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"AMERICAN GRAFFITI" Screenplay by George Lucas Gloria Katz ...

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at him, shaking his head.<br />

JOE<br />

This is going to take some thinking.<br />

You better come with us maybe.<br />

(putting his arm around<br />

Curt)<br />

Go riding with the Pharoahs...<br />

CURT<br />

Well, I don't think I can--I gotta--<br />

JOE<br />

I know just how ya feel.<br />

Joe leads Curt gently but forcibly toward an incredible maroon<br />

'51 Merc that's been lowered and chopped so that the windows<br />

are like ominous slits and the whole machine has a submarine<br />

quality. Joe opens the door and Curt slides into the white<br />

fluffy interior. In the small back window, a metal plaque<br />

reads "PHAROAHS."<br />

The third member of the gang is Carlos, a short little kid<br />

about fifteen years old. He appears tougher than the rest<br />

with a cigarette dangling from his mouth. Joe heads for the<br />

driver's side and Ants and Carlos both go for the front<br />

passenger door.<br />

Shotgun!<br />

CARLOS<br />

ANTS<br />

No, I called it!<br />

When?<br />

CARLOS<br />

ANTS<br />

Before we picked you up.<br />

CARLOS<br />

You can't call it for the whole night,<br />

man. I got it now. Get in the back.<br />

Carlos gives Ants a hard look and Ants backs down and climbs<br />

in the back with Curt. The Pharoah's Mercury roars out from<br />

the curb.<br />

CRUISING MAIN STREET--PHAROAHS' '51 MERCURY<br />

The radio blares "Ain't that a Shame?" as Curt sits in the<br />

back seat of the car looking very nervous. He eyes the three<br />

hoods cautiously. They are sitting super low, their eyes<br />

just visible over the windows.<br />

Then, Curt happens to look around. He does a double take.<br />

Through the narrow window he sees the Thunderbird passing in<br />

the opposite direction. Curt swivels and watches through the<br />

back window as the T-bird disappears around a corner. Then,<br />

he shakes his head. Of all the times to be trapped with the<br />

Pharoahs.

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