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99<br />

to dance music, to make it acceptable for<br />

the masses and by the masses equivalent<br />

to white kids.<br />

Bobby Starrr: It is quite funny with the hip<br />

hop scene in Berlin to see especially in<br />

Neukölln and Kreuzberg you have got this<br />

under current quite aggressive scene and<br />

on the other side there is also a lot of international<br />

people here who got more a<br />

love for the jazz side of hip hop, it is a quite<br />

funny mix you see on the street.<br />

KALTBLUT: Regarding the great return of<br />

the 90’s, what is hip and what is deep?<br />

Bobby Starrr: It is funny how people keeps<br />

going about the 90’s into a certain period<br />

of house music, I guess it is good and bad<br />

I suppose.<br />

Tyree Cooper: Eight years ago it was all<br />

about Chicago, again it is the 20 years<br />

cycle. Some of these kids are just finding<br />

out about what this music is. This music<br />

has been going on for so long and some<br />

of them are between 20 and 32 years old<br />

and have never been exposed to any of this<br />

music. So the 80’s return was a few year<br />

ago, now they are going to the 90’s and I<br />

guess they will catch up with themselves<br />

and go to the 2000. And by the time they go<br />

to the 2000’s, I would imagine we will catch<br />

up with each other, but until then, the corporations<br />

are still going to dictate what is<br />

cool and what is not.<br />

KALTBLUT: The techno scene in Detroit<br />

came out as a result of an economical<br />

change. You live in Berlin, the city is known<br />

for its economical and social issues regarding<br />

the rest of Germany. Do you get some inspiration<br />

from that context?<br />

Tyree Cooper: Hell yeah! Just like you said,<br />

generally good music comes out of an oppressed<br />

time. In the 80’s we had hip hop,<br />

house and techno from the urban area.<br />

Bobby Starrr: What about heavy metal?<br />

Tyree Cooper: No, I never put heavy metal<br />

in the mix, because these white guys they<br />

have a chance; these black kids, they had<br />

no chance. That is why you get this music,<br />

it came out of an oppression of the people.<br />

Here in Berlin, it was like that for a while.<br />

Therefore, electro and minimal music was<br />

created because Berlin didn’t have any<br />

money during the early part of the millennium.<br />

They were the ambassadors of something<br />

that already existed but still, they<br />

were able to created out of oppression.<br />

Bobby Starrr: When I came to Berlin the<br />

first time, I felt the whole city was swamped<br />

by a certain sound and I was looking<br />

forward to seeing some love. But there<br />

was not that much love in what was being<br />

played. It was quite intriguing and two or<br />

three years later I have moved in and saw<br />

Daniel Wang play disco. Then I knew there<br />

would be some chance that the scene<br />

would change at some point.<br />

KALTBLUT: House music has never been so<br />

popular and the way of broadcasting have never<br />

been so multiple, you have quite of a record<br />

of longevity in the music scene, though<br />

it is still hard to release a good record?<br />

Tyree Cooper: Hell yeah! Let’s say you release<br />

a record digitally, in the week of your<br />

release there will be probably 70, 000 to 100,<br />

000 of records released that day. Then you<br />

have to compete with the 60, 000 from the<br />

week before etc. So yeah, it is super difficult<br />

nowadays to release a record specifically<br />

digitally. Vinyl has become another<br />

new source but again, when they saturate<br />

that market, it is going to be equally as<br />

hard. So until they come out with another<br />

format, music is going to be rough unless<br />

you have the right tools and place to get<br />

your music exposed.<br />

Bobby Starrr: With digital you are in the instant,<br />

the music is out, people buy it and<br />

after two weeks, it is gone. At least with<br />

vinyl, it is still present in shop for at least<br />

six weeks.<br />

Tyree Cooper: You can also have thousands<br />

of records on a shelf and it is not selling<br />

though you have visibility. The only thing<br />

the digital game did, is to make it easier<br />

for the consumer to get their music, thank<br />

you Napster.<br />

KALTBLUT: What is your vision of the music<br />

Industry in the future?<br />

Tyree Cooper: A flapping bass and a smiling<br />

face (laughs)<br />

Bobby Starrr: The most important thing is<br />

to keep carrying on; you will never know<br />

what is going to happened in the market<br />

space. It is always going to change and<br />

it has been proven. I mean you build something<br />

out of it which is not only making<br />

money by just selling records. Every single<br />

avenue you have to click, from doing your<br />

own party, t-shirt….<br />

Tyree Cooper: Socks, shoes, bra, eyeliner,<br />

ice cream… (laughs)<br />

KALTBLUT: So is art total?<br />

Bobby Starrr: It is getting more in that direction.<br />

Tyree Cooper: It is no longer music, it is the<br />

whole marketing branding, it is a lifestyle.<br />

KALTBLUT: Are we living a fluxus life style<br />

finally?<br />

Tyree Cooper: Well, there is individualism<br />

still. There is not a city unified so capitalism<br />

still plays a big part in this individualism,<br />

so what can you do?<br />

www.moodmusicrecords.com

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