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COLLECTION 6

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77<br />

‟DUCTILITY AND ITS ABILITY TO CREATE SHADES”<br />

www.flickr.com/photos/josebaeskubi/<br />

Interview by Emma E. K. Jones & Amanda M. Jansson<br />

Joseba Eskubi’s art has been a real<br />

revelation to us. Living and working<br />

in Bilbao, Spain, he is currently<br />

teaching at the Faculty of Fine<br />

Arts of the University of the Basque<br />

Country. His abstract, yet very<br />

theatrical work often consists of a<br />

stage and one single figure, silhouetted<br />

against the background. This<br />

figure becomes the very definition of<br />

decomposition, through the soft and<br />

amorphous qualities that accentuate<br />

the tactile sense of vision. Highly<br />

suggestive and haunting, difficult<br />

for some and addictive to others,<br />

his imagery is definitely among our<br />

favourite modern classics.<br />

KALTBLUT: When and how did you begin<br />

painting? What were you doing<br />

before that? Any kind of art you<br />

were interested in? Or did paintings<br />

come first?<br />

Joseba: I started painting many years<br />

ago. At first I also drew a lot.<br />

In my early works many similar forms<br />

of the actual painting had already<br />

appeared: organic and oneiric. Later,<br />

I realized some sculptural objects<br />

where I mixed different techniques<br />

but basically, painting has<br />

always been my primary interest.<br />

Many times I create photographs,<br />

digital works, and other kinds of<br />

processes where I find new ways. I<br />

have also made some manipulations<br />

of classical painting reproductions,<br />

altering the forms and original<br />

compositions.

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