Make a sweetsale - Carolina Weekly Newspapers
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eel<br />
the<br />
reeldealby Sean O'COnnell<br />
‘This Is It’<br />
O'COnnell<br />
Grade: HHH1/2 out of 4<br />
MPAA Rating: PG for some suggestive<br />
choreography and scary images<br />
Cast: Michael Jackson<br />
Genre: Documentary<br />
Studio: Sony Pictures<br />
Our “Rewind” column reviews home<br />
video titles available for rent or purchase<br />
that hit the shelves in the past<br />
few weeks.<br />
‘Orphan’ (Blu-ray)<br />
It’s a common theme in<br />
the horror genre: strangers<br />
entering a safe haven<br />
so they can terrorize victims<br />
while their guards are<br />
down. In the psychological<br />
disturber “Orphan,” the<br />
notion’s tweaked a bit so<br />
that evil is invited into the<br />
REWINDREWIND<br />
by Sean O’Connell<br />
sean@thecharlotteweekly.com<br />
Knowing what we know, it’s eerily prescient<br />
hearing Michael Jackson giddily proclaim, “This<br />
is it, the final curtain call,” during the March 5<br />
press conference to announce his 50-show, farewell<br />
stint in London’s O2 Arena.<br />
The King of Pop would pass away on June 25,<br />
three weeks before the first planned concert.<br />
Kenny Ortega’s accidental documentary “This Is<br />
It” cobbles exclusive, up-close footage into a keepsake<br />
treasure chest for a show that would never be.<br />
It’s a splashy souvenir, a high-concept greatest-hits<br />
package. More important, it’s a ferociously entertaining<br />
send-off for the musical icon, a coda that<br />
permits Jackson’s legacy to end on a high note.<br />
Ortega’s spectacular documentary honors Jackson’s<br />
spirit with a dynamic party, an outright jam.<br />
It’s quite possibly the greatest concert film dedicated<br />
to a concert that didn’t happen. Yet Ortega,<br />
a longtime choreographer who served as Jackson’s<br />
creative partner for the program, dutifully constructs<br />
Jackson’s epic vision for the London shows<br />
from candid interviews, pre-produced video segments<br />
and polished rehearsal footage.<br />
The musical documentary essentially sprints<br />
through Jackson’s catalogue, joyously celebrating<br />
his artistry, command and unparalleled<br />
showmanship at each stop.<br />
Backed by world-class dancers,<br />
singers and musicians – all of<br />
whom gush over the influential<br />
artist in heartfelt interviews – the<br />
50-year-old Jackson looks light<br />
years away from his death bed as<br />
home by tormentees Vera Farmiga and<br />
Peter Sarsgaard.<br />
They’re the distraught parents who<br />
adopt the seemingly innocent Esther<br />
(Isabelle Fuhrman) after suffering a<br />
miscarriage. “Orphan” director Jaume<br />
Collet-Serra establishes an uncomfortable<br />
mood with nightmarish dream<br />
sequences and the threat of a supernatural<br />
danger. But most of that fades<br />
once its revealed that Esther’s not a<br />
demon, just a demonic<br />
and manipulative little<br />
brat with the mouth of<br />
a sailor and the vicious<br />
disposition of a maximum-security<br />
prisoner.<br />
Her goal isn’t to haunt,<br />
but to drive a wedge<br />
between her new parents,<br />
murder her adoptive siblings<br />
and, if she plays her<br />
he tears through the sophisticated choreography<br />
and driving beats of “Billie Jean,” “Smooth Criminal,”<br />
“Beat It,” “Wanna Be Startin’ Somethin’”<br />
and “Thriller.”<br />
“This Is It” spends most of its time onstage.<br />
Lovely renditions of “Human Nature” and “Man<br />
In the Mirror” suggest Jackson’s vocals were<br />
approaching concert shape. Because Ortega has<br />
captured rehearsals, we hear Jackson singing every<br />
other word on the fast-tempo tracks so he can concentrate<br />
on his dance steps. A perfectionist, Jackson<br />
occasionally halts the production numbers<br />
to emphasize little marks he and his crew need<br />
to hit. “This is why we rehearse,” he repeatedly<br />
says, not with anger but love for the process of<br />
creating art. That enthusiasm also shines through<br />
as he collaborates with musical director Michael<br />
Bearden on a slower arrangement for “The Way<br />
You <strong>Make</strong> Me Feel” (which sounds amazing).<br />
Yet Jackson must have understood his limitations,<br />
for he’s quick to restrain himself from going<br />
all out in rehearsals when he knows a monthslong<br />
stint is on the horizon. After he finally lets his<br />
vocals soar for a tender duet with Judith Hill on “I<br />
Just Can’t Stop Loving You,” Jackson immediately<br />
regrets letting his guard down, stating he needs to<br />
save that energy for the fans. But Bearden quickly<br />
commends the singer for feeling the song’s rhythm<br />
and riding it.<br />
For everyone involved, these concerts were a<br />
labor of love. That’s why “It” lacks one crucial element<br />
– a proper ending. The audience knows what<br />
the performers onstage do not, that Jackson’s death<br />
cards right, knock her recovering-alcoholic<br />
mommy off<br />
the wagon.<br />
Warner’s Blu-ray release<br />
of “Orphan” has its ups and<br />
downs. Collet-Serra’s snowbound<br />
cinematography looks<br />
crisp and chilly on screen.<br />
But the audio mix buries crucial<br />
bits of whispered conversation<br />
while amplifying the<br />
violin screeches intended to<br />
jolt you out of your chair.<br />
A disappointing alternate ending<br />
kicks off the extra features, which<br />
round out with a digital copy of the<br />
film and the featurette “Mama’s Little<br />
Devils: Bad Seeds and Evil Children,”<br />
a discussion about satanic, cinematic<br />
children.<br />
HH out of 4 / MPAA rating: R<br />
abruptly pulls the plug on what looked to<br />
be a spectacular production, and all of<br />
the hard work, imagination and creativity<br />
poured into “This Is It” dissipates into<br />
thin air. Reactions from Ortega and some<br />
of the musicians who shared a history with<br />
Jackson could have given the film a sense<br />
of closure, as opposed to the herky-jerky<br />
non-ending we instead receive.<br />
That’s not Ortega’s point, however. And<br />
in reality, too much already has been made<br />
of Jackson’s passing. “This Is It” gives Jackson’s<br />
fans a hint of the performer’s fantastic<br />
final concert. In doing so, he has left<br />
them with a fantastic concert movie. q<br />
‘Night of the Creeps’<br />
(Blu-ray)<br />
My wife, bless her<br />
heart, doesn’t understand<br />
my passion for<br />
Fred Dekker’s “Night<br />
of the Creeps.” Not<br />
that I made the most<br />
convincing case after a<br />
recent screening – her<br />
first, and roughly my<br />
51st. I fell in love with<br />
this horror-comedy hybrid as a teenager,<br />
when unrequited adoration for<br />
silly cinema seemed easier. Sometimes<br />
that’s the only explanation necessary.<br />
Of course I recognize the film’s<br />
warts 23 years after its release. The<br />
laughable alien puppets that launch an<br />
experimental race of slugs toward our<br />
planet. The stir these wormy creatures<br />
(more on page 37)<br />
HHHH Instant ClassIC | HHH Worth Your $8 | HH rental, at Best | H BomB<br />
Tune in to WBTV News 3 every Friday morning during the 5 o’clock hour for Sean’s weekly movie review segment and read his reviews at www.thecharlotteweekly.com.<br />
Page 36 • Oct. 30-Nov. 5, 2009 • South Charlotte <strong>Weekly</strong><br />
www.thecharlotteweekly.com