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COLLECTION 6

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184<br />

COL<br />

What’s Left O<br />

by Amy<br />

Frustration, stalling us at every<br />

turn. Amongst the crowd of<br />

vacant eyes you can feel its grip<br />

tighten. Suffocating, yet familiar,<br />

constricting, yet comforting. The<br />

Noire is all your darkest doubts,<br />

your enemies, and your fear of<br />

being alone. It’s a locked door, a<br />

sealed hatch in the floor, a darkened<br />

room: that contains all the<br />

secrets about your true self, but<br />

you’ve never dared open it to look<br />

inside. Everyone has something<br />

hidden, something mysterious,<br />

magical and precious: just meant<br />

for themselves, kept from others,<br />

it’s how we were intended<br />

to be. We have the capacity to<br />

keep a secret. Yet in an attempt<br />

to establish total control, for the<br />

so-called good of our society, we<br />

began to clean up, renovate, and<br />

demolish the walls behind which<br />

we hid such secrets for so many<br />

eternities. The places where<br />

we could once go to express<br />

our innermost desires and our<br />

distresses, suddenly engulfed by<br />

cleanliness: a sheen of musty dirt<br />

aggressively purified by something<br />

mechanical, chemical—no<br />

regard for the poetic beauty that<br />

may once have been festering<br />

within.<br />

Fear of the mysterious is ordinarily<br />

ingrained within us from an<br />

early age, so deeply ingrained in<br />

fact, that lines have been drawn<br />

that we are so inherently petrified<br />

to cross, for our own protection:<br />

or for the greater good. As soon<br />

as the darkness becomes just a<br />

little too inviting—welcoming,<br />

even. The adrenaline inside of us,<br />

the fight or flight signal, switches<br />

the light from off to on, revealing<br />

the reality of a harmless empty<br />

room. This isn’t to say that we<br />

don’t fabricate these environments,<br />

we still love to be terrified<br />

for the sake of it, to explore our<br />

dark fetishes, our perverse fantasies,<br />

but only if a panic button<br />

lies just within reach: we build<br />

something that can be quickly<br />

erased, forgotten or buried. Noire<br />

is not a way of life for the average<br />

human being, just something<br />

to be played with, teased,<br />

and used as entertainment. If<br />

anything gets too out of hand,<br />

well—it’s only our imagination.<br />

How powerful can that be? It was<br />

all just a dream. Pinch yourself<br />

to check for sure. This isn’t to<br />

say that every mind should have<br />

been unlocked, and plenty of<br />

depraved, psychotic a-lid in this<br />

world should have undoubtedly<br />

been left shut, but still there’s<br />

no way to know exactly how our<br />

world would look had these and<br />

other such tools of control—the<br />

gatekeepers of the Noire–never<br />

been known.<br />

Perhaps the most intense criticism<br />

surrounds the network we<br />

know as the world wide web,<br />

innumerable factors, strings<br />

of thought and oppositions are<br />

open to consideration in regards<br />

to this. However, one thing is<br />

certainly clear, that we no longer<br />

understand the importance of the<br />

phrase, “some things are better<br />

left unsaid”—suddenly we<br />

are all knowing, all telling, and<br />

all masters of our own online<br />

universes, as tiny robotic devices<br />

surround us and ‘enrich’ our daily<br />

lives. No question left unanswered,<br />

no stone left unturned,<br />

no dark, mysterious passageway<br />

left unexplored. Yet we are all<br />

still fascinated by a story without<br />

an end, an adventure: a tail,<br />

only visible to the naked eye, but<br />

to what kind of creature can it<br />

possibly belong? For fear of the<br />

answer we constantly construct<br />

rational thought to somehow<br />

disband these once so revered<br />

myths: webpages, forums, selfhelp<br />

websites, all answering the<br />

unanswerable questions of the<br />

world, that were once so wonderfully<br />

abstract, suddenly now<br />

seeming so concrete, our doubts<br />

sent scattering.<br />

As soon as we switch on and<br />

log in, accept the terms, check<br />

the box, something we never<br />

even knew we had is inextricably<br />

ripped from us: a foetus of<br />

unknowable energy, curiosity<br />

and depth. Should we have the<br />

opportunity to look outside of our<br />

assumed blinkers, even just for<br />

the briefest of moments, and live<br />

our own lives, instead of focusing<br />

on the experiences lived by one<br />

thousand million others?<br />

Through media, music, video,<br />

sound and film, we can experience<br />

the cultures, lives, emotions,<br />

existences and imagery of<br />

every area of the earth, witness<br />

the most horrific sights of war,<br />

famine, depravity, and death—<br />

but have the majority of us ever<br />

really seen anything at all?<br />

Something with our own eyes, to<br />

the point that it shakes us to the<br />

very bones, shakes us into action,<br />

outside of the safety of our living<br />

rooms, our cosy, comfortable<br />

nests. How much of your life is<br />

lived within a virtual reality, that<br />

separates you from your fellow<br />

human, a virtual reality, that has<br />

really become your cage.

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