22.11.2014 Views

Make a sweetsale - Carolina Weekly Newspapers

Make a sweetsale - Carolina Weekly Newspapers

Make a sweetsale - Carolina Weekly Newspapers

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

eel<br />

the<br />

reeldealby Sean O'COnnell<br />

‘This Is It’<br />

O'COnnell<br />

Grade: HHH1/2 out of 4<br />

MPAA Rating: PG for some suggestive<br />

choreography and scary images<br />

Cast: Michael Jackson<br />

Genre: Documentary<br />

Studio: Sony Pictures<br />

Our “Rewind” column reviews home<br />

video titles available for rent or purchase<br />

that hit the shelves in the past<br />

few weeks.<br />

‘Orphan’ (Blu-ray)<br />

It’s a common theme in<br />

the horror genre: strangers<br />

entering a safe haven<br />

so they can terrorize victims<br />

while their guards are<br />

down. In the psychological<br />

disturber “Orphan,” the<br />

notion’s tweaked a bit so<br />

that evil is invited into the<br />

REWINDREWIND<br />

by Sean O’Connell<br />

sean@thecharlotteweekly.com<br />

Knowing what we know, it’s eerily prescient<br />

hearing Michael Jackson giddily proclaim, “This<br />

is it, the final curtain call,” during the March 5<br />

press conference to announce his 50-show, farewell<br />

stint in London’s O2 Arena.<br />

The King of Pop would pass away on June 25,<br />

three weeks before the first planned concert.<br />

Kenny Ortega’s accidental documentary “This Is<br />

It” cobbles exclusive, up-close footage into a keepsake<br />

treasure chest for a show that would never be.<br />

It’s a splashy souvenir, a high-concept greatest-hits<br />

package. More important, it’s a ferociously entertaining<br />

send-off for the musical icon, a coda that<br />

permits Jackson’s legacy to end on a high note.<br />

Ortega’s spectacular documentary honors Jackson’s<br />

spirit with a dynamic party, an outright jam.<br />

It’s quite possibly the greatest concert film dedicated<br />

to a concert that didn’t happen. Yet Ortega,<br />

a longtime choreographer who served as Jackson’s<br />

creative partner for the program, dutifully constructs<br />

Jackson’s epic vision for the London shows<br />

from candid interviews, pre-produced video segments<br />

and polished rehearsal footage.<br />

The musical documentary essentially sprints<br />

through Jackson’s catalogue, joyously celebrating<br />

his artistry, command and unparalleled<br />

showmanship at each stop.<br />

Backed by world-class dancers,<br />

singers and musicians – all of<br />

whom gush over the influential<br />

artist in heartfelt interviews – the<br />

50-year-old Jackson looks light<br />

years away from his death bed as<br />

home by tormentees Vera Farmiga and<br />

Peter Sarsgaard.<br />

They’re the distraught parents who<br />

adopt the seemingly innocent Esther<br />

(Isabelle Fuhrman) after suffering a<br />

miscarriage. “Orphan” director Jaume<br />

Collet-Serra establishes an uncomfortable<br />

mood with nightmarish dream<br />

sequences and the threat of a supernatural<br />

danger. But most of that fades<br />

once its revealed that Esther’s not a<br />

demon, just a demonic<br />

and manipulative little<br />

brat with the mouth of<br />

a sailor and the vicious<br />

disposition of a maximum-security<br />

prisoner.<br />

Her goal isn’t to haunt,<br />

but to drive a wedge<br />

between her new parents,<br />

murder her adoptive siblings<br />

and, if she plays her<br />

he tears through the sophisticated choreography<br />

and driving beats of “Billie Jean,” “Smooth Criminal,”<br />

“Beat It,” “Wanna Be Startin’ Somethin’”<br />

and “Thriller.”<br />

“This Is It” spends most of its time onstage.<br />

Lovely renditions of “Human Nature” and “Man<br />

In the Mirror” suggest Jackson’s vocals were<br />

approaching concert shape. Because Ortega has<br />

captured rehearsals, we hear Jackson singing every<br />

other word on the fast-tempo tracks so he can concentrate<br />

on his dance steps. A perfectionist, Jackson<br />

occasionally halts the production numbers<br />

to emphasize little marks he and his crew need<br />

to hit. “This is why we rehearse,” he repeatedly<br />

says, not with anger but love for the process of<br />

creating art. That enthusiasm also shines through<br />

as he collaborates with musical director Michael<br />

Bearden on a slower arrangement for “The Way<br />

You <strong>Make</strong> Me Feel” (which sounds amazing).<br />

Yet Jackson must have understood his limitations,<br />

for he’s quick to restrain himself from going<br />

all out in rehearsals when he knows a monthslong<br />

stint is on the horizon. After he finally lets his<br />

vocals soar for a tender duet with Judith Hill on “I<br />

Just Can’t Stop Loving You,” Jackson immediately<br />

regrets letting his guard down, stating he needs to<br />

save that energy for the fans. But Bearden quickly<br />

commends the singer for feeling the song’s rhythm<br />

and riding it.<br />

For everyone involved, these concerts were a<br />

labor of love. That’s why “It” lacks one crucial element<br />

– a proper ending. The audience knows what<br />

the performers onstage do not, that Jackson’s death<br />

cards right, knock her recovering-alcoholic<br />

mommy off<br />

the wagon.<br />

Warner’s Blu-ray release<br />

of “Orphan” has its ups and<br />

downs. Collet-Serra’s snowbound<br />

cinematography looks<br />

crisp and chilly on screen.<br />

But the audio mix buries crucial<br />

bits of whispered conversation<br />

while amplifying the<br />

violin screeches intended to<br />

jolt you out of your chair.<br />

A disappointing alternate ending<br />

kicks off the extra features, which<br />

round out with a digital copy of the<br />

film and the featurette “Mama’s Little<br />

Devils: Bad Seeds and Evil Children,”<br />

a discussion about satanic, cinematic<br />

children.<br />

HH out of 4 / MPAA rating: R<br />

abruptly pulls the plug on what looked to<br />

be a spectacular production, and all of<br />

the hard work, imagination and creativity<br />

poured into “This Is It” dissipates into<br />

thin air. Reactions from Ortega and some<br />

of the musicians who shared a history with<br />

Jackson could have given the film a sense<br />

of closure, as opposed to the herky-jerky<br />

non-ending we instead receive.<br />

That’s not Ortega’s point, however. And<br />

in reality, too much already has been made<br />

of Jackson’s passing. “This Is It” gives Jackson’s<br />

fans a hint of the performer’s fantastic<br />

final concert. In doing so, he has left<br />

them with a fantastic concert movie. q<br />

‘Night of the Creeps’<br />

(Blu-ray)<br />

My wife, bless her<br />

heart, doesn’t understand<br />

my passion for<br />

Fred Dekker’s “Night<br />

of the Creeps.” Not<br />

that I made the most<br />

convincing case after a<br />

recent screening – her<br />

first, and roughly my<br />

51st. I fell in love with<br />

this horror-comedy hybrid as a teenager,<br />

when unrequited adoration for<br />

silly cinema seemed easier. Sometimes<br />

that’s the only explanation necessary.<br />

Of course I recognize the film’s<br />

warts 23 years after its release. The<br />

laughable alien puppets that launch an<br />

experimental race of slugs toward our<br />

planet. The stir these wormy creatures<br />

(more on page 37)<br />

HHHH Instant ClassIC | HHH Worth Your $8 | HH rental, at Best | H BomB<br />

Tune in to WBTV News 3 every Friday morning during the 5 o’clock hour for Sean’s weekly movie review segment and read his reviews at www.thecharlotteweekly.com.<br />

Page 36 • Oct. 30-Nov. 5, 2009 • South Charlotte <strong>Weekly</strong><br />

www.thecharlotteweekly.com

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!