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Cinematography<br />
77 .<br />
Award:<br />
Entrant:<br />
<strong>Ad</strong>vertiser:<br />
Title:<br />
Credits:<br />
Silver ADDY® Award<br />
Red Tettemer + Partners<br />
parx casino<br />
parx casino “Celebrity”<br />
Steve Red, Chief Creative Officer<br />
Steve O’Connell, Executive Creative Director<br />
Bryon Lomas, VP, Creative Director<br />
Mark Garman, Writer<br />
Jimmy Diebold, Director<br />
Joe Mosca, Producer<br />
Vic Carreno, Editor<br />
Diana Montagna, Senior Account Manager<br />
Jared Scott, Managing Partner<br />
TV Spots by Budget (based on total production<br />
cost) - Less than $25,000<br />
79 . A<br />
Award:<br />
Entrant:<br />
<strong>Ad</strong>vertiser:<br />
Title:<br />
Credits:<br />
Gold ADDY® Award<br />
Red Tettemer + Partners<br />
TuB Gin<br />
TuB Prohibition<br />
Steve Red, Chief Creative Officer<br />
Steve O’Connell, Executive Creative Director<br />
Bryon Lomas, VP, Creative Director<br />
Bill Starkey, Creative Director<br />
Steve Thompson, Associate Creative Director<br />
John Connor, Writer<br />
Ahmad Ajouz, 3D Animator<br />
Cate Mahoney, Account Manager<br />
Carla Mote, Managing Partner<br />
LOCAL ONLY CATEGORIES<br />
TV Spots by Budget (based on total production<br />
cost) - Less than $25,000<br />
79 . A<br />
Award:<br />
Entrant:<br />
<strong>Ad</strong>vertiser:<br />
Title:<br />
Credits:<br />
Gold ADDY® Award<br />
Diccicco Battista Communications<br />
The Original Canal’s<br />
Canal’s “Bottle Talk” Campaign<br />
Sean Donahue, Creative Director<br />
Stephen Merino, Copywriter<br />
Scott Welliver, Creative Technologist<br />
Rebecca Moore, Art Director<br />
KNOW WHAT?<br />
Mediocrity sucks. That’s what we say. Because at BLUE (visual<br />
effects), we’ve never really been satisfied with the status quo, with<br />
delivering work that fails to push the envelope. That’s just not how<br />
we work.<br />
With every new project, we dive in head first. We blaze a new trail,<br />
and try to disturb the peace along the way whenever it’s possible.<br />
We push each other and every project and all of our clients to the<br />
outer limits of possibility and beyond.<br />
That’s just how we do it.<br />
Originally founded in 1999 as a broadcast design and editorial<br />
house, Blue has since evolved into a full-service post-production,<br />
audio and design studio. Our endless list of capabilities includes<br />
editorial and finishing, motion graphics design, animation, visual<br />
effects and full service audio production. And our facilities even<br />
boast an on-site studio space with a 2-wall hard cyc.<br />
From Discovery Channel to Spike TV, from Travel Channel to<br />
Comcast, we’re committed to pushing brands forward and creating<br />
experiences that engage, excite and ultimately make people sit up<br />
and take notice.<br />
We are outcasts by design. We take no quarter.<br />
We never compromise.<br />
We’re Blue.<br />
2012 ADDY AWARDS 57