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175<br />

GUSTAVO: I traveled to Cuba because<br />

my wife decided to do an<br />

internship in a hospital in La<br />

Havana, she’s a Doctor. Until<br />

then, I had always made photographs<br />

guided by a specific<br />

theme, trying to tell something<br />

about other people’s misfortunes.<br />

I decided to experience photography<br />

in a different way this time.<br />

I wasn’t interested in telling<br />

or describing anything about the<br />

well-known political and historical<br />

characteristics of the Cuban<br />

system. I didn’t want to need to<br />

look for ‟useful situations”. I<br />

tried to forget that I was there.<br />

Liberating myself of having to<br />

tell something about Cuba allowed<br />

me to connect in a more authentic<br />

way with the place. Photographing<br />

using only my instinct allowed me<br />

to discover what I was feeling.<br />

My method was to walk the same<br />

streets over and over again, in<br />

silence, just focusing in contemplating.<br />

I sometimes felt attracted<br />

to the expression of the<br />

shapes and textures and to the<br />

simple beauty of nature. Other<br />

times I felt I was just photographing<br />

my own sense of calmness or<br />

the mystery that Cuba inspired<br />

me.<br />

KALTBLUT: There is also a lot of<br />

nature in your work. Is this a<br />

theme that you particularly like?<br />

GUSTAVO: I live in Buenos Aires<br />

surrounded by concrete and asphalt<br />

therefore my direct contact<br />

with nature is sporadic, but necessary.<br />

During the recent years<br />

my relationship with nature increased<br />

notoriously, I’ve been in<br />

the jungle, in the desert, in the<br />

mountains, in lakes, rivers and<br />

the sea. I like to imagine our<br />

planet without our intervention,<br />

without the human civilization,<br />

just like it’s been for about<br />

5 billion years. Only stones,<br />

water, land, sand, air, trees,<br />

plants, insects... It feels good<br />

to see no artificiality at the<br />

horizon sometimes.<br />

KALTBLUT: Why did you decide to<br />

to create the series ‟RICHLAND”?<br />

What was your motto behind it?<br />

GUSTAVO: RICHLAND is a project<br />

about the exploitation of the natural<br />

resources in Latin America<br />

and the resulting long-term negative<br />

effects. Rather than benefit<br />

from natural resources abundance<br />

and wealth, local people living

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