Architect 2014-07.pdf
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70<br />
CENTER<br />
ARCHITECT THE AIA MAGAZINE JULY <strong>2014</strong> WWW.ARCHITECTMAGAZINE.COM<br />
DETAIL<br />
IN THE FOLD<br />
FOR SINGAPORE’S NATIONAL DESIGN CENTER, SCDA ARCHITECTS CRAFTED AN ALUMINUM-<br />
MESH SKIN TO BOOST THE LOOK AND PERFORMANCE OF THE EXISTING SPACE.<br />
Pleated mesh screens by SCDA <strong>Architect</strong>s clad the ceiling of the auditorium, which was formerly a chapel.<br />
Text by Shonquis Moreno<br />
SINGAPORE’S NATIONAL Design Center is finally<br />
living up to its name. In the city-state’s cultural<br />
district of Bras Basah Bugis, SCDA <strong>Architect</strong>s<br />
recently restored and converted a group of three<br />
prewar Art Deco buildings and one postwar<br />
modern building that now serves as the home<br />
of the center, which is a promoter and incubator<br />
of the region’s burgeoning design culture.<br />
Once a convent school, the complex has<br />
been adapted to contain lecture rooms and<br />
galleries, offices, classrooms, and basic design<br />
and prototyping facilities. One of the most<br />
poetic displays of complexity spans the breadth<br />
of the formal, 46-foot-by-30-foot chapel, which<br />
SCDA founder Soo K. Chan, Intl. Assoc. AIA,<br />
turned into an auditorium. Above visitors’<br />
heads, a creased aluminum-mesh skin envelops<br />
the chapel’s 29.5-foot-tall ceiling, providing<br />
visual interest that is simultaneously sculptural,<br />
industrial, and abstracted.<br />
The pleated mesh panels fold together like<br />
an origami screen. The triangular surfaces dip<br />
and rise almost 2 feet, framing historical details<br />
such as the restored religious reliefs that ring<br />
the upper walls and former altar, and hiding the<br />
mechanical, electrical, and audiovisual services.<br />
Chan and his team designed the ceiling<br />
using Trimble SketchUp, Autodesk 3ds Max,<br />
AutoCAD, and other programs. Extensive on-site<br />
discussions and adjustments were required to<br />
ensure the mesh would fit the existing building<br />
like a glove. The screens anchor into a steel<br />
portal frame, which is subsequently bolted<br />
to concrete ceiling beams. The connectors<br />
allow the screens, which are also pinned to<br />
each other, to move as the building settles<br />
AARON PEACCOK