COLLECTION 6
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184<br />
COL<br />
What’s Left O<br />
by Amy<br />
Frustration, stalling us at every<br />
turn. Amongst the crowd of<br />
vacant eyes you can feel its grip<br />
tighten. Suffocating, yet familiar,<br />
constricting, yet comforting. The<br />
Noire is all your darkest doubts,<br />
your enemies, and your fear of<br />
being alone. It’s a locked door, a<br />
sealed hatch in the floor, a darkened<br />
room: that contains all the<br />
secrets about your true self, but<br />
you’ve never dared open it to look<br />
inside. Everyone has something<br />
hidden, something mysterious,<br />
magical and precious: just meant<br />
for themselves, kept from others,<br />
it’s how we were intended<br />
to be. We have the capacity to<br />
keep a secret. Yet in an attempt<br />
to establish total control, for the<br />
so-called good of our society, we<br />
began to clean up, renovate, and<br />
demolish the walls behind which<br />
we hid such secrets for so many<br />
eternities. The places where<br />
we could once go to express<br />
our innermost desires and our<br />
distresses, suddenly engulfed by<br />
cleanliness: a sheen of musty dirt<br />
aggressively purified by something<br />
mechanical, chemical—no<br />
regard for the poetic beauty that<br />
may once have been festering<br />
within.<br />
Fear of the mysterious is ordinarily<br />
ingrained within us from an<br />
early age, so deeply ingrained in<br />
fact, that lines have been drawn<br />
that we are so inherently petrified<br />
to cross, for our own protection:<br />
or for the greater good. As soon<br />
as the darkness becomes just a<br />
little too inviting—welcoming,<br />
even. The adrenaline inside of us,<br />
the fight or flight signal, switches<br />
the light from off to on, revealing<br />
the reality of a harmless empty<br />
room. This isn’t to say that we<br />
don’t fabricate these environments,<br />
we still love to be terrified<br />
for the sake of it, to explore our<br />
dark fetishes, our perverse fantasies,<br />
but only if a panic button<br />
lies just within reach: we build<br />
something that can be quickly<br />
erased, forgotten or buried. Noire<br />
is not a way of life for the average<br />
human being, just something<br />
to be played with, teased,<br />
and used as entertainment. If<br />
anything gets too out of hand,<br />
well—it’s only our imagination.<br />
How powerful can that be? It was<br />
all just a dream. Pinch yourself<br />
to check for sure. This isn’t to<br />
say that every mind should have<br />
been unlocked, and plenty of<br />
depraved, psychotic a-lid in this<br />
world should have undoubtedly<br />
been left shut, but still there’s<br />
no way to know exactly how our<br />
world would look had these and<br />
other such tools of control—the<br />
gatekeepers of the Noire–never<br />
been known.<br />
Perhaps the most intense criticism<br />
surrounds the network we<br />
know as the world wide web,<br />
innumerable factors, strings<br />
of thought and oppositions are<br />
open to consideration in regards<br />
to this. However, one thing is<br />
certainly clear, that we no longer<br />
understand the importance of the<br />
phrase, “some things are better<br />
left unsaid”—suddenly we<br />
are all knowing, all telling, and<br />
all masters of our own online<br />
universes, as tiny robotic devices<br />
surround us and ‘enrich’ our daily<br />
lives. No question left unanswered,<br />
no stone left unturned,<br />
no dark, mysterious passageway<br />
left unexplored. Yet we are all<br />
still fascinated by a story without<br />
an end, an adventure: a tail,<br />
only visible to the naked eye, but<br />
to what kind of creature can it<br />
possibly belong? For fear of the<br />
answer we constantly construct<br />
rational thought to somehow<br />
disband these once so revered<br />
myths: webpages, forums, selfhelp<br />
websites, all answering the<br />
unanswerable questions of the<br />
world, that were once so wonderfully<br />
abstract, suddenly now<br />
seeming so concrete, our doubts<br />
sent scattering.<br />
As soon as we switch on and<br />
log in, accept the terms, check<br />
the box, something we never<br />
even knew we had is inextricably<br />
ripped from us: a foetus of<br />
unknowable energy, curiosity<br />
and depth. Should we have the<br />
opportunity to look outside of our<br />
assumed blinkers, even just for<br />
the briefest of moments, and live<br />
our own lives, instead of focusing<br />
on the experiences lived by one<br />
thousand million others?<br />
Through media, music, video,<br />
sound and film, we can experience<br />
the cultures, lives, emotions,<br />
existences and imagery of<br />
every area of the earth, witness<br />
the most horrific sights of war,<br />
famine, depravity, and death—<br />
but have the majority of us ever<br />
really seen anything at all?<br />
Something with our own eyes, to<br />
the point that it shakes us to the<br />
very bones, shakes us into action,<br />
outside of the safety of our living<br />
rooms, our cosy, comfortable<br />
nests. How much of your life is<br />
lived within a virtual reality, that<br />
separates you from your fellow<br />
human, a virtual reality, that has<br />
really become your cage.