page 301 and 302: ‘part-combine-a2.ly’ 2 a2
Page 303 and 304: The part combiner detects a2, solo1
Page 305 and 306: The standard piano pedals style com
Page 307 and 308: ‘profile-property-access.ly’ Li
Page 309 and 310: ‘quote-cue-during.ly’ quoteMe o
Page 311 and 312: ‘quote-kill-cues.ly’
Page 313 and 314: When a score takes up only a single
Page 315 and 316: 3 Rests should not keep sta
Page 317 and 318: … … … The two dots of a repea
Page 319 and 320: … excentric four-line staff ve
Page 321 and 322: Tremolos work with chord repetition
Page 323 and 324: ‘rest-collision-beam-restdir.ly
Page 325 and 326: 9
Page 327 and 328: 81 93
Page 329 and 330: ‘rest.ly’ … … … …
Page 331 and 332: \consists can take a scheme alist a
Page 333 and 334: 9 17 Scripts use skylines with accu
Page 335 and 336: In addition to Slur, the music func
Page 337 and 338: ‘size26.ly’ 1. 2. 4 cuivr
Page 339 and 340: ‘skyline-horizontal-padding.ly’
Page 341 and 342: ‘slur-avoid.ly’ Across lin
Page 343 and 344: ‘slur-dash.ly’
Page 345 and 346: An additional opening slur during a
Page 347 and 348: ‘slur-script.ly’
Page 349: ‘song-breathe.ly’ 4 3 play t
Page 353 and 354: Empty barlines do not affect spacin
Page 355 and 356: ‘spacing-horizontal-skyline-grace
Page 357 and 358: In the absence of NoteSpacings, wid
Page 359 and 360: ‘spacing-short-notes.ly’ 4
Page 361 and 362: The SpanBarStub grob takes care of
Page 363 and 364: Span bars are drawn only between st
Page 365 and 366: ‘staff-change-autobeam.ly’
Page 367 and 368: ‘stem-cross-staff-articulation.ly
Page 369 and 370: ‘stem-shorten.ly’
Page 371 and 372: ‘stencil-scale.ly’ String num
Page 373 and 374: System separator positioning works
Page 375 and 376: System separators may be defined as
Page 377 and 378: When the staff-space is increased,
Page 379 and 380: Context property defaultStrings def
Page 381 and 382: When a harmonic note is tied in tab
Page 383 and 384: 8 3 2 0 0 0 0 0 1 5
Page 385 and 386: ‘test-output-distance.ly’
Page 387 and 388: 2 Ties behave properly at line
Page 389 and 390: In the single tie case, broken ties
Page 391 and 392: … …… … …… 4 …
Page 393 and 394: 4 Second score Music engraving b
Page 395 and 396: The trill symbol and the wavy line
Page 397 and 398: With full-length-to-extent, the ext
Page 399 and 400: Tuplet number position is correct w
Page 401 and 402:
‘typography-demo.ly’ LilyPond d
Page 403 and 404:
Broken volta spanners behave correc
Page 405 and 406:
‘warn-unterminated-span-dynamic.l
Page 407:
Lists all possible keys for all ins
show all

PDF of regtests for 2.16.2 - LilyPond

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?