"AMERICAN GRAFFITI" Screenplay by George Lucas Gloria Katz ...

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Why don't you move your bod into aft chamber, where we might discuss this in private. BOBBIE (seeing that Wendy is considering it) Thanks a lot. CURT Come on, Wendy? She doesn't say anything. They pull up to a stoplight. Wendy looks at the red stoplight and then abruptly gets out of the car and jumps in the back. WENDY Well, slide over, I'm not sitting on your lap. She gets in and the car goes off. In the back seat, Curt and Wendy are talking softly. He puts his arm around her and she makes a face, but doesn't remove it. Bobbie watches in the rear-view mirror, Curt sees her. CURT To the Opera, James. Drop dead. BOBBIE CURT Unless you want to go to Gallo Dam and have an orgy. You wish. WENDY Curt looks at her and turns her head. He kisses her and puts his arm around her. They neck. The radio plays "Barbara Ann." The little VW flashes by in the stream of traffic. Bobbie drives, glancing in here rear-view mirror occasionally and also watching the station wagon ahead, in which two pairs of feet are dancing against the back window. Wendy pulls away from Curt's lips and looks out the window. WENDY I've been silly. I'm glad you're going to stay. Maybe we'll have some classes together. Maybe. CURT BOBBIE (from the front seat) Look, there's Kip Pullman! He's so neat.
Wendy turns and leans forward, laughing. Curt watches her seriously, studying her. BOBBIE Do you know Kip? CURT Huh? Yeah, I know him. BOBBIE Talk to him when we go by. CURT What do you want me to say? BOBBIE Anything... I just want to meet him. They pull up next to Kip's car and Curt leans forward and yells out Bobbie's window. CURT Kip, baby, what's up? KIP Henderson, long time no see. Whadaya been doing? CURT Not much, just wanted to let you know that Bobbie here is hopelessly in love with you and trembles at the sight of your rippling biceps... Bobbie swerves the car away and turns a corner. She stops on a dime at the curb. BOBBIE You creep, fink, son-of-a-bitch-- She turns and starts flailing at Curt with her purse. CURT Help, wait! Joke--Joke--Bobbie, remember your nose bleeds! BOBBIE Get out--get out of my car--I hate you! CURT Excuse me--ouch--Wendy--I got to go now. Wendy is laughing and Curt climbs over her out of the small car. He gets out and closes the door. Wendy changes seats and looks at him seriously. WENDY Curt, I hope I see you at
Page 1 and 2: RADIO "AMERICAN GRAFFITI" Screenpla
Page 3 and 4: Lodge has given out. Oh yeah, he sa
Page 5 and 6: off. JOHN Not too good, huh? CURT W
Page 7 and 8: LAURIE You mean dating other people
Page 9 and 10: What's wrong, he's crying! There is
Page 11 and 12: Curt goes over and stands by the wi
Page 13 and 14: JOHN Yeah. All right, thanks. John
Page 15 and 16: LAURIE We're not going to spend the
Page 17 and 18: JOHN (grinning) Yeah, sure, Judy--h
Page 19 and 20: waterfall curl as the Wolfman dedic
Page 21 and 22: BOY'S LAVATORY Laurie, I know it's
Page 23 and 24: LAURIE Get your cooties off me-- Ed
Page 25 and 26: all the next day. CURT (grinning) C
Page 27 and 28: She takes a pressurized can of shav
Page 29 and 30: Uh-huh. Milner, the reason I stoppe
Page 31 and 32: the road. GIRLFRIEND (giving anothe
Page 33 and 34: DEBBIE Wow--bitchin' tuck and roll.
Page 35 and 36: He moans. remember? STEVE What do y
Page 37 and 38: Okay. CURT They go off toward the V
Page 39 and 40: I'm going to join the Marines. DEBB
Page 41 and 42: DEBBIE Tiger happens to be very int
Page 43: anyway? CURT I don't know, but I'm
Page 47 and 48: MEL'S DRIVE-IN Isn't it great, the
Page 49 and 50: Terry pulls into the parking lot an
Page 51 and 52: couple of flashlight batteries and
Page 53 and 54: get? All the ding-a-lings get it so
Page 55 and 56: guy. Soon he realizes that he is be
Page 57 and 58: at him, shaking his head. JOE This
Page 59 and 60: he's a Negro, I think... anyway, he
Page 61 and 62: Cadillac full of girls laughing at
Page 63 and 64: wheels... and a jeep. I also have a
Page 65 and 66: compound. CURT Hey, terrific, I lov
Page 67 and 68: CURT Ah, he means, we're all done h
Page 69 and 70: Debbie comes up and watches Terry l
Page 71 and 72: I'm sorry. STEVE LAURIE Get out! It
Page 73 and 74: TERRY Where'd you go, anyway? Over
Page 75 and 76: John sighs, wondering if he'll ever
Page 77 and 78: Wow! He's really fast, isn't he? JO
Page 79 and 80: Steve goes off and Debbie looks at
Page 81 and 82: cars pass with their radios blaring
Page 83 and 84: fearfully. JOHN All night you've be
Page 85 and 86: stops and watches Steve and Budda.
Page 87 and 88: MEL'S DRIVE-IN is reflected across
Page 89 and 90: He watches her stop at the screen d
Page 91 and 92: OLD WOMAN Staying on his hands and
Page 93 and 94: Stop it, stop it, stop it! Help! Po
Page 95 and 96:
ack, then you let him have it. Terr
Page 97 and 98:
Ow. Goodnight. See ya. DEBBIE TERRY
Page 99 and 100:
MANAGER No, man. I'm not the Wolfma
Page 101 and 102:
Curt nods and stands. The manager s
Page 103 and 104:
DALE Yeah. Figured something was up
Page 105 and 106:
LAURIE I said I didn't--you lousy g
Page 107 and 108:
Jesus, what a night. He climbs in t
Page 109 and 110:
LAURIE 'Bye 'bye, Curt. Curt goes t
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"AMERICAN GRAFFITI" Screenplay by George Lucas Gloria Katz ...

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