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The<br />
Because graphic design is the creative process that comes before any<br />
step in the printing workflow and determines not only what printed<br />
work will look like but also how it will be printed, On Press decided<br />
to sit down with some of today’s notable designers to talk about<br />
their work and how it relates to printing. While as old as civilization,<br />
visual communication exploded in the 20th and 21st centuries as<br />
technologies and mass markets combined to create soaring demand<br />
for the visual representation of ideas and messages. Two creatives<br />
from Toppan Printing, the diversified global Japanese printing<br />
company, Art Directors Masahiro Aoyagi and Kiyotaka Takeuchi,<br />
along with Printing Director Akihiro Takamoto, describe the process of<br />
creating a work featuring high added value printing — <strong>Komori</strong>’s 2013<br />
calendar — and packaging for consumer products. How they move<br />
from the stage of creative brief to deal with issues of branding and<br />
visual identity and finally to produce a <strong>file</strong> for the printer is a fascinating<br />
account of the prologue to printing.<br />
4 <strong>Komori</strong> On Press