"AMERICAN GRAFFITI" Screenplay by George Lucas Gloria Katz ...

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TERRY Hey, Curt, let's bomb around, I wanna try out my new wheels! CURT I'd like to, Toad, but I'm going with Steve and Laurie to the hop. I'd just slow you down anyway. TERRY Yeah, tonight things are going to be different. JOHN Hey, wait a minute, you're goin' to the Hop? The Freshman Hop? Yeah. CURT JOHN Oh, come on, man. That place is for kids. You two just got your ass out of there. Don't go back now. CURT You ain't got no emotions? TERRY We're gonna remember all of the good times, is what we're gonna do. JOHN Yeah, well, go. CURT Why don't you come with us? JOHN Bullshit, man! CURT Come on. For old time's sake. JOHN Yeah, yeah... Well, listen. You go. Go ahead, Curtsy, ba<strong>by</strong>. You go on over there and you remember all the good times you won't be having. I ain't goin' off to some goddamned fancy college. I'm stayin' right here. Havin' fun, as usual. John walks angrily to his coupe, gets in and slams the door. Curt looks at the others and shrugs. TERRY Jesus, Milner, you're in a great mood tonight.
Curt goes over and stands <strong>by</strong> the window of the yellow coupe. CURT What's the matter John? Did I say somethin' wrong? I'm sorry. JOHN Ah, man, it's nothin'. CURT Well, we'll see you later, okay? Right. JOHN CURT We'll all do somethin' together. You know, before Steve leaves. John looks at him suspiciously. JOHN Okay, wait a minute. Now, you're not going? CURT I don't know. John shakes his head. On the radio, Wolfman is taking a call from a listener-- Wolfman? MAN (V.O.) WOLFMAN (V.O.) Who is this? MAN This is Joe... in Little Rock, way down in the Valley. WOLFMAN You callin' from Little Rock, California? MAN Long distance. WOLFMAN My, my, my... listen, man, what kind of entertainment you got in that town? MAN All we got is you. John roars his engine and pulls the yellow deuce coupe into a screeching take-off out of the drive-in. Terry and Curt watch him go off. MAIN STREET, MODESTO-NIGHT
Page 1 and 2: RADIO "AMERICAN GRAFFITI" Screenpla
Page 3 and 4: Lodge has given out. Oh yeah, he sa
Page 5 and 6: off. JOHN Not too good, huh? CURT W
Page 7 and 8: LAURIE You mean dating other people
Page 9: What's wrong, he's crying! There is
Page 13 and 14: JOHN Yeah. All right, thanks. John
Page 15 and 16: LAURIE We're not going to spend the
Page 17 and 18: JOHN (grinning) Yeah, sure, Judy--h
Page 19 and 20: waterfall curl as the Wolfman dedic
Page 21 and 22: BOY'S LAVATORY Laurie, I know it's
Page 23 and 24: LAURIE Get your cooties off me-- Ed
Page 25 and 26: all the next day. CURT (grinning) C
Page 27 and 28: She takes a pressurized can of shav
Page 29 and 30: Uh-huh. Milner, the reason I stoppe
Page 31 and 32: the road. GIRLFRIEND (giving anothe
Page 33 and 34: DEBBIE Wow--bitchin' tuck and roll.
Page 35 and 36: He moans. remember? STEVE What do y
Page 37 and 38: Okay. CURT They go off toward the V
Page 39 and 40: I'm going to join the Marines. DEBB
Page 41 and 42: DEBBIE Tiger happens to be very int
Page 43 and 44: anyway? CURT I don't know, but I'm
Page 45 and 46: Wendy turns and leans forward, laug
Page 47 and 48: MEL'S DRIVE-IN Isn't it great, the
Page 49 and 50: Terry pulls into the parking lot an
Page 51 and 52: couple of flashlight batteries and
Page 53 and 54: get? All the ding-a-lings get it so
Page 55 and 56: guy. Soon he realizes that he is be
Page 57 and 58: at him, shaking his head. JOE This
Page 59 and 60: he's a Negro, I think... anyway, he
Page 61 and 62:
Cadillac full of girls laughing at
Page 63 and 64:
wheels... and a jeep. I also have a
Page 65 and 66:
compound. CURT Hey, terrific, I lov
Page 67 and 68:
CURT Ah, he means, we're all done h
Page 69 and 70:
Debbie comes up and watches Terry l
Page 71 and 72:
I'm sorry. STEVE LAURIE Get out! It
Page 73 and 74:
TERRY Where'd you go, anyway? Over
Page 75 and 76:
John sighs, wondering if he'll ever
Page 77 and 78:
Wow! He's really fast, isn't he? JO
Page 79 and 80:
Steve goes off and Debbie looks at
Page 81 and 82:
cars pass with their radios blaring
Page 83 and 84:
fearfully. JOHN All night you've be
Page 85 and 86:
stops and watches Steve and Budda.
Page 87 and 88:
MEL'S DRIVE-IN is reflected across
Page 89 and 90:
He watches her stop at the screen d
Page 91 and 92:
OLD WOMAN Staying on his hands and
Page 93 and 94:
Stop it, stop it, stop it! Help! Po
Page 95 and 96:
ack, then you let him have it. Terr
Page 97 and 98:
Ow. Goodnight. See ya. DEBBIE TERRY
Page 99 and 100:
MANAGER No, man. I'm not the Wolfma
Page 101 and 102:
Curt nods and stands. The manager s
Page 103 and 104:
DALE Yeah. Figured something was up
Page 105 and 106:
LAURIE I said I didn't--you lousy g
Page 107 and 108:
Jesus, what a night. He climbs in t
Page 109 and 110:
LAURIE 'Bye 'bye, Curt. Curt goes t
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"AMERICAN GRAFFITI" Screenplay by George Lucas Gloria Katz ...

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