COLLECTION 6
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77<br />
‟DUCTILITY AND ITS ABILITY TO CREATE SHADES”<br />
www.flickr.com/photos/josebaeskubi/<br />
Interview by Emma E. K. Jones & Amanda M. Jansson<br />
Joseba Eskubi’s art has been a real<br />
revelation to us. Living and working<br />
in Bilbao, Spain, he is currently<br />
teaching at the Faculty of Fine<br />
Arts of the University of the Basque<br />
Country. His abstract, yet very<br />
theatrical work often consists of a<br />
stage and one single figure, silhouetted<br />
against the background. This<br />
figure becomes the very definition of<br />
decomposition, through the soft and<br />
amorphous qualities that accentuate<br />
the tactile sense of vision. Highly<br />
suggestive and haunting, difficult<br />
for some and addictive to others,<br />
his imagery is definitely among our<br />
favourite modern classics.<br />
KALTBLUT: When and how did you begin<br />
painting? What were you doing<br />
before that? Any kind of art you<br />
were interested in? Or did paintings<br />
come first?<br />
Joseba: I started painting many years<br />
ago. At first I also drew a lot.<br />
In my early works many similar forms<br />
of the actual painting had already<br />
appeared: organic and oneiric. Later,<br />
I realized some sculptural objects<br />
where I mixed different techniques<br />
but basically, painting has<br />
always been my primary interest.<br />
Many times I create photographs,<br />
digital works, and other kinds of<br />
processes where I find new ways. I<br />
have also made some manipulations<br />
of classical painting reproductions,<br />
altering the forms and original<br />
compositions.