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"AMERICAN GRAFFITI" Screenplay by George Lucas Gloria Katz ...

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egistration. Call me if you want.<br />

It was nice seeing you again.<br />

See ya.<br />

CURT<br />

The car pulls off and Curt watches it. Suddenly, he sees<br />

something--the T-bird going the other way down the street.<br />

CURT<br />

Oh shit--there!! Wait!<br />

The VW's gone and Curt starts after the T-bird on foot. He<br />

runs down the middle of the street, oblivious to the horns<br />

honking and the cars swerving to miss him.<br />

We move with Curt as he moves like a broken field runner<br />

through the traffic only to finally lose the girl and the<br />

Thunderbird and to slow and finally stop, standing on the<br />

white line. Cars slow down and kids rubberneck as they go <strong>by</strong><br />

him.<br />

CRUISING G STREET--'32 YELLOW DEUCE COUPE<br />

John is driving and the Wolfman is howling on the radio while<br />

Carol is having the time of her life.<br />

WOLFMAN (V.O.)<br />

Went to a dance lookin' for romance.<br />

Found Barbara Ann... ba<strong>by</strong>... Hey,<br />

this one is for all you out there<br />

watchin' the Submarine Races.<br />

And the radio moans into "Who Wrote the Book of Love." Carol<br />

sits with her feet up against the dash. John knocks them off<br />

and she scowls at him.<br />

CAROL<br />

I'm so thirsty, I could die. Just a<br />

little 10 cent coke to wet my whistle.<br />

It won't take a minute, I can drink<br />

it in the--<br />

John suddenly hits the brakes and Carol almost hits the floor.<br />

John reaches over and opens the door.<br />

JOHN<br />

Why don't you just get out and get<br />

one then! So long, good<strong>by</strong>e, hasta<br />

lumbago.<br />

She stares at him, shaken, looking sweet and helpless. He<br />

turns and looks at her. A tear rolls down her cheek slowly.<br />

John can't take it.<br />

JOHN<br />

All right, one coke and then home.<br />

Carol is delighted. She slams the door. John takes off.<br />

CAROL

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