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Architect 2014-07.pdf

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6<br />

07.14<br />

ARCHITECT THE AIA MAGAZINE JULY <strong>2014</strong> WWW.ARCHITECTMAGAZINE.COM<br />

22<br />

46<br />

Bjarke Ingels at the center of the BIG Maze at the National Building Museum.<br />

148<br />

A security checkpoint at the World Trade Center site<br />

FRONT<br />

14 NOT YOUR FATHER’S<br />

INSTITUTE<br />

The AIA’s governing structure is changing, and<br />

the result should be a more nimble Institute.<br />

19 FRONT<br />

Peter Zumthor updates his design for LACMA,<br />

The Living debuts at both MoMA PS1 and<br />

Autodesk, we solve a maze with Bjarke Ingels,<br />

saving Paul Rudolph’s legacy, and more …<br />

35 AIARCHITECT<br />

New directions for AIAF, two worlds and two<br />

community health needs, new design/build<br />

resources from the AIA, and designing for health.<br />

CENTER<br />

46 LETTER FROM GROUND ZERO<br />

Despite the opening of the 9/11 Museum,<br />

Ground Zero remains a site conflicted in its<br />

ambitions and execution.<br />

52 BEHIND THE CURTAIN<br />

The challenges and rewards for a U.S. firm<br />

targeting a market in the former Soviet Union.<br />

56 WATERSHED DESIGN<br />

MAde Studio is applying its data-driven<br />

approach to Detroit, revealing ways that its<br />

water systems can influence urban design.<br />

60 THE CULT OF KOOLHAAS<br />

As chief curator of the Venice <strong>Architect</strong>ure<br />

Biennale, Rem Koolhaas’s vision was felt more<br />

in the national pavilions than his own shows.<br />

70 IN THE FOLD<br />

SCDA <strong>Architect</strong>s makes origami out of<br />

aluminum mesh at the Singapore National<br />

Design Center.<br />

74 MADE OF METTLE<br />

Precision-cutting technologies and performance<br />

finishes elevate architectural metalwork.<br />

BACK<br />

112 RISING FROM THE ROCKS<br />

Sedona’s Chapel of the Holy Cross exemplifies<br />

the melding of structure and site.<br />

TOP: MATTHEW CARBONE; BOTTOM: FRAN PARENTE

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