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The<br />

Because graphic design is the creative process that comes before any<br />

step in the printing workflow and determines not only what printed<br />

work will look like but also how it will be printed, On Press decided<br />

to sit down with some of today’s notable designers to talk about<br />

their work and how it relates to printing. While as old as civilization,<br />

visual communication exploded in the 20th and 21st centuries as<br />

technologies and mass markets combined to create soaring demand<br />

for the visual representation of ideas and messages. Two creatives<br />

from Toppan Printing, the diversified global Japanese printing<br />

company, Art Directors Masahiro Aoyagi and Kiyotaka Takeuchi,<br />

along with Printing Director Akihiro Takamoto, describe the process of<br />

creating a work featuring high added value printing — <strong>Komori</strong>’s 2013<br />

calendar — and packaging for consumer products. How they move<br />

from the stage of creative brief to deal with issues of branding and<br />

visual identity and finally to produce a <strong>file</strong> for the printer is a fascinating<br />

account of the prologue to printing.<br />

4 <strong>Komori</strong> On Press

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