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Cutting Scenes - The Fine Line

Cutting Scenes - The Fine Line

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“Ah—workers—I know you have been wronged by my husband, as well<br />

as so many others, but they do not understand you as I do and I<br />

am here to make things well, as I promised you last night I<br />

would and I have Ye ho waah’s blessing in this. I will not<br />

forget my promises to you, as I know you will respect mine also.<br />

I am sorry that the house I live in has destroyed some of your<br />

mounds but I will see to it that it never happens again here.”<br />

Betty Ross spread the sugar granules liberally around the mound,<br />

then stood up and moved on to the next mound, several feet away.<br />

****<br />

Emily O’Brien spoke into the telephone, almost in a<br />

whisper, conspiratorially, as she exhaled a stream of toxic<br />

fumes from her nostrils and sat her burning cigarette in an<br />

ashtray, on the counter-top of her dining room table. “Yes, yes<br />

I know Sherry but I’m telling you I saw her putting the poison<br />

on top of the ant hills and they have absolutely no ants in<br />

their house. What? Well, I’m not sure about that but I think<br />

she’s some sort of a witch. Oh yes—yes—well it would explain a<br />

lot of things—how else could she stand watering those flowers<br />

among a mass of bees and not even be afraid of getting stung?<br />

And how else could she have plants blooming practically<br />

overnight? And....and wait’ll you hear this, she said she loves<br />

ants, yes-yes and worms, worms Sherry. Yes, really, she said<br />

- 62 -

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