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literaryhistoryo02crut - Carmel Apologetics

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348<br />

I 111-: APOLOGISTS.<br />

Unit thoiigli the .sulhstance is complete, the form lias uiidcrgone<br />

alteration.<br />

In order to arrive at the expressions actually used by<br />

Tatian, it is necessary to go back to Ephraem's fragments<br />

and I he eitiitions by Aphraates. Ephraem in his Armenian<br />

(hess is very faitliful to tlie original: but Apln-aates' Syriac<br />

citations alone give the ipsisdma verba of Tatian.<br />

Finally, there is some evidence that even in the Greekspeaking<br />

churches the Diatessaron was not wholly unknown.<br />

In A.D. 1523 the Humanist Luscinius puldislied an epitome<br />

of the Gospel History entitled " Evangelicac historiae ex<br />

qicatnor Evangelistis perpetuo tenorc continuata narratio ex<br />

Ammonii Alcxandrini frafpnentis qiiibusdaiii.^' He is no<br />

doubt in error in su})p()sing Ids Greek epitome to be the<br />

work of Ammonius : but he seems to have been equally<br />

ignorant of Tatian and of Victor's Harmony : Zahn declares<br />

that the fragment shows clear traces of the Diatessaron,<br />

and tluis it would seem that in both the Greek and Latin<br />

churches an attempt was made to utilise it.<br />

It was, however, in tlie Syrian Church that it found its<br />

proper home, and there is no reasonable doul)t tliat it appeared<br />

first in Syriac.<br />

On leaving Home, Tatian probably spent a short time at<br />

Alexandria, wliere he has left traces of his teaching. But<br />

his ictiremcnt to ^lesopotamia was virtually the surrender<br />

of his ]M)sition as a Greek theologian. During the remainder<br />

of liis life he seems to liave reverted to Syriac as the vehicle<br />

of his literary composition, as of course it was of his oral<br />

preaching. I If dii-d at Edessa, somewhere about 180 A.D.,<br />

liaving accoiuplishiMl Ids life's work.<br />

His idea of an eclectic Gospel was as ha]>py as it was<br />

original. It icinains to discuss the principle on which he<br />

carricMl it out. We must remember tliat his fii-st object<br />

was suital»ility for public use. The consistency at which he<br />

aimed was rather moral than historical. For this purpose<br />

he places several events out of their ])roper order to liring<br />

out more vividly the spiritual lesson they embody. The<br />

general basis of the work is the (losjtcl of S. Matthew, wliich

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