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Cutting Scenes - The Fine Line

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<strong>The</strong> Nanny<br />

Rita Buckley<br />

Annie was the oldest nanny the agency had sent for us to<br />

interview, but there was something about her that the baby<br />

liked. She toddled over and held onto her leg.<br />

“Coe-coe-coe,” she said, tugging at the hem of her coat.<br />

“Coe-coe-coe.”<br />

Steffy didn’t want to let her go. Annie was the first nanny<br />

out of 40 that she’d didn’t shy away from or avoid.<br />

<strong>The</strong> baby liked her. For the life us of, we couldn’t figure<br />

out why. Annie was 63 years old, a washed-out former<br />

schoolteacher, with a dead husband and four grown kids, all<br />

living out of state. She had a deep voice, mousy brown hair, sad<br />

eyes, and sagging boobs.<br />

“Are you able to live in our guesthouse?” I asked.<br />

“Yes.”<br />

“Do you like dogs?”<br />

Our two English sheepdogs ran into the room and sniffed her<br />

flat ass. She moved it out of their way, and patted them on<br />

their heads.<br />

“Yes.”<br />

“Will you also do cooking and cleaning?”<br />

“Yes.”<br />

“Why’d you leave your last job?” I asked.<br />

“I retired with a decent pension,” she replied. “Not only<br />

that, the kids were bringing knives and guns into school. One<br />

student had a machete.”<br />

“Those are good reasons,” I said.<br />

My wife, Jane, sat back and took it all in. She was the<br />

antithesis of Annie: tall, all legs, with a mane of thick blond<br />

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