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Architect 2014-07.pdf

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70<br />

CENTER<br />

ARCHITECT THE AIA MAGAZINE JULY <strong>2014</strong> WWW.ARCHITECTMAGAZINE.COM<br />

DETAIL<br />

IN THE FOLD<br />

FOR SINGAPORE’S NATIONAL DESIGN CENTER, SCDA ARCHITECTS CRAFTED AN ALUMINUM-<br />

MESH SKIN TO BOOST THE LOOK AND PERFORMANCE OF THE EXISTING SPACE.<br />

Pleated mesh screens by SCDA <strong>Architect</strong>s clad the ceiling of the auditorium, which was formerly a chapel.<br />

Text by Shonquis Moreno<br />

SINGAPORE’S NATIONAL Design Center is finally<br />

living up to its name. In the city-state’s cultural<br />

district of Bras Basah Bugis, SCDA <strong>Architect</strong>s<br />

recently restored and converted a group of three<br />

prewar Art Deco buildings and one postwar<br />

modern building that now serves as the home<br />

of the center, which is a promoter and incubator<br />

of the region’s burgeoning design culture.<br />

Once a convent school, the complex has<br />

been adapted to contain lecture rooms and<br />

galleries, offices, classrooms, and basic design<br />

and prototyping facilities. One of the most<br />

poetic displays of complexity spans the breadth<br />

of the formal, 46-foot-by-30-foot chapel, which<br />

SCDA founder Soo K. Chan, Intl. Assoc. AIA,<br />

turned into an auditorium. Above visitors’<br />

heads, a creased aluminum-mesh skin envelops<br />

the chapel’s 29.5-foot-tall ceiling, providing<br />

visual interest that is simultaneously sculptural,<br />

industrial, and abstracted.<br />

The pleated mesh panels fold together like<br />

an origami screen. The triangular surfaces dip<br />

and rise almost 2 feet, framing historical details<br />

such as the restored religious reliefs that ring<br />

the upper walls and former altar, and hiding the<br />

mechanical, electrical, and audiovisual services.<br />

Chan and his team designed the ceiling<br />

using Trimble SketchUp, Autodesk 3ds Max,<br />

AutoCAD, and other programs. Extensive on-site<br />

discussions and adjustments were required to<br />

ensure the mesh would fit the existing building<br />

like a glove. The screens anchor into a steel<br />

portal frame, which is subsequently bolted<br />

to concrete ceiling beams. The connectors<br />

allow the screens, which are also pinned to<br />

each other, to move as the building settles<br />

AARON PEACCOK

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