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Boxoffice-November.13.1972

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• NOVEMBER 13, 1972<br />

NATIONAL EXECUTIVE EDITION<br />

Including the Sectional News Pages of All Editions


From Columbia in '73<br />

A Reflection Of Fear<br />

Black Gunn<br />

Brief Season<br />

Chloe In The Afternoon<br />

Death Of A Snow Queen<br />

Dirty Little Billy<br />

First Blood<br />

40 Carats<br />

Funny Girl<br />

Godspell<br />

Images<br />

King In NewYork<br />

Let The Good Times Roll<br />

Limelight<br />

Lost Horizon<br />

Lost In The Desert<br />

Love And Pain And The Whole Damn Thing<br />

Monsieur Verdoux<br />

Oklahoma Crude<br />

Oliver<br />

1776<br />

Shamus<br />

Sinbad's Golden Voyage<br />

The Alf Garnett Saga<br />

The Creeping Flesh<br />

The Kid<br />

The King Of IVIarvin Gardens<br />

The Last Detail<br />

The National Health or Nurse Norton's Affair<br />

TheValachi Papers<br />

The Way We Were<br />

Watts Stax '72<br />

White Sister<br />

Young Winston<br />

V>I«&<br />

COLUMBIA!


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IE NATIONAL FILM WEEKLY<br />

ublijfud In Nine Sectional Editions<br />

EN SHLYEN<br />

.-;n-Chief and Publisher<br />

ISE SHLYEN Manajing Editor<br />

r»«AS PATRICK ..Equipment Editor<br />

>i CASSYD Western Editor<br />

WRIS SCHLOZMAN ...Business Mgr.<br />

Mication Offices: 825 Van Brunt BliA,<br />

Dtj, Mo. 64124. Jmm Shlyen,<br />

Editor: Morris ScMozman. Busl-<br />

.jatt; n»mas Patrick, Modern<br />

Section. (816) 241-7777.<br />

rW Offic«: 1270 Afenue of tlie<br />

waiea Suita 1804, KocketeUer Center.<br />

K Yuri. N.V. 10O20. (212) 265-6370.<br />

Itern Offices: 6425 HoUjsood BM<br />

• 211, HoUywood. Callt.. 90028. 8yd<br />

041 (213) 465-118«.<br />

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Bliiore: Kite Satage. 3607 8prln«dale<br />

8«i- Btneft Warren. 1 Colgate Road,<br />

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EXHIBITORS' PRODUCTION ENTRY<br />

TO BE NATO CONVENTION TOPIC<br />

BAL HARBOUR, FLA—The<br />

National<br />

Ass'n of Theatre Owners opens its 1972<br />

four-day national convention at the Americana<br />

Hotel here at week's end, with a 9:30<br />

a.m. Saturday (18) session, following two<br />

days of preconvention activity by the board<br />

of directors and the various committees.<br />

Following the welcome to delegates by<br />

Tom Elefante, president of NATO of Florida,<br />

Roy B. White, Cincinnati, National<br />

NATO president, will deliver the keynote<br />

address. Under the heading "Mission Possible<br />

. . . The Exhibitor Becomes a Producer<br />

. . . and It's Becoming," the conclave<br />

will hear of renewed efforts to boost product<br />

supply through exhibition entering the film<br />

production field. Also scheduled for Saturday<br />

morning is introduction of the NATO<br />

drive-in "Containment" screen, with "daylight"<br />

qualities.<br />

ALP to<br />

Host Opening Luncheon<br />

American International Pictures will<br />

host<br />

the opening luncheon and Saturday afternoon<br />

will be left open from 2:30 p.m. for<br />

delegates to visit the motion picture and<br />

concessions industries tradeshow co-sponsored<br />

by Theatre Equipment Ass'n and<br />

NATO. Saturday night, Paramount Pictures<br />

will host a dinner dance starting at 8 p.m.<br />

With the theme "A New Day, A New<br />

Way . . . The Challenge & Rewards of<br />

Change," the convention this year marks a<br />

change of pace for NATO also in that activities<br />

are centering around the weekend,<br />

rather than the traditional Monday-through-<br />

Thursday schedule of the past. Prior to the<br />

convention's opening, on Friday night<br />

Crown International will host a 5 p.m.<br />

reception, and at 9 p.m. exhibitors will<br />

attend the 1973 "Exhibitors' Premiere" of<br />

product presentations.<br />

On Simday, a 10 a.m. business session<br />

will be devoted to new ways to make theatrical<br />

investments pay, such as unconventional<br />

uses of conventional theatres and "daytime<br />

dividends" for drive-ins. National Screen<br />

Service will host the noon luncheon, which<br />

will be followed at 1:45 p.m. by more product<br />

presentations under the heading "Encore<br />

1973 Exhibitors' Premiere." From 2:30<br />

on will be left free for the tradeshow, as will<br />

the same time period on the following two<br />

days.<br />

Columbia Preview Charted<br />

Delegates will leave the hotel at 8 p.m.<br />

Sunday evening for the Bal Harbour Theatre<br />

and a special preview of "Shamus," along<br />

with a product presentation and an 11 p.m.<br />

champagne breakfast, hosted by Columbia<br />

Pictures.<br />

On Monday (20),<br />

the business session will<br />

open at 9:30 a.m. with a discussion of advertising,<br />

delving into a plan for stretching<br />

advertising dollars, what's new in the field<br />

of theatrical and motion picture advertising,<br />

and what is foreseen for 1973. Cable television,<br />

its current status and its future<br />

ROY B. WHITE<br />

President of NATO<br />

potential, also will be considered at the<br />

Monday meeting.<br />

Walt Disney Productions-Buena Vista<br />

Distribution will host the luncheon, and<br />

after the tradeshow, guests will attend an<br />

8 p.m. Polynesian Paradise luau, hosted by<br />

Warner Bros.<br />

Business begins even earlier on the final<br />

day of the convention, with a 9 a.m. Theatre<br />

Equipment Ass'n presentation. This will be<br />

followed by "Let's Face Reality," an evaluation<br />

of the film rating system, and the<br />

1973 legislative outlook, and, at 10:30, by<br />

a session on trade practices, antitrust laws<br />

and licensing agreements. The 12:30 luncheon<br />

will be given by 20th Century-Fox Film<br />

Corp.<br />

The convention will wind up its activities<br />

Tuesday night with the traditional black tie<br />

President's Banquet, at which the annual<br />

NATO awards to Stars of the Year, Producer,<br />

Director and other notables will be<br />

presented.<br />

At the pre-convention sessions<br />

on Thursday,<br />

the regional presidents committee will<br />

meet and closed meetings will be held by<br />

the nominating committee and the finance<br />

committee. On Friday, the nominating committee<br />

will hold another closed meeting, and<br />

the board of directors will convene.<br />

Special Activities Set Up<br />

For Ladies at Conclave<br />

BAL HARBOUR, FLA.—A number of<br />

special activities have been arranged for<br />

ladies attending the National NATO convention<br />

at the Americana Hotel here for<br />

three days, Saturday (18) through Monday<br />

(20).<br />

On Saturday afternoon at 3 o'clock, ladies<br />

will be guests at a pink champagne tea and<br />

fashion show. The following day, Carbon<br />

Products Division of Union Carbide Corp.<br />

will host a 12:30 luncheon, followed by a<br />

EUGENE PICKER<br />

NATO Board Chairman<br />

1<br />

panel discussion.<br />

On Monday, the ladies will have their<br />

choice in NATO's Triple Play. They may<br />

leave at 8 a.m. for golf and luncheon at<br />

the Country Club of Miami; leave at 8:30<br />

a.m. for a day of drift fishing, with a box<br />

luncheon, or leave at 11:30 a.m. for a day<br />

at the races—the Tropical Meet at Calder<br />

with luncheon at the race track. Ladies must<br />

register their preference of the three activities<br />

in the registration area by 3 p.m.<br />

Saturday (18).<br />

NATO to Honor Wolfson<br />

With Walt Disney Award<br />

NEW YORK—Mitchell Wolfson, Florida<br />

motion picture exhibitor and civic leader,<br />

has been designated<br />

1972 recipient of the<br />

Walt Disney Award<br />

of the National Ass'n<br />

of Theatre Owners.<br />

The<br />

announcement<br />

was made at NATO<br />

headquarters here<br />

Tuesday (7).<br />

The award is periodically<br />

bestowed on<br />

an individual who has<br />

Mitchell Wolfson<br />

engaged in notable<br />

humanitarian endeavors. It will be presented<br />

to Mr. Wolfson during the 1972 convention<br />

of the theatre owners' group, taking<br />

place at the Americana Hotel, Bal Harbour,<br />

Fla., November 18-21.<br />

The award ceremony will occur during<br />

the President's Banquet the evening of<br />

Tuesday (21). This formal event traditionally<br />

concludes the yearly conclave of the<br />

nation's film exhibitors.<br />

Wolfson is president of Wometco Enterprises,<br />

Inc., based in Miami. The diversified<br />

business operation includes the largest<br />

theatre chain in Florida.<br />

BOXOFFICE :: November 13, 1972


; als<br />

i' the<br />

ITOA Asks Justice Dept<br />

Trade Practice Action<br />

NEW YORK—Indicative of the exhibitor<br />

revolt that is brewing around the country,<br />

the Independent Theatre Owners Ass'n of<br />

New York has launched a multi-faceted<br />

campaign to remedy flagrant trade practice<br />

abuses that threaten theatre owners with<br />

extinction.<br />

As a first step in a "help yourself" campaign,<br />

pursuant to a blueprint laid down<br />

by its trade practices committee following<br />

a series of intensive meetings, the ITOA<br />

is urging the Justice Department to take<br />

appropriate,<br />

and long overdue, action under<br />

the distributor consent decrees to restore<br />

free and open competition and equiptable<br />

dealings in the industry.<br />

The ITOA request for action has been<br />

further implemented with a special letter<br />

of appeal to Judge Edmund L. Palmieri of<br />

the U.S. Statutory Court as well as by<br />

letters to U.S. attorney general Richard<br />

G. Kleindienst, assistant attorney general<br />

Thomas E. Kauper in charge of the Antitrust<br />

Division of the Justice Department,<br />

and the presidents of the film companies<br />

subject to the consent decree restrictions.<br />

A letter has also been dispatched to NATO's<br />

president, Roy White, since ITOA is an<br />

affiliate of the national group, soliciting<br />

the support and cooperation for the regional<br />

unit's actions and future plans.<br />

Sidney Dreier Makes Findings<br />

These disclosures were made by Sidney<br />

Dreier, ITOA president, in the wake of<br />

a meeting held last month with Maurice<br />

Silverman, motion picture attorney in the<br />

Antitrust Division of the Justice Department.<br />

The three-hour, question and answer<br />

session was held in the board room of the<br />

Chelsea National Bank in New York and<br />

attended by a substantial group of independent<br />

exhibitors and film buyers representing<br />

several hundred theatres in the<br />

Metropolitan area.<br />

Exhibitor complaints at the meeting<br />

focused on the furious competition between<br />

sales managers to establish film rent-<br />

at the most extraordinary, take-it-orleave-it<br />

levels, often without any relation<br />

to the potential of the films or the theatres;<br />

policy of demanding extraordinary advances<br />

and guarantees that exhaust the average<br />

exhibitor's resources and place him in<br />

an unfair competitive position; the early<br />

and premature release and sale of theatrical<br />

films to ancillary markets; tie-in sales;<br />

price fixing; the creation of competitive<br />

areas where, in fact, none exist; disorderly<br />

release and excessive demands for preferred<br />

playing time; the withdrawal of pictures<br />

before completion of their full runs; the<br />

reselling of such pictures to preferred runs<br />

to the exclusion of subruns; the arbitrary<br />

creation of preferred runs for the benefit<br />

of selected accounts; and the unreasonable<br />

use of print shortages to favor preferred accounts<br />

and exclude others.<br />

Exhibitor representatives emphasized that<br />

it was inconceivable that, despite the innumerable<br />

complaints of trade practice<br />

frauds, conspiracy and blatant illegality over<br />

more than two decades, the Justice Department,<br />

which has the obligation and responsibility<br />

to police the decrees, has never<br />

instituted one proceeding under the distributor<br />

consent decrees which require theatre<br />

by theatre licensing on the merits without<br />

discrimination.<br />

In commenting on the ITOA action,<br />

Dreier stated, "The plight of the exhibitor<br />

is one of desperation. We are suffering<br />

from a cancer and it is growing worse.<br />

We do not intend to sit idly by while there<br />

is<br />

an effort to hammer nails into our coffin.<br />

We are going to deal with our problems<br />

affirmatively, relying on exhibitors to help<br />

themselves in every way possible. We are<br />

going to do whatever we have to do to survive,<br />

if it means legislation, litigation or<br />

anything else."<br />

In this connection, ITOA has prepared<br />

a detailed statement to the effect that it is<br />

the duty of the attorney general's office to<br />

institute construction proceedings before the<br />

statutory court under the distributor consent<br />

decrees to redress trade irregularities<br />

and discriminatory procedures. The presentation<br />

further charged the Justice Department<br />

with laxity in ignoring the findings<br />

of the U.S. Supreme Court which rejected<br />

bidding in the industry's antitrust suit and<br />

warned of the high court's reluctance to<br />

NATO SEES BETTERMENT FOR SMALL TOWNS<br />

NEW YORK—The special problems of the small-tovvn exhibitor were discnssed<br />

at recent meetings held in New York between representatives of the National<br />

Ass'n of Theatre Owners and the sales heads of several of the major distribution<br />

companies.<br />

Participating in the sessions on behalf of NATO were Roy B. White, president<br />

of the organization; Richard Durwood, co-chairman of NATO's trade practices committee;<br />

Ray Vonderhaar, president of NATO of North Central States, and Carl<br />

Schwanebeck, exhibitor from Knoxville, Iowa.<br />

It was indicated that the film company sales executives reacted favorably to<br />

the >'iews expressed by the NATO contingent.<br />

delegate the management of the bidding<br />

system to the distributor defendants; that<br />

bidding would favor the more powerful<br />

circuits with the longest purse; and that<br />

it would require the court to administer<br />

detailed rules governing priority, clearance,<br />

runs and competitive areas, among others.<br />

The attorney general's office was also<br />

charged with ignoring the directives of the<br />

Statutory Court. It was pointed out that<br />

the Justice Department was cautioned not<br />

to permit the law to be violated and added<br />

that, if the government is advised of questionable<br />

practice attacking distribution's<br />

conduct, "the appropriate procedure for<br />

establishing norms of conduct in these situations<br />

would be to initiate a construction<br />

proceeding pursuant to the Consent Judgment<br />

on notice to all consent decree distributors."<br />

In response to exhibitor complaints of<br />

flagrant violations warranting investigation<br />

and prosecution by the Justice Department,<br />

Silverman observed that his was a one-man<br />

operation and, manpowerwise, inadequate<br />

to the task sought by the exhibitor presentation.<br />

Policy Decision Awaited<br />

Without expressing any conviction as to<br />

the legaUty or illegality of certain distribution<br />

practices complained of, Silverman<br />

added there were several he does not like<br />

or condone, but that he was powerless to<br />

make a policy decision such as the one<br />

sought by ITOA without consultation with<br />

his superiors in the attorney general's office.<br />

Silverman did promise, however, that he<br />

would take the matter up with the proper<br />

parties and report back any decision.<br />

One area in which Silverman did not<br />

equivocate at all at the ITOA meeting was<br />

that the consent decree distributor defendants<br />

could not sell their pictures any way<br />

they liked to anyone they liked. He was<br />

equally adamant on out-and-out price fixing<br />

and tie-in sales.<br />

In its presentation, ITOA suggested<br />

Justice Department action in 16 areas of<br />

the bidding procedure alone where trade<br />

practice misconduct and irregularities are<br />

notoriously present because of the unilateral<br />

management of the system by distribution<br />

without any supervision or clear<br />

cut<br />

rule*.<br />

Utah Drive-In Agrees to Stop<br />

Showing X-Rated Films<br />

LOGAN, UTAH—Theatre owner Harold<br />

Heninger and the city commission have<br />

verbally agreed to call a halt to X-rated<br />

films at a local drive-in.<br />

Heninger and Mayor Ted Perry announced<br />

that the theatre will stop showing X-rated<br />

movies and that Heninger will call on the<br />

Logan police department to review other<br />

questionable films. Perry said he had been<br />

discussing the matter of X-rated product<br />

with Heninger long before the Cache County<br />

commission protested in October.<br />

Mayor Perry said that he was close to an<br />

agreement with Heninger, but the county<br />

commission's actions placed the theatre<br />

owner in a position of not knowing how to<br />

react to both city and county requests;<br />

BOXOFHCE :: November 13, 1972


'*1B<br />

/'<br />

than The Godiather DAVID SH||HANj^^^^^gg,„<br />

TheVb<br />

A Killing in Chicago!<br />

A Killing in Los Angelei<br />

$199,899<br />

First 17 days—State-Lake Theatre<br />

$102,23<br />

First 12 days—Hollywood, Rosecran<br />

Cinema Cei<br />

A Killing in Atlanta!<br />

A Killing in San Francis<br />

$24,589<br />

First 12 days—Fine Arts, Broadview 1<br />

$51,301<br />

First 10 days—Alexandria Thea<br />

A Killing in Cleveland<br />

A Killing in<br />

if<br />

$55,200<br />

First 5 days—5 Theatre Multiple<br />

$15,08!<br />

First 5 days—Carous(<br />

A Killing in Pittsburgh!<br />

in Dayton!<br />

$23,480<br />

First 5 days—Gateway Theatre<br />

$10,83<br />

Firsts days—Kon Tiki 1 Theal<br />

DtNO DC lAURENTMS prtMnta<br />

CHARLES BR0N80N<br />

UNO VENTUfM i.aTERENCE YOUNQ nim'THE VALACHI PAPERS"<br />

JOSEPH WISEMAN JILL IRELAND WALTER CHIARI GERALD S. OLOUGHLIN AMEDEO NAZ2ARI<br />

Scf.«»liy by STEPHEN GELLER<br />

BtMd en Km beek -tht VHkM Ftftn" by PETER MAAS ITBI mSIRICTID «» Mmicby RIZ ORTOLAN! FmnCelvinMancKirM


ichi<br />

I :<br />

ijfilling in Philadelphia!<br />

in Boston!<br />

^ $59,802<br />

First 12 days—Midtown Theatre<br />

$66,592<br />

First 12 days—Circle Theatre<br />

IKilling in Kansas City!<br />

A Killing in Detroit<br />

$23,851<br />

First 5 days—Glenwood 1. Blue Ridge 1 & 3<br />

V<br />

filling in Seattle!<br />

$77,710<br />

First 5 days— 7 Theatre Multiple<br />

A Killing in Minneapolis!<br />

$13,031<br />

First 5 days—Crossroads 1,<br />

Cinema I. Renton<br />

filling inToronto!<br />

$38,364<br />

First 3 days—Carlton Theatre<br />

$21,854<br />

First 5 days—State Theatre<br />

FLASH!<br />

1st3 DAYS,NEW YORK<br />

VW4L<br />

-<br />

Loew's State 2, Loew's Cine, 34th Street East<br />

Ftom Columbia!


NATO Opposes Contemplated FCC<br />

Revision of CATV Regulations<br />

WASHINGTON—The National Ass'n of<br />

Theatre Owners has voiced vigorous opposition<br />

to a Federal Communications Commission<br />

proposal which would permit the regulation<br />

of pay CATV in much the same way<br />

that subscription TV is controlled. The approach<br />

under consideration by the FCC<br />

would eliminate present protective measures<br />

for feature theatrical films from cable bidding<br />

for special presentation to subscribers<br />

at an extra charge on a per-channel or perprogram<br />

basis. Joining NATO in protesting<br />

the proposed action was the National Ass'n<br />

of Broadcasters, representing the three major<br />

TV networks.<br />

Controls Being<br />

Considered<br />

The control structure being contemplated<br />

by the FCC for pay CATV would allow feature<br />

films to be shown only during the first<br />

two years of their theatrical release or after<br />

eight years, with the interim "protected<br />

period" reserved for free TV programing;<br />

CATV would be barred from carrying any<br />

sports event that had been aired on local TV<br />

within the past five years; regular entertainment<br />

series could not be sold to cable customers;<br />

feature films and sports on the<br />

CATV system could not exceed 90 per cent<br />

of the yearly program output, and the cable<br />

system would be prohibited from selling<br />

commercials during programs fed to customers<br />

paying the extra charge for special<br />

programing on a per-channel or per-program<br />

basis.<br />

The Justice Department, however, contends<br />

that regulating CATV in the same<br />

manner as subscription TV is not justified,<br />

asserting that they are "profoundly different<br />

media." A spokesman charged, "Concern for<br />

protecting 'free' broadcasting against cablesiphoning<br />

appears to rest on the assumption<br />

that program material is fixed in amount. If<br />

the amount of material can change with<br />

changes in demand, then the addition of pay<br />

cable-casting demand to the total demand<br />

for program material will result in a substantial<br />

increase in supply. The large-scale<br />

under-employment of America's actors,<br />

writers, directors and filmmakers generally<br />

suggests that the capacity to meet increased<br />

demand is present."<br />

In consonance with this premise, the Justice<br />

Department recommended that the FCC<br />

take steps to determine the necessity for<br />

such controls and give consideration to<br />

eliminating the "harsh restrictions" presently<br />

imposed on CATV operations.<br />

MPAA Approves D of J Stance<br />

The Motion Picture Ass'n of America,,<br />

stating that "the basic elasticity of the production<br />

industry . . . could be used to fill<br />

any additional need for product the networks<br />

have in the future," approved the<br />

Justice Department stance, agreeing that<br />

rules against feature films and entertainment<br />

series should be dropped.<br />

"The pay cable rules will deprive the program<br />

suppliers of an opportunity for servic-<br />

ing the motion picture public which formerly<br />

attended the local theatre and thereby<br />

defeat rather than promote the development<br />

of a healthy production industry, a goal that<br />

the commission (FCC) has recognized as essential<br />

to both the television and cable industries,"<br />

MPAA stated.<br />

NATO, however, urged the FCC not to<br />

permit cable systems to exact a separate<br />

charge for any program service provided to<br />

its subscribers and to retain strict controls, if<br />

CATV is<br />

to be allowed.<br />

Further, NATO asked for a complete ban<br />

on any feature films in theatrical release<br />

previously, or at least this stipulation: "If a<br />

feature is released for exhibition by one or<br />

more motion picture theatres in the U.S.,<br />

such films shall not be cablecast for at least<br />

one year after the date of the first such exhibition,<br />

provided, however, where a feature<br />

film has been exhibited in<br />

a motion picture<br />

theatre in the U.S. within one year of its<br />

release for exhibition, such film shall not be<br />

cable-cast until 90 days after date within<br />

said one-year period when such film was<br />

last exhibited in the community in which the<br />

cable system operates."<br />

NATO to Honor Zukor<br />

On His 100th Birthday<br />

NEW YORK—Tlie executive committee<br />

of the National Ass'n of Theatre Owners,<br />

meeting at the Warwick<br />

Hotel here on<br />

October 17, unanimously<br />

passed the following<br />

resolution and<br />

directed President Roy<br />

B. White to transmit<br />

a copy of it to Frank<br />

Yablans, president of<br />

Paramount Pictures:<br />

Corp.:<br />

"W h e r e a s, Mr.<br />

Adolph Zukor Adolph Zukor was a<br />

dynamic pioneer in the advent and subsequent<br />

development of the motion picture<br />

industry; and whereas the name Adolph<br />

Zukor has become synonymous with that of<br />

the motion picture; and whereas, Mr. Zukor<br />

will celebrate his 100th birthday on Janmiry<br />

7th, 1973, therefore,<br />

"Be it resolved that we, representing<br />

13,000 theatres tocated in every city of<br />

every state in the nation, hereby offer our<br />

talent and facilities in the formulation and<br />

implementation of a program which appropriately<br />

will recognize the contributions of<br />

this leader to America, and to the world,<br />

and which properly will celebrate his 100th<br />

birthday."<br />

The resolution was presented before the<br />

executive committee by B. V. "Sturdy"<br />

Sturdivant of Arizona.<br />

The FCC refused to grant NATO additional<br />

time for comment during the hearing,<br />

but said it might be possible for the exhibitor<br />

organization to present the findings from a<br />

survey of theatremen at a later date.<br />

Noting the<br />

increasing magnitude of closed-circuit<br />

TV operations offering theatrical<br />

motion pictures and other programs in hotels<br />

and motels, the National Ass'n of Broadcasters<br />

opted for strict antisiphoning rules<br />

which would be applied to all CATV originations—not<br />

just those programs which are<br />

available at extra charge to<br />

subscribers.<br />

Warning the FCC of the inherent danger<br />

to the free TV industry should relaxation of<br />

CATV controls be permitted, NAB said:<br />

"If<br />

CATV is permitted to have its way in the<br />

area of originations, there will come a day<br />

when substantial segments of this country<br />

will wake up to find themselves left on the<br />

outside looking at a distant privileged pay<br />

TV world in which they can never partake."<br />

B. V. Sturdivant Urges<br />

National DST Campaign<br />

YUMA, ARIZ.—Higher gross figures for<br />

theatres in Arizona, as well as in other states<br />

that have eliminated Daylight Saving Time,<br />

have been reported to the National Ass'n<br />

of Theatre Owners, and B. V. Sturdivant,<br />

chairman of NATO's regional presidents<br />

committee, is urging that a campaign be<br />

launched for a general return to Standard<br />

Time in all areas of the country. Since Arizona<br />

dropped DST approximately three<br />

years ago, drive-ins have noted a 30 per<br />

cent increase in business, while receipts at<br />

hardtops have cUmbed 15 per cent.<br />

Declares Sturdivant, "We all should devote<br />

more attention to this in the industry.<br />

It helps production, distribution and exhibition.<br />

This increase that Arizona has experienced<br />

could nationally be a great asset."<br />

The effect of DST on theatre grosses<br />

everywhere will be discussed at the regional<br />

presidents meeting at the upcoming national<br />

NATO convention in Bal Harbour, Fla.,<br />

Sturdivant said, and a recommendation will<br />

be made to the NATO board at that time.<br />

He noted that many regional presidents<br />

have been hard at work on the issue in their<br />

own areas and, at the NATO meeting, a<br />

determination will be made regarding the<br />

feasibility of a national campaign.<br />

"We had quite a battle in Arizona, but<br />

we succeeded," Sturdivant stated. "Before<br />

then, in some parts of the state, we couldn't<br />

start a show until 9:30 p.m. And for agricultural<br />

states—where farmers get up early<br />

in the morning—it hurts. New Mexico has<br />

made several attempts to get back to Standard<br />

Time, but has failed. But they seem<br />

to be considering another move. Other states<br />

have made spasmodic attempts."<br />

Pointing out that Indiana, Michigan, Arizona,<br />

Alaska and Hawaii have Standard<br />

Time at present, Sturdivant added, "There's<br />

been talk of it in Texas. There's a great deal<br />

of opposition from carriers such as airlines<br />

and from the communications media, because<br />

they say it interrupts their scheduling.<br />

Such vigorous opposition is difficult to overcome."<br />

8<br />

BOXOFHCE :: November 13, 1972


Academy Pictures<br />

Charts 73 Releases<br />

HOLLYWOOD—James H. Nicholson,<br />

president of Academy Pictures Corp., and<br />

Michael (Mickey)<br />

Zide, sales vice-president<br />

for the new company,<br />

have announced<br />

^p> i a definite 1973 release<br />

^'<br />

schedule for Academy's<br />

first four productions.<br />

All will be<br />

distributed worldwide<br />

by 20th Century-Fox.<br />

^y^ First to go into release,<br />

the week of<br />

James H. Nicholson<br />

May 30, 1973, will be<br />

"The Legend of Hell House," now shooting<br />

in England. A contemporary supernatural<br />

horror thriller, its cast is headed by Pamela<br />

Franklin, Roddy McDowall, Gayle Hunnicutt<br />

and the distinguished British stage and<br />

television star. Clive Revill. The picture is<br />

being directed by John Hough, who directed<br />

a number of episodes on ABC's "Avengers"<br />

television series. Screenplay is by Richard<br />

Matheson, and an adaptation of his 1971<br />

novel, "Hell House," whose eerie subject<br />

matter has won wide reader and critical attention.<br />

Nicholson is executive producer,<br />

and Academy Pictures vice-president Norman<br />

Herman, along with British suspense<br />

film expert, Albert Fennell, are co-producers.<br />

Tom Corbett, one of Europe's most<br />

famous psychics, is technical adviser.<br />

Next will<br />

come "Blackfather," with June<br />

27, 1973, as its initial week of release in<br />

anticipation of July 4 holiday bookings.<br />

Now in preparation, the picture will go into<br />

production December 1 1 in the "inner city"<br />

of a U.S. metropolis, and will be filmed entirely<br />

on location. Story content, as outlined<br />

previously by Nicholson, will deal with<br />

powerful and shadowy underworld figures<br />

who, through patronage, muscle and "benevolence,"<br />

abetted by violence, have created<br />

multi-million dollar empires of organized<br />

crime in black communities. Leading<br />

roles will be announced shortly, Nicholson<br />

said. He will serve as executive producer,<br />

and Zide as producer.<br />

August 15, 1973, will mark the release of<br />

"Dirty Mary and Crazy Larry," based on an<br />

original Nicholson idea. A chase melodrama<br />

with a series of daring holdups as its background,<br />

this picture also will be filmed on<br />

,<br />

location and has been scheduled for a starting<br />

date of Feb. 19, 1973.<br />

This will be followed by the fall release of<br />

"The Street People," now in preparation.<br />

Based in part on documented cases, this pro-<br />

'<br />

duction will be "a story of the "real' people<br />

—the hapless ones who become the victims<br />

of loan sharks, bail bond bounty hunters,<br />

dope pushers and petty swindlers."<br />

Also in preparation, Nicholson revealed,<br />

are a number of other properties, among<br />

them "Prison!," "The Martins and the<br />

Coys," "The Thousand Year Man" and<br />

"School for Stewardesses."<br />

BOXOmcE :: November 13, 1972<br />

Landau Organizes<br />

For Distribution<br />

NEW YORK—The Ely<br />

Landau Organization,<br />

Inc., has announced it will distribute<br />

through its own facilities nine motion pictures<br />

which it is producing for the American<br />

Film TTieatre's first season, which begins in<br />

September 1973. In making the announcement,<br />

Ely Landau, president of both organizations,<br />

said that Leonard Gruenberg has<br />

been engaged on an interim basis to assist<br />

in organizing a special marketing division<br />

for distribution of the American Film Theatre's<br />

productions. Gruenberg also will continue<br />

to develop his own independent projects.<br />

He is a former chairman of the board<br />

of Filmways, Inc., and was president and<br />

founder of Sigma III distribution company.<br />

Emphasizes Marketing Method<br />

Landau's decision to develop his own<br />

distribution organization was reached after<br />

a 14-month association with Columbia<br />

Pictures expired August 31 following protracted<br />

legal complications involving Columbia<br />

and federal government rulings and<br />

consent decrees controlling the motion picture<br />

industry.<br />

"We have made the decision to distribute<br />

through our own facilities because of the<br />

American Film Theatre's unique product<br />

and marketing concepts," Landau said.<br />

"Marketing our films through out own<br />

organization closely parallels the plan to<br />

have our own organization also sell subscriptions<br />

for the American Film Theatre<br />

directly to the consumer."<br />

In his distribution assignment for AFT,<br />

Gruenberg will be assisted initially by Herman<br />

Ripps, former director of sales planning<br />

and assistant general sales manager for<br />

MGM, who will be based in Los Angeles.<br />

Three other regional executives, to headquarter<br />

in New York, Chicago and Atlanta,<br />

will be named soon.<br />

Being presented by the Ely Landau<br />

Organization in association with the American<br />

Express Co., AFT will offer the public<br />

nine films on a subscription basis in its first<br />

season. The pictures are based on outstanding<br />

contemporary plays and, beginning in<br />

September, will be shown at about 500 theatres<br />

across the country. Each theatre will<br />

set aside two regularly scheduled successive<br />

days per month for two evening and two<br />

matinee performances of each picture. Season<br />

subscriptions go on sale next spring.<br />

Producing Five in Two Months<br />

Landau will have five films in production<br />

in the next two months. They are: John Osborne's<br />

"Luther," which began rehearsals at<br />

Shepperton Studios October 16 and started<br />

shooting Monday (6), starring Stacy Keach<br />

and directed by Guy Greene from an Edward<br />

Anhalt screenplay; Edward Albee's<br />

Pulitzer Prize-winning play, "A Delicate<br />

Balance," with screenplay by the author, to<br />

start filming in London Monday (20), with<br />

Tony Richardson directing stars Katharine<br />

Hepburn. Paul Scofield, Kim Stanley and<br />

Joseph Cotten.<br />

Also, Eugene O'Neill's "The Iceman<br />

Own Facilities<br />

of AFT Films<br />

Cometh," starring Lee Marvin and directed<br />

by John Frankenheimer from a Thomas<br />

Quinn Curtis screenplay, with principal photography<br />

to start in late December at 20th<br />

Century-Fox studios in Los Angeles; Harold<br />

Pinter's "The Homecoming," with a screen<br />

treatment by Pinter, going into rehearsal at<br />

Shepperton December 11, with filming to<br />

start December 27. Michael Jayston will<br />

join the original Broadway cast for this film.<br />

The fifth film is Eugene lonesco's "Rhinoceros,"<br />

starring Zero Mostel, to be directed<br />

by Tom O'Horgan from a screenplay by<br />

Julian Barry, with filming to start in<br />

January.<br />

Three other AFT productions set to go<br />

before the cameras early next year are<br />

Robert Shaw's "The Man in the Glass<br />

Booth," with a screenplay by Edward Anhalt;<br />

a contemporary version of Ferenc<br />

Molnar's "Liliom," set in Harlem, with a<br />

screenplay by Charles Gordone; the Kurt<br />

Weill-Maxwell Anderson musical, "Lost in<br />

the Stars," based on Alan Paton's "Cry the<br />

Beloved Country" and a ninth production<br />

to be announced.<br />

NGT's National to Open<br />

In Times Square Dec. 12<br />

NEW YORK—Plans are under way by<br />

National General Theatres, Inc., for the<br />

gala opening on December 12 of the first<br />

new motion picture theatre to be built in<br />

Times Square in over 30 years, the 1,445-<br />

seat National Theatre, it is announced by<br />

Nat D. Fellman, NGT president. The de<br />

luxe new show palace is incorporated in the<br />

new 34-story office building located on the<br />

east side of Broadway between 43rd and<br />

44th streets, and was designed by architect<br />

Drew Eberson.<br />

The world premiere of "The Poseidon<br />

Adventure," Irwin Allen production for 20th<br />

Century-Fox, has been selected as the opening<br />

attraction. Directed by Ronald Neame,<br />

the picture, to be shown on the giant screen<br />

in 70mm, has an all-star cast, including<br />

Gene Hackman, Ernest Borgnine, Red Buttons.<br />

Shelley Winters, Carol Lynley, Roddy<br />

McDowall, Stella Stevens, Jack Albertson,<br />

Arthur O'Connell and other, many of whom<br />

are expected to attend the opening.<br />

The new National has many innovative<br />

features including a covered arcade along<br />

Broadway leading to the entrance; dramatically<br />

designed lobby and foyers, which are<br />

viewed through glass walls from Broadway;<br />

a continuous treatment of the ceiling of<br />

the marquee leading directly into the lobby;<br />

a spectacular lighting creation in which<br />

graceful whorls form chandelier-like displays<br />

at each end of the upper theatre lobby.<br />

This curved progression of lamps penetrates<br />

the sheer glass facade of the building to<br />

swoop over the marquee itself.<br />

The National seats 932 on the orchestra<br />

floor and 513 in the loge and mezzanine.<br />

National General Theatres operates 270 theatres<br />

in 29 states and Canada.<br />

9


Columbia's Uptrend<br />

Cited by Bankers<br />

BURBANK, CALIF—Columbia Pictures<br />

Industries, Inc., executives concluded a<br />

series of meetings with studio executives<br />

and with representatives of the 14 banks<br />

that participate in its $180,000,000 revolving<br />

bank credit. A review of all company<br />

activities was held during the course of the<br />

meeting, which proved very stimulating.<br />

William Thompson, senior vice-president<br />

of the First National Bank of Boston, on<br />

behalf of the banks, stated: "We are pleased<br />

with the progress being made in all facets<br />

of activity by the company, we believe<br />

the future progress and goals as outlined<br />

are most encouraging, and management is<br />

to be congratulated for the turnaround<br />

that has taken place in a relatively short<br />

period of time. The company is in most<br />

capable hands."<br />

Columbia executives attending the meetings<br />

were A. Schneider, Chairman; Leo<br />

Jaffe, president; Jerry Hyams, senior executive<br />

vice-president; Stanley Schneider,<br />

president of the motion picture division;<br />

John Mitchell, president of its television<br />

division Screen Gems; Sy Malamed, financial<br />

vice-president and secretary treasurer;<br />

David Horowitz, vice-president, secretary<br />

and general counsel; Joe Fischer,<br />

vicepresident<br />

and controller; Herb Estrin, vicepresident;<br />

Bill Butters, president of its<br />

Trans-World Hotel Communications division;<br />

Peter Guber, vice-president in charge<br />

of U.S. motion picture production; and Art<br />

Frankel, vice-president of Screen Gems<br />

Studio operations.<br />

At the conclusion of the day long meeting,<br />

a tour was made of the Burbank<br />

Studios which the company jointly owns<br />

with Warners.<br />

Preliminary Fiscal Year<br />

For Cinecom Reported<br />

NEW YORK—Cinecom Corp. reported<br />

preliminary unaudited profit and loss information<br />

for the fiscal year ended Feb. 29,<br />

1972. Based on preliminary figures, revenues<br />

amounted to $14,960,000, compared to audited<br />

revenues of $15,814,000 for the prior<br />

fiscal year. In fiscal 1972, the preliminary<br />

loss from continuing operations was $1,730,-<br />

000 and extraordinary loss amounted to<br />

$190,000 for a total net loss of $1,920,000<br />

($1.49 per share), compared to a loss from<br />

continuing operations of $233,000, extraordinary<br />

loss plus loss from discontinued<br />

operations of $239,000 and a total net loss<br />

of $473,000 or 37 cents per share in<br />

fiscal<br />

1971.<br />

Management expects audited financial<br />

statements for the fiscal year ended Feb. 29,<br />

1972 to be completed and available within<br />

the next few weeks. Cinecom Corp. plans to<br />

hold a shareholders' meeting as soon as possible<br />

after audited financial statements are<br />

available and intends to present at the meeting<br />

and in related proxy material all pertinent<br />

facts pertaining to management and<br />

operational changes that have occurred<br />

since the last shareholders' meeting.<br />

ne V. Klein Predicts<br />

^^^^, Record Year for NGC<br />

NEW YORK—Continuation of National<br />

General Corp's favorable income trends<br />

in the third and fourth quarter could result<br />

in a record range of from $5.00 to $5.25<br />

in operating income per share on a primary<br />

basis, or fully diluted earnings per share<br />

of about $2.50 for the full year 1972, it<br />

was estimated by Eugene V. Klein, chairman<br />

and chief executive officer. These<br />

would compare with primary operating income<br />

of $3.20 per share, or $2.11 per share<br />

on a fully diluted basis, for 1971. Figures<br />

for both years exclude gains from securities,<br />

Klein pointed out.<br />

In a talk Wednesday (1) to the New<br />

York Society of Security Analysts at the<br />

Waldorf-Astoria Hotel, Klein also estimated<br />

that operating income per share for the<br />

third quarter would be about $1.70 on a<br />

primary basis, or 76 cents a share on a<br />

fully diluted basis.<br />

It was also reported that NGC's board of<br />

directors elected Klein president, in addition<br />

to his other duties as chairman and chief<br />

executive officer. The board also elected<br />

Daniel Schwartz, executive vice-president,<br />

as chief operating officer.<br />

NGM Net Jumps 18%<br />

For Fiscal 1972 Year<br />

NEW YORK — Metro-Goldwyn-Mayer,<br />

Inc., Friday (3), reported that its net income<br />

from operations increased 18 per cent to<br />

$9,229,000 or $1.56 per share for the year<br />

ended August 31. This compares to $7,835,-<br />

000 or $1.32 per share for the previous<br />

year.<br />

MGM also reported extraordinary income<br />

of $1,508,000 or $.25 per share for 1972,<br />

compared to $8,523,000 or $1.44 per share<br />

in 1971.<br />

"In addition to this important gain in<br />

earnings," said James T. Aubrey, jr, president<br />

and chief executive officer, "I feel it<br />

is particularly significant that MGM has<br />

just achieved its eighth consecutive profitable<br />

quarter from operations.<br />

"The immediate public acceptance of our<br />

$50 million bond issue to finance a portion<br />

of the MGM Grand Hotel in Las Vegas was<br />

extremely gratifying," Aubrey added. "Having<br />

reached an agreement in principle for<br />

a loan to cover the cost of furniture and<br />

fixtures, the company has now completed<br />

all contemplated financing for the MGM<br />

Grand Hotel with no dilution of stockholder<br />

equity. Construction is proceeding on schedule<br />

and we expect this 2,084-room hotel, the<br />

largest in Nevada, to open in October 1973.<br />

"It is apparent that the first quarter of<br />

1973 will be profitable and we have every<br />

reason to expect this trend to continue<br />

throughout the balance of the year," Aubrey<br />

concluded.<br />

20th-Fox Reports Gain<br />

In 3rd Quarter, 9 Mos.<br />

HOLLYWOOD—Twentieth Century-Fox<br />

Film Corp. reported earnings before extraordinary<br />

items for the third quarter of 1 972<br />

of $1,265,000 or 15 cents per share as compared<br />

with earnings before extraordinary<br />

items for the comparable period last year of<br />

$607,000 or 7 cents per share. It was the<br />

seventh successive quarter in which Fox enjoyed<br />

earnings from operations.<br />

The company reported net earnings after<br />

net extraordinary charges for the third quarter<br />

of 1972 of $714,000 or 9 cents per share.<br />

This compares with net earnings of $4,305,-<br />

000 or 51 cents, per share after net extraordinary<br />

gains in the comparable period last<br />

year.<br />

For the first nine months of 1972 total<br />

net earnings before extraordinary items were<br />

$5,210,000 or 61 cents per share, compared<br />

with $4,895,000 or 57 cents per share in the<br />

comparable period last year. After extraordinary<br />

items net earnings for the nine<br />

months were $6,057,000 or 71 cents per<br />

share, compared with $10,332,000 or $1.21<br />

per share in the 1971 period.<br />

Included in the third quarter 1972 results<br />

is a pre-tax extraordinary charge of $1,200.-<br />

000, representing previously announced severance<br />

costs related to the consolidation by<br />

Fox of some foreign distribution operations.<br />

It is anticipated that the expected annual<br />

savings starting with the year 1973 will substantially<br />

exceed this one-time charge.<br />

Included in the third quarter of 1971 results<br />

was an extraordinary gain of $3,832.-<br />

000 after carryforward tax benefits.<br />

Dennis C. Stanfill, chairman of the board<br />

and chief executive officer, and Gordon<br />

Stulberg, president and chief operating officer,<br />

commented: "We are especially pleased<br />

to note the significant increase over last year<br />

in the company's income from subsidiary<br />

operations for the first nine months of<br />

1972 . . . We believe that the continued<br />

growth of our income from subsidiary operations<br />

will result in a broader and fundamentally<br />

healthier profit base for our company's<br />

business."<br />

August Amusement Receipts<br />

Up, Commerce Reports<br />

WASHINGTON — The Department oi<br />

Commerce monthly survey of business receipts<br />

in selected service industries indi<br />

cated that receipts from motion pictures,<br />

amusement and recreation services rose 2}<br />

per cent in August, compared to the same<br />

period in 1971.<br />

Receipts for the first eight months of<br />

this year gained 13 per cent over the same<br />

period in 1971. August receipts were four<br />

per cent above the preceding month.<br />

Preliminary adjusted receipts in August<br />

for motion pictures, amusements and recreation<br />

services were $1,035 billion, compared<br />

to July's finalized figure of $994 million<br />

and $840 million for August 1971.<br />

The first eight months of 1972 total<br />

receipts were $7.8 billion, compared to $6.9<br />

billion for the same period in 1971.<br />

10 BOXomCE :: November 13, 1972


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NOVEMBER 1972<br />

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1350 AVENUE OF THE<br />

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AMERICAS NEW YORK NV 10019- 1212)765-3430<br />

JERRY GROSS President<br />

HAROLD MARENSTEIN Vice President- Sales<br />

MURRAY KAPLAN General Sales Manager<br />

MURRAY BAKER Central Division Manager<br />

Computer Buildmg-Suite 215. 1 1 141 Georgia Avenue. Wheaton. Md. 20902 (»1 ) 933-6568<br />

EDMUND C. DeBERRY Souttlwest Division Manager.<br />

500 S. En


The only company in the<br />

motion picture industry<br />

which has been<br />

a sponsor of every<br />

national NATO convention...<br />

and every convention<br />

of its predecessor<br />

organizations... is<br />

National Screen Service.<br />

This year, we look forward to<br />

greeting you at our Sunday lunch<br />

on November 19, and<br />

in the NSS/NTS/AI trade show<br />

booths each afternoon.<br />

Burton E.<br />

President<br />

Robbins


I<br />

First<br />

Global Cartoon<br />

Festival Nov. 18-22<br />

NEW YORK—The first annual USAniernational<br />

Animation Film Festival will<br />

le held November 18-22 at New York's<br />

iilton Hotel. All proceeds after expenses<br />

vill be contributed to the United Nations<br />

"hildren's Fund, to which the festival is<br />

leing<br />

dedicated.<br />

The festival will be composed of three<br />

i.irts, beginning with films being presented<br />

1 competition and out of competition from<br />

.ipan, Italy, France, Canada, Belgium, the<br />

setherlands, Australia, England and the<br />

-: European countries. The other presents<br />

will be "Extensions in Animation,"<br />

s\mposium series headed by John Halas,<br />

nd an exhibition of audio-visual equipment.<br />

A series of salutes is also scheduled,<br />

Tcluding a major salute to the National<br />

ilm Board of Canada and tributes to the<br />

enter of Research of French Television;<br />

illian Schwartz and Ken Knowlton, of<br />

•ell Labs' computer animation department;<br />

I .ichard Williams, British animator of the<br />

ward-winning "A Christmas Carol"; and<br />

imerican animators Mark and Jack Zender.<br />

The morning symposiums will offer such<br />

jbjects as "Persuasion-Advertising," chairlan.<br />

Jack Roberts, president of the Interational<br />

Design Conference in Aspen 1972;<br />

ilaformation-Industry," chairman. Jack Delon,<br />

head of public relations for IBM<br />

New York; "Revelation-Science, Educaon<br />

and Research," chairman, Louis Dorflan,<br />

vice-president and art director of CBS<br />

New York.<br />

Also, "Inspiration-Experimental and<br />

vant-Garde Films, New Techniques and<br />

se of Computer," chairman. Prof. Charles<br />

suri of Ohio State Univ.; and "Integra-<br />

Jn-Production Values and the New Gene-<br />

.tion," chairman, Alexander Mackendrick,<br />

ian of the Faculty of Films, California<br />

istitute of the Arts.<br />

The films entered in competition will be<br />

dged by an international jury presided<br />

>er by Thomas McManus, president of<br />

BC International. Distributors participatg<br />

in the Festival are: Leo Dratfield.<br />

esident of Contemporary McGraw-Hill:<br />

narles Benton, president of Films Inc.:<br />

yron Bresnick, Audio-Brandon Films;<br />

:onard Feldman, president of Sterling<br />

Jucational Films (a division of the Walter<br />

riade Organization); Ernest McEuen of<br />

ass Media Distributors, Learning Corp.<br />

' America; Texture Films, Inc.; Grove<br />

ess; Swank Motion Picture; Twyman<br />

1ms, Inc., and others.<br />

en Weiner Joins Olympia<br />

1.5 VP-Generol Sales Mgr.<br />

NEW YORK—The appointment of<br />

Ben<br />

'einer as vice-president-general sales manier<br />

for Olympia Films was announced<br />

Ire<br />

by Leonard Kirtman, president.<br />

Weiner has a<br />

background of 20 years in<br />

I: field of motion picture distribution.<br />

Proposition 18 Is Overwhelmingly<br />

Defeated by 68% of Calif. Vote<br />

LOS ANGELES—Proposition 18, which<br />

was opposed by Hollywood stars and all resources<br />

of the California film industry as a<br />

threat to public freedom of speech and expression,<br />

was resoundingly defeated by<br />

voters of this state in the Tuesday (7) election.<br />

The vote on the obscenity issue was 5,-<br />

442,395 or 68 per cent against Proposition<br />

18 and 2,574,933 for it.<br />

Jack Valenti, president of the Motion<br />

Picture Ass'n, told <strong>Boxoffice</strong> that "Californians<br />

demonstrated on election day that<br />

they know a bad proposition when they see<br />

one. The defeat of Proposition 18 is a great<br />

triumph for good sense and simple justice<br />

and is sufficient cause for everyone in the<br />

movie industry to feel good about the future<br />

of freedom in this country."<br />

Those opposing the 5,000-word proposal<br />

had pointed out that it was overly broad,<br />

casting suspicion on any mention of sex in<br />

print, on film, in works of art or in speech.<br />

Under powers granted by the proposition,<br />

any citizen who felt that a film, book or art<br />

work was obscene would have been empowered<br />

to effect a citizen's arrest of an exhibitor,<br />

seller or museum director. The measure<br />

also provided for formidable fines and long<br />

jail terms for those convicted under its provisions.<br />

Joining those rejoicing in the defeat of the<br />

restrictive measure. Bud Levin, president of<br />

NATO of Northern California, declared: "I<br />

am very pleased that we won. It was the<br />

only thing we could have done. You can't<br />

Recreation Earnings Rise<br />

8-to-20% During 1972<br />

NEW YORK—Recreation indnstry<br />

earnings for 1972 will run from 8 to<br />

20 per cent ahead of last year, according<br />

to the Value Line Investment Survey,<br />

research and advisory service. The accelerated<br />

growth of consumer spending<br />

leading to the increase is expected to<br />

produce another good year in 1973,<br />

the survey says, and demand for entertainment,<br />

recreation products and related<br />

services will continue to benefit.<br />

In the motion picture field. Value<br />

Line said, boxoffice receipts of major<br />

U.S. theatres registered a year-to-year<br />

gain of 8 per cent in the second quarter<br />

and 9 per cent in the third. Both tabulations<br />

exclude receipts from Paramount's<br />

"staggeringly profitable" release,<br />

"The Godfather." But, says Value<br />

Line, "add that boxoffice bonanza in<br />

(which is technically legitimate though<br />

figuratively misleading) and the second<br />

quarter rockets to 36 per cent; the<br />

third quarter, to an impressive 24 per<br />

cent."<br />

fool the general public. They just know what<br />

is right or wrong. Just like a good or bad<br />

movie. 1 want to personally thank all the<br />

exhibitors and committees for their cooperation<br />

in a hard fight."<br />

Roy D. White, national NATO president,<br />

noting the huge percentage of the vote going<br />

against Proposition 18, stated: "I am gratified<br />

and pleased that voters of California<br />

voted to retain their own freedom of choice<br />

and recognized the extreme danger in the<br />

proposed legislation.<br />

"I congratulate NATO of Southern and<br />

NATO of Northern California for herculean<br />

cooperative efforts in working so hard and<br />

so long to defeat Proposition 18. This effort<br />

is a glowing example of what serious-minded<br />

men and women can accomplish when they<br />

work together towards common goals."<br />

Bruce C. Corwin, president of NATO of<br />

Southern California, commented: "We<br />

should all be thankful. We put a lot of time,<br />

effort and resources into the fight. We are<br />

happy to see that the people of California<br />

responded to the issue of freedom of choice,<br />

not only in motion pictures but in books<br />

and works of art.<br />

"Our entire industry in a moment of crisis<br />

joined together to work for the benefit of<br />

the motion picture business.<br />

"Why don't we make the same effort<br />

continue in a similar climate on other issues?<br />

It seems our common foe is a matter of<br />

how we handle our communications. We<br />

can solve problems."<br />

Bernard Zeeman to Retire<br />

From Columbia Int'l<br />

NEW YORK—Bernard E. Zeeman, vicepresident<br />

and treasurer and a director of<br />

Columbia Pictures International, and employed<br />

continuously in the motion picture<br />

industry for 48 years, will retire December<br />

31.<br />

In announcing Zeeman's action. Marion<br />

F. Jordon, executive vice-president of Columbia<br />

International, said "We will all miss<br />

Bernie Zeeman and his wide range of abilities.<br />

Over the years he has been invaluable<br />

in his administration of our far-flung organization's<br />

operations in more than 40 countries,<br />

in his dealings with financial institutions<br />

both here and abroad and most recently<br />

his involvement in the establishment of<br />

joint venture operations in a number of major<br />

countries."<br />

Zeeman, one of the last active veterans of<br />

the pre-sound era, began his career in 1924<br />

as a clerk in the outside producers department<br />

of Universal Pictures. He later served<br />

as a traveling auditor and in 1935 moved to<br />

Columbia Pictures.<br />

At Columbia he was an auditor and then .<br />

assistant manager of the domestic branch<br />

operations department before being named<br />

foreign branch operations manager in 1943.<br />

He was elected vice-president and treasurer<br />

of Columbia International in 1957.<br />

to<br />

I'XOFnCE :: November 13, 1972 13


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Conventioning Concessionaires Will<br />

Receive<br />

Happy Industry Forecast<br />

BAL HARBOUR, FLA.—Welcoming<br />

members of the National Ass'n of Concessionaires<br />

to their annual convention here<br />

November 18-21 will be an occasion for a<br />

happy forecast by Van Myers, convention<br />

chairman. Myers sees a great future for an<br />

already huge industry due to the growth of<br />

many service and leisure time facilities<br />

throughout the U.S. and Canada.<br />

This year's convention theme, "Progress<br />

Through Professionalism," will be outlined<br />

in greetings from president Andrew S. Berwick<br />

jr and program chairman Mortie<br />

Marks at a combined NAC board and membership<br />

luncheon at the Americana Hotel<br />

headquarters Saturday, (12). The board's<br />

agenda that morning will include receiving<br />

reports from the NAC's convention, exhibit<br />

and program committees and launching<br />

four days of activities to be concluded Tuesday,<br />

21.<br />

Ribbon-Cutting Ceremonies<br />

Trade show registration will coincide with<br />

the membership luncheon with ribbon-cutting<br />

ceremonies scheduled for 2:30 p.m. in<br />

the Nautilus Hall lower level. More than<br />

135 exhibits of manufacturers and suppliers<br />

serving the refreshment concession and<br />

theatre trade have been announced by Lxjuis<br />

L. Abramson, trade show administrator and<br />

executive director of NAC. The trade show<br />

is co-sponsored by the National Ass'n of<br />

Theatre Owners (NATO) and Theatre<br />

Equipment Ass'n (TEA) with NAC.<br />

A dinner dance in the Grand Ballroom<br />

Saturday night will add social flair to opening<br />

day of what promises to be NAC's bestattended<br />

meeting, preceded by a reception<br />

at 7:00 p.m.<br />

The first of three sponsored trips away<br />

from the Americana headquarters Sunday<br />

will bus NAC members to the campus of<br />

Miami-Dade Junior College to participate<br />

in a simulated exercise developed by the<br />

Cornell University Hotel School. Developed<br />

by Robert M. Chase, professor of engineering<br />

and computer sciences, the Cornell Restaurant<br />

administration simulation exercise,<br />

or "CRASE" for short, involves dividing the<br />

audience into competing groups to solve<br />

management problems.<br />

To Discuss Many Problems<br />

Participants make rapid analysis of such<br />

questions confronting the food-service operator<br />

as: Will I increase business if I change<br />

my sales prices? Food quality? Portion size?<br />

Will it help my business if I add employees<br />

and how many, or if I increase wages? Will<br />

it help my business if I redecorate, or remodel<br />

the kitchen with new equipment?<br />

Top level decisions are collected and processed<br />

by computers which have been previously<br />

programmed, returning to each group<br />

instant long-range results of their decisions.<br />

Program chairman Marks feels that the<br />

game of CRASE will be the "fun spot" of<br />

a busy convention schedule and an educational<br />

bonus.<br />

Other opportunities during the convention<br />

for learning food-service operation techniques<br />

will include a field trip Tuesday<br />

morning to the Miami Seaquarium, one of<br />

Florida's top tourist attractions. In addition<br />

to touring the Seaquarium's vast food facilities<br />

participants will see the complete show,<br />

guided by Joe St. Thomas of Wometco Enterprises,<br />

and be served box lunches.<br />

The other trip is for a film screening<br />

Sunday night (19) in Bay Harbor.<br />

Individual and combined NAC segment<br />

meetings begin the work of the convention<br />

Monday (20) morning. The diversified concession<br />

and theatre concession segments will<br />

be combined for panels on "How We Compute<br />

Yields" and a brainstorming roundtable.<br />

At the same time, in an adjoining<br />

room, the Equipment Manufacturers and<br />

Suppliers will combine to discuss NAC activities;<br />

and in still a third room, a vigorous<br />

roundtable on current problems has been<br />

planned by the jobber/ distributor, popcorn<br />

processors, manufacturer, wholesale and<br />

merchandiser segments.<br />

The annual member luncheon and business<br />

meeting, with election<br />

of new officers,<br />

is scheduled for Monday in the Floridian<br />

Room.<br />

Trade Show All Four Days<br />

The trade show will be open all four days<br />

for registration at 1:30 p.m. until 6 p.m.,<br />

except for the final closing at 5 p.m. on<br />

Tuesday (21).<br />

The social program Sunday night (19) is<br />

a champagne breakfast at 1 1 p.m. following<br />

the special film screening; a dinner partyluau<br />

Monday (21) evening; and Tuesday's<br />

black-tie president's banquet followed by<br />

the NAC president's farewell cocktail party.<br />

Ladies will join with men in all evening<br />

functions but have their own, special<br />

events starting Saturday at 3 p.m. with a<br />

pink champagne tea and fashion show. Sunday<br />

morning while the men are at the<br />

"CRASE" event, women will be treated to<br />

a luncheon; and on Monday there will be the<br />

choice of golf, drift fishing or a day at<br />

Calder Race Track.<br />

Permcoient Charities Gifts<br />

Reaches $1,226,800 Mark<br />

HOLLYWOOD—The Permanent<br />

Charities<br />

1973 campaign stands at $1,226,800<br />

after seven weeks of active campaigning, it<br />

was reported by G. Clark Ramsay, MGM,<br />

1973 campaign chairman.<br />

The figure is $58,853 over the amount<br />

reported two weeks ago and $34,500 greater<br />

than the amount collected at the same point<br />

in last year's campaign.<br />

Ramsay said 1,467 persons have signed<br />

up for payroll deductions or made cash<br />

gifts to the campaign so far this year.<br />

William E. Arnold, Permanent Charities'<br />

executive vice-president, said that 34 corporate<br />

gifts have been received so far, totalling<br />

$127,045.<br />

Sony Planning to Step Up<br />

Videocassette Production<br />

LAS VEGAS—Sony Corp. of Tokyo will<br />

manufacture more than 100,000 U-matic<br />

Videocassette machines during 1973 to meet<br />

the worldwide demand for the equipment.<br />

Harvey L. Schein, president and chief executive<br />

officer of Sony Corp. of America, disclosed<br />

here at the annual convention of the<br />

National Ass'n of Educational Broadcasters.<br />

A new factory will be built in Japan next<br />

year to meet the production target of 100,-<br />

000 units. Schein stated that acceptance of<br />

the Sony U-matic Videocassette machines in<br />

the United States and Canada and other<br />

countries has encouraged the expansion of<br />

Sony's manufacturing facilities.<br />

Some 40,000 units have been manufactured<br />

during the past year for international<br />

marketing. Sony is now producing about<br />

4,000 U-matic Videocassette Recorder/<br />

Players monthly and production will rise to<br />

5,000 units monthly by the end of 1972.<br />

This will increase to 10,000 monthly in the<br />

new factory by next summer.<br />

Sony has sold 181,000 video tape recorders,<br />

making the company the largest supplier<br />

of VTR equipment in the world. The company<br />

has introduced a record/ player which<br />

meets European and American tape standards<br />

and allows for the exchange of international<br />

pre-recorded color videocassette programs.<br />

Disc Goes to Radio Stations<br />

For 'Dirty Little Billie'<br />

NEW YORK—A special 45 rpm recording<br />

from the soundtrack of "Dirty Little<br />

Billy" is being rushed to radio stations<br />

around the country as part of a unique<br />

promotion-publicity campaign on behalf of<br />

the Jack L. Warner and WRG/Dragoti<br />

production for Columbia Pictures.<br />

The special disc features two distinctly<br />

styled themes by composer Sascha Burland.<br />

"Billy's Theme" (for Michael J. Pollard)<br />

and "Berle's Theme" (for Lee Purcell).<br />

Response to the catchy score at early<br />

screenings of the film was highly favorable.<br />

Dealing with the early life of Billy the<br />

Kid, "Dirty Little Billy" was produced by<br />

Warner and directed by Stan Dragoti, from<br />

a screenplay by Charles Moss and Dragoti.<br />

James Goss Named Director<br />

Of P.R. for Ivy Film/16<br />

NEW YORK—Sidney Tager, president of<br />

Ivy Film/ 16, announced the appointment of<br />

James Herbert Goss as director of public<br />

relations. The company, located at 165 West<br />

46 St. here, handles over 1,500 feature<br />

films for rental to colleges, clubs and institutions.<br />

Goss. a graduate of Phillips-Exeter Academy,<br />

Columbia University and the Columbia<br />

Graduate School of Journalism, last<br />

worked for the Thoroughbred Owners and<br />

Breeders Ass'n in Lexington, Ky. He has<br />

served with The Philadelphia Inquirer,<br />

Reuters News Agency in London, I'Agence<br />

France Presse in Paris and KING Broadcasting<br />

Co. on the West Coast, working as<br />

a news commentator in the last instance.<br />

16 BOXOmCE :: November 13, 1972


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'Escape to Sun' Debut<br />

Aids Soviet Jewry<br />

By JOHN COCCHI<br />

NEW YORK—The first<br />

film concerning<br />

the plight of Jews attempting to leave the<br />

Soviet Union, "Escape to the Sun," had its<br />

American premiere at the Criterion Theatre<br />

here on October 31. Producer-director and<br />

co-scripter Menahem Golan was in town for<br />

the opening of the Cinevision release, a<br />

benefit for the Greater New York Conference<br />

of Soviet Jewry.<br />

The Israeli filmmaker said that his film<br />

was an Israeli-French-German co-production,<br />

with half the financing coming from<br />

the country of origin, Israel, and the other<br />

half from France and Germany. The terms<br />

of European co-production deals provide<br />

that at least one key actor and one or more<br />

important technical people be employed<br />

from each of the participating countries.<br />

Ironically, none of the film was made in<br />

Israel: principal shooting was accomplished<br />

in Oslo, Norway and Berlin, Germany.<br />

Golan is credited with introducing Topol<br />

to films with the feature called "Eldorado,"<br />

which was also the director's first movie.<br />

Yuda Barkan, featured in "Escape to the<br />

Sun," is Israel's most popular actor after<br />

Topol, said Golan. The international cast<br />

also includes Laurence Harvey, Josephine<br />

Chaplin, Lila Kedrova, Olive Revell, John<br />

Ireland, Peter Capell, Yehuda Efroni, Gila<br />

Almagor and Jack Hawkins. British-bom<br />

Hawkins, who lost his voice several years<br />

ago because of cancer, has been dubbed by<br />

Robert Rietty and Golan was pleased with<br />

the results.<br />

Reports of "Escape" being sold to Cinevision<br />

for $1,500,000 are true insofar as<br />

Golan's Noah Films company will participate<br />

in the grosses over and above what the<br />

distributor paid for the rights. Made on a<br />

budget of $750,000, "Escape to the Sun"<br />

has been hugely successful in Israel and<br />

will be distributed in the Far East and South<br />

It<br />

has been brought to our notice<br />

by the designers and manufacturers<br />

of "Cinemation"<br />

Automatic Equipment —<br />

Essoldomatic Limited of London,<br />

England— that the name<br />

of our company could be confused<br />

with the trademark<br />

'Cinemation' registered and<br />

used by them for many years.<br />

We wish to make it clear on<br />

behalf of both Essoldomatic<br />

Limited and ourselves that the<br />

name we selected for our company<br />

was purely coincidental.<br />

This announcement is by<br />

agreement with Essoldomatic<br />

Limited of London, England.<br />

CINEMATION INDUSTRIES, INC.<br />

America. Los Angeles and Chicago openings<br />

are already set, while the film will receive<br />

a 50-theatre showcase break in the New<br />

York metropolitan area following its Criterion-Trans-Lux<br />

85th Street Theatre runs.<br />

Golan was enthused about the American<br />

premiere and the receptions which would<br />

follow. Stars Harvey and Chaplin were in<br />

attendance, along with many prominent<br />

political figures, among them Gov. Rockefeller,<br />

Sen. George McGovern and Sen. Ted<br />

Kennedy. Golan was returning to Israel but<br />

voiced the hope that he would be able to<br />

attend the film's Los Angeles opening.<br />

In January, Golan will begin work on his<br />

first American-made project. Titled "Sue<br />

Ann," the scenario is set in New York's<br />

Chinatown and will be shot on a budget<br />

of $300,000. The story of the love between<br />

a Chinese-American girl and a white youth,<br />

it is the type of "old fashioned" moviemaking<br />

for which Golan had a particular<br />

fondness. He also owns the rights to the life<br />

story of Moishe Dayan and will film it for<br />

an American distributor. He is readying the<br />

already completed "The Robbery" and "I<br />

Love You, Rosa," a Cannes Film Festival<br />

entry,<br />

for release.<br />

Ohio Court to View Film<br />

To Determine Obscenity<br />

AKRON—A fourth film has been submitted<br />

to the courts here for consideration<br />

of obscenity content. Judge James V. Barbuto<br />

of Summit County Common Pleas<br />

Court will be asked to view "Nympho Cycler,"<br />

being shown at the Adult Cinema,<br />

278 South Main St., to determine whether it<br />

is obscene.<br />

Akron Law Director William Baird previously<br />

had filed suits against the showing<br />

of "Alley Cat" and "The Vice Hustler," offered<br />

at the Adult Physiological Studies<br />

Center, a downtown book store-theatre enterprise,<br />

and "The Four Poster Fable,"<br />

shown at the downtown New Strand Theatre.<br />

Baird is seeking a permanent injunction<br />

against the film's exhibition.<br />

The latter three films are being considered<br />

in Judge L. A. Lombardi's court. Judge<br />

Lombardi signed a restraining order banning<br />

public screening, removal or editing of the<br />

three films. Those cases still are pending.<br />

New Jerry Lewis Cinema<br />

Opens in Morton, 111.<br />

MORTON, ILL.—The Jerry Lewis Cinema<br />

in the Field Shopping Center here<br />

bowed Halloween night, October 31, with<br />

a horror film, before starting its run of<br />

regular movie fare Wednesday (1). Manager<br />

of the mini-theatre is Chuck Thomas, who<br />

also helms the Delavan and Mason City<br />

houses.<br />

The 350-seat cinema was built by N.<br />

Zobrist & Sons of Morton and features completely<br />

automated projection. The principals<br />

involved in the development of the theatre<br />

are Steve Joos, Ron Ridker and Frank Bussone.<br />

First Feature Completed<br />

By Colorado-Based CVD<br />

DENVER—Creative Visual Dynamics<br />

has completed shooting on its first feature<br />

motion picture, "The Brothers O'Toole,"<br />

with all location work done at Buckskin Joe,<br />

Colo., near Canon City. Filming continued<br />

through a recent big snowstorm in the area,<br />

which gave the company an opportunity to<br />

finish interior shots. Planned for a month's<br />

shooting schedule, that is just what was required<br />

for the feature—from October 9<br />

through Wednesday (8).<br />

Editing will be done at CVD Studios in<br />

nearby Aurora, Colo., by Bud Malone, who<br />

has had wide experience in motion pictures<br />

and TV. The production of films for exhibition<br />

will be completed by Commercial Film<br />

Industries of Los Angeles.<br />

The cast of "The Brothers O'Toole" includes<br />

Jim Backus, John Astin, Jesse White,<br />

Pat Carroll, Steve Carlson and three Colorado-born<br />

principals—Richard Jury, Ted<br />

Classen and Francelle Fuller. Another principal<br />

who is a newcomer to films (but who<br />

has a theatrical background) is Miranda<br />

Robin Barry, daughter of Philip jr. and Patricia<br />

Barry, both prominent in film production,<br />

and granddaughter of Philip Barry,<br />

who wrote "The Philadelphia Story." She<br />

has just graduated from the Stanford School<br />

of Acting. Former Miss America Lee Meriwether<br />

also is a principal in the film.<br />

CVD's new sound stage is slated for completion<br />

not later than January and the facility<br />

in Aurora will be the largest free-span<br />

building in Colorado as well as the largest<br />

sound stage between New York and Hollywood.<br />

I<br />

Director Richard Erdman has signed a<br />

two-year contract with CVD and 12 films<br />

are planned for production during that time.<br />

Three already are in preproduction, "A<br />

World of Miracles," "The Campers" and<br />

"The Agency." Other directors will be<br />

brought in to assist Erdman on the films,<br />

which CVD says will be produced on a low<br />

budget with all aimed for family audiences.<br />

"The Brothers O'Toole," a comedy western,<br />

is slated for a world premiere at the<br />

Paramount Theatre in Denver April 13,<br />

with a day-and-date showing at the suburban<br />

Arvada Plaza, both Wolfberg theatres.<br />

CVD has signed union contracts and has<br />

been given a major studio designation by the<br />

Screen Actors Guild.<br />

Sheriff Closes Theatre<br />

After Viewing 'Throat'<br />

MARION, OHIO—Sheriff Ron Scheiderer<br />

of Marion County went to the Southland<br />

Cinema near Marion to see "Deep Throat"<br />

after receiving numerous complaints. He<br />

didn't like what he saw and closed the theatre.<br />

The film had been running for a week<br />

and was due to close after three more days.<br />

Scheiderer said that Martha Erjavec, manager<br />

of the theatre, told him she had little to<br />

do with the selection of the films shown at<br />

as she ojjerates on contract with<br />

the theatre,<br />

a distributor. The sheriff said no charges<br />

were filed, as his department has had no<br />

previous problems with the theatre.<br />

18 BOXOmCE :: November 13, 1972


CINEMAX-KEYSTONE PRESENTS ITS VERY FIRST PACKAGE OF SUPERIOR ENTERTAIN-<br />

MENT FILMED IN 1917 {OR THEREABOUTS) AND FULLY RESTORED TO SUPERB QUALITY<br />

eriirv<br />

Circa 1917<br />

STARRING<br />

Bothwell Browne<br />

as the U.S. Aviator<br />

Ford Sterling<br />

as The Kaiser (BOO!)<br />

Mai St Claire<br />

as The Crown Prince<br />

Bert Roach<br />

as Von Hindenberg (also, BOO!)<br />

Eva Thatcher<br />

as The Kaiserina<br />

Marie Prevost<br />

as The Daughter of Belgium<br />

(Bless her little heart)<br />

These marvelous old films have been restored to<br />

"mint condition" and are<br />

available immediately. The feature is 68 minutes. The companion threereeler<br />

is 24 minutes. We have a limited number of prints in 35mm and 16mm<br />

available on a first-come, first-served basis. The cost to you is an advance<br />

of $1,000 per week against 35% of the gross and on a "no-look" basis. Holdovers<br />

are the same, although the short feature will be replaced by a new one<br />

of the same length.<br />

V<br />

Plus...3one-r88l8rs<br />

. . . spliced together to produce<br />

24 minutes of howling comedy!<br />

Love, Speed & Thrills<br />

Chester Conklin<br />

Mack Swain<br />

Mabel Normand<br />

Gentlemen of Nerve<br />

Chester Conklin<br />

Mabel Normand<br />

Mack Swain<br />

Charlie Chaplin<br />

Fatty's Seaside Lovers<br />

Fatty Arbuckle<br />

Harold Lloyd<br />

. . . and a cast of hundreds running<br />

around doing funny things!<br />

One minute, full color lead-ins are done by Duncan Renaldo (the<br />

Cisco Kid, himself), and each picture has a new, Wurlitzer organ<br />

sound track. Added to the package are promotional materials for<br />

your local advertising, and posters from the period available to<br />

you for resale.<br />

Write today or see us at the Motion Picture Theater Equipment<br />

and Concessions Show, Bal Harbour, Florida-BOOTH #97.<br />

l^tfdtoHe*<br />

Suite 3/1830-130th N.E. • Beilevue, Wash. 98005<br />

Telephone (206) 885-1221<br />

BOXOFTICE :: November 13, '972 19


"ACROSS<br />

110TH STREET"<br />

Executive Producers Anthony Quinn<br />

and Barry Shear<br />

Directed by Barry Shear<br />

Produced by Ralph Serpe, Fouad Said<br />

Screenplay by Luther Davis<br />

Starring Anthony Quinn,<br />

Yaphet Kotto, Anthony Franciosa<br />

U<br />

AVANTI<br />

f><br />

A Mirisch Production<br />

Producer-Director Biliy Wilder<br />

Screenplay by Billy Wilder<br />

and I.A.L. Diamond<br />

Starring Jack Lemmon, Juliet Mills,<br />

Clive Revill<br />

"BILLY TWO HATS ff<br />

A Palmer Algonquin Films Ltd. Production<br />

Produced by Norman Jewison<br />

Directed by Ted Kotcheff<br />

Screenplay by Alan Sharp<br />

Starring Gregory Peck, Desi Arnaz Jr.<br />

"COPS AND<br />

ROBBERS"<br />

Produced by Elliott Kastner<br />

Directed by Aram Avakian<br />

Screenplay by Donald E. Westlake<br />

Starring Cliff Gorman, Joseph Bologna<br />

"ELECTRA GLIDE<br />

IN BLUE"<br />

Producer-Director James W. Guercio<br />

Screenplay by Robert Boris<br />

and Rupert Hitzig<br />

Starring Robert Blake,<br />

Billy (Green) Bush, Mitch Ryan,<br />

Jeanine Riley, Melissa Green<br />

'FIDDLER ON<br />

lilt IfUUr<br />

(General Release)<br />

Mirisch Production Company<br />

Produced and Directed by Norman Jewison<br />

Screenplay by Joseph Stein<br />

Starring Topol<br />

"EVERHHING YOU<br />

ALWAYS WANTED<br />

TO KNOW ABOUT<br />

SEX BUT WERE<br />

AFRAID TO ASK'<br />

A Jack Rollins-Charles H. Joffe<br />

and Brodsky/Gould Production<br />

Executive Producer Jack Brodsky<br />

Produced by Charles H. Joffe<br />

Directed by Woody Allen<br />

Screenplay by Woody Allen<br />

Starring Woody Allen<br />

ff<br />

ii P><br />

FELLINrS ROMA<br />

Ultrafilm, L.P.A.A.<br />

Directed by Federico Fellini<br />

"GAWAIN & THE<br />

GREEN KNIGHT"<br />

Produced by Carlo Ponti<br />

Directed by Stephen Weeks<br />

Screenplay by Philip Breen<br />

and Stephen Weeks<br />

Starring Murray Head, Ciaran Madden,<br />

Nigel Green<br />

ii<br />

HAMMER M<br />

A Bernard Schwartz Production<br />

Produced by Al Adamson<br />

Directed by Bruce Clark<br />

Screenplay by Charles Johnson<br />

Starring Fred Williamson<br />

"RICKEY & BOGGS<br />

A Film Guarantors, Inc. Production<br />

Produced by Fouad Said<br />

Directed by Robert Culp<br />

Written by Walter Hill<br />

Starring Bill Cosby and Robert Culp<br />

"HARRY NEVER<br />

HOLDS"<br />

Executive Producer Alden Schwimmer<br />

Produced and Directed by Bruce Geller<br />

Screenplay by Ron Austin, James Bucham<br />

Starring James Coburn, Michael Sarrazln.<br />

Irish Van Devere, Walter Pidgeon<br />

M


1 Henry<br />

United Artists<br />

jtertainment from Transamerica Corporation<br />

LADY CAROLINE<br />

LAMB"<br />

Produced by Franco Cristaldi<br />

and Fernando Ghia<br />

Directed by Robert Bolt<br />

Screenplay by Robert Bolt<br />

Starring Sarah Miles<br />

'UST TANGO<br />

IN PARIS"<br />

Produced by Alberto Grimaldi<br />

Directed by Bernardo Bertolucci<br />

Screenplay by Bernardo Bertolucci<br />

and Franco Arcalli<br />

Starring Marlon Brando, Maria Schneider<br />

'LIVE AND LET DIE"<br />

Produced by Albert Brocolli<br />

and Harry Saltzman<br />

Directed by Guy Hamilton<br />

Screenplay by Tom Manl


John G. Baer to Staff<br />

Of Century Projector<br />

NEW YORK—Century Projector Corp.<br />

has announced the addition to its staff of<br />

John G. Baer, physicist<br />

and engineer and<br />

previously director of<br />

research, development<br />

and engineering for<br />

20th C e n t u r y-Fox<br />

Film Corp. in New<br />

York.<br />

Baer, a graduate in<br />

physics from the University<br />

of Chattanooga,<br />

with graduate<br />

John G. Baer<br />

study in optics at the<br />

University of Rochester, joined 20th-Fox<br />

in August 1967 and was responsible for all<br />

phases of research, development and engineering<br />

and for coordinating those efforts<br />

with the financial, marketing, sales and<br />

corporate management departments. He also<br />

was responsible for the technical evaluation<br />

of new products and systems and for patent<br />

preparation.<br />

Before that, he served as an engineer's<br />

product supervisor and advanced product<br />

planner with Bausch & Lomb, Inc., in<br />

Rochester.<br />

Larry Davee, president of Century,<br />

pointed out that Baer brings to Century, a<br />

wealth of experience in the manufacture and<br />

use of motion picture films for motion picture<br />

theatres in both color and black and<br />

white including special dichroic filters. Baer,<br />

38, lives in Princeton Junction, N.J., with<br />

his wife Dotty and three children.<br />

Davee has offered the services of Century<br />

in an advisory capacity to dealers, theatres<br />

and theatre circuits in solving technical<br />

problems and advising on the standardization<br />

and use of motion picture films and<br />

equipment for optimum theatre results. It<br />

is suggested that all requests for technical<br />

assistance and equipment selection be directed<br />

to Century authorized dealers in principal<br />

cities throughout the world.<br />

Sherhll C. Corwin Returns<br />

From England and Ireland<br />

HOLLYWOOD—Variety Clubs International<br />

president Sherrill C. Corwin returned<br />

to Los Angeles following a visit to Variety<br />

chapters in England and Ireland.<br />

In Leeds, England, Corwin and Cary<br />

Grant both participated in a charity gala<br />

which honored Prince Rainier and Princess<br />

Grace of Monaco. Corwin presented the<br />

Rainiers with silver Variety patron life<br />

membership cards, and Grant dedicated<br />

three Sunshine Coaches to charities designated<br />

by Princess Grace. The gala netted<br />

charities of the Leeds committee, a branch<br />

of London Tent 36, more than $75,000.<br />

Corwin also visited Variety Tent 41 of<br />

Ireland, with headquarters in Dublin, which<br />

will be the site of next year's Variety International<br />

convention. A worldwide attendance<br />

of 1,200 Variety members and their<br />

wives is anticipated.<br />

Philadelphia Tonris- Bureau<br />

Ties in With '1776 Film<br />

PHILADELPHIA, PA. — -'L ccu'.dn'l<br />

have happened at a better time." stated<br />

Eugene C. Hosmer, president of .he Phila-<br />

See 13%.<br />

Then see<br />

Philadelphia.<br />

We have the original<br />

set.<br />

Iwkpewifnee Hall, Philadelphia. A hil attiadioo foe alrnosi 200 yeare. Koc inionmtMm UTile to the<br />

niiladelphia Onvcnlionaiid Tourist Bureau. 16(h and J


I<br />

Contact<br />

'<br />

iS^<br />

From<br />

CINEVISIOIM FILMS, LTD.<br />

J. Arthur Elliot and Sam Lang<br />

present<br />

"THE<br />

RED<br />

MAHrTLE"<br />

Original Music Composed by MARC FREDERICKS<br />

Lyrics of the Love Theme "A Moment of Your Love"<br />

by SAMMY CAHN, Sung by HJDY SCOTT<br />

Lyrics of the Peace Song "When Will The Killing End"<br />

by R. I. ALLEN. Suns by JERRY KELLER<br />

Directed by GABRIEL AXEL Produced by ASA FILMS,<br />

MOVIE ART OF EUROPE and EDDA FILMS<br />

Color by Movielab • Panavision* and Eastmancolor |R| ^<br />

Original Sound Track Album available on RCil Records and Tapes<br />

Rudolf<br />

Nureyev<br />

in<br />

Margot<br />

Fonteyn<br />

"I Am A Dancer''<br />

TECHN'ICOLOR®<br />

Selected Engagements<br />

January, 1973<br />

"ESCAPE<br />

TO THE SUN"<br />

starring<br />

Laurence Harvey<br />

Josephine Chaplin<br />

John Ireland • Jack Hawkins<br />

Clive Revill • Lila Kedrova<br />

TECHNICOLOR'<br />

Selected Engagements<br />

CAROL<br />

/JOHN<br />

WHITE / MILLS<br />

BULCIMA<br />

AN EMI RLM PRODUCTION<br />

TECHNCOLOR* jpQJ<br />

RAYGALTONind<br />

ALAN SIMPSOf*S<br />

WILFRID<br />

BRAMfiELL<br />

HAMR<br />

COilBEn<br />

CAROLYN SEYMOUII<br />

_1HRB«CK mcHARO intNBOnniJGH- KYVWl iENHETT-MILO QSHEA-ROY HOLDER<br />

cifFdw-wfRHtiM mm<br />

An£Mlf*n EASTMANCOlOR [gl<br />

.<br />

^POLC TIMES<br />

Jf>^IGHT<br />

«^.-««<br />

^^<br />

'<br />

your local Cinevision Branch • Home Office 159 West 53rd St., N.Y. 10019 • (212) 247-1363!<br />

^e %idelicate<br />

balance<br />

(WHAT DID SHE SEE?)<br />

Color by Movtetab '"R *»<br />

RICHARD<br />

mm<br />

HARRISON<br />

^^"^ A LEONE PRODUCTION<br />

—<br />

BOXOmCE :: November 13, 1972 23


for the money.<br />

7 films for '73<br />

from General Film Corp.<br />

the film company of the 70's<br />

GENERAL FILM CORP. / 1040 NORTH LAS PALMAS, HOLLYWOOD, CALIFORNIA 90038


Commonwealth Forms Equipment Firm<br />

To Distribute Automated Projector<br />

KANSAS CITY, MO.—Victor Cinematic<br />

Importing and Distributing Corp. has<br />

opened offices at 217 West 18th Street, Kansas<br />

City. The company holds exclusive distribution<br />

rights to the Imperial system, a<br />

fully automated projection-sound-lighting<br />

unit.<br />

Each projector system is designed as a<br />

complete factory-assembled pre-wired package.<br />

All film, Jamphouse and projector<br />

mechanisms are self-contained within the<br />

unit which is operated with all doors closed.<br />

The only external connections required are<br />

those for AC power source, rectifier, stage<br />

and monitor speaker leads. Primarily designed<br />

for mini-theatre operation, the Imperial<br />

system can also be used for rear-projection<br />

and other advertising mediums requiring<br />

35mm sound film.<br />

Foil cue marks applied to the film activate<br />

the automated devices which control<br />

starting, stopping and changeovers. Optional<br />

equipment is available and is compatible<br />

through pre-wired connections.<br />

Projector mechanisms and the optical<br />

sound reproducers are in one unit with<br />

forced oil bath lubrication. A 3-phase, 220-<br />

volt, 6-pole motor is used to insure smooth<br />

drive and uniform speed. A conical shutter<br />

and curved film gate provide maximum light<br />

transmission and minimum film movement.<br />

Take-up and supply reels are 26" and hold<br />

6,150 feet of film. Rewind time is less than<br />

15 minutes and is done without removing<br />

film from the machine.<br />

Imperial projection systems contain<br />

Xenon lamphouses, using both 1,000 and<br />

2,000-watt high intensity bulbs. Light units<br />

are mounted horizontally in<br />

a deep-type reflector<br />

to produce minimal screen brightness<br />

distribution of 75 to 80 per cent. Solid-state<br />

power amplifiers are 30 watts incorporated<br />

in each unit with 4-8-16 ohm speaker connections.<br />

Projectors also contain auxiliary<br />

inputs for mixer, amplifier, microphone or<br />

phone output.<br />

The Imperial system is manufactured by<br />

Victor Sound Equipment Co., Ltd. of Japan.<br />

Initial American installation was in the Los<br />

Altos twin theatres in Albuquerque, N.<br />

Mex., operated by Commonwealth TTieatres,<br />

which will install units in Ranch Mart 3-4,<br />

Kansas City.<br />

Victor Cinematic Importing and Distributing<br />

Corp., is currently developing a program<br />

of dealerships for nationwide distribution<br />

and sales of the Imperial projector<br />

package.<br />

Old-Time Stars Featured<br />

In 'Laff-Movie' Series<br />

NEW YORK — Bing Crosby, Shirley<br />

Temple, Buster Keaton, Bob Hope, Danny<br />

Kaye and Milton Berle are among the top<br />

stars featured in the comedy shorts package<br />

called "Laff-Movie." Maurice H. Zouary,<br />

president of Filmvideo Releasing Corp.,<br />

and the BBD & O (Batten, Barton, Durstine<br />

& Osborne) Advertising Agency have<br />

reached a joint agreement whereby the<br />

agency's new television sales and syndication<br />

division will represent Filmvideo's<br />

series of 52 one-hour TV comedy specials.<br />

Zouary had originally planned to present<br />

the series theatrically under the "Laff-<br />

Movie" name. The possibility still exists<br />

that theatrical outlets may be sought. The<br />

films, originally produced by Educational<br />

Productions in the Thirties, reflect the current<br />

nostalgia craze and will be offered as<br />

weekly one-hour shows. An extensive prtimotional<br />

campaign will be coordinated with<br />

local sponsors, newspapers and critics in<br />

each market sold.<br />

The shorts include the Baby Burlesk<br />

comedies made by tiny Shirley Temple in<br />

1932 and 1933, as well as the all-star<br />

"Dime a Dance" (1937), which features<br />

Danny Kaye, Imogene Coca, Barry Sullivan<br />

and June Allyson. The other stars include<br />

such comics as Harry Langdon, Bert Lahr,<br />

Joe Cook, Willie Howard, Andy Clyde.<br />

Billy Gilbert, Tim and Irene Ryan, the<br />

Ritz Brothers, Col. Stoopnagle and Budd.<br />

Charlotte Greenwood, Buster West and<br />

Tom Patricola, Lloyd Hamilton, Tom<br />

Howard and George Shelton, Lupino Lane,<br />

Charles Kemper and Rooney and Timberg.<br />

In all, there are 156 subjects from the<br />

early days of sound comedy films.<br />

Leisure Media to Release<br />

Israeli 'I Love You Rosa'<br />

NEW YORK—"I Love You Rosa," the<br />

critically acclaimed Israeli entry at this<br />

year's Cannes Film Festival, has been acuired<br />

for U.S. and Canadian distribution<br />

by Peter Gettinger and Oliver A. Unger of<br />

Leisure Media, Inc. Gettinger and Unger<br />

were responsible for bringing back the<br />

Charlie Chaplin films last<br />

year.<br />

A Menahem Golan production, written<br />

and directed by Moshe Mizahi, "I Love<br />

You Rosa" is a love story based on a<br />

Jerusalem legend which is passed on from<br />

generation to generation. Michal Bat-<br />

Adam stars as Rosa, a childless widow,<br />

and Gabi Otterman is Nissim, her 11-yearold<br />

brother-in-law who must wait seven<br />

years to marry her and fulfill ancient<br />

Richord Orear (1.), president<br />

of Commonwealth Theatres, Inc.,<br />

points to the emblem of the<br />

firm's newly formed subsidiary,<br />

Victor Cinematic Importing &<br />

Distributing Corp. Looking on<br />

ore Fumio Hiraoka, of Japan,<br />

whose firm holds world rights<br />

to the Victor equipment, and<br />

0. H. Reesman, manager of the<br />

Commonwealth<br />

subsidiary.<br />

Deuteronomic Law.<br />

The film was awarded first prize for the<br />

best Israel production of 1972 at Israeli<br />

Film Week in Sefad, while Miss Bat-Adam<br />

won the Heart of David (the Israeli Academy<br />

Award) for best performance of the<br />

year.<br />

The U.S. premiere of "I Love You Rosa"<br />

is scheduled for New York in January,<br />

with national dates to follow early in 1973.<br />

Larry Cruickshank to NWP<br />

As Head of Foreign Sales<br />

HOLLYWOOD — Larry<br />

Cruickshank,<br />

former executive at Warner Bros. Studios,<br />

has joined New World Pictures and will<br />

head the newly created foreign sales department,<br />

it is announced by company<br />

president Roger Corman.<br />

Bosnick, Lewis Get Rights<br />

To 'Suddenly—Big Shot!'<br />

NEW YORK—"Suddenly—Big Shot!.'<br />

a first novel by James E. Parlatore. has<br />

been acquired via a long-term extendible<br />

option on production rights by producerdirector-writer<br />

Ned Bosnick and Bernard<br />

Lewis, a New York public relations executive.<br />

Bosnick will serve in his triple capacities<br />

while Lewis is to be the film's executive<br />

producer.<br />

Parlatore is a vice-president of Carl<br />

Byoir and Associates Inc., New York-based<br />

public relations company which is one of<br />

the largest in the field. His novel is now<br />

being offered to publishers in manuscript<br />

form. It's a comedy of two generations of<br />

Italians in Brooklyn feuding over a winning<br />

lottery<br />

ticket.<br />

Lewis' firm. The Bernard Lewis Co., has<br />

been handling Bosnick's promotion. The<br />

young filmmaker's first picture, "To Be<br />

Free," is now in its world premiere engagement<br />

at Pittsburgh's Shadyside Theatre,<br />

opening there strongly October 18. Bosnick,<br />

originally from Pittsburgh, has been making<br />

films in Hollywood.<br />

Bosnick has two film scripts on his production<br />

schedule, but has not decided which<br />

would be produced first.<br />

26 BOXOFFICE :: November 13. 1972


THE<br />

FOLLOW A TRAIL OF DEATH THROUGH THE STREETS OF SOHO.<br />

A HERB BROMBERG PRESENTATION<br />

Hi<br />

f'^^;<br />

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W^m.<br />

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PG<br />

PARENTAL GUIDANCE SUGGESm^ ^^<br />

Some material may not be suitable lor pre teenagers


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ITS<br />

FROM 5UNSET INTERNATIONAL RELEASING<br />

^<br />

THE HORROR OF BLACKWOOD CASTLE<br />

WRITTEN BY EDGAR WALLACE<br />

VtHAl STRANGE TERRORS LURK WITHIN ITS<br />

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SUNSET INTERNATIONAL RELEASING. INC<br />

8222 WEST THIRD STREET. LOS ANGELES. CALIF. 90048<br />

(213)653-5200


1<br />

THS Arranges First Tour<br />

Of Chicago Movie Houses<br />

CHICAGO— It was interesting to note<br />

hat a good-sized crowd took advantage<br />

jf "going down memory lane" when the<br />

lOcal chapter of the Theatre Historical So-<br />

;iety set up the first of a series of tours<br />

to movie theatres. Saturday (11) the Uptown<br />

and Riviera took the spotlight as they<br />

had done starting in 1918 and 1925. Both<br />

ivere representative of elegance and both<br />

Liptown-area theatres have suffered reverses<br />

kvhich occur with population changes.<br />

Ken Edgerly, general manager, took the<br />

iiroup on a walk from the entrance doors<br />

ki the fire walks and from the orchestra<br />

floors to the top of the balconies. The<br />

Uptown and Riviera played important roles<br />

in the history of Chicago's north side as<br />

Well as in the history of Chicago enteriainment.<br />

Both were built by Balaban &<br />

katz (now known as ABC Great States<br />

Theatres). They were designed by Rapp<br />

i: Rapp, well-known architects responsible<br />

or theatre design all over the country.<br />

The Riviera was first. It opened in Sepember<br />

1918. The Uptown opened Aug.<br />

19. 1925.<br />

B&K brought Frank Camberia to Chiago<br />

from New York City to design the<br />

reductions at the Riviera and Centra!<br />

ark theatres. He shortly was put in charge<br />

if mounting stage productions which were<br />

resented at the Tivoli, Chicago, Uptown,<br />

liviera and Central Park theatres.<br />

The Muriel Abbott dancing girls began<br />

heir rise to fame at the Riviera. Gladys<br />

Jwarthout sang from the Riviera stage and<br />

ater went on to the Met in New York<br />

ty.<br />

It was at the Riviera where B&K introluced<br />

the pass system for veterans and<br />

ither such groups. It also was at the<br />

liviera where B&K set up an attended<br />

layroom for youngsters so mothers would<br />

able to sit through the program withmt<br />

disturbance.<br />

The Uptown was the third of the original<br />

Jig Three, with the Tivoli and Chicago<br />

•receding it. The Uptown had the largest<br />

urlitzer theatre organ ever built for a<br />

novie house in<br />

metropolitan Chicago. Jesse<br />

rawford, Kenri Keats and Edna and Pres-<br />

;on Sellers presided at the Wurlitzer.<br />

The stage band policy started at the<br />

VlcVickers Theatre by B&K became an<br />

ntegral part of Uptown Theatre programng,<br />

with such names as Buddy Rogers, Al<br />

K.vale, Frankie Masters and Mark Fisher.<br />

Many recall George Givot and his zany<br />

routines. The Uptown practically was his<br />

tiome.<br />

The overall decor at the Uptown was<br />

:onsidered outstanding and the auditorium<br />

ighting a particular feature. Old-timers<br />

f/eW remember how patrons stood in line<br />

for an hour and even two hours to get<br />

into the Uptown.<br />

Hosts for the first tour were Peter Miller,<br />

manager at the Uptown, and B.<br />

O'Rourke. manager of the Riviera. Joe Duci<br />

Bella, Bill Benedict and Dann Kann of<br />

THS spearheaded the tour arrangements.<br />

The THS national convention will take<br />

place in Chicago in July 1973.<br />

SCHOLARSHIP CHECK — Henry<br />

Markbreit, left, chief barker of Chicago's<br />

Tent 26, turns over a $1,000<br />

check for the Karyn Kupcinet Memorial<br />

Scholarship to Ir\ and Essie Kupcinet<br />

The scholarship will be awarded<br />

to a "distinguished student for study<br />

at Shimer College," where the Karyn<br />

Kupcinet Theatre is located. The scholarship,<br />

in memory of the late young<br />

actress, has been sustained by the Variety<br />

Club since its inception. The presentation<br />

took place at the fourth annual<br />

Jefferson .\wards at the Conrad Hilton<br />

Hotel, which honor Chicagoans for excellence<br />

in acting, directing and production.<br />

Honoring Lockport Mayor<br />

For Stand on X Movies<br />

BUFFALO—Raymond C. Betsch,<br />

mayor<br />

of Lockport, N.Y., is to be honored for his<br />

stand against X-rated motion pictures. The<br />

Catholic War Veterans Post 925, Niagara<br />

Falls, will honor the mayor at a presentation<br />

dinner Sunday (19) in the Cataract<br />

City. Aldo DiFlorio, a CWV member, will<br />

make the presentation.<br />

Norman Wade, Post 925 first vice-commander,<br />

said the mayor is being honored<br />

for his "moral courage when he ordered<br />

a curb of X-rated films in the Lock City."<br />

Rockettes Not Injured<br />

In Rehearsal Accident<br />

NEW YORK—Sixteen dancing Rockettes<br />

plunged to the stage during a rehearsal<br />

Wednesday (8) at the Radio City Music<br />

Hall when a prop drawbridge collapsed.<br />

None was injured seriously but all 16 were<br />

taken to Roosevelt Hospital.<br />

A metal staircase simulating a drawbridge<br />

collapsed under the weight of the girls,<br />

dropping them from six to nine feet. The<br />

36 precision dancers were rehearsing "Parade<br />

of the Wooden Soldiers" for the<br />

Thanksgiving show.<br />

Smith/Mead Handling BJW<br />

Advertising, Publicity<br />

BALTIMORE—Public relations and advertising<br />

counselors for BJW Productions,<br />

new independent film company, are<br />

Smith/ Mead & Associates, 724 York Rd.,<br />

Baltimore. Md. 21204. BJW has become<br />

well-known for its premier motion picture,<br />

"The Gentle People," the first full-length<br />

feature ever made about the Pennsylvania<br />

Amish.<br />

Second Annual Filmex<br />

Opens in Los Angeles<br />

By SYD CASSYD<br />

HOLLYWOOD—Opening with the fanfare<br />

typical of the motion picture center of<br />

the world and at its world-famed National<br />

General Theatre's Chinese Theatre on Hollywood<br />

Boulevard, the movie town celebrated<br />

its most prestigious gift to the world,<br />

the art of film, as Filmex, the second annual<br />

Los Angeles International Film Exposition<br />

opened its sessions with the Columbia film,<br />

"Young Winston," Thursday (9). Sessions<br />

run through the 19th, following the $50<br />

ticket opening and the After-premiere supper-reception<br />

at the Beverly Wilshire Hotel<br />

ballroom.<br />

While the Oscar and the Emmy have held<br />

the center entertainment world stage spotlight<br />

for years, and many attempts have been<br />

made to bring the public into the festivities,<br />

it remained for this young group to break<br />

through the sacred cow myths and establishment<br />

syndrome, which has characterized the<br />

Hollywood climate, and bring all the art<br />

groups and cinema schools under one roof.<br />

Gary Essert, director, Gary Abrahams, associate<br />

director, Philip Chamberlin, chairman<br />

of the board, and Arthur Knight were<br />

spearheads for the attack. Before this, attempts<br />

to have any film celebration under<br />

any umbrella except the motion picture<br />

Academy met with defeat.<br />

Look at the lineup the Filmex Board of<br />

Trustees list in a black and silver sophisticated<br />

48-page catalog, with notes by Pauline<br />

Kael. It states "with the cooperation of The<br />

Academy of Motion Picture Arts and Sciences,<br />

the American Film Institute, the Los<br />

Angeles County Museum of Art. the Harold<br />

Lloyd Foundation and the film schools of<br />

UCLA, use and Cal-Arts." Bringing together<br />

the latter group is an accomplishmait<br />

in<br />

protocol itself.<br />

As Essert noted in his own way in the<br />

program the "determined individuals"<br />

banded together ... and with a little money<br />

and a lot of "chutzpah," got into the festival<br />

act.<br />

The 1 1-day celebration of the "art form<br />

of the century," is a "low-cost retrospective,"<br />

according to Charles Champlin, Los<br />

Angeles Times critic who gave it solid editorial<br />

support. He called it "extraordinarily<br />

ambitious and a thoughtful attempt to do<br />

and be everything a film festival ought to<br />

do and be."<br />

Following the festival, Fihnex is presenting<br />

from November 24 through December<br />

16, a session "Written for the Screen," with<br />

eight distinguished screenwriters to discuss<br />

their work on four weekends. Writers Guild<br />

joins the other groups who have cooperated.<br />

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BOXOFnCE :: November 13, 1972<br />

35


BOXOFFICE<br />

BAROMETER<br />

This chart records the performance of current attractions in the opening week of their first mnt in<br />

the 20 key cities checked. Pictures with fewer than five engagements ore not listed. As new runs<br />

ore reported, ratings are added and averages revised. Computation is in terms of percentage in<br />

relation to normal grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />

the figures show the gross ratings above or below that mark. (Asterisk * denotes combinotion bills.)<br />

^MM^iWi<br />

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NEW SOUND SYSTEMS<br />

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No Legal or Technical Problems Posed<br />

By Proposed Basement Mini-Cinema<br />

NORTH ADAMS, MASS.—The proposed<br />

operation of a mini cinema in the<br />

basement of the new North Adams Inn will<br />

not pose legal or technical problems with the<br />

city's Redevelopment Authority or with the<br />

U.S. Department of Housing and Urban<br />

Development, it has been learned.<br />

Louis R. Sinclitico, Renewal Agency<br />

chairman, disclosed that he discussed the<br />

situation in depth, posed by the possible<br />

construction of two cinemas in the North<br />

Adams urban renewal area, with the federal<br />

agency.<br />

Codman Co. of Boston, the prime developer,<br />

had tried for several months to get<br />

an operator for the proposed twin cinemas<br />

at the east end of Main Street, only recently<br />

completing negotiations with Davis Film<br />

Distributors, Boston, to handle the operations<br />

if the Codman organization could arrange<br />

loans to<br />

construct the building.<br />

Then the new North Adams Inn, now being<br />

built at the west end of Main Street and<br />

not related to the Codman interests, disclosed<br />

plans for a mini cinema in<br />

the basement,<br />

to be operated by Albert Coury jr., of<br />

Adams, who operates several drive-in theatres<br />

in western Massachusetts.<br />

Codman objected and Renewal Agency<br />

members, at an emergency meeting, voted to<br />

support the Codman project and withhold<br />

approval of the inn's cinema.<br />

Sinclitico, who held a minority opinion,<br />

went to some length to determine that the<br />

inn, being constructed by Fred Lieberman<br />

of Philadelphia, could include the cinema in<br />

its<br />

plans.<br />

Sinclitico noted: "There will be some revisions<br />

necessary in the agreement and the<br />

Renewal Agency must sign a proclaimer<br />

that the change is of a minor nature and<br />

not a major alteration but there are no real<br />

barriers to the Lieberman project."<br />

For its part, Codman cited the time involved<br />

in setting up the twin-cinema project,<br />

for the delay in the core project, which is to<br />

include two major tenants, plus specialty<br />

shops and eating facilities.<br />

A Codman spokesman added that the firm<br />

would have to wait until the old City Hall<br />

and other remaining buildings in the sevenacre<br />

tract were torn down before any tenants<br />

could be signed up for the new commercial<br />

mall.<br />

Lieberman said he would be interested in<br />

taking over the entire urban renewal project<br />

but until last week Sinclitico and other Authority<br />

members had been unanimous in<br />

support of Codman, despite lack of a development<br />

schedule or proposed tenants.<br />

Popcorn Smuggler Caught<br />

GLENMONT, N.Y.—A local moviegoer,<br />

William Samore, is "turned off" by the<br />

policy in effect at a Glenmont theatre. It<br />

wasn't the motion pictures booked at the<br />

theatre that caused the disenchantment;<br />

rather, it was the manager's attitude toward<br />

popcorn—not the theatre's popcorn but the<br />

bagful that Samore intended to carry into<br />

the movie house.<br />

He told the whole story in a letter to the<br />

editor of the News-Union-Star at Schenectady,<br />

N.Y. Samore's entire statement follows:<br />

"When my sons and I went to a local<br />

movie recently, the ticket-taker asked to<br />

see what was in the bag my son (15 years<br />

old) was carrying. Fair enough. After all,<br />

it could be a bomb! But when it was discovered<br />

to be only popcorn, the manager<br />

on duty refused to let us in with the<br />

popcorn.<br />

"No need to ask him why not. Surely not<br />

because of the theatre's fear of littering<br />

they sell their own popcorn. What else but<br />

petty commercial 'extortion'? If you want<br />

to eat popcorn while you see my movie,<br />

then you must buy my popcorn at exorbitant<br />

prices—or don't see the movie at all.<br />

"No doubt the theatre as a private enterprise<br />

can exclude patrons for good reason.<br />

But this practice is cheap, asinine, arrogant,<br />

self-serving and self-defeating. Even if my<br />

son didn't bring his own popcorn, we<br />

wouldn't have bought the theatre's popcorn.<br />

"We got our money back and walked<br />

out."<br />

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Bayonne's DeWitt Closed<br />

By Mrs. Helen Josephs<br />

BAYONNE, N.J.—Mrs. Helen Josephs,<br />

who had operated the DeWitt in Bayonne<br />

since March 1972, has closed that 1.500-seat<br />

house.<br />

Mrs. Josephs, whose family at one time<br />

had operated several theatres in Montclair<br />

and Bloomfield, most recently had been running<br />

the DeWitt as well as the Center in<br />

Bloomfield. The latter was sold early last<br />

summer to the operators of the independent<br />

Montclair.<br />

Ciairidge in<br />

The DeWitt originally was opened in the<br />

1920s by Warner Bros, and operated for<br />

many years by Stanley Warner and subsequently<br />

by RKO-SW. It was purchased by<br />

the Nathan circuit in September 1970 and<br />

later turned over to Mrs. Josephs.<br />

The closing of the DeWitt, believed to be<br />

permanent, now leaves Bayonne with only<br />

two houses, the Lyceum and the newly<br />

opened Bay Cinema.<br />

Theatre Opening Delayed<br />

MEADVILLE, PA.—The unveiling of<br />

the 400-seat Mall Theatre at the Meadville<br />

Mall, originally scheduled for Wednesday,<br />

October 25, was postponed two weeks because<br />

of unforeseen delays in construction,<br />

it was announced by Ronald Blair, manager.<br />

The showhouse was slated to bow Wednesday<br />

(8) with the George C. Scott starrer,<br />

"The New Centurions."<br />

.


Economist Sees Hope<br />

For the Central City<br />

PROVIDENCE—There is hope for the<br />

central city and its business community, including<br />

exhibition, in the opinion of urban<br />

economist Bennett Harrison of the University<br />

of Maryland.<br />

Addressing an audience at Brown University,<br />

Professor Harrison commented: "I<br />

see no compelling evidence that the central<br />

city is not viable. I see many people continuing<br />

to live in the city ... by conscious<br />

choice, including migrants from rural areas<br />

who have benefited themselves by coming to<br />

the city."<br />

Harrison, who is joining the Massachusetts<br />

Institute of Technology faculty in<br />

February, said that he wanted to correct the<br />

average person's perception of urban living<br />

"as a whole series of unpleasantries" that<br />

have led governmental officials to give up<br />

on the city.<br />

He cited three "myths" about the central<br />

city, defining a "myth" as something that is<br />

partly true but believed as though it were<br />

entirely true.<br />

First: "Jobs are leaving the central city."<br />

This holds true, he said, for manufacturing,<br />

wholesale and retail jobs, which constitute<br />

some 60 per cent of the total. But governmental<br />

and service jobs are growing in the<br />

city.<br />

In addition, the proportion of factory jobs<br />

in the city has been found to drop during recessions<br />

and rise as the national economy<br />

emerges from a recession. One factor involved<br />

here is that multi-plant companies<br />

curtail activity at older plants first.<br />

Second: "There's no land left to build on<br />

in the central city." While the city does not<br />

have the wide open spaces prevelant in suburban<br />

areas, he said, a study finds that 20<br />

per cent of the "buildable" land in the city is<br />

vacant.<br />

Third: "Blacks are better off in the suburbs."<br />

Income data, he said, refutes this<br />

view.<br />

"The worst problems of the city could be<br />

solved if society wants to," declared Professor<br />

Harrison.<br />

Rob't Woempner Promoted<br />

To GFC General Manager<br />

HOLLYWOOD—Robert<br />

Woempner has<br />

been promoted to the post of general manager<br />

of General Film Corp., it was announced<br />

by Arthur Marks, president of the<br />

production-distribution company.<br />

A veteran of 20 years' experience in all<br />

phases of motion picture distribution and<br />

exhibition, Woempner joined General Film<br />

in May 1970. Previously he had been with<br />

Parade Pictures, Producers Studio and<br />

Bradford Productions.<br />

He is the son of Oscar C. Woempner,<br />

now retired, who formerly owned 40 theatres<br />

in the Minneapolis area.<br />

Kerasotes to<br />

Unveil<br />

Twin Airer in 1973<br />

SPRINGFIELD, ILL.—Work on Springfield's<br />

first twin underskyer is being completed<br />

this fall, although the opening won't<br />

be until spring. The 89th and 90th units in<br />

the Kerasotes Theatres circuit, the dual theatre<br />

is located west of Springfield on Jacksonville<br />

Road just beyond the proposed Westroads<br />

Shopping Center. The circuit, which<br />

operates in Illinois and Missouri, is headed<br />

by George Kerasotes, president, who also<br />

currently is<br />

a member of the Motion Picture<br />

Ass'n Code Appeal Board and a past president<br />

of the National Ass'n of Theatre Owners.<br />

The drive-in will feature 75-foot-high<br />

screens measuring 40x100 feet. Each parking<br />

area will accommodate 750 autos and<br />

high-fidelity in-car speakers. A center building<br />

will contain a refreshment center, restrooms<br />

and a projection booth on the upper<br />

level, all air-conditioned. One entrance road<br />

for both ozoners will lead to individual boxoffices.<br />

Contractors for the twin-theatre project is<br />

Drive-In Theatre Construction Co., Fairfield.<br />

Equipment is by Drive-In Theatre<br />

Supply Co., Kansas City, and Abbott Theatre<br />

Supply Co., Chicago.<br />

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Oklahoma Theatre Supply Company<br />

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Budd Theatre Supply, Inc.<br />

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linema Designers, Inc.<br />

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Carroll Seating Company<br />

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Walter Reade Organization Planning<br />

Return to Film Production Scene<br />

NEW YORK—The Walter<br />

Reade Organization,<br />

until recently one of the dominant<br />

forces in independent co-production and distribution<br />

in the U.S. and abroad, will return<br />

to the motion picture production scene with<br />

two major film commitments, it was announced<br />

by Walter Reade jr., president and<br />

chairman of the board.<br />

Financing already has been completed for<br />

the first film, a ballet version of "Don<br />

Quixote." and production will start inunedi-<br />

Signing the agreement for the production<br />

and presentation of "Don<br />

Quixote" starring Rudolph Nureyev<br />

and Sir Robert Helpmann are left to<br />

right: Budd Rogers, producer's representative;<br />

John L. Hargreaves (seated),<br />

executive director of International Arts,<br />

Inc., producers of the film, and Sheldon<br />

Gunsberg, executive vice-president of<br />

the Walter Reade Organization.<br />

ately in Melbourne, Australia in association<br />

with International Arts, Inc., a newly formed<br />

.Australian company. Two of the world's<br />

most celebrated figures in ballet, Rudolph<br />

Nureyev and Sir Robert Helpmann, will<br />

combine their talents in re-creating their<br />

original stage roles in the film. Lucette<br />

Aldous of the Royal Ballet will portray the<br />

key role of Ketri, considered a showpiece<br />

for ballerinas. The major new film features<br />

the internationally famous Australian Ballet<br />

and will be filmed entirely in Australia.<br />

The Walter Reade Organization will present<br />

the film throughout the world, following<br />

its world premiere, scheduled for the<br />

new Sydney Opera House in June 1973<br />

under the auspices of the Australian government.<br />

The William Morris Agency is associated<br />

with WRO in this activity.<br />

The second film on the Reade schedule<br />

will be the reuniting of the production-direction<br />

team of Walter Reade jr., and Joseph<br />

Strick for the film version of James<br />

Joyce's "The Portrait of an Artist as a<br />

Young Man," to commence shooting in<br />

Dublin in the spring of 1973. Reade and<br />

Strick were responsible for the highly successful<br />

version of the Joyce classic, "Ulysses"<br />

in 1968. Strick will commence preparation<br />

of the new Joyce film immediately upon<br />

the completion of his current production.<br />

Reade will be going to London in November<br />

to complete the financing and distribution<br />

arrangements in the U.K.<br />

In commenting on the new program,<br />

Reade stated. "The Walter Reade Organization<br />

does not intend to go into normal<br />

distribution as such, but is making commitments<br />

for the co-production and release of<br />

major films directly to the company's own<br />

theatres. Other exhibitors throughout the<br />

world, who similarily feel it necessary to<br />

make pre-production commitments in order<br />

to insure a suitable flow of important firstrun<br />

product for their theatres, have been invited<br />

to participate, with the Reade Organization<br />

assuming all responsibility for delivery<br />

of these quality films."<br />

"In order for this new direct merchandising<br />

to theatres to be fairly evaluated, we are<br />

considering adding two additional major<br />

motion picture properties to the program.<br />

We hope to be able to make an announcement<br />

before the end of the year for this<br />

further co-production involvement," Reade<br />

stated. Television, cassettes, and other media<br />

investors will be invited to participate in the<br />

activity of the new program.<br />

The 22 sub-distributors presently handling<br />

WRO product under the supervision of<br />

the<br />

Budd Rogers will form the nucleus of the<br />

sales organization for these films, after the<br />

major direct presentation commitments have<br />

been liquidated.<br />

Reade stated further that while WRO's<br />

film involvements in the past have generally<br />

been in the very select and quality field of<br />

motion pictures, under the new program the<br />

company will consider more commercialtype<br />

films as well. Also where in the past<br />

WRO's major involvement and success has<br />

been mainly with European co-production,<br />

current plans include involvements with<br />

U.S.-based production companies. "Our<br />

careful and special handling of such recent<br />

successes as "Fellini's Roma," Truffaut's<br />

"Two English Girls," Bunuel's "The Discreet<br />

Charm of the Bourgeoisie," the 6V^<br />

hour version of the Russian "War and<br />

Peace" and "Cabaret," indicates to us that<br />

our methods of presenting unusual and outstanding<br />

films can be profitable, so long as<br />

we are discriminating and if, at the same<br />

time, we limit our risk," Reade commented.<br />

The commitment on "Don Quixote" was<br />

made with John L. Hargreaves, executive<br />

director of International Arts. Hargreaves,<br />

whose film credits include "Red Shoes,"<br />

"Tales of Beatrix Potter" and the forthcoming<br />

"I Am a Dancer," starring Nureyev, will<br />

serve as producer. In addition to performing<br />

the key roles of Basil the Barber and The<br />

Don, respectively, Nureyev and Helpmann<br />

will share directorial duties as well. John<br />

Lanchbery, principal conductor of England's<br />

Royal Ballet and composer of the music for<br />

"The Tales of Beatrix Potter" will conduct<br />

the famed Ludwig Minkus score with the<br />

Melbourne Theatre Trust Orchestra. Geoffrey<br />

Unsworth, one of the industry's foremost<br />

cinematographers, whose successes include<br />

"2001: A Space Odyssey," and the<br />

more recent "Cabaret," will be the cameraman.<br />

Sets and costumes will be designed by<br />

Barry Kay, designer for more than 40 productions<br />

of opera, theatre, ballet and film<br />

for the Covent Gardens Royal Opera House,<br />

the Sadler's Wells Opera, Royal Shakespeare<br />

Co. and many others.<br />

The film version of the "Don Quixote"<br />

ballet follows its recent presentation on<br />

stage starring Nureyev and Helpmann,<br />

which broke boxoffice records throughout<br />

major cities in the United States, as well as<br />

Montreal and Toronto, and was seen by<br />

audiences totaling more than 1,500,000.<br />

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BOXOmCE :: November 13, 1972 45


To Expand Facilities<br />

At Goldwyn Studios<br />

HOLLYWOOD—Jack P. Foreman, general<br />

manager, Samuel Goldwyn Productions,<br />

has announced plans for a major expansion<br />

of production and post-production facilities<br />

at Samuel Goldwyn Studios. Prompted by<br />

"a need to expand the total-facility complex<br />

for the independent producer," according<br />

to Foreman, the plan will be initiated in<br />

January with the opening of an all-new<br />

post-production sound center to be called<br />

the Sawyer Sound Building, named in honor<br />

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comfort<br />

1


Form Fox-Rank Firm<br />

For UK Distribution<br />

LONDON—The formation of Fox-Rank<br />

Distributors. Ltd., a new company to handle<br />

ail the respective theatrical film distribution<br />

activities of 20th Century-Fox and Rank<br />

film distributors in the United Kingdom<br />

starting December 3, has been announced<br />

by Sir John Davis, chairman and chief executive<br />

of the Rank Organization, and Gordon<br />

Stulberg. president and chief operating<br />

officer of 20th-Fox Film Corp.<br />

Co-chairman of the new company will be<br />

Percy Livingstone, vice-president and sales<br />

manager of 20th-Fox International and managing<br />

director of 20th-Fox UK, and Frank<br />

Poole, managing director of Rank Film Distributors.<br />

They have named R. M. Drennen<br />

as general manager of the new company.<br />

Drennen currently is director of sales for<br />

Rank. The new company will operate from<br />

127 Wardour.<br />

Both 20th-Fox and Rank will continue<br />

independently playing their leading roles<br />

in the industry and both companies will be<br />

located at 31 Soho Square. Rank Distributors<br />

will maintain its control of the Rank<br />

Organization's investment in film production<br />

and will service the industry through its<br />

dispatch and examination departments. It<br />

also will be responsible for worldwide distribution<br />

of product through the recently<br />

announced integration of Rank overseas<br />

film distribution's activities with its own.<br />

Twentieth-Fox will continue its production<br />

and acquisition of British product, the<br />

control and booking of its theatres and will<br />

retain its interest in British Movietonews<br />

Ltd., its 16mm operation and other ancillary<br />

activities.<br />

The new company will not operate in Eire<br />

or Northern Ireland nor handle sales<br />

or nontheatrical 16mm.<br />

A number of other appointments to the<br />

new company have been announced by<br />

Drennen, including: sales manager, R. Dawson,<br />

now sales manager, 20th-Fox; company<br />

secretary. R. Bryan, now director of administration<br />

for Rank, and publicity manager,<br />

to TV<br />

J. Fairbairn, currently publicity manager for<br />

20th-Fox.<br />

AIP to Release Krantz's<br />

Animated 'Heavy Traffic'<br />

BEVERLY HILLS, CALIF.—Samuel Z.<br />

Arkoff, president and chairman of the<br />

board of American International Pictures,<br />

announced that AIP has concluded arrangements<br />

with Steve Krantz Productions for<br />

"Heavy Traffic," a feature-length animated<br />

picture. Now in production with release<br />

scheduled for 1973, "Heavy Traffic" is<br />

being created especially for AIP by its<br />

writer-director Ralph Bakshi and producer<br />

Steve Krantz, whose combined first effort,<br />

"Fritz the Cat," has won international acclaim<br />

and broken boxoffice records. The<br />

new feature will be drawn from human<br />

beings, as opposed to the animal characterizations<br />

in "Fritz the Cat."<br />

"The ground we broke with our concept<br />

of 'Fritz' is just the beginning," says writerdirector<br />

Bakshi, "when compared to the<br />

freshness I hope to bring to the screen in<br />

'Heavy Traffic' After all, I will have the<br />

great<br />

advantage of dealing with human beings<br />

instead of animal characters and 'Fritz'<br />

was started more than two years ago. What<br />

I learned from 'Fritz' is going into 'Heavy<br />

Traffic' and then some," Bakshi stated.<br />

Bakshi's feature-length animation of<br />

the "Fritz" character, created by famed<br />

underground cartoonist Robert Crumb, had<br />

the unusual distinction of opening the 11th<br />

annual Critics Week at the Cannes Film<br />

Festival this year.<br />

Junior Book Award Winner<br />

To Be Animated Feature<br />

NEW YORK—"The Pushcart War," bestselling<br />

Junior Book Award-winning novel by<br />

Jean Merrill, will be produced as a fulllength<br />

animated feature film by Lawrence<br />

N. Belling and Treasure Films, Ltd., of<br />

London, with production starting early next<br />

year under the direction of Bob Godfrey<br />

from a Stan G. Spiegelman screenplay.<br />

Designed for family audiences, "The<br />

Pushcart War" takes place a few years from<br />

now in New York when traffic chokes the<br />

island of Manhattan so that transportation<br />

from 32nd to 36th street often takes four to<br />

five hours. Trucks have grown to enormous<br />

proportions and trucking owners decide to<br />

blame the traffic snarls on pushcart peddlers<br />

whose carts, they claim, block traffic. A<br />

farcical satirical war between truckers and<br />

pushcart peddlers ensues.<br />

To be in production for a year and onehalf,<br />

"The Pushcart War" is expected to be<br />

ready for release about Easter 1974. with a<br />

running time of about 80 minutes.<br />

Peter Stone, Peter Hunt Form<br />

New Production Company<br />

NEW YORK—Writer Peter Stone and<br />

director Peter Hunt, whose Broadway musical,<br />

"1776," won both the New York Drama<br />

Critics' Circle Award and the Tony Award,<br />

have formed Charade Productions whose<br />

activities will encompass motion pictures<br />

and television, as well as theatre.<br />

On the feature film agenda for Charade<br />

is "The Ornament," from an original script<br />

by Stone with Hunt directing, which deals<br />

with the irony of a yoimg man working for<br />

a large corporation who achieves success<br />

only after management mistakenly believes<br />

he is black.<br />

Another future motion picture project is<br />

the adaptation of Brock Brewer's Gothic<br />

novel, "The Late Great Creature," the story<br />

of the last bizarre days of an aged horror<br />

film star.<br />

NSS Di-vision Wins Prizes<br />

At Advertising Show<br />

NEW YORK—Three displays printed by<br />

Continental Lithograph Corp., division of<br />

National Screen Service, were awarded<br />

prizes at this year's POPAI (Point of Purchase<br />

Advertising Institute) show held<br />

October 24-26 at the Hilton Hotel in New<br />

York, it was announced by Vincent LaSala,<br />

vice-president of Continental.<br />

Three-State Expansion Is<br />

Under Way for Redstone<br />

CEDARHURST, N.Y.—Woodbay Construction<br />

Corp., and Redstone Management<br />

(Showcase Cinema) have announced the<br />

signing of a multimillion-dollar contract for<br />

theatres to be built in Connecticut, Massachusetts<br />

and Ohio. Construction is already<br />

under way at all three locations.<br />

In addition to the multimillion-dollar construction<br />

with Redstone Management,<br />

Woodbay has built theatres for Loews,<br />

RKO-Stanley Warner, Network Cinema<br />

(Jerry Lewis) and other independents.<br />

Woodbay Construction Corp. will be at<br />

Booth 119 during the NATO convention and<br />

also<br />

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BOXOFFICE :: November 13, 1972 47


Harvey Garland Named<br />

ABC Theatres President<br />

NEW YORK—P. Harvey Garland<br />

has been appointed president of ABC<br />

Theatre Holdings, Inc., it was announced<br />

by Elton H. Rule, president and<br />

chief operating officer of American<br />

Broadcasting Companies, Inc.<br />

In his new post, Garland will report<br />

to Rule and will be responsible for the<br />

supervision and management of all the<br />

435 theatres in which ABC has an interest.<br />

Garland was executive vicepresident<br />

of ABC Theatre Holdings.<br />

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W. E. Mitchell to Retire<br />

As ABC Interstate Head<br />

NEW YORK—William E. Mitchell, president<br />

of ABC Interstate Theatres, Inc., has<br />

elected to retire in<br />

January 1973 after 31<br />

years in the theatre<br />

business, it was announced<br />

by P. Harvey<br />

Garland, president of<br />

ABC Theatre Holdings,<br />

Inc. ABC Interstate<br />

Theatres, Inc.,<br />

operates motion picture<br />

theatres in Texas,<br />

^ ^... , .. Mississippi, Arkansas<br />

Wm. E. MitcheU ^^^ Tennessee.<br />

In making the announcement. Garland<br />

said, "Bill Mitchell's request for retirement<br />

was accepted with deep regret. His record,<br />

including the past two years as president<br />

of Interstate, is one of outstanding leadership<br />

and showmanship. All of us at ABC<br />

and Interstate wish him many years of<br />

health and happiness."<br />

Commenting upon his long career with<br />

the theatre chain, Mitchell said: "The years<br />

with Interstate have been both gratifying<br />

and rewarding, but I feel that it is now<br />

time to relax a little and devote more leisure<br />

time to my family and to personal interests."<br />

Mitchell, a church and civic leader in<br />

the local community, is a native Texan and<br />

was a newspaper executive before joining<br />

Interstate in 1941. During his theatre career,<br />

which has been spent entirely with the pioneer<br />

theatre circuit in Dallas, he has at<br />

various times been in charge of real estate,<br />

insurance, and personnel, has been division<br />

director and executive vice-president and<br />

general manager. He was named president<br />

of ABC Interstate in 1970.<br />

Andrew Stone, Mary Costa<br />

Tour for 'Great Waltz'<br />

HOLLYWOOD—Producer-Director<br />

Andrew<br />

L. Stone and star Mary Costa are making<br />

separate three-week tours of United<br />

States and Canada for major city openings<br />

of Metro-Goldwyn-Mayer's "The Great<br />

Waltz."<br />

Miss Costa's first stop was New York,<br />

then Dallas and Abilene, Texas, Boston,<br />

Philadelphia, San Francisco, Savannah, Atlanta<br />

and Chicago, returning to Los Angeles<br />

Nov. 21. Stone will visit Toronto, Montreal,<br />

Washington, D.C., Chicago, Miami, New<br />

Orleans, Houston, Dallas, St. Louis, Seattle,<br />

Vancouver and Portland, returning to Los<br />

Angeles Friday (17).<br />

Mature Pictures to Handle<br />

'High Rise' Distribution<br />

NEW YORK—Robert R. Sumner, president<br />

of Mature Pictures Corp., has obtained<br />

distribution rights to Danny Stone's production<br />

"High Rise" starring Tamie Trevor and<br />

James Kleeman, with music and lyrics by<br />

Jacques Urbont.<br />

"High Rise" is scheduled to follow the<br />

hgihly successful "Deep Throat" into the<br />

Mature World Theatre in New York and<br />

will be released in the spring of 1973.<br />

'New Centurions' Gross<br />

Tops $9 Million Mark<br />

NEW YORK—Columbia Pictures' "The<br />

New Centurions" has been breaking boxoffice<br />

records across the country, grossing<br />

over $1,000,000 a week for its first nine<br />

weeks of general release, for a total gross<br />

of $9,261,500 to date.<br />

Highlighting the Chartoff-Winkler production's<br />

sensational national gross has been<br />

its boxoffice performance in New York<br />

and Los Angeles.<br />

During its New York run, "The New<br />

Centurions" has amassed $1,402,260 which<br />

includes the film's highly successful first<br />

run and subsequent showcase engagements.<br />

In Los Angeles, the film has become Columbia's<br />

all-time LA boxoffice champion,<br />

scoring a tremendous $744,008, which includes<br />

the film's record-breaking world premiere<br />

engagement at the Hollywood Cinema,<br />

UA Cinema Westwood and the Rosecrans<br />

Drive-In and only two weeks of its<br />

current mini-multiple run.<br />

Construction Delays Debut<br />

Of 'Under Milk Wood'<br />

NEW YORK—The American premiere<br />

of the film version of Dylan Thomas' "Under<br />

Milk Wood," starring Richard Burton,<br />

Elizabeth Taylor, Peter O'Toole and Glynis<br />

Johns, was originally set to open United<br />

Artists Theatres' new 299-seat chic Eastside<br />

Cinema on Manhattan's Third avenue in the<br />

mid-'50s October 24, but construction delay<br />

moved the opening back to mid-November<br />

with a further delay making the date December<br />

24 and now assurances have been<br />

given that the latest January 28 opening<br />

(preceded by a week of benefit performances)<br />

is definite.<br />

Because of advance critical praise (with<br />

several magazine raves already in print),<br />

producer Jules Buck was looking forward<br />

to the December opening in order to qualify<br />

his picture for ten-best lists and possible<br />

New York critics' awards for 1972 released<br />

films.<br />

"SWINGING<br />

WIVES"<br />

A forthcoming film expose<br />

about sex starved women and<br />

marital moralities. An international<br />

Producers Corporation<br />

release. P. O. Box 7148,<br />

Burbank, California 91505.<br />

48<br />

BOXOFnCE :: November 13, 1972


Today more theaters than ever — 9 out<br />

of 10, according to a survey of circuits<br />

and booking services — are booking<br />

tree shorts.<br />

And for good reason, too.<br />

Puerto Rico—Island of Beouty (11 mins.)<br />

Jose Ferrer narrates and appears in this<br />

color-filled trovelog, showing Miss USA<br />

and Miss Universe (1972) the sights and<br />

delights of Puerto Rico. Not bod compony<br />

to see the Island with! ... A Very<br />

Special Stone (9 mins.) It's got holdover<br />

written oil over it! A simply beautiful film<br />

obout diomonds from their volcanic origins<br />

to finished gems. Exquisite. ... For the<br />

Love of on Eogle (14 mins.) Whot an<br />

outdoor adventure this one is! A young<br />

woman befriends a rore South African<br />

eagle and proves that ecology is reolly<br />

a man-to-wildlife relationship . . .<br />

The Possible Dream (14 mins.) We're holding<br />

it over for a second yeor! Ask the<br />

guy who played it and you'll see why. A<br />

lush and lovely travel film . . .<br />

Bontu<br />

Toddlen (13 mins.) South African kids<br />

at ploy, which shows that kids are the<br />

same the world over. Play it for adults<br />

and at your kiddie matinees too . . .<br />

No Simple Thing (14 mins.) A soaring<br />

tribute to the men and women who developed<br />

the L-lOn Tri-Star jet. A real<br />

aviation epic with a "2001" type score...<br />

The Menu Plonner (10 mins.) You'd better<br />

lay in plenty of refreshery food 'cause<br />

this one will really whet audience appetites.<br />

A special poster goes with this one<br />

to dress up your lobby and offer patrons<br />

free recipe booklets by James Beard . . .<br />

Wacky World of Wilfred Wickenbush (13<br />

mens.) A merry melonge of old-time<br />

movie clips humorously illustrote a day<br />

in the life of a Walter Mitty type . . .<br />

Theater Cavalcades No. 7 ond 8 Latest<br />

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. . and coming soon: Ifs a Pleos-<br />

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ure to be Here (13 mins.) Jose Ferrer in<br />

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Mickey<br />

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Mouse Celebrates<br />

44th Birthday Nov. 18<br />

BURBANK, CALIF. — Walt<br />

Disney's<br />

famous character, Mickey Mouse, whose<br />

name has become a household word<br />

throughout the world, will celebrate his 44th<br />

birthday Saturday (18). It was Nov. 18,<br />

1928 that the first Mickey Mouse cartoon,<br />

"Steamboat Willie" made its debut at the<br />

Colony Theatre in New York.<br />

Walt Disney had made two cartoons<br />

prior to "Steamboat Willie," but he had<br />

been unable to sell them as they were silent<br />

films. Al Jolson's "The Jazz Singer" had<br />

been released the previous year, and the<br />

theatre-going public was clamoring for more<br />

sound films. So Walt Disney decided to<br />

make "Steamboat Willie" with sound. As<br />

there was no company in Hollywood who<br />

could record the sound for his picture,<br />

Walt had to take it back to New York<br />

late in the summer of 1928. He hired an<br />

orchestra, made a deal with a sound recording<br />

outfit, and even supplied Mickey's<br />

voice (or squeaks) himself.<br />

Writing a letter back to his brother, Roy,<br />

in California on Sept. 14, 1928, Walt said:<br />

"The sound situation is still a big mystery-<br />

No one is positive how it is all going to<br />

turn out. But I have come to this definite<br />

conclusion: Sound effects and talking pictures<br />

are more than a mere novelty. They<br />

are here to stay and in time will develop<br />

into a wonderful thing. The ones that get<br />

in on the ground floor are the ones that<br />

will more likely profit by its future development.<br />

That is providing they work for<br />

quality and not quantity and quick money."<br />

This letter shows Walt's foresight at a time<br />

when sound was indeed a novelty. He saw<br />

its possibilities, and was able to get in on<br />

the ground floor.<br />

"Steamboat Willie" was a tremendous<br />

success that Sunday in November when it<br />

opened. Variety said it represented "a high<br />

order of cartoon ingenuity cleverly combined<br />

with sound effects." It went on to<br />

say that "giggles came so fast at the Colony<br />

they were stumbling over each other."<br />

Mickey Mouse had made his momentous<br />

debut. Four years later, Walt Disney was<br />

honored with a special Academy Award for<br />

Mickey's creation. Mickey went on to star<br />

in 117 short cartoons, as well as the features<br />

"Fantasia" and "Fun and Fancy<br />

Free." In 1955 with the start of the Mickey<br />

Mouse Club he rose to even greater fame,<br />

and now he appears as official greeter at<br />

Disneyland and Walt Disney World.<br />

The little<br />

guy has come a long way since<br />

1928. Happy Birthday, Mickey!<br />

'Ben' Invited to Royal<br />

Command Performance<br />

LONDON—Michael Jackson's been to<br />

London to visit the Queen, and he brought<br />

"Ben" with him.<br />

When the Jackson Five were summoned<br />

to appear at the Royal Command Performance<br />

last week at the Palladium, it was requested<br />

that Michael Jackson perform his<br />

current Motown Records hit "Ben," the<br />

theme song from Cinerama Releasing's<br />

terror hit of the same name.<br />

Glenda Jackson Honored<br />

By French Fihn Academy<br />

PARIS. FRANCE—Glenda Jackson was<br />

honored here by the French Film Academy<br />

with the Etoile de Cristal for "her allaround<br />

excellence as a motion picture actress,"<br />

Georges Auric, president of the<br />

Academy, made the award before a notable<br />

group from the French and Italian film<br />

worlds.<br />

The British actress, who has just completed<br />

a starring role in Hal Wallis' production<br />

of "A Bequest to the Nation" for<br />

Universal, also accepted an award for Peter<br />

Finch, her co-star in the historical drama.<br />

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BOXOFnCE :: November 13, 1972 49


'Movie Review Scholarship<br />

Plan<br />

Seen As Industry Image Improver<br />

MIAMI—A "Movie Review Scholarship<br />

Plan," being adopted by National NATO<br />

for use across the nation in an attempt to<br />

upgrade the image of the motion picture<br />

industry, was first put into operation by<br />

Wometco Theatres here last month, according<br />

to Jack Mitchell, director of advertising<br />

and promotion for the circuit.<br />

As outlined recently in Wometco's house<br />

organ, "On Target," the plan is being cosponsored<br />

by the Miami Herald and Wometco,<br />

with the hop)e of getting some of the film<br />

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companies and other local circuits involved.<br />

The plan has been approved by the Dade<br />

County Board of Education and will run<br />

from October through April, with special<br />

screenings each month for a selected group<br />

of students from each area high school.<br />

The students will be chosen by English<br />

and social studies department heads under<br />

the guidance of Margaret Dinn, English<br />

literature, and Jim Fleming, social studies,<br />

of the Board of Education.<br />

There will be a screening once a month at<br />

one of Wometco's theatres, with approximately<br />

50 students from each high school in<br />

attendance. There are 24 high schools in<br />

Dade County. After the screening the students<br />

will do their own reviews of the film<br />

they saw.<br />

Each school will have a counsellor in<br />

charge of the screenings, who will select up<br />

to a maximum of five student reviews from<br />

each screening for consideration at the end<br />

of the school year for final judging.<br />

With seven screenings October through<br />

April,<br />

the month of May will be devoted to<br />

final judging, at which time from three to<br />

five students will be selected by the judges<br />

as the recipients of scholarships. The scholarship<br />

money will not be turned over to<br />

the students until they graduate, when a<br />

check will be made out to the educational<br />

institution of the student's choice, ensuring<br />

continuation of his education.<br />

Members of the scholarship committee<br />

are Miss Dinn, Fleming, Mitchell and John<br />

Huddy of the Miami Herald.<br />

Mitchell says of the plan: "The 'Movie<br />

Review Scholarship Plan' is an exciting new<br />

approach in many areas. We fully believe<br />

that it will aid the image of our industry<br />

showing the people that we do make fine<br />

films and are not just 'porno peddlers'<br />

the reputation we bear today. It should encourage<br />

young people and aid them in<br />

developing their minds and stimulating them<br />

into furthering their education . . . possibly<br />

into the field of journalism . . . and, or,<br />

who knows, it might also create an interest<br />

for future manpower in our industry. There's<br />

no doubt that after the students see each<br />

film they'll create a lot of word-of-mouth<br />

on the selling of the film. As you can see, it<br />

opens up a whole new concept of high-level<br />

promotion or advertising."<br />

Movielab Ncones Hinkle<br />

Hollywood Plant Head<br />

NEW YORK—Harold Hinkle has been<br />

named vice-president in charge of plant<br />

operations for Movielab/ Hollywood Inc., it<br />

was announced by president Arnold P.<br />

Diamond. In 1969, Hinkle joined Movielab,<br />

Inc. as production manager. He was subsequently<br />

promoted to vice-president in charge<br />

of production for the parent company.<br />

An industry veteran with a quarter century<br />

of varied laboratory experience, Hinkle<br />

is<br />

a member of the Society of Motion Picture<br />

and Television Engineers.<br />

Harvey Chertok Offering<br />

Children's Cinema Course<br />

WEST NYACK, N.Y.—"Let's Go to the<br />

Movies," a new ten-week course for children<br />

eight to 12 involving a study of cinema<br />

concepts and the art of the short film,<br />

now is under way Saturdays at 11:30 a.m.<br />

at the Rockland Center for the Arts in<br />

West Nyack. Being given by filmmaker and<br />

TV marketing executive Harvey Chertok,<br />

the course has been designed to offer<br />

youngsters an introduction to cinema concepts<br />

through a presentation and analysis<br />

of the short film.<br />

"Since more and more colleges and universities<br />

presently are offering such courses,<br />

many for the first time, why shouldn't<br />

younger children have a similar opportunity?"<br />

asks Chertok. "Especially so, since<br />

children, through TV and audio-visual<br />

materials in school, are exposed to more<br />

film than ever before, respond vigorously<br />

to it and deserve an opportunity to explore<br />

and understand this vital medium of communication<br />

so that they can become better<br />

equipped to evaluate its purpose and appeal,"<br />

he adds.<br />

Included in the course are such film<br />

study programs as "Close-Up on Cartoons,"<br />

"Comedy Learns to Talk." "Experiments in<br />

Film," "Strange and Exciting Adventures"<br />

and "Some of the Really Great Ones."<br />

"One of the specialties of the course<br />

will be the presentation of a selection of<br />

outstanding films produced in various countries<br />

throughout the world, many of which<br />

will enjoy their 'U.S. premieres' in our<br />

classroom," noted Chertok, who has served<br />

in various executive positions with such<br />

film companies as National Telefilm Associates<br />

and Warner Bros.-7 Arts and currently<br />

is a marketing consultant to United Artists<br />

Television.<br />

Nat'l Council of Churches<br />

Gives Boost to 'Sounder'<br />

NEW YORK—"Sounder," Radnitz/ Mattel<br />

production for 20th Century-Fox release,<br />

has been singled out for special attention in<br />

Film Feedback, a special publication put out<br />

by the broadcast and film committee of the<br />

National Council of Churches.<br />

This represents the first time that a film<br />

has been so treated in a publication under<br />

the official banner of the National Council.<br />

This copy of Film Feedback, a special<br />

supplement of the National Council's<br />

monthly newsletter. Film Information, is devoted<br />

entirely to a study and appreciation of<br />

"Sounder" and is being distributed to approximately<br />

70,000 clergymen, religious<br />

educators and editors and other key people<br />

and opinion makers in the 34 denominations<br />

that make up the National Council.<br />

'Carte Blanche' Retitled<br />

HOLLYWOOD—"The Sugarland Express"<br />

is the new title for the Zanuck-<br />

Brown Co. production for Universal originally<br />

announced as "Carte Blanche." Steven<br />

Spielberg will direct the original screenplay<br />

by Hal Barwood and Matthew Robbins,<br />

with filming to begin in January.<br />

BOXOFTICE :: November 13, 1972


MOTION PICTURES RATED<br />

BY THE CODE & RATING<br />

ADMINISTRATION<br />

The following feature-length motion pictures<br />

have been reviewed and rated by the<br />

Code and Rating Administration pursuant<br />

to the Motion Picture Code and Rating Program.<br />

TIH* Distributor Rating<br />

Avanti (UA)<br />

Black Girl<br />

(Cinerama)<br />

Countdown (Allied Artists)<br />

Doc (*)<br />

(UA)<br />

Encounter With the Unknown<br />

(Centronics)<br />

The Four Dimensions of Greta<br />

(General Film)<br />

November Children (**)<br />

(Cinema Nat'l)<br />

Piranha! Piranha! (Seventh Seal)<br />

Santa and the Ice Cream Bunny (R&S)<br />

Santa and the Magic Fountain<br />

(Finest Film)<br />

3 on a Meathook (Studio I)<br />

They Only Kill Their Masters (MGM)<br />

Two People<br />

(Universal)<br />

Up the Sandbox (NGP)<br />

(*) Supersedes R rating listed in Bulletin No.<br />

(**) Supersedes R roting listed in Bulletin No.<br />

PG<br />

PG<br />

PG<br />

PG<br />

PG<br />

PG<br />

m<br />

PG<br />

IS<br />

m<br />

145.<br />

177.<br />

CINE Golden Eagle Given<br />

To 'Ringer' Film Short<br />

WASHINGTON—A CINE Golden Eagie<br />

Certificate was presented Thursday (9) to<br />

"The Ringer," Hearst-Metrotone film short<br />

about the merchandising of narcotics to<br />

youngsters. The certificate from CINE<br />

(Council on International Non-theatrical<br />

Events) is evidence of the film's suitability<br />

for international festival use. The award was<br />

accepted at a CINE awards presentation here<br />

by Charles Shutt, Hearst-Metrotone's Washington<br />

bureau manager. It is the fUm's second<br />

major award following receipt of a<br />

Gold Leaf at the Atlanta Film Festival last<br />

summer.<br />

"The Ringer" was written and directed<br />

by 24-year-old Jeff Lieberman and scored<br />

by 28-year-old Elliot Chiprut. Jerry Berger,<br />

production chief of King Features and<br />

Hearst-Metrotone, was the film's executive<br />

producer.<br />

Ossie Davis Receives<br />

School League Medal<br />

NEW YORK—Actor-writer-director Ossie<br />

Davis was selected by the School Art<br />

League to receive the School Art League<br />

Youth Friends Medal. The medal, awarded<br />

in recognition of Davis' service over the<br />

\ears to young people, was presented Thursday<br />

(2) at a reception in his honor. Actress<br />

Joan Fontaine made the presentation.<br />

Mitchell Leisen, Veteran<br />

Film Director, Dies at 74<br />

HOLLYWOOD— Mitchell Leisen, 74, director<br />

and onetime art director for Cecil<br />

B. De Mille during the 1920s, died of<br />

coronary complications at Motion Picture<br />

Country Hospital October 28. He had been<br />

retired in recent years due to ill health.<br />

Leisen, known as an artistic director<br />

because of his past experience as a production<br />

designer, learned much of his trade<br />

from De Mille. He joined De Mille in 1919<br />

and was associated with him for 12 years<br />

at the old Famous Players-Lasky studio.<br />

His first direction was on "Cradle Song,"<br />

with Dorothea Weick.<br />

Thereafter, he directed such films as<br />

"Big Broadcast of 1937," "Remember the<br />

Night," "Hold Back the Dawn," "To Each<br />

His Own," "Kitty," "The Mating Season"<br />

and "Las Vegas by Night."<br />

His TV credits included "Shirley Temple<br />

Story Book," "Adventures in Paradise,"<br />

"Pete and Gladys" and 'The Girl from<br />

U.N.C.L.E." series.<br />

Services were held Friday (3) at All<br />

Saints Episcopal Church, Beverly Hills.<br />

Reginald Owen Dies at 85;<br />

Veteran Character Actor<br />

BOISE, IDA.—Veteran British character<br />

actor Reginald Owen, 85, died Sunday night<br />

(5) of a heart attack.<br />

Owen's acting career spanned almost 70<br />

years. He made his stage debut in Shakespeare's<br />

"The Tempest" in 1905, and later<br />

appeared in such popular productions as<br />

"The Prisoner of Zenda" and "The Thief."<br />

Owen made his American stage debut in<br />

Chicago in 1924 and his movie debut in<br />

1929.<br />

His movies, in a wide variety of character<br />

roles, included "Of Human Bondage,"<br />

"Green Dolphin Street," "Kim," "The<br />

Miniver Story," "Red Garters," "Grounds<br />

for Marriage" and "Affairs of State."<br />

Owen was bom at Wheathampstead,<br />

England, the son of a brick manufacturer.<br />

He was a graduate of the London Academy<br />

of Dramatic Art and served as a lieutenant<br />

of the Royal Garrison Artillery in France<br />

in World War I. Married three times, his<br />

wife Barbara and two step-children survive.<br />

Veteran Sales Executive<br />

Ralph Kinsler, 69. Dies<br />

NEW YORK—Ralph Kinsler, 69, a veteran<br />

of over 40 years in motion picture sales<br />

and Los Angeles branch manager for Cinemation<br />

Industries, died October 30 in an<br />

automobile accident near his Glendale,<br />

Calif., home. Services were held Friday (3)<br />

at Forest Lawn Cemetery in Hollywood<br />

Hills. He leaves his wife, three sisters and<br />

two brothers.<br />

Kinsler began his film career in Cincinnati,<br />

where he held various sales positions<br />

with 20th-Fox, RKO and Warner Bros. For<br />

RKO and Warners, he was a branch manager<br />

at various times. On moving to the<br />

West Coast around 1955, he worked in sales<br />

for Walter Reade, Rizzoli. Al Kolitz Films<br />

and finally Cinemation.<br />

Herb Jaffe to Produce<br />

For United Artists<br />

NEW YORK—Herb Jaffe will become an<br />

independent producer exclusively for United<br />

Artists, it was announced by David V. Picker,<br />

UA president. Jaffe's first two projects<br />

will be "High Rise," a multi-million-dollar<br />

drama about the construction business, and<br />

"Savage Is Loose," the story of the survival<br />

of a family on a remote island.<br />

Jaffe previously was vice-president of<br />

UA's worldwide production. He will phase<br />

out his current company responsibilities<br />

over the next few months in order to complete<br />

the transition as smoothly as possible.<br />

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BOXOFnCE :: November 13, 1972 51


'ii^oU^UMMd defiant<br />

Zanuck, Brown Buy Rights<br />

To "The Eager Sanction'<br />

Richard B. Zanuck and David Brown<br />

have announced that they, in association<br />

with Universal Pictures, now possess the<br />

film<br />

rights to "The Eiger Sanction," a novel<br />

by Trevanian. The novel, already in its<br />

fourth printing, has been the subject of two<br />

New York Times book reviews, both of<br />

which praised the book as an outstanding<br />

suspense thriller. It is published by Crown<br />

in the U.S., Heineman in Britain and by<br />

companies in a score of foreign countries<br />

The screen rights to the comedy novel,<br />

. . .<br />

'The Tin Lizzie Troop," by Glendon<br />

Swarthout, have been purchased by First<br />

Artists, Ltd., as a film property to be produced<br />

by Coleytown Productions. Paul Newman<br />

will star. Patrick Kelley, president of<br />

First Artists, said the screenwriter and director<br />

will be announced shortly. John Foreman<br />

will produce the film, which has a<br />

1973 dateline and will be released by National<br />

General. The action of the story takes<br />

place on the Mexican border during the<br />

days of General Pershing's expedition in<br />

pursuit of Francisco Villa in 1916.<br />

Paul Newman, Robert<br />

Star in 'Sting' for Universal<br />

Redford<br />

Paul Newman and Robert Redford have<br />

been set to star in "The Sting" with George<br />

Roy Hill to direct the Richard D. Zanuck-<br />

David Brown presentation for Universal.<br />

The film represents a reteaming of the acting,<br />

directing and production talents responsible<br />

for the immensely popular Academy<br />

Award-winning "Butch Cassidy and the<br />

Sundance Kid." It will be a Bill/ Phillips<br />

production by Tony Bill and Michael and<br />

Julia Phillips from an original screenplay by<br />

David S. Ward . . . Gayle Hunnicutt was<br />

signed by James H. Nicholson, president of<br />

Academy Pictures Corp., for one of the leading<br />

roles in their initial production, "The<br />

Legend of Hell House," now filming in London<br />

for 20th-Fox release. Other major parts<br />

are being played by Pamela Franklin, Roddy<br />

McDowall and Clive Revill. Lensing will be<br />

entirely in England with John Hough directing,<br />

from a screenplay by Richard Matheson<br />

based on his novel, "Hell House."<br />

AIP Signs William Marshall<br />

To Special 3-Year Pact<br />

William Marshall, star of American International<br />

Pictures' horror hit "Blacula," was<br />

signed to a special three-picture contract<br />

with the film company, it was announced by<br />

Samuel Z. Arkoff, AIP president and chairman<br />

of the board . . . Sheila Frazier will be<br />

starred by producer Sig Shore in<br />

the sequel<br />

of "Super Fly." The yet untitled film will aso<br />

star Ron O'Neal, who will be directing the<br />

film as well . . . The role in "Ssssssss," re-<br />

52<br />

..By SYD CASSYD<br />

quiring the most complex motion picture<br />

makeup in recent years, has gone to Dirk<br />

Benedict, who was signed by producer Dan<br />

Striepeke for the Zanuck-Brown suspense<br />

thriller to be directed by Bernie Kowalski.<br />

. . David<br />

Five stages of makeup will be required to<br />

transform the young actor, who will star<br />

with Strother Martin, into a king cobra.<br />

Screenplayed by Hal Dresner, the film goes<br />

before the cameras this month .<br />

Clennan will play the role of Toombs in the<br />

Thompson-Paul production for 20th Century-Fox's<br />

"The Paper Chase," as announced<br />

by Elmo Williams, vice-president in charge<br />

of worldwide production. Other cast members<br />

include Timothy Bottoms, Lindsay<br />

Wagner, Graham Beckel and James Naughton.<br />

James Bridges is directing from his own<br />

screenplay adaptation of the John Jay Osborn<br />

jr. novel. Filming is on location in<br />

Toronto, Canada . . . Donnelly Rhodes has<br />

been signed by producer Sandy Howard for<br />

the co-starring role of an aquanaut leader in<br />

the Quadrant, Ltd.—Bellevue Pathe, Ltd.<br />

production for 20th-Fox release, "The Neptune<br />

Factor — an Undersea Odyssey,"<br />

Rhodes, a Canadian and member of the first<br />

class to graduate from the National Theatre<br />

School in Montreal, joins previously announced<br />

stars Ben Gazzara, Ernest Borgnine,<br />

Yvette Mimieux and Walter Pidgeon<br />

at the film's Toronto, Canada location site.<br />

The film marks a homecoming of sorts for<br />

Winnipeg, Manitoba-born Rhodes. "Neptune"<br />

is directed by Daniel Petrie for executive<br />

producers David Perlmutter and Harold<br />

Greenberg. Filming began September 22 . . .<br />

Sue Bernard joins Ann Sothern in the cast<br />

of a psychological suspense drama, "Are<br />

You a Good Boy?" The young actress will<br />

portray a teenage rape victim. George Edwards<br />

is the producer. Curtis Harrington is<br />

directing the Media Trend production.<br />

Neville Brand Gets a Role<br />

In 'Wednesday Morning'<br />

Neville Brand, who played Al Capone in<br />

the TV series "The Untouchables" and was<br />

nominated for an Oscar for his role in<br />

"Birdman of Alcatraz," has been signed by<br />

producer Michael A. Wayne to play a good<br />

guy in "Wednesday Morning," a Batjac production<br />

for Warner Bros. Starring John<br />

Wayne and George Kennedy, the suspense<br />

western was scheduled to roll this week in<br />

Durango, Mexico with Andrew V. McLaglen<br />

directing ... Art Lund, former vocalist<br />

with the Benny Goodman band, veteran<br />

character actor Ned Beatty, and Dublin-bom<br />

actress Geraldine Fitzgerald, have been<br />

signed by producers John Cutts and William<br />

Roberts for co-starring roles in the Rojo<br />

production for 20th-Fox, "The Last American<br />

Hero," to be shot entirely on location in<br />

Charlotte, N.C., and Martinsville, Va., under<br />

the direction of Lament Johnson.<br />

Screenplay is by writer-producer Roberts<br />

and William Kirby . . . Viveca Lindfors,<br />

Murray Hamilton, Marcia Mae Jones and<br />

Don Keefer have been signed for roles in<br />

The Way We Were," a Ray Stark/ Sydney<br />

Pollack production for Columbia Pictures.<br />

Barbra Streisand and Robert Redford star in<br />

the 20-year love story about two people with<br />

totally different life styles. Stark produces<br />

while Pollack directs from a screenplay<br />

based on the best-selling novel by Arthur<br />

Laurents . . . James Harrell will play the<br />

minister in the opening sequences of the<br />

Directors Co. presentation of "Paper<br />

Moon," starring Ryan O'Neal and his nineyear-old<br />

daughter Tatum, now filming on<br />

location in Kansas. Peter Bogdanovich is<br />

directing and producing the Paramount Pictures<br />

release from a screenplay by Alvin<br />

Sargent based on Joe David Brown's novel,<br />

"Addie Pray." Frank Marshall is associate<br />

producer. Laszlo Kovacs directs cinematography<br />

and Polly Piatt heads production design<br />

. . . Bill Foster arrived in Enid, Okla.,<br />

to play a farmer killed in a shoot-out in<br />

American International's "Dillinger," starring<br />

Warren Oates. Dillinger's costumer<br />

James George reports that the company got<br />

a "steal" purchasing the male stars' apparel<br />

from Poore Bill's Used Clothing Store for a<br />

flat sum of $50. If rented from a Hollywood<br />

supply house, American International would<br />

have spent $2,500.<br />

Eric Morris. Robert O'Neil<br />

Form Nemo Productions<br />

Eric Morris and Robert O'Neil have<br />

joined forces to form Nemo Productions<br />

and have just completed their first joint<br />

venture "Love Among Strangers." They<br />

plan a varied schedule with Morris and<br />

O'Neil alternating the producing/ directing<br />

chores. Their slate for 1973 includes "Point<br />

of No Return" and "In Strawberry Rain."<br />

Morris currently is preparing Nemo's suspenser<br />

"Nightmare House." O'Neil is completing<br />

final post-production stages of "The<br />

Chinese Puzzle," starring Nancy Kwan . . .<br />

Byron-Stillwell Productions, Inc., having set<br />

up corporate headquarters at the Goldwyn<br />

Studios, is preparing a feature film, "Winter<br />

Grass." This is an original screenplay based<br />

on a true incident by James Hamilton and<br />

George Gutekunst, who will co-produce.<br />

Producer is John H. Bocardo and Budd<br />

Boetticher will direct with shooting date set<br />

for the middle of January . . .<br />

"Dracula Is<br />

Dead . . . and Well and Living in London."<br />

Hammer Films' eighth in Dracula series will<br />

be filmed for Warner Bros., according to<br />

an announcement by Robert H. Solo, vicepresident<br />

of foreign production for Warner<br />

Bros. Christopher Lee will star as Dracula<br />

and Peter Cushing will portray Van Helsing.<br />

The picture will be produced by Roy Skegga<br />

and directed by Alan Gibson. "Dracula Is<br />

Dead<br />

." will be filmed in and around<br />

. .<br />

London, locations beginning in mid-November.<br />

It is the third Dracula film Hammer<br />

has done in association with Warner Bros, j<br />

. . . Clifton James, Tommy Lane and David<br />

!<br />

Hedison have been added to the cast of<br />

"Live and Let Die." UA's latest James Bond<br />

thriller. James, who has roles in more than<br />

30 Broadway productions to his credit, will<br />

play tobacco-chewing Southern Sheriff J.N^'<br />

Pepper. Roger Moore stars as Bond.<br />

BOXOFnCE :: November 13, 1972<br />


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MICHAEL FOREST- BEN ARCHIBEK<br />

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MICHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American • InternatiORal Release<br />

Wniten by Produced by Directed by<br />

WILLIAM MERCER and MICHAEL C. HEALY<br />

•<br />

JOSEPH E. BISHOP and ART JACOBS • JERRY JAMESON<br />

CONTACT YOUR American International exchan<br />

1972 American International Pictures. Inc.<br />

lEW YORK<br />

PHILADELPHIA<br />

>onold Schwartz, Branch Mgr. Joseph Quinlivon<br />

6S W. 4«»h St. 1612 Market Street<br />

lew York, New York 10036 Philadelphia, Po. 19103<br />

•I*.: (ZI2) 4«9-


Plavhcuse—A<br />

The Valachi Papers' Composite 580<br />

First Week at Three NY Theatres<br />

NEW YORK — "The Valachi<br />

Papers"<br />

put together these muscular gross percentages<br />

in its debut week here: Cine, 585;<br />

State II, 580, and 34th Street East, 575,<br />

and the resulting composite 580 set the<br />

Columbia release firmly in the metropolitan<br />

area's No. 1 slot for the report week. Retaining<br />

No. 2 from the preceding report,<br />

"The Discreet Charm of the Bourgeoisie,"<br />

which improved its percentage from a firstweek<br />

410 at the Little Carnegie to a second-week<br />

510. No. 3 position this time<br />

went to "Young Winston," the leader of<br />

the preceding report, which had a fourthweek<br />

425 at Columbia II.<br />

"Trouble Man" stirred up a strong 380<br />

(350 at the DeMille and 410 at Juliet II)<br />

in its first week here and captured spot<br />

No. 4 on the barometer. "Play It as It<br />

Lays," also new, ranked fifth with 370 at<br />

the Beekman and "A Separate Peace," No.<br />

6 in the preceding report, retained that<br />

The Top Theatres are using<br />

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(Average Is 100)<br />

Baronet—Bad Compony (Para), 4th wk 65<br />

Beekman— Ploys It As It Loys (Univ) 370<br />

Cine—The Valochi Popers (Col) 585<br />

Cinema I—The Ruling Class (Emb), 8th wk. ..150<br />

Cinema II—A Seporote Peace (Para), 6th wk. . .295<br />

Cinerama— Forewell, Uncle Tom (Cannon),<br />

2nd wk '70<br />

Columbia I—The King of Marvin Gardens<br />

(Col), 4th wk 130<br />

Columbia II—Young Winston (Col), 4th wk. ..425<br />

Coronet—The Assossinotion of Trotsky<br />

(CRC), 3rd wk 75<br />

Criterion— Escope to the Sun (Cinevision) 70<br />

DeMille—Trouble Man (20th-Fox) 350<br />

Festival—Heat (Levitt-Pickman), 5th wk 50<br />

55th Street Playhouse— Bijou (Poolemar),<br />

3rd wk 280<br />

•<br />

59th Street Twin II—Farewell, Uncle Tom<br />

(Cannon), 2nd wk -75<br />

Fine Artr—Two English Girls (Janus), 3rd wk. ..150<br />

Forum—You'll Like My Mother (Univ), 3rd wk. ..75<br />

Juliet II—Trouble Mon (20th-Fox) 410<br />

Little Carnegie—The Discreet Chorm of the<br />

Bourgeoisie (20th-Fox), 2nd wk 510<br />

New Embassy—Sounder (20th-Fox), 6th wk. ..200<br />

Orpheum—Lady Sings the Blues (Para), 3rd wk. .<br />

.240<br />

Paris—Why (Hallmark) -85<br />

Ploza—Sounder (20th-Fox), 6th wk<br />

.195<br />

Radio City Music Hall—When the Legends Die<br />

(20th-Fox), 3rd wk<br />

.55<br />

Rialto II—All About Sex of All Nations<br />

(Mishkin), 38th wk 275<br />

Rivoli—Fiddler on the Roof (UA), 52nd wk. . .60<br />

RKO 86th Street Twin II— Farewell, Uncle Tom<br />

(Cannon), 2nd wk '50<br />

68th Street Ployhoute—Chloe in the Afternoon<br />

(Col), 6th wk 275<br />

State I—Lady Sings the Blues (Para), 3rd wk. ..295<br />

State II—The Valochi Papers (Col) 580<br />

Sutton—The Emigrants (WB), 6th wk. ........ 155<br />

34th Street East—The Valachi Papers (Col) ..575<br />

Tower East— Deliveronce (WB), 14th wk 275<br />

Trans-Lux East—The Red Mantle (Cinevision),<br />

3rd wk ' ^<br />

Trons-Lux 85th Street— Escope to the Sun<br />

(Cinevision)<br />

100<br />

Ziegfeld— Fellini's Roma (UA), 3rd wk. 190<br />

.<br />

'A Separate Peace' Four<br />

Times Average in Baltimore<br />

BALTIMORE—"A Separate Peace" inspired<br />

warm response among Baltimore<br />

theatregoers, grossing a strong 400—four<br />

times normal business at the Cinema I and<br />

Playhouse theatres—in the film's first week<br />

here. "Hammersmith Is Out," in a second<br />

frame at the Glen Burnie Mall and Liberty<br />

11 theatres, played to a composite 100.<br />

C'nema Seporote Peace (Para) .400<br />

1<br />

Glen Burnie Moll, Liberty II—Hommersmith Is<br />

Out (CRC), 2nd wk . . • . .<br />

'00<br />

Liberty I, Senatcr—Where Does It Hurt? (ORC),<br />

5th wk 75<br />

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'Lady/ 'Mondo' and "Elvis'<br />

Gross 140 in Buffalo Bows<br />

BUFFALO—Several newcomers managed<br />

to come up with fairly good grosses,<br />

Buffalo percentages ranging from a low of<br />

100 (average business) up to 140. In fact,<br />

three films grossed 140—and all three were<br />

^^^<br />

playing first Buffalo weeks: "Lady Sings the<br />

Blues," Holiday 2; "Mondo Exotica," Teck,<br />

and "Elvis on Tour," Holiday L<br />

Backstage—The Virgin Witch (SR); Make Me a<br />

Woman (SR) '30<br />

Buffalo, Wehrle— Lost House on the Lett (SR) ..130<br />

Center—The Limit (SR) 1 30<br />

Cinema, Amherst—Where Docs It Hurt? (CRC),<br />

3rd wk '00<br />

Colvin—You'll Like My Mother (Univ) 125<br />

Evans—Savage Messiah (MGM) 1 25<br />

Holiday 1 — Elvis on Tour (MGM) 1 40<br />

Holidoy 2—Lody Sings the Blues (Para) 140<br />

Holiday 4—Adrift (SR) 100<br />

Penthouse—Sensuous City (SR); Whot Next? (SR) 100<br />

Teck—Mondo Exotica (SR) 1 40<br />

Jack L. Warner Given<br />

Project HOPE Award<br />

NEW YORK—Producer Jack L. Warner,<br />

recipient of countless awards and recognitions<br />

throughout his<br />

long and celebrated<br />

career, received perhaps<br />

his most unusual<br />

honor Wednesday (8)<br />

from Project HOPE,<br />

sponsors of the gala<br />

world premiere of<br />

•'1776," the Jack L.<br />

Warner production for<br />

Columbia Pictures. A<br />

rare and valuable<br />

Jack Warner<br />

porcelain sculpture of<br />

a young American bald eaglet, the award<br />

was presented to Warner at a special prepremiere<br />

luncheon at the Hemisphere Club<br />

in New York.<br />

Premiere chairman Mrs. Franklin D.<br />

Roosevelt jr. made the presentation of the<br />

sculpture, which was created by the late<br />

Edward Marshall Boehm.<br />

The organization honored Warner for<br />

his "patriotic depiction of the birth of the<br />

U.S." The eagle long has been a symbol<br />

of the American ideals of personal freedom<br />

and the first eaglet was presented to<br />

President Richard M. Nixon in 1968 as<br />

an "expression of hope and confidence in<br />

the vitality and strength of American<br />

youth."<br />

Shepard Bloom, 52. Dies;<br />

20th-Fox Branch Manager<br />

WASHINGTON, D.C.—Shepard Bloom,<br />

20th Century-Fox's branch manager in<br />

Washington, D.C., died Tuesday, October<br />

31. He was 52.<br />

He is survived by his wife Muriel and a<br />

son Mark.<br />

Ecology Plans at Kodak<br />

ROCHESTER. N.Y. — Eastman Kodak,<br />

Rochester, will begin cleaning up the air<br />

around Kodak Park and will upgrade or<br />

replace its liquid chemical waste incinerator,<br />

the company has promised the state.<br />

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BROADWAY<br />

JACK L. WARNER arrived in town for<br />

a series of publicity activities on behalf<br />

of his production of "1776" for Columbia<br />

Pictures, which had its world premiere<br />

Thursday (9) at the Radio City<br />

Music Hall as the Thanksgiving-Christmas<br />

attraction. On the stage is the traditional<br />

"Nativity Pageant," together with "Greetings!",<br />

a holiday spectacular.<br />

Based on the award-winning musical<br />

play, "1776" features most of the original<br />

cast and was made by many of the same<br />

creative talents who worked on the play.<br />

The advance sales on tickets for the stage<br />

and screen show have set an all-time high<br />

of over $1,065,000, it was announced by<br />

Music Hall president and managing director<br />

James F. Gould. The previous house record<br />

for advance sales on a Christmas show was<br />

the $320,000 set by "Scrooge" in 1970.<br />

•<br />

"Black Gill," produced by Lee Savin<br />

and directed by Ossie Davis for Cinerama<br />

release, had its world premiere Wednesday<br />

(8) at the Penthouse Theatre for the benefit<br />

of the Sickle Cell Disease Foundation<br />

of Greater New York. Richard Campbell,<br />

executive director of the foundation, served<br />

as chairman of the gala benefit premiere.<br />

J. E. Franklin did the screenplay for<br />

North American Films, Inc, Presents<br />

"Black Girl," based on her highly successful<br />

off-Broadway play of that name. The<br />

cast is headed by Leslie Uggams, Brock<br />

Peters, Claudia McNeil, Louise Stubbs,<br />

Gloria Edwards, Loretta Greene and Peggy<br />

Pettitt in the title role. Davis' wife Ruby<br />

Dee has a guest appearance in a nonspeaking<br />

role.<br />

The firm of Andrew W. Cooper, Inc.,<br />

has been named by Cinerama to take care<br />

of special public relations and publicity<br />

programs on behalf of the film. Cooper, a<br />

communications consultant and specialist in<br />

urban affairs, recently handled the campaign<br />

for the NAACP's Project Rebound<br />

benefit premiere of Paramount's "Lady<br />

Sings the Blues," starring Diana Ross as<br />

Billie<br />

Holiday.<br />

•<br />

Speaking of earnings, the gross for<br />

"Super Fly" at Loews' State II and Loews'<br />

Cine was a huge one! The Sig Shore production<br />

for Warner Bros., starring Ron<br />

O'Neal, ended its world premiere run at<br />

the two houses Thursday (2) after 13<br />

weeks. A showcase run in the metropolitan<br />

area commenced the next day, Friday (3).<br />

•<br />

Richard A ttenborough, director of<br />

"Young Winston." flew from New York to<br />

Los Angeles Monday (6) to attend the West<br />

Coast premiere of the Columbia release,<br />

which opened the second annual Los Angeles<br />

International Film Exposition. He had<br />

been in town briefly from London for<br />

publicity on behalf of the roadshow attraction.<br />

"Young Winston" is continuing at the<br />

Columbia II Theatre on a reserved-seat<br />

basis.<br />

•<br />

Cheri Caffaro, her husband Don Schain<br />

and Ralph T. Desiderio departed for St.<br />

Thomas. Virgin Islands. The three are,<br />

respectively, star, director and producer of<br />

Derio Productions' "Girls Are for Loving,"<br />

which went before the cameras Monday<br />

(6). They had engaged in preproduction activities<br />

the weekend before shooting began.<br />

•<br />

Three displays printed by Continental<br />

Lithograph Corp. were awarded prizes at<br />

this year's Point of Purchase Advertising<br />

Institute show, it was announced by Vincent<br />

LaSala, vice-president of the company, a<br />

National Screen Service division. The<br />

POPA I show was held October 24-26 at<br />

the Hilton Hotel here.<br />

•<br />

The Sutton Theatre is offering special<br />

group discounts for 20 or more people for<br />

weekday afternoon performances of Jan<br />

Troell's widely acclaimed "The Emigrants."<br />

The discounts will apply before 5 p.m.,<br />

Monday through Friday. Information and<br />

reservations may be obtained by calling<br />

PL 2-3200, extension 20.<br />

Max von Sydow and Liv Ullmann, stars<br />

of the Warner Bros, release, were both<br />

in town recently on filming assignments.<br />

Von Sydow arrived here from Stockholm<br />

for his starring role in Warner Bros.' "The<br />

Exorcist," while Miss Ullmann came in for<br />

a week's location shooting on "Forty<br />

Carats," Columbia film in which she is<br />

E-4 BOXOFFICE :: November 13, 1972


Ij<br />

starring with Edward Albert, Gene Kelly<br />

and Binnie Barnes. She then returned to<br />

Los Angeles to complete the filming at<br />

the Burbank Studios.<br />

•<br />

Manhattan will be the shooting site for<br />

"Anatomy of a Burglary," to be produced<br />

and directed by John G. Avildsen for<br />

United Artists. Two of Avildsen's associates<br />

from "Joe," star Peter Boyle and scripter<br />

Norman Wexler, again will perform in<br />

those capacities for the new film. Based<br />

on an original story by Timothy Mulligan,<br />

as first printed in New York Magazine,<br />

the film will be shot in what is described<br />

as "an affluent New York suburb." Nancy<br />

Seltzer & Associates is handling publicity<br />

for the film.<br />

•<br />

Phil D'Antoni addressed the New York<br />

membership and the executive committee<br />

of the Screen Actors Guild Thursday (9).<br />

He discussed the future of the industry,<br />

why he prefers filming in New York and<br />

in what direction TV is heading.<br />

D"Antoni, Academy Award-winning producer<br />

of "The French Connection," is<br />

preparing to make his directorial bow with<br />

his new film, "The Seven Ups." For D'Antoni<br />

Television Productions, he's serving as<br />

executive producer for two 90-minute films,<br />

one for NBC-TV and one for ABC-TV.<br />

Both the TV films and the theatrical feature<br />

will be shot in New York.<br />

•<br />

Warner Bros, is conducting a "Horro-<br />

Ritual" seminar for New York exhibitors<br />

Monday (13) to outline plans for the metropolitan<br />

area openings of "Dracula A.D.<br />

1972." The exhibitor meeting will cover all<br />

aspects of the promotional campaign and<br />

there will be demonstrations of the special<br />

"HorroRituaV film, lobby records, theatre<br />

giveaways, posters and other aids.<br />

"Dracula A.D. 1972," starring Christopher<br />

Lee and Peter Gushing, opens at showcase<br />

theatres Wednesday (29) with "Crescendo,"<br />

another WB film.<br />

•<br />

November was slated as British classic<br />

film month by Janus Films. Four Manhattan<br />

houses, the Murray Hill,<br />

the 72nd Street<br />

Playhouse, the Elgin and Theatre 80 St,<br />

Marks, have been participating in the presentation<br />

of films unseen in years.<br />

In the group are such films as "Caesar<br />

and Cleopatra" (1946) with Vivien Leigh<br />

and Claude Rains; "The Red Shoes" (1948).<br />

Moira Shearer and Anton Walbrook;<br />

"Whistle Down the Wind" (1926). Hayley<br />

Mills and Alan Bates; Noel Coward's<br />

"In Which We Serve" (1942); "The Clairvoyant"<br />

(1935), Rains and Fay Wray;<br />

"Major Barbara" (1941), Rex Harrison,<br />

Wendy Hiller and Deborah Kerr; "Pygmalion"<br />

(1938). Leslie Howard and Hiller:<br />

"Transatlantic Tunnel" (1935), Richard<br />

Dix, George Arliss and Walter Huston, and<br />

"Evergreen" (1934). Jessie Matthews.<br />

"Dirty Little Billy was a punk" is the<br />

slogan printed on derbies given out in San<br />

Francisco to promote Columbia's film about<br />

Billy the Kid.<br />

Theatre Patron Complains<br />

About Condition of Films<br />

SCHENECTADY, N.Y.—An Albany,<br />

N.Y., moviegoer, Lawrence P. Wiest. recently<br />

wrote a letter to the editor of the<br />

Schenectady News-Union-Star to object to<br />

the manner in which motion pictures have<br />

been presented at theatres in his area. "How<br />

many readers," Wiest asked, "are fed up<br />

with being abused by the area theatres?"<br />

He continued: "I'm not talking about the<br />

content of motion pictures this time but the<br />

actual condition of the film shown. I sat<br />

through 'Butch Cassidy and the Sundance<br />

Kid' and endured two and a half hours of a<br />

screen filled with vertical stripes, abrupt<br />

changes of scene in midsentence, characters<br />

miraculously vaulting across the screen and<br />

an incoherent plot, all the result of tired<br />

film and ruthless splicing. More recently I<br />

suffered through "Cabaret' for the same<br />

reasons, though to a somewhat lesser degree.<br />

"Last night while watching "Gone With<br />

the Wind,' the soundtrack of the film during<br />

its last half-hour gave way to a loud<br />

rushing and hissing noise and after ten<br />

painful minutes my wife and I left and<br />

requested a refund. We were told to come<br />

back the next day and speak with the manager.<br />

I subsequently did explain to the manager<br />

in a consciously civil manner what had<br />

occurred the previous evening and again<br />

requested a refund, to which the response<br />

was an indignant announcement that it was<br />

not the policy of the theatre to give refunds.<br />

"He said then, "How can you expect a<br />

refund after watching the picture for over<br />

two hours?' Following the manager's logic,<br />

one who, while eating at a restaurant, finds<br />

a roach in his food two-thirds of the way<br />

through the meal, should still be expected to<br />

pay for that two-thirds of the meal enjoyed<br />

before the roach's appearance.<br />

"After a brief debate, the manager did<br />

GREETINGS<br />

The<br />

picture is always<br />

offer two 'courtesy passes' (which I begrudgingly<br />

accepted) and then made a final<br />

deceptively profound statement for which I<br />

had no reply. 'If things were so bad, how<br />

come out of 800 people you and your wife<br />

were the only two to complain?'<br />

"It is precisely this point: until we refuse<br />

to take butchered films sitting down, we are<br />

giving license to all area theatres to take as<br />

much advantage of us, the moviegoer and<br />

the consumer, as their conscience will allow<br />

them—and you know what that means."<br />

Ali-Foster, Roman-Daniels<br />

Fights on Closed Circuit<br />

NEW YORK—The long-sought fight<br />

between<br />

Muhammad Ali. former world heavyweight<br />

champion, and Bob Foster, world<br />

light heavyweight champion, will be telecast<br />

at metropolitan area theatres from Lake<br />

Tahoe, Nev., Tuesday evening (21). Also<br />

being telecast is a 10-round battle between<br />

Joe "King" Roman, Puerto Rican heavyweight<br />

champion, and heavyweight contender<br />

Terry Daniels from Texas.<br />

Both fights will be seen via special closedcircuit<br />

television, with free TV and radio<br />

coverage not being permitted. Tickets are<br />

now on sale at $7.50 each, every ticket<br />

guaranteeing a seat.<br />

The participating theatres in this area are:<br />

Manhattan: Loews Victoria (125 Street),<br />

UA Academy of Music and UA Riverside.<br />

Brooklyn: RKO Albee, UA Walker and the<br />

independent Carroll. Bronx: RKO Fordham<br />

and UA Interboro. Queens: Loews Triboro,<br />

Loews Valencia, UA Midway and UA Lynbrook<br />

(Nassau). Westchester: Loews New<br />

Rochelle.<br />

In New Jersey, the theatres are: RKO<br />

Stanley in Jersey City, RKO Branford in<br />

Newark, UA Fox in Hackensack and RKO<br />

Ritz in Elizabeth.<br />

Principal photography for MGM's "Soylent<br />

Green" has been completed.<br />

NATO & NAC<br />

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BANNER<br />

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BROOKLYN, NEW YORK<br />

BOXOFnCE :: November 13, 1972<br />

E-S


BUFFALO<br />

Cidney J. Cohen, president of NATO of<br />

New York State, plans to arrive in<br />

Miami, Fla., for the Thursday (16) meeting<br />

of the national NATO presidents' committee<br />

the night before the opening of the big powwow<br />

in the Americana Hotel, Bal Harbour,<br />

Fla. Joining the western New York delegation<br />

will be Mr. and Mrs. John Martina<br />

and Mr. and Mrs. Morrie Slotnick of Jo-<br />

Mor Theatres, Rochester; Sol Sorkin, Syracuse,<br />

and Mr. and Mrs. Marvin Samuelson,<br />

Dipson Theatres, Batavia. Formerly announced<br />

as Buffalo delegates were Dewey<br />

Michaels, Palace; Gasper "Pat" Mendola<br />

of the Delavan Drive-In, and Mannie A.<br />

Brown, president, Frontier Amusement<br />

Corp.<br />

With a seating capacity of 250 in each<br />

screening area, the new Jerry Lewis Twin<br />

Cinema opened October 31 at 2500 Military<br />

Rd. in Niagara Falls. The hosts were David<br />

H. and Steven Goldstein and the Network<br />

Cinema Corp. of New York. The opening<br />

attractions were "Fiddler on the Roof" and<br />

"Slaughterhouse-Five." Steven Goldstein announces<br />

the policy of the twin will be family<br />

motion pictures at low cost, noting that the<br />

theatres only will show an X-rated film if<br />

it is "in good taste" and if a G-rated feature<br />

accompanies it in the other auditorium.<br />

Locally based Sportservice Corp., headed<br />

by Jeremy Jacobs and which has a nationwide<br />

concession business, may be involved<br />

in a deal in the making that, if concluded,<br />

will result in the reopening of the Bliss &<br />

Laughlin steel plant in this city under new<br />

ownership. It would be the first industrial<br />

venture for Sportservice via Emprise. The<br />

famous concession corporation would have<br />

a stock interest in the steel operation.<br />

Courier Cable Co. has disclosed it hopes<br />

to bring CATV service to South Buffalo by<br />

January 1. In its monthly report filed with<br />

the city clerk's office, the company said it<br />

is aiming to complete a substantial portion<br />

of its coaxial cable hookup in the area before<br />

cold weather. Approximately 75 miles<br />

of cable will be used. Courier Cable TV<br />

service currently is concentrated generally<br />

in the northeastern area of the city. Under<br />

its franchise with the city, it has until February<br />

1974 to have the entire city wired for<br />

the service.<br />

A preliminary proposal for construction<br />

of a $7.5 million international-type amusement<br />

park has been presented to the Niagara<br />

Falls Urban Renewal Agency. The development,<br />

that would be built behind the $30,-<br />

000,000 convention center now under construction,<br />

has been planned by Charles R.<br />

Wood, former Lockport man who has extensive<br />

holdings in the Lake George area,<br />

including Storyland U.S.A. . . . The Niagara<br />

(Continued on page E-8)<br />

Chart 7 New Screens<br />

For Greater Buffalo<br />

BUFFALO—Three twins and a single<br />

theatre are expected for metropolitan Buffalo<br />

late next summer, a spokesman for<br />

Western New York Cinema Corp. has announced.<br />

All are scheduled for a spring<br />

construction start.<br />

The locations are on Transit and Maple<br />

roads, Amherst (a twin); at one of three<br />

possible sites in the town of Hamburg (a<br />

twin); at French and Union roads, Cheektowaga<br />

(a twin) and at Niagara Falls Boulevard<br />

and Robinson Road, Amherst (a twin).<br />

Sandy Cobe New President<br />

Of First Cinema, Atlanta<br />

ATLANTA — First Cinema Releasing<br />

Corp., with headquarters in the Atlanta<br />

Film Building, announced that it has accepted<br />

the resignation of Charles Gary Wilson<br />

with deep regret. Wilson resigned as<br />

president of First<br />

Cinema for reasons of ill<br />

health.<br />

Sandy Cobe, a veteran in the film industry<br />

in production and distribution in both<br />

Hollywood and New York, has been named<br />

president of the company and, in preparation<br />

for First Cinema's expansion projections,<br />

has appointed Roger Miller, former<br />

assistant regional manager of Inter-West<br />

Film Corp., as office manager of the company<br />

and Harlan Antler has been named<br />

director of public relations.<br />

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BUFFALO<br />

(Continued from page E-6)<br />

Frontier Broadcasting Corp. of Niagara<br />

Falls, citing six years' operating losses, is<br />

seeking FCC approval of the sale of WBNY-<br />

FM here for $588,000. Niagara Frontier<br />

Broadcasting also is the licensee of WJJL<br />

in Niagara Falls. Thomas W. Talbot is the<br />

president. The application seeks approval<br />

of the transfer of the WBNY-FM license<br />

to McCormick Communications, Boston,<br />

Mass.<br />

Alfred £. Anscombe, past chief barker<br />

of Variety Club Tent 7 and president of<br />

Amherst CableVision, has been elected to a<br />

three-year term as a director of the Empire<br />

State Chamber of Commerce. Anscombe is<br />

a former general manager of WKBW Radio.<br />

bH D Mr, A>>in««r«< (<<br />

g^,„„a5&^*^^^<br />

ROYAL THEATRES, LTD.<br />

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Wallace Anderson of Jamestown has been<br />

elected president of the New York State<br />

Cable Television Ass'n. Anderson, who was<br />

elected at a Northeastern regional meeting<br />

of TV groups in Hartford, Conn., succeeds<br />

Michael Arnold of Islip, L.I., who moves<br />

up to the chairmanship of the board of directors.<br />

Mannie A. Brown, president. Frontier<br />

Amusement Corp., in General Hospital for<br />

a time, now is out and okay. He is packing<br />

his bags for the national NATO convention<br />

in Miami.<br />

Bill Abrams, Columbia Pictures representative<br />

in this exchange area, still is occupying<br />

the Columbia headquarters at 310<br />

Delaware Ave. All the other employees have<br />

departed.<br />

Paul Wall, Metro-Goldwyn-Mayer representative<br />

here, attended a Boston sales meeting<br />

the other day and reports his company<br />

executives are enthusiastic over the fall and<br />

winter product. Paul has lined up a flood<br />

of bookings on the MGM kiddies shows for<br />

Saturday and Sunday matinees in this area<br />

and in Rochester.<br />

John Roberts, Cinerama Releasing Corp.<br />

branch manager, invited exhibitors to a<br />

tradescreening of "Hammersmith Is Out,"<br />

starring Richard Burton and Elizabeth Taylor.<br />

It was held Monday (6) in the operators'<br />

hall at 498 Pearl St. . . . The Star, Park and<br />

Lakeshore drive-ins now are operating weekends<br />

only and electric heaters are being<br />

played up in the ads of underskyers operating<br />

at the present time.<br />

"The Godfather" on his hands. It is titled<br />

"The Valachi Papers" and it opened to boxoffice<br />

lines Wednesday (8) in Holiday 1. It<br />

is an exclusive Columbia Pictures booking<br />

and Joe played up the fact in his ads that<br />

Valachi was buried at Niagara Falls "high<br />

on a grassy knoll less than a half-mile from<br />

the swirling currents."<br />

Plans for a new $2.3 million shopping<br />

center in West Seneca have been put on the<br />

shelf and may stay there. The strip plaza was<br />

to be built at Orchard Park Road and Ridge<br />

Road on a 19-acre site now occupied by<br />

the Park Drive-In. The developers said the<br />

major prospective tenants, F. W. Woolworth<br />

Co., decided against locating a store there,<br />

throwing the whole project into limbo . . .<br />

The beautiful new WGR-TV communications<br />

Center is about to open at 259 Delaware<br />

Ave. Taft Broadcasting, parent corporation,<br />

declares the new center has the<br />

most modern broadcasting equipment to<br />

complement a dedicated, professional staff.<br />

Four films based on the work of Nobel<br />

Prize-winning writer Samuel Beckett were<br />

screened Monday (6) in the Norton Union<br />

Conference Theatre of the State Universtiy<br />

at Buffalo. The UB French department<br />

sponsored the screenings, which were open<br />

free to the public.<br />

Charlie Lee, Tent 7 secretary, has notified<br />

members that there will be a general meeting<br />

and nomination of crew members for<br />

the coming year Monday (13) in the clubrooms<br />

at 193 Delaware Ave. The meeting<br />

and luncheon will begin at 12 noon sharp,<br />

says Charlie.<br />

Gus Nestle, Jamestown exhibitor, has<br />

been appointed chairman for the Jamestown<br />

section for the December 12 Henry P.<br />

Bronkie Shrine ceremonial class. Gus will<br />

head the Chautauqua town gang on a bus.<br />

MOTION PICTURE SERVICE CO.<br />

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It looks like managing director Joseph P.<br />

Garvey of the Holiday theatres has another<br />

PETER PAUL INTRODUCES<br />

A NEW PEANUT BUTTER<br />

from the<br />

makers of<br />

TASTE SENSATION!<br />

MOUNDS • ALMOND JOY • CARAVELLE • ALMOND CLUSTER • POWERHOUSE<br />

Court Says Seized Films<br />

Must Be Returned by DA<br />

UTICA, N.Y.—Dist. Atty. Richard Enders<br />

has been ordered by a federal court to<br />

return three locally seized films— "The Sex<br />

Machine," "The Morning After" and "The<br />

Dirtiest Game in the World"—to Esquire<br />

Theatres' 258 Cinema, where Leslie Coulter<br />

is manager. Enders and local police further<br />

were ordered to desist from making future<br />

seizures without a judicial hearing.<br />

Coulter was arrested on charges of "promoting<br />

obscenity" at the time the three<br />

films were confiscated and charges are still<br />

pending in city court.<br />

The district attorney could seek a<br />

review of the federal court ruling before the<br />

Second Circuit Court of Appeals in New<br />

York City.<br />

FOR THE HOLIDAYS<br />

And All Year Around<br />

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E-8 BOXOFFICE :: November 13, 1972


SOFT SHOULDERS-SHARP CURVES'<br />

If you think you have seen everything, you<br />

haven't—^not by a long shot.<br />

Danish director GABRIEL AXEL, believing<br />

that eroticism is one of the most important<br />

links between human beings, has organized the<br />

zaniest love trip on wheels, travelling from London<br />

to Copenhagen—Munich to Paris. A love<br />

blast on wheels, rails, water, and even horseback<br />

and love always having the right of way.<br />

A journey with mouth-watering lovelies,<br />

guiding their partners down a highway of love<br />

in high gear all the way.<br />

This is one trip that is not like any you'll find<br />

in the guide books. This is the wildest, swingiest<br />

trip ever. A love trip on wheels.<br />

A CONTIFILM PRODUCTION<br />

in color and wide-screen<br />

SOFT<br />

SHOULDERS<br />

SHARP<br />

CURVES<br />

Starring:<br />

Uta<br />

Doris<br />

Ingeborg<br />

Sylvia<br />

Kopa<br />

Arden<br />

Steinbach<br />

Folk<br />

Christian Fredersdorf<br />

Mogens Von Gadow<br />

Fernando<br />

Gomez<br />

Music by Gerhard<br />

Heinz<br />

Directed by<br />

Gabriel (Denmark) Axel<br />

For<br />

Release<br />

January<br />

1973<br />

USA—CANADA<br />

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Joseph Green, Pres.


PITTSBURGH<br />

Qeorge T. Pappas, manager of the Chatham<br />

Cinema, this week joins the Motion Picture<br />

Pioneers. A former local exhibitor,<br />

Norman Chussitt, who has resided in<br />

Florida for many years, is another new<br />

member of the Pioneers.<br />

You, too, can laugh<br />

all the way to the bank<br />

by using<br />

BOXOFFICE'S<br />

Clearing House for<br />

BUYING-SELLING-TRADING<br />

new or used equipment.<br />

Ray Crider, Associated circuit, moved<br />

over from the Strand in Oakland to the<br />

Manor in Squirrel Hill . . . Pennsylvania's<br />

50-cent lottery has been grossing $6 million<br />

weekly in Wednesday drawings and the new<br />

$1 lottery now starting will be drawn Thursdays.<br />

These lotteries and the numbers rackets<br />

remove millions of dollars weekly from possible<br />

entertainment takes.<br />

George Stern, Associated circuit, termed<br />

the plan and demand to abolish free enterprise<br />

via the killing of so-called "Ladies<br />

Day" reduced admission policies as determined<br />

by a local human relations commission<br />

as "harassment of downtown business<br />

by city hall. They are chasing all the business<br />

out of the city." The city commission<br />

charged that the ladies' reduced admission,<br />

usually on Wednesday, was sex discrimination<br />

against males.<br />

A. L. Butler & Associates, Fulton Building,<br />

as in many years past, is printing the<br />

Playgoer, program of the Nixon Theatre . . .<br />

Cambist Films will release "The Crazies,"<br />

based on germ warfare, next month. This<br />

was produced here by the Latent Image.<br />

L'Amoure recently showed "She Never<br />

Said No," "The Sexual Therapist," "Hotshot<br />

Secretaries" and "Debbie's First Time" . . .<br />

Liberty offered "Money Honey" and "Oh!<br />

That Erotic Art" . . . Bizarre featured "Rendezvous<br />

in Hell" and "Gland Hotel" . .<br />

Nixon, in its new stage season now under<br />

way, again makes note that the taking of<br />

pictures or the use of recording devices during<br />

jjerformances is forbidden by law.<br />

Saul L Perilnian, veteran film distributor<br />

who died October 30, is survived by his<br />

wife Florence. He was the father of Stanley,<br />

Stuart and Jerrilyn and brother of Mrs.<br />

Lillian Bernstein and Marvin Perilman. Also<br />

surviving are four grandchildren.<br />

John O. Glaus, indef)endent exhibitor,<br />

film distributor, booker and partner with<br />

the late Saul L Perilman in<br />

film distribution<br />

and in the P&G Film Shipping Co., handling<br />

all independent film prints here, has been<br />

making recovery from a heart ailment which<br />

had hospitalized him until just before the<br />

death of Perilman. P&G staff members continue<br />

on their jobs.<br />

"Dutch" Lauth has been a Fulton projectionist<br />

from the day the theatre was<br />

opened more than 42 years ago. Who can<br />

match this record? ... In area release are<br />

such films as "Nightmare in Wax," "The<br />

House That Dripped Blood." "Frankenstein<br />

Created Woman," "Hot Spurs." "Tower of<br />

Evil," "Tales of the Bizarre," "Tonight for<br />

Sure," "Baby Love," "How to Succeed With<br />

Sex," "The Haunted Palace," "The Liberation<br />

of L. B. Jones," "R.P.M." and "The<br />

Erotic Adventures of Zorro."<br />

(Continued on page E-12)<br />

Mr. Exhibitor . .<br />

FREE SHORT SUBJECTS FOR YOUR THEATRE<br />

For your convenience we maintain national distribution with established<br />

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NAME-<br />

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Richard H. Rogers. President Sy Perry, Director of Theatre Division<br />

E-10 BOXOmCE ;: November 13, 1972


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An Edgar Wallace tale of horror<br />

"THE GAMES<br />

SCHOOL GIRLS PLAY"<br />

After School Hours<br />

Starring MARION FORSTER<br />

A G.A.D.A.<br />

Presentation<br />

"THE NAKED WYTCHF'<br />

PG<br />

Adventures of a Sensuous Witch<br />

Starring<br />

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An Edgar Wallace story<br />

A tale of death in London's Soho<br />

"SHOULD A<br />

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About Her Bedtime Playmates?<br />

Starring BARBARA CAPELL<br />

"SEX AND THE<br />

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Starring SUSANNA GROSSEN<br />

A Sudam Production<br />

FREEDOM IN GERMANY"<br />

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A journey into a new erotic world<br />

June 7-13 MULTIPLE in New York—$126,000.00 Rated X<br />

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XILL ME GENTLY<br />

with Tony Kendall and Crista Linder<br />

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''BLOODY<br />

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DISTRIBUTORS:<br />

ALBANY<br />

Cair MARVIN FRIEDLANDER<br />

(In New York)<br />

(212) 765-9544<br />

ATLANTA<br />

Coll HARRY CLARK<br />

(404) 524-6588<br />

BOSTON<br />

Call PAUL PETERSON<br />

(617) 482-4443<br />

BUFFALO<br />

Coll MARVIN FRIEDLANDER<br />

(In New York)<br />

(212) 765-9544<br />

CHARLOTTE<br />

Coil BOB MC CLURE<br />

(704) 333-0369<br />

CHICAGO<br />

Coll SAM KAPLAN<br />

(312) 782-8413<br />

CINCINNATI<br />

Coll JO HARRISON<br />

(513) 721-4742<br />

CLEVELAND<br />

Coll BILL KOHAGEN<br />

(216) 861-0390<br />

DALLAS<br />

Coll HEYWOOD SIMMONS DIST.<br />

(214) 522-0662<br />

DENVER<br />

Coll JACK FELIX<br />

(303) 623-1221<br />

DES MOINES<br />

Coll HOWARD THOMAS<br />

(In Konsos City)<br />

(816) 421-2305<br />

DETROIT<br />

Coll DON FILL<br />

(313) 557-0105<br />

INDIANAPOLIS<br />

Coll JO HARRISON<br />

(In Cincinnati)<br />

(513) 721-4742<br />

JACKSONVILLE<br />

Call HARRY CLARK<br />

(904) 353-7347<br />

KANSAS CITY<br />

Coll HOWARD THOMAS<br />

(816) 421-2305<br />

LOS ANGELES<br />

Coll DON FOSTER<br />

(213) 657-6700<br />

MEMPHIS<br />

Coll F. KAISER<br />

(901) 527-4023<br />

MILWAUKEE<br />

Coll SAM KAPLAN<br />

(In Chicago)<br />

(312) 782-8413<br />

MINNEAPOLIS<br />

Coll STAN MC CULLOCH<br />

(612) 333-2281<br />

NEW HAVEN<br />

Coll<br />

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(In Boston)<br />

(617) 482-4443<br />

NEW ORLEANS<br />

Coll DON KAY<br />

(504) 524-2732<br />

NEW YORK<br />

Coll MARVIN FRIEDLANDER<br />

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OKLAHOMA CITY<br />

Coll<br />

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(214) 522-0662<br />

OMAHA<br />

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Coll<br />

(In Konsos City)<br />

(816) 421-2305<br />

PHILADELPHIA<br />

Coll ALAN STRULSON<br />

(215) 561-0800<br />

PITTSBURGH<br />

Coll PETE DE FAZIO<br />

(412) 471-8225<br />

PORTLAND<br />

Coll PETE TOLINS<br />

(In SeoHle)<br />

(206) 624-6234<br />

SALT LAKE CITY<br />

Coll JACK FELIX<br />

(In Denver)<br />

(303) 623-1221<br />

SAN FRANCISCO<br />

Coll ANDY ANDERSON<br />

(415) 776-4409<br />

SEATTLE<br />

Coll PETE TOLINS<br />

(206) 624-6234<br />

ST. LOUIS<br />

HOWARD THOMAS<br />

Coll<br />

(In Kansas City)<br />

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WASHINGTON, D.C.<br />

Call ROSS WHEELER<br />

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TORONTO, ONT., CANADA<br />

Coll DON WEINZWEIG<br />

PANTON FILMS, LTD.<br />

(416) 367-0917


PITTSBURGH<br />

(Continued from page E-10)<br />

"The Little Arii" was a recent Saturday-<br />

Sunday kiddies matinee offering at various<br />

theatres . . . "The Deadly Trap" gets no first<br />

run but goes into the suburban theatres . . .<br />

Dino de Laurentiis, producer of "The Valachi<br />

Papers," telephoned from New York to<br />

the Gateway here to check receipts with<br />

Associated's downtown manager Tom Bryant.<br />

New twin theatres which the<br />

Manos circuit<br />

will open in 1973 at Greensburg will<br />

seat 800 and 600, respectively. The location<br />

is in the new Hempfield Plaza . . . John<br />

Currie, former veteran National Theatre<br />

Supply executive who started here some<br />

years ago as an NTS clerk and now is an<br />

Optical Radiation executive, was a visitor<br />

from Azusa, Calif.<br />

Joe "Barney" Krenn, veteran projectionist<br />

who died recently, started in the business<br />

as a youngster at the Colonial Theatre on<br />

Troy Hill. Soon thereafter he went with the<br />

late M. A. Rosenberg at the Rialto, Marion<br />

and Fifth, uptown.<br />

Jake Pulkowski, National Screen Service<br />

depot manager, changed vacation plans and<br />

he will be absent from duties the last week<br />

in November and the first week in Decem-<br />

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SUBDISTRIBUTORS -<br />

KANSAS CITY & ST.<br />

LOUIS<br />

Mercury Film Co., Inc.<br />

1703 Wyandotte<br />

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WASHINGTON, DC.<br />

American International Pictures<br />

1217 "H" Street, N.W.<br />

Washington, DC.<br />

BOSTON, NEW HAVEN<br />

Gordon Films<br />

Ellis<br />

614 Statler Office BIdg.<br />

Boston, Mass. 02116<br />

CHARLOTTE<br />

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P.O.B. 546<br />

Charlotte, North Carolina 28202<br />

LOS ANGELES, HAWAII, ALASKA &<br />

GUAM<br />

Poul Mart Productions<br />

1505 N. Vine at Sunset<br />

Hollywood, California<br />

DETROIT, CINCINNATI, CLEVELAND<br />

American International Pictures<br />

P.O.B. 8880<br />

23300 Greenfield<br />

Oak Park, Michigan 48237<br />

ATLANTA, JACKSONVILLE<br />

Clark Film Releasing Company<br />

137 East Forsyth Street<br />

Jacksonville Florida 32202<br />

CHICAGO, MILWAUKEE, MINNEAPOLIS<br />

& INDIANAPOLIS<br />

Teitel Film Corp.<br />

600 South Michigan Avenue<br />

Chicago, Illinois<br />

PHILADELPHIA<br />

Aquarius Releasing, Inc.<br />

229 West 42nd Street<br />

New York, N.Y. 10036<br />

Suite 301<br />

NEW YORK<br />

Marvin Films, Inc.<br />

1585 Broadway<br />

New York, N.Y.<br />

BOXOFTICE :: November 13, 1972 E-13


'Emigrant' Benefit<br />

At Sutton Theatre<br />

NEW YORK—The New York chapter<br />

of the American-Scandinavian Foundation<br />

held a benefit performance of "The Emigrants"<br />

at the Sutton Theatre. HRH Princess<br />

Christina of Sweden, now on tour of<br />

the U.S., greeted those attending at an informal<br />

reception prior to the showing of<br />

the Warner Bros, film that stars Max von<br />

Sydow and Liv Ullmann.<br />

The special performance was for the<br />

newly established Carl Sandburg Memorial<br />

Fund of the American-Scandinavian Foundation,<br />

to underwrite journalistic, literary<br />

and poetic exchanges between the Scandinavian<br />

countries and the U.S. The establishment<br />

of the Sandburg Memorial Fund<br />

has been endorsed enthusiastically by Sandburg's<br />

widow and children as a most suitable<br />

memorial to the great American writer<br />

of Swedish descent, whose career mastered<br />

so many aspects of the verbal arts.<br />

"The Emigrants," the widely acclaimed<br />

film directed by Jan Troell, is based upon<br />

Swedish author Vilhelm Moberg's monumental<br />

work on emigration to the U.S.<br />

Harold McCormick Elected<br />

To the Colorado Senate<br />

DENVER — Harold McCormick, who<br />

operates theatres in Canon City, Colo., has<br />

been elected to the Colorado Senate. Mc-<br />

Cormick has been in the Colorado House<br />

of Representatives for several terms.<br />

With reapportionment putting him in a<br />

district with another Republican member<br />

of the House, McCormick ran for the<br />

Senate.<br />

While in the House, McCormick has been<br />

instrumental in getting an appropriation<br />

aimed at bringing motion picture, TV and<br />

TV commercial productions to the state.<br />

The appropriation now stands at $35,000<br />

a year.<br />

South Plainfield Low Is<br />

Challenged in UA Suit<br />

NEWARK, N.J .—A suit filed by United<br />

Artists Eastern Theatres in federal court<br />

challenges an ordinance recently enacted by<br />

the borough of South Plainfield which<br />

threatens theatre owners with loss of their<br />

license for admitting persons under 18 to<br />

"obscene" movies. UA operates two theatres<br />

in the borough. Cinema I and Cinema II,<br />

located in the Middlesex Shopping Mall.<br />

The suit charges that under the ordinance<br />

E-14<br />

Coming in January:<br />

motion pictures may be held as "obscene"<br />

for persons under 18 "on the basis of an<br />

isolated scene taken by itself and out of the<br />

context of the whole pictures." It further<br />

charges that the ordinance would permit a<br />

picture to be ruled obscene even if it contained<br />

only a single scene "in which a mere<br />

verbal reference is made to sexual activity."<br />

The action maintains that the ordinance<br />

would "effect censorship of nonobscene motion<br />

pictures on a lowest common denominator<br />

approach keyed to infant children ."<br />

. .<br />

The theatre owners asserted that the ordinance<br />

"applies the same infantile standard<br />

to the 17-year-old high school senior and<br />

the five-year-old kindergartner."<br />

In addition to revoking the theatre's license,<br />

the ordinance also provides for suspensions<br />

and fines of up to $500.<br />

Stewart Guidotti Joins<br />

Columbia-Warner Dist.<br />

LONDON—Stewart Guidotti has joined<br />

Columbia-Warner Distributors, Ltd., in the<br />

capacity of advertising manager (U.K.), with<br />

specific responsibilities for Warner Bros.<br />

projects, it was announced by Patrick M.<br />

Williamson, managing director of the company.<br />

Guidotti will make his headquarters<br />

at the company's offices, 135 Wardour St.<br />

and will work under the direct supervision<br />

of Diane Solomon, director of publicity and<br />

advertising, Columbia-Warner Distributors,<br />

Ltd. (Warner Bros., U.K.).<br />

Guidotti comes to Columbia-Warner from<br />

EMI Cinemas & Leisure, Ltd., where he<br />

functioned as assistant publicity and advertising<br />

manager. Before this appointment,<br />

he held a similar position at Fiat (England),<br />

Ltd.<br />

Pa. Court Rules Columbia<br />

Airer Can't Show X Films<br />

COLUMBIA, PA.—The Lancaster County<br />

Court October 20 ordered Lou Weinstock,<br />

manager of the Columbia Drive-In,<br />

to pay court costs and to refrain from<br />

showing any X-rated motion pictures at the<br />

underskyer for a period for two years. The<br />

court also ruled that no bill of indictment<br />

shall be represented against Weinstock to the<br />

grand jury. Judge Wilson Bucher termed<br />

the punishment "an intelligent resolution to<br />

the problem."<br />

Authorities May 18 seized the film<br />

"Mona," which had been playing at the<br />

Columbia Drive-In, and it later was ruled<br />

obscene by a judge. The movie "Mona" will<br />

be locked in the courthouse for a period of<br />

two years and it was noted that it could<br />

be used as evidence if any agreement violation<br />

were to occur.<br />

Jerry Lewis Cinema Opens<br />

LANSDALE, PA.—Thomas Schumaker's<br />

350-seat Jerry Lewis Cinema, located in the<br />

Lansdale Shopping Center, Main Street and<br />

Oak Boulevard, was slated to open Wednesday<br />

night, October 18, with "Butterflies Are<br />

Free" as the inaugural attraction. Prices<br />

never will top $1.50 a person, according to<br />

Schumaker. In fact, he says movies will cost<br />

99 cents Monday through Thursday.<br />

'Ladies Day' Stirs<br />

Sex Discrimination<br />

right<br />

PITTSBURGH — Free enterprise, the<br />

of theatres to offer reduced admission<br />

prices on "Ladies Day," seriously challenged<br />

here by the Mayor's Committee on<br />

Human Relations, gained more publicity<br />

than any film offered hereabouts in years<br />

and years.<br />

The Post-Gazette editorially stated in<br />

"An Absured Sex Ruling" that "the trouble<br />

with too many reformers is that they never<br />

seem to know where to draw the line between<br />

reasonableness and absurdity . . .<br />

Theatre and ball park operators have from<br />

time immemorial sought to promote attendance<br />

by offering ticket discounts to<br />

women at specified times when gate receipts<br />

are in a slack period. This is a legitimate<br />

form of business promotion and has<br />

nothing to do with sex discrimination."<br />

Theatre circuits here received a letter<br />

from James E. Simms, director of the<br />

so-called Human Relations Commission,<br />

signed August 15, threatening legal action<br />

if theatres did not discontinue the businessstimulating<br />

effort known as "Ladies Day,"<br />

which has been featured at nearly all theatres<br />

here for five years or longer. Simms'<br />

letter stated that "Ladies Day" admission<br />

policies were "in direct violation of sex<br />

discrimination laws," etc.<br />

Theatre officers said that maybe children's<br />

prices also would be challenged.<br />

Norman Mervis, Associated Theatres'<br />

general manager, asked to appear before<br />

the full 5-member commission. Mike Cardone,<br />

RKO-Stanley Warner executive, fed<br />

the commission letter to the news media.<br />

Recently officials of theatres, including<br />

the Chatham Cinema, received another letter<br />

which softened the bias charge, the<br />

legal threat action flickering against the<br />

"flicker palaces."<br />

The Post-Gazette editorial states: "Will<br />

the commission rule next that a discount<br />

on ladies' shoes discriminated against men<br />

and can't be offered except on a general<br />

basis? How free will businesses be to operate<br />

if this sort of nonsense becomes rampant?<br />

. . . The commission indulged in nit-picking<br />

excessess . . . We believe that many millions<br />

of Americans are turned off by this<br />

sort of thing and that it should be stopped."<br />

Theatre Permit Approved<br />

VIRGINIA BEACH. VA. — The<br />

city<br />

council last month approved a use permit<br />

for a second film theatre, to seat 600 patrons,<br />

in the northeast comer of the parking<br />

lot at Pembroke Mall.<br />

WHO Selling Strcmd Theatre<br />

PLAINFIELD. N.J .—The Walter Reade<br />

Organization's Strand Theatre on Front<br />

Street is being offered for sale. The movie<br />

house was closed because of "the lack of<br />

good movies and high maintenance costs,"<br />

according to WRO.<br />

Warner Bros.' "Zande" starring Liv Ullmann<br />

has been re-titled "Taylor's Bride."<br />

BOXOFFICE :: November 13, 1972


Don't forget . . . the training,<br />

tlie discipiine^he experience,<br />

the leadership, the teamwork,<br />

the loyalty, the determination.<br />

Don't forget all the assets veterans have. Attitudes that make them highly-motivated,<br />

productive individuals. Skills adaptable to a variety of industries and positions. Proven trainability<br />

and self-discipline. Don't forget. Don't forget all they learned . . . sometimes the hard vi/ay.<br />

For help in hiring veterans, contact your local office of the State Employment Service;<br />

for on-the-job training information, see your local Veterans Administration office.<br />

Don't forget. Hirethe Vlt<br />

/mj/mffi.<br />

BOXOFHCE :: November 13, 1972 E-IS


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the Roof" opened Wednesday (8) at these<br />

four theatres: Five West, Strand, Paramount<br />

and Pikes.<br />

Public hearings on six applications for a<br />

CATV franchise in Baltimore County will<br />

be moved back about a month to give the<br />

county's consultant time to study the massive<br />

applications. Four of the nation's six<br />

largest CATV companies were among the<br />

six that presented applications Friday (3)<br />

for a franchise to provide cable service to<br />

the 200,000 households in the county . . .<br />

Free State Communications Services, owned<br />

in part by F. H. Durkee Enterprises and<br />

the agent for which group is C. Elmer Nolle<br />

jr., an executive of Durkee, has filed application<br />

for CATV operations in Baltimore<br />

County. The firm already owns one in Anne<br />

Arundel County and one in Annapolis.<br />

Carlin's Drive-In currently is charging<br />

$3.50 per carload at all times.<br />

TIRED OF HEARING, "SORRY NO PRINTS?"<br />

CALL (area code 301) 385-0600<br />

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Ray Thompson, executive of Ray Thompson<br />

& Associates, left Friday, October 20,<br />

with a party of 16 for a three-week safari<br />

in Africa. Besides being president of the<br />

Baltimore Zoological Society, Thompson<br />

also is executive secretary of both the Pennsylvania<br />

and Maryland Veterinarian Medical<br />

Ass'ns. His companions in the hunt<br />

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izations. He has made many trips of this<br />

nature in the past.<br />

A film festival for moviemakers will be<br />

held at the Randallstown area branch of<br />

the Baltimore County Public Library in<br />

early December. Moviemakers with 8mm<br />

or 16mm films they wish to show should<br />

contact Mrs. Barbara Franklin at the Randallstown<br />

area branch in the Liberty Court<br />

. . .<br />

Shopping Center at Liberty and Old Court<br />

roads One of the more than 1,500<br />

known asteroids is named Marlene after<br />

movie star Marlene Dietrich . . . Robert W.<br />

Russo has been appointed account executive<br />

for WBAL-FM, according to Robert Benson,<br />

director of the FM station. He will<br />

be in charge of sales and new accounts.<br />

Aaron Seidler, executive vice-president of<br />

R/C Theatres, is joining the local contingent<br />

which will attend the national NATO convention<br />

in Bal Harbour, Fla., Friday (17)<br />

. . . Irwin Cohen, president of R/C Theatres,<br />

and Dave Knight, Virginia district manager<br />

of the same circuit, will attend the<br />

'"Pioneer of the Year" 34th anniversary<br />

dinner at the Hotel Americana in New<br />

York Wednesday (15) . . . Ilene Cohen, oldest<br />

daughter of Irwin Cohen, R/C Theatres<br />

president, now attending the Wharton<br />

School of Finance in Philadelphia, visited<br />

her parents during a recent weekend. She<br />

was a former employee of R/C.<br />

Stephen D. Seymour, former general sales<br />

manager of WJZ, has been appointed general<br />

manager of the Westinghouse Group<br />

W station here, effective immediately. He<br />

succeeds Alan J. Bell, who becomes vicepresident<br />

and general manager of the Group<br />

W station in Philadelphia, KYW-TV.<br />

Clive Barnes, New York Times drama and<br />

dance critic, lectured at Johns Hopkins University<br />

Wednesday (1) on the role of the<br />

artist in modern society . . . Plans for a<br />

national clown museum in this city are<br />

being developed by the local "alley" of<br />

Clowns of America. The national convention<br />

of the clown's organization will be held here<br />

in<br />

April.<br />

The film series at the Baltimore Museum<br />

"Was There Ever Really an<br />

of Art entitled<br />

America or Was There Only Frank Capra?"<br />

ended Thursday (2) with a special appearance<br />

by Frank Capra. Following the film<br />

"It's a Wonderful Life," Capra participated<br />

in a discussion about his films and filmmaking<br />

with Michael Webb of the American<br />

Film Institute. Questions from the audience<br />

were answered.<br />

Baltimore County would collect between<br />

$962,000 and $3.9 million during the first<br />

decade of CATV in the county, if estimates<br />

made by six firms competing for the franchise<br />

are accurate. The companies also estimate<br />

that between 93.500 and 180.000<br />

households in the county will subscribe to<br />

cable TV by 1983. There currently are<br />

200,000 households in the county. However,<br />

Councilman Webster C. Dove (D-4th)<br />

doubted CATV would be a moneymaker for<br />

the county because of the cost of regulating<br />

E-16<br />

BOXOmCE :: November 13, 1972<br />

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E-18 BOXOFHCE :: November 13, 1972


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BOXOmCE :: November 13, 1972<br />

E


WASHINGTON<br />

Lany McMurtiy, author of "The Last Picture<br />

Show" and now an area resident,<br />

wrote in the Sunday Star and News (5) in<br />

his review of Quentin Bell's book, "Virginia<br />

Woolf": "He has done his gifted aunt full<br />

justice and has given us, I believe, the best<br />

biography we have so far had of a major<br />

20th Century literary figure."<br />

Norman Jewison, the 46-year-old Toronto-bom<br />

director of "Fiddler on the Roof"<br />

is in Israel filming "Jesus Christ Superstar"<br />

for Universal release in June. According to<br />

his interview with the Star-News' Allan<br />

Parachini: "Jewison rejected an overly serious<br />

cinematic approach to 'Superstar,' protesting<br />

that 'this is not a deeply religious<br />

work and it has an interesting point of view<br />

... It has an element of spoof.' "<br />

Jerry Levy, MGM Philadelphia-based division<br />

manager, tradescreened "The Great<br />

Waltz" at Motion Picture Ass'n of America<br />

screening room Monday morning (6) . . .<br />

William Zoetis, 20th Century-Fox salesman,<br />

invited exhibitors to view "Trouble Man" at<br />

the same site Monday afternoon (6). Zoetis<br />

had been in charge of the exchange during<br />

what proved to be Shep Bloom's terminal<br />

illness.<br />

John Turner, Philadelphia-New York-<br />

Washington distributor for Jet Set Productions,<br />

among other companies, was seen on<br />

Filmrow. He came here from his headquarters<br />

in Philadelphia.<br />

Peter Boyko, president of Capital Film<br />

Laboratories, a Washington-based film processing<br />

firm, reported a 103 per cent increase<br />

in earnings for the first half ending<br />

September 30. Net income after taxes<br />

totaled 44.7 cents per share compared with<br />

22 cents per share in the first six months<br />

of the preceding fiscal year. Boyko also reported<br />

that a new 16mm color Ektachrome<br />

machine has been installed on his company's<br />

Miami facility.<br />

Fred L. Wineland, Maryland Secretary<br />

WRITE—<br />

The Exhibitor Has His Say<br />

TO:<br />

BOXOFFICE. 825 Van Bnint BWd.,<br />

TiUe<br />

Cuuiixi#iit<br />

Eanaoi City, Mo. 64124<br />

YOOH REPORT OF THE PICTURE YOU<br />

HAVE JUST PLAYED FOR THE<br />

GUIDANCE OF FEUOW EXHIBITORS.<br />

of State and treasurer of Wineland Theatres,<br />

and Mrs. Wineland announced the engagement<br />

of their daughter Gail Ann to Peter<br />

L. Martin of Denver. She's in her fourth<br />

year at the University of Denver.<br />

Frank Getlein, Star-News critic, wrote<br />

regarding "La Salamandre" at the Pedas<br />

brothers' Outer Circle Theatre: "It is the second<br />

feature-length movie by the Swiss director<br />

Alain Tanner . . . While acknowledging<br />

and taking pleasure in the first-rate talent<br />

here in evidence, you conclude that for Tanner,<br />

as for many French 'auteur' directors,<br />

there ought to be someone like Sam Goldwyn<br />

around to keep reminding him that a<br />

story ought to go someplace."<br />

John Cassavetes First<br />

AFI Resident Filmmaker<br />

WASHINGTON, D.C.—John Cassavetes,<br />

who began an association with the American<br />

Film Institute's Center for Advanced<br />

Film Studies October 9 when AFI Fellows<br />

aided him with preproduction chores on<br />

"A Woman Under the Influence," will<br />

serve as the first Filmmaker in Residence<br />

at the Center.<br />

The appointment of Cassavetes to this<br />

post was announced by AFI director George<br />

Stevens jr.<br />

Cassavetes, in his new assignment, will<br />

meet with AFI Fellows periodically to<br />

discuss his work. On a rotating basis. Fellows<br />

will assume functional learning roles<br />

in the production and will have access to<br />

screenings of daily rushes. Fellows will join<br />

Cassavetes and his associates at screenings<br />

of his current film project in its post-production<br />

phase up to its completion.<br />

Both Cassavetes and Stevens emphasized<br />

that the Fellows will not at any time replace<br />

regular crew members on the film.<br />

"We hope that John Cassavetes' imaginative<br />

example will be a breakthrough for<br />

other programs of this kind," Stevens said.<br />

"The purpose of the AFI Fellows program<br />

is to provide professional learning experi-<br />

CompanT..<br />

Days of Week Played Weather..<br />

Exhibitor „ _ „.... Theatre<br />

— Right Now<br />

ence to qualified, advanced young filmmakers.<br />

The opportunity to work closely<br />

with a filmmaker of John Cassavetes'<br />

stature will prove an invaluable asset to<br />

these men and women."<br />

The AFI currently has 38 Fellows in<br />

residence at its Center for Advanced Film<br />

Studies in Beverly Hills. In addition to the<br />

Cassavetes program, some AFI Fellows<br />

are serving as interns on film productions<br />

through the Academy of Motion Picture<br />

Arts and Sciences-sponsored Internship program.<br />

Two X Films Are Seized<br />

In Washington Theatres<br />

WASHINGTON, D.C.—"Hot Circuit"<br />

and "Distortions of Sexuality," being shown<br />

at Trans-Lux Corp.'s Trans-Lux and New<br />

Plaza theatres, were seized by FBI agents<br />

acting on orders from John F.<br />

Rudy, U.S.<br />

assistant attorney, upon grounds that the<br />

theatres were violating a federal law prohibiting<br />

"interstate transportation of obscene<br />

matter."<br />

The New York distributors, Sherpix,<br />

Inc., ("Hot Circuit") and Distrib Pix, Inc.,<br />

("Distortions of Sexuality"), had selfapplied<br />

X ratings to the films and expressed<br />

surprise at seizure of the pictures.<br />

Grand jury hearings on whether or not<br />

to indict the distributors and theatre management<br />

will be held within two weeks.<br />

The films have been replaced at both theatres<br />

with somewhat milder R-rated double<br />

bills, which, according to Pat Davis, manager<br />

of the Plaza, are not doing comparable<br />

business.<br />

The Playhouse, the<br />

other Trans-Lux theatre<br />

in Washington, is headquarters for<br />

T-L general manager Gus Lynch, who has<br />

been recuperating several weeks following<br />

surgery. Also under Washington management<br />

is the Richmond, Va., Blue and Gold<br />

Theatre.<br />

Wometco Off-Shore Post<br />

Given to J.D. Richards<br />

From Southeastern Edition<br />

MIAMI—J.<br />

D. Richards has been named<br />

divisional manager, off-shore motion picture<br />

theatres for Wometco Enterprises. Richards<br />

has served with Wometco since 1967 as<br />

vice-president, Grand Bahama Theatres,<br />

Freeport, Bahamas.<br />

He will continue to supervise Wometco's<br />

Bahamas theatres from his new office in<br />

Miami and also will coordinate the operation<br />

of theatres in Alaska, Puerto Rico,<br />

Santo Domingo and the Virgin Islands.<br />

Prior to joining Wometco, Richards was<br />

chairman of the board and managing director<br />

for Picturedrome (Eastbourne) in<br />

England.<br />

He served as president and trustee of the<br />

General Cinematographers and Exhibitors<br />

Ass'n of Great Britain and Ireland, and<br />

was the exhibitor representative for the<br />

British government's films council.<br />

He is a graduate of Roborough College,<br />

Eastbourne, and served with distinction during<br />

World War II in both Europe and Asia,<br />

rising from lieutenant to commandant of<br />

the Rhine Army Division College.<br />

E-20 BOXOFHCE :: November 13, 1972


: 1972<br />

'HE Fuzr<br />

lat flashes<br />

badge on tli<br />

irt Gang!'<br />

\b'\\ get a face full of bloody tread<br />

rarks and a 250 lb. dirt bike right<br />

ihere he doesn't need it.<br />

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PAUL CARR<br />

jj'ar'.ng<br />

•<br />

MICHAEL FOREST -BEN ARCHIBEK<br />

• •<br />

MICHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American International Release<br />

•<br />

>'.-;'ent;v Pfoduced by Directed by<br />

WILLIAM MERCER and MICHAEL C. HEALY<br />

•<br />

JOSEPH E. BISHOP and<br />

•<br />

ART JACOBS JERRY JAMESON<br />

CONTACT YOUR American International exchange<br />

American International Pictures. Inc.<br />

CO SALT LAKE CITY LOS ANGELES SAN FRANCISCO SEATTLE PORTLAND<br />

ir dwoy 252 Eost First South 9033 Wihhire Blvd. 251 Hyde Street 2401 Second Avenue 925 N.W. 19th Avenue<br />

', 'lo. 80205 Salt Loke City, Utoh 84111Beverly Hills, Colif. 90211Son Francisco, Calif. 94102Seattle, Washington 9(121 Portland, Oregon 97209<br />

! )3) 825-2263 Phone: (801) 332-3601 Phone (213) 273-7433 Phone: (415) 771-5485 Phone: (206) 622-0660 Phone: (503) 228-1175<br />

U- 1, Mgr. Fred C. Palosky, Mgr. Harry Levinson, Mgr. Hoi Gruber, Mgr. J. R. "Jimmy" Beale, Mgr. Terry Crowford, Mgr.


'<br />

^^<br />

The Valachi Papers/<br />

'T J / iinn T \<br />

{j^^ge jim eihs sees Dim<br />

Future for Pornography<br />

Lady 4UU in la Portland, ore. — circuit Court<br />

* Judge James Ellis, a supporter of Oregon's<br />

LOS ANGELES—A pair of 400s graced recently revised criminal code, believes that<br />

the report list as "Lady Sings the Blues" there is not enough of a market to support<br />

quadrupled average in a second week at pornographic movies and live sex acts for<br />

Pantages Theatre and "The Valachi Papers" any great length of time. Ellis, a recently<br />

came up with equally good business in appointed judge in Multomah County, told<br />

a second frame at the Hollywood Cinema members of the Oregon Social Welfare<br />

and UA Cinema. Ranking right behind Ass'n Portland district that the revised crimthe<br />

co-leaders were "The Emigrants," 300, inal code has been a boon both to those<br />

third week at the Music Hall, and "Sound- accused and the public, as well as those<br />

er," fourth, Avco Center Cinema L "The involved in the criminal justice system, de-<br />

Great Waltz," "The Ruling Class," "De- spite the attention focused on the repeal of<br />

liverance," "Runaway Hormones" and "A sections dealing with former sex offenses.<br />

Separate Peace" also grossed in the 200— Judge Ellis expressed his opinion that if<br />

or twice average— range. the public will sit back and wait, waning<br />

(Average Is 100) interest will soon result in an end to live<br />

ABC City 2—The Great Wolti (MGM) 200 ^„ „ ^ j clns.irp nf thp "HirH, m^,/i»"<br />

Avco Center Cinema 1—Sounder ^^ ^^^ ^na Closure Ot tne dirty mOVie<br />

(20th-Fox), 4th wk 290 houseS.<br />

Avco Center Cinema 2—The Ruling Class<br />

(Emb), 5th wk 200<br />

Beverly, El Rey—George! (SR) 100 _ ii m<br />

Bruin—Sovage Messiah (MGM) 3rd wk 75<br />

StCIlllOrd FoOthCTll Termi<br />

Cinema—School Girl (SR), 17tfi wk 150<br />

»J1»-H1*W1W IWWlWWll i. VPUlll<br />

Cineramo— Deliverance (WB), 12th wk 210 T_ ^:_-_-, ''LI^^^-.'DH,,~J'<br />

Crest—Bad Company (Poro), 3rd wk 60 IS'j'lVeil tlOrrOrlltUal<br />

Fox, Village—Heat (SR), 3rd wk 175 „,,„„.»,,, ^ ,. ,„ r^. „<br />

Hollywood—Hammer (UA) 75 BURBANK. CALIF.—The Stanford Uni-<br />

"°&s^Co'i')^"'2nd^wk^'"^"'°T^.''.V^°',"''',..400 vcrsity football team and its coaches were<br />

Mayon—Runowoy Hormones (SR) 2nd wk 200 sworn in as honorary members of the Count<br />

Music Hall—The Emigrants (WB), 3rd wk 300 „ • .<br />

r. „• ,., ^ . .<br />

National—Corry On Doctor (AlP) 100 Dracula Society in a HorroRitual Friday<br />

''<br />

^S^n^^les^l^^riiirg^'tr'Sr^es'^"^'<br />

night (3) prior to a special screening of<br />

PlJL°:^k 's-e^pa^a^e Peace •(Pora); ind "wk: " ! I !<br />

i^gg<br />

^"L""'^';' "°^'"" ^^.- ^^F 'I ""!<br />

State—Btacuia (AlP), 4th wk 65 Burbank Studios. The next day they played<br />

Wiishire-Fiddier on the Roof (UA), 52nd wk. .<br />

.110<br />

^^^^ y^LA Bruins in the Los Angeles Coli-<br />

*A Separate Peace' Lively -m. o» ^ j . j .l<br />

Stanford team requested the screen-<br />

.<br />

250 in Denver 1st Week<br />

ing as<br />

T^EKT^^cr. c uu-.- u u A<br />

a good luck charm, since last year<br />

DENVER-Exhibition here had recovjj,^y<br />

^^^^ j^^^,^^ ^^ ^ ^^^ ^^ ^g,^<br />

ered to the point where most films were<br />

..s^^^ g^^^,, ^^^^^ ^^^.^ ^.^^ ^^^<br />

attracting better- than - average business,<br />

university of Southern California and then<br />

Leading the way, A Separate Peace new<br />

proceeded to "skin" the Trojans.<br />

at the Esquire, grossed a solid 250 and<br />

fourth-week "Deliverance," playing at the rn XA7"U' IVI OU *"<br />

Centre Theatre, was nearly as strong at 240. "UIl Wlia INOW bUOOting<br />

Also rating in the elite 200 class, "Runaway In Northem NeW MexiCO<br />

Hormones" scored 205 in a second stanza adtz-^ttttt xt ii,r a<br />

ABIQUIU, Oriental Theatre<br />

N.M.—A contemporary outat<br />

the oriental iheatre.<br />

^^^^ ^^^ ^j^^ ^ ^^^ ^^ ^,^^^j $1,000,-<br />

Aloddin— Fiddler on the Roof (UA), 51st wk. ..125 •<br />

r,nn *i u u i. xi.-<br />

Centre— Deliverance (WB)^ 4th wk 240 ^^^y Currently IS being shot m this remote<br />

Century 21 —Everything You Always Wanted arga ^f northern New Mpxiro about I Of)<br />

to Know About Sex (UA)^ 10th wk<br />

^^"^<br />

70<br />

"^ noruieni imcw iviexico, doout ivu<br />

Cherry Creek, Villa Italia—The New Centurions miles from Albuquerque.<br />

(Col), 5th wk 100 -FM • » .-.1 J i.r. II7M J ..<br />

Cooper—The Condidote (WB), 10th wk 110 ihe picture, titled Run Wild, Stars<br />

Denham—The Darwin Adventure (20th-Fox) 125 Llovd i-iu>u Bridees Dina Merrill Gilbert Roland<br />

Denver 1, Lakeside, Plaza—You'll Like My<br />

Duugcs, L/iUd iviernu, OUDCn K.Oiana<br />

Mother (Univ) 100 and Pat Hingle. It is being produced by<br />

Eight theatres—Outdoor Rambling (SR) 125 r^„^„ • i, . t * •• .<br />

Esquire—A Seporate Peace (Para) 250 Communicating V 6 n t u r e s International,<br />

Flick—Gumshoe (Col), 2nd wk 150 ltd Robert MoCahnn is thp i^ircrtnr<br />

Four theatres—Run, Cougor, Run (BV), 2nd wk. .100 ," '^"'p*^" lvlc»...dnon IS tne QireCtor.<br />

Lakeside, Plaza, Colfax—^Another Nice Mess Location shoOting here is expected tO COn-<br />

Orientol—Runiwoy Homones (SR)', in'd' wk.' ' .' .'205 t'nue through mid-Novembcr.<br />

Paramount—Asylum ' (CRC), 2nd wk 110<br />

-ri _. T^ . -^, ,<br />

"Black Beauty' Benefit Showing<br />

Iheatre Fermit Okayed tempe, ARiz.-The cameiback Man<br />

LAS VEGAS—The county commissioners Cinema, 7033 East Cameiback Rd., Scottshave<br />

approved a use permit for the Nevada dale, October 28 presented a special show-<br />

Cinema Corp. to construct a movie theatre ing of "Black Beauty" as a benefit for the<br />

in a shopping center on the west side of Big Sisters of Arizona Auxiliary. Proceeds<br />

Eastern Avenue, about 700 feet south of from the event will be used by the organiza-<br />

Sahara Avenue. tion to assist in its work with young girls.<br />

H. C. Rogers Elected<br />

To Trustees Board<br />

HOLLYWOOD — Henry C. Rogers,<br />

chairman of the board of Rogers, Cowan &<br />

Brenner, has been elected to the board of<br />

trustees of the American Film Institute, it<br />

was announced by Charlton Heston, AFI<br />

board chairman. Rogers who long has been<br />

involved in community affairs and active in<br />

various motion picture industry organizations,<br />

also presently is on the Performing<br />

Arts Coordinating Council of the University :<br />

of Southern California.<br />

He will attend his first AFI trustees'<br />

meeting Monday (13) at the organization's<br />

headquarters in the John F. Kennedy Center<br />

for the Performing Arts in Washington,<br />

D.C.<br />

R. D. Steckler Is Given<br />

Green Light on Theatre<br />

LAS VEGAS—The city council of North<br />

Las Vegas has approved a request filed by<br />

Ray Dennis Steckler for a license to operate<br />

a motion picture theatre at 2101 Civic Ceni<br />

ter Dr. The permit was granted with the i<br />

provision that sexploitation films could not<br />

be shown.<br />

Steckler indicated that the cinema would<br />

be named the Hollywood Theatre and that<br />

film fare would be confined to product with<br />

a G, PG or R rating.<br />

This was the first license granted in many<br />

years for the operation of a movie theatre in<br />

North Las Vegas.<br />

Father O'Shea Invested<br />

As Prelate of Honor<br />

SAN FRANCISCO—Father Patrick John<br />

O'Shea, chaplain of Variety Club Tent 32<br />

and also chaplain of the Catholic Entertainment<br />

Guild, was invested as prelate of honor<br />

of His Holiness Pope Paul VI Sunday morning<br />

(5) at a concelebrated mass at Most Holy<br />

Redeemer Church, with Most Rev. Merlin<br />

J. Guilfoyle, bishop of Stockton, presiding.<br />

The Most Rev. Monsignor O'Shea was<br />

joined by his family and friends at<br />

a reception<br />

at the school hall immediately following<br />

the mass.<br />

Start Operators' School<br />

DENVER—Operators Union 230 is turning<br />

its garage building into a school to<br />

teach the latest electronics developments and<br />

techniques in motion picture production.<br />

The school will be open to all operators and<br />

apprentices, with the teaching being done<br />

mainly by members of the union but, whenever<br />

possible, technicians from companies in<br />

the projection field also will be brought in.<br />

CARBONS, INC.<br />

< '<br />

Box K, Cedar Knolls, N<br />

in Calitornio— Budd Theotrc Supply Co., Culver City, 839-4325<br />

B. F. Shearer Company, Son Francisco—861-1816<br />

Western Theotrical Equip. Co., Son Francisco—861'<br />

in Arizono—Theatrical Supply Company, Phoenix—254-021 S<br />

in Colorado— National Theatre Co., Denver—825-0201<br />

in Utoh—L and S Theatre Supply Co., Solt Lake City—328-1641<br />

7571<br />

W-4<br />

BOXOFHCE :: November 13, 1972<br />

'\


^Best<br />

Picture<br />

pf theyear<br />

No matter what show you are offering this week. No<br />

matter how many Oscars it boasts and who the stars<br />

may be.<br />

Your boxoffice success will<br />

depend as much on<br />

the quality of the projection as on the picture itself.<br />

Ensure the success of your theatre operation with<br />

Century projection and sound reproduction. Get the<br />

best out of your prints and give your patrons pleasing<br />

quality projection that will keep them coming back<br />

again and again.<br />

If Century didn't consistently project<br />

the clearest, sharpest, brightest picture<br />

possible, it wouldn't be the standard in<br />

American movie theatres today.<br />

Century—the best projection<br />

for the best picture of<br />

the year, every year!<br />

SEE YOUR CENTURY DEALER - OR WRITE:<br />

CENTURY PROJECTOR CORPORATION<br />

165 West 46th Street, New York, New York 10036<br />

Western Theatrical Equipment Co. John P. Filbert Co., Inc.<br />

187 Golden Gate Avenue 1100 Flower Street (P.O. Box 5085)<br />

San Francisco, Gilifomia 94102 Glendole, California 91201<br />

Phone: (213) 247-6550<br />

Peterson Theatre Supply<br />

19 E. 2nd South (Room 1001)<br />

Salt Lake City, Utoh 84111<br />

Phon«: (801) 484-4251<br />

Western Service & Supply, Inc.<br />

2100 Stout Street<br />

Denver, Colorado 80205<br />

Pacific Theatre Equipment Co.<br />

142 Leavenworth Street<br />

San Francisco, California 94102<br />

S. F. Burns & Co., Inc.<br />

2319 2nd Avenue<br />

Seattle, Washington 98101<br />

IBOXOFHCE :: November 13, 1972 W-5


Jj<br />

LOS ANGELES<br />

Jl^rt Sanborn, Sanborn Theatres, is vacationing<br />

in the Virgin Islands before proceeding<br />

to Bal Harbour, Fla., for the national<br />

NATO convention. Another theatre<br />

for that firm is in the "talking" stage.<br />

ABC Theatres received a big shot in the<br />

arm from the aggressive promotion of the<br />

Theatre Guild-American Theatre Society,<br />

which focused attention on the complex<br />

with big ads in the Los Angeles Times<br />

amusement section. With Metro-Goldwyn-<br />

Mayer's "The Great Waltz" in ABC City<br />

Theatre II, and "Cabaret" in ABC City<br />

Theatre I, it now appears that the center will<br />

get the promotion needed to make it into the<br />

area which was promised when the original<br />

plans were developed.<br />

Hollywood Pacific is playing a double bill<br />

of "Necromancy" and "Bluebeard," which is<br />

what the boulevard needs to bring 'em in off<br />

the streets. The Gs and PGs don't do this<br />

and these films have the quality which fits<br />

READY<br />

NOW!<br />

g CHRISTMAS HOLIDAYS §<br />

SEASONAL GREETING TRAILER<br />

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Sf A beautiful full-color 60-second action M<br />

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I • Says "Happy Holidays" |<br />

g • Lets your patrons know you care! a<br />

w • Wish them a "Joyous Holiday »<br />

Season"<br />

I<br />

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90-Foot, 60-Second<br />

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g Your money returned if not delighted!<br />

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SEND CHECK AND ORDER TO:<br />

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During the past three years we<br />

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Help put our best<br />

natural resources to work.<br />

As you know, today there is a ciying<br />

need for technicians.<br />

The trouble is many bright kids don't<br />

know about these jobs.<br />

So the U.S. Office of Education, The<br />

Conference Board and The Advertising<br />

Council have put together a full-scale advertising<br />

program to get the message through.<br />

It consists of two parts. One is a seven<br />

page booklet giving all the facts on technical<br />

careers, technical schools and financial aid.<br />

The other is a poster offering the booklet.<br />

You can help by handing out the<br />

free booklet—and seeing that the poster is<br />

displayed in high schools, churches, youth<br />

clubs, wherever young people hang out.<br />

For free samples of our booklet and<br />

poster and information on quantity reprints,<br />

use the coupon at right.<br />

Reprints are cheap. Only $4.00 per<br />

hundred for the poster. $5.00 per hundred<br />

for the booklet.<br />

For a small additional charge, we'll<br />

even imprint your company's name.<br />

Mail the coupon. You'll be helping kids<br />

who want to make something of themselves—<br />

and assuring yourself a supply of o^--<br />

technicians for the future.<br />

ADVERTISING CONTRIBUTED FOR THE PUBLIC GOOD<br />

L.<br />

Technicians<br />

Bowie<br />

hav« a college mao^<br />

careerwilhoal four<br />

years o< college.<br />

P.O. Box 313, Radio City Station, New York, N.Y 10019<br />

Name-<br />

Firm—<br />

Business Address-<br />

City -State- .Zip_<br />

:j<br />

BOXOFTICE :: November 13, 1972 W-7


DENVER<br />

Qyron Shapiro, Columbia district manager,<br />

was in town visiting the local branch<br />

. . . United Artists sneak-previewed "Man<br />

of La Mancha" at the Century 21 Theatre<br />

before a packed house.<br />

In an unusual robbery, thieves broke into<br />

the LaJunta Drive-In and stole two Cinema-<br />

Scope lenses, two reflectors, one film gate,<br />

exciter lamps and a spotlight box. Serial<br />

numbers of the missing items have been<br />

registered and it would be suggested that<br />

exhibitors throughout the area be on the<br />

watch for the equipment. If offered such<br />

equipment for sale, contact Bruce Young,<br />

district manager. Commonwealth Theatres,<br />

at (303) 892-0477.<br />

Kenneth Lee Lewis, who formerly was<br />

manager for the Cobb circuit at the Westminster<br />

Plaza Theatre, now is manager of<br />

the Bluffs Theatre in Scottsbluff, Neb. . . .<br />

Commonwealth Theatres booker Dick Fulham<br />

is back at the desk following a week's<br />

hospitalization . . . Dolly, wife of Bob Heyl,<br />

Wyoming Theatre, Torrington, Wyo., earned<br />

her teaching certificate and immediately was<br />

put to work as a substitute teacher in the<br />

local school system.<br />

In town to set datings were Milton<br />

Boehm, Cover Theatre, Fort Morgan; Paul<br />

Cory, Starlite Drive-In, Sterling, and<br />

Michael Barry, Village Theatre, Steamboat<br />

Springs. Barry still is aiming for a Thanksgiving<br />

Day opening for his new Times<br />

Square Cinema, which is being erected in<br />

the Mount Werner section of the city,<br />

with<br />

FINER PROJEGION-SUPER ECONOMY<br />

CREENS<br />

Ask Your Supply Dtalw or Write<br />

HURLEY SCREEN COMPANY, Inc.<br />

U Unk Driva rarmliifldal*, L. U M. Y., 11711<br />

W-8<br />

Coming in January:<br />

Russ Meyer's<br />

the opening timed for the beginning of the<br />

ski season in the area.<br />

Jim Kottman, formerly of Kansas City<br />

and a resident of our town for over two<br />

and a half years, now is working as second<br />

booker (since August 27) with the 20th<br />

Century-Fox branch here. Jim, who is 26,<br />

was assistant booker with Warner Bros, in<br />

Kansas City from October 1967 to March<br />

1969 and says he is most happy to be back<br />

in the industry—and we're happy to have<br />

him in Denver! . . . Pam Stokes from<br />

Cincinnati, Ohio, is new booker's secretary<br />

with 20th-Fox. This is her first affiliation<br />

with the industry and Filmrowites extend<br />

a hearty welcome and best wishes for much<br />

success . . . Dorothy Orrino, 20th-Fox,<br />

recently returned from a two-week vacation<br />

in Cincinnati . . . The two "big ones" for<br />

Christmas, it is announced by 20th-Fox, are<br />

"Sounder" and "The Poseidon Adventure."<br />

Blanche Hatton Marks 48<br />

Years As Theatre Manager<br />

ALBUQUERQUE—Miss Blanche Hatton,<br />

one of New Mexico's few lady theatre<br />

managers, recently marked her 80th birthday.<br />

A few days after that occasion, she was<br />

featured in a half-page article in the<br />

women's section of the afternoon Albuquerque<br />

Daily Tribune.<br />

The store, titled "Theatre Veteran Recalls<br />

48 Years on Central," was written by Tribune<br />

staffer Charlotte Black. Portions of the<br />

feature story follow:<br />

"Blanche Hatton has been managing<br />

movie theatres in Albuquerque for nearly<br />

half a century. I've been on Central Avenue<br />

for 48 years,' laughs the manager of the<br />

Lobo Theatre (Central Avenue is Albuquerque's<br />

main thoroughfare).<br />

"She recently celebrated her 80th birthday.<br />

Is she dreaming of the day she can<br />

retire? Not for a minute, she's not! 'It's a<br />

privilege to work ... my work's my pleasure<br />

.. . I'd really miss it. My evenings<br />

always have been the high spot of my day.<br />

Besides, I don't want to sit in a rocking<br />

chair. I just don't think I'd like that. I think<br />

they're wrong to push early retirement<br />

they're losing a lot of leadership.' "<br />

The story goes on to tell about her start<br />

in the theatre business in Indiana where she<br />

cashiered in a house owned by Paul Williamson.<br />

He later moved to Albuquerque and<br />

got into real estate.<br />

Miss Hatton and her brother moved to<br />

Albuquerque in 1924 and found that Williamson<br />

had purchased the Ideal Theatre<br />

downtown. She soon became manager. In<br />

1934 the Chief Theatre was opened and for<br />

awhile Miss Hatton managed both houses.<br />

Later she was manager of the Hiland Theatre<br />

when it opened in 1950.<br />

The story continues: " 'There isn't a day<br />

goes by when somebody that used to work<br />

for me doesn't come by to see me,' she goes<br />

on. 'They show up all the time.' " And. the<br />

story goes on, many of the Albuquerqueans<br />

who worked for her as teenagers now are<br />

bringing their sons and daughters to the<br />

kindly Miss Hatton to be hired.<br />

"Most people think it prepares them for<br />

the world. Having to meet people gives them<br />

the ability to analyze." says Miss Hatton.<br />

She doesn't think children today are "as<br />

old for their age" as they were years ago.<br />

They've all "had allowances and not so<br />

much responsibility."<br />

What does she think of today's movies<br />

compared to those of years ago? Tactfully,<br />

she deflects the question. "I like the 'workings'<br />

of a theatre— I don't follow the pictures<br />

very much." But she admits to some<br />

concern for her formerly faithful patrons.<br />

"They don't care for the rough language<br />

and the nudity. It's hard on them to miss<br />

their movies—they enjoyed them so. Many<br />

of them have just stopped coming."<br />

Daryl Deckers Purchase<br />

Louisville, Colo., House<br />

LOUISVILLE, COLO.—The Rex Theatre<br />

here has been purchased from Mr. and Mrs.<br />

Carmen Romano by Mr. and Mrs. Daryl<br />

Decker. The Deckers have owned the drivein<br />

located between Louisville and Lafayette,<br />

Colo., for approximately two years.<br />

In disposing of the Rex, the Romanos<br />

have completed approximately a half-century<br />

in the movie theatre business. For<br />

many years he was a projectionist before<br />

acquiring the Rex Theatre. Mr. and Mrs.<br />

Romano also were co-owners of the nearby<br />

drive-in before it was bought by the Deckers.<br />

After their long association with exhibition,<br />

Mr. and Mrs. Romano thanked the<br />

community for its support— "all the people<br />

and especially the children who attended the<br />

shows all down through the years at the<br />

Rex."<br />

Rex Theatre in Longmont<br />

Acquired by Dick Klein<br />

LONGMONT, COLO.—Richard Klein,<br />

owner and operator of the Trojan Theatre<br />

and the Star-Vu Drive-In here, has announced<br />

the acquisition of the Plaza Theatre, located<br />

at 201 South Pratt Pkwy., Longmont.<br />

The Plaza previously was operated by Midwest<br />

Shopping Theatres and more recently<br />

by Cobb Theatres, which owns a circuit of<br />

showhouses throughout the country.<br />

The Plaza has been closed for complete<br />

remodeling and renovating under the supervision<br />

and planning of well-known theatre<br />

designer Mel Glatz of Denver.<br />

The showhouse will be under the family<br />

operation of Dick and Jeannette Klein and<br />

will be<br />

their daughter Connie Coffield and it<br />

renamed the Parkway Theatre. Programing<br />

will he family-oriented.<br />

Em-Lee to Operate Cinema<br />

From Mideastern Edition<br />

MARQUETTE, MICH — Em-Lee, Inc.,<br />

will operate a 400-seat theatre, the Mall<br />

Cinema, in the Marquette Mall. The shopping<br />

complex now is under construction on<br />

the south side of U.S. 41 immediately west<br />

of the Marquette city limits.<br />

BOXOFFICE :: November 13. 1972


lat flashes'<br />

badge on the<br />

irt Gang!'<br />

)'ll get a face full of bloody tread<br />

rarks and a 250 lb. dirt bike right<br />

Mere he doesn't need it.<br />

a'ring<br />

•<br />

=AUL CARR<br />

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Bad<br />

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Area Exhibitors,<br />

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CHICAGO — As the eighth Chicago<br />

International Film Festival takes over a<br />

big spot in Chicago's entertainment, increased<br />

interest among exhibitors and the<br />

public is a gratifying note. And while Michael<br />

Kiitza jr., originator of the festival,<br />

has been credited with handling each series<br />

of events with outstanding professionalism,<br />

it generally is agreed that this is going to<br />

be the best year.<br />

The festival opened Friday (3) at the<br />

Esquire, where the auditorium is twice the<br />

size of other theatres which were sites for<br />

prior festivals. "Mirage," the newest offering<br />

of award-winning Peruvian director<br />

Armando Robles Goday, was the opener.<br />

Frederick Wiseman was honored early<br />

in the festival with the screening of his<br />

six documentary films, including "High<br />

School," "Basic Training," "Law and Order"<br />

and "Titicut Follies." Wiseman, who<br />

was on hand to answer questions about<br />

his films, said ". . . all of them are about<br />

public institutions, a high school, a mental<br />

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institution, a police force, a hospital and<br />

the Army—with the exception of my newest<br />

film, 'Essene,' which is about life in a<br />

private institution, a monastery."<br />

16mm<br />

All of Wiseman's films are shot in<br />

black and white, with synchronous, onlocation<br />

sound. No music or narration is<br />

added. Wiseman said that, on an average,<br />

he spends about one to three months with<br />

the institution taking anywhere from 60,000<br />

to 120,000 feet of film and 30 to 60 hours<br />

in running time. He spends six to eight<br />

months editing it down to a 3,000-foot or<br />

90-minute movie.<br />

Other early entries included "The End<br />

of Song," a Bulgarian production about a<br />

shepherd who wrongly is accused of a crime<br />

and prevented from singing to his goats,<br />

and "The Old Maid," from France, the<br />

story of a 32-year-old spinster's visit to a<br />

Mediterranean resort during the vacation<br />

month of August.<br />

As curiosity and interest rise with each<br />

festival, there has been talk about bringing<br />

some of the festival films to theatres<br />

in the Midwest, especially to towns and<br />

cities where college and university students<br />

represent a sizable segment of the patronage.<br />

Kutza, by now thoroughly seasoned in<br />

garnering films from all over the world,<br />

does warn of many regulations, particularly<br />

in relation to governmental restrictions,<br />

which have to be hurdled in order to bring<br />

various films to this country.<br />

This year brings 32 feature films, in<br />

addition to shorts, business and industrial<br />

films, and educational programs from 23<br />

countries and the U.S.<br />

When the festival comes to a close at<br />

the Esquire Thursday (16), the Lake Shore<br />

Theatre will be the site of an American<br />

Film Institute retrospective, plus the best<br />

of the festival showings, Friday (17)<br />

through Thursday (23).<br />

Plan Thanksgiving Bow<br />

HIAWATHA, KAS. — Richard<br />

Smith,<br />

Marysville, owner and manager of the theatre<br />

under construction here in the 700<br />

block of Oregon Street, expects the building<br />

to be completed in time for a Thanksgiving<br />

Day (23) opening.<br />

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'Separate Peace' Top<br />

KC Newcomer at 300<br />

KANSAS CITY—Eight new attractions<br />

—assisted by cold, damp weather— gave a<br />

slight boost to area boxoffices, as exhibitors<br />

waited impatiently for the major product<br />

due during the Thanksgiving-Christmas<br />

period. One holdover and one new arrival<br />

led the field with 300 per cent each: "Deliverance"<br />

(fourth frame. Ranch Mart 1)<br />

and "A Separate Peace" (Fine Arts). Also<br />

new and making an impressive bow at the<br />

Plaza was "Hammersmith Is Out," drawing<br />

250 for second place. Another tie<br />

at 200 apiece—was tallied for "Bad Company,"<br />

debuting at Embassy I, and "Everything<br />

You Always Wanted to Know About<br />

Sex" in its ninth and final go-round at<br />

Blue Ridge I. Other new entries making<br />

good showings in single-week, multiplerun<br />

engagements were: "Shanty town Honeymoon"<br />

(185), and "Carry On Doctor" and<br />

"The Legend of Frenchie King," both<br />

notching 150. All first runs registered average<br />

or better for the first time in several<br />

weeks.<br />

(Average Is 100)<br />

Blue Ridge I You Always Wanted to<br />

Know About Sex (UA), 9th wk 200<br />

Embassy I Company (Pare) 200<br />

Embassy II Slaughterhouse-Five<br />

(Univ), 7th wk 1 00<br />

Empire 4 Hickey & Boggs (UA), 3rd wk 100<br />

Fine Arts A Seporate Peace (Para) 300<br />

Four theatres Shantytown Honeymoon (SR) ....185<br />

Glenwood I, Midland 1 The New Centurions<br />

(Col), 4th wk 150<br />

Plaza ^tlommersmith Is Out (CRC 250<br />

Ranch Mart 1 Deliverance (Vv'B), 4th wk 300<br />

Seven theatres Carry On Doctor (AlP) 150<br />

Seven theatres The Legend of Frenchie King<br />

(SR) 150<br />

Seven theatres When the Legends Die<br />

(20th-Fox) 110<br />

'Lady Sings the Blues' Up<br />

100 Points in Loop 2nd<br />

CHICAGO—The second week of "Lady<br />

Sings the Blues" outdid the opening week<br />

by 100 per cent, making the follow-up week<br />

an astounding 400. "The Valachi Papers,'<br />

another top grosser in the Loop, did 300<br />

per cent at the State Lake Theatre, as it<br />

played a second week. Also in the top<br />

bracket were "The Ruling Class," third<br />

week, Carnegie, and "A Separate Peace,"<br />

second week. Cinema. A winner in outlying<br />

Edens 2 and Willow Creek theatres,<br />

as well as Marina 2 Cinema, was "The<br />

Groundstar Conspiracy."<br />

Carnegie The Ruling Gloss (Emb), 3rd wk. ..225<br />

Chicago Lady Sings the Blues (Para), 2nd wk. . .400<br />

Cinema A Separate Peoce (Para), 2nd wk 230<br />

Oriental Asylum (CRC), 2nd wk 175<br />

Roosevelt Uliono's Roid (Univ), 2nd wk 150<br />

State Lake The Valachi Papers (Col), 2nd wk. . .300<br />

United Artists Deliverance (WB), 4th wk 200<br />

Woods ^Lost House on the Left (SR), 3rd wk. ..175<br />

Monday Football Widows<br />

Have Choice of 3 Shows<br />

From New Englond Edition<br />

HARTFORD—Three metropolitan<br />

Hartford<br />

theatres are running "Monday Night<br />

Football Widow" shows, tied to a pitch for<br />

greater distaff attendance while the football<br />

season is in full swing on network television.<br />

The UA Theatre East, Manchester; Family<br />

Theatre II. Rockville, and Jerry Lewis<br />

Cinema, South Windsor, have the policy in<br />

effect, price .scales ranging from a low of 75<br />

cents at the Family Theatre II to 99 cents.<br />

C-2 BOXomCE :: November 13, 1972


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CHICAGO<br />

Wic Bernstein, American International Pictures<br />

district manager, and Gene Cole,<br />

publicist, launched a campaign for the mid-<br />

November outlying openings of "Baron<br />

Blood" and "The Thing With Two Heads."<br />

Bernstein is discovering that he should have<br />

many more prints of "Mr. Magoo's Christmas<br />

Carol" and "Mr. Magoo's Snow White."<br />

Even though he set a record in booking 70<br />

Chicagoland theatres, many more movie<br />

houses wanted to participate in running<br />

the two features for kiddies matinees in<br />

December.<br />

"The Poseidon Adventure" was the big<br />

topic of discussion at a 20th Century-Fox<br />

seminar held here. Those attending included<br />

Peter Myers, vice-president and general<br />

manager; Jonas Rosenfield, vice-president in<br />

charge of advertising; Central division<br />

branch managers Avron Rosen of Minneapolis;<br />

Bob Meyers, Indianapolis; Tony<br />

Knollman, Cincinnati; John Sturm, Detroit,<br />

and David Gold, Des Meines; Sol Gordon,<br />

WATCH FOR THE<br />

BLOCKBUSTERS!<br />

Group Marriage<br />

RUSS MEYER'S<br />

BLACKSNAKE<br />

The Sin of Adam and Eve<br />

SUPER GIRL<br />

Gilbreth Film Co.<br />

Jack Gilbreth — Sid<br />

Kaplan<br />

32 W. Randoiph St<br />

Chicago, Illinois 60601<br />

Phone 726-1558<br />

in charge of exploitation in this area, and<br />

his new assistant Ed Ustic, and Milwaukee<br />

representative Mrs. Marj Ondrejka.<br />

WOMPIs were represented by Cindy Macre<br />

who, dressed as Santa's helper, passed out<br />

press kits on the 20th-Fox Christmas<br />

feature.<br />

Wayne Witte from the Minonk Theatre,<br />

Minonk, was in town checking on new product<br />

. . . "King Lear," the film starring Paul<br />

Scofield and released in New York last year,<br />

opened at the Marina City cinemas here . . .<br />

While illness forced Peter Lawford to cancel<br />

his planned trip here to talk about "They<br />

Only Kill Their Masters," first-hand publicizing<br />

will be handled by June AUyson . . .<br />

A one-minute radio spot appears to have<br />

been instrumental in keeping the Woods<br />

Theatre boxoffice busy during the showing<br />

of "The Last House on the Left." "It's only<br />

a movie" was the brief and simple keynote<br />

of the campaign.<br />

Leo Suchovsky returns to exhibition as<br />

he takes over the Tivoli in Stephenson,<br />

Mich. It formerly was owned and operated<br />

by Robert Rickabe, who closed the theatre<br />

when he retired two years ago. Suchovsky<br />

has been busy getting the place in up-to-date<br />

order and he is planning a name change. It<br />

is expected that students from nearby Menomonee<br />

College will be loyal patrons.<br />

Jack Eckhardt of Cinemation Industries<br />

was able to stay put for a few days after<br />

setting up saturation bookings of "Oh! Calcutta!"<br />

in theatres in the states of Minnesota,<br />

Wisconsin and South Dakota . . .<br />

Donna Russo was welcomed to the Cinemation<br />

staff. She is the daughter of Ray Russo<br />

FOR THE HOLIDAYS<br />

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SPECIAL TRAILERS<br />

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. . National General staffers<br />

of 20th-Fox .<br />

compiled some good comments following a<br />

screening of a new documentary, "The Edge<br />

of the Arctic Ice." And, they set up a saturation<br />

break throughout Chicagoland for the<br />

showing of "A Boy Named Charlie Brown"<br />

for mid-November . . . Otto Zeman of the<br />

H&E Balaban organization spent his vacation<br />

in Nevada resorts . . . Get-well wishes<br />

to Frank Standel of ABC Great States. He's<br />

been in traction at Weiss Memorial Hospital<br />

for a slipped disc . . . The S. B. Greiver<br />

organization will handle the buying and<br />

booking for the Jerry Lewis Cinema in<br />

Morton, where Charles Thomas is manager.<br />

Jack Clark, president of NATO of Illinois,<br />

reports that exhibitors at a recent meeting<br />

of NATO's rating committee voiced their<br />

concern "over the inane use of explicit<br />

language in the current crop of pictures."<br />

They felt many of the scenes rated R are<br />

"bad enough without the support of the<br />

language" and also frowned upon the practice<br />

of "presumably editing a film in order<br />

to change its classification from an X to<br />

an R or an R to a PG." Members of the<br />

exhibitor organization will be further advised<br />

to take second looks at the "hard"<br />

PGs and Rs and interpret them accordingly<br />

at<br />

the boxoffice.<br />

"Brasil Colonial a Brasilia," which moves<br />

through colonial cities of Brazil to the "City<br />

of Tomorrow." opened the 22nd annual<br />

Spanish Portuguese Film Series of the Pan-<br />

American Council and Northwestern University<br />

Spanish Club.<br />

Ken Dickenson of the Towne Theatre,<br />

Highland, Ind., checked with Sam Kaplan,<br />

Kaplan-Continental Pictures, in regard to<br />

booking new product . . . Inga Swenson of<br />

Chicago is to play the role of Charlton<br />

Heston's wife in Arthur Miller's drama,<br />

"The Crucible" . . . Area theatre organ<br />

enthusiasts once again returned to the Oriental<br />

Theatre for a presentation by John<br />

Seng. The event was staged as a tribute to<br />

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Edna Sellers who, with her husband Preston<br />

Sellers, were a husband-and-wife organ team<br />

at the Oriental as well as other Chicago<br />

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theatres. Edna Sellers appeared on the program<br />

to reminisce about the days when the<br />

Mighty Wurlitzer was a daily part of the<br />

Oriental's presentations. The Oriental War-<br />

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Gilbreth Film Co. staffers are setting up<br />

playdates for "Group Marriage" . . . While<br />

major concentration appears to lean toward<br />

Thanksgiving and Christmas playtime, Gilbreth<br />

is making plans for the February 1973<br />

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Nosotros,"<br />

Midwest release of "George!" which reportedly<br />

is doing outstanding business in<br />

and West coast markets. A shortage<br />

of prints for the G-rated film makes it necessary<br />

to wait until next February and actually<br />

the delay should have some advantages,<br />

for traditionally February is a month<br />

when new product is not most plentiful . . .<br />

Sid Kaplan of the Gilbreth organization<br />

queries are flying in as to when there<br />

will be screening print available of Russ<br />

Meyer's "Blacksnake." This marks Meyer's<br />

first independent production since his success<br />

at 20th-Fo.x with "Beyond the Valley<br />

of the Dolls" and "The Seven Minutes." Exhibitors<br />

appear to regard this movie with<br />

special interest because it is an R-rated film<br />

and can be played in the full range of theatres<br />

in this area, whereas Russ' former inmovies<br />

were limited to a small<br />

percentage of theatres.<br />

RIncon, who has taken over the<br />

Royal Theatre, said while visiting the Azteca<br />

that he is raffling off his new Sting-<br />

ray at $10 a chance. Rincon, formerly a<br />

operator, said he wants to drive<br />

more conservative-looking car, now that<br />

is in movie house business . . . The San<br />

Theatre will be opening with "Tu Yo<br />

a Mexican film which has been<br />

nominated for awards.<br />

20th-Fox Promotes Russo<br />

To Central Division Mgr.<br />

CHICAGO — Raymond Russo.<br />

former<br />

Chicago branch manager for 20th Century-<br />

Fox, has been promoted to Central division<br />

manager, it has been announced by Peter<br />

Myers, vice-president in charge of domestic<br />

distribution.<br />

Russo. who became Chicago branch manager<br />

for 20th-Fox in 1963, first joined the<br />

company in 1952 as a salesman in Cincinnati.<br />

His position has been filled by 25-<br />

year-old Dan Marks.<br />

Marks, who came to 20th-Fox in July<br />

1972 as a trainee for a managerial post,<br />

working as a salesman in its Los Angeles<br />

branch, becomes one of the youngest branch<br />

managers in the industry. He is married to<br />

actress Kathleen Marks.<br />

Elmer Bernstein will compose and conduct<br />

the music for MGM's "Deadly Honeymoon.<br />

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Art Groups Want to Use<br />

Embassy in Fort Wayne<br />

FORT WAYNE. IND.—A proposal<br />

convert the former Indiana Hotel into private<br />

apartment housing and to raze the<br />

adjacent Embassy Theatre for a parking<br />

lot, with help from the Department of Housing<br />

and Urban Development to the tune<br />

of $1,700,000, has brought to light local<br />

efforts by cultural groups to get the Embassy<br />

Theatre, in the downtown area, for use as a<br />

theatre.<br />

A spokesman for the Fort Wayne Fine<br />

Arts Foundation, the Fort Wayne Ballet and<br />

the Fort Wayne Philharmonic Orchestra revealed<br />

they had been working behind the<br />

scenes for months to get the Embassy Theatre<br />

for cultural activities. The theatre building<br />

is owned by Cinecom and currently<br />

shows first-run features.<br />

The Embassy, with a seating capacity of<br />

more than 2,000, can accommodate larger<br />

crowds than the Performing Arts Center,<br />

now under construction and costing $4,000,-<br />

000. This structure, to be opened in January,<br />

seats only 767 persons. The Embassy<br />

has a large stage and will be the scene of a<br />

rock concert by Edgar Winter's White Trash<br />

Sunday (19).<br />

Indianajwlis-based Property Management<br />

Consultants, which is proposing the conversion<br />

and razing project, said if the cultural<br />

groups cannot keep the one-time Titanic of<br />

movie houses in Fort Wayne afloat economically,<br />

it will be demolished. The operator<br />

of the Embassy Building, Property Manage-<br />

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able.<br />

If the Embassy is razed, parking space<br />

would be provided for cars and a courtyardpatio<br />

covering 2,200 square feet also would<br />

be available.<br />

Duo in Norwalk SC Plans<br />

From Western Edition<br />

NORWALK, CALIF. — Brighton<br />

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Corp. has outlined plans for a $13<br />

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the updating would be a twin cinema. The<br />

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IBOXOFFICE :: November 13, 1972<br />

C^5


KANSAS CITY<br />

Qickinson's Festival Theatre, 3319 Main<br />

St., premieres Wednesday (15) with "La<br />

Salamandre" as the inaugural attraction.<br />

Formerly known as the Kimo, the house<br />

was closed October 20 for renovation. The<br />

Festival will be a showcase for "the finest<br />

films from all over the world," according to<br />

Kent Dickinson, vice-president of the circuit<br />

. . . Dickinson's former Roxy Theatre<br />

in Carthage, closed the past two months,<br />

was destroyed early Friday morning (2) in<br />

the worst fire in the history of this city,<br />

according to a newspaper report. The theatre<br />

was first opened in 1914 by "Putt"<br />

Williams and named the Delphus. Later Bill<br />

Bradfield, former Columbia Pictures salesman,<br />

was one of the operators. At the time<br />

Coming in January:<br />

of the fire no equipment was in the building<br />

as everything had been removed when the<br />

theatre<br />

closed.<br />

Screenings at Commonwealth: "Rage"<br />

(WB), Tuesday afternoon (7); "Love Minus<br />

One" and "Molly Lawless and John" (Mercury),<br />

Wednesday afternoon (8); "Pancho<br />

Villa" (Midwest), Thursday morning (9);<br />

"Save the Tiger" (Para), Thursday afternoon,<br />

and "The Great Waltz" (MGM), Friday<br />

afternoon (10).<br />

Forty years ago, according to the column<br />

by that name in the Kansas City Times for<br />

Monday (6), "They Call It Sin" with Loretta<br />

Young and George Brent was at the Plaza<br />

Theatre. Ernst Lubitsch's "Trouble in Paradise"<br />

with Miriam Hopkins, Kay Francis,<br />

Herbert Marshall and Charlie Ruggles was<br />

at the Newman. "The Mask of Fu Manchu"<br />

with Boris Karloff, Myma Loy, Karen Morley<br />

and Lewis Stone was at the Loew's Midland.<br />

Olsen & Johnson were on the RKO<br />

Mainstreet stage.<br />

2 Films Are Confiscated<br />

At Columbia, Mo., Theatre<br />

COLUMBIA, MO.—Two films, "Love<br />

Amazon" and "Classified Sex," have been<br />

confiscated at the University Theatre and<br />

Bookstore, 109 North Fifth St., by personnel<br />

from the Boone County prosecutor's<br />

office. Prosecutor Charles Franklin charged<br />

that the two motion pictures "went beyond<br />

the limits he had set down" in what he<br />

termed a "gentlemen's agreement" with the<br />

establishment.<br />

The two films, which had been viewed<br />

earlier by a member of the prosecutor's<br />

staff, were seized by Police Detective Robert<br />

Vember and Carroll Highbarger, an investigator.<br />

"We had an agreement with the theatre<br />

that there would be no raids as long as they<br />

showed films that were in what I call the<br />

'gray area,' " Franklin said. "An example<br />

of this type of film would be showing two<br />

people nude but with no physical contact."<br />

He continued: "Our own state Supreme<br />

Court ruled that this type of film was considered<br />

to be pornographic and illegal but<br />

the U.S. Supreme Court overturned the case<br />

but gave no opinion. We really don't know<br />

where we stand."<br />

His office has kept a close check on the<br />

theatre and in the past has found it to be<br />

showing the type of films that fell within<br />

the "gray area" he had set up. Franklin<br />

said. It was only after receiving information<br />

on the two confiscated films that Franklin<br />

decided to raid the theatre.<br />

"I regret that this raid got out to the<br />

media," Franklin commented. "The last<br />

raids that were publicized gave them an<br />

amazing amount of publicity."<br />

When officials entered the theatre and<br />

interrupted one of the films, an estimated<br />

20 people were present.<br />

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I<br />

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Spring Debut Planned<br />

For Flat River Airer<br />

FLAT RIVER, MO.—Preliminary grading<br />

has been started and actual construction<br />

will begin soon on a drive-in theatre to be<br />

located approximately a mile from downtown<br />

Flat River on Highway 8, it was announced<br />

recently by Tom Edwards and<br />

Frank Plumlee. Although plans for the airer<br />

are completed, an architect's decision on<br />

where to place the screen for possible expansion<br />

to a twin operation in the future<br />

is being awaited.<br />

The underskyer will be designed for yeararound<br />

operation, with ultramodern auto-<br />

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mated projection equipment, air-conditioned<br />

concession stand and the newest and most<br />

modern equipment for preparing and serving<br />

food for patrons" enjoyment.<br />

Opening of the drive-in is scheduled for<br />

the spring of 1973.<br />

FP Opens Fiesta 1 and 2<br />

From Canadian Edition<br />

NANAIMO, B.C.—Famous Players<br />

has<br />

just opened a twin-theatre complex here,<br />

where the venerable Capitol, which was<br />

situated on one of the twisting, narrow<br />

streets of the old downtown area, has been<br />

demolished. Still close to the center of<br />

action, the theatres, named Fiesta 1 and 2,<br />

are at 91 Chappel St.<br />

THANK YOU<br />

Louis,<br />

Jules, Jack Jablanow<br />

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At St. Clair County Fair<br />

BELLEVILLE, ILL.—BAC Theatres previewed<br />

the circuit's summer and fall coming<br />

attractions at the St. Clair County Fair<br />

and over 160,000 people visited the displays<br />

in the large air-conditioned fairgrounds<br />

auditorium. With the aid of a new<br />

platter system and xenon lamp, BAC continuously<br />

showed over three hours of different<br />

35mm previews and assorted short<br />

subjects on a large screen from 12 noon<br />

until 11 p.m. daily for eight days.<br />

The equipment employed was part of<br />

that destined for use in the Fairview Cinema,<br />

a twin theatre now under construction<br />

in Fairview Heights, 111.<br />

Claude Shanks, manager of the BAC<br />

Cinema of Belleville, was one of those<br />

who manned the booth. This duty also was<br />

shared by managers and personnel from<br />

the circuit's other 13 theatres in the area.<br />

During the fair, the Skyview Drive-In<br />

in Belleville was showing "Conquest of the<br />

Planet of the Apes." Two drive-in employees,<br />

dressed in ape costumes, paraded<br />

around the fairgrounds distributing handbills.<br />

This promotion was enjoyed by patrons<br />

who visited with the apes in front of the<br />

booth and various other locations.<br />

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Metropolitan Atlanta Film Council<br />

Marks End of First<br />

ATLANTA—The Metropolitan Atlanta<br />

Better Film? Council, among the first of<br />

such organizations formed in the U.S., celebrated<br />

its Golden Anniversary at the October<br />

luncheon meeting held at the Ansley<br />

Golf Club.<br />

Mrs. Mike Carmichael, the council's 30th<br />

president, presided at the meeting, with her<br />

official family for the coming year seated<br />

on the dais. This group included Mrs. William<br />

F. Dowda and Mrs. E. L. McNiff, vicepresidents;<br />

Mrs. H. B. Carroll, recording<br />

secretary; Mrs. John C. Horton, corresponding<br />

secretary; Mrs. L. Hubert Bolch, treas-<br />

*tirer; Mrs. F. C. Dabney, auditor, and Mrs.<br />

A. P. Whitehead, parliamentarian.<br />

It was in 1922 that DeSales Harrison,<br />

manager of the Howard Theatre (later<br />

named the Paramount) invited a group of<br />

interested women to meet with him and<br />

discuss forming an organization to promote<br />

Half-Century<br />

better film entertainment for Atlantans.<br />

Formal organization was completed and the<br />

Atlanta Better Films Council held its first<br />

meeting Oct. 15, 1922. Several years ago<br />

the Atlanta council merged with the Decatur<br />

Better Films Council and the name changed<br />

to Metropolitan Atlanta Better Films<br />

Council.<br />

Primary object of the council is to promote<br />

better motion picture and TV programs<br />

and to aid in the building of discriminating<br />

audiences.<br />

Present at the anniversary meeting were<br />

nine former presidents, including Mrs. Alva<br />

G. Maxwell, prominent Atlanta clubwoman<br />

who was the eighth president of the organization.<br />

Mrs. Maxwell told of the early<br />

struggles of the members: "We had our<br />

problems with exhibitors in those days, too,<br />

but they were tame when compared to<br />

what's going on in the industry today."<br />

President Carmichael introduced the other<br />

ex-presidents who responded with highlights<br />

of their terms in office.<br />

Eight other past-presidents at the meeting<br />

were Mesdames A. C. Dunn; Mary Horton,<br />

who recalled the stir caused by the showing<br />

of "Stromboli"; Vonna McNiff, who remembered<br />

the battle that raged around<br />

"Room at the Top"; Betty Floyd jr., who<br />

recalled how a group of council members<br />

talked their way into a convention of Theatre<br />

Owners of Alabama, Georgia and Tennessee;<br />

Helen Shell, who explained how her<br />

constant presence at court hearings and her<br />

willingness to address clubs gained her the<br />

title of "Mrs. Pornography"; June Whitehead,<br />

Ruth Hewell sr. and Myrtle Tankersley,<br />

immediate past president, who, with her<br />

husband J.S., formerly owned and operated<br />

film theatres in this area.<br />

Perusal of the list of past presidents revealed<br />

that only one male ever occupied the<br />

post of president of the council. He was<br />

J. W. Setze jr. and was the coimcil's seventh<br />

leader.<br />

Mrs. Carmichael presented each member<br />

with a gayly wrapped birthday gift and distributed<br />

gifts to several visitors.<br />

James M. Simpson New<br />

Circuit President<br />

KNOXVILLE, TENN.—James M. Simpson<br />

has been promoted from secretary to<br />

president of the Simpson Operating Co., a<br />

Knoxville circuit, by the board of directors.<br />

The directors also created the post of<br />

chairman of the board and elevated to it<br />

C. H. Simpson, father of James, who previously<br />

had served as president.<br />

Other officers of the company are Jack<br />

Chambliss of Chattanooga, vice-president;<br />

H. D. Raney, Knoxville, secretary and assistant<br />

treasurer; W. O. Hubbuck, Chattanooga,<br />

treasurer.<br />

The Simpson circuit operates Capri Cinema,<br />

Capri 70, Riviera and River Breeze<br />

Drive-In. It is building the Capri Terrace<br />

Theatre on Homberg Drive, one block east<br />

of the present Capri theatres.<br />

Interviews to come up with a lead player<br />

for Warner Bros.' "Cleopatra Jones" resulted<br />

in a deluge of young ladies crowding<br />

in to talk with producer Bill Tennant.<br />

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Comingyourway<br />

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Principal photography is completed on the<br />

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Lee Meriwether<br />

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SOXOFHCE :: November 13, 1972 SE-3


ATLANTA<br />

HBC Southeastem's 4,000-seat Fox, which<br />

recently announced a change in its<br />

straight film policy to include stage attractions,<br />

has been engaged for a week, starting<br />

Wednesday (29) by a group which will present<br />

a full-length feature picture, "Free,"<br />

plus concerts by three live bands, alternating<br />

their appearances on the huge Fox stage and<br />

in the pit. The 43-year-old Fox is the only<br />

film theatre in Atlanta with complete stage<br />

and screen facilities. Already booked by the<br />

Fox when the original announcement was<br />

made was a joint presentation by Humble<br />

Pie and the J. Geils Band, two rock groups,<br />

for concerts at 7 and 10:30 p.m. December<br />

14. The Fox will interrupt a successful run of<br />

Avco Embassy's "Trinity Is Still My Name"<br />

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Thursday (16) to present two special performances<br />

(at 2 and 8 p.m.) of Peter Brook's<br />

film of William Shakespeare's "King Lear,"<br />

starring Paul Scofield and Irene Worth, with<br />

a special price of $1 for students. According<br />

to George Deavours, managing director of<br />

the Fox, "Trinity Is Still My Name" has<br />

showed surprising strength at the boxoffice.<br />

"Asylum" is pencilled to follow "Trinity."<br />

Names of motion picture leaders in the<br />

Atlanta area dominate the membership of<br />

the new crew elected at a meeting of Atlanta<br />

Tent 21, Variety Club International, held<br />

in the club's headquarters in the Fox Theatre<br />

Building. Included in the 1 1 names, listed<br />

alphabetically, are V. J. Bello sr., American<br />

International Pictures district manager;<br />

Thomas Carr, radio and TV broker; Frank<br />

Cason, advertising company representative;<br />

Gordon Craddock, president, Craddock<br />

Films; Henry Harrell, division manager. National<br />

General Pictures; Willard Kohorn,<br />

National Screen Service, office managre;<br />

William Lowery, president, Lowery Music<br />

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Group; Herb Matthews, Benton Bros.<br />

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Southern division manager; Glenn Simonds,<br />

AIP office manager, and John Stembler jr.,<br />

Georgia Theatre Co. concessions manager.<br />

Bello and Matthews have both served the<br />

tent as chief barkers. Crew members are<br />

scheduled to meet this week and name a<br />

selection from among their numbers to fill<br />

the chief barker position. He, in turn, will<br />

appoint the new slate of officers to serve<br />

with him in 1973.<br />

Raquel Welch was forced, by a film commitment,<br />

to cancel an appearance on the<br />

Bob Hope Show Friday (3) here in the<br />

Omni, 15,000-seat entertainment and sports<br />

complex ... A. Gordon Gray has been<br />

appointed national production manager in<br />

charge of all syrup production facilities for<br />

Coca-Cola USA. He will be based here . .<br />

John A. Tenaglia,<br />

.<br />

former manager of GCC<br />

Communications of Atlanta, licensee of<br />

WGKA and WZGC radio stations, has been<br />

promoted to executive vice-president of<br />

General Cinema Corp. in charge of all<br />

broadcasting operations in Atlanta, Cleveland,<br />

Philadelphia. Houston and Miami.<br />

John B. Frankhouser jr. succeeds to the post<br />

vacated by Tenaglia in Atlanta.<br />

Leonard Allen, freelance public relations<br />

and promotion agent with offices in the<br />

Atlanta Film Building, set up a special<br />

screening of "Confessions of Tom Harris"<br />

in Columbia's Filmrow Playhouse Monday<br />

(6). The picture, produced by David Nelson,<br />

(Continued on page SE-6)<br />

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SE-4 BOXOFFICE :: November 13, 1972


FERUN HUSKY in<br />

Was<br />

this girl<br />

a craiad<br />

klllar?<br />

A STORY FILLED WITH<br />

RAW ACTION AND<br />

RANK TERROR<br />

THAT YOU WILL ^<br />

NEVER FORGET!<br />

^


ATLANTA<br />

(Continued from page SE-4)<br />

son of Ozzie and Harriet,<br />

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Lowery's Carolina Booking Service . . .<br />

Dottie Key joined the office staff of National<br />

General Pictures. She is a niece of<br />

Wilma Park, assistant cashier in the Columbia<br />

exchange.<br />

Margaret Hilley, 20th Century-Fox booker,<br />

was injured while en route to work and<br />

heading for her bus stop. She fell and was<br />

taken to a hospital, where it was learned that<br />

she had dislocated her shoulder and splintered<br />

the upper part of her right arm. She<br />

is recuperating at the home of her sister.<br />

It's believed she twisted her ankle, causing<br />

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Mrs. Nell Castleberry, WOMPI president,<br />

was in charge of the Wednesday (15) club<br />

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Baker, Wil-Kin Theatre Supply, was in<br />

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main speaker, a member of the staff of<br />

Renewal House, who spoke on the work of<br />

this project, one of the chief beneficiaries<br />

of WOMPI charity.<br />

WOMPIs brought baskets<br />

of food to the meeting and presented<br />

them to Renewal House in preparation of<br />

the home's annual Thanksgiving Day celebration<br />

. . . Theatres have been showing<br />

trailers to promote the freshman charity<br />

football game between Georgia Tech and<br />

Clemson, sponsored by Variety Tent 21 of<br />

Atlanta. The WomPets, WOMPI group,<br />

have been selling game tickets at the theatres.<br />

Sarah Lowery, feeling quite fit, has returned<br />

to her duties at United Artists after<br />

undergoing surgery in a Griffin, Ga. hospital,<br />

followed by recuperation at her home<br />

in Jackson and then by a week of her vacation<br />

. . . Helen Kuykendahl of the 20th<br />

Century-Fox accounting department is back<br />

at her desk after a week's vacation.<br />

Trade and press screenings—Columbia's<br />

Filmrow Playhouse: "Farewell, Uncle<br />

Tom," Harnell Independent Productions;<br />

"The Great Waltz," MGM; "Trick Baby,"<br />

Universal; "The Ruling Class," Avco Embassy;<br />

"The King of Marvin Gardens,"<br />

Columbia; "Pancho Villa" and "Hail," General<br />

Films; "What a Way to Die," Jack<br />

Vaughan Productions. 20th-Fox screening<br />

room: "Vampire Circus" and "Countess<br />

Dracula." Preview Theatre, Altanta Film<br />

Building: "Ginger in the Morning," Craddock<br />

Films.<br />

Robert Tarwater, UA Atlanta exchange<br />

manager, came up with this sage comment<br />

after he and his wife returned from Las<br />

Vegas: "There's just no way a visitor to that<br />

place can get home with any money after<br />

a vacation there." The Tarwaters, who<br />

motored to the Nevada resort city, reported<br />

they saw the Glen Campbell Show at the<br />

Sahara and the Paris Lido extravaganza at<br />

the Stardust. Turning from vacation memories,<br />

Tarwater said he's preparing to launch<br />

the Christmas Salute collection for the Will<br />

Rogers Memorial Hospital during which<br />

film industry people and theatre workers<br />

will make their own contributions. He reported<br />

that other collections for the hospital,<br />

including the audience solicitation in which<br />

the WOMPIs participated, are "about on a<br />

par" with last year's totals. He asks that<br />

industry people be as generous as possible.<br />

There is much gloating on the part of<br />

20th-Fox hereabouts over the success of<br />

"Sounder," which had its world premiere at<br />

the Atlanta Film Festival and now is in<br />

special release in a few selected locations<br />

(including Atlanta) and racking up record<br />

grosses. Latest plaudits for the Robert Radnitz-Martin<br />

Ritt picture comes from the<br />

new issue of Film Feedback. Published by<br />

a branch of the National Council of Churches,<br />

it was devoted entirely to an appreciation :<br />

of the 20th-Fox release. This the first<br />

\<br />

time the publication has treated any film<br />

in such an extensive manner and terms.<br />

Kiddies weekend matinees are doing well<br />

\<br />

here. "The Wonderful Land of Oz" de- •<br />

lighted youngsters at seven Eastern Federal I<br />

theatres covering the five-county metropoli- |<br />

tan area. All seats for the matinees were<br />

|<br />

priced at 50 cents and an added lure to the \<br />

youngster was a chance to register for a<br />

20-inch Iverson Sprint bicycle being given<br />

away by the theatres and the Zayre Department<br />

stores . . . Lassie was starred in "Hills<br />

of Home" in MGM's children's matinee<br />

series at eight Georgia Theatre Co.'s units<br />

and six Storey theatres. Tickets were $L<br />

Dave Tribble, fresh out of Uncle Sam's<br />

Navy after a four-year tour that took him<br />

around the world, has signed on with 20th-<br />

Fox here as assistant to Ralph Buring. A<br />

native Atlantan, Tribble attended Sylvan<br />

Hills High School. While in the Navy, he<br />

was assigned to public relations, studied<br />

military journalism at Ft. Benjamin Harrison<br />

and gained experience in radio and TV<br />

announcing. He spent the last 16 months of<br />

his hitch at the Albany, Ga., Naval Air<br />

Station as editor of Flight Lines, the station's<br />

newspaper. After his separation from<br />

service, he founded and edited Extravaganza,<br />

an Atlanta magazine which features motion<br />

picture reviews and other editorial material<br />

devoted to the film industry.<br />

M. V. McAfee, Paramount's Atlanta exchange<br />

manager, hosted a sneak preview<br />

October 27 of "Lady Sings the Blues" at<br />

Loews' Tara Theatre . . . Avco Embassy's<br />

"Trinity Is Still My Name" was presented<br />

at two special night preview screenings<br />

Wednesday, October 25. and the following<br />

evening, at Columbia's Filmrow Playhouse.<br />

College students, exhibitors and media representatives<br />

made up the audience each<br />

night.<br />

Rudy Behlmer, Hollywood writer and film<br />

buff, was here promoting his new book<br />

"Memo From David O. Selznick." a $15<br />

volume published by Viking Press. Years<br />

ago, Behlmer recalled, he spoke to the famous<br />

producer about the legend that he had<br />

saved every memorandum he had ever writ-<br />

(Continued on page SE-8)<br />

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in Virginia—Perdue Motion Pictures, Roanoke—366-0295<br />

in North Carolina—American Theatre Supply Co., 529 S. Tryon St.,<br />

Charlotte, N. C.<br />

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ATLANTA<br />

(Continued from page SE-6)<br />

ten. DOS admitted it and said he had considered<br />

putting some of them into a book.<br />

He asked Behlmer if he would like to tackle<br />

the job. Behlmer declined, realizing that<br />

such a project would have to be undertaken<br />

after the death of Selznick, a man of such<br />

dominant character that he would insist on<br />

keeping tight control over the entire collaboration.<br />

Two years after Selznick died,<br />

Behlmer asked DOS' son Danny about the<br />

memos. Danny suggested that Behlmer do a<br />

book built upon the voluminous files, more<br />

than 2,000 boxes, each the size of a file<br />

drawer, piled high in an old warehouse.<br />

In the book, Selznick's memos shed new<br />

light on the production of "Gone With the<br />

Wind," filmization of Atlantan Margaret<br />

Mitchell's novel of the Old South. Atlantans<br />

on the scene will be surprised to learn from<br />

these memos that "GWTW," from beginning<br />

to end, was seemingly wild confusion,<br />

FINER PROJEaiON-SUPER ECONOMY<br />

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HURLEY SCREEN COMPANY, Inc.<br />

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belied by the fact that it remains as Selznick's<br />

cinematic monument, a film that will<br />

continue to entertain many generations of<br />

moviegoers. DOS' last "GWTW" memo<br />

read: ". . . If we can't get a sequel, I would<br />

still be delighted to have a story to be called<br />

'The Daughter of Scarlett O'Hara' ... It is<br />

not clear to me how Scarlett would get herself<br />

pregnant again but then Scarlett, after<br />

all, was Scarlett . .<br />

."<br />

Maurice Ehrlich, associated with Jerry<br />

Lewis Cinemas in this area, and Robert A.<br />

DuLong, partners in Soundhog South. Inc.,<br />

are preparing to open a new 450-seat folkrock-comedy<br />

concert hall to be called the<br />

Great Southeast Music Hall, Emporium and<br />

Performing Artists Exchange in the Broadview<br />

Shopping Center. Lorenz-Redfield of<br />

Atlanta and New York City has been engaged<br />

as management consultant and entertainment<br />

director of the new facility's Music<br />

Hall. In New York City they have been associated<br />

with the Bitter End and the Downstairs<br />

at the Upstairs.<br />

Roger Corman Productions will film "The<br />

Cockfighter," the screen version of Charles<br />

Willeford's novel, on location in Florida<br />

next year.<br />

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The Poseidon Adventure'<br />

Seminar Held in Atlanta<br />

ATLANTA—John Friedkin, 20di Century-Fox<br />

director of promotion, advertising<br />

and publicity, conducted the second oneday<br />

seminar in a series of five here October<br />

25 on producer Irwin Allen's spectacular<br />

"The Poseidon Adventure," scheduled for<br />

national release in December. Friedkin was<br />

assisted by Ralph Buring, 20th-Fox's Southeastern<br />

field representative who has headquarters<br />

here.<br />

Invited to participate in the seminar were<br />

more than 40 independent exhibitors, circuit<br />

chiefs, film bookers and buyers from<br />

the Atlanta territory and Jacksonville. A<br />

feature was the showing of a 40-minute reel<br />

of highlights from "The Poseidon Adventure,"<br />

plus a slide presentation followed by<br />

a ten-minute documentary. Closing the seminar<br />

was disclosure of plans for an extensive<br />

network TV buy for December.<br />

Among those attending were John Huff,<br />

ABC Southeastern Theatres; Kip Smiley,<br />

Marvin Doris, John H. Stembler jr., Georgia<br />

Theatres Co.; Joe Harper and Joe Lee,<br />

R. C. Cobb Theatres Atlanta booking headquarters;<br />

Larry Pitman, General Cinema,<br />

Miami; Elton Holland, Malco circuit, Memphis;<br />

Kenn Maxwell, R. C. Cobb Theatres,<br />

Birmingham; Tom Sawyer, ABC Theatres,<br />

Jacksonville; Richard Huffman, Jack Jordan,<br />

ABC Theatres, Charlotte; Danny Deaver,<br />

Charlotte, and George Shepp, Atlanta,<br />

representing Eastern Federal Corp.; Mr. and<br />

Mrs. Sid Katz, Weis Theatres, Atlanta;<br />

Richard Roshier, National General, Knoxville;<br />

Bob Gunter, ABC Theatre; Dick Volberg,<br />

American Multi Cinema, Jacksonville.<br />

Also Jay Cooper, National General, New<br />

Orleans; Bob Capps, General Cinema, Jackconville;<br />

Robert Hosse and Foster Hotard,<br />

Atlanta, and Ronnie Otwell, Columbus,<br />

representing Martin Theatres; Ralph Puckhaber,<br />

ABC Florida State Theatres, Jacksonville;<br />

Preston Henn, Earl and Harold<br />

Turbyfill, Henn Theatres, Margate, Fla.<br />

Also from the 20th Century-Fox exchange<br />

in Atlanta: branch manager Dan Coursey;<br />

office manager Harry Purdy; salesman Travis<br />

Carr; bookers Margaret Hilley and<br />

Margie Roberson; Nancy Hamilton, Buring's<br />

secretary, and Dave Tribble, assistant<br />

to<br />

Buring.<br />

At the conclusion of the seminar, the<br />

guests moved to the nearby Atlanta American<br />

Motor Hotel for a Christmas turkey<br />

luncheon, complete with a gaily decorated<br />

tree and a miniskirted Santa Claus from<br />

the 20th-Fox staff.<br />

"The Poseidon Adventure," the company's<br />

Christmas picture, is booked into Weis'<br />

Capri Cinema.<br />

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SE-8 BOXOFnCE :: November 13, 1972


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Atlanta Cinema Showcase<br />

Valuable Publicity Aid<br />

ATLANTA—Cinema Showcase, a TV<br />

series produced at WETV, Atlanta's educational<br />

station and a link in the ten-station<br />

Georgia educational TV network, now is<br />

being syndicated on the Southern Educational<br />

Commission's Network of 80 stations,<br />

having made its initial bow Saturday,<br />

October 21.<br />

Motion picture aficionados will be morethan-a-little<br />

interested in the WETV production,<br />

which features interviews with stars<br />

and celebrities of the silver screen, comments<br />

on current feature pictures, reviews<br />

and other facets pertinent to the industry.<br />

Originally designed as a weekly 1 5-minute<br />

film review on the air over WETV, the<br />

series impact was so strong after four telecasts<br />

that producer Danny Royal expanded<br />

the program to 30 minutes and broadened<br />

the format. It became an instant hit with<br />

film<br />

buffs.<br />

Each week, host Jim Whaley interviews<br />

personalities with an in-depth perception<br />

that has become a trademark of the program<br />

and has won him the praise of his guests.<br />

He also features reviews of films, usually<br />

illustrated with specific scenes, on location<br />

and behind-the-scenes filming of a soon-tobe-released<br />

feature and occasionally a retrospective<br />

visit with an established film star.<br />

Whaley has accumulated several filmed<br />

and taped interviews with stars, including<br />

Ginger Rogers, who remarked after visiting<br />

here that her meeting with Whaley was "the<br />

most complete and interesting interview I<br />

have ever given."<br />

Three-time Academy Award-winning producer-director<br />

Frank Capra said of his<br />

taping session with Whaley: "Now, that's<br />

how an interview should be done."<br />

Susan Hayward, who during the height of<br />

her film career lived at her country home<br />

near Atlanta with her late husband Eaton<br />

Chalkley, commented to Whaley while on<br />

the air: "You know more about my career<br />

than I do."<br />

Others who have appeared on Cinema<br />

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of "Deliverance"), Jack Klugman, Yvette<br />

Mimieux, Mercedes McCambridge and<br />

Richard Hayman.<br />

Cinema Showcase is on WETV, Channel<br />

30, at 8 p.m. each Wednesday and has<br />

caught on quickly with Atlanta's film buffs.<br />

Affiliation with the Southern Educational<br />

Commission's 80 stations gives the program<br />

a greater outlet than that obtained by any<br />

other independently produced educational<br />

TV show.<br />

GTC Staffer Lucy Banks<br />

Wins AIP $100 U.S. Bond<br />

ATLANTA—Lucy Banks, Georgia Theatre<br />

Co. booking staffer, was presented a<br />

$100 U.S. Savings Bond as winner of first<br />

prize in the American International Pictures<br />

Bonus Lucky Playdate Drive, which ended<br />

October 1. Her name was drawn by Mrs.<br />

Nell Castleberry, United Artists staffer and<br />

president of the Atlanta WOMPI Club.<br />

Second-place winner was Janice Wansley,<br />

who received a $75 bond. She is with the<br />

Martin Theatres' Atlanta booking headquarters<br />

staff.<br />

Third place and a $50 bond were won by<br />

Daisy Ussery, also a Martin staffer, and<br />

fourth place $25 bond went to Marguerite<br />

Stith.<br />

Competition is keen in these contests and<br />

Glenn Simonds, AIP Atlanta exchange manager,<br />

announced that another Lucky Playdate<br />

Bonus Drive will end February 1. It<br />

started October 1.<br />

Rules governing the<br />

drive are:<br />

1. All playdates must be played and/ or<br />

paid for during the period of the contest<br />

dates<br />

only.<br />

2. The contest is for the exhibitor, buyer<br />

or booker.<br />

3. Cards must be filled out and submitted<br />

by the person requesting the playdates.<br />

4. Names of the prize winners will be<br />

drawn February 16 at 12 noon in the offices<br />

of American International Pictures by someone<br />

neutral to AIP business. Participants do<br />

not have to be present to win.<br />

Fox Lease May Not Be Renewed<br />

SACRAMENTO, CALIF.—Local manager<br />

Max Brodie has indicated that National<br />

General Theatre Corp. does not intend to<br />

renew the lease on the downtown 2,000-<br />

seat Fox Theatre when it expires May 31,<br />

1973. Brodie, a native of Sacramento, has<br />

managed the Fox since 1949.<br />

Morrissey Would Restore<br />

Glamour to Hollywood<br />

ATLANTA—Motion picture personalities<br />

who come here promoting their films never<br />

seem reluctant to sound off about their<br />

product or the state of the film industry.<br />

This certainly was true of Ron O'Neal,<br />

star of "Super Fly," now showing at Eastern<br />

Federal Corp.'s Coronet Theatre, and Paul<br />

Morrissey, an associate of Andy Warhol<br />

and director of "Flesh," "Trash" and<br />

"Heat," the latter current at Weis' Cinema.<br />

Morrissey says he would like to make a<br />

movie that critics don't see: "A movie just<br />

for the public. Where you don't have to sell<br />

it like you have to sell movies."<br />

Morrissey added that he would like to<br />

resurrect the long lost glamour of Hollywood,<br />

commenting that the films of the<br />

1930s will last 300 years, whereas the films<br />

of the 1960s "won't be remembered 30 years<br />

from now."<br />

"I disagree with what everyone says about<br />

film being the director's medium," Morrissey<br />

went on. "It's the stars, the actors, that<br />

made something for the public. People went<br />

to see names, not directors."<br />

He credits Warhol's philosophy about the<br />

use of the camera as being greatly influential,<br />

as is Warhol's attitude toward actors:<br />

"I prefer to work with people who are not<br />

professional actors. What do you look for<br />

in a person who is appealing? Well, that<br />

quality makes you realize this person is always<br />

turned-on, probably always has been."<br />

O'Neal chose to concentrate on refuting<br />

charges that "Super Fly" glorifies crime.<br />

West Coast civil rights leaders have said<br />

that the cocaine pusher portrayed by O'Neal<br />

presents the character in a favorable way.<br />

O'Neal responds by saying he simply shows<br />

the way things are in Harlem.<br />

Such charges "can only mean that they<br />

don't understand what the film is all about,"<br />

said O'Neal, who admits owning a piece of<br />

the picture. He added that the film shows<br />

"the real world of the ghetto, where crime<br />

is one of the career options to the ambitious<br />

young man."<br />

At worst, he said, "Super Fly" represents<br />

"a bit of making hay while the sun shines,"<br />

a reference to part of the group of films<br />

obviously slanted to cash in on the current<br />

fad for black-oriented motion pictures.<br />

O'Neal contends that "Super Fly," which<br />

was directed by Gordon Parks jr., son of<br />

the Life photographer, shows the dope trade<br />

from the black point of view and was<br />

crafted with a canny eye on the<br />

boxoffice.<br />

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Night Business Increased<br />

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From New England Edition<br />

HARTFORD—Evening trade has markedly<br />

improved at the 1,300-seat downtown<br />

Strand, reports owner Harold Konover,<br />

since his decision several months ago to<br />

provide free parking space daily after 5<br />

p.m. at the Konover family-owned Gateway<br />

parking lot across Main Street.<br />

Strand patrons may park free in the lot<br />

all day on Sundays.<br />

BOXOFHCE :: November 13, 1972


THE BIG MONEYMAKERS<br />

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An Edgar Wallace story<br />

A tale of death in London's Soho<br />

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EASTMAN Color by Pocific Film Lab<br />

NOVEMBER RELEASE<br />

"THE GAMES<br />

SCHOOL GIRLS PLAY"<br />

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Starring MARION FORSTER<br />

AND<br />

A G.A.D.A.<br />

Presentation


LeRoy Griffith Negotiating to Turn<br />

Miami's Paramount Into Stage House<br />

MIAMI—Another "dowager" movie palace<br />

in the downtown area here will be converted<br />

into a legitimate theatre by Christmas<br />

if negotiations between LeRoy Griffith and<br />

Florida State Theatres work out.<br />

Griffith, who owns five adult theatres in<br />

south Florida, proposes to take control of<br />

the old Paramount Theatre at 257 East<br />

Flagler St. and ojjerate it as an adult movie<br />

house while preparing the stage for legitimate<br />

roadshow productions. Griffith cited<br />

the attention given the Gusman Philharmonic<br />

Hall, located at Flagler Street and<br />

Southeast Second Avenue as one reason<br />

for his present thinking. He says he believes<br />

the downtown area will be much safer in<br />

the evenings now.<br />

The Paramount closed in June after a<br />

brief run of "Annie Caulder" and "The<br />

Deserters." Griffith plans a moderate remodeling<br />

(not on the $2 million scale spent<br />

by philanthropist Maurice Gusman on the<br />

old Olympia Theatre to convert it into<br />

Gusman Hall) and an opening by mid-<br />

December.<br />

If the Griffith plans materialize, the<br />

1,200-seat Paramount would be the second<br />

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legitimate theatre in the downtown area<br />

and he firmly believes his Paramount would<br />

help, not hurt, the new Gusman Hall.<br />

"I honestly believe that the more theatres<br />

there are in downtown Miami, the better<br />

it will be for all," Griffith told the Miami<br />

press. "New York and Broadway are good<br />

examples of how a theatre district, as opposed<br />

to just one theatre, can attract millions<br />

of people."<br />

The move to secure the Paramount is the<br />

second such effort by Griffith in recent<br />

months. Previously, after he had obtained<br />

the Beach Theatre in the Lincoln Mall area<br />

on Miami Beach, Griffith announced plans<br />

to operate a legitimate theatre for plays and<br />

variety shows. That plan met an obstacle<br />

physical difficulties with the theatre itself.<br />

"I planned to extend the stage into the<br />

audience to provide enough stage room," he<br />

recalled. "But when I did that, I realized<br />

people in the balcony couldn't see all the<br />

stage. That reduced capacity by so many<br />

that I couldn't go ahead with the project."<br />

The Paramount Theatre was opened in<br />

1920 as a combination legitimate theatre,<br />

vaudeville house and movie palace. For<br />

the next two decades, the Paramount<br />

brought in roadshows, famous variety stars<br />

and even minstrel shows. Many of the top<br />

names in show business performed on the<br />

Paramount stage, just as they did at the<br />

nearby Olympia, and into the 1940s the<br />

Paramount offered a wide variety of entertainment.<br />

Old Brooklyn Schoolmcrtes<br />

Are Reunited in Atlanta<br />

ATLANTA—When Nat Rosen, Charlotte-based<br />

Eastern Federal Corp.'s film<br />

buyer and booker, was assigned to Atlanta,<br />

where the circuit owns and operates ten<br />

theatres, among the first acquaintances he<br />

made was that of V. James Bello sr., American<br />

International Pictures Southeastern division<br />

manager. They soon established the<br />

fact that, although they couldn't recall meet-<br />

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school in Brooklyn, N. Y.<br />

During one of their conversations, Rosen<br />

made reference to his wife Sid, which stirred<br />

Bello's memories.<br />

He asked Rosen: "Is your wife's name<br />

Sidonia? I knew a girl by that name when<br />

we went to school together at Public School<br />

163 in Brooklyn. The last time I saw her<br />

must have been in 1926—46 years ago!"<br />

A confrontation was arranged and the<br />

46-year gap bridged by a nostalgic meeting<br />

between Mrs. Rosen, nee Sidonia Reissman,<br />

who brought out her school's yearbooks,<br />

with Jimmy Bello's picture therein; there<br />

was a flood of reminiscences exchanged,<br />

with Rosen and Bello's wife Doris as delighted<br />

audience. Old times and old friends<br />

became the main topics. Of course, the reunion<br />

called for a celebration and it took<br />

the form of a dinner, complete with vintage<br />

champagne.<br />

Bello began his industry career as a reelboy<br />

at the age of 9, when he became a reel<br />

boy in a Brooklyn exchange. He observed<br />

his 50th anniversary in the film industry<br />

two years ago. Nate Rosen started his industry<br />

career at the age of 12 years—so the<br />

experiences of the two families have followed<br />

a much similar pattern down through the<br />

last half century.<br />

Passaic Theatres Change<br />

Policy on X Pictures<br />

From Eastern Edition<br />

PASSAIC, N.J.—Both Passaic theatres<br />

which were involved in a recent "pornography<br />

crackdown" by the city and the county<br />

prosecutor's office have agreed voluntarily<br />

to begin showing, immediately, films which<br />

meet the state pornography statute. Operators<br />

of the Montauk and Capitol theatres,<br />

which feature a consistent policy of X-rated<br />

films, through their attorneys, stated that<br />

they will withdraw their usual "hard-core"<br />

pornographic films but will continue to<br />

show X-rated films that meet the state laws.<br />

The prosecutor's office said it intends to<br />

view future film showings at the two houses<br />

to make sure they do comply with the law.<br />

Several weeks ago the Passaic City Council,<br />

prompted by the Roman Catholic Archdiocese<br />

of Newark, called for "a crackdown<br />

on smut and pornography" in the city. It<br />

was joined by county officials shortly thereafter.<br />

The theatre owners' decision was received<br />

by the prosecutor immediately following<br />

the arrest of a local store owner by<br />

city and county police on charges of selling<br />

obscene books.<br />

The Montauk is operated by Richard<br />

Nathan, while the Capitol ownership recently<br />

was transferred to Al Hayward and John<br />

Scher.<br />

WMT Stresses Phone Service<br />

From New England Edition<br />

SPRINGFIELD—Col. Samuel Goldstein,<br />

president. Western Massachusetts Theatres,<br />

is stressing phone information for all WMT<br />

situations, the line "24-Hour-Tele. Serv."<br />

appearing in newspaper ads. A recorded<br />

message provides feature film titles and<br />

running times.<br />

j<br />

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^BOXOFnCE :: November 13, 1972 SE-13


MIAMI<br />

Cian Barbara Allen, daughter of the Lee<br />

Leveys of Miami Beach, is making a<br />

film in Israel. The TV and movie actress<br />

has an outstanding role in the film, "You'll<br />

Like My Mother," now playing at local<br />

theatres, and also played a lead in TV's<br />

"Bonanza" October 24. She is a graduate of<br />

the Pasadena Community Playhouse. The<br />

Leveys, formerly of Cincinnati, recently<br />

moved to Surfside, Miami Beach, and own<br />

the Holiday Inn Beauty Salon at 8701 Collins<br />

Ave. Daughter Sian has appeared on<br />

many TV shows, including "Marcus Welby,"<br />

"Alias Smith and Jones," "U.S. Treasury"<br />

and "Gunsmoke."<br />

Steve Hawkes, the former Tarzan actor,<br />

and his unusual pets, Delilah, the 200-pound<br />

Bengal tiger, and Sampson, the lion, were<br />

back in the newspapers and broadcast news<br />

reports again after an incident in Griffing<br />

Park in North Miami. Hawkes had taken<br />

the tiger and lion to the park for the annual<br />

blessing of the animals service Sunday, Oc-<br />

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tober 29. During the service, Delilah bolted<br />

briefly out of control and bit Dennis<br />

Churchill, 9, on the left leg and back of<br />

the head. Delilah also injured Hawkes, when<br />

the latter pulled the big cat away from<br />

Dennis. In fact, Hawkes needed seven<br />

stitches to close the bite wounds that Delilah<br />

inflicted on his left leg in the struggle.<br />

The boy was riding a bicycle and Hawkes<br />

was holding Delilah on a short chain leash<br />

when Delilah bolted. Hawkes said the tiger<br />

wasn't used to bicycles. Delilah and Sampson,<br />

the 400-pound lion, were taken home<br />

immediately by Hawkes after the incident.<br />

The annual blessing, sponsored by the<br />

Friends of Animals, Inc., honors St. Francis<br />

of Assisi, patron of animals.<br />

Hawkes and his wife were scheduled to<br />

appear before the Metro zoning appeals<br />

board Monday (6) to apply for a variance<br />

that will allow them to continue to keep<br />

Delilah and Sampson in their home, 15341<br />

Northwest 32nd Ave., Miami. Hawkes insists<br />

the declawed Delilah, who sleeps with<br />

his son Steve, 7, is gentle. Hawkes real name<br />

is Steve Sipek and he uses "Steve Hawkes"<br />

as his stage name. He has been invited to<br />

enter his unique pets in a pet show by<br />

Friends of Animals, Inc., the nonprofit<br />

group.<br />

Much clowning around marked the Golden<br />

Harvest luncheon sponsored by the<br />

Women's Committee, Variety Children's<br />

Hospital at the Fontainebleau Hotel Thursday<br />

(9). Following the theme, "I Love a<br />

Circus," 12 spirited AU-Americanettes led<br />

by Mrs. James Searle opened the annual<br />

benefit affair. Edward J. Melniker, garbed<br />

as a circus barker, and Jordan Davidson,<br />

wearing a harlequin outfit, were commentators<br />

for the musical revue written and directed<br />

by Mrs. Melniker. A group of prominent<br />

Miami Beach women modeled and Mrs.<br />

Arthur Huttoe sang, as well as modeled.<br />

The luncheon was underwritten by Mr. and<br />

Mrs. Harry Simone of New York, who came<br />

in for the event. Chairmen were Mrs. Melniker,<br />

Mrs. Simone, Mrs. Ivah Miller, Mrs.<br />

Robert Pentland and Mrs. Joseph Weintraub.<br />

Aiding<br />

Tel-Air Interests<br />

UM Production Students<br />

MIAMI—University of Miami students<br />

studying production this<br />

year are particpating<br />

in a unique project with the executives<br />

of Tel-Air Interests, one of the largest motion<br />

picture production companies in the<br />

Southeast.<br />

To provide practical and professional instruction<br />

to the 100 UM students enrolled<br />

in the four filmmaking courses each semester,<br />

Tel-Air's top personnel will lecture and<br />

present demonstrations in their specialties<br />

—cinematography, editing, directing and<br />

sound recording.<br />

Grant J. Gravitt, president of Tel-Air, has<br />

also volunteered to transport some of the<br />

company's up-to-date portable equipment<br />

to<br />

the university to augment UM properties<br />

for demonstration purposes. Classes also<br />

will make field trips to the company at<br />

1755 Northeast 149th Street to gain experience<br />

in such areas as cinema sound.<br />

Tel-Air administrators participating in the<br />

program are Charles N. Allen, vice-president<br />

of the commercial division; Sunny Fader,<br />

vice-president of the creative department;<br />

Jeff Gillen, director-editor; Richard Huft,<br />

director of photography; Suzanne Kuennen,<br />

production coordinator and artist; Henry<br />

Lopez, recordist, and H. Martin Pitts, director<br />

and cameraman. Working with the Tel-<br />

Air personnel is Sandy Mielke, a university<br />

instructor in motion picture production.<br />

The four classes in the film production<br />

sequence are basic photography, an introductory<br />

course to acquaint the student with<br />

photography as a creative tool of communication<br />

and expression; motion picture<br />

workshop in which students work with<br />

16mm professional equipment on more difficult<br />

projects; management and direction,<br />

study of the problems in developing those<br />

skills as related to producing films and special<br />

projects, a course in which each student<br />

must make his own film.<br />

Paul Nagel, UM associate professor of<br />

mass communications and coordinator of<br />

motion picture classes, has noted that there<br />

is an upsurge in teaching film production<br />

in the past several years which is reaching<br />

all the way down to the high school level.<br />

He also cites the growth in the numbers of<br />

UM film majors. Five years ago about 25<br />

students selected this area as their major;<br />

today there are between 200 and 300 students<br />

studying film production. UM students<br />

selecting this as<br />

their major may also intern<br />

at various Miami companies for on-the-job<br />

training. Firms which have participated in<br />

the inter-ship program to date are Coronado<br />

Studios, M.J. Productions, Ivan Tors Stu- I<br />

(Continued on page SE-16)<br />

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BE- 14 BOXOFTICE :: November 13, 1972


David Bond, president of SCOPE 111 Inc.<br />

and Allen EIrod<br />

announce immediate distribution<br />

of the UNUSUAL SHOCKER-<br />

"The Folks at Redwolf Inn"<br />

ATTENTION, SUBDISTRIBUTORS -<br />

This is your chance to plug it at the<br />

NATO CONVENTION.<br />

ATTENTION, THEATRES<br />

Contact me, Dave Bond or your subdistributor.<br />

(You remember me from Eve<br />

Productions with the big grosses.)<br />

SCOPE III<br />

Inc.<br />

250 South La Cienega Blvd.<br />

Beverly Hills, California 90211<br />

Phone (213) 659-5161<br />

OXOFHCE :: November 13, 1972 SE-15


Houck, Pope Building<br />

Monroe, La., Cinema<br />

MONROE, LA.—Joy N. Houck of<br />

Joy<br />

Theatres and his partner Jack Pope of<br />

Monroe are constructing a theatre here in<br />

the K-Mart Shopping Center, 2300 Louisville<br />

Ave. The new Monroe theatre is to be<br />

known as the Cinema Three.<br />

It will have about 900 luxury seats and<br />

will be the finest and most luxurious theatre<br />

in northeast Louisiana. Cinema Three will<br />

be the second Monroe theatre to be built<br />

and operated by Houck and Pope, the earlier<br />

one being the fabulous Eastgate, which<br />

made its debut in 1965.<br />

Houck and Pope plan to be ready for<br />

their grand opening at Cinema Three around<br />

March 1.<br />

NEW ORLEANS<br />

page Baker of Gulf States Theatre owners<br />

Service and his co-workers surprised<br />

Don Kay of Kay Enterprises Friday (3) with<br />

a birthday party. In reality, it was a double<br />

celebration since it also was a bon voyage<br />

. . Hostess of another<br />

party for Don, who left that night on a trip<br />

to South America .<br />

birthday surprise party was Kay Sacco of<br />

Gulf States Theatres. The "surprisee" was<br />

Kay's daughter Beth, who just turned 16.<br />

Since there's such a scarcity of first-run<br />

product, reissues still are the resort of exhibitors<br />

who must fill the booking gaps<br />

until the holidays. "Funny Girl" opened at<br />

the Lakeside and Oakwood cinemas I and<br />

the Kenilworth Cinema; "Hello, Dolly,"<br />

Aereon 3; "Ryan's Daughter," Panorama 2;<br />

"2001: A Space Odyssey," Trans-Lux Theatre.<br />

New pictures opening downtown included<br />

"When the Legends Die," Orpheum; "Trinity<br />

Is Still My Name," Saenger; "You'll Like<br />

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My Mother," Joy; "Daughters of Satan" and<br />

"Superbeast," Loews' State Theatre.<br />

Congratulations to Erlene Dupuis of Blue<br />

Ribbon Pictures, who celebrated her wedding<br />

anniversary Election Day (7). The<br />

family had a big celebration to mark the<br />

event.<br />

MEMPHIS<br />

^J<br />

A. Lightman, president of Malco Theatres,<br />

has donated a house which is<br />

being used as a Memphis home for children<br />

who have run away from their own homes.<br />

Family Service is operating the house at<br />

2115 Monroe, the service providing shelter<br />

and food for the youngsters while efforts<br />

are being made to arrive at a reconciliation<br />

between them and their parents. Lightman<br />

has donated the house to the service for<br />

"as long as needed."<br />

. . .<br />

Charles Arendall has closed the Mulberry<br />

Theatre at Mulberry, Ark., for the season<br />

The Glenwood Drive-In at Glenwood,<br />

The Starlite<br />

Ark., was closed Sunday (12) . . .<br />

at Gasville, Ark., will be closed Sunday<br />

(19) and the Raco Drive-In at Covington<br />

the following day. The Covington Ritz Theatre<br />

is booked for a Wednesday (22) opening,<br />

moving patrons inside for the winter.<br />

WOMPI Notes: A Halloween party was<br />

held at the home of Juanita Hamblin, with<br />

WOMPIs from Malco Theatres serving as<br />

co-hostesses. Juanita's husband Tom was<br />

chef for the charcoaled steaks and Martha<br />

Sappington was the party's fortune teller<br />

. . . Lurlene Carothers, United Artists, is<br />

preparing a Thanksgiving basket for a family<br />

the WOMPI Club adopted for the year.<br />

Other WOMPIs are busy on the club's plans<br />

for the Christmas season.<br />

PCC Campaign Grand Total<br />

Above Last Year's Level<br />

HOLLYWOOD—Nearly $77,000 in additional<br />

funds have been pledged to the 1973<br />

Permanent Charities' campaign in the past<br />

two weeks, bringing the grand total to $1,-<br />

167,947 and keeping the drive $16,000<br />

above last year's level. G. Clark Ramsay,<br />

MGM, 1973 campaign chairman, reported<br />

that $76,821 has been pledged by 557 new<br />

payroll deduction subscribers or direct cash<br />

donors.<br />

The campaign's grand total is ahead of<br />

PCC's p>osition at this time last year, even<br />

though the amount collected in the fourth<br />

and fifth weeks of campaigning is behind<br />

that received last year.<br />

After a slow start in the 1972 campaign,<br />

the drive last year picked up $103,000 in<br />

its fourth and fifth weeks. This year's campaign<br />

started faster, with $91,000 collected<br />

in the first three weeks, but has lost some<br />

headway as the campaign continues.<br />

William E. Arnold, executive vice-president<br />

of the Permanent Charities Committee,<br />

re-emphasized the importance of taking advantage<br />

of current levels of employment in<br />

the industry and urged campaign workers<br />

to "sell the campaign."<br />

'Where Does It Hurl?'<br />

350 in Memphis Isl<br />

MEMPHIS—A delightful surprise at the<br />

Park Theatre, "Where Does It Hurt?",<br />

jumped off to a rousing first week that kept<br />

patrons lined up at the boxoffice for many<br />

performances and produced a 350 grossing<br />

percentage—three and one-half times average.<br />

Also scoring big (three times normal)<br />

was a fourth week of Georgia-filmed<br />

"Deliverance" at the Paramount Theatre.<br />

"Slaughter" turned in a solid fifth week,<br />

doubling average returns at the Malco<br />

Theatre.<br />

(Average Is 100)<br />

Crosstown You'll Like My Mother<br />

(Univ), 2nd wk 100<br />

Loews' Super Fly (WB), 6th wk 1 50<br />

Malco Slaughter (AlP), 5th wk 200<br />

Memphian Bluebeard (CRC) 4th wk 100<br />

Paramount Deliveronce (WB), 4th wk 300<br />

Park Where Does It Hurt? (CRC) 350<br />

Village A Separate Peace {Paro) 100<br />

Tel-Air Interests Aiding<br />

UM Production Students<br />

(Continued from page SE-14)<br />

dios, Sigma Films, McLeod Films, Reela<br />

Film, Woroner Films, Motion Picture Associates,<br />

Screen Arts Corp., Tel-Air and Minifilms<br />

of Fort LauderdaJe.<br />

For the first time two UM interns have<br />

also been appointed to work with Gary<br />

Wetherington who heads an office in Coral<br />

Gables established by the Florida Development<br />

Commission to encourage the development<br />

of the film industry in South Florida.<br />

When the theatrical film, "The Masters,"<br />

starring Donald Sutherland and Jennifer<br />

O'Neill, was shot in the Miami area, four<br />

students performed their internship working<br />

on the film and two were later hired by<br />

Tomorrow Entertainment.<br />

Students of film<br />

have their choice of two<br />

degree programs at the university, the bachelor<br />

of arts offered by the dapartment of<br />

mass communications and the bachelor of<br />

fine arts in filmmaking offered jointly<br />

through the drama and mass communications<br />

departments for students primarily<br />

interested<br />

in purely theatrical film.<br />

Other film courses taught at the university<br />

deal with the history of film, film art<br />

and script writing. Beginning intermediate<br />

and advanced script writing courses are<br />

offered to students in the filmmaking sequence<br />

and also as an inter-discipline to<br />

students majoring in creative writing.<br />

LITTLE FALLS, MINN.—Following the<br />

completion of a $45,000 remodeling project,<br />

the Falls Theatre here was reopened recently<br />

by Tentelino Enterprises of Alexandria,<br />

Minn.<br />

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SE-16 BOXOmCE :: November 13, 1972


MULTIPLE<br />

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MULTIPLES SET FOR<br />

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.) •//<br />

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i<br />

WORMS ARE WAITING!<br />

A PHASE ONE FILMS. INC. RELEASE<br />

DAVID EMANUEL, President<br />

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NORTH & SOUTH CAROLINA<br />

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SE-I8 BOXOFHCE :: November 13, 1972


Picture<br />

pf theyear<br />

No matter what show you are offering this weel


UA Cinema 1, 2 Going<br />

Up in Conway, Ark.<br />

CONWAY, ARK.—Plans for a gala<br />

opening of UA Cinema 1 and UA Cinema<br />

2 here early in January are rapidly nearing<br />

completion, according to John H. Rowley,<br />

vice-president of the United Artists Theatre<br />

Circuit.<br />

The luxurious twin theatres are being<br />

constructed by the Matthews Co. of North<br />

Little Rock, Ark., and will be operated by<br />

UATC, a major circuit. The complex will<br />

be the newest showcase operation in this<br />

state for the circuit which already operates<br />

units in Tennessee, Texas and Oklahoma,<br />

with divisions on the East and West coasts.<br />

The new twins will be located in Faulkner<br />

Plaza Shopping Center, where parking facilities<br />

at all times will be more than adequate<br />

for capacity crowds. A single lobby will<br />

serve both auditoriums, with a refreshment<br />

stand and restrooms centrally located there.<br />

Patrons also will be able to buy tickets to<br />

L«« ARTOE REFLECTORS<br />

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The theatres will be equipped with Christie<br />

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into the exhibition field, which ensure<br />

quality automatic projection equipment<br />

with complete reliability and fail-safe operation.<br />

These units include Christie Xenolite<br />

consoles with built-in xenon lamps and rectifiers.<br />

The very newest design projectors<br />

have been furnished by Century and Projection<br />

booth and sound systems are being built<br />

to United Artists Theatre Circuit specifications.<br />

Theatre decorations will be highlighted by<br />

modular designs on accoustical panels that<br />

provide attractive decor.<br />

A series of events is being readied for the<br />

opening.<br />

No Arson Evidence Found<br />

In Arkansas Theatre Fire<br />

UTTLE ROCK. ARK.—A Sunday morning<br />

fire in mid-October destroyed the Joy<br />

Twin theatres at 119 and 121 Main St. in<br />

North Little Rock. Firemen estimated damage<br />

to the theatres, owned by the Southland<br />

Theatre Corp., at $30,000. The twins<br />

were housed in a two-story brick building.<br />

Although both theatres had been the center<br />

of controversy, as a result of showing<br />

adult movies, the fire department representatives<br />

said they found no evidence of arson.<br />

Robert Lundry, manager of the theatres, had<br />

requested a thorough investigation by firemen<br />

for arson evidence because he said<br />

when the building had been closed at 12:30<br />

a.m. it had just been checked out by employees,<br />

who had found nothing amiss. Outbreak<br />

of the fire was reported at 1 a.m<br />

The Joy Twins made their debut in January<br />

1971 and soon ran into conflicts, over<br />

the type of films shown, with the North<br />

Little Rock Censor Board, Mayor Laman,<br />

church groups and the courts. As a result<br />

of these conflicts, the church groups picketed<br />

the theatres a month after they were<br />

opened and the mayor had a fence built<br />

around the front of the twins so the pubhc<br />

couldn't see attractions boards advertising<br />

the<br />

films.<br />

Eventually the pickets departed and the<br />

fence came down; then the censor board<br />

got the courts to close the theatres or confiscate<br />

films twice. Most recent action in<br />

the controversy came in September, when<br />

deputy prosecuting attorney Wilbur C.<br />

"Dub" Bentley had amended a Chancery<br />

Court suit against the Joy Twins to allege<br />

that two of its films were obscene.<br />

Twin Airer Plans Blocked<br />

CLARENCE, N.Y.—Plans for a twin<br />

drive-in at 8075 Transit Rd. near the Millersport<br />

Highway have been blocked by the<br />

Clarence Town Board. The board has denied<br />

a petition by Thomas Barillari to rezone 17<br />

acres of land at the site from agriculture to<br />

commercial. The planning boards of both<br />

Erie County and Clarence objected to the<br />

twin-theatre proposal.<br />

Join the Widening Circle<br />

Send in your reports to BOXOFFICE<br />

on response of patrons to pictures<br />

you show. Be one of the many who<br />

report<br />

to—<br />

THE EXHIBITOR HAS HIS SAY<br />

A Widely Read Weekly Feature of Special Interest<br />

(Address your letters to Editor,<br />

"Exhibitor Has ffis Say." 825<br />

Van Brunt Blvd.. Kansas (Sty,<br />

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BOXOFFICE<br />

Always in the Forefront With the News<br />

SE-20 BOXOFFICE :: November 13, 1972


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'Charles, Dead or Alive Is Winner<br />

Of Unique Festival's Psyche Prize<br />

SAN ANTONIO—The Psyche Prize,<br />

the<br />

University of Texas Medical School's answer<br />

to the Oscar, was awarded to Swiss<br />

film director Alain Tanner for his film,<br />

"Charles, Dead or Alive."<br />

Presentation of the Psyche Prize climaxed<br />

the unique three-day film festival<br />

devoted to the culture and psychiatry of<br />

Switzerland.<br />

"Charles, Dead or Alive," already had<br />

won two European film festivals before<br />

taking the $1,000 cash prize at the festival<br />

here. Tanner, who could not attend, was<br />

notified by telegram. Another of his films,<br />

"La Salamandre," also was shown at the<br />

festival.<br />

In announcing the decision of the fourmember<br />

panel of judges. Dr. James M.<br />

Turnbull of the medical school's department<br />

of psychiatry, cited the film's embodiment<br />

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of one of the theines of the festival—man's<br />

search for the soul.<br />

The 93-minute film is a story about<br />

Charles, who is 50 and bored by life, work<br />

and family. He sets out in a middle-aged<br />

revolt and disappears down the road, eventually<br />

moving in with a painter and his girl<br />

friend.<br />

Charles' son, meanwhile, searches for<br />

him and hires a detective, who finds the old<br />

man. Charles is sent to an asylum because<br />

of his alienation from society.<br />

More than 800 participants were here<br />

from all parts of the United States, Mexico<br />

and Switzerland. Other films shown included<br />

"The Magic Mirror of Aloyse," "A<br />

Bell for Ursli," travelogs promoting Switzerland,<br />

"Face to Face: Carl Gustav Jung,"<br />

three films made by mental patients in the<br />

Psychiatric Clinic at the University of<br />

Lausanne, plus additional films made by<br />

and concerning mental patients and a threepart<br />

study of Jung made in 1971 for the<br />

BBC.<br />

Actor Lee Marvin was one of the speakers<br />

at the first annual International Film<br />

Festival on Culture and Psychiatry, saying<br />

that he uses psychology in his roles even if<br />

he doesn't know exactly how he's using it.<br />

Marvin said that he has never studied psychology<br />

but that he believes it has to be<br />

used by an actor in his job.<br />

Marvin said, "I'm a psychologist through<br />

human participation and believe in the<br />

practical approach." He tries to find something<br />

that will make the characters he plays<br />

real.<br />

Psychology Useful<br />

Psychology can be used to different degrees<br />

in acting, Marvin added. One of his<br />

first notable roles, he said, that of a policeman<br />

on the television series, "M-Squad," had<br />

very little depth to it. His favorite film, and<br />

one which did require psychological insight,<br />

was "Hell in the Pacific," the story of an<br />

American Marine and a Japanese soldier<br />

stranded on the same Pacific Island during<br />

World War II.<br />

Currently Marvin is preparing to play the<br />

part of Hickey in a film version of Eugene<br />

O'Neill's "The Iceman Cometh." The film<br />

is one of a series based on classic American<br />

plays being produced for limited distribution.<br />

The part will be another in which the<br />

psychology of the character, one of several<br />

drunks sitting in a bar, will be important,<br />

Marvin stated.<br />

On his personal psychological makeup,<br />

Marvin commented that he is not the tough<br />

guy he frequently portrays on the screen.<br />

He recently finished filming "Emperor of<br />

the North Pole," a movie about railroad<br />

hoboes during the '30s.<br />

Plans for future festivals called for one<br />

centered around Mexico in 1973, followed<br />

in subsequent years by festivals on Africa<br />

and Freud.<br />

Mrs. Esther Covington;<br />

On MGM Staff 26 Years<br />

DALLAS—Mrs. Esther Lorraine Covington,<br />

a contract clerk here for MGM for 26<br />

years and prominent in WOMPI Club activities,<br />

died Friday (3) in Red River County,<br />

of which she was a native.<br />

Mrs. Covington served as president of<br />

the Dallas WOMPI Club during the 1961-<br />

1962 term and also served as WOMPI International<br />

corresponding secretary. In 1968<br />

she was honored as WOMPI of the Year<br />

by the Dallas club. In addition to her film<br />

industry interests, Mrs. Covington was a<br />

leader in Texas garden clubs and book review<br />

clubs, holding high local and state<br />

offices in both of these fields.<br />

Survivors are her mother, a brother and<br />

a sister. Funeral services were held Monday<br />

(6) and burial was in the Laurel Land Me-^<br />

morial Park.<br />

Tercar Co. Adcis Duties<br />

For Myrick, Goodkowsky<br />

HOUSTON — Charles Paine, vice-president<br />

and general manager of Tercar Theatre<br />

Co.,<br />

announced the promotion of Foy Myrick<br />

to be director of theatres for the circuit.<br />

Myrick will handle the day-to-day operation<br />

of all Tercar units in addition to those of<br />

the newly acquired Cole circuit theatres.<br />

Pete Goodkowsky, Tercar's director of<br />

advertising, will be in charge of all advertising<br />

for the Cole theatres, as well as handling<br />

his regular Tercar duties.<br />

With the addition of the Cole circuit, Tercar<br />

Theatre Co. now operates 29 screens. Its<br />

and Yoakum.<br />

operations extend from Houston to Baytown,<br />

La Porte, Rosenberg, Sugarland, Hallettsville<br />

Now under construction is the Allen Center<br />

III in downtown Houston, planned for<br />

an opening early next year.<br />

Earl Moseley Joins Staff<br />

Of Fort Stockton Paper<br />

FORT STOCKTON, TEX.—Earl<br />

Moseley,<br />

previously a <strong>Boxoffice</strong> correspondent<br />

at Dallas, Wichita Falls and Amarillo, began<br />

as editor Monday (6) of the Fort Stockton<br />

Pioneer.<br />

During the past three years, Moseley has<br />

been state editor for the Brownwood Bulletin.<br />

He was a staff writer two years on the<br />

Hereford Brand staff before moving to<br />

Brownwood.<br />

Moseley was a projectionist in theatres<br />

throughout Texas, New Mexico and Oklahoma<br />

for a number of years until June 1967.<br />

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. . Betty<br />

DALLAS<br />

Tnvitations printed as an old-fashioned<br />

movie folded handbill are out for the<br />

Sunday (19) Golden Wedding anniversary<br />

observance of H. A. "Hyder" Wortham and<br />

his wife. Wortham has been a Filmrow<br />

man since the good old days of 1917, when<br />

he started with the Pathe Exchange. After<br />

it closed, he joined the Atlantic Oil Production<br />

Co. for six months, didn't like the work,<br />

and got a job with Texas Consolidated Films<br />

under Ned Depinet. Universal bought out<br />

Texas Consolidated and he stayed with the<br />

new owner until 1931. For about six months<br />

he worked for Silverman Bros, before joining<br />

Jack Adams sr. in 1931 and was with<br />

him until 1936. In that year Wortham joined<br />

Sack Amusement Enterprises; from there he<br />

went with Harold Schwarz at Tower Pictures.<br />

He worked later as assistant controller<br />

for Volk Bros., leaving there to go into<br />

service during World War II. After receiving<br />

a medical discharge, he rejoined Volk Bros,<br />

in 1946 for a few months before going back<br />

with Harold Schwarz at Tower Pictures.<br />

When Schwarz died in November 1954,<br />

Wortham joined Bob Hartgrove, then<br />

moved on to the Oskar Kom Theatres<br />

where he remained until Kom died in 1968<br />

In that year Wortham joined Leroy Mitchel<br />

Theatres, staying with that circuit until hi<br />

retired in February of this year. Mrs. Wor<br />

tham worked for Volk Bros, from 1937 unti<br />

1961 before retiring to become a full-tiiiii<br />

housewife. We understand that the cicvc;<br />

invitations were a surprise package fron<br />

the Wortham's grandnephew, who is honor<br />

ing the couple at his home in Lake High<br />

lands. All on Filmrow extend to this grant<br />

couple heartiest congratulations during the<br />

season of their Golden Wedding observance<br />

'<br />

Charles McKinney and Jimmie Skinner o<br />

Modern Sales and Service will be attendin.<br />

the NATO convention in Miami . . . Bur<br />

Lovelace of Starline Pictures has been on i<br />

two-week vacation to Salt Lake City am<br />

San Francisco.<br />

'm^A^<br />

See us for —<br />

NEW CONSTRUCTION • REMODELING<br />

SITE PLANNING AND DEVELOPING<br />

Dorothy Barbosa of ABC Interstate Thea'<br />

tres is deeply concerned over her father<br />

who was in the hospital with double pneu<br />

monia at this writing . Owen, als(<br />

of Interstate, had surgery on her foot ir<br />

a patieri'<br />

Presbyterian Hospital and was still<br />

there . . . Jerri Erickson of Commonwealtl<br />

has been at the bedside of her sister, wk<br />

had surgery in Baylor Hospital.<br />

Fox Austin 2 Being Made<br />

Ready for December Bow<br />

AUSTIN—Nat D. Fellman, president o;<br />

National General Theatres of Los Angeles]<br />

has announced that the circuit's new 507,<br />

seat showplace. Fox Austin 2 at 6757 Air.<br />

Complete Line of Concession<br />

Equipment and Supplies<br />

port Blvd. at Pampa Drive, will make ifcj<br />

debut December 20.<br />

The building is an addition to the 1,000<br />

seat Fox Austin, which was opened Oct. 26<br />

Let us help you plan your new concession area or remodel your<br />

present one. We can show you how to make it more appealing,<br />

more accessible, and, most of all, more profitable.<br />

Complete line of concession area needs. Everything from operating<br />

equipment to approximately 5000 saleable items as well as cooking<br />

items and janitorial supplies are available from our company.<br />

COMPLETE PACKAGE DEAL<br />

NOW AVAILABLE<br />

Xenon Lamps - Westrex Equipment<br />

Massey Seats - Technikote Screens<br />

(Con be financed by Litton Ind. Credit Corp.)<br />

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If we don't have it - Weil get it quick!<br />

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BOXOmCE :: November 13. l'>7:


1967. Following the debut of the addition,<br />

the two units are to be known as Fox Austin<br />

1 and Fox Austin 2.<br />

Fellman sid that the latter, adjacent to<br />

the 1967 construction, is luxuriously designed<br />

and will embody the same beautiful<br />

features as its sister theatre, including wide<br />

aisles, spacious seating and the latest innovations<br />

in sound and projection.<br />

"Fiddler on the Roof." winner of three<br />

Oscars, will be the opening attraction at<br />

Fox Austin 2, according to Jack Fleming.<br />

who will manage the twin complex. Opening<br />

at the same time at Fox Austin 1 will<br />

be "The Getaway." an action-suspense film<br />

starring Steve McQueen and Ali MacGraw.<br />

General contractor is the Joe Badgett<br />

Construction Co. of Austin. The theatre<br />

was designed by Pearson and Wuesthoff,<br />

AIA. of Los Angeles, who also drew plans<br />

for the Fox Austin.<br />

Supervision of the construction of Fox<br />

Austin 2 under the direction of Richard G.<br />

Preble and Robert Baker of National General<br />

Theatres' construction and engineering<br />

department.<br />

Jack McGee, vice-president of the Midwest<br />

division for National General Theatres,<br />

is in charge of theatre operations, assisted by<br />

Sidney L. Page, district manager.<br />

National General Theatres operates 270<br />

theatres in 29 states and Canada. In Texas,<br />

the firm has twin theatres in San Antonio.<br />

Corpus Christi, Lubbock and single units in<br />

Amarillo, El Paso and the present Fox in<br />

Austin.<br />

Tex. Film Commission<br />

Has Permanent Status<br />

SAN ANTONIO — Gov. Preston Smith<br />

signed into law Stenate Bill 30 creating the<br />

Texas Film Commission as a premanent organization.<br />

The executive committee met<br />

here to witness the signing of the bill.<br />

This was the first meeting under the permanence<br />

of the new bill and Texas is said<br />

to be the only state to have created such a<br />

commission.<br />

Smith said that the 49-member commission<br />

,established in 1971 as an advisory<br />

body to the governor's office, would attract<br />

the production of motion pictures and television<br />

films to Te.xas, since movie production<br />

is migrating from Hollywood and New<br />

York.<br />

The governor stated that there is great<br />

economic, cultural and educational fwtential<br />

in Texas for the film industry.<br />

In the first year, the Texas Film Commission<br />

with Warren Skaaren as executive<br />

director, was directly responsible for bringing<br />

more than $6 million in new cash into<br />

the Texas economy, for bringing more than<br />

$12 million in film production of all types<br />

and for the production in Texas of seven<br />

feature films.<br />

Twenty-two productions have been committed<br />

or completed in Texas during the<br />

past year. There are three on location in the<br />

state now. One of these is "Leaving Cheyenne,"<br />

an adaptation of Larry McMurtry's<br />

novel, which will begin shooting this week<br />

in Bastrop.<br />

BOXOFHCE :: Ncyvember 13, 1972<br />

FORT WORTH<br />

^nthony Burgess, author of "A Clockwork<br />

Orange," spoke at the Texas Christian<br />

University Student Center Ballroom Wednesday<br />

evening, October 25, explaining the<br />

meaning of his book . . . October 17 brought<br />

the end to a ten-week run of "Fiddler on<br />

the Roof" at the Bowie Theatre. Replacing<br />

"Fiddler" was a single-week run of "Nicholas<br />

and Alexandra."<br />

Bill Ellis, manager of Cinema I and Cinema<br />

II in Seminary South, has been notified<br />

that he's the first-place winner in a nationwide<br />

publicity contest among managers of<br />

nearly 400 General Cinema Corp. theatres.<br />

It's a great triumph for Bill. Our congratulations<br />

to him on this outstanding achievement<br />

. . . Steve Maskevich, formerly assistr<br />

ant manager at the Fort Worth Hollywood<br />

Theatre, is now manager of the Fine Arts<br />

Theatre in Snider Plaza, Dallas.<br />

Maybe to J. D. Kennemer it's all in the<br />

day's work but to many motion picture<br />

aficionados of Fort Worth his demolition<br />

efforts are far from a cheerful sight. In 1968<br />

Kennemer's firm had the contract to raze<br />

the Majestic to make room for the Tarrant<br />

County Convention Center—a task Kennemer's<br />

forces accomplished within a week.<br />

Now Kennemer has razed the Gateway,<br />

which had been operated until January 1971<br />

by ABC Interstate Theatres. The Gateway<br />

site was purchased by the State Bank of<br />

East Fort Worth ... By the way, Kennemer<br />

reports he has given away (to John L. Ash,<br />

a druggist in Graford) the last artifacts<br />

saved when the Majestic was torn down.<br />

These were plaster figures of flutes, fiddles<br />

and masks used as ornamentation.<br />

Still another theatre demolished here recently<br />

was the Riverside Tower. East Belknap<br />

and North Riverside Drive. This suburban<br />

theatre dated back to the 1940s. Even<br />

though such demolitions represent closed<br />

chapters in exhibition history, it's gratifying<br />

to learn that the handsome new theatres<br />

opened here are thriving—and still more<br />

such theatres are on the way. Next to open<br />

(sometime this month) will be the Western<br />

Hills, a four-theatre complex at 6467 Camp<br />

Bowie Blvd. Equipment is being installed<br />

and checked now.<br />

Fort Worth is proud of the hometown<br />

performers who appeared in films here in<br />

the last two or three weeks. First came<br />

Candy Clark, a Tech High graduate and<br />

former model, whose rapid succession of<br />

film break qualifies her for the over-night<br />

success ranks. Candy's vehicle was "Fat<br />

City." Then came Fred Forrest in "When<br />

Legends Die," who portrays the Indian star<br />

as an 18-year-old, showing at the Belaire,<br />

Cineworld, Cinema-Six Flags and Mansfield<br />

Drive-In. Only a decade ago, Fred was<br />

working as a salesman at downtown Washer<br />

Bros., a young men's clothing store, and<br />

playing roles in the Community Theatre.<br />

Even though he's not as young as he appears<br />

in "When Legends Die," he's still youthful<br />

in appearance and portrays the teenage Indian<br />

convincingly. A former TCU student<br />

from Waxahachie, Fred gained experience<br />

acting, as noted, in the Fort Worth Community<br />

Theatre, then went to New York<br />

to study acting at Lee Strasberg's famed<br />

Actors Studio. Going on to California, he<br />

was studying at Los Angeles' Actors Studio<br />

West when film director Stuart Millar signed<br />

him for the role in "When Legends Die."<br />

As Perry Stewart, a Fort Worth film reviewer,<br />

expressed it: "He's a lot of actor;<br />

one you'll be seeing in many films to come."<br />

Mrs. Virginia Shaw, cashier at the Fort<br />

Worth TCU Theatre, has fond memories<br />

of the musical "No, No. Nanette." As a<br />

young dancer with the famed Gus Edwards<br />

Revue of Dallas, which went to New York<br />

on tour, Mrs. Shaw auditioned in New<br />

York 46 years ago for the original "No, No,<br />

Nanette," starring Louise Groody and Hal<br />

Skelley. She was signed for the touring "No,<br />

No, Nanette" company and went to Chicago<br />

with it. In the late 1920s and early 1930s,<br />

Mrs. Shaw also danced in several Broadway<br />

shows. Naturally she was eager to see "No,<br />

No, Nanette" on the stage of the beautifully<br />

remodeled State Fair Auditorium in Dallas<br />

during the Texas State Fair.<br />

Announces Theatre Site<br />

PROVIDENCE—Dr. Michael Ramundo<br />

of Clifton, N.J., has announced plans for a<br />

67,000-square-foot shopping center, to include<br />

a 600-seat cinema, in suburban Kingston,<br />

R.I.<br />

"Go Modern...For All Your Theatre Needs"<br />

Coming in January:<br />

h,,yPloile/ut.<br />

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"Go Modem . , . Lquipmrut, Supplies & Serried<br />

2200 YOUNG STREET • DALLAS, TEXAS, 75201 • TELEPHONE 747-3191<br />

sw-s


'<br />

SAN ANTONIO<br />

Yhree Hollywood stars came in to help the<br />

Republican party here and one to aid<br />

the Democrats. Bob Sterling and Ann Jeffries<br />

were here to start a get-out-the-vote<br />

drive. Actor Ron Ely, who starred in a Tarzan<br />

series, held a press conference as model<br />

Pam Powell, daughter of actress June Allyson,<br />

was forced to cancel an appearance<br />

here. Tom Powers, Cinema Arts Theatres<br />

city manager, escorted Shirley MacLaine<br />

during her visit on behalf of the McGovern-<br />

Shriver ticket.<br />

Mr. and Mrs. Abel Floras returned from<br />

their honeymoon in Harlingen, Tex. They<br />

were married October 28. Abel is a trainee<br />

working with Clifford Lands, manager of<br />

the downtown Majestic . . . Brooks Flieg,<br />

producer of "Scuba," was here for a press<br />

conference about the film, which is being<br />

edited for early release. With him was his<br />

wife Kit, associate producer of the movie<br />

and a native of San Antonio.<br />

FOR ALL YOUR THEATRE NEEDS & REPAIRS<br />

THE BEST PLACE TO BUY IS<br />

TEXAS THEATRE SUPPLY<br />

915 S. Alamo St.<br />

San Antonio, Texas 78205<br />

YOUR LASERLITE CARBON DEALER<br />

The San Antonio Express/News, in its<br />

Sunday One amusement supplement, is<br />

printing a map of the city showing the locations<br />

of major indoor theatres and drive-in<br />

theatres. There are listings of 14 indoor and<br />

1 1 drive-in theatres and the map shows their<br />

exact addresses and location.<br />

Booked for San Antonio engagements:<br />

"The Valachi Papers," Wonder; "Treasure<br />

Island," North Star Cinema and McCreless<br />

Cinema; "TTie Deadly Trap," also at the<br />

North Star Cinema; "Molly and Lawless<br />

John," Century South and Colonies North;<br />

"Hammersmith Is Out," Fox Twin and Mission<br />

Twin.<br />

Two Men Who Built Airer<br />

Are Among Demolitioners<br />

SAN ANTONIO—James W. Price and<br />

Charles Coleman had a hand in the construction<br />

and then destruction of the Alamo<br />

Drive-In, Ofierated here by the Gulf States<br />

Theatres of Texas.<br />

Price had the contract to do the winch<br />

work for the construction and Coleman<br />

worked for Price when the Alamo Drive-In<br />

was built in 1945, 27 years ago. It was rated<br />

as the state's second oldest drive-in theatre.<br />

Price got the contract to pull the big<br />

screen down to make room for a mobile<br />

trailer sales lot, so Coleman also was<br />

brought on to the job.<br />

Coleman used a cutting torch to cut the<br />

screen supports and winch lines were attached<br />

to the screen and it came down in a<br />

matter of seconds in a roaring cloud of dust.<br />

HOUSTON<br />

The Texas premier of "Man of La Mancha<br />

is booked for ABC Interstate's Tower<br />

TTieatre here December 14. Seats will not<br />

be reserved but, at the same time, no seat<br />

beyond theatre capacity will be sold. The<br />

schedule calls for a 2 p.m. matinee on<br />

Wednesdays, 2 and 4:30 p.m. showings Saturday<br />

and 2 p.m. Sundays. Evening shows.<br />

Monday through Thursday, are to start at<br />

8 o'clock; at 7:15 and 9:40 Fridays and<br />

Saturdays and at 5 and 8 Sundays. A special<br />

schedule is to be in effect during the Christmas<br />

week, with additional holiday matinees.<br />

Ticket prices range from $2 up to $3.50.<br />

The 8 p.m. showing December 14 is to be<br />

a benefit for B'nai B'rith; the 10 p.m. showing<br />

the next night will benefit the Beth<br />

Teshurin Men's Club and an 8 p.m. December<br />

17 performance will benefit the Marian<br />

High School PTA.<br />

"Baron Blood" is having its Southwestern<br />

premiere at the Houston Majestic . . . Bar-<br />

(Continued on page SW-8)<br />

SW-6 BOXOFFICE November 13. 1972


^Best<br />

Picture<br />

of theyear<br />

No matter what show you are offering this weel


OKLAHOMA CITY<br />

y^e want to correct the name of the new<br />

owner in Binger to Tom Brooks, not<br />

Tom Rook. Brooks is new to the theatre<br />

business ... El Rancho Drive-In at Vernon,<br />

Tex., had heavy water damage to the con-<br />

TWILIGHT GARDENS<br />

DRIVE-IN THEATRE AT<br />

AUCTION<br />

THURSDAY, NOVEMBER 16<br />

10:30 A.M.<br />

9600 Block N. May Ave., Okla. City<br />

This theatre is nov^ closed & all equipment<br />

will be sold at public auction. 2 projector<br />

heads. Century Model AH; 2 lamphouses,<br />

RCA-Dynarc; 2 RCA bases; 2 upper magazines.<br />

Century 18"; 2 lower magazines. Century<br />

18"; 2 magnetic soundheads, Magnaphonic;<br />

2 optical soundheads, RCA; 2 optical<br />

preoinps, Ballantyne Royal model UX20; main<br />

amplifiers, RCA; Imperial generator; 2 anamorphic<br />

lenses, videoscope; 2 bockup lenses,<br />

size 2V4"; 2 wide screen lenses; Sony tape<br />

player; 2 Weaver changeovers; Goldberg<br />

auto rewind; 12 section film cabinet; 4 section<br />

film cabinet; Goldberg rewind table; work<br />

bench with nice 12 section film cabinet; Winsel<br />

hand rewind stand; 685 speakers complete;<br />

9 Miracle Whirl wooden doors; 2 two-place<br />

kiddie swings; 3 six' slides; 2 twenty' slides;<br />

1 train; air conditioner; 16 ramp markers &<br />

arrows; 2 electric neon rod signs.<br />

SNACK BAH EQUIPMENT: Westinghouse deep<br />

freeze; Star master deep fat fryer; Star hamburger<br />

grill; Tolan pizza oven; Walt Logan<br />

lowboy popcorn machine; 2 refrigerated ice<br />

cream displays; 2 snow cone displays; Doyle<br />

3-head dispenser; 2 stainless ice chests; refrigerated<br />

candy case; 4 head multiplex roto<br />

grill; Manley popcorn machine; 6 vending<br />

machines; refrigerated orange machine; 40'<br />

front counter; 15' back bar; 12' back bar;<br />

Frigidaire deep freeze (chest type); Westinghouse<br />

deep freeze; Crystal Kept ice maker<br />

& storage; electric adding machine; Mosler<br />

safe; 96' pole screen tower; I box office; 38<br />

White Way lights; 41 down lights; rest room<br />

equipment for men's & ladies'; a lot of other<br />

items of office equipment & snack bar equipment<br />

too numerous to mention.<br />

TERMS: Cosh, cashier's check or proper<br />

identification. Any announcement made ot<br />

time of sate supersedes all advertising.<br />

Heldenbtand &<br />

" ^<br />

Anderson, Inc.<br />

AUCTIONEERS<br />

1419 Terrace Drive<br />

236-8814 942-4244<br />

cessions building and grounds during the<br />

recent heavy rains.<br />

Dan Wolfenbarger was scheduled to open<br />

his new Mini Cinema in Frederick Wednesday<br />

(8) or thereabouts. With the help of his<br />

father and a brother who does the architectural<br />

work, Dan had been working day<br />

and night for several weeks in preparation<br />

for the opening. John McConnell, from the<br />

Hobart theatres, did the electrical work for<br />

the Mini Cinema, a piggy-back type of<br />

theatre. We were taken on a tour of it prior<br />

to the opening and found that it was a real<br />

de luxe situation.<br />

While in Binger on a recent trip, we got<br />

to renew the acquaintance of H. D. "Digger"<br />

Cox, who recently sold his theatre to<br />

Tom Brooks. Cox still is very active in theatre<br />

affairs although he isn't operating a<br />

theatre at this time . . . Filmrow people<br />

here noted the destruction of the Roxy<br />

Theatre in Carthage, Mo., during that<br />

town's most disastrous fire in history. The<br />

Roxy, which had been closed about two or<br />

three months previously, was located in the<br />

center of the south side of the Carthage<br />

square. Virtually every building on that side<br />

of the square was either completely destroyed<br />

or heavily damaged by the fire,<br />

which started around 1 a.m. Friday (3).<br />

Video Notes: William B. Turk had surgery<br />

at Baptist Memorial Hospital Monday,<br />

your complete<br />

equipment house<br />

^ CALL US DAY OR NIGHT<br />

for SUPPLIES<br />

EQUIPMENT<br />

CONCESSION SUPPLIES<br />

^ FULLY EQUIPPED REPAIR<br />

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OKLAHOMA<br />

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4 Supply House Write for Prices and Information<br />

October 16, then planned to return home to<br />

recuperate. Cards and notes may be addressed<br />

to him at 6300 Styll Rd., Oklahoma<br />

City, Okla. 73112 .<br />

well,<br />

. .<br />

now vacationing in<br />

Booker Audie Ad-<br />

Albuquerque, won<br />

third place in the fourth flight of the annual<br />

Dallas Variety golf tournament this fall.<br />

Video film buyer Frank McCabe, Oklahoma<br />

City, also played in the tourney . . . Video's<br />

Around the Circuit newsletter for November<br />

reports progress in "twinning" Video theatres<br />

in Shawnee (Hornbeck Theatre) and<br />

Cleburne (Esquire), Tex. The Esquire was<br />

closed October 2 and 3 while the dividing<br />

walls for the two auditoriums were installed.<br />

The Hornbeck, which will have a piggyback<br />

penthouse above its former single auditorium,<br />

was closed October 24 for the reconstruction.<br />

It will reopen Thanksgiving Day,<br />

if the present schedule holds up . . . Received<br />

at Video offices here was a surprise picture<br />

post card from Video's Chickasha manager<br />

Horace Clark and his wife Marie, who<br />

vacationed in Hawaii and stayed at the beautiful<br />

Hilton Hawaiian Village Hotel complex.<br />

Condolences to Jack E. Brooks, Video<br />

treasurer and controller, whose mother-inlaw<br />

Mrs. Gertrude Ella Hall Watt of Midwest<br />

City died October 6. Memorials to<br />

Mrs. Watt may be made to the Oklahoma<br />

Medical Research Foundation. Private<br />

graveside services were held at Rose Hill<br />

Cemetery in Oklahoma City Monday, October<br />

9.<br />

Architect Bill Kaign has assured the Variety<br />

Health Center board that he will have<br />

plans, specifications and artists" renderings<br />

of the expansion of the center ready to show<br />

by Wednesday (15) . . . Tuesday (14) is<br />

Election Day for Variety Tent 22, the day<br />

of the general membership and board meeting.<br />

Officers elected that day for Tent 22<br />

and Women of Variety will be installed<br />

December 6 at the Oklahoma City Golf and<br />

Tent 22's membership<br />

Country Club . . .<br />

drive starts Wednesday (15) . . . Tent 22<br />

has three members who joined during<br />

September and October: R. T. Ayers, Rendezvous<br />

Trails of America; Ken Shubat and<br />

Bud Morse, both of radio station KOMA.<br />

HOUSTON<br />

(Continued from page SW-6)<br />

bra Streisand is on several area screens in<br />

. . . The<br />

a return showing of "Funny Girl" and the<br />

first run of "What's Up, Doc?"<br />

Gulf-Way, McLcndon Triple and Thunderbird<br />

Drive-In are showing the Southwesten<br />

premiere of "The Greatest Blood Show,<br />

four features including "Countess Dracuhi.<br />

"Vampire Circus," "Blood Thirst" and .i<br />

mystery hit that starts at 11:15 p.m.<br />

"Fiddler on the Roof," in a 47th week at<br />

the Tower, needs only five weeks to complete<br />

a record-breaking year . . . "TTie Godfather"<br />

is being shown here at the Granad.i<br />

in<br />

English with Spanish titles.<br />

SW-8 BOXOFnCE :: November 13, 1972


li get a face full of bloody tread<br />

rks and a 250 lb. dirt bike right<br />

are he doesn't need it.<br />

>AUL CARR<br />

•<br />

•<br />

MICHAEL FOREST BEN ARCHIBEK<br />

• •<br />

CHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American • International Release<br />

A", by Produced by Directed by<br />

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•<br />

JOSEPH E BISHOP and ART JACOBS JERRY JAMESON<br />

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ooNTACT YOUR American International exchange<br />

MILWAUKEE<br />

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Milwaukee, Wisconsin 53203<br />

Tele.: (414) 273-3887<br />

OMAHA<br />

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Tele.: (402) 342-1161<br />

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?l 1972 American Internat'onal Piclu'es. Inc<br />

MINNEAPOLIS<br />

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Minneapolis Minnesota 55403<br />

Tele.: (612) 333-8293<br />

Branch Manager; Morrie Buell


?*i<br />

'ja!ijiig^aB'^:jaiBigg»gygiigrrsw<br />

MARCUS SHOWMANSHIP CAMPAIGN—Special problems of minitheatres<br />

were pointed up by these men at the Marcus Theatres circuit's two-day<br />

showmanship campaign held recently in Milwaukee. Seen here, left to right, are:<br />

H. B. Toilette, vice-president in charge of all theatre operations; Wally Nesler,<br />

manager of Cinema 1 and 2, LaCrosse, Wis.; Ralph Schallow, manager of Marc 1<br />

and 2, Sheboygan, Wis.; Ben Marcus, president of the circuit; Walt Blaney,<br />

manager, Marc 1 and 2, Menomonee Falls, Wis.; Jerry Bares, manager of theatres<br />

in the LaCrosse area, and Wayne Berkley, manager of Marc 1 and 2, Appleton<br />

Wis.<br />

Nebraska NATO Making Legal Study<br />

Of States Proposed Obscenity Law<br />

LINCOLN—Nebraska NATO president<br />

Irwin Dubinsky reports tliat copies of<br />

Nebraska's proposed new law on obscenity<br />

already have been obtained. They will be<br />

studied by the state<br />

exhibitor organi2:ation's<br />

attorney, then sent on to the national NATO<br />

headquarters in New York City for legal<br />

review. Although Charles Huff, Lincoln,<br />

counsel for Nebraska NATO, and Dubinsky<br />

still are digesting the draft document, the<br />

latter speculates that it can't help but create<br />

some problems in the months ahead.<br />

The new obscenity law draft emerged a<br />

few days ago as part of a proposed new<br />

Nebraska criminal code going to the Unicameral's<br />

judiciary committee for 1972<br />

consideration. Some $66,000 in federal<br />

funds has financed the mammoth legal<br />

undertaking.<br />

In presenting the draft to<br />

the committee,<br />

Atty. Gen. Clarence Meyers included a fourpage<br />

cover letter in which he said "not all<br />

members of the advisory committee approve<br />

of each and every part of the proposed code.<br />

Some members . . . are opposed to some of<br />

what has been included." Meyer said all of<br />

the proposed code should be examined and<br />

predicts that some parts undoubtedly will<br />

provoke extended debate.<br />

An operative date of April 15, 1974, is<br />

proposed for the code if it is enacted by<br />

the 1973 legislature. However, judiciary<br />

committee chairman Sen. William Hase-<br />

SlifupeA Theatre Supply, Inc.<br />

^^<br />

1502 Davenport St.<br />

^^^P Omaha, Nebraska 68102<br />

^F ^Area Code (402) 431-5715<br />

When Your Butinesi Is APPRECIATED<br />

broock said later it may be more realistic<br />

to give the Unicameral more study time and<br />

aim for a 1975 operative date if the code<br />

receives legislative approval.<br />

Atty. Gen. Meyer, code project director,<br />

confirms that Citizens for Decent Literature<br />

(CDL) supplied the text material for the<br />

proposed new obscenity law in the code.<br />

Meyer adds it was his suggestion that those<br />

putting the new criminal code together include<br />

the CDL model bill.<br />

According to reports, the recommended<br />

state statute would: rewrite the U.S. Supreme<br />

Court's definition for determining<br />

obscenity (the revision proposes a more restrictive<br />

standard on what could be permitted<br />

to be spoken, written, sold or displayed);<br />

permit each community to set its<br />

own contemporary standards for judging<br />

pornography and obscenity (guidelines could<br />

be more strict than minimal standards decreed<br />

by state law); establish a criminal<br />

court jury as "the exclusive judge of the<br />

common conscience of the community and<br />

the embodiment of community standards";<br />

eliminate an accused person's now unqualified<br />

right to waive a jury trial in an obscenity<br />

case, thereby allowing a single judge to<br />

measure alleged activities against statutory<br />

prohibitions and constitutional guarantees<br />

and make a presumption that "every person"<br />

has "knowledge of the standards that exist<br />

in the community and what the juror or<br />

trier of fact may declare to be obscene."<br />

Subject matter to be covered in the CDL<br />

model law "shall mean any book, magazine,<br />

newspaper or other printed or written material<br />

or any picture, drawing, photograph,<br />

motion picture, play, nightclub performance,<br />

TV production or other pictorial representation<br />

or any statue or other figure, or any<br />

recording, transcription of mechanical,<br />

chemical or electrical reproduction or any<br />

other articles, equipment, machines or<br />

materials."<br />

For example, it is reported the CDL bill<br />

would outlaw singing of any song or ballad<br />

judged obscene—in person or by any mechanical<br />

means, including TV. That act<br />

would be a Class II misdemeanor.<br />

CDL, a nonprofit organization based in<br />

Los Angeles, has worked closely with Gov.<br />

J. J. Exon in "antismut" activities, including<br />

a seminar for Nebraska county attorneys a<br />

year ago. CDL also has conducted a letterwriting<br />

campaign in Nebraska where much<br />

of the emphasis in "fighting obscenity" has<br />

been against films.<br />

Venture Films Corp. Is<br />

Formed in Kansas City<br />

KANSAS CITY—Stephen D. Durbin has<br />

announced the formation of Venture Films<br />

Corp. to serve exhibitors of the Kansas City,<br />

St. Louis, Des Moines, Omaha and Minneapolis<br />

exchange areas. The company will<br />

headquartered at 1703 Wyandotte in Kansas<br />

City.<br />

Among the titles currently being released<br />

by Venture are "The Passion Seekers,"<br />

"Tom Jones Rides Again," "Hot Spur,'<br />

"The Sensuous Maid" and "Mondo Erotica.'<br />

A wide variety of additional titles will be<br />

announced in the near future.<br />

Before forming Venture Durbin held sales<br />

positions with American International Pictures<br />

in Chicago and Hollywood and with<br />

United Artists in Kansas City, St. Louis and<br />

San Francisco. He also held positions as<br />

film buyer for the Kerasotes circuit in Illinois<br />

and for Kindair Corp. in California.<br />

"In forming this new company," Durbin<br />

said, "I hope to give exhibitors throughout<br />

the Midwest top grosses produced through<br />

the combined showmanship efforts of both<br />

exhibitor and distributor. Promotion and<br />

cooperation are the keys to our success."<br />

Ray Vonderhaar Acquires<br />

Madison, S.D., Theatres<br />

MADISON, S.D.—Ray Vonderhaar. veteran<br />

Alexandria, Minn., exhibitor, has acquired<br />

the State Theatre and Madison Drive-<br />

In here from Joseph M. Prill, who has<br />

owned and personally managed the facilities<br />

for the past 17 years. Vonderhaar's son<br />

Michael, assisted by his wife Joanne, will<br />

be resident manager of the two theatres.<br />

In acquiring the Madison theatres. Vonderhaar<br />

praised the city as an "up-and-coming,<br />

wide-awake business community and<br />

said he was pleased to have the opportunity<br />

to make a business investment here." The<br />

State and Madison are Vonderhaar's first<br />

South Dakota theatres.<br />

Prill said he had no definite plans for the<br />

immediate future.<br />

Injunction Halts Demolition<br />

WATERLOO. IOWA — Demolition<br />

the Paramount Theatre Building was halted<br />

by court injunction recently after owners<br />

of an adjacent structure complained th;ii<br />

falling bricks were damaging their<br />

proper!<br />

Paul Mazursky and his "Blume in Lose<br />

cast are now on a three-week filming jaunt<br />

in<br />

Venice.<br />

be<br />

of<br />

NC-2 BOXOFHCE :: November 13, 1972


I<br />

A PHASE ONE FILMS, INC. RELEASE<br />

DAVID EMANUEL, President<br />

lAR Woc+ 4A+h


MILWAUKEE<br />

\X7hen Joe Imhof, formerly branch manager<br />

for United Artists here, was in<br />

town for a visit recently a luncheon in his<br />

honor was attended by Angle Porchetta,<br />

Capitol Service; William Imhof, Theatres<br />

Candy Co.; Harry Mintz, Capitol Court<br />

Theatre; Gerry Franzen, Cinema, Inc., and<br />

David Chapman, formerly salesman for<br />

Columbia. It was held at the popular John<br />

Ernst Restaurant. Joe Imhof, who is retired,<br />

returned to his home in San Diego, Calif.<br />

Jack Ringe, manager of the (Marcus)<br />

Centre Theatre, mailed out invitations to<br />

a sneak preview of Paramount's "Lady Sings<br />

the Blues" Saturday night (4) at 8 p.m. The<br />

film was scheduled to begin a run Wednesday<br />

(8) at the Centre, Brookfield Square<br />

and Capitol Court theatres.<br />

Edward Stolier, branch manager for United<br />

Artists, reports to <strong>Boxoffice</strong> that "Fiddler<br />

on the Roof" is doing fantastic business<br />

all over the state. It winds up a full<br />

year at the UA Southgate Theatre in mid-<br />

December, when it is scheduled to be replaced<br />

by "Man of La Mancha" ... Pat<br />

Halloran, local sales representative for Universal<br />

Film Exchanges, invited exhibitors<br />

and their families to a tradeshowing of the<br />

PG-rated "Limbo" Friday (3) at the Centre<br />

screening room, 212 West Wisconsin Ave.<br />

. . . We owe an apology to Ed Gavin, AIP<br />

office manager here, for reporting the wrong<br />

title in <strong>Boxoffice</strong> (October 30) of his recent<br />

tradeshowing of "Unholy Rollers." We<br />

inadvertantly caught the phrase "Hell on<br />

Wheels" in the description concerning this<br />

movie and somehow reported that as the<br />

title.<br />

Fred Rott, manager of the (Marcus) Villa<br />

Theatre, who does such an excellent job with<br />

i READY "^ ^<br />

NOW!<br />

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ground. s<br />

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U films and stock intermlsslon-snock bar films, i<br />

kiddies show promotions, had a weeklong<br />

"Disney Halloween Treat" which featured<br />

"Bedknobs and Broomsticks" and "The Vanishing<br />

Prairie," plus several cartoons, together<br />

with a dress-up contest. For a whole<br />

week youngsters who came to the theatre in<br />

some kind of costume, even if only a mask,<br />

were given a handout and Polaroid photos<br />

were taken (with the kids or their parents<br />

eventually getting possession of the pictures).<br />

Fred's talented staff of ushers and vendorettes<br />

also pitched in by painting black cats,<br />

bats, ghosts and all sorts of eerie symbols on<br />

the windows surrounding the theatre lobby.<br />

Scarecrows, skeletons and more Halloween<br />

things were hung on the lobby walls. But<br />

the main eye-catcher was a huge pumpkin<br />

made out of chicken wire and crepe paper<br />

that measured four feet by almost five<br />

feet.<br />

It was filled with all sorts of candy goodies<br />

and was perched in the center of the lobby.<br />

A five-year-old girl dressed as a clown became<br />

the proud possessor of the pumpkin<br />

when Fred and his staff deemed her costume<br />

to be the best. Oh, yes, her parents had to<br />

use a vehicle in order to cart the pumpkin<br />

away! Meanwhile, the Villa is in the middle<br />

of its second ten-week series of free, sponsored<br />

Saturday morning kiddies shows. The<br />

tickets are picked up by the parents from<br />

cooperating merchants in the immediate<br />

neighborhood. With all this action going,<br />

Fred also is distributing window signs to<br />

local merchants who are being contacted to<br />

cooperate in the Holiday Merchant Ticket<br />

deal. The merchants buy a flock of theatre<br />

tickets (at a reduced price) which are good<br />

for one free admission at any time during<br />

the month of December and give them out<br />

to their customers as a sort of extra Christmas<br />

bonus. About 30 merchants are tied in<br />

with the project so far. Last year, Fred reports,<br />

the holiday merchant ticket project<br />

was so well received the cooperating store<br />

owners contracted for 20,000 tickets. It<br />

could be even bigger this time, Fred believes.<br />

Capitol Court Theatre (RKO-Stanley<br />

Warner), located adjacent to the Capitol<br />

Court Shopping Center on the city's northwest<br />

side, has dropped its daily matinee to<br />

only one a week—on Wednesday. Doors<br />

open at 11:30 a.m. One complete show starts<br />

at 12 noon. Special admission is $1. . . .<br />

The stageshow "Hair" is scheduled for still<br />

another return to the Palace Theatre when<br />

it presents seven performances starting Monday<br />

(13). It is now billed as a "farewell<br />

tour."<br />

Fifty Years Ago: The silent movie "When<br />

Knighthood Was in Flower," starring Marion<br />

Davies, began a long run Nov. 4, 1922,<br />

at the (now removed) Garden Theatre on<br />

Grand Avenue


Picture<br />

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No matter what show you are offering this week. No<br />

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the quality of the projection as on the picture itself.<br />

Ensure the success of your theatre operation with<br />

Century projection and sound reproduction. Get the<br />

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quality projection that will keep them coming back<br />

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If Century didn't consistently project<br />

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Century—the best projection<br />

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SEE YOUR CENTURY DEALER - OR WRITE:<br />

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Des Moines Theatre Supply Co.<br />

1121 High St.<br />

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Minneapolis Theatre Supply Co.<br />

51 Glenwood An.<br />

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BOXOmCE :: November 13, 1972 NC-5


j<br />

MILWAUKEE<br />

(Continued from page NC-4)<br />

three-judge panel to consider a suit by Delto<br />

which challenges the constitutionality of<br />

state obscenity laws. In a case involving<br />

charges of showing an obscene film against<br />

the principal agents of the theatre firm<br />

Donald E. Thomas and James G. Burner<br />

County Judge Patrick J. Madden last April<br />

had dismissed the charges, ruling that the<br />

prosecution had failed to prove that the men<br />

knew the film was obscene. The onus did<br />

not fall on them, he decreed.<br />

Esquire Theatre in Madison has continued<br />

its policy of offering a reduced admission<br />

price to Madison area students during 1972-<br />

73. A student discount card is sold at the<br />

theatre at a cost of 50 cents each and when<br />

presented at the Esquire entitles the student<br />

to a saving of 50 cents off the regular adult<br />

admission.<br />

Emile de Antonio, a filmmaker whose<br />

documentary style of biting satire and social<br />

comment is identified with his "Millhouse:<br />

A White Comedy," "Point of Order," "Rush<br />

for Judgment" and others, will premiere his<br />

newest film at the University of Wisconsin-<br />

Milwaukee campus during a two-day seminar<br />

Monday and Tuesday (13, 14). It is<br />

entitled "Painters Painting." De Antonio<br />

started producing films in 1962 and has<br />

come to this city under joint sponsorship<br />

of the Center for Theatre Research and the<br />

UW Center for 20th Century Studies to conduct<br />

mini-courses and seminars in filmmaking<br />

at UW-M. He next is scheduled to go<br />

to Madison where his films and manuscripts<br />

are to be placed permanently in the<br />

Wisconsin Center for Theatre Research.<br />

Mondays during<br />

'NFL Monday Nile Football'."<br />

Screen actress Joan Fontaine returned to<br />

this city Wednesday (2)—she had appeared<br />

here in the stage play "Dial M for Murder"<br />

about six years ago—to speak before the<br />

Whitefish Bay Women's Club. She reviewed<br />

the romantic era of entertainment in Hollywood<br />

and bemoaned the fall of the star system<br />

which, she said, resulted in a loss of<br />

public interest in movies. Directors who then<br />

became the "stars" began to use actors who<br />

were relatively unknown, she said. The actress,<br />

who is a sister of Olivia deHavilland<br />

(with whom she was supposed to have had<br />

a feud but only as a studio publicity stunt),<br />

also revealed here that she had just relurned<br />

to the U.S. following a six-month stage tour<br />

of South Africa.<br />

Filmmaiier Barbara Loden (whose husband<br />

is director Elia Kazan) was in<br />

town to discuss moviemaking as part of<br />

the "Women in the Arts" celebration at<br />

UW-M . . . The Vogue in Arcadia received<br />

front-page stories in two newspapers announcing<br />

that theatre's "Trinity Club." The<br />

club was formed "in order to promote attendance<br />

for good, clean entertaining<br />

movies." Four f.ims featuring the popular<br />

stars of "They Call Me Trinity" were booked<br />

and anyone purchasing a special Trinity<br />

Club ticket at the theatre is entitled to see<br />

all four films for the price of three. There<br />

also is a special ticket for children's matinee<br />

showings priced at $1 for all four shows.<br />

The remaining films in the series are: "Boot<br />

Hill," "They Call Me Trinity" and "Trinity<br />

Is Still My Name." Donald LeGros is owner-operator<br />

of the Vogue.<br />

'The Bittersweet Night' and 'Preacherman'<br />

... I believe the newspapers are a<br />

powerful influence.<br />

"Please do what you can to uphold that<br />

which is good for our society. Eliminate<br />

pornographic advertising. (Signed) Mrs.<br />

Emerson Miller."<br />

Three days before this letter appeared the<br />

Journal Co. had mailed out a letter to area<br />

theatremen saying that it would modify or<br />

reject advertising of so-called adult movies<br />

that violate the movie industry's own standards.<br />

By October 2 theatremen who had<br />

received the letter were discussing it pro<br />

and con.<br />

Henry Kratz, executive director of the<br />

National Ass'n of Theatre Owners of Wisconsin<br />

and Upper Michigan, stated that a<br />

meeting will be held at NATO to familiarize<br />

the people responsible for placing the ads<br />

with the Journal Co.'s rules and regulations.<br />

However, Kratz indicated that he particularly<br />

was disturbed by a section of the letter,<br />

written over the signature of Charles K.<br />

Clarke, Journal Co. vice-president and ad-<br />

,<br />

vertising manager, which read: "We publish<br />

,<br />

the Motion Picture Ass'n of America rating<br />

|<br />

guidance system (G, PG, R and X) for par-<br />

\<br />

waukee Sentinel."<br />

ents every day in both the Journal and Mil-<br />

Kratz said the rating guidance system was<br />

paid for by the theatres and that since the •<br />

first of the year "we have spent over $7,000<br />

for that rating guidance ad ... we are<br />

doing our job in tj-ying to inform the public i<br />

about the types of pictures, for children and<br />

adults." i,<br />

Len Schulze, district manager for United<br />

i<br />

\<br />

Artists Theatres of Wisconsin, said his group<br />

]<br />

of theatres "will continue submitting ads as 1<br />

usual with the understanding that the Jour- j<br />

nal may make changes as usual. We feel it's ]<br />

censorship but we don't run anything the<br />

Journal doesn't want us to run." Another<br />

,<br />

Movie actor Jon Voight, star of "Midnight<br />

Cowboy" and "Deliverance," was here<br />

Saturday and Sunday (4, 5) doing some<br />

electioneering for his favorite presidential<br />

candidate. His scheduled appearances included<br />

greeting the moviegoers in the lobby<br />

of the Mayfair Theatre Saturday night (4)<br />

where, according to the Mayfair manager<br />

Bob Stumpf, "Deliverance" is doing an outstanding<br />

business . . . Towne Theatre,<br />

Whitewater, has inaugurated a "Night for<br />

Ladies" on Mondays during the football season.<br />

In its ad in the local weekly a special<br />

note read: "Let HIM watch the game—and<br />

the KIDS. Ladies admitted for 75 cents<br />

Coming in January:<br />

Journal Co.'s Ad Edict<br />

Brings Mixed Reactions<br />

MILWAUKEE—A letter to the editor<br />

was published in the Milwaukee Journal<br />

October 2 which stated in part: "Normally<br />

I quickly turn the pages that picture coming<br />

attractions at the movie theatres. It upsets<br />

me to see advertised the filth shown on<br />

some movie screens today.<br />

"But I happened to note in the center of<br />

the entertainment section the announcement<br />

that two of the Oregonian Publishing Co.<br />

newspapers had decided to eliminate advertising<br />

on 'adult' pornographic films and live<br />

shows from its pages. My heart leapt and I<br />

said 'please, dear Lord, motivate the Milwaukee<br />

Journal and Sentinel to take such a<br />

stand also, ... A parent cannot censor a<br />

newspaper for a teenager. We do want our<br />

young people to<br />

be educated by reading the<br />

current news and yet we do not want their<br />

sexual appetites whetted in a perverted way<br />

by seeing such ads as were in the September<br />

20 Journal, namely: 'Private Parts,' 'Teenage<br />

Sex Report,' 'Dirtiest Girl I Ever Met,'<br />

'Shotgun Wedding,' 'The Swingin' Pussycats,'<br />

local movie owner told <strong>Boxoffice</strong> he considered<br />

the censorship by the Journal "a<br />

haphazard." He said he frequently was surprised<br />

by the frank nature of some ads that<br />

seemingly were missed by the censors and<br />

subsequently were published in the paper.<br />

Richard Leonard, Journal editor, stated<br />

that about 40 complaints, both letters and<br />

telephone calls, were received weekly by the<br />

news department. They come from all ovor<br />

the state and there "is no indication of an<br />

organized campaign," he stated.<br />

Another local theatre operator, expressing<br />

the opinion that the Journal letter was uncalled<br />

for, said a number of X-rated films<br />

had to be run because they were the monc>makers.<br />

"Why run a film if we can't advertise<br />

it appropriately?" he asked.<br />

Still another showman pointed out that<br />

\,s0ss0^<br />

WI/^^WS<br />

SCREENS«>^QEi»|<br />

^ IMMEDIATE DELIVERY ^<br />

"«"<br />

^<br />

50


movie houses use advertising material which<br />

is supplied to them by distributors of the<br />

picture and that these same ads do appear<br />

in newspapers all over the country. However,<br />

if the Journal and Sentinel are going<br />

to censor the advertising, he said, the local<br />

theatremen will cooperate in making<br />

changes "as we have done for years."<br />

LINCOLN<br />

Pat Miles, Varsity Theatre manager, began<br />

earlier than usual—about 8:15 a.m.<br />

October 28, although the day didn't start<br />

out too well. She intended to be at the<br />

movie house long before magician Bill Morton<br />

and other performers showed up to set<br />

up their equipment for the 17th annual Lincoln<br />

Braille Club benefit show. But, her car<br />

stopped dead halfway downtown. She made<br />

it but not before magician Morton and the<br />

others. Despite the start, the benefit went<br />

off well. A nagging question in the minds<br />

of Morton and others throughout the morning<br />

children's show was where the 18th<br />

event would take place. The Varsity will<br />

come down in early 1973 and Morton<br />

thinks it may take a super trick to turn up<br />

another downtown place as convenient as<br />

the Varsity and its cooperative staff.<br />

Dean Ziettlow has returned to Minneapolis<br />

after a vacation here and in Colorado<br />

but not his new Mercedes-Benz. Dean, manager<br />

of Cooper's Cinerama in Minneapolis,<br />

had driven into the Villager parking area<br />

adjacent to the Cooper/ Lincoln Theatre to<br />

visit manager Jay Maness, when another<br />

motorist came around the comer to smack<br />

the Mercedes head-on. According to Cooper<br />

friends. Dean wasn't hurt but, oh, his brand<br />

new car! It couldn't be repaired in time for<br />

Dean's scheduled departure, so he returned<br />

to Minneapolis by air. The Mercedes will<br />

be here until Dean comes down to this city<br />

December 5 with other Cooper theatre managers<br />

from Colorado and Nebraska for the<br />

circuit's annual two-day managers' conference—out<br />

at the Villager and the nearby<br />

Cooper/ Lincoln.<br />

Dave Etmund, another of Cooper's former<br />

managers here, is back in town for a twoweek<br />

vacation with his parents. Dave now is<br />

manager of the Cooper Twin in Greeley,<br />

Colo. . . . Herman Hallberg, vice-president<br />

of Cooper Theatre Enterprises, just managed<br />

to get up to Minneapolis for a Thursday<br />

(2) appointment. He was out in Colorado<br />

Springs early that week, got caught in<br />

that state's heavy snows and finally got<br />

back to this city Thursday morning (2) to<br />

fly to Minneapolis the same day . . . Re-<br />

F>orts from Tokyo from Nebraska's cowboy<br />

showman, Montie Montana jr., indicate that<br />

the Japanese like the "small sample" of the<br />

West which the American wild west show,<br />

originally packaged in Buffalo Bill country<br />

at North Platte, is offering in the foreign<br />

land. Showman Montana reports he hopes<br />

to share the Indian dances, sign-language<br />

(Continued on next page)<br />

MINNEAPOLIS<br />

•[•he IDS Center Theatre, located in the<br />

concourse level of the 57-story IDS<br />

building in the downtown area, bowed with<br />

"The Darwin Adventure," a first-run offering,<br />

though house policy has yet to be<br />

firmed. The new 400-seat theatre is owned<br />

by Movieland, Inc., a partnership made up<br />

of J. Warren Burke, Donald McGlinn and<br />

Richard Carmaker, all of this city.<br />

Dean Lutz, Metro-Goldwyn-Mayer branch<br />

manager, and Don Dalrymple, assistant resident<br />

sales manager, winged off to Chicago<br />

Wednesday (1) for discussions of product<br />

due in these last weeks of 1972 and early<br />

1973 . . . Harry Goldman, Midwest division<br />

manager for Warner Bros., flew in from<br />

Chicago for routine branch business. Meanwhile,<br />

WB's timely "The Candidate" had<br />

its city break Wednesday (1) with seven<br />

prints working the Twin Cities area.<br />

Roy Smith, William H. Lange Co. branch<br />

chief, rejxjrts that Carol Hismith is here<br />

from Pennsylvania for a four-week promotional<br />

campaign for "The Late Liz." The<br />

Anne Baxter starrer bows Wednesday (29)<br />

at three Twin Cities theatres—the Southdale<br />

Cinema I, the Har-Mar I and the Brookdale<br />

Theatre. Smith is chuckling because Carol's<br />

name is just like "Hi, Smith!"<br />

Is the Twin Cities area in danger of becoming<br />

over-screened? "No doubt about it,"<br />

say an increasing number of those in the<br />

industry. Multiple theatres are "springing<br />

up like mushrooms," to use the expression<br />

commonly applied these days. Twins, triplex<br />

and quad-theatres are increasingly common<br />

—and a couple of startling statistics are<br />

coming to light. First, there shortly will be<br />

90 screens in the Twin Cities area (and can<br />

this area support that lofty total?) and,<br />

second, this will mean more seats to be<br />

filled than existed in 1950!<br />

Paramount's "A Separate Peace" won the<br />

applause of 800 teachers and professors in<br />

an educators' screening October 28, held<br />

at the Cinema II in Edina . . . George Carisch,<br />

Wayzata, head of the Carisch circuit,<br />

was bedded with a bad back . . . Bill Levy,<br />

Heights Theatre, Columbia Heights, is ailing<br />

and is<br />

back in Mount Sinai Hospital.<br />

The day before Halloween, Marvin Agotness,<br />

Lyric Theatre, Park River, N.D., told<br />

Filmrow bussies on the phone that six<br />

inches of snow had blanketed his area. That<br />

was only the start. Before the day was over<br />

more than 13 inches of snow had hit different<br />

parts of South Dakota! . . . Forrie<br />

Myers. Paramount branch manager, went<br />

duck hunting in northern Minnesota October<br />

28-29. He had great luck the first day but<br />

couldn't scare up a single bird the next day.<br />

Pat Verducci, Columbia exploitation,<br />

pushed a solid promotional campaign for<br />

"The Valachi Papers," aided by impressive<br />

newspaper ads stressing the factual side of<br />

the Mafia-themed film . . . Meanwhile,<br />

Verducci also was pushing "A Reflection of<br />

Fear." with Sondra Locke, its star, due in<br />

town Monday (13). "A Reflection of Fear"<br />

opens Wednesday (15) at the Gopher Theatre<br />

here, with a St. Paul date still tentative.<br />

'Sounder/ 'Emigrants'<br />

Big in Minneapolis<br />

MINNEAPOLIS— "Sounder,"<br />

kicked off<br />

with a heavy promotional and advertising<br />

campaign, took off in strong style at the<br />

World, breaking with an impressive 350.<br />

Launched with an equally ambitious slice<br />

of hoopla, including a premiere attended by<br />

Sweden's Princess Christina, "The Emigrants"<br />

chalked up a hefty 300 at the Academy.<br />

The two were the only newcomers and<br />

their healthy gross figures were part of an<br />

extremely mixed overall picture. Cicely Tyson,<br />

star of "Sounder," was here for a round<br />

of press, TV and radio interviews and the<br />

actress snared abundant ink and time. "The<br />

Emigrants." if it's going to click anywhere,<br />

has to be big here: It deals with Swedes who<br />

migrated to this state and was filmed in part<br />

in Minnesota. This state's large Swedish<br />

population should make it a readymade success.<br />

"Deliverance" continued to deliver for<br />

Skyway II, in with 400 in its fourth week<br />

and what a way to launch a new theatre!<br />

"The New Centurions" also was dazzhng at<br />

the new Skyway I, posting a lively 250 in<br />

its fourth frame. "Slaughterhouse-Five" was<br />

showing strong legs at the Cooper, 210 in<br />

a ninth week. Elsewhere, for the most part,<br />

the gross picture was a case of the blahs.<br />

{Average Is 100)<br />

Academy The Emigrants (WB) 300<br />

Cooper Slaughterhouse- Five (Univ), 9th wk, ...210<br />

Skyway I—The New Centurions (Col), 4th wk. ..250<br />

Skyway II—Deliverance iWB), 4th wk 400<br />

State—Hickey & Boggs (UA), 2nd wk 80<br />

World—Sounder (20th-Fox) 350<br />

Western Service & Supply<br />

Opens Los Angeles Office<br />

From Western Edition<br />

DENVER—Bob Tankersley, president of<br />

Western Service & Supply Co., based here,<br />

announces the formation of a Los Angeles<br />

subsidiary. Western Service and Supply of<br />

Los Angeles, Inc. Sam Aspaas has been<br />

named president and general manager to<br />

direct the Los Angeles operation. This<br />

brings to three the number of Western Service<br />

and Supply offices. Another office is in<br />

Billings, Mont.<br />

"We are fortunate," said Tankersley, "to<br />

obtain the service of a man of Sam Aspaas'<br />

ability and experience in the theatre supply<br />

field. For the past 25 years, Sam has been<br />

serving theatres in the Los Angeles area. He<br />

was formerly with Westrex and National<br />

Theatre Supply, and recently has been in a<br />

sales and advisory capacity with Budd Theatre<br />

Supply. Exhibitors in the Los Angeles<br />

and Arizona areas will find Aspaas ready<br />

and willing to assist them."<br />

Patrick McGoohan has been signed to<br />

direct "Catch My Soul" for Metromedia.<br />

BOXOFTICE :: November 13, 1972 NC-7


D E S<br />

MOINES<br />

QUI Doebel of D&D Enterprises, formerly<br />

with National General Theatres, will<br />

be doing the buying and booking for the<br />

Boone Theatre, Boone. The theatre is owned<br />

by Bill Arts of Carroll and managed by<br />

Maurice Wilson.<br />

E. C. Lund, owner of the Lund Theatre,<br />

Viborg, S. D.. has a neat way of keeping<br />

the children of Viborg under control on<br />

Halloween. He sponsored a free show<br />

Wednesday (8) at his theatre, because there<br />

was no destruction in town on Halloween<br />

night. The school dismissed the children<br />

at 1 p.m. on the day of the show. This free<br />

show has taken place every year for the<br />

past few years and has worked wonders,<br />

Lund says. The kids all know this before<br />

Halloween, so are on guard. Lund says<br />

they permit a little soaping but nothing of<br />

a destructive nature.<br />

Carl Schwanebeck, chairman of the Iowa<br />

NATO liaison committee, was in New York<br />

City recently to meet with the national president<br />

and other members of the small-town<br />

theatre committee. They visited several of<br />

the<br />

film companies and national sales managers.<br />

Paramount held a sneak preview at the<br />

Fleur Theatre Sunday (5) of "Lady Sings the<br />

Blues." Diana Ross stars and this is her first<br />

picture, portraying the story of Billie Holiday<br />

. . . WOMPI Club members say they<br />

are making plans to sell nuts and candy<br />

again this year for the holidays and will<br />

welcome any orders they can get.<br />

Charles lies, president of Iowa Parcel, is<br />

a proud new grandpa! He announces the<br />

arrival of an eight-pound girl, born to his<br />

daughter and her husband Thursday (2).<br />

The little one was named Andrea . . . Everyone<br />

at Des Moines Theatre Supply is anxiously<br />

awaiting the return of Robby Robbins<br />

from his two-week deer-hunting trip to<br />

Montana. We hof)e he got his trophy without<br />

getting caught in the blizzards and deep<br />

snow reported in that area.<br />

Filmrow vilstors: Abbott Swartz, Minneapolis;<br />

E. C. Lund, Lund Theatre, Viborg,<br />

S. D., and Albert Crow, American Theatre,<br />

Coming.<br />

Central States news: At Fairfield, Gary<br />

Sandler had an excellent news story on the<br />

MGM Children's Matinees and now for the<br />

engagement itself has used the story within<br />

his ad, making an excellent layout . . . Radio<br />

station KROS at Clinton sponsored an election<br />

contest. Customers coming to the theatre<br />

were provided a ballot to make their<br />

choice of presidential nominees. This promoted<br />

a lot of local interest . . . Bob Morton,<br />

manager at the Fremont Theatre, Fremont,<br />

Neb., had free root beer coupons for<br />

all who came for his Friday the 13th show<br />

last month. He had a drawing for a transistor<br />

radio, all donated by local merchants<br />

. . . Dave Reab, city manager at Mason City,<br />

offered a half-price admission for the first<br />

50 coming to his Friday the 13th show (and<br />

. .<br />

that's half of $2) only to have his opposition.<br />

Park 70, come out with a midnighter<br />

with all admissions at $1. That is the way<br />

. it goes sometimes! Dean Tutor at Fort<br />

Dodge offered free admissions to the first<br />

five coming to the Rialto for the Friday<br />

the 13th show that had birthdays on the<br />

1 3th and another five free to those willing<br />

to break a mirror in the theatre lobby. He<br />

didn't say how many takers he had. The<br />

chamber of commerce at York has bought<br />

the Sun Theatre for a pre-Christmas kiddies<br />

show December 16 ... A couple more<br />

drive-in closings: Fort Dodge and Fairfield<br />

drive-ins has closed for the 1972 season.<br />

With some snow on the ground, they<br />

thought it a good idea to lock up . . . Visiting<br />

the home office of Central States recently<br />

were Tom North, new manager of<br />

the Ritz Theatre, Chariton, and Jay Cobb,<br />

manager of the Regent at Cedar Falls, as<br />

well as Irv Heller from Iowa City . . . Irv<br />

Shiffrin of the WestVue Drive-In in our<br />

town has rented the attraction board to a<br />

local bank for use this winter while the<br />

theatre is closed . . . Arthur Stein is sporting<br />

a new rain suit and recently went to the<br />

game in Ames in cold, rainy weather . . .<br />

The Rivoli Theatre in Hastings, Neb., is<br />

having a cinema art series again, according<br />

to Fred Teller, manager.<br />

LINCOLN<br />

(Continued from preceding page)<br />

demonstrations, trick roping, whipcracking<br />

and country and western music with the<br />

military men at U. S. bases near Tokyo.<br />

Irwin Dubinsky reported Sunday (5) that<br />

he had sp>ent the previous week in the family<br />

circuit's home offices contemplating what<br />

might get the quiet state of business off<br />

dead center. It's not Dubinsky theatres but<br />

all industry members who are feeling the<br />

continued slow business status, Dubinsky<br />

noted. His conversation included these notations:<br />

there is no product of consequence<br />

available now, except for a few like "Slaughterhouse-Five,"<br />

currently showing at the Dubinskys'<br />

local movie house, the Stuart;<br />

production<br />

companies' salesmen aren't traveling<br />

around. They have no product to offer of<br />

any major quality, and it has been a long,<br />

dry spell that won't be ended until Thanksgiving<br />

and Christmas. Warner Bros.' "Deliverance,"<br />

for example, is a good offering<br />

currently showing in other areas but has<br />

been held back until Christmas for the Midwest<br />

. . . "Bad Company," sneak-previewed<br />

Friday evening (3) at the Stuart, is a "good<br />

picture," according to Dubinsky. but it<br />

"could be hurt by its bad title." (Dubinsky<br />

and his wife, both attending the preview,<br />

liked it and thought it had some good, funny<br />

sequences and provides some good entertainment—if<br />

not for the title and for other<br />

"competing events" as it is shown here on<br />

a regular schedule). Speaking of competing<br />

activities, Dubinsky noted one the presidential<br />

election,<br />

which disappeared Tuesday<br />

(7). Not the two or three days weekly of<br />

nationally televised football games, though.<br />

Distribution of the average family's or person's<br />

entertainment dollar is another consideration<br />

... A much younger industry member's<br />

report of the lack of community support<br />

of special matinees at special prices<br />

the previous week of "A Separate Peace"<br />

lent support to Dubinsky's discussion on the<br />

state of the movie business in November<br />

1972. According to Gary Meyer, assistant<br />

manager at the Cooper/ Lincoln, there was<br />

disappointing response to the $1 matinees<br />

for college students on all four special matinee<br />

performances of "A Separate Peace." It<br />

wasn't much better in terms of school group<br />

special rate response, he adds. The film was<br />

shown twice each of the four afternoons<br />

at 2 and 4 p.m.—as a further convenience<br />

to lower and higher education group attendance.<br />

Gary made a Sunday (5) speculation<br />

that the special film, "Trap on Cougar<br />

Mountain," opening Tuesday (14) when the<br />

suburban Cooper/ Lincoln is rented out to<br />

Sun Internatonal Pictures for its independent<br />

offering, will draw good crowds. He<br />

bases this forecast on the experience of<br />

other similar theatre-rental picture engagements<br />

at the house.<br />

. . .<br />

Randy Griffin, doorman at the Cooper/Lincoln,<br />

is off on a week's vacation.<br />

He is out in western Nebraska hunting deer<br />

Mike Gaughan, Cooper district manager,<br />

and his wife Judy were busy Saturday<br />

afternoon (4) shifting new furnishings<br />

around in their living room, painting and<br />

trying to keep up on the Cornhusker-Colorado<br />

football game via TV from Boulder,<br />

Colo. Mike reports he now has painted all<br />

the interior and exterior of their one-story<br />

home during the past 24 months . . . Walt<br />

Jancke spent Sunday (5) down at Cinema 1<br />

and 2 so that his assistant Dennis Garrison<br />

could go pheasant hunting. Business there<br />

wasn't overwhelming, either, reports Walt,<br />

where the screens offered "Butterflies Are<br />

Free"—until Tuesday (14)—and "Slaughter,"<br />

to be succeeded by "Dirty Little Billy"<br />

— "another of those bad-titled films," adds<br />

Jancke.<br />

A charge of "showing obscene movies" in<br />

the Sprague Theatre, Delevan, was dismissed<br />

by Walworth County Judge John Voss after<br />

he ruled that testimony by an Elkhom police<br />

officer was not admissible as evidence.<br />

The officer was called as a witness by District<br />

Attorney Robert Read. The officer had<br />

seen the movie alleged to be obscene and<br />

Read expected his testimony would prove<br />

the charge. However, Judge Voss ruled that<br />

it would not be admissible. The film itself<br />

could not be obtained by the district attorney's<br />

office. A new case against the operator<br />

of the Sprague, James Anderson, will<br />

be initiated, Read said.<br />

Certificate of Withdrcrwal<br />

From New England Edition<br />

In Theatre Corp., a New York state<br />

STAMFORD, CONN.—Stamford Drive-<br />

corporation,<br />

filed a certificate of withdrawal (in<br />

effect, withdrawing from doing business in<br />

Connecticut) with the secretary of state's<br />

office.<br />

NC-8 BOXOmCE :: November 13, 1972


; 1972<br />

I<br />

HE Fuz;<br />

lat flashes<br />

badge on the<br />

irtGangr<br />

III<br />

get a face full of bloody tread<br />

-ks and a 250 lb. dirt bike right<br />

bre he doesn't need it.<br />

PAUL CARR<br />

•<br />

MICHAEL FOREST -BEN ARCHIBEK<br />

• •<br />

IICHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American International Release<br />

•<br />

bitten by PfOducecJ by Directed by<br />

•<br />

7ILUAM MERCER and MICHAEL C. HEALY JOSEPH E. BISHOP and ART JACOBS JERRY JAMESON<br />

•<br />

CONTACT YOUR American International exchange<br />

American intamatiooal Ptctures, Inc.<br />

L<br />

DETROIT<br />

Marty Zide<br />

23300 Greenfield Rd.<br />

Oak Pork, Mich. 43237<br />

Tale.: (31 3> 399-9777<br />

CLEVELAND<br />

Bill Andrewi<br />

2108 Payne Avenue<br />

Cleveland, Ohio 44114<br />

Tele.: 1216) 621-9376<br />

CINCINNATI<br />

Milt Gurion<br />

Executive Building<br />

35 East 7th Street<br />

CinciiuMtL, Ohio 4S202


'<br />

'<br />

Court Decision Forces Alteration<br />

In Toledo 'Obscenity Enforcement<br />

TOLEDO, OHIO—Th^ established practice<br />

of Toledo police of sefzing allegedly obscene<br />

films and arresting theatre employees,<br />

where such films were being shovyn, charging<br />

them with "exhibiting an obs&ne performance"<br />

(punishable with up to $5,000<br />

fine and one year in jail), is being halted, in<br />

view of the Thursday (2) decision by U.S.<br />

District Court Judge Don J. Young in Toledo.<br />

The city is considering new procedures<br />

against theatres showing "objectionable"<br />

films. Meanwhile, in the light of Judge<br />

Young's ruling, which outlawed the seizure<br />

of films at the time arrests are made, Joseph<br />

Jordan, an assistant city law 'director, has<br />

recommended the dismissal of criminal<br />

charges against personnel of three, Toledo<br />

theatres in return for the dismissal of civil ;,<br />

actions brought in federal court by the theatre<br />

employees against the city. ^ -<br />

In one of the three cases, Ju«|ge,Young<br />

had ordered the city to return a 'f}im,'>"The<br />

Coming Thing," which had. been seized<br />

September 23 from the VSf^estwood Art<br />

Theatre, and ruled that such s^zures violated<br />

constitutional protections.' At that time,<br />

police arrested Martin G. Gleason, 23, theatre<br />

manager; Gerald Blawski, 27, assistant<br />

manager, and Francis H. Shjader, 51, projv<br />

jectionist, while a 17-year-old girl tickettaker<br />

was held on a juvenile delinquency<br />

charge and as a runaway from her home in<br />

Michigan.<br />

Although the ruling was only in the Westwood<br />

Theatre case, city officials said that<br />

the concept also was applicable to film seizures<br />

August 18 at the Las Vegas Cinema,<br />

where Roger Clem,' manager, and Violett<br />

Nickell, cashier, had been cited, and to a<br />

similar seizure August 23 at the Avalon Art<br />

Theatre, where police seized "The Two of<br />

Us" and "The Innocents," arresting Gary<br />

Licata, manager; Charles Cangiamialla, projectionist,<br />

and Carol Schwartz, ticket-t^er.<br />

U.S. District Judge Nicholas Walinski had<br />

refused to return the films seized from the<br />

Avalon or Las yegas theatres, citing an<br />

Ohio Supreme Court ruling allowing such<br />

seizures at the time of the arrests. He said<br />

the return of the seized prints was not relevant<br />

to appeals in the federal circuit court<br />

for a decision on the necessity of an adversary<br />

hearing as dictated by U.S. Supreme<br />

Court prior to seizure of any allegedly ob-<br />

Coming in January:<br />

scene material. He remarked that if he were<br />

to return the prints he would, in effect, be<br />

interferring with prosecution in the state<br />

courts.<br />

However, the recent ruling by Judge<br />

Young contradicted Judge Walinski's decision<br />

and held that federal court rulings have<br />

prohibited the seizure of films at the time<br />

arrests are made. Ted lorio, attorney for the<br />

theatre personnel, said that all the civil actions<br />

against the city in connection with the<br />

seizures, including the,;;appeal lo the U.S.<br />

l^th Circuit Court of Appeal^ Will be dis-<br />

-<br />

missed. , ,<br />

Cilyiattornfty Jordan said that if the civil<br />

cases had not been dismissedj' the city would<br />

ha^e had to abide by Judge Yoling's order,<br />

wfiich was in<br />

ihe. form of a preliminary injunction<br />

to ban seizure of films-by police,<br />

until all issues of the case finally were decided.<br />

He said the ctiy would proceed<br />

against "porno" exhibitors in one of two<br />

ways without violating Judge Young's order<br />

against. seizures of films.<br />

One would be to hold a prior adversary<br />

hearing to determine whether a film was obscene<br />

before prosecuting criminal charges<br />

against those involved in its exhibition. This<br />

procedure is followed in most of Ohio's<br />

metropolitan areas. This Would require a<br />

'policeman to view the film and, if he felt it<br />

was obscene,, to file an affidavit charging<br />

the theatre owner, manager, ticket-taker,<br />

projectionist or any other p>ersonnel with exhibiting<br />

an obscene performance. However,<br />

no arrests would be made until those named<br />

in the charges were given a hearing and instructed<br />

to bring the film so a judge could<br />

determine the obscenity of the film. If the<br />

film was not produced, the court either<br />

could take the word of the officer or go to<br />

the theatre and view the picture. If, after a<br />

hearing, the court found the film to be obscene,<br />

warrants could be issued for its seizure<br />

and for the arrest of the theatre personnel.<br />

In the second method, the same procedure<br />

would be followed, except that instead of<br />

summoning both personnel and property to<br />

an adversary hearing, subpoenas would be<br />

issued for a trial. Legal authorities said that<br />

the second method might raise questions<br />

about self-incrimination, so that the adversary<br />

hearing procedure would be more<br />

direct.<br />

If the adversary hearing is to work, it<br />

would be necessary for police to view a film<br />

early in its showing schedule, so that action<br />

could be taken before the theatre changed<br />

its screen offering.<br />

Liberty Theatre Closes<br />

BENTON HARBOR, MICH.—The Liberty<br />

Theatre in Benton Harbor closed Sunday,<br />

October 29, as Butterfield Theatres'<br />

lease on the building. The Liberty was<br />

opened in 1922 and had been managed for<br />

many years by Harry Himes.<br />

'Deliverance' Huge<br />

675 in Cincinnati<br />

CINCINNATI — "Deliverance," playing<br />

at the Times Towne Cinema, rounded out<br />

a highly profitable first month there with<br />

an impressive 675 fourth week and led all<br />

metropolitan first runs. Newcomer "Hickey<br />

& Boggs" opened at the Grand and grossed<br />

325, good enough for No. 2 spot on the<br />

business barometer, and "Butterflies Are.<br />

Free" earned No. 3 ranking with a 225;<br />

percentage in the film's 13th week at the;<br />

Place Theatre. \<br />

(Average Is 100)<br />

Ambassador Corry On Doctor (AlP), 2nd wk. . loc!<br />

Grand Hickey & Boggs (UA) 32;'<br />

Bod (Para), 2nd wk 75'<br />

International<br />

Kenwood<br />

70 Fot<br />

Company<br />

City (Col) 125'<br />

Place Butterflies Are Free (Col), 13th wk. .22;'<br />

Studio Cinemas Everything You Always Wanted<br />

to Know About Sex (UA), 10th wk 20C',<br />

'<br />

Times Towne Cinema Deliveronce<br />

(WB), 4th wk 675!<br />

20th Century Slaughterhouse-Five<br />

(Univ), 6th wk .150<br />

'Deliverance' Composite 300<br />

At Three Cleveland Theatres<br />

CLEVELAND — Three times average<br />

business by "Deliverance" marked this re<br />

port week, the Georgia-filmed thriller show<br />

ing at three area theatres for a fourth<br />

week. "Super Fly" raced through a sixth<br />

week to a 150 score at the Embassy The'<br />

atre to nail down No. 2 grossing percentage<br />

while No. 3 was a tie between "Asylum,'<br />

new at five theatres, and "The New Centurions,"<br />

fifth week at three other theatres<br />

each of these films grossing 130.<br />

Colony Fiddler on the Roof (UA), 46th wk. ..I2C|<br />

Embassy Super Fly (WB), 6th wk 15C<br />

Five theatres Asylum (CRC) 1 3C<br />

Five theatres The Deodly Trop (NGP) 8!<br />

Hippodrome, Shaker Born Black (SR) I2i;<br />

Loews' East, Loews' Stiilwell, Loews' West— ji<br />

The New Centurions (Col), 5th wk I3d<br />

Three theatres Deliverance (WB), 4th wk 30Q<br />

World East, World West Everything You Always<br />

i<br />

Wanted to Know About Sex (UA), lOth wk. . . lOq<br />

ilorold Rankin Succumbs;<br />

Canadicai Theatre Owner<br />

DETROIT—Harold Rankin, well-knowr<br />

Chatham, Ont., businessman, traveler ancJ<br />

a theatre owner, died Sunday, October 29i<br />

at the age of 68. He long had played ar|<br />

active role in the entertainment life ot<br />

Chatham and the surrounding area.<br />

;<br />

Rankin was the first manager of the<br />

Centre Theatre when it was built in 1940;<br />

As part of his promotional campaign, hi'<br />

sponsored the "Rankin Walk" betweer;<br />

Chatham and Windsor, Ont., as well a^<br />

"Rankin's Swingathon." He also promoted<br />

ice boat racing on Rondeau Bay. i<br />

Rankin gained considerable area fame<br />

for his sponsorship of "Uncle Harland',<<br />

Tea Party" on the fledgling local r.idii<br />

station.<br />

FOR THE HOLIDAYS<br />

And All Year Around<br />

There's Only One Good Place To Get<br />

SPECIAL TRAILERS/^-^<br />

And That's From DvpendabI*<br />

FILMACK<br />

1327 S. WABASH<br />

CHICAGO 60605<br />

I<br />

ME-2 BOXOmCE :: November 13, l


^Best<br />

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No matter what show you are offering this week. No<br />

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depend as much on<br />

the quality of the projection as on the picture itself.<br />

Ensure the success of your theatre operation with<br />

Century projection and sound reproduction. Get the<br />

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quality projection that will<br />

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keep them coming back<br />

If Century didn't consistently project<br />

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possible, it wouldn't be the standard in<br />

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Century—the best projection<br />

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SEE YOUR CENTURY DEALER - OR WRITE:<br />

CENTURY PROJECTOR CORPORATION<br />

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Ringold Theatre Equipment Co.<br />

952 Ottawa, N.W.<br />

Grand Rapids, MicKigon 49503<br />

Phone: (616) 454-8852<br />

32647 Ford Rood<br />

Garden City, Michigan 48135<br />

Phone: (313) 522-4650<br />

laXOmCE :: November 13, 1972<br />

Hadden Theatre Supply Co.<br />

1909 Emerson Avenue<br />

Louisville, Kentucky 40205<br />

Ohio Theatre Supply Co.<br />

2108 Payne Avenue<br />

Cleveland, Ohio 44114<br />

Moore Theatre Equipment Co.<br />

506 Lee Street (P.O. Box 782)<br />

Charleston, West Virginia 25323<br />

Phone: (304) 344-4413<br />

ME-3


DETROIT<br />

Qeneral Cinema Corp. is planning a major<br />

expansion program in the metropolitan<br />

area. Two additional auditoriums will be<br />

built at the existing Warren Cinema, making<br />

it a quadplex. To be named the Warren<br />

Quad, a Thanksgiving opening is scheduled.<br />

Also, there will be twin cinemas built in the<br />

Pontiac and Somerset Mall shopping centers,<br />

to be ready for of)eration in mid-February<br />

and in April, respectively. A triplex has<br />

been announced for the Oakland Mall, Troy,<br />

but no completion date set. Each facility<br />

is located in a suburb of this city.<br />

Susan Stark, Free Press film critic, has<br />

coined a new word for motion pictures made<br />

to appeal to black patrons. She calls the<br />

movies the "blaxploitation" films, as she<br />

reports on "Hammer" at the Grand Circus<br />

and neighborhood theatres. Of "Hammer,"<br />

Miss Stark said: "This week's major entry<br />

in the movie industry's blaxploitation sweeps<br />

is no better, no worse, than last week's or<br />

any week before. 'Hammer' has the usual<br />

complement of bloody faces, bashed heads,<br />

rough talk and gratuitous sex. The picture<br />

itself inspires only one thought, the same<br />

thought inspired by its innumerable predecessors:<br />

how long will the black audience<br />

continue to accept the exclusive diet of junk<br />

dished up and shoved in its direction by the<br />

short-order boys of Hollywood?"<br />

Burt Holmes, retired United Artists boi^k<br />

er, suffered a severe heart attack and is<br />

in intensive care at Toil-Free Hospital.<br />

Room 144, West Branch. Mr. and Mrs.<br />

Holmes had just celebrated their 50th wedding<br />

anniversary and had been given a trip<br />

to Hawaii by their children. Burt was ii<br />

long-time booker for UA, going there fr i<br />

Buena Vista, and he had years of experici .<br />

ahead of that. Industryites extend best wishes<br />

for a speedy recovery.<br />

mini<br />

L^onaratulatlond to<br />

FRED<br />

NAGHER<br />

4<br />

€ openina, of uour<br />

Southfield Plaza Cinema<br />

Southfield^<br />

Michigan<br />

(A Jerry Lewis Theatre)<br />

ancl ^hcLriK Ljou<br />

An excitingly different movie house was<br />

opened October 25 at West Eight Mile Road<br />

and Daly Road in Southfield by Playhouse<br />

Cinemas. The circuit plans to open the<br />

Playhouse Cinema at Waterford, a twin<br />

showplace. Thanksgiving week. Then, as a<br />

Christmas treat, a Playhouse Cinema is<br />

scheduled to bow in Rochester.<br />

Students participated in a discussion of a'<br />

film at the Youth Film Forum's meeting at<br />

the Studio New Centre Theatre Saturday<br />

(11). Moderator was John Joannides, chairman<br />

of the English department of Milford<br />

High School and coordinator of extension<br />

courses at Oakland Community College. A<br />

written critique of the film was forwarded<br />

to Mrs. Wilma Maimark, chairman of the:<br />

Youth Film Forum . . . Leslie Fargo, one<br />

of the Midwest's top acting-modeling agency<br />

heads, is very proud of the way her clients<br />

performed in "Scarecrow," the Gene Hackman-Al<br />

Pacino film recently shot in part<br />

at Belle Isle-Harper Hospital and along<br />

Jefferson. Leslie rounded up some 50 extras<br />

and several principals in her Fisher Theatre<br />

Building agency office . . . Actor Gene<br />

Hackman and associates found the weather,<br />

here ideal for the final scenes of "Scare^<br />

crow"—cold, damp, bleak and gloomy, just<br />

right for the downbeat ending. The financial<br />

manager for the Sanford production estimated<br />

that the unit spent approximately<br />

$7,500 per shooting day.<br />

RINGOLD<br />

THEATRE EQUIPMENT CO<br />

PAUL J.<br />

Serving the Midwest<br />

STOCK IN BOTH LOCATIONS<br />

VOUDOURIS<br />

952 Ottawa, N. W.<br />

Grand Rapids, Michigan 49503<br />

(616) 454-8852<br />

UllfBIIIIHIIIIHIIIIII<br />

JOHN KENNY<br />

32647 Ford Road<br />

Garden City, Michigan 48135<br />

(313) 522-4650, 4651<br />

iiiiBiiiiiHiiiiiBiiiiiaiiiaiiiiiBiiiiiBiiiBHiiiaiiiiaiiiiife;<br />

The Detroit Institute of Arts Youtheatre<br />

again this year is proving the purchasing<br />

power of the thin dime with a film series<br />

raising clouds of western dust via "Ten-Cent<br />

Mustang Matinees." Films are shown in the<br />

museum auditorium the fourth Saturday of<br />

every month, October through May, at 1<br />

a.m. and 2 p.m. No advance sales^ust<br />

purchase at the door for your dime admis-,<br />

sion. Films include William S. Hart in "Tumbleweeds"<br />

(1925) and two chapters of Tom<br />

Mix serial thrills; "Oid Santa Fe." with<br />

Ken Maynard (1934); "Roaring Mountain."<br />

with Gabby Hayes (1935); "Border Vigilantes,"<br />

with William Boyd (Hopalong Cassidy)<br />

(1939); "Stagecoach," with John Wayne<br />

(1939); "Melody Ranch," with Gene Autr>'<br />

(1940); "Ghost Rider." with Johnny Mack<br />

Brown (1943), and "Along the Navajo<br />

Trail," with Roy Rogers (1945), plus others.<br />

An advance showing of "Lady Sings the<br />

Blues" was held at the Madison Theatre<br />

ME-4 BOXOFHCE :: November 13, l'>::


wntown October 24 for the Motown Rec-<br />

J Corp. The film stars Diana Ross as<br />

Hillie Holiday. All of black society attended<br />

. . . Morality in Media awards go to Martin<br />

S. Hayden, vice-president and editor of the<br />

News, the country's largest afternoon newspaper,<br />

for "courageous refusal to print X-<br />

rated movie advertisements." Hayden was<br />

Ipresented the bronze plaque which read:<br />

"Morality in Media of Michigan honors the<br />

Detroit News in recognition of its positive<br />

stand against the advertisement of X-rated<br />

films and its strong editorial position on the<br />

'problem of pornography." A similar award<br />

was made to WJBK-TV, Channel 2. Hayden<br />

is scheduled to receive a further award on<br />

behalf of the News from the national organization<br />

during a dinner at the plush St.<br />

Regis Hotel in New York Monday (13).<br />

Debbie Griffs, a 16-year-old high school<br />

junior from the Hillsdale County community<br />

of Jerome, also received a U.S. Savings<br />

Bond for the winning essay on "improving<br />

movies" in a contest sponsored by the organization.<br />

Summit Theatrical Taking<br />

Over the Esquire Theatre<br />

TOLEDO. OHIO—The Esquire Theatre.<br />

a downtown Toledo house operated as a<br />

burlesque theatre and later as an exploitation<br />

film facility by the late Rose La Rose,<br />

burlesque star who died in July, has been<br />

assured of continued operation as a theatre<br />

of the same type until February 1. at<br />

least. Summit Theatrical Enterprises, 2488<br />

Glenwood Ave., Toledo, has taken over the<br />

lease on the Esquire. The contract with the<br />

owners of the building calls for taking over<br />

a five-year lease which had been held by the<br />

jEll Gee Corp., of which Miss La Rose was<br />

sole owner.<br />

The Summit firm is headed by Harry S.<br />

Tumier, president, and James A. Manuel,<br />

^general manager. The latter said that existing<br />

contracts with booking agencies call for<br />

the continuation of the same type of movies<br />

at the Esquire until Feb. 1,<br />

^contracts expire.<br />

1973. when these<br />

Manuel said he is not certain what type of<br />

films will be offered after that date but that<br />

there would not be any "hard-core pomoaphic<br />

films" shown. He said he is interested<br />

in showing "high-quality films which<br />

usually are not offered to mass audiences in<br />

'Toledo." He said experimental films may be<br />

shown, as well as revivals of past hits, esf>e-<br />

'cially old-time musicals, if the present interest<br />

in nostalgia continues.<br />

The Summit firm also operates the Regent<br />

: iTheatre in Erie, Pa., which specializes in<br />

burlesque-type movies and, at one time<br />

1968). had operated the small-seater Gayj^ty,<br />

322 Summit St., Toledo, for a year.<br />

Manuel now is manager of the Fantasy<br />

Adult Book Store at 113 Erie St., a few<br />

Diocks from the theatre, but said the book<br />

itore has no connection with the theatre<br />

'inn.<br />

Warner Bros. "The Mackintosh Man"<br />

iwll star French actress Dominique Sanda<br />

Paul Newman.<br />

:j3g>Pposite<br />

High Court Ruling Could<br />

Affect Ky. Prosecution<br />

OWENSBORO. KY.—Attorney John<br />

Miller, representing Gerald L. Benzel, manager,<br />

and the Capri Cinema Theatre, charged<br />

in Daviess Circuit Court with "exhibiting<br />

obscene matter," has argued in Division 11<br />

of the court that if the U.S. Supreme Court<br />

should redefine "contemporary community<br />

standards," the Benzel case would be affected.<br />

Circuit Judge Dan M. Griffith, who<br />

earlier was about to continue Benzel's trial<br />

until the January term of criminal court to<br />

await the Supreme Court decision on which<br />

standards should be applied, has allowed<br />

Stewart B. Elliot, assistant commonwealth<br />

attorney, additional time to check on the<br />

status of pending high court ruling.<br />

Griffith explained that if the circuit court<br />

tries Benzel using local community standards<br />

and the Supreme Court later rules<br />

that<br />

national community standards should apply.<br />

Daviess County would have to grant Benzel<br />

a new trial.<br />

Court Hearing Scheduled<br />

On Larey Theatre Value<br />

PORTSMOUTH. OHIO — The Larey<br />

TTieatre. owned by Stern Ohio Theatres, is<br />

the last building which will be required for<br />

the widening of Gay Street, the primary<br />

north bound one-way street in downtown<br />

Portsmouth. All of the other properties have<br />

been acquired for the project, from Second<br />

Street north to Gallia Street. However, a<br />

lawsuit involving the theatre property has<br />

held up the seeking of bids for demolition of<br />

the buildings involved.<br />

A hearing has been scheduled in Scioto<br />

County Common Pleas Court on the continuation<br />

of an injunction which prevents<br />

the razing of the theatre. Stem Ohio Theatres<br />

wants a legal determination made of<br />

what parts and furnishings of the building<br />

are real estate and what are personal property<br />

before a price the city will pay for the<br />

property is determined.<br />

The proposed street widening would relieve<br />

a traffic bottleneck.<br />

GCC Theatre Started<br />

In Lexington Mall<br />

LEXINGTON, KY.—Construction has<br />

started on a new film theatre for Lexington,<br />

to be operated by Boston-based General<br />

Cinema Corp. TTie showhouse will be located<br />

in Fayette Mall.<br />

Attending recent groundbreaking ceremonies<br />

for the cinema were Mike Malmstrom,<br />

manager of the circuit's Cinema-onthe-Mall,<br />

located in Turfland Mall; William<br />

Mohr, manager of Fayette Mall, and Lexington<br />

Mayor Foster Pettit, among others.<br />

Family Film Fare Booked<br />

By Operators of Capitol<br />

DELPHOS, OHIO—Ted Jones of Delphos<br />

and Jim Musson of Dayton, Ohio, who<br />

have taken a winter lease on the Capitol<br />

Theatre here, have announced that the<br />

showhouse will be op>en Friday and Saturday<br />

nights and Sunday afternoon, according<br />

to initial plans. If demand warrants, the<br />

Capitol will be open Sunday nights. Additionally,<br />

a movie is planned Thanksgiving<br />

night (23).<br />

The opening Friday (3) weekend featured<br />

Walt Disney's "Now You See Him. Now<br />

You Don't" and "Black Beauty," both rated<br />

G.<br />

Jones said many Disney movies already<br />

are booked for December and the rest of the<br />

winter season, among them "TTie Lady and<br />

the Tramp." He said the fare mainly will be<br />

well-known screen attractions or Academy<br />

Award nominees or winners.<br />

Bookings for the Capitol are by Tri-State<br />

Theatres, headquartered in Cincinnati.<br />

Public Hearing for Development<br />

SOUTH LYON, MICH. — The South<br />

Lyon Planning Commission has indicated<br />

that a public hearing will be scheduled to<br />

determine the feasibility of a shopping center<br />

at Nine Mile and Pontiac Trail. The<br />

development, which would include a movie<br />

theatre, has been proposed by Morris Wolok<br />

of Southfield, Mich.<br />

Start BOXOFFICE coming .<br />

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lOXOFnCE :: November 13, 1972 ME-5


CLEVELAND<br />

The Blue Angel," Marlene Dietrich's first<br />

film, in which she co-starred with Emil<br />

Jannings, was shown Thursday (2) in the<br />

auditorium of the main public library. It<br />

was the original motion picture, in German<br />

with English subtitles.<br />

Walter Nicholus, Avon Lake Drive-In<br />

manager, would enjoy hearing from friends<br />

during his stay at Will Rogers Memorial<br />

Hospital.<br />

Laura DeMent, secretary to Universal<br />

branch manager Jim Ryan, spent her week's<br />

vacation at home doing the "101 things that<br />

needed doing."<br />

Carl Reid, formerly of this city and former<br />

Play House actor who has made his<br />

home in California for many years and has<br />

appeared in approximately 50 movies, is retiring<br />

in Studio City, where he will devote<br />

more time to tending his garden.<br />

Rudy Behlmer, author of "Memo From<br />

David O. Selznick," was in the city recently<br />

promoting his new book. He told Emerson<br />

Batdorff, Plain Dealer theatre critic, that<br />

Selznick had written 2,300 big file boxes of<br />

memos and that he, Behlmer, had read them<br />

all and added that fortunately he'd just<br />

completed a speed-reading course.<br />

Bill Lanese, former Colony manager, flew<br />

in from San Francisco to attend a funeral.<br />

He did find time to catch the Avco Embassy<br />

screening October 31 of "The Ruling Class"<br />

and visit with friends in the Film Building.<br />

Bill is as charming and pleasant as ever and<br />

says he loves the West Coast . . . Marcus<br />

Advertising's TV spot for Cole National,<br />

optical division, is a finalist in the New<br />

York Film Festival . . . "Clarence, the<br />

1 READY<br />

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:<br />

'-<br />

Welcome<br />

lo the club.<br />

Harold S. Geneen<br />

Chairman and President.<br />

International Teieptione<br />

-. - - Corp.<br />

Frank R. Milliken<br />

President,<br />

Kennecott Copper Corp.<br />

Dr. Eimer W. Engstrom<br />

Past President and<br />

Chief Executive Officer,<br />

Lynn A. Townsend<br />

Chairman of the Board<br />

Chrysler Corp.<br />

Daniei j ndug.-.i^ii<br />

Chairman of the Board.<br />

Lockheed Aircraft Corp.<br />

William P. Gwinn<br />

Chairman.<br />

United Aircraft Corp.<br />

James M. Roche<br />

Past Chairman of the Board,<br />

General Motors Corp.<br />

Ten of the busiest men in America.<br />

Yet each one found the time to serve as<br />

Chairman of the U.S. Industrial Payroll<br />

Savings Committee.<br />

Each one gave his energy and leadership<br />

to the task of selling America's business<br />

men on making U.S. Savings Bonds<br />

available to their employees through the<br />

automatic Payroll Savings Plan.<br />

They believed in what they were doing.<br />

And they did it well.<br />

They didn't reach quite everybody.<br />

Some business executives still haven't<br />

had a chance to find out how easy and<br />

worthwhile it is to offer Payroll Savings.<br />

Gordon M. Metcalf<br />

Chairman of the Board,<br />

Sears, Roebuck and Co.<br />

"You"<br />

B. R- Oorsey D. S. MacNaughton<br />

President.<br />

Chairman, Chief ExecutiveOfficer,<br />

Gulf Oil Corp.<br />

The Prudential<br />

Insurance Company of America.<br />

And how positive an effect it can have<br />

on employee moraleas well asthe nation's<br />

economic strength.<br />

If you're among them, get the Savings<br />

Bond story by writing Director of Marketing,<br />

The Department of the Treasury,<br />

Savings Bond Division, Washington, D.C.<br />

20226.<br />

You don't have to run the U.S. Industrial<br />

Payrol I Savings Comm ittee to do your part.<br />

Just install and promote the Payroll<br />

Savings Plan in your company.<br />

America needs you.<br />

Join the club.<br />

/C*\ Take stock In America.<br />

\;,-/ U.S. Savings Bonds<br />

OV The U.S. Government Joes not pay for this advertisement, ft<br />

is presented as a public service in cooperation with The Department of The Treasury and The Advertising Council<br />

eoxomCE :: November 13, 1972 ME-7


COLUMBUS<br />

& permanent injunction against the operators<br />

of the Livingston Art Theatre<br />

preventing the showing of "hard-core pornographic<br />

films" was upheld by the FrankHn<br />

County Court of Appeals. The appellate<br />

court also upheld a $100 contempt-of-court<br />

fine against the theatre because of a film<br />

shown after the order was issued by Common<br />

Pleas Judge Jay C. Flowers. The appeals<br />

court held that pornography was not<br />

protected by the constitutional guarantee of<br />

free speech. The defendants in the original<br />

suit, filed by Mayor Tom Moody, are the<br />

Thrush Corp.. operator of the theatre; Cosby<br />

Corp., Indianajx)lis, distributors; David<br />

Eugene Hanson, management representative<br />

of the company, and Grover Wayne Sharp<br />

(also known as Walter Frazier), manager of<br />

the theatre.<br />

Loews' Arlington and Cinema East booked<br />

a first-run showing of "Marjoe" . . .<br />

"Super Fly" proved to be one of the big<br />

boxoffice attractions of the year at RKO<br />

Palace and was held for a fourth week.<br />

Teresa Wright, screen and stage star,<br />

heads the cast of "The Effect of Gamma<br />

Rays on Man-in-the-Moon Marigolds,"<br />

booked for the Ohio Theatre Monday (20)<br />

through Saturday (25).<br />

Charles Sugarman and Jim Burgess attended<br />

the planning committee meeting for<br />

the seventh annual NATO Mideastem convention-seminar<br />

held October 31 in Toledo.<br />

The convention will be held May 21-22,<br />

1973, at the New Toledo Sheraton Hotel.<br />

Committee members attending the planning<br />

Green, general chairman; Bill Herring,<br />

Bowling Green, and Al Boudouris, Toledo,<br />

co-chairmen; Ben Cohen, Cincinnati, president<br />

of NATO of Ohio; Jim Dempsey and<br />

Jeff Cray, Toledo, and Ed Purvis, Cincinnati.<br />

Burgess said that plans are to make the<br />

convention the largest, most unique, informative<br />

and interesting Mideastern meet ever<br />

held.<br />

Ron Pataky, theatre editor of the Citizen-<br />

WRITE—<br />

The Exhibitor Has His Say<br />

TO:<br />

BOXOFHCE, 825 Van Brunt Blvd.,<br />

mue<br />

Ccmmsnt „<br />

Days oi W««k PloyMl<br />

ExUbitor<br />

Kansas City, Mo. 64124<br />

Journal, is being considered for the lead in<br />

a TV series to be produced by a Scottsdale,<br />

Ariz., production company. Producer Bob<br />

Cawley hopes to get production under way<br />

in the spring in Scottsdale. Pataky would<br />

. . Faith healer<br />

use his vacation or take a leave from his<br />

duties at the newspaper .<br />

Leroy Jenkins said he hopes to resume his<br />

"The Church of What's Happening Now"<br />

at the Ohio Theatre. Jenkins, who has been<br />

charged with intoxication by city police,<br />

has had his case postponed because of a<br />

heart attack suffered by his lawyer George<br />

Lias. Jenkins said he is innocent of the<br />

charge. Jenkins also is completing the sale<br />

of a $350,000 residence near Delaware. He<br />

stated that he is planning the construction<br />

of a $5 million cathedral with a penthouse<br />

for his use in downtown Columbus. Jenkins<br />

further stated he has had a recent offer from<br />

Universal Studios to star in a film about<br />

faith healing. He said he appeared in a<br />

United Artists film, "Childish Things,"<br />

made about three years ago.<br />

CINCINNATI<br />

£Jd Handler of Interstate Theatre Services,<br />

is the proud father of Millissa Lee<br />

Handler, born Sunday, October 29.<br />

Phil Fortune, Buena Vista branch manager,<br />

was in Philadelphia to attend an Irish<br />

christening for one of his relatives . . . Mike<br />

Gosset, Holiday Amusement booker, spent<br />

the recent holiday weekend playing golf in<br />

Florida.<br />

Larry St. John, Paramount branch manager,<br />

attended a company branch managers'<br />

meeting in New York Thursday (9).<br />

Tony Knollman, 20th Century-Fox<br />

branch manager, was in Chicago for a seminar<br />

on new products. While there, it was<br />

announced that Ray Russo, Chicago branch<br />

manager, had been appointed division man-<br />

YOUR REPORT OF THE PICTURE YOU<br />

HAVE JUST PLAYED FOR THE<br />

GUIDANCE OF FEUOW EXMBITORS.<br />

Company..<br />

Thaoli*<br />

WaaifaM..<br />

— Right Now<br />

ager for this area. Russo was very popular<br />

here when he was branch manager and the<br />

"welcome mat" will be out when he returns<br />

for a visit with exchanges and exhibitors.<br />

The board of directors and committee<br />

chairmen for the 1973 Mideastern convention<br />

of NATO, which includes western<br />

Pennsylvania, West Virginia and Ohio, met<br />

in Toledo recently to make some unusual<br />

plans for a different type of convention,<br />

which will be held in the spring of 1973.<br />

Livonia Sets a Rehearing<br />

On Multitheatre Complex<br />

LIVONIA, MICH.—The city council has<br />

referred proposals for overall development<br />

of the northeast corner of the Plymouth<br />

Road-Farmington Road intersection to a<br />

committee-of-the-whole and a hearing has<br />

been scheduled for Monday (20). The council's<br />

action reopened the possibility of the<br />

development of a movie theatre complex<br />

at the site.<br />

The city council previously had rejected<br />

a proposed rezoning which would have allowed<br />

two additional theatres to be built on<br />

the property where the Mai Kai Theatre<br />

now is located. The land presently is zoned<br />

for manufacturing and would require a<br />

change to commercial before the project<br />

could be approved.<br />

State Theatre Demolition<br />

Is Planned by New Owner<br />

EAST LIVERPOOL, OHIO—The State<br />

Theatre, last of East Liverpool's old-time<br />

movie and vaudeville houses, has been sold<br />

to excavating contractor Mike Pusateri by<br />

the East Liverpool Theatre Corp.. owned by<br />

Tom and George Anas of Weirton, Ohio.<br />

The showhouse is located on St. Clair Avenue.<br />

Pusateri plans to raze the structure and<br />

use the site temporarily as a parking lot.<br />

Most of the theatre equipment remains in<br />

place, although the air-conditioning unit, the<br />

projectors and the sound equipment have<br />

been removed.<br />

The East Liverpool Theatre Corp. operates<br />

the American and area drive-in theatres.<br />

Nov. 3 Reopening Planned<br />

For Varsity in Athens<br />

ATHENS, OHIO—The Varsity Theatre<br />

in Athens was slated to reopen Friday (3)<br />

following the completion of an extensive<br />

renovation project, it was announced by<br />

Jack Berkemeir, manager of the Chakeres<br />

circuit house. The first screen attraction<br />

booked for the updated theatre was the<br />

Ryan O'Neal-Barbra Streisand starrer,<br />

"What's Up, Doc?"<br />

The Varsity had been closed for several<br />

days to permit workers to pour a new concrete<br />

floor, install new seats, a new screen,<br />

wall covering, concession stand, restroom<br />

fixtures and partitions, carpeting and additional<br />

equipment.<br />

ME-8 BOXOFFICE :: November 13, 1972


'<br />

pat flashes<br />

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irt Gang!'<br />

II<br />

get a face full of bloody tread<br />

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'AUL CARR<br />

MICHAEL FOREST- BEN ARCHIBEK<br />

• •<br />

1ICHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An -<br />

/ILLIAM MERCER and MICHAEL C MEALY • •<br />

JOSEPH E. BISHOP and ART JACOBS<br />

American International Release<br />

'itten Dy Produced by Directed by<br />

JERRY JAMESON<br />

iONTACT YOUR American International exchange<br />

1972 Amecican international P-ctui-ea. Inc<br />

11<br />

HARVEY APPELL, Branch Manager<br />

Phone: 542-0677, 78 or 79<br />

46 CHURCH STREET, BOSTON, MASS. 02116


Heot<br />

'Heat' Posts Big 250<br />

In New Haven Start<br />

NEW HAVEN—"Heat," one of six new<br />

screen programs here, delivered the best<br />

business of the current report weelc as it<br />

earned 250 at Showcase Cinema I. Companion<br />

auditoriums of Showcase Cinema I<br />

also had the week's only above-average<br />

holdovers, "Deliverance" scoring 115 in<br />

its fourth frame in Showcase Cinema II<br />

and "The New Centurions" posting 110 in<br />

a fifth week in Showcase Cinema III.<br />

(Average Is 100)<br />

College Hammer (UA) 90<br />

College Street Cinema Bad Compony (Para) ..100<br />

Crcwn— Teenage Fantasies (SR), 2nd wk 70<br />

Roger Sherman, Post Born Black (SR) 80<br />

Showcase Cinema I (SR) 250<br />

Showcase Cinema II Deliverance (WB),<br />

4th wk 115<br />

Showcase Cinema III The New Centurions<br />

(Col), 5th wk 110<br />

Westville, Whitney, Bowl The Deodly Trap<br />

(NGP); Red Sun (NGP) 85<br />

Whalle, A Separate Peace (Para) 90<br />

"You'll Like My Mother' 125<br />

First Week at Hartiord Trio<br />

HARTFORD—It was a relatively big<br />

week, quantity-wise, since seven attractions<br />

were playing first weeks here, but nothing<br />

really smacked of anything like blockbuster<br />

status. In fact, the only opening picture in<br />

town to score at a quicker-than-average<br />

pace was "You'll Like My Mother," new<br />

at the Cine Webb, Elm and UA Theatre<br />

East, with a 125 percentage. "Tonight I<br />

Love You" rated 110 in a tenth week at<br />

the Art Cinema and was the only hold-<br />

(^58g55agi35S5!ag535SSSK?SSE!!5S5!S5JSS53BS53SgC5agEy<br />

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A beautiful full-color 60-secand action ^<br />

scenic frailer with sleigh ride music back- g<br />

ground<br />

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• Says "Happy Holidays" «<br />

• Lets your patrons know you core!<br />

|<br />

• Wish them a "Joyous Holiday S<br />

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: films and stock intermission-snack bar films. ^<br />

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over to slide up beyond the average 100<br />

line.<br />

Art Cinema Tonight I Love You (SR), 8th wk. . .110<br />

Avon Park North-—Toys Are Not for Children<br />

(SR) 100<br />

Ber.in Cine II Lady Liberty (UA) 80<br />

Cinema II The Deadly Trap (NGP) 90<br />

Cinerama Fiddler on the Roof (UA), 37th wk. . .40<br />

Cine Webb, Elm, UA Theatre East You'll Like<br />

My Mother (Univ) 1 25<br />

Five theatres The New Centurions<br />

(Col), 5th wk 60<br />

Meadows Bonnie's Kids (SR); Brute Corps<br />

(SR), 2nd wk 1 00<br />

Newington Butterflies Are Free (Col), 13th wk. ..35<br />

Rivoli The Sorrow and the Pity (SR) 100<br />

Strand Loving Feeling (SR) 80<br />

Webster Malcolm X (WB) 75<br />

TONE Members Face<br />

Up to CATV Threat<br />

BOSTON—A special luncheon meeting<br />

of Theatre Owners of New England was set<br />

up for Wednesday (8) at the 57 Restaurant<br />

to discuss the rapidly growing twin<br />

problems of Cable TV expansion and the<br />

showing of current motion pictures on<br />

CATV facilities.<br />

In his notice summoning members to<br />

this meeting, TONE executive secretary<br />

Carl Goldman stressed the activity of proponents<br />

of CATV: "Already plans have<br />

been announced to interconnect cable systems<br />

in large and small communities in<br />

New York state, Pennsylvania and perhaps<br />

in Massachusetts and other New England<br />

states for the purpose of delivering current<br />

movies on pay TV channels from the<br />

Sterling Manhattan, New York, city cable<br />

system."<br />

"In addition," Goldman continued, "current<br />

movies are being offered on pay TV<br />

channels to hotel guests in New York City,<br />

Atlanta. Ga., and plans have been announced<br />

for doing so in hotels in other<br />

major cities in the United States."<br />

Goldman announced that Martin E. Firestone,<br />

attorney for the National Ass'n of<br />

Theatre Owners, would be the principal<br />

speaker at the Wednesday luncheon and<br />

would bring New England exhibitors upto-date<br />

on CATV. Among other questions<br />

Firestone planned to answer were these:<br />

Do you want to know what CATV is all<br />

about? Do you want to know what CATV<br />

can do to you? Do you want to know what<br />

NATO is doing for you regarding CATV?<br />

Do you want to know what you can do<br />

regarding the danger of CATV? Firestone<br />

also was to answer questions from the<br />

floor.<br />

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Conn. Exhibitors Give<br />

OTganizaiion New Name<br />

Hartford—NATO of Connecticut<br />

has changed its name to Connecticut<br />

Ass'n of Theatre Owners.<br />

Bemie Menschell of the Menschell<br />

Bros. Theatres, suburban Hartford, is<br />

president.<br />

Several New Assignments<br />

Within Redstone Ranks<br />

BOSTON—Sumner Redstone, presiden<br />

of Redstone Theatres, has announced th<br />

appointment of Paul Hollenbeck. a Nev<br />

England district manager, to a similar pos<br />

in Louisville, succeeding Mike Henry, re<br />

signed.<br />

At the same time, John P.<br />

Lowe, tempo<br />

rarily assigned to the home office bookin,<br />

department, resumes his previous title o<br />

New England division manager.<br />

Ken Damore has resigned as managei<br />

Showcase cinemas I-II-III, Orange, Com<br />

He is<br />

succeeded by Carmene Meli. former!<br />

manager of Showcase Cinema I-II, Law<br />

rence, Mass. Manny Gianni, manager c<br />

the Starlite Twin Drive-In, North Readinj<br />

Mass., has been assigned to Lawrence. /<br />

replacement manager is to be announced fo<br />

the underskyers.<br />

Producer Paul Morrissey<br />

In New Haven for 'Heat'<br />

NEW HAVEN—In<br />

one of the few sue<br />

functions here in many months, John I<br />

Lowe, New England division manager fc<br />

Redstone Theatres, hosted Paul Morrissej<br />

producer of Andy Warhol's latest filn<br />

"Heat," at a preofjening press luncheon. Th<br />

film was booked into Showcase cinemas l<br />

II-III.<br />

"Heat," a Levitt-Pickman release, wa<br />

later screened for the press and represent.:<br />

tives of the Yale University Film Club. !<br />

Phil Foster's Screenplay<br />

Is Optioned by MGM<br />

HARTFORD—Comic Phil Foster, pel<br />

forming at the Mount Sinai Hospital Wc<br />

men's Auxiliary Ball, disclosed that MGJi<br />

has taken an option on his .screenplay, er<br />

titled, "Just Another Story."<br />

New Tony Musante Role<br />

HARTFORD—Tony Musante.<br />

who ju<br />

finished work in Carlo Ponti's "Within th<br />

Family," upcoming Columbia release, i<br />

Rome, will star in the Hartford Stage (on<br />

pany production of Tennessee Williams'<br />

Streetcar Named Desire." opening Frida<br />

(24).<br />

'<br />

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Phone TL 4-1736<br />

In<br />

Albany Theatre Service, Albany, New York. Ho 5-50S5<br />

Mossochuiettj—Mauachuiettt Theatre Equipment Co..<br />

Boston, Liberty 2.9S14<br />

NE-2 BOXOrnCE ;: November 13, 197


,<br />

^Best<br />

Picture<br />

pf the year<br />

No matter what show you are offering this week. No<br />

matter how many Oscars it boasts and who the stars<br />

maybe.<br />

Your boxoffice success will depend as much on<br />

the quality of the projection as on the picture itself.<br />

Ensure the success of your theatre operation with<br />

Century projection and sound reproduction. Get the<br />

best out of your prints and give your patrons pleasing<br />

quality projection that will keep them coming back<br />

again and again.<br />

If Century didn't consistently project<br />

the clearest, sharpest, brightest picture<br />

possible, it wouldn't be the standard in<br />

American movie theatres today.<br />

Century—the best projection<br />

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the year, every year!<br />

SEE YOUR CENTURY DEALER - OR WRITE:<br />

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Massachusetts Theatre Equipment Co.<br />

Phones: LI. 2-9814—LI. 2-0356<br />

20 Piedmont St. Boston, Moss. 02116<br />

BOXOFHCE :: November 13, 1972 NE-3


Another Isl-Run Unit<br />

For New Haven Area<br />

NEW HAVEN—Metropolitan New Haven<br />

is getting another first run. The fast-expanding<br />

General Cinema Corp. has shuttered<br />

the 1,522-seat Milford Cinema, in the<br />

suburban Connecticut Post Shopping Center,<br />

for an eight-week conversion to a twin.<br />

The new complex will have 708 seats in<br />

each auditorium; the Milford Cinema, constructed<br />

several years ago, plays product on<br />

a first-run metropolitan New Haven policy.<br />

Tentative reopening date is<br />

the week before<br />

Christmas.<br />

SPRINGFIELD<br />

Psquire Theatres of America, which has<br />

markedly expanded in western Massachusetts<br />

in recent years, is now grouping all<br />

regional theatres in a composite daily newspaper<br />

ad for better corporate identity. The<br />

showplaces are bracketed under subheadings<br />

of Springfield, Pittsfield and Hadley areas,<br />

respectively.<br />

The Parkway Drive-In has dropped Monday-Tuesday<br />

performances for the colder<br />

months. A similar policy was adopted by the<br />

Pittsfield Drive-In, Pittsfield.<br />

Bnrial services were held for Ralph Delano<br />

Whitmore, 84, a mechanical engineer<br />

in the film industry for three decades and<br />

winner of an Oscar in 1961 for outstanding<br />

technical achievement in the conversion of<br />

Cinemascope. He died in New York after a<br />

long illness. He was a fellow of the Society<br />

of Motion Picture and Television Engineers<br />

and National Film Board of Canada.<br />

HARTFORD<br />

Pari Hollings, formerly manager of the Berlin<br />

Drive-In, has been named manager<br />

of the Central, West Hartford, a first-run<br />

metropolitan Hartford showcase operated by<br />

Esquire Theatres of America. He assumes<br />

the niche previously held by Ray McNamara,<br />

who left the circuit. Peter Lussier<br />

continues as assistant manager.<br />

Milton Daly, division manager for UA<br />

Theatres, is thinking in terms of an early<br />

spring opening for the twin addition under<br />

Coming in January:<br />

Russ Meyer's<br />

way at UA Theatre East, Manchester Shopping<br />

Parkade. Each auditorium will contain<br />

250 seats, bringing overall capacity to 1,300.<br />

Construction is to start shortly on the UA<br />

triple cinema complex announced for the<br />

Caldor Shopping Center, Rocky Hill. This<br />

will have overall seating capacity of 1,000.<br />

Jerry Lewis Cinema, Canton, playing<br />

"The Candidate," invited area state legislative<br />

candidates to meet patrons before 7:15<br />

and 9:15 p.m. performances . . . Sperie P.<br />

Perakos, vice-president and general manager,<br />

Perakos Theatres Associates, hosted<br />

World Magazine film critic Hollis Alpert<br />

and Mrs. Alpert at the opening of the latter's<br />

art works display in the Wintonbury<br />

Mall, Bloomfield. Alpert previously wrote<br />

for the Saturday Review . . . Hartford visitors<br />

were Harvey Appel, New England division<br />

manager, AIP and Charles "Chuck"<br />

Mason, General Cinema Corp.<br />

Future of Kingston Shop<br />

Center-Cinema Plan Vague<br />

KINGSTON, R.I.—The town council has<br />

voted to hold a joint meeting with the planning<br />

board to discuss the community's future<br />

in relation to a proposal to rezone a<br />

section of Kingston from commercial to<br />

residential use.<br />

Dr. Michael Ramundo of Clifton, N.J.,<br />

plans a shopping center, to include a cinema,<br />

for the tract.<br />

The previous town council had approved<br />

Doctor Ramundo's request to rezone the<br />

property from residential to commercial, a<br />

State Supreme Court decision recently upholding<br />

the council's action.<br />

The tract is comprised of 18 acres, off<br />

Route 108.<br />

Some 900 persons have signed a petition<br />

opposing the Ramundo project, hoping that<br />

a new rezoning of the land can halt the<br />

construction.<br />

In postponing a decision on the matter of<br />

rezoning, the new council indicated that it<br />

wanted to "take stock" of both its legal<br />

position as well as Kingston's future growth.<br />

The petitioners argued that because of<br />

circumstances not envisioned when the old<br />

Council's move was made, a decision now<br />

must be made to reverse the previous one.<br />

Those opposed to the Ramundo project<br />

contended that routes 108 and 138, central<br />

traffic routes near the University of Rhode<br />

Island, would be unable to handle the resultant<br />

new traffic.<br />

In addition, they said that with new commercial<br />

centers in other parts of Kingston,<br />

the town will have too many commercial<br />

outlets, with several merchants to be forced<br />

out of business.<br />

But Ramundo's legal counsel, Thomas<br />

Durkin, has told the new council that the old<br />

council considered evidence relating to traffic,<br />

market surveys and other factors and.<br />

moreover, that the State Superior Court had<br />

ruled that the old council took these matters<br />

properly into consideration.<br />

Omnibus Productions will film "Islands<br />

in the Stream," Hemingway's last published<br />

novel.<br />

Christmas Day Debut<br />

For Vernon Cinemas<br />

VERNON, CONN.—Bemie Menschell of<br />

Menschell Bros. Theatres has firmed a<br />

Christmas Day opening for the company's<br />

newest project, twin cinemas at junctions of<br />

routes 15, 84, 86 and 83. The site is ten<br />

minutes driving time from Hartford.<br />

Each auditorium will contain 400 seats<br />

and the complex will be known as Vernon<br />

Cine I-II.<br />

Already booked for Cine I is the metropolitan<br />

Hartford premiere of Universal's<br />

"Pete 'n' Tillie," co-starring Walter Matthau<br />

and Carol Burnett. The attraction for Cine<br />

II is yet to be determined.<br />

Menschell Bros. Theatres, in which Bernie's<br />

brother Sy is a principal officer, also<br />

operates Berlin Cine I-II, on the suburban<br />

Hartford Berlin turnpike; Pike Drive-ln,<br />

Newington, and Manchester Drive-In, Bolton<br />

Notch.<br />

Hartford attorney John L. Calvocoressi is<br />

a partner with the Menschells in the local<br />

project.<br />

MAINE<br />

Fsquire Theatres of America's Paris Cinema,<br />

Portland, is now offering a "Late<br />

Show" Friday, beginning at 11:15. Admission<br />

is one dollar. A recent attraction was<br />

UA reissue "Alice's Restaurant."<br />

E.M. Loew's Fine Arts Twin cinemas,<br />

Portland,<br />

recently played double features in<br />

both auditoriums, advertising, "Double<br />

Features at Reduced Rates!" Cinema I had<br />

"Summer of '42" and "Klute," and the sister<br />

Cinema II screened "The Man" and "Last of<br />

the Red Hot Lovers."<br />

The County Times, published at Presque<br />

Isle since last February as a morning newspaper<br />

for northern Maine, has shifted to<br />

afternoon publication. Publisher Karl Hall<br />

said the move follows a survey.<br />

Carrols to Build Fence<br />

Around Berlin Drive-In<br />

HARTFORD — Carrols<br />

Development<br />

Corp. of Syracuse, N.Y., owner of the suburban<br />

Berlin Drive-In, has agreed in U.S.<br />

District Court to build a fence around the<br />

property.<br />

The theatre circuit, in response to complaints<br />

by Berlin town officials and residents<br />

over the screening of X-rated films being<br />

visible from the street, said it would build a<br />

1 2-foot fence.<br />

FOR THE HOLIDAYS<br />

And All Year Around<br />

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BOXOFHCE :: November 13, 1972


iiJJilil<br />

rHE Fuzr<br />

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badge on th<br />

I<br />

lirt GangSL<br />

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get a face full of bloody tread<br />

irks and a 250 lb. dirt bike right<br />

iiere he doesn't need it.<br />

='AUL CARR<br />

•<br />

vllCHAEL PATAKI<br />

•<br />

•<br />

MICHAEL FOREST<br />

NANCY HARRIS NANCI BECK -COLOR by CFI An •<br />

BEN ARCHIBEK<br />

American International Release<br />

.'.enD, Produced by Directed by<br />

WILLIAM MERCER and MICHAEL C. HEALY •<br />

JOSEPH E. BISHOP and ART JACOBS •<br />

JERRY JAMESON<br />

jboNTACT YOUR American International exchange<br />

BRIAN BrNGHAM<br />

Astral<br />

Building<br />

224 Davenport Rd.<br />

TORONTO<br />

CLAUDE CHENE<br />

5800 Monklond Av*.<br />

MONTREAL<br />

FLORENT BOULET<br />

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WINNIPEG<br />

GORDON GUIRY<br />

311 1 Edmonton Trail<br />

CALGARY<br />

1972 American internattonal Pictures. lr>c.<br />

DARYL MADILL<br />

Royal Hotel BIdg.<br />

Germain & King St.<br />

ST. JOHN. N.B. I


Butterflies<br />

Grosses Surge Up in<br />

Calgary as Six<br />

'Excellenf Ratings Are Recorded<br />

CALGARY—Exhibition rang up one of<br />

its most productive weeks of 1972 with six<br />

"excellent," three "very good" and one<br />

"good" ratings out of the 11 possibilities.<br />

Of the six topnotchers, only one was in<br />

its first week, "Portnoy's Complaint" opening<br />

at Westbrook 2. Holdovers recording<br />

"excellent" business during the report week<br />

included: "The New Centurions," "What's<br />

Up, Doc?", "Slaughterhouse-Five," "Fiddler<br />

on the Roof" and "Butterflies Are Free."<br />

Calgary Place 1 Z.P.G. (Para), 2nd wk. ..Very Good<br />

Calgary Place 2 Cancel My Reservation<br />

(WB), 2nd wk Very Good<br />

Grand 1 The Magnificent Seven Ride! (UA) . .Good<br />

Grand 2 The New Centurions<br />

(Col), 5th wk Excellent<br />

North Hill Cinerama What's Up, Doc?<br />

(WB), i 6th wk Excellent<br />

Pa'ace Night of the Lepus (MGM) Poor<br />

Palliser Square 1 Slaughterhouse-Five<br />

(Univ), 2nd wk Excellent<br />

Palliser Square 2 Fiddler on the Roof<br />

(UA), 31st wk Excellent<br />

Towne Cinema Where Does It Hurt?<br />

(IFD), 3rd wk Very Good<br />

Uptown Butterflies Are Free (Col),<br />

7th wk Excellent<br />

Westbrook 2 Portnoy's Complaint (WB) . .Excellent<br />

'Super Fly' in 'Excellent'<br />

Start in Edmonton Run<br />

EDMONTON — Grosses were high<br />

throughout the city exhibition facilities as<br />

first-week "Super Fly" and five holdover<br />

films grossed "excellent" and second-week<br />

"Cancel My Reservation" nearly made that<br />

lofty level but settled for a "very good"<br />

gross total at Westmount (B). "Without a<br />

Stitch," "Butterflies Are Free," "Where<br />

Does It Hurt?" and "What's Up, Doc?"<br />

turned in "excellent" results on holdover<br />

time.<br />

Avenue Without a Stitch (C-P), 4th wk. ..Excellent<br />

Capitol When the Legends Die (BVFD) . . . .Poor<br />

Jasper Cinema Guess Whot We Learned in<br />

School Today (IFD), 5th wk Good<br />

Klondike Portnoy's Complaint (WB), 4th wk. ..Good<br />

Odeon Butterflies Are Free (Col). 7th wk. . .Excellent<br />

Paramount Super Fly (WB) Excellent<br />

Riolto Carry On Loving (Astrol) Good<br />

Towne Cinema Where Does It Hurt?<br />

(IFD), 2nd wk Excellent<br />

Westmount (A) What's Up, Doe?<br />

(WB), 16th wk Excellent<br />

Westmount (B) Cancel My Reservation<br />

(WB), 2nd wk Very Good<br />

Grosses in<br />

Winnipeg Up<br />

10 Per Cent Over 1972<br />

WINNIPEG— Business was up 10 per<br />

cent, both over last week and over the<br />

same week a year ago. Adding to the forcefulness<br />

of the citywide playbill, "The New<br />

Centurions" came in with a first-week<br />

"excellent" rating, while three holdovers<br />

Coming in January:<br />

also reached that much-desired business<br />

level. "Where Does It Hurt?" produced an<br />

"excellent" fourth week at the Capitol Theatre,<br />

fifth-week "Butterflies Are Free" had<br />

similar results at Garrick I and "The Legend<br />

of Frenchie King" grossed at<br />

top speed for<br />

a fourth week at the Metropolitan Theatre.<br />

Capitol Where Does It Hurt?<br />

(IFD), 4th wk Excellent<br />

Downtown Cool It Carol (C-P);<br />

Mon of Violence (C-P) Good<br />

Garrick I Are Free<br />

(Col), 5th wk Excellent<br />

Garrick II The New Centurions (Col) ....Excellent<br />

King's Fiddler on the Roof (UA), 32nd wk. . .Good<br />

Metropolitan The Legend of Frenchie King<br />

(K-Tel), 4th wk Excellent<br />

North Star II George! (Ind), 4th wk Average<br />

Odeon Return of Sabata (UA);<br />

Money Talks (UA) Good<br />

Park Les Males (Intra) Poor<br />

Polo Park Slaughterhouse- Five<br />

(Univ), 6th wk Very Good<br />

Towne The Jerusalem File (MGM) Fair<br />

Four 2nd Week Films 'Excellent'<br />

In Metropolitan Toronto Houses<br />

TORONTO—Grosses continued to roll<br />

along at well-above-average levels, with four<br />

of the bookings particularly strong. Curiously<br />

enough, each of these four "excellent"<br />

grossers was in a second week here:<br />

"Sounder" at Hollywood (North). "Deliverance"<br />

at Hollywood (South), "Where Does<br />

It Hurt?" on the Uptown 2 screen and<br />

"Bluebeard" at the Yonge Theatre. Eight<br />

other motion pictures grossed either "very<br />

good" or "good."<br />

Carlton Ulzona's Raid (Univ), 2nd wk Fair<br />

Coronet Love Me Like I Do (C-P);<br />

Foursome (C-P) Fair<br />

Downtown Necromancy (IFD); Someone Behind<br />

the Door (IFD) Good<br />

Fairlawn Young Winston (Col), 2nd wk Good<br />

Glendaie Cabaret (C-P), 35th wk Very Good<br />

Hollywood (North) Sounder (BVFD),<br />

2nd wk Excellent<br />

Hollywood (South) Deliveronce<br />

(WB), 2nd wk Excellent<br />

Hyland 2 Frenzy (Univ), 16th wk Fair<br />

Internotional Cinema A Fan's Notes<br />

(WB), 3rd wk Good<br />

Towne Cinema Slaughterhouse-Five<br />

(Univ), 8th wk Very Good<br />

University Fiddler on the Roof (UA),<br />

48th wk Good<br />

Uptown 1 Everything You Always Wanted to<br />

Know About Sex (UA), 8th wk Very Good<br />

Uptown 2 Where Does It Hurt?<br />

(IFD), 2nd wk Excellent<br />

Uptown 3 Fritz the Cot (Prima),<br />

1 4th wk Very Good<br />

Yonge Bluebeard (IFD), 2nd wk Excellent<br />

York 1 Fot City (Col) Fair<br />

York 2 Butterflies Are Free<br />

(Col), 13th wk Fair<br />

'Young Winston' Only 'Excellent'<br />

Grosser in Vancouver Report<br />

VANCOUVER — "Young Winston"<br />

proved to be the only new picture with<br />

enough boxoffice magic to command an<br />

"excellent" gross rating, although there were<br />

six first-week screen programs in the city.<br />

Two others rated "very good," as "Where<br />

Does It Hurt?" opened at the Capitol and<br />

"The Other" started at the Downtown on<br />

that high level. Other new products failed<br />

to earn holdover playing time.<br />

Capitol Where Does It Hurt? (IFD) ....Very Good<br />

Coronet Everything You Always Wonted to<br />

Know About Sex (UA) 8th wk Good<br />

Denman Place Whirlpool (Ind); Nona (Ind) ..Foir<br />

Downtown The Other (BVFD) Very Good<br />

Eve—Together (C-P); Whot Next? (C-P),<br />

3rd wk Poor<br />

H/lond Young Winston (Col) Excellent<br />

Odecn—The Salzburg Connection<br />

(BVFD), 4th wk Good<br />

Orpheum Prime Cut (NGP), 3rd wk Fair<br />

Pork fiddler on the Roof (UA), 45th wk. .Fair<br />

Strand Blindmon (BVFD) Foir<br />

Varsity Slaughterhouse-Five (Univ),<br />

7th wk Above Averoge<br />

Vogue—S for Sex (Prima); How Did a<br />

iSice Girl (Prima) Foir<br />

Montrears Piccadilly<br />

Celebrates 1st Year<br />

MONTREAL—Sheila Garfield and Beverlee<br />

Gurberg, owners and operators of the<br />

Piccadilly Theatre, 5025 Sherbrookc St.<br />

West, are proud to announce the completion<br />

of their first year in the motion picture<br />

exhibition field. The Piccadilly is celebrating<br />

its first anniversary!<br />

The very unique Piccadilly Theatre is the<br />

only movie house in Canada owned and<br />

operated by women. Sheila and Beverlee<br />

personally handle all the important functions,<br />

from ordering popcorn to booking<br />

all the motion pictures.<br />

The Piccadilly has just under 200 seats<br />

and, after one complete year of operation,<br />

the girls are proud to report that they ended<br />

up "in the black!" Additionally, the gals<br />

presently are planning a new 600-seater in<br />

the Montreal area.<br />

Both Sheila and Beverlee want to thank<br />

all the distributors in the region who were<br />

so very patient and helpful while they were<br />

getting started in the exhibition field and,<br />

besides, to wish all their new friends in<br />

the motion picture industry a Merry<br />

Christmas and a Happy New Year!<br />

Harold Rankin Is Dead;<br />

Ontario Theatre Owner<br />

CHATHAM, ONT.—Harold Rankin, onei<br />

of Chatham's best-known businessmen, trav-|<br />

eler and a theatre owner, died Sunday.;<br />

October 29, at the age of 68. He long hadl<br />

played an active role in the entertainment^<br />

life of Chatham and the surrounding area.'<br />

Rankin was the first manager of the:<br />

Centre Theatre when it was built in 1940.:<br />

As part of his promotional campaign, hej<br />

sponsored the "Rankin Walk" between Chat-:<br />

ham and Windsor, Ont., as well as "Rankin's'<br />

Swingathon." He also promoted ice boat<br />

racing on Rondeau Bay.<br />

Rankin gained considerable area fame for<br />

his sponsorship of "Uncle Harland's Tea'<br />

Party" on the fledgling local radio station<br />

Senior Citizens Matinees<br />

ROCKVILLE, CONN.—Ron Goldbciy is<br />

running senior citizens' matinee progr.mi^<br />

on Fridays at 2 p.m. in Theatre I of his<br />

Family Theatre I-II complex.<br />

FOR THE HOLIDAYS<br />

And All Year Around<br />

There's Only One Good Place To Get<br />

SPECIAL TRAILERS<br />

And That'i From Dependable<br />

FILMACK<br />

1327 S. WAHASH<br />

CHICAGO 6060S<br />

K-2 BOXOFTICE :: November 13,


^Best<br />

Picture<br />

pf theyear<br />

No matter what show you are offering this week. No<br />

matter how many Oscars it boasts and who the stars<br />

maybe.<br />

Your boxoffice success will<br />

depend as much on<br />

the quality of the projection as on the picture itself.<br />

Ensure the success of your theatre operation with<br />

Century projection and sound reproduction. Get the<br />

best out of your prints and give your patrons pleasing<br />

quality projection that will<br />

again and again.<br />

keep them coming back<br />

If Century didn't consistently project<br />

the clearest, sharpest, brightest picture<br />

possible, it wouldn't be the standard in<br />

American movie theatres today.<br />

Century—the best projection<br />

for the best picture of<br />

the year, every year!<br />

SEE YOUR CENTURY DEALER - OR WRITE:<br />

CENTURY PROJECTOR CORPORATION<br />

165 West 46th Street, New York, New York 10036<br />

General Sound and Theatre Equipment, Ltd.<br />

7 Banigan Drive<br />

Toronto 17, Ontario<br />

Phone (416) 425-1026<br />

Branches throughout Canada<br />

JOXomCE ;: November 13, 1972 E-3


VANCOUVER<br />

J^iach Rogers was in town to negotiate a<br />

new lease for his Ashcroft Theatre,<br />

which now will be operated by Doreen Cannel<br />

of nearby Cache Creek and a lady<br />

friend. Nothing is forthcoming as yet about<br />

the drive-in at Cache Creek, which was<br />

closed following the tragic death of John<br />

McKinnon.<br />

The Varsity's Shakespearean film<br />

festival<br />

is getting a mixed reaction. The showing of<br />

"Macbeth'" not only filled the house but<br />

turned away almost 1,000, which means a<br />

repeat. The Russian "Twelfth Night" drew<br />

just over half a house, then crowds turned<br />

out for "Hamlet" and hundreds were turned<br />

away ... A new experiment, at least for<br />

this city, was in the production of Shakespeare,<br />

when the University of British Columbia<br />

produced a rock opera version of<br />

"Macbeth," with the story updated to the<br />

20th Century. It was directed by Richard<br />

Ouzanian, a young expatriate from the San<br />

Francisco area, who already has the highly<br />

successful "Jacques Brel Is Alive and Well"<br />

to his credit and, along with local entrepreneur<br />

David Lui, bids fair to set up the first<br />

American-Chinese production team.<br />

Exploitation films and "sex" pictures<br />

dominated the first-run scene as no less than<br />

17 vied for the voyeur's dollar, with the<br />

result that all were replaced after a week.<br />

Starting with "Everything You Always<br />

Wanted to Know About Sex But Were<br />

Afraid to Ask," in its eighth week at the<br />

Coronet, the scoreboard read as follows:<br />

"triples" in the Cascades Drive-In and Night<br />

& Day and "doubles" in the Eve, Vogue,<br />

Denman Place and Golden Kitten.<br />

The latest fugitive from the New York<br />

rat race to take up residence here is Lome<br />

Hassen, who left this area more than a<br />

dozen years ago and since has been the<br />

producer of such items as "The Wonderful<br />

World of Golf" and ABC's "Wide, Wide<br />

World of Sports." He currently is looking for<br />

a house and a job in production. "New York<br />

J. M. RICE and CO. LTD.<br />

"EVERYTHING FOR<br />

THE DRIVE-IN and INDOOR<br />

THEATRE"<br />

PHILIPS 35/70 PROJECTORS<br />

EXPERT REPAIR DEPARTMENT<br />

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430 Kensington St<br />

Winnipeg 21, Man.<br />

888-7987<br />

415 Revillon BIdg.<br />

10201 104tli St.<br />

Edmonton, Alta.<br />

422-8502<br />

was fine until the kids started school." he<br />

explains, "but race riots in grade one were<br />

the final straw. Now nothing makes New<br />

York worthwhile." If there's no TV or<br />

film work here he'll go into some other line<br />

of work, "because I've decided this is where<br />

1 want to live."<br />

Famous Players has taken over the booking<br />

and operation of the Coronet, Victoria,<br />

last of the Astral circuit theatres in this<br />

territory.<br />

Avid patrons of airline holiday tours are<br />

members of the local Odeon head office<br />

staff. Booker Ron Keillor just returned from<br />

a hcgira to Europe and secretary Betty Gray<br />

and her husband are in Hawaii.<br />

Obscenily Conviction<br />

Overturned in Sask.<br />

SASKATOON, SASK.<br />

— A conviction<br />

against Daylight Theatre Co. of Saskatoon<br />

for "showing obscene entertainment" was<br />

overturned October 26 by District Court<br />

Judge E. N. Hughes on the grounds that a<br />

provincial government body earlier had approved<br />

the film. The charge followed the<br />

seizure of the 3-D motion picture "The<br />

Stewardesses" from the Midtown Cinema in<br />

December 1971. Daylight Theatre Co. was<br />

convicted last March in magistrate's court<br />

following a trial before Judge R. H. King,<br />

who levied a fine of $1,000. The appeal<br />

hinged on whether the crown would prosecute<br />

under the Criminal Code after the<br />

film had been approved by a board of the<br />

provincial government.<br />

Judge Hughes, in allowing the appeal, in<br />

an hour-long judgment quashed the conviction<br />

and ordered the $1,000 fine and court<br />

costs returned to Daylight Theatre Co. of<br />

Saskatoon.<br />

Defense counsel Clarence Estey, in arguing<br />

his case during the appeal hearing, submitted<br />

that the crown could not lay the<br />

charge under the Criminal Code as long as<br />

the Theatres Act was in force and as long<br />

as that act had not been declared ultra vires.<br />

Estey at that time said the film had been<br />

approved by the Saskatchewan Film Classification<br />

Board, which he noted had the power<br />

to approve or disapprove films.<br />

Judge Hughes said it was a situation<br />

where one provincial government department<br />

had approved the film as fit for public<br />

exhibition and where another, namely the<br />

attorney general's department, "prosecutes<br />

the theatre under the Criminal Code for<br />

showing the film."<br />

The judge said the situation "appears to<br />

be a classic example of speaking out of both<br />

sides of the mouth at one time. If that is<br />

not so, then it indicates to me that the left<br />

hand was unaware of what the right hand<br />

was doing."<br />

Hughes said he was surprised at the prosecution,<br />

"bearing in mind the similarity of<br />

standards used in determining obscenity under<br />

the code and by the Saskatchewan Film<br />

Classification Board." In the lower court<br />

judgment Judge King ruled the Criminal<br />

Code took precedence over provincial statutes<br />

and the federal law was being applied in<br />

this case.<br />

The management of Daylight Theatre Co.<br />

said no decision had been made on whether<br />

"The Stewardesses" would be brought back<br />

to Saskatoon. Attorney general's agent T<br />

D. R. Caldwell said an appeal is under consideration,<br />

since the 14-page judgment dealt<br />

specifically with one point of law and not<br />

with the question of obscenity. Judge<br />

Hughes noted that if his decision was appealed<br />

by the attorney general and the case<br />

returned to him for argument "a decision<br />

on the remaining point" would have to be<br />

rendered.<br />

Still before the courts in Saskatoon is<br />

Odeon Morton Theatres of Winnipeg,<br />

charged in July with "showing obscene entertainment"<br />

in connection with the film<br />

"Without a Stitch."<br />

CALGARY<br />

J^loyd Fedor, Metro-Goldwyn-Mayer branch<br />

manager, was out of town on a road<br />

trip recently. This took in the "Saskatchewan<br />

Circle," going south and east of our<br />

town to Swift Current and north to Saskatoon<br />

before coming back into this city from<br />

the northeast. Lloyd had good weather for<br />

the trip and reports some resumption of<br />

harvesting operations in Saskatchewan.<br />

Odeon's Roxy Theatre, Edmonton, showed<br />

"The Virgin Spring" in its continuing<br />

Bergman festival. There were special performances<br />

with two added matinees, one<br />

Saturday, October 21, and an extra one Sunday,<br />

October 22 . . . The Edmonton Film<br />

Society opened its international series Monday,<br />

October 23, at the Students Union<br />

Building Theatre, University of Alberta,<br />

with a Swedish double bill of "The Ritual"<br />

and "Flickorna."<br />

Seen around the exchange: Randy Archibald<br />

of the Armond Theatre, Cranbrook,<br />

B.C.; Bill Hunchak of the Lux Theatre,<br />

Rocky Mountain House; John Dobek of<br />

the Crowsnest Pass theatres. Blairmore, and<br />

Mrs. Axel Jensen of the Kam Theatre,<br />

Camrose.<br />

The Empre.ss Theatre in Rimbey, which<br />

had been closed for some time, was purchased<br />

by Irvin Janzen with a takeover date<br />

of Friday (17). Buying and booking will be<br />

done by Walter DuPcrrier of Prairie Allied<br />

Booking Ass'n in this city.<br />

The Wales Theatre in High River has been<br />

sold to Len Larson with a takeover date of<br />

Saturday (11). Buying and booking will be<br />

done by Walter DuPerrier of Prairie Allied<br />

Booking Ass'n here ... In the William<br />

Shakespeare Film Festival currently under<br />

way, the Klondike-Cinema Theatre in Edmonton<br />

played "Julius Caesar," starring<br />

Marlon Brando. Sunday, October 22.<br />

K-4 BOXOFFICE ;: November 13, 1972


C^tU^^ucGl^K^ • C44iu>M6fit • CotfCeMioiuL • /yfciititlnaAUie<br />

NOVEMBER 13, 1972<br />

Concession stand at new UA Four complex. Little Rock, Ark., is located for easy access and<br />

styled for ease of operation. Custom-built counter is walnut Formica with black Formica top,<br />

featuring Industry Tradeshow-Convention<br />

and Candy-Concessions Merchandising


Stein<br />

l/l/ooclcruPt i^orp.<br />

MANUFACTURERS AND DISTRIBUTORS<br />

OF<br />

POPCORN WARMERS AND CONCESSION STANDS<br />

The<br />

DELUXE<br />

WARMER<br />

The one most often imitated, but never duplicated,<br />

holds 24, 32 or 46 ounce cups in pull-out drawers<br />

with additional area to pre-heat bulk corn. Recessed<br />

area for buttermat with outlet. Fully illuminated<br />

sign ("HOT BUTTERED POPCORN"). Display front<br />

filler with plexiglass divider. One key locks entire<br />

warmer. Removable chaff drawer for easy<br />

cleaning of old maids. Rear and top loading for<br />

pre-popped bulk corn. This machine is fully insulated<br />

and manufactured with our own hot-air circulating<br />

system to insure fresh, crisp popcorn at all<br />

times.<br />

Dimensions: Height 52" Width 36" Depth 24"<br />

The<br />

SHOWCASE<br />

WARMER<br />

The name is exactly what it implies. Counterheight<br />

warmer with showcase lighting, auxiliary<br />

electrical outlet, sign reading "HOT POPCORN,"<br />

holds approximately 15 pounds of pre-popped corn<br />

in stainless steel bin. The Showcase warmer saves<br />

time, speeds service and adds luxury to your concession<br />

counter.<br />

Dimensions: Height 4T Width 36" Depth 24"<br />

PORTABLE<br />

CONCESSION<br />

STAND<br />

A full<br />

service concession stand on casters. All prewired<br />

for your convenience. Just plug into any 110<br />

outlet. Unit consists of 3 ft. Stein Showcase Popcorn<br />

Warmer, 3 ft. Candy display case, drop leaves<br />

suitable for Jet Spray, Frankfurters etc.<br />

Dimensions: Height 41' Width 72" Depth 24"<br />

18 NEIL COURT • OCEANSIDE. N.Y. 11572 • PHONE (516) 536-5151<br />

The MODERN THEATRE SECTION


NOVEMBER<br />

13,<br />

1972<br />

o n t<br />

^<br />

n<br />

t<br />

s. JEEMINGLY DOOMED TO extinction<br />

in an era of mini- and multi-theatres<br />

and shopping center units, the magnificent<br />

movie palaces of the "ZOs and '30s have<br />

been responsible for the creation of a relatively<br />

new organization, the Theatre Historical<br />

Society, which is establishing archives<br />

where a photographic history of<br />

these great theatres can be preserved. In<br />

an article beginning on page 4. Whitney<br />

Stine discusses the Theatre Historical Society,<br />

the huge exhibition houses of yesteryear,<br />

and the handful of architects responsible<br />

for most of the movie palaces.<br />

Buffalo, N.Y., will soon have its first<br />

ten-theatre operation, all located on the<br />

same site at Holiday City, with the opening<br />

of a new four-auditorium complex<br />

adjacent to the six units presently in operation.<br />

In addition to the theatres, Holiday<br />

City contains a restaurant which is open 24<br />

hours a day, and will soon be joined by a<br />

lounge on the same site. See page 8.<br />

Academy Awards for "Best Sound" and<br />

the equipment used to record sound for<br />

the winning films are detailed from the<br />

first such Oscar in 1928 in a history of<br />

sound films found on page 10.<br />

For the convenience of those attending<br />

the Tradeshow in Bal Harbour, the Tradeshow<br />

floor plan and list of exhibitors appear<br />

on page 14.<br />

New theatres described in this issue are<br />

the Aquarius Theatres FV in Dallas, the<br />

Regency in Salt Lake City, the ABC Entertainment<br />

Center in Los Angeles, and the<br />

Los Altos in Albuquerque. All but the<br />

Regency have more than one auditorium.<br />

The Aquarius and the Los Altos are freestanding<br />

units located in shopping centers,<br />

and the ABC Entertainment Center, located<br />

in the futuristic Century City complex, has,<br />

in addition to two movie theatres, an adjoining<br />

legitimate theatre. Architect Henry<br />

George Greene designed the ABC unit and<br />

the Regency.<br />

Glenn Berggren, in an article on page<br />

56. describes xenon and tells what it is,<br />

where it comes from, and how we get it.<br />

Other articles in this issue describe a<br />

new "package" projection system from<br />

Ballantyne, a new line of products forthcoming<br />

from Ashcraft which will be on<br />

display at the Tradeshow, a new Universal<br />

lamp from EPRAD, and Christie Electric's<br />

efforts with the Underwriter's Lab which<br />

have resulted in that firm's receiving UL<br />

listing for its xenon products.<br />

Atmospheric Theatres: The Magnificent Movie Palaces of<br />

Yesteryear Whitney Stine 4<br />

Buffalo, N.Y., Theatre Expanding to Ten Units C. B. Taylor 8<br />

Equipment Behind 'Best Sound' Oscars Col. Barney Oldfield 10<br />

Trodeshow Floor Plan and List of Exhibitors 14<br />

Trans-Texas Circuit Opens First Multiple-Unit<br />

Complex Mable Guinan 19<br />

EPRAD Introduces Universal Xenon Lamp 20<br />

ABC Entertainment Center Opens in Century City Complex 24<br />

ABC Intermountain's Regency Is Recent Addition to Salt Lake<br />

City Exhibition Ranks 30<br />

Commonwealth Opens New Twin in Albuquerque 34<br />

Maintaining Print Quality Wesley Trout 36<br />

Cashier Is Opening Link to Courtesy Allen Widem 46<br />

SMPTE Announces New Fellow Members 48<br />

Ballantyne Introduces 'Package' Projection System 53<br />

Xenon Is 'Strange,' But It's Here to Stay Glenn Berggren 56<br />

Dr Pepper Stockholders Approve Two-for-One Stock Split 58<br />

New Ashcraft Line to Be at Tradeshow 59<br />

UL Listing for Christie Xenon 60<br />

DEPARTMENTS:<br />

^<br />

Tradeshow—Convention 14 New Equipment, Developments 43<br />

New Construction 19 Readers' Service Bureau 61<br />

Projection and Sound 36 Advertisers' Index 61<br />

ON THE COVER<br />

About People and Product 62<br />

Centrally located concession stand at new United Artists fourtheatre<br />

complex in Little Rock, Ark., is easily accessible from all<br />

four auditoriums. Styled for ease of operation, the custom-built<br />

counter is of walnut Formica with a black Formica top. High ceiling,<br />

plush carpeting and attractive lighting accent the concession area.<br />

THOMAS L. PATRICK, Managing Editor<br />

The MODERN THEATRE is o oound-m section DUDlishea eaen month in BOXOFFICE. Editorial<br />

or general Business corresoonaence snouia oe oaaressea to Associated Publications. Inc.. 825<br />

Van Brunt Biva., Kansas Citv. Mc. 64124. Weslev Trout, Technical Editor; Eostem Reoresentative:<br />

James Young, 1270 Sixth Ave., Rockefeller Center, New York, N. Y. 10020; W«t-<br />

•m Represemative: Syd Cassyd, 6425 Hollywood Blvd., Hollywooa, Calif. 90028. "


A creation of C. W. and George L. Rapp, the 5,000-seat Uptown<br />

Theatre in Chicago is seen above as it appeared in 1925. At right<br />

is Thomas Lamb's Fox Theatre, San Francisco, which opened in<br />

1929. The Fox is considered to be Lamb's masterpiece.<br />

ATMOSPHERIC THEATRES<br />

The magnificent palaces of yesteryear<br />

By<br />

WHITNEY STINE<br />

A New Generation of moviegoers is beginning to<br />

appreciate and properly assess the huge exhibition houses of<br />

yesteryear: theatres so magnificently designed, decorated and<br />

furnished, as to boggle the imagination—a kind of Xanadu where<br />

the cares of the world vanished in a never-never land of make<br />

believe.<br />

During the depression era, with admissions ranging from 35<br />

cents to 65 cents, 90 million persons per week attended the local<br />

"picture show," most certainly to see the escapist films of the<br />

period, but also to partake of a glamorous atmosphere far removed<br />

from the poverty known at home.<br />

For a pittance, could be had a view of the sparkling world of<br />

Viennese chandeliers, marble staircases, oriental rugs, pillars of<br />

gold and silver leaf, exquisite hand-painted domes, murals rendered<br />

by acclaimed artists, and giant mirrors that stretched up<br />

to a baroque ceiling.<br />

Inside the auditoriums, stretching out in a comfortable loge<br />

or "love seat," the typical teenager looked up at a dome of deep<br />

blue sky, complete with clouds that traveled in a pre-destined pattern<br />

(courtesy of the Brenkograph machine), above facades so<br />

breathtaking and exotic that the spectator was lost in a dream<br />

world of imagination. At show time, a hush fell over the audience<br />

as the asbestos fire curtain—always of spectacular beauty<br />

rose solemnly to disclose an elaborately fashioned title curtain,<br />

often woven of gold and silver threads or perhaps embroidered<br />

with historical scenes, or bold, geometric designs. The curtain<br />

parted or rose majestically with many intricate looped, scalloped<br />

or waterfall effects; then and only then, a beam of hot, white<br />

light flashed on the screen from the projection room and focused<br />

on the moving beacons of the 20th Century logo, the Vitaphone<br />

Shield, Paramount's half-moon-shaped logo, the airplane moving<br />

slowly around the Universal "world," or Columbia's famous lady<br />

with a lamp, or perhaps the resounding double roar of MGM's<br />

lion echoed throughout the house.<br />

During intermission, the patron was treated to a light-pattern<br />

show or intricate cove lighting revealed new mysteries of breathtaking<br />

splendor—an awesome experience. One never talked in<br />

such an enthralling atmosphere—one whispered! Somehow a good<br />

film seemed more engrossing and a poor film always appeared<br />

better after the lights came up to reveal acres of oraamentation<br />

on the sidewalls or the proscenium showered with subtle Hlumination<br />

effects.<br />

restored to the real world<br />

Going out into the heavy foot traffic,<br />

of bread lines and apple sellers and pressing personal economic<br />

problems, the moviegoer looked impatiently toward n»xt week,<br />

a new film and another experience of absolute luxury which<br />

could only be captured in The Movie Palace.<br />

Perhaps not more than five or six architects were mainly responsible<br />

for the trend toward the romantic, finely wrought<br />

baroque theatres of the twenties, some of which still exist to<br />

enthrall the movie patron of 1972. John Eberson, ia aa effort to<br />

pare the gigantic costs involved in constructiag elaborately designed<br />

theatres like his contemporary architects, created the socalled<br />

"atmospheric" theatre. He discovered that building a<br />

"shell" or curving the ceiling of an auditorium was far less expensive<br />

than adding a false ceiling composed of intricate cast<br />

plaster effects. He painted these domed ceilings a deep blue,<br />

added lights for stars and designed spectacular side walls to<br />

resemble exterior facades of opulent grandeur, Hghted and draped<br />

imaginatively. His first atmospheric was the historic Majestic<br />

in Houston, which was demolished only months ago.<br />

Other prominent architects who furthered the movement toward<br />

the movie palace and bizarre decor and furnishings were<br />

C. Howard Crane who designed most of the United Artists theatres;<br />

Thomas Lamb, responsible for many theatres in riie East,<br />

the San Francisco Fox and Loews Midland; G. Albert Lansburg,<br />

who formulated the plans for many of the Orpheums; B. Marcus<br />

Pritica (FIAI) who created the Pantages Theatres, and Rapp<br />

and Rapp of Chicago, architects for many of the Paramount<br />

houses. There were other men in the field who made outstanding<br />

contributions.<br />

The baroque theatres were famous for plaster castings hand<br />

painted to resemble gothic arches, fluted doric columns, pemJant<br />

fan vaulting, Byzantine domes, Greek and Roman lentels, ceilings<br />

suggesting the minarets of the Middle East in gold and silver<br />

stenciling. Others made use of the early French school of elaborate<br />

ornamentation, abundant with flowers and birds. Extravagant<br />

amounts of money were spent on ceilings as artfully composed as<br />

Continued on page 6<br />

Th» MODERN THEATRE SECTIOW


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To prove it, people enjoy the great taste of<br />

Coca-Cola more than 150 million times a<br />

day. Which can make selling it very profitable.<br />

And selling all the good things that<br />

go with it.<br />

very easy. That's why we say, you can<br />

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best dispenser for your needs.<br />

BOXomCE :: November 13, 1972


BUFFALO<br />

HOLIDAY<br />

TO UNDERGO<br />

EXPANSION<br />

i<br />

By C. B. TAYLOR<br />

Buffalo, N.Y., is about to have<br />

its first ten-theatre operation, with all to be<br />

located on the same spot at Holiday City,<br />

3801 Cheektowaga. De luxe indoor theatres<br />

numbers 1 and 2 which started the operation,<br />

and numbers 3, 4, 5 and 6 which are<br />

now open in the rear of the same location,<br />

will soon be joined by theatres 7, 8, 9 and<br />

10.<br />

The newest complex will be built adjacent<br />

to the present quartet, making eight automated<br />

houses in a line. Work is to begin<br />

soon after the first of the year on the four<br />

new auditoriums.<br />

In addition to all<br />

the aforementioned theatres,<br />

Holiday City contains the Holiday<br />

Showcase restaurant, open 24 hours a day,<br />

and will soon be joined by the Aerohead<br />

Lounge on the same site.<br />

Holiday City makes much of its free<br />

lighted parking area for over 2,500 cars,<br />

and this convenience is widely advertised<br />

on radio and television and in newspaper<br />

ads. The site is called a one-stop recreation<br />

center.<br />

All the present theatres are attracting excellent<br />

business and prove president Alvin<br />

B. Wright's philosophy in putting up the big<br />

Holiday City. Wright is sure the pendulum<br />

has swung back in the entertainment world<br />

and that people want to get out and be<br />

entertained in such places as are featured<br />

in this big recreation complex. With ten<br />

theatres at the site, playing features until<br />

and after midnight, the health of the screen<br />

is okay, Wright believes.<br />

Holiday 1 through 6, and the projected<br />

four-theatre complex, mark the culmination<br />

of 22 years of plotting and planning by<br />

Wright and his partner, Valentine Fabyan,<br />

executive vice-president. Both men went to<br />

Buffalo from St. Mary's, Pa. Wright was<br />

The MODERN THEATRE SECTION


Artist's sketch at top of opposite page shows<br />

what the front of the eight-theatre Holiday<br />

complex will look like when completed.<br />

Theatres 3 through 6 are presently in<br />

operation, and theatres I and 2 are in<br />

operation on the other side of the building.<br />

View of projection booth, bottom opposite,<br />

gives idea of great depth of facility now<br />

serving the present quartet. Platter-type<br />

no-rewind systems are by Norelco.<br />

Photograph at top left is lobby view showing<br />

boxoffice and concession stand used at<br />

theatres 3, 4, 5 and 6. A uditorium interior,<br />

bottom left, of one of the Holiday theatres<br />

shows seating plan and screen location with<br />

curtain closed and illuminated by footlights.<br />

originally a projectionist in the Basil circuit,<br />

and worked for a short time in Olean. An<br />

outdoor theatre built by Wright was the<br />

fourth such theatre in the Buffalo area.<br />

The present six Holiday theatres are centers<br />

of boxoffice activity. All feature the<br />

latest patron comfort equipment, as well as<br />

the newest developments in projection,<br />

seating,<br />

carpeting, restrooms. concession stands.<br />

air conditioning, heating, marquees, and<br />

lobby advertising displays. A huge sign on<br />

the front of the 1 & 2 building sets forth<br />

the current attractions.<br />

When the proposed four-auditorium complex<br />

is completed, the immense project will<br />

offer the public a wide selection of screen<br />

entertainment. The several theatres will also<br />

give the owner corporation the opportunity<br />

to hold for longer run those features which<br />

attract unusual business.<br />

The lobby at the present quartet has a<br />

centrally located concession stand and ticket<br />

booth. Doors at either end of the lobby<br />

allow convenient entrance and exit.<br />

The projection booth is a modern model<br />

kind; the unusually long room houses<br />

of its<br />

equipment which serves all four auditoriums.<br />

The boxoffice and concession stand were<br />

supplied by the Butler Equipment & Mfg.<br />

Co., and all booth equipment was supplied<br />

by Western Service & Supply Co., both<br />

Denver area firms. T. C. Castin, vice-president<br />

of Western, attended the opening of<br />

the quartet and supervised equipment installation.<br />

Optical Radiation Corp. supplied<br />

the projection lamps. Heads, projection and<br />

sound systems and bases were installed by<br />

Century, and the sound systems are by<br />

Altec. Platter film systems are by Norelco<br />

and lenses are by Kollmorgen.<br />

When the ten theatres, the Aerohead<br />

lounge and the restaurant are all in operation,<br />

Holiday City should be one of the<br />

biggest recreation centers of its kind.<br />

BOXOFHCE :: November 13, 1972


PERFECTING MOTION PICTURE SOUND<br />

Drama and humor accompanied sound's<br />

development,<br />

and Westrex was there through it all.<br />

By COL. BARNEY OLDFIELD<br />

Several years before the statuette<br />

"Oscar," the prestige emblem of the<br />

awards of the Motion Picture Academy of<br />

Arts and Sciences, Western Electric had an<br />

activity with the acronym ERPI (Electrical<br />

Research Products, Inc.) which grew to be<br />

called Westrex.<br />

Since September of 1958, Westrex has<br />

continued as a Litton Industries division.<br />

Through all its years, Westrex equipment in<br />

use in studios all over the world has stalked<br />

and captured more Oscars and nominations<br />

than anything or anybody else in Hollywood.<br />

Often, as was the case in the ceremonies<br />

of 1972, Westrex had all or a piece<br />

of the action for all those being considered<br />

in "Best Sound." Over the years, beginning<br />

with the Special Award to "The Jazz Singer"<br />

in 1928, nearly 200 of the nominations<br />

had the Westrex logo, and Westrex had the<br />

winner all but six times.<br />

Hollywood is a very "insidey" community,<br />

and so are its equivalents in London, in<br />

Rome, in Paris, in Tokyo, in Hong Kong.<br />

Respect for professionalism within it is<br />

hard won, and, once secured, is tenaciously<br />

fought for. And just as tenaciously held onto<br />

when acquired. Westrex is of the trade, but<br />

not a matter of public conciousness. When<br />

the annual Academy Awards program is<br />

held, "Best Sound" is in the number-one<br />

position, given almost as viewers are seating<br />

themselves in the theatre or auditorium<br />

where the Awards are held, or while the<br />

home audience is still switching channels<br />

and adjusting the set. It is further insulated<br />

in that the "Best Sound" goes to the studio<br />

sound department, of that studio which has<br />

made the nominated film which got the most<br />

ballots. But, Westrex doesn't mind that it's<br />

never the star, as long as it's the most frequently<br />

sent for "supporting player." And<br />

it is.<br />

Golden Year<br />

It was about 50 years ago that the "Best<br />

Sound" category was being born, although<br />

the midwives at work on it then weren't<br />

even sure they had anything when the late<br />

Sam Warner was listening and liking what<br />

he heard. The sound he was playing back<br />

was of Rin Tin Tin, the dog star, scratching<br />

himself! At that time, the Warner Brothers<br />

had three motion picture assets—that dog,<br />

the late Monte Blue, and a barn which they<br />

used for a studio and, on occasion, as a<br />

set. None knew it then, but Sam, the onetime<br />

projectionist in the Warners' first movie<br />

house in New Castle, Pa., and an inveterate<br />

tinkerer, was on the trail of something<br />

which would eclipse all the other things<br />

which passed for Warner Brothers properties<br />

then.<br />

The trouble was for a long time that<br />

none could see how Rin Tin Tin's itch could<br />

be turned into boxoffice "scratch," but as<br />

it was ushering in the Academy's eventual<br />

"Best Sound" category, it was also to be<br />

the rudest unsettler of the industry. Even<br />

more so than the later advent of TV.<br />

Recording, by Westrex and others,<br />

brought the spoken voice lip-synch to the<br />

screen, but it necessitated pin-dropping<br />

silence on sets and cameras housed in muffling<br />

layers of insulation. The director had<br />

to lay out the scene in advance, and could<br />

no longer heckle his star-studded help<br />

through a megaphone to lay on with the<br />

thespic skills. Proximity to the fixed mikes<br />

was imperative, which meant that actors<br />

seemed not to be talking to each other as<br />

much as into vases, telephones, and behind<br />

wall-hung pictures; and movement,<br />

except for the mouths of the players, seemed<br />

about to be lost to what were called motion<br />

pictures. A further paradox wasted Hollywood's<br />

silent stars, and brought stagetrained<br />

unknowns into town on every train<br />

for the simple reason that while recordings<br />

could be amplified enough decibels to make<br />

6,000-seat theatres possible, it could also<br />

reveal high, nasal, and shrill vocal qualities<br />

as well as abominable speech habits and<br />

grammatical horrors which the silent screen<br />

had concealed. It did all these things, and<br />

more, yet it made an industry pay through<br />

its nose, endure a convulsion, and survive<br />

even a depression.<br />

First Night<br />

The first public night with a sound track<br />

was August 6, 1926, at the Warner Theatre<br />

in New York. What an evening of<br />

oddities! The first talking short featured a<br />

politician (Will Hays), not an actor. The<br />

first song was an operatic aria, rather than<br />

a popular tune. The feature of the evening<br />

had not one spoken word ("Adventures<br />

of Don Juan"), only a musical track, yet<br />

it had two of the greatest footlight luminaries,<br />

John Barrymore and Montagu Love,<br />

who could have crossed well-uttered words<br />

as well as swords had technology been far<br />

enough along at the time. Sam Warner, who<br />

muscled his way through all the introductory<br />

frustrations and used up almost all of the<br />

patience of his brothers, died before the<br />

premiere which was to prove him right.<br />

Lee deForest, who had carried the only<br />

model of the audion tube around with him<br />

for years looking in vain for a taker for this<br />

gadget which would make long distance<br />

phones, radio and TV networks, and sound<br />

films, didn't attend the Warner that night.<br />

Later, when he was asked if he thought<br />

he had sold the audion tube too cheaply,<br />

he said: "I probably did, but I can always<br />

invent something else." He did, too.<br />

Sound came over the horizon almost as<br />

if it were a slapstick comedy. George Jessel<br />

starred in the stage version of "The Jazz<br />

Singer," and when the Warners wanted to<br />

put it on the screen, he wanted money. The<br />

Warners gave the starring role to Al Jolson,<br />

for part money, part Warners stock. He<br />

sang, spoke a line or two, and that picture<br />

won the first Westrex-assisted "Oscar" in<br />

1928. It was the big milestone! It established<br />

Al Jolson as the biggest boxoffice<br />

name of the period, and Louise Dresser as<br />

the first mother (of all the mother roles<br />

talked to on the screen ever since). It had<br />

a ricochet clear to 1946, when Westrex<br />

equipment was in on the "Oscar" statuette<br />

again for "The Jolson Story." When that<br />

happened George Jessel evened up in his<br />

feud with Jolson for having won the original<br />

part away from him. When Columbia did<br />

"The Jolson Story," they wouldn't even let<br />

Jolson play himself!<br />

Comedy and Heartbreak<br />

There was comedy and heartbreak all<br />

over, everywhere sound went in that early<br />

period. Hollywood got back in motion on<br />

its sound stages via two comics. Andy Devine,<br />

who had a generous spread of back,<br />

had himself rigged with a microphone hanging<br />

behind him at hip level and was cast<br />

in the role of a waiter during a boy-girl<br />

table chat. By serving the non-speaking<br />

member, he faced away from the talking<br />

actor so the mike would pick it up. As<br />

the first speaker finished his lines, Andy<br />

served him, which got the mike over in time<br />

to pick up the response. Dialog coaches<br />

came later, but Andy was the original "dialog<br />

catcher." It was the late Hugh Herbert<br />

who really restored locomotion. "Woo woo."<br />

as he was called, was a fisherman by<br />

inclination, so he used a fishing pole which<br />

he attached with a mike to dangle it over<br />

the heads of the actors, and he could chase<br />

them all over the set in this fashion! As<br />

Devine's role was twice menial, Herbert<br />

came to Warners from a downtown musical<br />

comedy to write gags for their two-reelers<br />

and stayed—with Brynie Foy—to make<br />

the first all-talking feature, by accident. It<br />

Continued on page 12<br />

10 The MODERN THEATRE SECTION


en meir money was on<br />

these circuits chose ORC.<br />

e line—<br />

ID-STATES THEATRES NATIONAL GENERAL CORPORATION<br />

CENTURY THEATRES GULF STATES THEATRES BUTTERFIELD<br />

THEATRES RIFKIN THEATRES AMERICAN BROADCASTING<br />

COMPANIES, INC. PACIFIC THEATRES WEHRENBERG THEATRES<br />

ASSOCIATED THEATRES JERRY LEWIS THEATRES MARTIN<br />

THEATRE CO. COOPER THEATRES FAVORITE THEATRES<br />

CARROLS DEVELOPMENT KALLET THEATRES FAMOUS PLAYERS<br />

COBB THEATRES STERLING THEATRES MARCUS THEATRES<br />

FRIDLEY THEATRES MALCO THEATRES DICKINSON THEATRES<br />

CHAKERES THEATRES McLENDON THEATRES TRANS-LUX CORP.<br />

COMMONWEALTH THEATRES PRIORITY THEATRES CINECOM<br />

INTERSTATE WOLFBERG THEATRES TRI-STATES THEATRES FRISINA<br />

ENTERPRISES MID-AMERICA THEATRES SBC MANAGEMENT<br />

FRELS THEATRES DeMARSH THEATRES SACK THEATRES<br />

COMMONWEALTH-FRONTIER THEATRES, INC. MOYER THEATRES<br />

ROWLEY UNITED ODEON THEATRES HARRIS-VOELLER THEATRES<br />

ESQUIRE THEATRES E. M. LOEW'S JOY'S THEATRES LES CINEMAS<br />

ODEON L & M MANAGEMENT CO. BLOOMER AMUSEMENT CO., INC.<br />

THE LEADER IN XENON LAMPHOUSES<br />

)<br />

J<br />

Optical Radiation Corporation<br />

6352 N. Irwindale Avenue. A2usa. California 91702 • (213) 969-334'<br />

WINNER OF THE ACADEMY AWARD FOR TECHNICAL ACHIEVEMENT IN 1S71


SOUND<br />

Continued from page 10<br />

was "The Lights of New York," shot on<br />

bootleg sets with Gene Pallette and Wheeler<br />

Oakman (it had the famous shot in the<br />

barber chair of a lathered-up dead gangster,<br />

whose rigor mortis slid him out of the chair<br />

onto the floor while Pallette was faking<br />

shaving him). Foy and Herbert couldn't<br />

make their bread and jam come out even,<br />

first coming in with a 2'/i-reel picture, then<br />

a 3'/i-reeler, and finally managed to quit<br />

at five. As it was done at night and on<br />

the backlot, just as they were ready to<br />

spring their surprise, it backfired. Harry<br />

Warner, then the WB head man, had come


x oooov<br />

o<br />

o<br />

o<br />

t)00oooooooa<br />

lor<br />

^o<br />

LUV SEATS EARN RAVE REVIEWS<br />

IN NEW JO-MOR THEATRE<br />

voooo^<br />

o<br />

o<br />

o<br />

o<br />

Cheers from the audience. LUV Seats proved an instant<br />

hit with JO-MOR's patrons. Why? Because togetherness<br />

counts. As one star-struck fan exclaimed, "It was the<br />

first time I've held hands with my wife in the movies<br />

in ten years!" Another Eastview couple said,<br />

"All the<br />

LUV Seats were taken, so we had to settle for conventional<br />

seating. We love LUV Seats!"<br />

LUV SEATS PAY OFF<br />

LUV Seats are their own reward, and the reward is<br />

increased patronage, more receipts! Why not a special<br />

PATRONS LOVE<br />

"^ LUV SEATS<br />

American Seating's new LUV Seats<br />

recently made a smashing debut at the Eastview Plaza<br />

Theatre in the Rochester, New York suburb of Victor.<br />

The result was instant and enthusiastic acclaim. The<br />

Eastview Plaza is part of the twelve unit JO-MOR<br />

chain, o\\Tied by John Martina and Morry Slotnick.<br />

Says Mr. Slotnick in regard to the building of their<br />

latest, newest theatre:<br />

"The only mistake we made was<br />

in not putting more LUV Seats in the house. The response<br />

(to LUV Seats) has been most gratifying. On<br />

those nights when the house is thin, we find that our<br />

customers seek out the LUV Seats and fill them before<br />

they do the singles."<br />

"LUV Seat section" in your theatre? The Eastview<br />

Plaza, for example, has 802 seats, 101 of which are LUV<br />

Seats arranged in seven alternating rows toward the<br />

rear of the theatre. As Mr. Slotnick explains, "Our<br />

LUV Seats accommodate 202 persons or more, in the<br />

case of parents with a small child or baby."<br />

LUV SEATS EARN PROFITS<br />

LUV Seats bring people together, and they love it. The<br />

JO-MOR experience is proof that "togetherness is wonderful<br />

for business."<br />

You, too, should cash<br />

in on this sensible<br />

specialty seating.<br />

Backed with a bit of<br />

publicity and merchandising,<br />

you'll have<br />

patrons returning<br />

again and again — just<br />

to be together.<br />

FOR LITERATURE,<br />

WRITE TODAY: American<br />

Seating Company,<br />

Dept. BO-764. Grand<br />

Rapids, Michigan 49304.<br />

AMERICAN<br />

t SEATING<br />

BOXOFFICE :: November 13, 1972 13


I<br />

I<br />

I<br />

COMPANY<br />

1972 Exhibitors<br />

BOOTH NO.<br />

Adier Letter Co 127<br />

American Kosher Provisions 58<br />

American Seating Co 64-65-66<br />

Amusement Business Tel. Servicenter 9<br />

Anderson Clayton Foods 29<br />

C. S. Ashcraft Corp 93<br />

Auto Filmtronics, Inc.<br />

Alec Service Corp 125<br />

Bagcraft Corp. of America 45<br />

Ballontyne of Omaha, Inc 140-141<br />

Bevdite Mfg. Co 104<br />

Blevins Popcorn Co., Inc 85<br />

Brown Poper Goods Co 3<br />

Butler Fixture & Mfg 11-12<br />

Carbons, Inc 100-101<br />

Carisch Theatres 126<br />

Carnation Co 4<br />

Century Projector Corp 139<br />

Christie Electric Corp 120-121<br />

Cinemox 97<br />

J. G. Clark Co. &<br />

Bennett Sales 47-48<br />

Coca-Cola USA 16-17-18, 20-21-22<br />

Coffee-Mot Corp 8<br />

Cornnuts, Inc 50<br />

Crctors 8< Co 86<br />

Crush International, Inc 10<br />

Curtiss Candy Co 33<br />

COMPANY<br />

BOOTH NO.<br />

Dart Container Corp 61<br />

Dr Pepper Co 62-63<br />

Dripcut Starline Corp 5<br />

Drive-In Theatre Mfg. Co 115-116<br />

Electro Sound, Inc 110-111<br />

Ellman Enterprises<br />

Indepix Int'l. Releasing Corp 145<br />

EPRAD Inc 122<br />

Filmack Trailer Co 103<br />

Flavo-Rite Foods, Inc 26<br />

General Register Co 69<br />

Globe Ticket Co 96<br />

Gold Medal Products Co 41-42<br />

Green Giant Co 71<br />

Griggs Equipment, Inc 98-99<br />

Henry Heide, Inc 25<br />

Hershey Foods Corp 56<br />

Heywood-Wakefield Co 114-117-118<br />

M. J. Holloway & Co 7<br />

Irwin Seating Co 129-130<br />

Jet Spray Corp 43<br />

King Foods, Inc 72<br />

Kinoton, Inc. USA 132-133<br />

Lawrence Metal Products 94<br />

Lever Bros. Co 76<br />

Lily-Tulip Div. Owens-Illinois 23-24<br />

The Linsey Corp 74<br />

L. P. Associates 113<br />

Manley, Inc 30<br />

Massey Seating Co., Inc 105-106<br />

Nabisco Confections, Inc 46<br />

National Asi'n of Concessionaires 6<br />

National Equipment Co 51-52<br />

COMPANY<br />

BOOTH NO.<br />

National Screen Service Corp 87-88-89<br />

National Theotre Supply 90-91-92<br />

The Nestle Co., Inc 83-84<br />

Odell Concessions Spec. Co 13<br />

Olympic Films Ltd 137<br />

Optical Radiation Corp 108-109<br />

Pepsi-Cola Co 36-37<br />

Perey Turnstiles 107<br />

Peter Paul, Inc 32<br />

Pic Corp 53<br />

Proctor Dist. Co 12<br />

Product Sales Associates 102<br />

Profeco 67<br />

Projected Sound, Inc 68<br />

Raven Laboratories 131<br />

Rex Packaging Co 27<br />

Schoefer Corp 60<br />

Schneider Corp 124<br />

The Seven-Up Co 77-78<br />

Smithfield Ham & Prod. Co., Inc 57<br />

Soundfold, Inc 70<br />

Standard Box Co 40<br />

Star Mfg. Co 59<br />

Star Metal Corp 1-2<br />

Stein Woodcraft Corp 38-39<br />

The Strong Electric Corp 134-135<br />

Supurdisploy/Server Sales, Inc 14-15<br />

Sweetheart Cup 19<br />

Theatramation, Inc 95<br />

Theatre Equipment Ass'n 143-144<br />

Theatre Equipment Co 112<br />

Tootsie Roll Industries 31<br />

TV Time Foods 44<br />

MOTION PICTURE THEATRE EQUIPMENT AND CONCESSIONS INDUSTRIES TRACE SHOW<br />

AMERICANA HOTEL, BAL HARBOUR, FLORIDA - NOVEMBER 18-21, 1972<br />

Booth<br />

Layout and Identification<br />

N<br />

I<br />

19 J<br />

EXIT<br />

41<br />

42 r^r 67 L<br />

INDICATES THEATRE EQUIPMENT SECTION<br />

CEILING HEIGHT: 10' 6"<br />

(EXCEPT 8- 4" — 8' 10" AT COLUMN DOMES)<br />

146—8' X 10' BOOTHS<br />

14<br />

The MODERN THEATRE SECTION


Union Carbide Carbor Prods. Div 128<br />

Voriefy Clubs Internotionoi 142<br />

Wagn«r Sign Services 123<br />

Word Candy Co 49<br />

Will Rogers Hospital 136<br />

Winchester Corton Corp 34<br />

Woodboy Construction Corp 119<br />

Y & S Candies, Inc 35<br />

NAC Plans<br />

Convention<br />

Unique<br />

Program<br />

^^HAT Is Considered "unique" in<br />

the way of programing will take place at<br />

the convention of the National Ass'n of<br />

Concessionaires being held at the Americana<br />

Hotel, Bal Harbour, Fla.<br />

The convention program committee,<br />

which is chaired by Mortie Marks, director<br />

of concessions, Wehrenberg Theatres, St.<br />

Louis. Mo., has come up with an unusual<br />

format which should attract the interest of<br />

every type of food-service concessionaire,<br />

and make their attendance at this year's convention<br />

most informative and productive.<br />

In line with this year's convention theme<br />

"Progress Thru Professionalism" one of the<br />

highlights of the program will be the presentation<br />

of a new simulated exercise developed<br />

by the Cornell University Hotel School<br />

under the direction of Robert M. Chase,<br />

Cornell University Professor of Engineering<br />

and Computer Sciences. Known as the Cornell<br />

Restaurant Administration Simulation<br />

Exercise, or CRASE for short, which was<br />

developed primarily by Professor Chase, it<br />

involves considerable audience participation.<br />

The audience is divided into several competing<br />

groups, each with a competing operation.<br />

Groups may organize themselves as<br />

but they have to keep<br />

they see most fitting,<br />

I in mind that analysis and decision making<br />

must be done rapidly and carefully. These<br />

top level decisions are then collected and<br />

processed by computer which has been previously<br />

programed, and returns to each<br />

group instantly long-range results of their<br />

decisions.<br />

A first for NAC, this exercise has been<br />

secured for such companies as Ramada Inns,<br />

Burger King, Howard Johnson's, CaroU's,<br />

American Hotel Ass'n, New York Restaurant<br />

Ass'n, and the Marine Corps Club and<br />

Mess, to name only a few.<br />

The exercise will deal with such questions<br />

confronting the food-service operator as:<br />

Will I increase business if I change my<br />

sales prices, or food quality, or jxartion size?<br />

Will it help my business if I add employees<br />

and how many, or if I increase wages? Will<br />

it help my business if I redecorate, or remodel<br />

the kitchen with new equipment?<br />

Marks feels that Professor Chase's game<br />

of CRASE will be the "fun spot" of the<br />

NAC Convention, and the educational dividends<br />

will make the trip to Florida worth<br />

while.<br />

Other opportunities during the convention<br />

for food-service operation know-how will include<br />

a field trip to the famed Seaquarium<br />

including an inspection of their food service<br />

facilities and to view the exciting show<br />

which they have to offer.<br />

Wagner<br />

marquees<br />

eliminate the<br />

generation gap!<br />

Wagner builds theatre marquees by hand, using the best stainless steel and<br />

break resistant Filon background material. A Wagner Filon marquee bridges<br />

a generation or more with trouble free operation. Filon stands up to high<br />

winds, storms—even vandalism.<br />

And, if you're having problems with plastic letters that crack or have<br />

clips that easily break off, ask your sign or theatre dealer to show you<br />

Wagner's black Cycolac® plastic letters. They're made of the identical<br />

material as used in<br />

Wagner's Cycolac letters can take it.<br />

professional football helmets. Drop them! Stomp on 'em!<br />

Wagner also has 3 dimensional slotted letters in green, red and blue.<br />

Sizes range from 4" to 17". In addition, we have plexiglass and marquee<br />

glass available as well as durable, low cost metal marquees for outlying<br />

drive-in theaters.<br />

With centralized manufacturing and warehousing facilities, Wagner assures<br />

fast delivery to meet<br />

opening deadlines anywhere<br />

in the country. Call i_ii___i j i.._. — ^H^k^H<br />

National Advertising Compann'3Iin<br />

your sign manufacturer or " '^<br />

^^SSJL"<br />

A SUBSIDIARY of^maxmut<br />

contact us direct for the<br />

„or„» ^f w,,,.. r, = o.«ot<br />

31 20 HIRSCH STREET<br />

name of your nearest .<br />

MELROSE PARK, ILLINOIS 60160<br />

Wagner dealer.<br />

WAGNER SIGN SERVICES<br />

BOXOmCE :: November 13, 1972 15


LETTERS<br />

To The Editor:<br />

Often during the past several years the<br />

motion picture industry has cried "foul"<br />

because of the state of the industry. Recently<br />

your magazine has indicated that things are<br />

improving and that a new era is at hand.<br />

I will accept the fact that there are more<br />

than a few pictures now out which are doing<br />

business, but I will not accept the fact that<br />

the industry can look forward to a bright<br />

future until there is a great deal of "internal<br />

housekeeping."<br />

In an issue of your magazine <strong>Boxoffice</strong>/<br />

Modern Theatre, in September 1971, it<br />

was stated that anamorphic lensing and<br />

stereophonic sound would come in the<br />

future. Well, as of now there are probably<br />

less films in<br />

'Scope than ever before. Stereo<br />

sound is unheard of in most areas now, and<br />

in most theatres unless they run 70mm. Yet,<br />

it was stated that anamorphic projection<br />

gave a better light in the center of the<br />

screen, and that many people enjoy better<br />

sound in the home than in the theatre.<br />

All too often, through poor print handling,<br />

the public is subjected to a poor<br />

presentation because of oily film full of<br />

dirt.<br />

Some prints have so many patches that<br />

the soundtrack is all loused up. The public<br />

remembers this and very often has second<br />

thoughts about returning to a theatre.<br />

Then there is the problem of warped<br />

prints caused by the heat from the big<br />

lamps. Did you ever try to explain to a<br />

patron why you can't hold focus properly<br />

on the screen? How do you explain to them<br />

that because another theatre used high-j<br />

intensity lamps with the print you cannot<br />

maintain a focus?<br />

I sometimes wonder how some theatres<br />

have the guts to charge admission. How<br />

many theatres just don't bother to maintain<br />

their projection equipment until it completely<br />

breaks down? They don't care whether<br />

the sound blasts the patron right out of<br />

his seat or cannot be heard at all. The theatre<br />

management becomes interested in th(<br />

almighty dollar rather than the recurring!<br />

patron!<br />

Some of the new theatres are typical ol<br />

the trend toward apathy. I have heard stories<br />

of theatres cutting apertures 15 minutes<br />

before showtime on opening night.<br />

In order<br />

to complete the "minimum requirements"<br />

for the opening, a rush job is done in the<br />

booth with the opening night patron seeing<br />

the result of this rush job. Lack of proper<br />

training and experience in automation<br />

creates an even bigger mess in a new twin.<br />

Meanwhile the patron sits downstairs saying,<br />

"I'll never come back to this place<br />

again."<br />

Of course, this doesn't even begin to<br />

cover some of the technical problems. If<br />

someone would finally end the battle of the<br />

projection! There are so many<br />

ratios for flat<br />

that the operator is either "cropping" or<br />

showing lines. Either you cut off heads or<br />

show lines (or black with 1.85:1 using bigger<br />

aperture).<br />

After these and other problems are solved,<br />

just maybe we can give the patron the quality<br />

he deserves. Now, people can turn to TV<br />

and get some of the quality we should gi\c.<br />

and can give. Just think of all those people<br />

who will see "Patton" on ABC-TV this fall<br />

and miss the added dimension of Todd-AO<br />

and stereo sound. These people won't know<br />

what they have missed, because in most<br />

cases we haven't been giving it to them.<br />

The patron is our most important item.<br />

VELIO lACOBUCCI<br />

Projectionist, Lansdowne Theatre<br />

Upper Darby, Pa.<br />

\<br />

16 The MODERN THEATRE SECTION


introducing tiie<br />

I<br />

PROJECTION SYSTEM<br />

.^•^^m^H^^.^-^^fi,^^,^'. ^- .«.- .'.^-


RECTIFIER<br />

D.C. Arc current<br />

D.C. Arc Voltage<br />

Lamphouse Blower<br />

Input Voltage<br />

DATA<br />

40-80 Amps.<br />

22.5-30 Volts<br />

220 Volts AC<br />

180-200-220 Volts AC 3-Phase, 50-60 Hz<br />

CONTROL PANEL<br />

Xenon Lamp Ignite<br />

Projector Start<br />

Douser Open-Manual<br />

Douser Close-Manual<br />

Complete Stop<br />

Film Rewind Ready<br />

Film Rewind Start<br />

Drive Motor Only Start<br />

Main Power Switch And Pilot Light<br />

Xenon Bulb Hour Meter<br />

Sound Level Control<br />

POWER REQUIREMENTS


I he<br />

•<br />

:her<br />

2 Overall view of free-standing building is seen above. Below is<br />

<strong>Boxoffice</strong>. above, is located under protective canopy. Auditorium I,<br />

I island-type 15x20-foot concession stand. below, is largest of four units.<br />

TRANS-TEXAS OPENS FIRST COMPLEX<br />

By<br />

MABLE GUINAN<br />

The opening of the Aquarius<br />

leatres IV earlier this year in the South<br />

).ik Cliff section of Dallas brought to 15<br />

10 number of screens operated by the<br />

rans-Texas circuit. The first multiplenit<br />

complex opened by Trans-Texas, the<br />

\quarius theatres are housed in a freeanding<br />

building in a shopping center.<br />

theatres operated by the Trans-Texas<br />

. rcuit are located in Dallas, Fort Worth,<br />

\ustin. El Paso, Denton and Wichita<br />

I<br />

alls, all in Texas.<br />

Occupying a total ground area of 136,-<br />

10 square feet, the building was conructed<br />

at a cost of $300,000 and equipped<br />

a cost of $145,000. Total seating capacity<br />

- 1,200, with auditorium I seating 468,<br />

II seating 332, and III and IV each seating<br />

iQ. Architect was Wooten & Bogard and<br />

'ntractor was Mid-Tex Construction Co.,<br />

nh of Fort Worth.<br />

The front and exterior of the new theatre<br />

feature pre-cast concrete aggregate<br />

\inels by Steelcrete Structures and bronzenish<br />

aluminum doors and frames with<br />

"onze plate glass. The main sign is located<br />

love the entrance, with individual mar-<br />

.juees located on either side of the entrance.<br />

central boxoffice for the four theatres<br />

- located at the front of the building under<br />

I protective canopy. The spacious and<br />

colorful common lobby has one wall of<br />

pre-cast aggregate panels and different<br />

shades of vinyl cover the other three walls.<br />

Each auditorium is draped throughout,<br />

each in its own distinctive color and material.<br />

Griggs chairs, color coordinated to<br />

the auditorium, are spaced 39 inches back<br />

to back. Crestwood carpeting by Alexander<br />

Smith is used in the auditoriums. Quarry<br />

tile is used throughout the rest of the<br />

building. Screens measure 14x32 feet in the<br />

two larger auditoriums and 9x20 feet in<br />

theatres III and IV.<br />

Two projection booths service the four<br />

auditoriums, and are equipped with Century<br />

projectors, Eprad sound equipment, Neumade<br />

rewinds and the Norelco RotoMatic<br />

no-rewind system.<br />

An island-type concession stand measuring<br />

15x20 feet is located in the center of<br />

the lobby to accommodate a maximum of<br />

patrons. The floor in this area is quarry<br />

tile, and there is a special quarry tile base<br />

around the entire stand. The stand itself<br />

is made of walnut Formica with one insert<br />

of blue Formica on each side and a persimmon-colored<br />

Formica insert at the front.<br />

A large storage area with three stainless<br />

steel wash basins is located directly behind<br />

the concession stand. Beverage tanks are<br />

located in this storage area, and lines lead<br />

directly to the drink dispenser.<br />

Special highlights of the project include<br />

floodlights on a timer which illuminate the<br />

theatre and surrounding area after closing<br />

and a special ramp and lavatory facilities<br />

for the handicapped.<br />

Modern Sales & Service of Dallas supplied<br />

all concession, projection and boxoffice<br />

equipment, tape decks, seats, drajjes,<br />

screens and screen frames. National Theatre<br />

Supply of Dallas supplied all outside<br />

and inside color-coordinated display boards,<br />

marquee and mini marquees.<br />

CREDITS:<br />

Acoustical Material: Chas. F. Williams Co.<br />

Air Conditioning: Harrington Bros., Inc.<br />

Architect: Wooten & Bogard<br />

Carpet: Alexander Smith<br />

Contractor: Mid-Tex CONSTRUCTION<br />

Drink Dispensers: Cornelius Nassau<br />

Non-Carbonated Coolers: Jet Spray<br />

No-Rewind System: Norelco<br />

Plumbing: McInnish Plumbing Co.<br />

Popcorn Machine: Cretors<br />

Projectors: Century<br />

Rewinds: Neumade<br />

Seats:<br />

Griggs<br />

Signs: Federal Sign & Signal<br />

Sound: EPRAD<br />

Supply Dealers: Modern Sales & Service;<br />

National Theatre Supply<br />

BOXOrnCE :: November 13, 1972 19


UNIVERSAL LAMPHOUSE IS<br />

INTRODUCED<br />

A UNIQUE "tunable reflector, plus a high degree of bulb<br />

reliability" are features of a new universal lamphouse just introduced<br />

by Eprad, Inc. of Toledo, Ohio.<br />

As the company points out, reliability is the theatre owner's<br />

prime concern in selecting a lamphouse. Beyond this, he must look<br />

the right place at the least cost.<br />

for the one giving the most light in<br />

Eprad believes its new xenon Universal lamphouse meets and<br />

exceeds those objectives.<br />

Reliability is said to be assured by an unusual simplicity and<br />

sturdiness of design, both in the lamp and in the power supply.<br />

High reliability of the bulb is achieved by careful design of an<br />

unusually powerful cooling system.<br />

More light from a given bulb wattage is collected by the largest,<br />

computer-designed aspheric reflector ever used in a comparable<br />

unit.<br />

The light is delivered to the right place because the company<br />

claims that the reflector is unique in being "tunable" to suit any<br />

desired aperture aspect ratio. By a simple adjustment, the shape<br />

of the reflector is changed to provide optimum coverage of any<br />

aperture from near-square to 1.85:1 and beyond. The diagrams<br />

show how much light can be directed into the right place in this<br />

way, rather than wasted.<br />

As a by-product of this arrangement, which is the subject of a<br />

patent application, it is simple to achieve any desired degree of<br />

flatness of illumination. The percentage of light at the edges of<br />

the screen compared with light at the center is variable at will,<br />

from 60 per cent to 100 per cent (evenly distributed illumination<br />

clear across the horizontal center line). The former condition will<br />

usually be desirable for drive-ins where there is never enough light<br />

available to provide the luxury of full-width, "flat" illumination.<br />

In this way the company reports that considerable economies<br />

are achieved in power consumption and bulb life for a given value<br />

of effective light on the screen.<br />

Further, according to the manufacturer, the initial outlay is less<br />

than for comparable units. Prices are actually lower than for any<br />

other xenon system of equal wattage.<br />

EPRAD says its equipment, unlike all others, needs no extras<br />

to make it operable by automation.<br />

LIGHT PATTERN PROJECTED from<br />

WASTED LIGHT<br />

REGULAR LAMPHOUSES at aperture plate<br />

Tuned to suit 1.85:1 Tuned to suit C-scope<br />

LIGHT PATTERN PROJECTED from<br />

EPRAD UNIVERSAL LAMPHOUSE at aperture plate<br />

You gain all of that<br />

big shaded area less the<br />

tiny black areas<br />

EPRAD TUNED LIGHT PATTERN<br />

superimposed on pattern by others.<br />

Appropriate single phase and three phase power supplies are<br />

available. These are self-regulating to ensure full light output from<br />

the instant of starting. With most so-called "regulated" units, the<br />

output does not reach full brilliance until the lamp has fully<br />

warmed up.<br />

An additional feature of the EPRAD Universal lamphouse is<br />

acceptance of any bulb from 900 to 4.200 watts with simple<br />

adaptor sets for mounting. Bulbs may be from any of at least three<br />

manufacturers. It may, of course, be necessary to change the<br />

power supply to suit a change in bulb wattage.<br />

its<br />

TWO CAN LIVE AS CHEAPLY AS ONE<br />

HAVE TWINS<br />

Exfra Property Could Mean Extra Cash<br />

For FREE Estimates Call HARRY R. JONES, Owner<br />

NEW TOWERS<br />

REMODELING<br />

I<br />

THEATRE CONSTRUCTION CO., INC.<br />

Foirfield Drive-ln Theatre<br />

Fairfield, III. 62837<br />

Phone A/C 618-847-7636<br />

NEW DRIVE-INS<br />

PAINTING<br />

20 The MODERN THEATRE SECTION


y^^fc


NOW... PROJECTION LENSES ARE BROUGHT TO Y(<br />

Effective November 1, 1972, Schneider Corporation<br />

of America assumed marl


CLUSIVELY BY SCHNEIDER CORPORATION OF AMERICA<br />

Visit us at our booth, No. 124, at the IVIotion Picture<br />

Theatre Equipment and Concessions Industries<br />

Trade Show, Americana Hotel, Bal Harbour,<br />

Florida, November 18-21.<br />

*^^w5E5aec\<br />

SCHNEIDER CORPORATION OF AtyiERICA<br />

154 Lodi Street, Hackensack, N.J. 07601<br />

Tel: 201 7343-3939 -Telex: 138-039<br />

Subsidiary. Jos. Schneider & Co.. Optische Werke<br />

Bad Kreuznach W Germanv


Entrances to ABC theatres are protected by elaborate canopy.<br />

Building is faced with imported marble chosen in Italy by<br />

architect Henry George Greene.<br />

Some 3,200 yards of custom-woven Downs carpet cover floor of<br />

huge lobby. Concession stand in background separates entrances to<br />

the auditoriums<br />

ABC ENTERTAINMENT CENTER DEBUTS<br />

Twin theatres seating over 2,200 are included in ABC development<br />

in Los Angeles' futuristic Century City complex<br />

The New Century City complex<br />

in Los Angeles has a short history but a<br />

long past: the futuristic buildings are located<br />

on what was once the back lot of 20th<br />

Century-Fox Studios. On the grounds where<br />

motion pictures were once shot, now rises<br />

the new ABC Entertainment Center, where<br />

films are shown to the public in an atmosphere<br />

of luxury and perfection of showmanship.<br />

The ABC Entertainment Center contains<br />

three theatres: ABC City Theatre I and II,<br />

devoted to first-run films, and the Shubert,<br />

a legitimate house. Architect Henry George<br />

Greene, A.I.A., NCARB, has brought great<br />

imagination to the design, as well as an intrinsic<br />

feel of what fine theatres should<br />

offer to the public. Greene created a forward<br />

thrust of tomorrow in formulating the<br />

building plans.<br />

The multi-level complex is actually two<br />

separate buildings, faced with rare Travertine<br />

marble chosen in Italy by the architect;<br />

ABC I and II are located in one structure<br />

and the Shubert in the other— joined by a<br />

long canopy and marquee. An enormous<br />

forecourt leads to the world's largest parking<br />

garage, providing sheltered on-thepremises<br />

parking for 6,000 cars on six levels,<br />

and a concourse under the expansive Avenue<br />

of the Stars connects to the plaza level<br />

of the Century Plaza Hotel.<br />

Over two years ago, Greene met with<br />

Spero L. Kontos of the Filbert Co. to discuss<br />

furnishings and theatre equipment for<br />

the twin houses, with the instruction that<br />

these theatres were to include the finest<br />

possible accoutrements to insure total environmental<br />

comfort and the ultimate in<br />

projection and sound. In short, it<br />

was ABC's<br />

specific intent that these theatres were to<br />

be second to none, the true flagship houses<br />

of the circuit.<br />

Since the completion of the theatre structure<br />

was sometime in the future, the Filbert<br />

Co. undertook a comprehensive study of<br />

industry trends to determine what new developments<br />

were on the horizon with regard<br />

to seating, drapery treatments, and theatre<br />

equipment, so any new innovations could<br />

be incorporated into the theatres. After the<br />

final determination of the equipment and<br />

furnishings package, the responsibility of<br />

its execution was assigned to Filbert executive<br />

Edward P. Burke, who would act as<br />

project<br />

coordinator.<br />

ABC Theatre I and II share a common<br />

lobby, especially designed to forward the<br />

traffic flow from each auditorium so that<br />

the patron is never inconvenienced. The<br />

boxoffice and concessions stand, which separate<br />

the entrances to the houses, can serve<br />

as a dividing line in the lobby with the addition<br />

of roped standards should shows break<br />

at the same time. Separate restroom facilities<br />

for each theatre allow patron control from<br />

one auditorium to another, and there is<br />

also a special restroom for handicapped<br />

persons which adheres to the new uniform<br />

building code covering facilities in public<br />

buildings.<br />

The spacious lobby is covered with 3,200<br />

yards of custom-woven,<br />

100 per cent nylon<br />

carpeting in a broken stripe pattern in<br />

shades of burgundy and gold, set off by<br />

bronze and charcoal grey open-weave Saran<br />

22x110 drapery, enclosed in a concealing<br />

soffit in the ceiling. The walls are covered<br />

with gold, bronze, silver and red Vicrtex<br />

in a box pattern. Huge potted ferns<br />

and aspidistras add a warming touch of<br />

greenery.<br />

ABC Theatre I contains 800 Massey Astro<br />

Loungers in deep orange nylon material<br />

with teakwood laminate backs. The sidewalls<br />

are draped with 2,100 yards of textured<br />

Ravanna Verel fuchsia fabric with a bronze<br />

herringbone weave. The title curtain is<br />

nubby, gold verel and the Hurley Super<br />

Optica screen measures 25x48 feet. Robert<br />

P. Wolf, manager of Filbert's drapery division,<br />

also assumed the responsibility for the<br />

installation of all auditorium furnishings.<br />

At the time of the initial negotiations, it<br />

was the decision to use Massey Seating's<br />

loge and rocker models. However, the Filbert<br />

Co. survey revealed that Massey was<br />

in the process of designing a complete new<br />

concept in theatre seating, incorporating an<br />

airline type, three-section cushion back.<br />

Kontos brought this information to Greene<br />

and ABC, who wholeheartedly endorsed the<br />

new product line—with the result that the<br />

ABC twin theatres are the first to feature<br />

the new Astro models.<br />

Greene, after considering various 35mm<br />

Continued on page 26<br />

24 The MODERN THEATRE SECTION


merits a command performance in your theatre...<br />

Presenting EPRAD'S New Xenon<br />

Lamphouse With Exclusive-shape<br />

Aspheric Reflector.<br />

Let us run a side-by-side test in your<br />

theatre of our new lamphouse and any<br />

other of equal power. You'll discover our<br />

lamphouse is brilliant beyond compare<br />

and the light is spread with unmatched<br />

evenness over your entire screen.<br />

What are the reasons for this incredible<br />

performance?<br />

First— EPRAD'S reflector is the largest<br />

and deepest ever used for bulbs of comparable<br />

wattage. Which means it gathers<br />

* * Patent Applied for<br />

$895 $895<br />

Come dance with us at Booth No. 122, NATO Convention.<br />

There will be good cause for joy, not only in<br />

the new Eprad Lamphouse, but in a NEW QUALITY<br />

AUTOMATION PACKAGE at a fantastically low price:<br />

$895.00 complete. We call it THE CO-OPERATOR.<br />

This, too, you must seel<br />

and delivers more of the available light<br />

than any other lamphouse.<br />

Second— this superb reflector was designed<br />

by computer in the ideal aspheric<br />

form for collecting light. Then we incorporated<br />

subtle changes in its regular shape<br />

to achieve optimum use of the light. As a<br />

result, the even illumination of the picture<br />

is<br />

a delight to see.<br />

But seeing is believing. So call EPRAD<br />

today for a command performance. We'll<br />

bring our lamphouse to your movie house<br />

for a demonstration"*. We promise a performance<br />

so dazzling, you may even<br />

dance with joy. ., ,. .. ^,.<br />

'<br />

'For a limited time only<br />

Sold Internationally thru selected theatre supply dealers<br />

Incorporated<br />

Box 4712 • Toledo. Ohio 43620 • (419) 243-8106<br />

BOXOFFICE :: November 13, 1972 25


Auditorium of ABC II, seen at top left, features 1,420 combination<br />

Massey Astro-Rockers and Loungers covered in a deep burgundy<br />

fabric of 100 per cent nylon. Backs are laminated teakwood. Booth<br />

of ABC II, bottom left, has Century projectors, Model JJ-3,<br />

capable of reproducing both 35 and 70mm film. Light source is<br />

Christie 4,200-watt xenon with 35/70 optical converters. Lobbylevel<br />

restroom for handicapped, above, adheres to new uniform<br />

building code specifications covering facilities in public buildings.<br />

Door is wide enough for passage of wheel chair.<br />

ABC<br />

ENTERTAINMENT CENTER<br />

production systems, elected to<br />

Continued from page 24<br />

have the Filbert<br />

Co. treat the auditorium with the Ultra-<br />

ViMon projection concept, a Wil-Kin development,<br />

with Glenn Berggren as consultant.<br />

The system incorporates the use of Century<br />

projectors and sound reproducers, including<br />

the patented Cine-Focus Film Stabilization<br />

System. The light source is manufactured by<br />

the Christie Electric Corp. to the Ultra-<br />

Vision technical specifications. The amplification<br />

is by Electro Sound, with Altec<br />

Model A-4 speaker system. Projectors operate<br />

at 45 degrees to the center line of the<br />

auditorium and project through the Ultra-<br />

Vision Optiverter, which allows both machines<br />

to project directly at the screen,<br />

eliminating any horizontal keystoning.<br />

Lenses are of a special design by KoUmorgen.<br />

Film handling equipment is by Neumade<br />

and Goldberg.<br />

26<br />

ABC City Theatre II features a combination<br />

of 1,420 Massey Astro-Rockers and<br />

Loungers, covered in deep burgundy 100<br />

per cent nylon with laminated teakwood<br />

backs. Some 2,700 yards of Ravanna Verel<br />

fabric in deep gold with a bronze herringbone<br />

stripe covers the walls of the auditorium.<br />

The title curtain, also of Ravanna<br />

Verel, is fuchsia. The custom designed serpentine-shaped<br />

track, allows the front curtain<br />

to move entirely backstage, as two<br />

solid, bi-parting panels reveal the Technikote<br />

lenticular XRL 28x61 foot screen.<br />

The theatre is equipped to permit reproduction<br />

of all 35 and 70mm processes. The<br />

Century projectors. Model JJ-3, of the latest<br />

design, have the capability of reproducing<br />

both 35-70mm film with optical sound or<br />

four or six channel magnetic sound. The<br />

projectors<br />

feature Cine-Focus, which eliminates<br />

film flutter which can occur with<br />

70mm. The light source is Christie 4,200-<br />

watt xenon, including 35-70 optical convertors<br />

to allow the most uniform field of light<br />

possible when projecting either 35 or 70mm.<br />

Amplification is the Century transistorized<br />

multi-channel system, which can reproduce<br />

optical or four-channel magnetic for 35mm<br />

film, or six-channel magnetic for 70mm, as<br />

well as intermission music.<br />

The power amplifiers are Altec, which<br />

operate through five Altec A4X speaker<br />

systems located behind the giant screen.<br />

For magnetic sound operation, the theatre<br />

includes a multi-speaker ceiling installation<br />

to faithfully reproduce surround or effect<br />

sound recording. Lenses are by the Kollmorgen<br />

Corp., designed to permit deep-curved<br />

screen projection. The projection facilities<br />

have been carefully planned to allow future<br />

installation of automation equipment as well<br />

as large film transports to simplify the pre-<br />

Continued on page 28<br />

The MODERN THEATRE SECTION


PROVEN PRODUCTS<br />

make<br />

our<br />

electronics<br />

division ...<br />

BETTER THAN THE REST!<br />

RIVERSIDE<br />

TIDIOOO<br />

Film Transport System<br />

Requires No Rewind<br />

Runs 4V'2 hrs. non-stop.<br />

Features Turbo-Air Drive<br />

eliminating tension on film.<br />

Does away with abrupt<br />

starts, stops or jerks.<br />

Rewinds while projecting.<br />

35M<br />

Film Transport System<br />

Runs 3 hrs. Non-Stop.<br />

Ideal for smaller projection<br />

booths, with no alterations<br />

necessary. Easy to install.<br />

Low maintenance cost.<br />

Film break protection<br />

built-in. Rewinds in<br />

15 minutes.<br />

GMD<br />

Guaranteed Automobile<br />

Recording & Detection<br />

Undefeatable display<br />

system and gate control<br />

device. Includes car<br />

counter, computer<br />

calculator, alarm system,<br />

payment display. Counts<br />

more than 6 patrons per<br />

car, computes 2 different<br />

priced tickets.<br />

PLUS<br />

ATS-1 AUTOMATION For AII single Projector Pilm systems<br />

Booth Functions—Auditorium Functions— Pre-Timed Intermission— Remote Control<br />

Simple & Inexpensive To Install. Reliable & Easy To Operate.<br />

Write, Wire or Phone—<br />

Your Theatre Supply Dealer or .<br />

Electronics Division of<br />

DRIVE-IN'2^«?^<br />

MFG. CO., INC.<br />

709 North 6th St.<br />

Kansas City, Kansas 661 01 91 3/321 -3978<br />

BOXomcE :: November 13, 1972 27


ABC<br />

ENTERTAINMENT<br />

CENTER<br />

Continued from page 26<br />

sentation of studio previews.<br />

The ABC Entertainment Center is a step<br />

forward into the exciting world of tomorrow.<br />

Architect Henry George Greene's<br />

imaginative concepts, combined with Filbert<br />

Co. technical expertise have placed into the<br />

able hands of P. Harvey Garland, executive<br />

vice-president of ABC Theatres, and George<br />

M. Aurelius, vice-president of Western Operations,<br />

and their staffs, one of the world's<br />

finest showplaces.<br />

CREDITS:<br />

Architect: Henry George Greene, A.I.A.<br />

Carpeting: Downs<br />

Changeable Letters: Bevelite Mfg. Co.<br />

Contractor: Tishman Realty &<br />

Construction Co.<br />

Drapery: Filbert Co.<br />

Film Handling Equipment: Neumade<br />

Products; Goldberg Bros.<br />

General Supply Dealer: Filbert Co.<br />

Lamphouses: Christie Electric Co.<br />

Projectors: Century Projector Corp.<br />

Screens: Hurley Screen Co.; Technikote<br />

Corp.<br />

Seating: Massey Seating Co.<br />

Speakers: Altec Service Co.<br />

Wil-Kin's Ultra-Vision projection concept is used in ABC 1 . Between Cenniry projectors<br />

(with Cine-Focus) is Ultra-Vision Optiverter which allows machines to project directly<br />

at screen, eliminating horizontal keystoning. Lenses are special design by Kollmorgen.<br />

WESTERN MOVES WEST!<br />

NOW -THREE STORES TO SERVE YOU!<br />

Our new Los Angeles store is open<br />

end we are ready to serve you with a<br />

complete line of theatre equipment<br />

and supplies. Sam Aspaas, president<br />

and general manager of Western<br />

Service & Supply Co. of California,<br />

Inc.,<br />

has over 25 years experience in<br />

the theatre equipment business.<br />

Give Sam a call when you need assistance<br />

regarding your theatre equipment<br />

and supply needs.<br />

Bob Tankersley<br />

Sam Aspaas<br />

WESTERN SERVICE & SUPPLY, Inc.<br />

WESTERN SERVICE 8. SUPPLY of Calif., Inc.<br />

2100 Stout St.<br />

Denver, Colorado 80205<br />

(303) 534-7611<br />

14 North Broadway<br />

Billings, Montana<br />

(406) 252-8664<br />

1109 S. La Cienega Blvd.<br />

Los Angeles, Calif.<br />

(213) 652-1517<br />

28 The MODERN THEATHE SECTION


Ihe Citation is appealing to the eye. It's nice-looking<br />

and we find it is a very comfortable chair . . .<br />

From the first time we sat in the Irwin Citation,<br />

we liked everything about it . . .<br />

"Mechanically, we have had absolutely no problems with<br />

the Citation, and no service has been required in<br />

any of our installations . . .<br />

"Your company has been more than cooperative in helping<br />

engineer a total seating package that provides all the things<br />

we need in developing, completing and presenting a theatre."<br />

Attractiveness, comfort, durability, cooperation.<br />

When Marvin and Roy White buy the Citation again and<br />

again, it's<br />

for some very good reasons.<br />

Irwin Seating<br />

Company<br />

P.O. Box 2429 -B<br />

Grand Rapids, Mich. 49501<br />

BOXOFHCE :: November 13, 1972 29


At left are Century 35/70mm projectors with Christie CHF xenon systems. Above, 77<br />

decorative light fixtures on light tracks with Plexiglas dividers illuminate lobby and<br />

concession stand. Exterior view of three-level building is seen below.<br />

THE<br />

REGENCY<br />

Luxurious<br />

ABC Intermountain<br />

Theatre Is<br />

Welcome Addition<br />

to<br />

Salt Lake City Exhibition<br />

Community<br />

Salt Lake City's newest and<br />

most luxurious theatre, ABC Intermountain<br />

Theatres' Regency, is an addition to the<br />

local theatre community which is quite<br />

unique in location, structural and interior<br />

design and technical equipment. The ultramodern<br />

three-story structure, with an exterior<br />

of stone, concrete and glass, is elevated<br />

above a spacious parking lot with<br />

a capacity of 200 cars. The area within<br />

the ramp is fountained and landscaped,<br />

adding to the overall effect of the design.<br />

The inside of the theatre is no less unique.<br />

One side of the second floor lobby extends<br />

to a terrace overlooking the Salt Lake<br />

Valley, and the interior standee area has<br />

floor-to-ceiling windows so that the patrons<br />

might enjoy the panoramic view.<br />

Behind the handsome exterior and the<br />

plush decor are specially designed acoustics<br />

and some of the most advanced electronic<br />

sound equipment the industry has yet developed.<br />

And the use of the new Century<br />

35/ 70mm projection system and Christie<br />

CHF xenon consoles with 3,000-watt bulbs,<br />

coupled with the modern curved 22x50-<br />

foot Technikote XR 171 screen, produces<br />

a picture of considerable sharpness and<br />

clarity. The multi-channel sound system is<br />

by Electro Sound, and all the systems combined<br />

bring the Regency patrons the ultimate<br />

in audio and visual effects. Other<br />

booth equipment—^which was supplied and<br />

installed by Peterson Theatre Supply—includes<br />

Kollmorgen lenses, Neumade rewinds<br />

and Goldberg 5,000-foot reels for<br />

35mm.<br />

Personal services include an ample welllighted<br />

parking area around the Regency<br />

and sparkling lounge and restroom facilities<br />

located lobby left. The ladies' lounge features<br />

shag carpet and wall mirrors.<br />

The Regency auditorium features some<br />

800 widely spaced rocking chair and<br />

lounge-type seats from American Seating<br />

Co. and electronically controlled tempera-,<br />

ture to allow the patrons to enjoy year<br />

'round climatized comfort. Red waterfall<br />

and traveler curtains and gold sidewall curtains<br />

from R. L. Grosh & Sons coordinate<br />

with the orange, gold and brown carpeting^<br />

and the<br />

red-orange seats.<br />

A centrally located refreshment center<br />

features K-Way drink dispensers and a<br />

Scotsman ice machine. The concession<br />

counter was prefabricated with built-in'<br />

popcorn warmers and candy display. Walnut<br />

veneer on the front matches the back<br />

bar, and tile back wall colors match the<br />

carpet colors.<br />

Other features of the Regency include a<br />

Continued on page 32<br />

30 The MODERN THEATHE SECTION


1 the Dispensers / the Buttercups < the Sales Accessories<br />

SERV-0-MAT...<br />

fully automatic<br />

butter dispenser<br />

. . . new, modern,<br />

efficient and durable<br />

. . . Trigger<br />

touch bar efficiently<br />

dispenses<br />

controlled portions<br />

of hot butter.<br />

the Deluxe Butter Server<br />

lighted ... low cost, manually operated<br />

for small volume locations .. .controlled<br />

heat.<br />

2<br />

with VITA-GLAZE*<br />

in the nation's<br />

most sought after,<br />

4 sizes. Wax free,<br />

leak-proof ... in<br />

in the fami I iar<br />

brown and yellow,<br />

a#o


View of auditorium shows red curtain closed and highlighted by<br />

recessed lighting.<br />

View with contour and traveler curtains open shows the 50x22-foot<br />

Technikote screen.<br />

THE<br />

quarry tile<br />

REGENCY<br />

Continued from page 30<br />

floor at the entrance and around<br />

the concession area, a manager's office<br />

which connects with the cashier at the boxoffice,<br />

a projection room with dual film<br />

dummies for studio previews, and offices<br />

for the Salt Lake division of ABC Intermountain<br />

Theatres on the second floor.<br />

CREDITS:<br />

Architect: Henry George Greene<br />

Carpet: Barwick & Co.<br />

Contractor: John Price Construction Co.<br />

Drapes: R. L. Grosh & Sons<br />

Drink Dispensers: K-Way<br />

General Supply Dealer: Peterson Theatre<br />

Supply<br />

Ice Machine: Scotsman<br />

Lamps: Christie<br />

Lenses: Kollmorgen<br />

Plumbing: American Standard<br />

Projectors: Century<br />

Reels: Goldberg<br />

Rewinds: Neumade<br />

Screen: Technikote<br />

Seats: American Seating Co.<br />

Sound Equipment: Electro Sound<br />

H URLEY<br />

SCREEN^^CO. 26 Sarah Drive Farmingdale, N.Y. 11735<br />

PIONEEi OF ADVANCED TECHNIQUES<br />

IN MOTION PICTURE SCREENS<br />

IN USE IN THE WORLD'S LEADING THEATRES"<br />

SUPEROPTICA .<br />

SUPERGLO .<br />

LENTICLITE 20 .<br />

MW-16 .<br />

. lenticulated pearl surface<br />

. non-lenticulated pearl surface<br />

. smooth<br />

. embossed<br />

matfe white<br />

matte white<br />

AND NOW<br />

SILVERGLO . . smooth<br />

silver surface<br />

MADE WITH CARE AND 35 YEARS EXPERIENCE<br />

SOLD BY YOUR THEATRE SUPPLY DEALER<br />

32 The MODERN THEATRE SECTION


1<br />

The Ori^mal Butter-Flavored<br />

Popcorn Seasoning!<br />

Savoroi — pioneered and<br />

developed in Popcorn Village<br />

to give you the Best<br />

Tasting Popcorn with a rich<br />

buttery flavor and color.<br />

Savoroi — now more popular<br />

than ever. Increase<br />

your sales and your profits<br />

with the original butter<br />

flavored popcorn seasoning.<br />

Conveniently pocked:<br />

36 one-pound rounds to a case<br />

18 one-pound rounds to a case<br />

50 pound bulk cartons<br />

25 pound bulk cartons<br />

It costs less than a penny to<br />

season 10 boxes of popcorn<br />

with Savoroi.<br />

ORDER TODAY!<br />

CALL US COLLECT FOR THE NAME OF YOUR NEAREST DEALER<br />

THE SAVOROL COMPANY<br />

Popcorn Building<br />

Nashville, Tennessee 37202<br />

(615) 383-4050<br />

BOXOmCE :: November 13, 1972 33


B^"3HriRHHi.<br />

lr«—5^0^*<br />

Free-standing Los Altos building is clearly visible in above<br />

photograph. A t top right is view of projection booth and Imperial<br />

projection system. The Imperial is a factory-assembled package<br />

unit, complete in every respect. Each unit is automated, and each<br />

contains a xenon lamphouse and comes with its own sound system.<br />

At bottom right is view of one of the two Los Altos auditoriums.<br />

LOS ALTOS TWIN<br />

New Commonwealth<br />

Unit<br />

Opens in<br />

Albuquerque<br />

Heralded by a barrage of advance<br />

publicity, the Los Altos twin theatres<br />

were officially opened in Albuquerque,<br />

N.M., on August 23.<br />

Newest showcase for Commonwealth<br />

Theatres and the first twin operation m<br />

Albuquerque, the Los Altos One and Two<br />

feature the latest in luxury appointments,<br />

refreshment services and automated projection<br />

and sound equipment. The free-standing<br />

building is pre-cast concrete faced with<br />

black volcanic rock. Located on Wyoming<br />

near Montgomery, the complex is surrounded<br />

by over 200 parking spaces.<br />

A fast-paced, well-organized campaign of<br />

opening activities was planned for the debut<br />

of the new twins, beginning with a buffet<br />

and cocktails and ending with a late night<br />

champagne party. Initial festivities began on<br />

the patio of the Hilton Inn under the brightly<br />

colored Commonwealth Cabaret canopy,<br />

so named for one of the opening films,<br />

"Cabaret." Entertainment was furnished by<br />

Max Apodaca and his German band and<br />

station KOB's Golden Girl Twins roamed<br />

the area taking candid photos. "Funny<br />

Money" was handed to each invited guest<br />

upon arrival, a plug for the other opening<br />

attraction, "Money Talks."<br />

Honored guests included Governor Bruce<br />

King of New Mexico; Harry Kinney, chairman<br />

of the Albuquerque City Council, and<br />

Commonwealth representatives from Kansas<br />

City and Dallas. Also in attendance were<br />

Miss New Mexico, Miss Albuquerque and<br />

Miss Commonwealth. A live remote was<br />

broadcast by KDEF Radio.<br />

Guests were invited to ride in the Hilton<br />

Inn's double-decker omnibus to the Los<br />

Altos theatres, accompanied by a police-escorted<br />

motorcade carrying the Governor,<br />

Kinney, Miss New Mexico and Commonwealth<br />

executives.<br />

KOB-TV cameramen were at the theatre<br />

to film the gala opening night events. KOB<br />

Radio interviewed guests inside the theatre<br />

and reporters and photographers from both<br />

the Albuquerque Journal and Albuquerque<br />

Tribune were on hand to provide full newspaper<br />

coverage.<br />

Opening night was sold out in both auditoriums,<br />

purchased by the Republic Bank<br />

and KOB Radio/ TV.<br />

Prior to the film presentations, Richard<br />

Orear, president of Commonwealth Theatres,<br />

was officially welcomed by the Governor<br />

and was presented keys to the city by<br />

Kinney. Orear and Miss New Mexico then<br />

signaled the beginning of the first Los Altos<br />

screening by pushing a special button. Identical<br />

ceremonies were held in each theatre.<br />

Behind the scene of the opening night<br />

activity was another "first" for this city,<br />

the<br />

initial U. S. installation of the Imperial system,<br />

a completely automated projection and<br />

sound unit. Exclusive distribution of the<br />

Imperial system is handled by Victor Cinematic,<br />

wholly-owned subsidiary of Commonwealth<br />

Theatres.<br />

Representing Commonwealth Theatres<br />

and the new Los Altos twin units were E. C.<br />

Rhoden, chairman of the board; Richard<br />

Orear, president; Doug J. Lightner, vicepresident<br />

and general manager, and E. C.<br />

Bomberger, vice-president and treasurer, all<br />

of Kansas City. Other company executives<br />

included Dale Stewart, division manager<br />

and board member from Dallas, and Phil<br />

Blakey, district manager based in Albuquerque.<br />

Lou Avolio is the resident city manager<br />

for Commonwealth properties in Albuquerque<br />

and Joe Abousleman, formerly at the<br />

Hiland, is the manager of the Los Altos.<br />

34 The MODERN THEATRE SECTION


h^!t^!^9^<br />

X-"*"**"*^<br />

-.^-<br />

1^<br />

^<br />

It's easy to be fooled !<br />

See our mad magician prove<br />

it at the NATO show at<br />

Bal Harbour. Nov. 18/21.<br />

Visit Booth #128.<br />

Excitement! Prizes!<br />

Do you mean to tell me the lightirffi source for this motion<br />

picture is the UCAR Projector Ca^on? The same lighting<br />

source that has survived and proliferated during the motion<br />

picture's three quarters ofa century oftechnological achievement?<br />

That it is the UCAR Carbon Arc that gives such true<br />

color reproduction, brilliance, and color balance and is made<br />

especially for people like me who demand true color fidelity?<br />

My Goodness Gracious!<br />

^^<br />

UNION<br />

CARBIDE<br />

UNION CARBIDE CORPORATION<br />

CARBON PRODUCTS DIVISION<br />

270 Park Avenue. New York. NY 10017<br />

UCAR Proieclor Carbons are available at your local Union Carbide dealer<br />

UCAR IS a registered trademark of Union Carbide Corporation


ing<br />

Projectionists Con Help<br />

Ill<br />

36<br />

lor more drivo-lii^rolits<br />

To Vittle Vendor quick service...<br />

FOR YOUR DRIVE-IN^<br />

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At intermission, time is money!<br />

The more people you can<br />

move through refreshment lines,<br />

the more your profit . . .<br />

With VITTLE VENDOR<br />

self-service hot-food dispensing<br />

lines you can give your<br />

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BY SERVING MORE, make those<br />

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Your choice of<br />

overhead warmers,<br />

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free-standing<br />

units<br />

with moist or dry<br />

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Write today for free<br />

Vittle Vendor catalog<br />

and price list, and the<br />

full line of Star Metal<br />

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No obligation, of course.<br />

ADD Cooling and Coffee-Making Units<br />

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POLAR CUB sandwich-salad,<br />

refrigerator and freezer units<br />

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PENNA<br />

POOR PRINT<br />

CONDITION<br />

EVERYONE'S<br />

CONCERN<br />

By WESLEY TROUT<br />

Prom time to time we receive<br />

from projectionists and exhibitors<br />

complaining about<br />

the bad condition of<br />

prints, and they are<br />

not always carefully<br />

inspected by<br />

exchanges<br />

or at points<br />

of distribution to theatres.<br />

We have, dur-<br />

'<br />

^ ^^<br />

our talks in the<br />

L^apjflk^ field, found some of<br />

vl^^^k<br />

I<br />

these complaints to be<br />

justified. We believe,<br />

however, exchanges,<br />

when not too rushed for time, do try to send<br />

their prints out in fairly good physical condition.<br />

But we do find cases where print<br />

damage was caused at the theatre by projectors<br />

not in good repair, badly worn<br />

sprockets, shoes, and excessive take-up tension<br />

on the lower reel. Also, rewinding too<br />

fast or reels in bad condition can damage<br />

film.<br />

Projectionists should remove broken or<br />

damaged perforations and make a splice instead<br />

of making a "V" in the broken perforation.<br />

A broken perforation, in many<br />

cases, will not go through the projector<br />

mechanism and usually causes the film to<br />

tear off and cause damage. Moreover, don't<br />

try to repair a splice that is not good by<br />

making a "V" in it. Projectionists should<br />

use fresh film cement and use a good mechanical<br />

splicer. Hand-made splices arc very<br />

seldom satisfactory and pull apart.<br />

Another cause of film damage is careless<br />

threading of the projector and soundhead.<br />

Be sure the film is threaded correctly—make<br />

certain the sprocket teeth engage in the perforations<br />

accurately before you start the projector.<br />

Make sure the pad rollers holding the<br />

film on the sprockets arc adjusted correctly<br />

and do not "ride" the film. The thickness of<br />

two pieces of film is the correct distance of<br />

the pad roller(s) from the face of the sprocket.<br />

There should be a snap when the bracket<br />

is lowered on the sprocket, this indicating<br />

there is sufficient tension on the bracket to<br />

hold it down snugly. Make sure rollers turn<br />

freely and do not have end-play.<br />

The MODERN THEATRE SECTION


Another source of film damage is worn<br />

lateral guide rollers. Rollers must be correctly<br />

adjusted so that film will run down to<br />

the gate and the intermittent sprocket in a<br />

straight line. If rollers do not turn freely<br />

they will develop grooves and not turn all<br />

the "time. Splices may catch in grooves and<br />

tear the splice apart and cause damage to<br />

several feet of film, before the projector can<br />

be stopped, particularly if the splice is poorly<br />

made. Worn rollers can cause picture<br />

weave. Check rollers at least once a month<br />

to make sure they are okay.<br />

The intermittent guide assembly that holds<br />

the film against the intermittent sprocket<br />

must be adjusted correctly or it can cause<br />

film damage and fail to hold the film steady.<br />

There should not be excessive tension as the<br />

purpose of a film guide is simply to hold<br />

the film against the sprocket firmly and no<br />

more. Be sure to keep the shoes clean and<br />

free of any accumulation of dirt and film<br />

particles. Use a stiff-bristle toothbrush for<br />

cleaning each day.<br />

Another cause of film damage is improper<br />

adjustment of the take-up mechanism. In<br />

older type of projectors, the ones using discs<br />

with leather between them should be frequently<br />

taken apart and thoroughly cleaned<br />

and readjusted for smooth take-up of film.<br />

It is necessary to have just enough tension to<br />

turn a reel when it is full. Excessive tension<br />

causes rapid wearing of the holdback<br />

sprocket teeth and too much strain on the<br />

I>erforations, resulting in torn out sprocket<br />

holes and pulling apart of poorly made film<br />

splices. Greatly improved take-up mechanisms<br />

in modem makes of projectors need<br />

little attention once they are properly adjusted.<br />

Take-ups are often sadly neglected<br />

and not kept clean, and this causes trouble.<br />

Never, never use a signaling device that<br />

has a roller riding the film. Such devices can<br />

prove harmful, particularly on a new print<br />

when the emulsion is most susceptible to<br />

damage. The newer types of signaling device<br />

that operate outside of the upper magazine,<br />

on the spindle, are far superior and will not,<br />

of course, damage the film. They do a better<br />

job in giving a signal when getting ready to<br />

make a changeover. The outside of the<br />

magazine-type signal device may be obtained<br />

from most local theatre supply houses at a<br />

reasonable cost.<br />

is<br />

Imprint of the sprocket teeth on the film<br />

brought about when the film runs off the<br />

sprocket, which may be caused by badly adjusted<br />

sprocket idlers, poorly made splices,<br />

sprocket holes in film not matched, loose<br />

•splices, and projector not threaded up properly.<br />

When you check film, make sure<br />

splices are "welded" and hold firmly all the<br />

way across the splice.<br />

All makes of projectors are equipped with<br />

-.tripper plates. A stripper rests on the hub<br />

of the sprocket (take-up and feed sprockets)<br />

where it does not interfere with the film. If<br />

the film should tear or come apart due to a<br />

badly made splice, it has a tendency, in most<br />

cases, to wrap itself around the sprocket.<br />

The function of the stripper is to prevent<br />

this, forcing the film off, and keeping the<br />

film from being damaged. If the film should<br />

Continued on following page<br />

For ALL YOUR THEA TRE NEEDS<br />

SEE YOUR<br />

gff^<br />

THEA TRE EQUIPMENT DEALER ^F<br />

He has the ability,<br />

the experience, the<br />

trained personnel, facilities and approved<br />

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Including<br />

serve you effectively<br />

PROJECTOR<br />

PARTS<br />

Made by the specialist<br />

in high precision<br />

machine work —<br />

including Sprockets,<br />

Intermittent Movements and other<br />

unique parts of projection<br />

equipment where finest workmanship.*'<br />

extreme accuracy, is vital. Specify<br />

LaVezzi parts — always. It pays.<br />

7^<br />

MACHINE WORKS, INC.<br />

9G0 N. Larch Ave., Elmhurst, III. 60125<br />

ive-ln Theatre Operators.<br />

PRECISION<br />

PARTS<br />

SPECIALISTS<br />

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Are Mosquitos and Gnats keeping customers away?<br />

PIC revolutioncry in-car call mosquita repellents,<br />

packoged in Individual aluminum-lined ash tray<br />

boxes, provide guaranteed protection to your<br />

patrons (up to 4 hours each) and extra, profitable<br />

sales for you at your concession stand.<br />

1 lli Coils give you the<br />

highest profit per sale in a<br />

mosquito repellent—averaging<br />

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*Drive-ln Theatres averxiging sales of 1400 units<br />

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sales * 35c equals S70.00 times 7 days equals<br />

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Eye-Catching Counter Display<br />

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BOXOFnCE :: November 13, 1972 37


'<br />

'<br />

'<br />

CREKXS DIPLOMAT may be<br />

the gieatest way ever<br />

thought of to make<br />

$60 an hour.<br />

Nobody ever made<br />

anybody unhappy by<br />

handing them a 15C<br />

bag of dehcious,<br />

hot popcorn.<br />

Cretors Diplomat with a 20-oz. all-steel kettle<br />

pops 400 bags every hour. Multiply that by 15


We too often find, in our field treks,<br />

"green operators" given very little training<br />

in the handling of equipment and care of<br />

film. This results in a poorly presented program,<br />

damage to film and improper handling<br />

of the lamps and projectors and improper<br />

operation of the sound equipment.<br />

Every theatre should set up a training program<br />

before a novice is put in charge of<br />

equipment costing many thousands of dollars.<br />

We know, of course, not every situation<br />

can employ a projectionist with long<br />

experience, but some qualified projectionist<br />

should be available to train a novice before<br />

he is turned loose in a projection room to<br />

operate. Projectionists—novice or an experienced<br />

man—should be supplied with a<br />

manual on sound and projection to help him<br />

gain knowledge. Your patrons expect good<br />

screen presentation and clear, crisp sound<br />

reproduction. Why not try to give it to<br />

them?<br />

Now let's get back to some of the causes<br />

of film damage. At least 90 per cent of film<br />

damage is done in the projection room by<br />

untrained projectionists and worn projection<br />

equipment, and equipment that is not kept<br />

Iffoperly adjusted. Careless handling of the<br />

film is another cause, of course, as is rewinding<br />

the film too fast with not enough<br />

tension on the dummy end of the rewinder<br />

so that film will be tight on the reel instead<br />

of loose. Projectionists who do not give<br />

enough attention to inspecting and remaking<br />

splices that are in bad condition, or who use<br />

exchange reels that are bent and otherwise<br />

in poor condition, contribute to film damage.<br />

There should always be on hand a sufficient<br />

number of good house reels for use in<br />

the upper and lower take-up magazines.<br />

Rewind elements should be kept in perfect<br />

alignment so that film will travel in a<br />

straight line from the dummy element to the<br />

rewind element. Film should never be "pulled<br />

down" in order to get it tight on the reel,<br />

nor should it be held back and pulled, as this<br />

will cause long scratches. Another source of<br />

scratches is magazine trap rollers that do not<br />

turn or are badly worn and have flat places.<br />

Do not let dirt or scraps of film collect in<br />

the magazine rollers. Clean trap rollers by<br />

using a short piece of film and pulling it up<br />

and down through the rollers. This will pull<br />

out scraps of film and dirt accumulations.<br />

We find that the greatest culprits of film<br />

damage are dirty and worn film trap rollers,<br />

excessive take-up tension on the lower reel,<br />

badly worn sprockets and worn lateral guide<br />

rollers. The film path should be kept clean<br />

and worn part replaced when needed.<br />

Since the advent of automation, we are<br />

happy to see more projectionists taking interest<br />

in checking their film for bad splices<br />

and nicked perforations. They know, in<br />

order for automation to work 100 per cent,<br />

the film must be in good running condition<br />

or there will be trouble and unnecessary<br />

stops, and this would not be in a first-class<br />

theatre. Properly inspected film will run day<br />

in and day out without any trouble, if the<br />

equipment is in good repair. The picture<br />

should be presented without annoying stops<br />

and with good light, good focus and perfect<br />

changeovers.<br />

Continued on following page<br />

What Have You Got<br />

To Have That WE<br />

Haven't Got To<br />

GIVE...?<br />

Ste us in<br />

Booth 69<br />

NATO<br />

Convention<br />

REGISTERS<br />

Completely Adaptable. Available in either<br />

MG or ST style equipment. Two case sizes<br />

accommodate 1 to 3 or 3 to 5 units.<br />

Silent. Drive power inside case for quiet,<br />

smooth ticket issuing.<br />

Easily Installed. Smooth case, free of outside<br />

obstructions provides ease of<br />

installation.<br />

Sen/ice-Free Case. Case body free of moving<br />

parts, allowing permanent installation.<br />

Complete Unit Service. Ticket issuing unit<br />

and power assembly can be returned as<br />

one. for economical service.<br />

For complete information<br />

Write or see your Equipment Dealer<br />

CONSOLIDATED TICKET REGISTER CORP.<br />

1784 Coney Island Avenue / Phone: 212-375-1845<br />

Brooklyn, N.Y. 11230<br />

Whaf do you want in an optical sound system?<br />

, . . . Professional qualify? High reliability?<br />

.... Ease of operation? .... Ease of maintenance?<br />

If you Insist on all of these features, there's only one system<br />

precisely tailored to fit your requirements at a competitive price.<br />

That's the<br />

ELECTRO SOUND MODEL 70<br />

Here is an optical sound system designed for the theatre of the<br />

I970's. It is the only optical system which provides studio quality<br />

sound reproduction, and does it within the reach of any budget.<br />

So when you think sound, think<br />

ELECTRO SOUND<br />

Visit us in<br />

Booths No. 110-111<br />

NATO Convention<br />

Nov. 18-21<br />

£))<br />

725 KIFER ROAD/SUNNYVALE, CALIFORNIA 94086/TELEPHONE (408) 245-6600<br />

A SUBSIDIARY OF VIEWLEX, INC.<br />

BOXOFTlCE :: November 13, 1972 39


POOR PRINT CONDITION<br />

Continued from preceding<br />

page<br />

treks in the field. This is false economy and<br />

is not good business.<br />

Protective Leader<br />

BEVELITE<br />

Toll Free Number:<br />

(800)421-1256<br />

In California, Call Collect.<br />

(213)321-5641<br />

Stak-Eze, Bevelite's Flat Letter. Beveletter,<br />

our Formed Letter. Both styles<br />

In sizes 4" to 31". Track or complete<br />

background support for letters.<br />

BEVELITE<br />

Manufacturing Co.<br />

17819 So. Figueroa St.<br />

Gardena, Calif. 90248<br />

Phone: (213) 321-5641<br />

There are many dedicated men in projection<br />

rooms who take a great interest in<br />

their chosen profession and really want to<br />

do a good job in taking care of their equipment<br />

and want to present a picture that you<br />

enjoy seeing. They take time out to study<br />

all the technical data they can obtain and<br />

find out the correct procedure on how to<br />

make repairs, and they do take an interest<br />

in inspecting their films so they will not be<br />

damaged unnecessarily. By keeping equipment<br />

clean and making repairs when needed,<br />

a smooth running show is presented and<br />

this brings the customers back to enjoy good<br />

screen presentation and good sound reproduction.<br />

We are happy to note, too, that more<br />

exhibitors are taking an interest in projection<br />

and sound and try to work with<br />

their projectionists to give them the cooperation<br />

they should have. Of course, now<br />

and then, we find many exhibitors know<br />

little or nothing about what goes on in their<br />

projection room and don't want to put out<br />

any money for parts or repairs as long as<br />

the projectors still run. and they wait until<br />

something breaks down and then<br />

make repairs,<br />

which can cost more in the long run.<br />

It can often cause a complete shutdown of<br />

the theatre for several hours or a day or<br />

two. Believe me, we have seen this in our<br />

In order to keep the film path cleaner,<br />

many film companies have added a leader<br />

to their prints. It is known as a "protecta<br />

print" and is 30 feet in length. Added to<br />

this, or part of the 30 feet, is five feet of<br />

a green burnishing cleaning film. This leader<br />

will clean the aperture plate and rollers and<br />

pick up the dirt and dust on the end of each<br />

reel. This is supposed to improve the life<br />

of film by around 25 jjer cent. Now, if the<br />

projectionist will also cooperate by keeping<br />

the sprocket teeth clean and avoiding excessive<br />

tension on film at the gate and take-up,<br />

it certainly will improve projection and<br />

avoid unnecessary damage to prints. Moreover,<br />

good house reels should be used and<br />

the reels taken care of and placed in the<br />

film cabinet when not in use. Be careful to<br />

not drop a reel, as this treatment generally<br />

damages a reel beyond future use.<br />

Now let's talk about film splicing. Splicing<br />

of film is of paramount importance<br />

because the variety of damage caused by<br />

poorly made splicing is a source of mors<br />

trouble than most any other factor. For an<br />

example, a poorly made splice that tears<br />

loose at one side only and lets the edge<br />

catch on a sprocket or guide roller,<br />

ripping<br />

the film apart, in some cases ripping the<br />

film down several feet before coming to a<br />

stop. This does, you will agree, cause the<br />

loss of several feet of film and the projec-<br />

C&Actafit = ——<br />

[LDITSm\ow projection<br />

SYSTEMS WILL SOON BE HERE.<br />

We were not about to put our 55 years of experience and superior technical know-how<br />

in jeopardy and throw it all away on look-alikes. Not Ashcraft. We dodged the usuaf<br />

and made sure our xenon systems are different—AND BETTER!<br />

Our XE-LITE xenon lamphouses will hove a rotating bulb device to increase useful bulb<br />

life ... a built-in, fool-proof optical aligning system that requires less than ten minutes<br />

to put the reflector, xenon bulb, aperture plate, and projection lens on a perfect optical<br />

axis. These are just TWO ASHCRAFT EXCLUSIVES the competitors DON'T HAVE! And, there<br />

are many more you will soon know about, including a new line of power supply systems<br />

wearing the ASHCRAFT badge of DEPENDABILITY!<br />

Visit our booth No. 93 at the<br />

NATO-TEA-NAC Convention in<br />

Bal Harbour, Florida, Nov. 18-21<br />

... end SEE XE-LITE!!<br />

If you've never been convinced that a xenon projection system could be developed to<br />

overcome the problems common to the present crop of xenon lamphouses, then just you<br />

be patient a bit longer!<br />

C S. Ashcraft Mfg. Co., Inc.<br />

^^<br />

36-32 38th Street<br />

Long Island City, N.Y. 11101<br />

40 Th« MODERN THEATRE SECTION


; at<br />

'<br />

end<br />

tor has to be stopped until it is rethreaded<br />

again, etc. This could be avoided if the<br />

splice was carefully made, using a good<br />

mechanical splicer and good film cement.<br />

When making a film splice, there are<br />

three important factors to be kept in mind,<br />

namely: use a good well-known brand of<br />

film cement, thoroughly clean the splice<br />

before applying cement, and use a good<br />

film splicer. Next, only one swipe of the<br />

brush with cement is generally enough for<br />

any film splice — too little or too much<br />

cement makes either a soft or hard splic;.<br />

A hard splice may cause film to jump the<br />

sprocket and cause damage. Use either a<br />

single-edge razor blade or the scraper that<br />

comes with the splicer. Clean all the emulsion<br />

off thoroughly, but remember, film is<br />

only about 1/1000 of an inch thick! Just<br />

remove the emulsion—too much scraping,<br />

of course, can make a weak splice that can<br />

easily tear apart.<br />

Clean the mechanical film splicer when<br />

finished so there will not be an accumulation<br />

of film cement. Make sure the blade<br />

1 that cuts the film is adjusted correctly so<br />

I<br />

that it cuts straight. Also make sure the<br />

splicer is perfectly set so the jjerforations<br />

will be matched. Once set correctly the<br />

splicer will need no further attention except<br />

for occasional cleaning. All leading theatre<br />

supply dealers sell mechanical splicers.<br />

In making splices, film ends should be cut<br />

the right place and cut square. The stub<br />

must be exactly the right length; if it is<br />

too short it will be weak and if it is too long<br />

it will be stiff. Scrape the emulsion from<br />

the stub end exactly to the center of the<br />

frame line. Scraping must be straight across<br />

the<br />

line.<br />

Scrape Celluloid Side of Film<br />

We also recommend the<br />

rear or celluloid<br />

side of the film be scraped very slightly to<br />

remove any dirt and oil, and roughen this<br />

side a little. Wipe clean with a clean rag.<br />

This all takes a little more time but you<br />

will be rewarded by having a splice that will<br />

hold and will not pull apart.<br />

Take good care of film in the projection<br />

room. We strongly recommend that all film<br />

not running through the projector should be<br />

kept stored away in the film cabinets and<br />

not set on the floor or left in the projector<br />

overnight. This will help to prevent dust<br />

settling on the reel. Do not let a piece of<br />

leader stick out of the film cabinet. Always<br />

keep a supply of extra leader in case you<br />

need to have some to add to one that is too<br />

short for run down in<br />

projector.<br />

Film should never be rewound too fast<br />

by hand or in an electric rewind. Now, if the<br />

rewinding speed is high, the reels not in<br />

good condition or the rewinder elements not<br />

in line, particularly with hand rewinders, the<br />

film will suffer damage, of course. When<br />

reels are out of alignment the edge of the<br />

film will rub against the reel sides with<br />

sufficient force to damage the sides of the<br />

film and sometimes cause damage to the<br />

soundtrack. Electric rewinds are generally<br />

equipped with an automatic cut-off switch<br />

Continued on following page<br />

See OS in Booth 127<br />

at NATO Convention<br />

Important Exclusive<br />

Features Make<br />

Marquees by Adier<br />

YOUR BEST CHOICE<br />

— ">r<br />

so that the motor will stop and prevent ex-<br />

New PRONTO flat silkscreened<br />

Letter: automatically<br />

self-spacing, requiring<br />

minimum storage<br />

space.<br />

3-Diin»nsional SNAP-LOK<br />

Letter: interchangeable in<br />

sizes from 8" to 31" on<br />

the same background.<br />

ADLERITE Backgrounds: hi-impact material resists<br />

storm and vandalism damage.<br />

/:<br />

ADLER SILHOUETTE LETTER CO.<br />

PRODUCTS<br />

8108 CAPITOLA AVENUE<br />

FAIR OAKS, CALIF. 95628<br />

11843 West Olympic Blvd.<br />

Los Angeles, Calif. 90064<br />

CARBON<br />

SAVERS<br />

Contact Your<br />

Theatrical<br />

Supply House<br />

INCREASE YOUR PROFITS WITHOUT INCREASING YOUR PRICES!<br />

Now you can Increase your earnings without raising prices a single penny.<br />

Just sell or rent the Sound Master — a receiver specially designed for drive-in theatre use. The<br />

Sound Master enables movie soundtracks to be enjoyed through stereo speakers — like<br />

they were made to be heard.<br />

The Sound Master is simple to use too. Merely Insert the Sound Master into any standard<br />

8-track tape player and clip the connecting wire to your drive-in speaker<br />

cable. The movie's soundtrack is induced through the car stereo speakers. The<br />

clip requires no electrical connections, easily connects and disconnects and will<br />

not damage the speaker cable in any way.<br />

The Sound Master is so unique that it'll sell or rent itself. Everybody who patronizes<br />

your drive-in theatre and owns a tape player is a potential customer.<br />

To help promote sales of the Sound Master, on orders of 12 or more a 30<br />

second film strip will be furnished, along with an illuminated sign for concession<br />

display.<br />

Now you can get in on the terrific profits earned from the Sound Master. On<br />

your first order of three or more Sound Masters, you get the special dozen<br />

lot price — only S12.00 per unit. Suggested retail selling price of $19.95<br />

each and suggested rental price of S .50 per evening make you a substantial<br />

profit. A complete rental kit is available to make renting procedure simple.<br />

Don't wait any longer!<br />

Order your Sound Masters<br />

today, and start making the<br />

extra profits that Sound Master<br />

to offer. has<br />

(|ound^aster<br />

BOXOmCE :: November 13, 1972 41


*^


'<br />

4,600<br />

I<br />

OOOOOOOOQOOOQQOBBOngg OOBBBflBg;<br />

NEW<br />

EQUIPMENT<br />

==== and ==<br />

DEVELOPMENTS<br />

International Audio Visual Adds 16/35<br />

Projector to Its Line of Equipment<br />

International Audio Visual, Inc., has<br />

added the International 16/ 35mm projector<br />

to its line of audio visual equipment,<br />

according to Bob Gaskins, vice-president.<br />

Rocking Chair Comfort<br />

Massey answers your<br />

seating problems with its<br />

big, luxurious oversized<br />

Astro-Rocker featuring<br />

three foam-pillar back<br />

supports and full depth<br />

foam cushion seat and<br />

back. Cradle your deepseated<br />

worries away with<br />

the new Massey Astro-<br />

Rocker. Your customers<br />

will love you. Also available,<br />

stationary<br />

Astro- Lounger.<br />

You're always sitting pretty with<br />

RQasseu<br />

aeaiing co<br />

NASHVILLC. TENNESSEE 37208<br />

The 16/35 projector is a professional,<br />

high precision unit, designed to convert<br />

easily from 16mm to 35 mm film. The<br />

conversion takes less than five minutes<br />

and involves just five steps: 1) changing<br />

the gate, 2) substituting spindles, 3) rei<br />

setting mode switches, 4) changing lens,<br />

!<br />

5) alternate threading. The film reels carry<br />

feet of 35mm color film, and 5,000<br />

•<br />

feet of 16mm film. An automatic changeover<br />

mechanism is built into the projector.<br />

The International 16/35 projector has a<br />

2,000-watt xenon lamp that gives maximum<br />

brightness for film projection. Intermittent<br />

sprockets move both 16mm and<br />

35mm film.<br />

The 16/ 35mm projector is said to be<br />

ideal for use in small theatres, university<br />

and civic auditoriums, convention halls,<br />

company meeting rooms and any other<br />

large assembly room where films are shown.<br />

The 16/ 35mm projector is a highly versatile<br />

unit for professional and commercial use.<br />

New Scroll Design Is Adapted to Keyes<br />

Line of Chinet Food Service Products<br />

Keyes Fibre Co., maker of Chinet disposable<br />

tableware, has introduced a new Scroll<br />

design to its special print line of products<br />

for use in all types of food service operations.<br />

The design has been adapted to<br />

Continued on following page<br />

a D&D screen<br />

makes the<br />

best<br />

showing<br />

V<br />

D&D not only makes the<br />

best showing with its<br />

superior facing (STEEL<br />

SHEETS FULL LENGTH OF<br />

YOUR PICTURE) but<br />

For more information, write to:<br />

GENE TAYLOR<br />

in all of our services. Like<br />

10 days or less<br />

to replace your screen,<br />

exclusive designs by<br />

registered steel engineers.<br />

When it comes to<br />

drive-in theatre screens<br />

we really make a showing.<br />

nJ? n THEATRE SCREENS, INC. P.O. Box 4042<br />

UOLU Overland Park, Kansas 66204 (913) 649-7116<br />

BOXomCE :: November 13, 1972 43


NEW EQUIPMENT AND DEVELOPMENTS<br />

Continued from preceding<br />

page<br />

Chinet dinner, luncheon, and compartment<br />

plates; platters; bowls; dessert and accessory<br />

dishes.<br />

The Scroll motif was selected from dozens<br />

of designs for its attractive and classical<br />

look that enhances the appearance of food.<br />

It is available in stock colors of green on<br />

green and can be ordered in any personal<br />

preference two-color combination without<br />

additional cost when ordered in minimum<br />

quantities.<br />

Chinet is the quality line of disposable<br />

tableware that is known for its strength and<br />

finish that is plasticized for use with either<br />

hot or cold foods. Chinet is completely biodegradable<br />

as are all the many hundreds of<br />

products manufactured by Keyes Fibre.<br />

Sweden Pressurizer Designed for Use<br />

In Carbonated Beverage Dispensing<br />

A leaking CO^ cylinder can often be a<br />

big headache to the concession operator. It<br />

is not just the cost (although a 20-pound<br />

bottle of C02 does cost about $7.00) but<br />

the inconvenience. It always seems that you<br />

are down when you are the busiest.<br />

Sweden Freezer has introduced a "Pressurizer"<br />

Model 5-26 that is designed for<br />

medium volume controlled air supply system.<br />

It can be used with carbonated beverage<br />

dispensing equipment or beer dispensers.<br />

Use of the 5-26 also reduces foaming and<br />

Sweden claims the device can actually pay<br />

for itself by reducing CO^ losses caused by<br />

re-opening syrup tanks for refilling.<br />

Xenon Igniter and Xenon Conversion<br />

Available From Lombardo Electric<br />

Lombardo Electric Co. of Hollywood has<br />

announced the introduction of its new xenon<br />

igniter which is said to permit efficient, surefire<br />

ignition of xenon lamps. The system is<br />

available in three sizes: 3,000-5,000 watts;<br />

1,600-2,500 watts and 500-1,000 watts.<br />

Lombardo also announced that work is<br />

currently being completed on a conversion<br />

system allowing theatres to convert their<br />

equipment from arc to xenon. This conversion<br />

will become available in the very near<br />

future.<br />

According to<br />

information supplied by the<br />

firm, satisfaction is guaranteed on all products<br />

and Lombardo also guarantees its<br />

products to perform as well as more expensive<br />

systems.<br />

Insulated Bags from Brown Paper Goods<br />

Eliminate Any Possibility of Sogginess<br />

Brown Paper Goods Co., Libertyville, II<br />

has announced the availability of STA HOT<br />

insulated bags. BPG refers to this new baa<br />

as "the 'hot' bag that breathes." It keeps hoi<br />

dogs, hamburgers, french fries and other<br />

foods hot and fresh,<br />

but eliminates any possibility<br />

of sogginess which is typical of foil<br />

bags.<br />

STA HOT bags are made with a special<br />

heat retention formula and the while<br />

areas in the checkerboard design actuall><br />

Over the years, Selby<br />

screen tovs^ers have weathered<br />

some horrible things.<br />

Selby builds every screen tower<br />

to withstand high winds, driving<br />

rains, snowstorms, lightning and the<br />

Frankenstein monster. Over 600 Selby<br />

screen towers are in service today in<br />

drive-ins throughout the U.S., Canada,<br />

Puerto Rico, Jamaica and Venezuela.<br />

All of Selby's screens are engineered,<br />

fabricated and constructed to<br />

meet AISC and ACI code standards.<br />

If your plans call for a new screen<br />

tower, call for a Selby screen tower<br />

specialist. He could save you from<br />

making some horrible mistakes.<br />

'e^v<br />

Industries, Inc.v^<br />

3920 Congress Parkway<br />

Richfield, Ohio 44286<br />

216-659-6631<br />

(On 24-hour call)<br />

44 The MODERN THEATHE SECTION


i<br />

The<br />

!<br />

i Drive-in<br />

1 heard<br />

;<br />

with<br />

:<br />

cially<br />

cable. The sound is then induced through<br />

'<br />

breathe. Heat retention is 87 per cent that<br />

making doors in the self service of soft ice<br />

B ' of foil. Cost is considerably less than that of the stereo speakers. The Sound Master<br />

foil bags. The checkerboard design is standard,<br />

works by induction—not by a car battery<br />

but customer-imprinted bags are or electrical connection. The easy connect/<br />

available.<br />

disconnect clip will not damage the speaker<br />

Free samples, prices and complete information<br />

cable even when forgotten to be removed<br />

may be obtained.<br />

when the car starts to pull away.<br />

A Sound Master filmstrip and illuminated<br />

Specially Designed Receiver Induces<br />

concession sign will be supplied on orders of<br />

Airer Sound Through Stereo Speakers 12 or more to help promote sales. Dozen lot<br />

theatre soundtracks can now be price is $12.00 per unit, with suggested retail<br />

selling price SI 9.95 each and suggested<br />

and enjoyed through stereo speakers<br />

the use of a Sound Master from rental price $.50 per evening. A complete<br />

Ale,xco Mfg. Co., Oklahoma City. The sperental<br />

kit is available to make renting operations<br />

designed Sound Master receiver induces<br />

the easiest possible.<br />

the sound through stereo speakers The Sound Master can also be used in<br />

without any electrical connections required. conjunction with a car radio, transistor<br />

Sk>und Master works by inserting it radio and telephone hookup.<br />

into any standard 8-track tape player and<br />

clipping the connecting wire to the speaker<br />

Sweden's Self-Service SoftServer<br />

Features Simplicity of Operation<br />

Self-service soft-serve is easy with Sweden<br />

Freezer's new counter model SoftServer.<br />

The Sweden Counter Model 1-270 Soft-<br />

Server which was introduced a few months<br />

ago has opened some money-saving, profit-<br />

cream.<br />

The new push type handle is so simple<br />

to operate anyone can use it, and even the<br />

most inexperienced can serve themselves.<br />

A simple push-type dispensing gate automatically<br />

starts dasher motor and dispenses<br />

soft-serve, sherbet or other frozen desserts<br />

of smooth texture and uniform consistency.<br />

NEW<br />

A COMPACT COIN COUNTER<br />

AND PACKAGER<br />

n<br />

NADEX QUICKCOUNT<br />

With Instont Count Verifier<br />

only $29.95<br />

COUNT AND WRAP COINS<br />

WITH SPEED, EASE, ACCURACY<br />

INQUIRE ABOUT FREE TRIAL OFFER<br />

NADEX Industries Inc.<br />

Dept. 1414, 220 Delawore<br />

Buffalo, N. Y. 14202<br />

For more information about products<br />

described in this issue use Readers' Service<br />

Bureau coupon on page 61.<br />

Leaders in Changeable Plastic Letters<br />

^ian J-^roducts^<br />

1319 W. 12th Place-Los Angeles, Calif. 90015<br />

Phone (213) 747-6546<br />

SIZES: 6", 8", 10", 17", 24"<br />

COLORS: RED, BLACK, GREEN, BLUE<br />

CLIPPED FOR STANDARD 7" O.C. TRACK<br />

ALL STAINLESS STEEL CLIPS<br />

FREIGHT ALLOWANCE<br />

Samples on<br />

Request<br />

Eost Coast Distributor—CROWN MOTION PICTURE SUPPLY CO., Phone (212) 635-2564<br />

.CARBONS, Inc. 10 Saddle Road, Cedar Knolls, N. J. 07927.<br />

Systems<br />

5s^srs;s<br />

Xenon Lighting<br />

See your<br />

Theatre<br />

Equipment<br />

Dealer<br />

for details<br />

Jlo^i^iaUte Qcu^Lo^h4><br />

^mmm<br />

COMPLETE<br />

LINE OF<br />

^°[J^ini-Mult<br />

',22l2l!^-ln Theau res<br />

EQUIPMENT<br />

BOXOFHCE :: November 13, 1972 45


NOW .<br />

. . YOU CAN STAY OPEN ALL YEAR<br />

WITH<br />

THERMOLATOR<br />

INKAR HEATERS!<br />

Total car comfort<br />

500 and 750<br />

watt models<br />

U/L Approved tor<br />

"Permanent" or<br />

"Hand Ouf<br />

Installations<br />

Rugged Construction<br />

Guaranteed Safe<br />

Keeps windshield<br />

dry and clear<br />

Write for<br />

illustrated<br />

brochure<br />

Thermolator Inkar Heaters have more<br />

practical dollars-and-cents value for your<br />

drive-in theatre than any other comparable<br />

heater on the market! They pay for<br />

themselves from your increased profits.<br />

THERMOLATOR CORP.<br />

1628 Victory Boulevard. Glendale 1, California<br />

TO-GET-THE<br />

BEST RESULTS<br />

USE THE BEST<br />

FILM<br />

CEMENT<br />

ETHYLOID<br />

Ayailable at All Theatrt Supply Dtaltn<br />

Fisher Manufacturing Co.<br />

lias M». RMd Blvd.<br />

RMkMtw, N«w Yark,<br />

UJJk.<br />

Cashier Is<br />

Opening<br />

Linic to Courtesy<br />

By ALLEN M. WIDEM<br />

The CAsmER, on the front-line of<br />

direct patron contact, is the opening link<br />

to a 1972 theatre's continuing campaign of<br />

courtesy, no small matter of importance to<br />

exhibition's image, in the studied opinion of<br />

Don Baker, vice-president for advertising<br />

and promotion for Loews Theatres.<br />

In a management-level communique, entitled<br />

simply, "What Is a Cashier," Baker<br />

recalls that the other day he happened to<br />

call a major corporation and the switchboard<br />

operator, after asking whom he wished<br />

to speak to, said, "One moment please,<br />

have a nice day!"<br />

"I was so struck with her response," he<br />

said, "that I hung up immediately and called<br />

the company back to see what would happen<br />

when 1 reached another operator."<br />

The second operator, too, also answered<br />

courteously, appending the words, "Have a<br />

nice day!"<br />

Baker mused: "You know what? I did<br />

have a nice day."<br />

He said that with such personality radiating<br />

through a mere telephone, he wanted to<br />

do business with that corporation.<br />

Just what is a cashier?<br />

Baker remarks: "She's a company image<br />

for good or for bad. The telephone can be<br />

a deadly instrument or an instrument of<br />

infinite good. The cashier who answers the<br />

telephone with, 'Good afternoon, Loews<br />

Theatre' and concludes the conversation with<br />

'Thank you for calling Loews' gives our<br />

company a good image."<br />

Courtesy shapes personalities, too. That<br />

cashier will probably enjoy her day, because<br />

the courtesy she generates becomes contagious<br />

to<br />

What is<br />

those around her.<br />

a cashier?<br />

"She's the recipient of endless abuse,"<br />

Baker admits. "The man who read the time<br />

schedule in the newspaper incorrectly will<br />

shout his annoyance at her. The lady who<br />

had to wait in a long line will think she's<br />

too slow.<br />

"The abuse is endless, but a good cashier<br />

smiles through it all and kills complaints<br />

with kindness. What man can stand up to<br />

a cashier who says, 'Oh, I'm terribly sorry<br />

the time schedule was incorrect. I'll tell the<br />

manager at once. I only wish I could undo<br />

the wrong. I'm truly sorry for the inconvenence<br />

it caused you.'<br />

Baker, who came up through the managerial<br />

ranks with "Loews Theatres Everywhere,"<br />

concedes that the individual lodging<br />

a complaint is generally looking for an<br />

argument.<br />

"He's probably already rehearsed his in<br />

his mind, and when he is faced with a<br />

cashier who refuses to argue and heaps<br />

sympathy upon him, the argument fades."<br />

Baker advises Loews personnel and others<br />

in the field: "Try it, it works every time,<br />

and, remember, they're not generally mad<br />

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46 The MODERN THEATRE SECTION


at you as a person, but the company you<br />

represent. The cashier just happens to be the<br />

first person with whom tiiey come in<br />

contact."<br />

What is a cashier?<br />

"She's the direction-giver, and the sympathizer.<br />

What she's not is a secretary. She<br />

answers questions about feature times, prices<br />

and who's in the film, but refers all other<br />

calls to the manager's office. It's tough<br />

enough being a cashier without being a secretary,<br />

too."<br />

What is<br />

a cashier?<br />

"She's a sidewalk superintendent. She<br />

notifies the manager when the sidewalk is<br />

not tidy or when the posters are not neatly<br />

placed in the display frames or when bulbs<br />

are burned out in the marquee."<br />

What is a cashier?<br />

"She's a sign-changer. She checks her<br />

price signs and perhaps prepares new ones<br />

when pictures change."<br />

What is a cashier?<br />

"She's a reporter. She keeps the manager<br />

informed of conversations she hears about<br />

whether the patrons like or don't like the<br />

picture. She reports complaints about the<br />

auditorium being too hot or too cold, or that<br />

the restrooms need attention.<br />

"She tells the manager about complaints<br />

of prices, parking conditions and hundreds<br />

of other little items that collectively help the<br />

manager operate a better theatre—because<br />

he is informed."<br />

Finally, what is a cashier?<br />

"She's many, many things, but, most important<br />

of all, she's the theatre's personality.<br />

Remember, you never get a second chance<br />

to make a good first impression!"<br />

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BOXOmCE :: November 13, 1972 47


Special Ceremonies Are Held<br />

SMPTE Board of Governors Presents<br />

Fellow Member Awards at<br />

The Board of Governors of the<br />

Society of Motion Picture and Television<br />

Engineers, upon the recommendation of the<br />

Fellow Membership Award Committee,<br />

under the chairmanship of Deane R. White,<br />

E. I. du Pont de Nemours, Inc., has conferred<br />

the distinguished grade of Fellow<br />

Member upon the following individuals.<br />

Conference<br />

The Fellow Awards were presented by<br />

SMPTE president Wilton R. Holm at special<br />

ceremonies on Monday, October 23, beginning<br />

the Society's 1 1 2th Technical Conference<br />

and Equipment Exhibit at the Century<br />

Plaza Hotel in Los Angeles.<br />

A Fellow of the Society is one who is no<br />

less than 30 years of age and who has, by his<br />

proficiency and contributions, attained an<br />

outstanding rank among engineers or executives<br />

of the motion picture, television or related<br />

industries. Those upon whom this honor<br />

has been conferred are:<br />

Hugo A. Bondy, chief engineer, WAGA-<br />

FAST SERVICE!<br />

TV, Atlanta, was educated at Pace Institute,<br />

Columbia University and Capitol Radio Engineering<br />

Institute. He served as senior field<br />

engineer in North Africa and Italy during<br />

World War II and has been with Storer<br />

Broadcasting Co. since 1951, where he has<br />

done distinguished work in the design, construction<br />

and installation of complete audio,<br />

video distribution amplifiers and switchers,<br />

projection/ VTR control systems and VTR<br />

slaving and dubbing facilities. Bondy was<br />

Program Chairman of the 1970 Winter TV<br />

Conference in Atlanta and has long been active<br />

in the management of the Atlanta Section.<br />

He has achieved general recognition<br />

in the broadcasting industry for progressive<br />

leadership in station engineering.<br />

Frank L. Flemming, vice-president, engineering,<br />

NBC Television Network, was<br />

graduated in electrical engineering from the<br />

University of Buffalo. Moving from Sylvania<br />

to CBS in 1954 he became director,<br />

plant systems engineering and was responsible<br />

for engineering of many new TV equipments<br />

and systems. He was chief engineer,<br />

Visual Electronics Corp., from 1967-1969.<br />

At NBC he has responsibility for design,<br />

specification, installation and costs of technical<br />

equipments and systems plus architectural<br />

design for NBC Television Network<br />

and NBC Radio Network. Because of his<br />

stature and the important and responsible<br />

position now held by Flemming at NBC, he<br />

brought to bear a significant influence in<br />

the broadcasting engineering field.<br />

Vernon G. Frith, president, Hollywood<br />

Valley Film Laboratory and vice-president<br />

and director, Dymat International Corp.,<br />

founded the Hollywood Valley Film Laboratory<br />

in 1952. The laboratory specialized<br />

in the use of 8mm and he was one of the<br />

first to use Eastman color small format film.<br />

Frith built and used reduction and blow-up<br />

printers for 8mm, adapted many other<br />

pieces of laboratory equipment, and developed<br />

economical techniques for the processing<br />

of 8mm black-and-white and color films.<br />

He has been an active participant in many<br />

of the courses sponsored by the Society at<br />

the University of Southern California and in<br />

1971 was a delegate to the International<br />

Standards Organization in London.<br />

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Some with your supply order.<br />

Call<br />

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Calvin M. Hotchkiss, coordinator, engineering<br />

services, for the Eastman Kodak<br />

Company's MP&EM Div., New York, graduated<br />

from Princeton in 1943 and obtained<br />

his M.A. from the University of Rochester<br />

in 1949. As engineering service representative<br />

for Eastman Kodak 1950 to 1971, he<br />

directly assisted many motion picture laboratories<br />

and television stations on the East<br />

coast in setting up black-and-white and color<br />

motion-picture processes. With Walter I.<br />

Kisncr, he was active in setting up the<br />

Tutorial Papers Sub-Committee to encourage<br />

the preparation and publication of tutorial<br />

papers in the Journal. Hotchkiss has been<br />

active in the management of the New York<br />

Section and has held a number of committee<br />

positions at SMPTE technical conferences<br />

in New York, including that of program<br />

chairman for the II 1th Conference.<br />

R. A. Isberg, consulting communications<br />

engineer, received his degree in Physical<br />

48 The MODERN THEATRE SECTION


j<br />

j<br />

Science from the University of Northern<br />

Colorado. Positions Isberg has held during<br />

his distinguished career include chief engineer.<br />

KRON-TV KRON-FM San Francisco:<br />

^enior engineer in professional products divivion,<br />

Ampex Corporation; chief engineer,<br />

television office. University of California at<br />

Berkeley; and director. Bay Area Radio<br />

Telephone Service, Inc. His present consulting<br />

activity specializes in communications<br />

systems programs and specifications for<br />

medical, educational and business buildings.<br />

also FCC and PUC matters. Isberg has been<br />

active for many years in the management of<br />

the San Francisco Section and at the 1971<br />

Winter TV Conference in San Francisco.<br />

He has contributed many papers to professional<br />

journals and is a Fellow of the IEEE<br />

and the AES.<br />

Claude L. M. Mercier, assistant to the<br />

director of engineering.<br />

Office de Radiodiffusion-Television<br />

Francaise, received his education<br />

at the Ecole Polytechnique, Paris.<br />

In 1956 he became director of operational<br />

services and since 1964 has been director of<br />

equipment and operational services. In these<br />

capacities, Mercier has organized the equipment<br />

and operation of the ORTF Television<br />

Services (live productions, recording and<br />

transmissional) over the past 15 years. Mercier<br />

was a member of the French Delegation<br />

at the International Telecommunication<br />

Union's conferences at Atlantic City, 1947<br />

and Stockholm, 1952. He has been a member<br />

of the Technical Committee of the European<br />

Broadcasting Union since 1952, vicechairman<br />

since 1957 and chairman since<br />

1971. He contributed a paper to the February<br />

1968 issue of Spectrum and presented<br />

a paper entitled "The Problems Posed By<br />

the Use of Film in Television Operations"<br />

before the EBU Technical Committee,<br />

Lugano, 1965.<br />

Don Norwood, internationally known for<br />

his development of exposure meters, was<br />

educated at Cal Tech and at engineering and<br />

flying schools in the Air Force. He has been<br />

granted 26 U.S. patents and several foreign<br />

patents in the field of light measurement for<br />

photographic exposure control. Norwood<br />

has contributed several technical papers to<br />

the Journal, including formulation of the<br />

basic creations for three-dimensional-incident-light<br />

meters. He is also the author of<br />

numerous other professional papers and a<br />

book "A New Approach to Exposure Control."<br />

He invented and developed the 3-D<br />

incident light meter which has been copied<br />

by every meter using the well known "golf<br />

ball" photosphere. He also invented and<br />

developed the "binary" type meter which<br />

compensates for the important center of the<br />

picture so that excellent exposures can be<br />

had with special meters built into the cameras.<br />

In 1969 Norwood received an Academy<br />

Award for his exposure meters.<br />

Royce L. Pointer has been director of<br />

products engineering. American Broadcasting<br />

Company, since 1963. He has a B.S.<br />

degree in electrical engineering. From 1959<br />

to 1963 he was assistant director of engineering<br />

for ABC, where he assisted in the<br />

development of the first all-solid-state video<br />

Continued on following page<br />

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power supply with infinite current adjustment<br />

possible within an operating range of 40 to<br />

75 amperes. Controls for the power supply,<br />

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The lamphouse is designed to fit any standard<br />

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BOXomCE :: November 13, 1972<br />

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Continued from preceding page<br />

1958 and designed and built the<br />

first all-solid-state TV broadcasting studio in<br />

1962. In his present position he is responsible<br />

for the planning and design of all<br />

ABC radio and television technical facilities,<br />

including networks and owned stations.<br />

Pointer is<br />

a member of the NAB Engineering<br />

Advisory Committee, the NAB Engineering<br />

Conference Committee, and the<br />

JCIC Ad Hoc Committee on Color Television<br />

Study. His contributions to the Society<br />

include serving as topic chairman for the<br />

11 1th Conference and membership on the<br />

David Sarnoff Gold Medal Award Committee.<br />

Findlay J. Quinn, president, Quinn Laboratories,<br />

Ltd., graduated from St. Patrick's<br />

College, Ottawa. He has had a distinguished<br />

career in the motion picture industry in<br />

Canada, starting at the National Film Board,<br />

where he became Laboratory Manager in<br />

1955. In 1957 he moved to Trans World<br />

Laboratory in Montreal as general manager<br />

and in 1964 to Film House in Toronto as<br />

vice-president and general manager. He<br />

opened his own laboratory in 1969. He has<br />

contributed papers to the Journal and has<br />

served actively in the management of the<br />

Toronto Section for a number of years.<br />

Quinn has been a director of the Ass'n of<br />

Motion Picture Producers and Laboratories<br />

of Canada from 1968 to date and is currently<br />

a director of the Ass'n of Cinema<br />

Laboratories and co-chairman of the program<br />

committee.<br />

Richard K. Schafer, product planning<br />

specialist, Eastman Kodak Company, Rochester,<br />

graduated with a B.A. in physics<br />

from the University of Pennsylvania. As ;i<br />

photographic engineer for Eastman Kodak,<br />

he has participated in the design and performance<br />

evaluation of motion picture film,<br />

particularly those of the Eastman Color<br />

System. He had devised duplicating techniques<br />

and worked to maximize photographic<br />

quality for the various color motion picture<br />

films. He was directly involved in the creation<br />

of Eastman Color Reversal Intermediate<br />

Film. Schafer has contributed several papers<br />

to the Journal and a paper on quality of<br />

8mm prints published in the Proceedings of<br />

the Symposium on Super 8 Production<br />

Techniques. He has served the Society as<br />

topic chairman for the 11 1th Conference<br />

and has been active in the management of<br />

the Rochester Section, of which he is at<br />

present chairman.<br />

Hans Schmid, senior engineering lab<br />

supervisor, American Broadcasting Company,<br />

received his education in electrical<br />

engineering from Polytechnikum Fricdberg.<br />

Germany. He has devoted his career to<br />

furthering the state of the art of television<br />

measurements. The ABC Open Loop Remote<br />

Sync Lock System was developed by<br />

Schmid and he was awarded the 1971<br />

Emmy Award of the National Academy of<br />

Television Arts and Sciences for outstanding<br />

achievement in engineering development.<br />

Before going to ABC, Schmid was chief en-<br />

50 The MODERN THEATRE SECTION


gineer of Telechrome Manufacturing Company<br />

and McCurdy Radio Industries. He<br />

has pablished a number of technical papers,<br />

including one in the Journal, on television<br />

transmission and locking systems. His present<br />

work at ABC is concerned with evaluation<br />

of broadcast equipment and the formulation<br />

of measurement standards. Schmid is<br />

a Senior Member of IEEE.<br />

Richard Theile, director of the Institut<br />

fur Rundfunktechnik Munich, was educated<br />

at the University of Marburg. Throughout<br />

his long career he has conducted research<br />

and development in the electronic television<br />

field, especially on electro-optical problems.<br />

His present work at the IRT and as a lecturer<br />

at the Technical University Munich is<br />

concerned with research and development<br />

for the broadcast organizations in the Federal<br />

Republic of Germany. Dr. Theile is a<br />

member of several national and international<br />

societies, including the Femsehtechnische<br />

Gesellschaft (of which he is president) and<br />

the Deutsche Kinotechnische Gesellschaft<br />

fur Film and Femsehen. He is chairman of<br />

the Ad Hoc Group on Color Television of<br />

the EBU. Dr. Theile has been the recipient<br />

of several industry awards and is a Fellow<br />

of the Royal Television Society.<br />

Boris Townsend, deputy head of engineering<br />

information service, Independent<br />

Broadcasting Authority, England, received<br />

his education at the London Polytechnic<br />

and the University of London, from which<br />

he has a Ph.D. Dr. Townsend has devoted<br />

a distinguished career to research and development<br />

in the field of television. He was<br />

chairman of the Council of the Television<br />

Society 1963-1965 and chairman of the<br />

Engineering Steering Committee of the<br />

BKSTS 1968 to 1971. In 1967, 1970 and<br />

1972 he served on the Technical Papers<br />

Committee of the International Broadcasting<br />

Convention. Dr. Townsend has served<br />

on the Broadcasting Division Board of the<br />

Electronic Engineering Ass'n and in 1969<br />

was Foreign Office Delegate to the Asian<br />

States Broadcasting Union Congress in<br />

Sudan. He is the author of many technical<br />

publications related to color and tone reproduction<br />

for television. Dr. Townsead is a<br />

Fellow of the Royal Television Society, the<br />

Institute Electrical Engineers and the<br />

BKSTS.<br />

Ralph Westfall, sales and engineering<br />

representative, Eastman Kodak Company,<br />

Hollywood, was educated at RIT. As an<br />

engineer, Westfall has served the motion<br />

picture industry for over 25 years. He is<br />

widely recognized as an expert in the physical<br />

properties of motion picture film and<br />

their relation to defects caused in laboratory<br />

handling, projection, etc. His advice and<br />

consultation is frequently sought by major<br />

laboratories and production companies.<br />

Westfall has lectured at several courses<br />

sponsored by the Society at the University<br />

of Southern California and has contributed<br />

as topic chairman for laboratory practice at<br />

several SMPTE technical conferences. He<br />

has been a member of the SMPTE Laboratory<br />

Practice Committee for several years<br />

and is also a member of the Standards Committee.<br />

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BOXOFHCE :: November 13. 1972 51


SMPTE FELLOW MEMBERS<br />

Continued from preceding page<br />

Valley Cinema I & II West Lebanon, N. H.<br />

Owner: Cinema Systems ot America, Inc.<br />

Valley Cinema I & II Concession Stand,<br />

Designed and Equipped by Manley, Inc.,<br />

Doubles Sales Average per Person!<br />

Cinema I & II with a seating capacity of 550 persons<br />

each sells twice as much per person as theaters of<br />

similar size. This entire stand is designed for appearance<br />

and fast operation that produces extra sales.<br />

Look what Manley put into 12^/2 ft. of space!<br />

Manley Elevator Popcorn Warmer designed<br />

for speedy operation. Has reserve<br />

storage space for big crowds.<br />

Manley Butter Up dispenser controls<br />

butter costs by quicldy dispensing the<br />

proper amount of butter for peal< profit.<br />

Candy Case provides maximum display<br />

In minimum space. Available with or<br />

without refrigeration.<br />

Manley lce-0-Bar drinic dispenser with<br />

electric heads provides properly mixed<br />

drinks at the right temperature. Dispenses<br />

fasti<br />

SELL<br />

YOUR POSTERS!<br />

MOUNT THEM IN<br />

POBLOCKI<br />

POSTER CASES<br />

MODERN ANODIZED EXTRUDED<br />

ALUMINUM-ALL SIZES<br />

FIT<br />

ANY BUDGET.<br />

TO<br />

DIRECT FACTORY SALES<br />

WRITE OR PHONB<br />

POBLOCKI AND SONSMM'l!:.""'w?J"»aM<br />

Phont 273-3333 Am Cod« 4M<br />

Entire stand is<br />

designed for eye appeal<br />

. . . buy appeal thereby increasing sales.<br />

Let Manley, Inc. improve your concession<br />

profit picture. To find out how call<br />

or write today.<br />

MANLEY, INC.<br />

P.O. Box 1006<br />

1920 Wyandotte Street<br />

Kansas City, Mo. 64141<br />

Ptione: 816-421-6155<br />

Moving?<br />

Be sure to send the label from<br />

your BOXOFFICE cover as<br />

soon as your new address is<br />

available.<br />

BOXOFFICE<br />

825 Vcm Brunt Blvd.<br />

Kansas City. Mo. 64124<br />

Ralph D. Whitmore jr., technical director,<br />

Hollywood Film Company, has a B.S. in<br />

engineering. Whitmore designed and installed<br />

the first commercial spray processing<br />

equipment as well as portable processes for<br />

CBS News. He worked on the development<br />

of practical wet printing for step printers<br />

and continuous printers and directed the<br />

design and construction of high-speed step<br />

printers. Whitmore was the designer of the<br />

Cue Analog System and designed and built<br />

step printers for 35mm and 75mm blow-up.<br />

additive, wet. He also designed and built a<br />

processor for color reversal intermediate in<br />

35mm and 65mm and invented the magnetic<br />

drive seal-less pump. Whitmore has<br />

contributed several papers to the Journal<br />

and is the chairman of the SMPTE Sub-<br />

Committee on Book Publications.<br />

Michael Z. Wysotsky, deputy chief engineer,<br />

head of engineering research, Mosfilm<br />

Studios, received his doctorate from the<br />

Moscow Electro Technical Communication<br />

Institute. One of the first to experiment in<br />

the USSR with two-dimensional stereophonic<br />

sound in the thirties. Dr. Wysotsky<br />

has had a distinguished career in motionpicture<br />

sound engineering, chiefly, since<br />

1946, at the Mosfilm Studios. As chief project<br />

engineer, he directed the studio's reconstruction<br />

program, increasing capacity to 40<br />

and more features per year. Dr. Wysotsky<br />

developed special equipment for production<br />

of various release prints from 35mm anamorphic<br />

and 70mm negatives. He has been<br />

the author of several books on sound engineering<br />

and about 100 articles in Russian<br />

and foreign professional journals. He is a<br />

member of the Editorial Board of Technika<br />

Kino y Televideniya.<br />

Indian<br />

Visits<br />

Exhibitor<br />

Atlanta<br />

"TV has regular daily programs, and we<br />

think it will soon affect our business!" So<br />

said D. C. Kaushish of New Delhi, India.<br />

This conclusion, familiar to thousands of<br />

U. S. exhibitors, is important in India, and<br />

to the proprietor of the Sheila Theatre at<br />

New Delhi. The Sheila, named for Mrs.<br />

Kaushish, is the first 35/70 de luxe theatre<br />

in India, opened in 1961. It has a giant<br />

screen of 28x62 feet, and Mr. and Mrs.<br />

Kaushish are in quest of a curved screen<br />

installation. During visits in the U. S. they<br />

were advised "to go to Atlanta, they have<br />

the facts." In a full-day visit, including a<br />

private screening, the curved screen Ultra-<br />

Vision (> installation at the spectacular<br />

Phipps Plaza Theatre (ABC) was demonstrated.<br />

E. H. Geissler was a temporary<br />

ambassador and goodwill agent during the<br />

visit of Mr. and Mrs. Kaushish.<br />

52 The MODERN THEATRE SECTION


To Be Unveiled at Tradeshow<br />

BALLANTYNE<br />

PACKAGED'<br />

SYSTEM<br />

IN<br />

PRODUCTION<br />

Save Time!<br />

We can save you money,<br />

too. We carry Everything<br />

for theatres (hardtop and<br />

drive-ins) except films and<br />

A New, Completely packaged<br />

projection system—the VIP-35—designed to<br />

bring soaring installation and operational<br />

costs back down to earth, is in production<br />

at Ballantyne of Omaha, Inc., with 36<br />

booths already equipped and running in<br />

mid-October.<br />

The "VIP" was displayed and demonstrated<br />

to Ballantyne dealers at a national<br />

sales meeting in Omaha in late September<br />

and will be unveiled to exhibitors at the<br />

NATO Show. Nov. 18-21.<br />

people. So give us a call<br />

when you need something<br />

for your theatre.<br />

Write or Phone<br />

TRANS-WORLD THEATRE<br />

SUPPLY CO.. INC.<br />

2931 Lime Street<br />

Metoirief Louisiona 70002<br />

(504) 8SS-49M<br />

Customers — and friends —<br />

all over the World.<br />

Cable Address 'TRANSWORLD"<br />

Manko Fabrics Co., Inc.<br />

SEATING PROBLEMS SOLVED<br />

Theatre upholstery fabric specialists for over<br />

30 years. Featuring sewed covers, pre-cut<br />

squores. Large selection of upholstery fabrics<br />

—corduroy, nylon, mohair, vinyl leatherette,<br />

upholstery supplies, also drapery and wall<br />

covering<br />

fabrics.<br />

Write for free samples and price list.<br />

Manko Fabrics Co., Inc.<br />

11 West 37th St., N. Y., N. Y. 10018<br />

Phone (212) 695-7470, 1, 2<br />

Operating side of VIP-35 system with<br />

Ballantyne's PRO-35 projector and Model<br />

VII soundhead. Automation panel with<br />

override manual controls is in pedestal base.<br />

All Pre-Wired, Pre-Tested<br />

Pre-wiring, pre-assembly and pre-testing<br />

are the keys to the VIP-35's performance<br />

in cutting installation time as much as twothirds.<br />

All components in the VIP-35 are<br />

pre-wired and tested at the Ballan-<br />

installed,<br />

tyne factory instead of the theatre, drastically<br />

reducing costs of conduit, wiring, expensive<br />

electrician's labor and installation<br />

labor.<br />

So that equipment can be installed the<br />

day it arrives at the theatre, Ballantyne ships<br />

Continued on following page<br />

First surface Dichroic Reflectors with two<br />

year coating guarantee, project more light<br />

because it is reflected from the front surface,<br />

without passing through the glass.<br />

Aperture and lens heat is reduced 50%/<br />

eliminating film buckling.<br />

STRONG ALSO PRODUCES<br />

SILVERED REFLECTORS FOR<br />

ALL MAKES OF LAMPS<br />

THE


BALLANTYNE PACKAGED SYSTEM<br />

Continued from preceding page<br />

a 6-foot wiring channel to the theatre. The<br />

channel contains receptacles for contractor<br />

wiring of speaker, curtain control, masking<br />

control, and dimmer control wires. When<br />

connected, the booth is ready to accept the<br />

VIP-35 system.<br />

Shipped in Moving Van<br />

The system, shipped to the theatre in a<br />

moving van, requires no unpacking and<br />

assembly at the site, saving many hours.<br />

Movers simply carry the projectors to the<br />

projection booth, placing them at the portholes<br />

in the same manner as delicate, priceless<br />

furniture is moved into a home and<br />

put in place. The only work left to do is to<br />

level the base, plug in the VIP, install the<br />

lens, focus the lamps and file apertures.<br />

Exhibitors who have purchased the VIP-<br />

35 say it is the most easily installed system<br />

they have ever seen.<br />

"Master" and "Steve"<br />

The VIP-35 system, consisting of a "master"<br />

and a "slave" unit, incorporates projectors,<br />

soundheads, amplification and<br />

complete automation. The VIP base is a<br />

precision-engineered combination of lower<br />

take-up, power supply, exciter lamp supply,<br />

power amplifier, monitor and the Ballantyne<br />

Automation System.<br />

For flexibility, lamp and associated power<br />

supply can be selected from any xenon<br />

manufacturer and shipped to Ballantyne<br />

where they are installed and tested with the<br />

entire system.<br />

The VIP-35 is fully automated with the<br />

new Ballantyne Automation System. There<br />

is also a manual back-up system with override<br />

controls for sjjecial functions or change<br />

of program. Two control panels provide for<br />

manual and automated operation of the<br />

ALTEC<br />

Servicing the needs of theatre owners<br />

since sound systems were invented.<br />

Southern<br />

Division<br />

Call (404)261-8930<br />

Central<br />

Division<br />

Coll (314) 533-7206<br />

Western<br />

Division<br />

Coll (714) 639-7220<br />

Eostern & New England Division<br />

Call (201) 483-5011<br />

Visit our booth No. 125 at the NATO Convention<br />

SHOCKING<br />

BUT TRUE !<br />

Our Xenon Igniters<br />

Guarantee Satistaction<br />

Or Your Money Back.<br />

LtHYibcwcUy<br />

ELECTRIC COMPANY<br />

1061 N. St. Andrews Place<br />

Hollywood, Calif. 90038<br />

Phone: 213-462-4609<br />

DEALER INQUIRIES WELCOME<br />

3000-5000 Watt


, dealers<br />

For simplicity and easy handling of the<br />

film, there is a choice of reel arms, 7,000<br />

feet, including double clutch reversing or<br />

the double clutch arm and control for rewinding<br />

externally on the machine.<br />

Audio amplifier is Ballantyne's T-25-R,<br />

a 25-watt power amplifier. It also contains<br />

a three-watt amplifier to drive the monitor<br />

speaker.<br />

Although the VIP-35 will not be shown<br />

to the general trade until the NATO Show.<br />

Ballantyne reports a great many orders for<br />

the new system have been received as a<br />

result of word-of-mouth that has traveled<br />

throughout the industry from the 36 screens<br />

now operating.<br />

"Nothing Like<br />

It"<br />

The tremendous reception given the VIP-<br />

35 without benefit of national advertising<br />

or publicity prompted Ballantyne board<br />

chairman, J. Robert Hoff, to comment,<br />

"We've never seen anything like it in all the<br />

39 years we've been in business. Obviously,<br />

the VIP-35 has filled a pressing industry<br />

need for an easily installed, automated, dependable<br />

projection system."<br />

Ballantyne president, Edward Nelson, who<br />

had charge of the development of the VIP-<br />

35, said, "Our overriding purpose in bringing<br />

this equipment to the market was to<br />

build a projection system that not only was<br />

totally innovative, but extremely practical<br />

and economical from every standpoint."<br />

Both Hoff and Nelson noted that the 20<br />

attending Ballantyne's national sales<br />

meeting were unanimous in their praise of<br />

i<br />

1 the new equipment and "obviously anxious<br />

for its introduction to the exhibitor trade at<br />

the NATO Show."<br />

Dr Pepper Reports<br />

Record<br />

Earnings<br />

Dr Pepper reports a new all-time high<br />

in both sales and earnings for the ninemonth<br />

jjeriod ending September 30. Net<br />

sales climbed to $60,348,759 from $49,020,-<br />

371—an increase of more than 23 per cent,<br />

and net income after taxes rose better than<br />

20 per cent to $6,319,939 and 68 cents per<br />

share compared with $5,246,519 and 57<br />

cents per share in the same period last year.<br />

September produced a 21 per cent gain<br />

in national gallonage and became the company's<br />

137th consecutive monthly increase.<br />

W. W. Clements, president and chief<br />

executive officer, continues to credit the<br />

company's 500-member bottler organization<br />

for their consistent effort. Along with board<br />

chairman H. S. Billingsley, he expressed<br />

confidence that 1972 would exceed all previous<br />

records in sales and earnings and<br />

both view 1973 with optimism.<br />

The company has just concluded its annual<br />

bottler meeting in Las Vegas where<br />

more than 1.300 Dr Pepper plant owners<br />

and managers got a preview of Dr Pepper<br />

advertising and marketing programs for<br />

1972. "It is evident that Dr Pepper's growing<br />

strength is generating enthusiasm and<br />

presenting unusual opportunities to our<br />

bottlers," stated Clements.<br />

Dr Pepper will expand its national advertising<br />

and promotions in 1973 as it does<br />

each year. Stepped-up effort will also be<br />

made to further develop sales on Sugar Free<br />

Dr Pepper which now ranks as the leading<br />

diet soft drink in many areas with sales<br />

running better than 60 per cent ahead of<br />

last year.<br />

Royal Crown Cola Stock<br />

Transaction Disclosed<br />

Royal Crown Cola Co. has issued 759,-<br />

174 of its common shares in exchange for<br />

all of the shares of Nehi Royal Crown<br />

Corp. of Chicago and four companies with<br />

headquarters in Athens, Tenn., RC President<br />

William C. Durkee has disclosed.<br />

Whete The Finest<br />

Nehi is a franchised soft drink bottler<br />

serving markets from Chicago to Springfield,<br />

111., and St. Louis to Memphis. Last<br />

year it improved its earnings 34 per cent<br />

to $1,075,500 with sales of $36,100,000.<br />

Between January and June its three major<br />

bottling plants and nine warehouses earned<br />

$627,515 on revenues of $19,100,000.<br />

These Athens companies earned $595,-<br />

909 in their most recent fiscal year by<br />

having sold $9,900,000 in home decorative<br />

accessories. Durkee said that present management<br />

of the acquisitions will be continued.<br />

Royal Crown revealed new high earnings<br />

of $5,061,518 on record sales of<br />

$71,394,683 for the first six months of<br />

1972.<br />

Precision Workmanship<br />

and Quality Products Are Demanded in<br />

CARBON ARC TO XENON CONVERSIONS<br />

REBUILT CARBON ARC LAMPS<br />

WATER CIRCULATORS with STAINLESS STEEL TANKS<br />

NOW .<br />

REPLACEMENT PARTS<br />

for<br />

PROJECTION ARC LAMPS, RECTIFIERS, ETC.<br />

SPECIALISTS IN REBUILDING<br />

|I1L||I|THEATRE<br />

iiimiB<br />

PROJECTION ARC LAMPS,<br />

LAMPHOUSE BURNERS, ^ETC<br />

PRODUCTS INC.<br />

(516)2*9-3745<br />

51 -C Heisser Lane—Farmingdale, N.Y. ii735<br />

. . THREE STYLES TO CHOOSE FROM<br />

*^''m^^am-i^<br />

"SWINbEK"<br />

One-way or two-way turnstile<br />

counts up to 99,999.<br />

Automattcolly returns to 0.<br />

"AMERICA"<br />

One or two-way turnstile,<br />

counts up to 999,999. Automatically<br />

returns to 0.<br />

Token Operated "SWINGER"<br />

Two-way turnstile counts up<br />

to 99,999 and automatically<br />

returns to 0. Token box<br />

holds as many as 3,000<br />

tokens.<br />

Three different Autotrac turnstiles to let you choose the style that best fits your<br />

theatre's needs. Let these turnstiles count your patrons, control admissions automatically<br />

and eliminate ticket collections. All machines are ruggedly built and guaranteed.<br />

Autotrac offers immediate delivery on all three models.<br />

For additional information, write or coll . . .<br />

Autotrac Equipment Co., Inc.<br />

P.O. Box 73785, 225 North Meadow St., Metairie, La. 70003<br />

Phone: a/c 504-722-1391<br />

BOXOmCE :: November 13, 1972 55


SUBSCRIPTION<br />

ORDER FORM<br />

BOXOFFICE:<br />

825 Van Brunt Blvd., Konsas City, Mo. 641/4<br />

Please enter my subscription to BOXOFFICE.<br />

D $10.00 FOR 1 YEAR<br />

n $17.00 FOR 2 YEARS<br />

Outside U. S.,<br />

Canada and Pan American Union,<br />

$15.00 per year.<br />

D Remittance<br />

Enclosed<br />

D Sand<br />

Invoice<br />

THEATRE .„...


WHAT'S IN IT FOR YOU?<br />

SQMEWIDEOPEN<br />

Inside our new<br />

Automaticket Electric Printer<br />

is a roll<br />

of blank space.<br />

Actually, unprinted tickets ready to<br />

carry any message to<br />

And because you use only<br />

blank tickets, you need to<br />

stock far less.<br />

Running low or being<br />

overstocked<br />

is a concern of the past.<br />

your patrons.<br />

^idjT^p^'r^ml<br />

A machine no larger than a<br />

standard unit, that prints any<br />

message that you program,<br />

eliminates many of your<br />

problems, gives you foolproof,<br />

ticket storage<br />

on-line accounting.<br />

That's a General Register<br />

machine.<br />

Products with SERVICE<br />

built in!<br />

GENERAL REGISTER<br />

271 Schilling Circle/Hunt Valley, Maryland 21031/301 666-1100<br />

See the complete line of General Register ticket systems at Booth 69/NATO Show.<br />

xenon bulb too much, while others say if<br />

you want proper life, don't cool it too much.<br />

Every lamphouse manufacturer has his own<br />

explanation, but not all agree. Those with<br />

horizontal bulbs talk about rotating every<br />

200 hours, or 600 hours, or more. Some say<br />

rotate every day; some say forget it. Written<br />

recommendations indicate a single half turn<br />

in mid-life is desirable.<br />

Strange? Til say! Some use 1,600-watt<br />

units on 19-foot screens, and some use<br />

2,500-watt units on 27-foot screens, and<br />

4,000-watt units on 40-foot screens; others<br />

use 1,600-watt units on 45-foot screens,<br />

1,000-watt units on 29-foot screens. One<br />

'Scope Screen<br />

Width<br />

Fht<br />

or<br />

Curved<br />

man summed it simply. "We always use the<br />

2,500-watt units when we use 750 seats."<br />

We're wondering who is lighting up what?<br />

That is like saying you need premium gasoline<br />

when you use G70-14 tires. Strange??<br />

Xenon is with us! Not because it's cute, or<br />

mod. Not progress for the sake of progress,<br />

but economics. You need self-strike xenon<br />

for automation, and in many cases it is less<br />

expensive to light up the screen than nonxenon.<br />

Below is a list of some typical installations<br />

we have made in 1972. What are you<br />

doing? Drop us a post card at P. O. Box<br />

54245, Atlanta, Georgia 30308, and we'll<br />

make a summary for <strong>Boxoffice</strong>.<br />

Vertical or<br />

Amps Bulb Wattage Horizontal Bulb Warranty<br />

Improve Com<br />

weather Grosses!<br />

New<br />

Instant<br />

Start"<br />

Radiant<br />

45 feet<br />

24 feet<br />

48 feet<br />

43 feet<br />

50 feet<br />

100 feet (D-I)<br />

80 feet (D-I)<br />

C<br />

F<br />

F<br />

C<br />

C<br />

62<br />

40<br />

90<br />

60<br />

90<br />

125<br />

125<br />

1.600 W<br />

1,000 W<br />

3.000 W<br />

1,600 W<br />

2,200 W<br />

4,000 W<br />

4,000 W<br />

Hor.<br />

Hor.<br />

Hor.<br />

Hor.<br />

Hor.<br />

Hor.<br />

Hor.<br />

1,500 hrs.<br />

1,500 hrs.<br />

1.500 hrs.<br />

1.500 hrs.<br />

1,250 hrs.<br />

1,000 hrs.<br />

1,000 hrs.<br />

In CoA Hcflfew<br />

The only U.L. approved<br />

non -electric gives warmest<br />

iieat . . . costs less to own,<br />

less to operate ... and<br />

needs NO wiring or any<br />

other installation!<br />

ourtTfti<br />

vear<br />

Stanford indtfstri-<br />

311 Waukegan Ave.<br />

Highwood, Illinois 6OO40<br />

(312) 432-0444<br />

BOXOmCE :: November 13, 1972 57


Fourth Split in Eight Years<br />

Two'for-One Stock Split Is Approved<br />

By Dr Pepper Stockholders in Dallas<br />

Dr Pepper stockholders meeting in<br />

Dallas approved a two-for-one split in outstanding<br />

stock shares of record at the close<br />

of business October 27, 1972 and increased<br />

the authorized common shares of stock to<br />

25 million. As a result of the split, shares<br />

K!<br />

^SVR Omaha<br />

vo^ '9t^ \ > A, I'fjf'l<br />

I<br />

-fe<br />

M % 'o/i<br />

m<br />

%^


\<br />

at<br />

Camera, Arriflex Company of America;<br />

Nextel Simulated Blood, 3M Company;<br />

Anamorphic Focusing System, Todd-AO;<br />

On-Line Computerized Light Value Monitor<br />

System, Consolidated Film Industries;<br />

The Ultra-Vision Picture Presentation System,<br />

Wil-Kin Inc.; Panaflex Camera, Panavision<br />

Incorporated; Super-Grip, Gordon<br />

Enterprises, and Samcine Limpet Mount,<br />

Samuelson Film Service Ltd.<br />

ODELL'S<br />

•original<br />

ANHYDROUS<br />

BUTTER[F^<br />

(99.5% pure)<br />

(approved for use on buttered popcorn by U.S.F.DA)<br />

New Ashcraft<br />

To Be Exhibited<br />

Line<br />

|he First Public showing of<br />

rhe advance line of Ashcraft Xe-Lite xenon<br />

lamphouses and rectifiers will be in Booth<br />

No. 93 at the NATO-NAC-TEA Convention<br />

and Tradeshow at the Americana<br />

Hotel, Bal Harbour, Fla., November 18-21.<br />

According to C. S. (Bud) Ashcraft jr.,<br />

president of the C. S. Ashcraft Mfg. Co.,<br />

Inc., the xenon lamphouses will have many<br />

new and useful features, many of them exclusive<br />

to Ashcraft. Notable among these<br />

features is the Roto-Bulb device, which<br />

upon manual or automated pulse signal<br />

rotates the bulb a few degrees prior to<br />

xenon bulb ignition and while the bulb is<br />

cold. This eliminates the blackening process<br />

the top of the bulb, improves distribution<br />

and screenlight quality. It is designed to<br />

[extend useful bulb life as much as 25 per<br />

jcent. The device will operate with a special<br />

i xenon bulb under development for Ashcraft<br />

to maintain its optical and mechanical<br />

measurements under extreme operating heat<br />

conditions. Xe-Lite lamphouses are instantly<br />

convertible to use standard xenon bulbs<br />

of comparable mechanical measurements<br />

and electrical characteristics, and it is expected<br />

that sales wiU be made to use<br />

standard bulbs until the Ashcraft special<br />

Roto-Bulb is ready for marketing.<br />

Other lamphouse features include a<br />

swing-out modular for quick and simple<br />

xenon bulb replacement; a new optical<br />

aligning device to put the bulb, reflector,<br />

and projection lens on a perfect optical<br />

axis; a high capacity centrifugal fan for<br />

cooling the reflector, xenon bulb and other<br />

components; a volt meter, ammeter, hourly<br />

metering device, automatic and manual start<br />

controls on a single panel; all bulb focusing<br />

controls externally mounted and many<br />

other functional advantages.<br />

Two models of the lamphouse will be<br />

presented ... the 1,600/2,500 watt Xe-<br />

Lite for small to medium size theatres and<br />

the 3,000/4,200 watt Super Xe-Lite for<br />

larger indoor and drive-in theatres.<br />

Two models of the Ashcraft Xe-Lite rectifier<br />

and power supplies will round out the<br />

present line of Ashcraft xenon screen lighting<br />

systems. The 1,600/2,500 watt power<br />

supply is designed to drive the 1,600/2,500<br />

watt Xe-Lite xenon lamphouse (which will<br />

be shown at the tradeshow) and the 3,000/<br />

4,200 watt power supply which will be<br />

introduced in December 1972 is designed<br />

to power the Super Xe-Lite xenon lamphouse<br />

in large indoor and drive-in theatres.<br />

H^><br />

y<br />

ORDER NOW! Write us for the<br />

name and address of the distributor<br />

serving your area.<br />

more volume per pound...<br />

greater profit per serving<br />

• 99.5% pure butter concentrate<br />

• No water— No soggy popcorn<br />

• No waste — No rancidity — No curd<br />

• Needs no refrigeration<br />

• Wonderful spreading qualities<br />

• Popcorn tastes better<br />

• Increases repeat sales<br />

• Saves time — Speeds service<br />

• Profits — Profits — Profits<br />

ODELL CONCESSION SPECIALIIES CO.<br />

MAIN OmCE:<br />

P.O. BOX m<br />

CALOWOl, lOANO 83805<br />

IE: 208-4S9-8S22<br />

MILWAUKEE OFTICE:<br />

1109 N. MAYFAll! ROAO<br />

MILWAUKEE, WISCONSIN 5322t<br />

TEL 414-77W467<br />

FOR MORE INFORMATION about products described in this<br />

issue, use postage-paid Readers' Service Bureau coupon<br />

on page 61 of this issue of MODERN THEATRE.<br />

KNEISLEY<br />

has,<br />

at prices you can afford:<br />

• The NEW "XENEX" LAMPHOUSE. Acc


]mttr®dli(BDBO<br />

$1.46 EA.<br />

CASE LOTS 50<br />

wealhermax<br />

40V<br />

Loudspeaker<br />

WITH 1.47 OZ. MAG. AND THE<br />

ffiifte<br />

CHOICE OF TERMINALS<br />

STANDARD<br />

#3<br />

I<br />

» #2<br />

Manufactured solely by Projected<br />

Sound, the 40V Is stiarp and clear<br />

and exactly the same as supplied In<br />

Projected Sound In-a-car speakers.<br />

All weather construction to last and<br />

last; backed by a 2 year minimum<br />

warranty. Weathermax Is also available<br />

In 3V2", 5" and 6" with<br />

#2 terminal only.<br />

To order the 40V with a #2 or #3<br />

terminal, merely add desired terminal<br />

number to 40V (I.e. 40V-3 Is equipped<br />

with a #3 terminal).<br />

For complete catalog and prices<br />

write to:<br />

^^y^'} - )<br />

PROJECTED SOUND, INC.<br />

P.O. BOX 112<br />

PLAINFIELD, INDIANA 46168<br />

(317)839-4111<br />

Underwriters Listing<br />

For Christie Xenon<br />

Christie Electric Corp. has recently<br />

announced that it has received Underwriter's<br />

Laboratory Listing on its xenon<br />

lamphouses, rectifiers and xenon bulbs.<br />

This marks the first time the U.L. label<br />

has been awarded for xenon theatre equipment<br />

by the Underwriter's Laboratory, the<br />

only nationally recognized safety testing<br />

authority in the United States.<br />

Christie's president, Tom Christie, expressed<br />

particular satisfaction with this accomplishment,<br />

since it culminates 2Vi<br />

years of intensive work with Underwriter's<br />

Laboratory to establish standards.<br />

The Christie xenon bulb provides an<br />

extremely bright source of light. According<br />

to the manufacturer, its quality is almost<br />

indistinguishable from natural daylight,<br />

providing the truest color spectrum of any<br />

artificial light. Employing tungsten electrodes<br />

which are completely encased in<br />

quartz, operation is completely clean, can<br />

be fully automated and lamp life is typically<br />

1,000 to 2,000 hours.<br />

Christie says its xenon bulb, when used<br />

as a light source for motion picture projection<br />

purposes, offers many distinct advantages<br />

over conventional light sources.<br />

More color brilliance. Sharper images.<br />

Greater depth of focus. No warm-up<br />

period. Clean and automatic operation.<br />

The Christie Xenolite Conversion Kit,<br />

which is now available for most carbonarc<br />

brands of lamps, makes the transition<br />

from carbon to the xenon bulb as painless<br />

and inexpensive as possible. It features<br />

completely assembled components ready to<br />

install in an exhibitor's carbon-arc lamphouse.<br />

The following concerns have recently<br />

filed copies of interesting descriptive literature<br />

with the Modern Theatre Information<br />

Bureau. Readers who wish copies may obtain<br />

them promptly by using the Readers'<br />

Service Bureau coupon in this issue of The<br />

Modern Theatre.<br />

A new four-page color brochure describing<br />

Optical Radiation Corp.'s new portable<br />

Xenographic 500 High Intensity Slide Projector<br />

has recently been released. The brochure<br />

describes a new type of projection<br />

system for 35mm slides, capable of projections<br />

six times brighter than conventional<br />

500-watt tungsten units. The brochure provides<br />

complete description and specifications<br />

for the system which operates from<br />

conventional 115 VAC power.<br />

Literature is available from Optical Radiation<br />

Corp., 6352 N. Irwindale Avenue,<br />

Azusa, California 91702.<br />

v.<br />

SEATS LIKE NEW<br />

with Spatz<br />

CHAIR<br />

REDHTHEATRE<br />

ENAMEL<br />

NO BRUSH! EASY DO!<br />

No brush to clean ... no thinner to spill . .<br />

just use the metal "Dispos-a-Brush" that<br />

spreads RE-DU Enamel smooth as silk, dries<br />

in minutes. One gallon does about 60 chair<br />

backs.<br />

FREE Complete Painting Kit<br />

With Each Gallon RE-DU @ $9.95<br />

Plastic "Bib" for can to prevent drips<br />

Metal "Dispos-a-Brush" Handle<br />

6 Throw-Away Foam "Spreaders"<br />

6 Pieces of Sandpaper<br />

All in a plastic bag<br />

Just send swatch of chair color (or<br />

chair manufacturer's color name/<br />

number). Maintenance personnel can<br />

do a professional job of repainting,<br />

saving you money. Photo shows RE-<br />

DUing after surface is wiped clean<br />

of smears and popcorn oil.<br />

RE-DU ... by the makers of Spatz Highlight<br />

Texture White Drive-ln Screen Paint<br />

Order from your Theatre Supply or<br />

sp4rz<br />

PAINT INDUSTRIES<br />

Incorporated<br />

1601 North Broadway<br />

St. Louis, Missouri 63102<br />

FOR MORE<br />

INFORMATION<br />

Use Readers' Service<br />

Bureau Coupon on Page 61<br />

60 The MODERN THEATRE SECTION


CONDENSED INDEX OF PRODUCTS<br />

ACOUSTICAL WALL COVEHING<br />

Soundlold<br />

ADMISSION CONTHOL SYSTEMS, DHIVE-INS<br />

EPRAD, Inc.<br />

ATTBACTION BOARDS d LETTERS<br />

Adler Silhouette Letter Co.<br />

Beveli'e MIg. Co. —<br />

Sign Products<br />

Wagner Sign Service* Inc.<br />

BARBECUED MEATS<br />

SmithHeld Ham cS Products Co., Inc. .<br />

BOXOFFICE ADMISSION SIGNS<br />

Dura Engraving Corp —<br />

BOXOFFICES<br />

Poblocki


aboui PEOPLE<br />

I<br />

and PRODUCT<br />

Joseph J. Kelly, head of United Artists<br />

Eastern Theatres Construction and Maintenance<br />

Department<br />

was appointed vice-<br />

Joseph J.<br />

Kelly<br />

Kelly began his<br />

president by the corporation's<br />

board members<br />

at a recent meeting.<br />

career<br />

in the motion picture<br />

industry over 30<br />

years ago as a roadshow<br />

projectionist at<br />

resort areas in New<br />

York State.<br />

BOXOFFICE-MODERN THEATRE<br />

During his enlistment period in the U.S.<br />

Navy, Kelly studied electrical engineering.<br />

In 1946, after his discharge, this education<br />

coupled with practical technological experience<br />

permitted him to enter into his<br />

own business where he operated a repair<br />

facility<br />

for 35mm equipment for a number<br />

of theatres in the New York area.<br />

Eight years later he retired from his own<br />

business and joined American Broadcasting<br />

Co. where he worked as a television projection<br />

engineer until he accepted the position<br />

as supervisor of projection and sound for<br />

Skouras Theatres Corp. in 1961.<br />

While working with the United Artists<br />

Send me more information about the products and articles checked on<br />

the reverse side of this coupon.<br />

Name<br />

Position..<br />

Theatres organization and its predecessors,<br />

Kelly has been responsible for numerous alterations<br />

and innovations in projection and<br />

sound systems. His technological achievements<br />

included the designing of an inexpensive<br />

modification kit to channel 35mra<br />

optical sound through magnetic sound systems;<br />

development of special switching and<br />

control systems for curtain and masking<br />

drives, auditorium lighting systems, etc.; development<br />

of the D-150 All-Purpose Projection<br />

System; and designing of the "light<br />

curtain."<br />

As vice-president in charge of construction<br />

and maintenance for UA Eastern Theatres,<br />

Kelly will continue to supervise the<br />

projection and sound operations for the circuit.<br />

an active member of the SMPTE<br />

Kelly is<br />

and a member of its Film Projection Practice<br />

Committee.<br />

Altec has opened a<br />

new 20,000-squar6-<br />

foot building to house its warranty and repair<br />

service facilities and overflow warehouse<br />

according to Don Palmquist, vicepresident<br />

of marketing for the Anaheim<br />

based audio products manufacturer.<br />

Theatre or Circuit..<br />

Seotins or Car Capacity..<br />

Street Number..<br />

aty.. State Zip Code..<br />

Fold olong this line with BOXOFFICE address out. Staple or tape closed.<br />

SEND US NEWS ABOUT YOUR THEATRE, YOUR IDEAS<br />

We'd like to know about them and so would your fellow exhibitors.<br />

If you've installed new equipment or made other improvements in your<br />

theatre, send us the details—with photos, if possible. Or if you have<br />

any tips on how to handle some phase of theatre operations, concessions<br />

sales, etc.—faster, easier or better—let other showmen in on them. Send<br />

The Altec Service Center is under the<br />

of Ray Tomko as national service<br />

direction<br />

manager and Les Davies, service manager.<br />

The staff of 17 includes trained engineers<br />

and technicians who are specialists in the<br />

various product lines.<br />

"With the establishment of this new,<br />

modern service center, Altec will provide<br />

the fastest possible service to its customers<br />

and contractors in our many markets,"<br />

Palmquist stated. "We believe this is one of<br />

the finest equipped service centers of its<br />

kind in our industry."<br />

this material to:<br />

The Editor<br />

MODERN THEATRE<br />

^<br />

Fold alons this line wi»h BOXOFFICE address out. Staple or tape closed.<br />

BUSINESS REPLY ENVELOPE<br />

First Closs Permit No. 874 - Section 34.9 PL&R - Kansos City, Mo.<br />

BOXOFFICE-MODERN THEATRE<br />

825 Van Brunt Blvd.<br />

KANSAS CITY, MO. 64124<br />

Located at 131 Katella Avenue in Anaheim,<br />

Calif., this modern facility will speed<br />

service and repairs on all equipment lines<br />

produced by Altec. These include Altec<br />

commercial sound and high fidelity products,<br />

the musical sound line, Altecom intercommunications<br />

equipment, telephone products,<br />

and University Sound products. The<br />

new facility will also service the requirements<br />

of 86 national authorized Altec wa^<br />

ranty repair stations.<br />

The MODERN THEATRE SECTION


%9 A %M t r I m SUOKIN&UiUC<br />

All interpretive analysis of loy and trodepress reviews. Running time is in parentheses. The plus ond minus<br />

signs indicate degree of merit. Listings cover current reviews regularly. ^ is for CinemaScope; (g) Panavision;<br />

j; Techniromo; t Other Anamorphie processes. Symbol U denotes BOXOfFICE Blue Ribbon Aword; All<br />

films ore in color except those indieoted by (b&w) for black & white. Motion Picture Ass'n (MPAA) ratings:<br />

S— General Audiences; PG—All ages admitted (parental guidance suggested); [g— Restricted, with<br />

persons under 17 not admitted unless accompanied by parent or adult guardian; (X—Persons under 17 not<br />

admrtted. Notional Catholic Office for Motion Pictures (NCOMP) ratings; Al— Unobiectionable for General<br />

Potronoge; Aa— Unobjectionoble for Adults or Adolescents; A3— Unobjectionable for Adults; A*—Morally<br />

Unobiectionoble for Adults, with Reservations; B—Objectionoble in Part for All; C—Condemned. Brood-<br />

"" Commission, National Council of Churches (BFC). For listings by company, see<br />

''hapT FEATURE<br />

^i<br />

BVIEW DIGEST<br />

AND ALPHABETICAL INDEX<br />

- Very Good; + Good; - Foir; - Poor; = Very Poor. In the summary ^ is rated 2 pluses, — os 2 minuses.<br />

«k5<br />

o. H- cc t- a ocj; s z<br />

—A—<br />

4531 Alf "n- Family (100) C Sherpix 10-16-72 PG A3<br />

4518 And Now for Something Completely<br />

Different (88) F Col 8-28-72 PG A4<br />

Another Nice Mess<br />

(66) Satire Fine Films 10-23-72 PG<br />

4528 Asphyx, The (98) ® Sus ..Parajon 10- 2-72<br />

Asylum (95) Doc Robinson 10-23-72 PG<br />

+ i<br />

i;<br />

+ +<br />

- +<br />

3+<br />

+- 4+2-<br />

4528 Bad Company (93) W Para 10- 2-72 PG A4<br />

Belinda (S3) Melo Aquarius 9-18-72<br />

4504 Ben (93) Sus-Ho CRC 7-10-72 PG A2<br />

4501 Bi( Bu4 Ca««. TiM<br />

(92) D New World 7- 3-72 H<br />

4511 Black Belly of the Tarantula, The<br />

(88) My-Ho MGH 8- 7-72 ig C<br />

Blacli Rodeo (87) Doc CRC 6-26-72 S Al<br />

4512 Blacula (92) Ho AlP 8- 7-72 PG A2<br />

4493 Blood From the Mummy's Tonb<br />

(94) H* AlP 6- 5-72 PG A2<br />

4519 Bluebeard (123) Sex CD CRC 9- 4-72 @ C<br />

4529 Blue Money (93) Sex Crown 10- 9-72<br />

4513 Bonnies Kids (105) Cr GFC S-14-72 H C<br />

4519 Boot Hill (92) ® W Film Ventures 9- 4-72 PG<br />

4495 Boxcar Bertha (92) Cr AlP 6-12-72 IS C<br />

Bronco Bullfrog (86) D New Yorker 8- 7-72 A3<br />

4523 Brother Carl (97)<br />

D (b&w) New Yorker 9-18-72 A4<br />

4499 Burglars, The (117) ® Melo ...Col 6-26-72 PG A3<br />

4506 UButterflies Are Free<br />

(109) C CoL 7-17-72 PG A3<br />

4527 Cancel My Reservation (99) C . .WB 10- 2-72 ga A2 ±<br />

4504 Candidate, The (UO) CD WB 7-10-72 PG A3 H<br />

4538 Carry On Doctor (95) C AlP 11- 6-72 PG +<br />

4479 Carry 0> Henry VIII (90) C ..AlP 4-17-72 PG B :t<br />

4527 Case of the Naves Brothers, The<br />

(97) Hi (b&w) Europix 10- 2-72 -r<br />

Charles— Dead or Alive<br />

(93) D New Yorker 9-11-72 A3 +<br />

4494 Chato's Land (100) W UA 6- 5-72 PG A3 +<br />

4488 Children Shouldn't Play With<br />

Dead Things (101) Ho Gcncni 5-15-72 PG<br />

4532Chloe in the Afternoon (97) C ..Col 10-16-72 E<br />

Class Reunion (85) Sex Melo . .SCA 9- 4-72<br />

4505 Come Back Charleston Blut<br />

(100) C-Ac WB 7-17-72 PG<br />

4482 Cumaneros (107) W ....CRC-GSF 4-24-72 IB<br />

4503 Conquest of the Planet of tbc Apes<br />

(86) ® SF 20th-Fox 7-10-72 PG<br />

4523 Contract, The (85)<br />

Melo Int'l Producers Corp. 9-18-72 @<br />

Corpse Grinders, The<br />

(72) Ho Geneni 10- 9-72 S<br />

4534 Countess Dracula (93) Ho . .20th-Fox 10-23-72 PG<br />

Country Girl<br />

(65) Sex Melo . . Hollywood Cinema 10- 2-72 (g)<br />

4537 Crescendo (S3) Melo WB 11- 6-72


REVIEW DIGEST<br />

AND ALPHABETICAL INDEX ^ very Good, + Good, ± Foir, - Poor; = Very Poor. In the summary ++ is rated 2 pluses, — as 2 minuses.<br />

La Camara Del Terror (90) H0..CDI 10-16-72 +<br />

4492 Udy Liberty (95) C UA 5-29-72 PG A4 =: i H<br />

4536 Udy Sinss the Blues (144) M ..Para 10-30-72 H A4 + -<br />

Lady Zazu's Daughter<br />

(73) C Aquarius 9-18-72 +<br />

4529 Last House on the Left, The<br />

(91) Melo ..Hallmarii Releasing 10- 9-72 IS ±<br />

449S Last of thi Rid Hot<br />

Lovers (98) C Para 6-19-72 PG A3 tt +<br />

Lale Spring (Banshun)<br />

(107) Melo (b&w) .. New Yorker 9-4-72 Al -f +<br />

Legend of Horror<br />

(80) Ho (b&w) Ellman 9-11-72 H ±<br />

4489 Legend of Niggir Charley, Tlii<br />

(100) W Pan 5-22-72 PG A4 ± -f<br />

4500 Little Ark, The (101) D NGP 6-26-72 S A2 ff -f<br />

4515 Little Mother (90) ....Audubon 8-a-72 e -f +<br />

4493ULiving Free (88) Ad Cel 6- 5-72 a Al + +<br />

Lizards. The (100) Melo Galitti 7- 3-72 ±<br />

4522 Love Me Deadly<br />

(92) Ho Cinema National 9-11-72 IB<br />

—<br />

Love (Szerelem)<br />

(92) D George Guml 10-16-72 -f<br />

—H—<br />

4514 Magnificent Seven Ride!, Thi<br />

(100) W UA 8-14-72 PG A3 + —<br />

Malcolm X (92) Doc WB 5-22-72 PG A2 + ++<br />

4506 Man. The (93) Para 7-17-72 IS A2 -)- -|-<br />

4491 Man With 2 Heads, The<br />

(80) Ho Hishkin 5-29-72 PG -^<br />

WMarjoe (88) Doc Cinema 5 8- 7-72 PG A3 ff +<br />

4518 Melinda (109) My MGM 8-28-72 H) C ± ±<br />

Money Talks (87) Doc-C UA 8-21-72 PG A2 -f f<br />

Morning After, The<br />

(78) Sex My Mature 9-18-72 ±<br />

Muthers, The<br />

(74) Sex Melo . . Hollywood Cinema 10- 2-72 ±<br />

—N—<br />

4504 Napoleon and Samantha (92) Ad BV 7-10-72 IS Al -f +<br />

Nashville Story, The (70) . . Doc Davis 5-22-72 Bl H<br />

4533 Necromancy (82) Ho ORG 10-23-72 PG A3 ± —<br />

4511 New Centurions, The<br />

(103) (g) Cr Col 8- 7-72 Bl A4 -f ±l<br />

4512 Night Call Nuriet<br />

(80) CD New World 8- 7-72 m +<br />

Night Evelyn Came Out of the Grave,<br />

The (100) ® Sus-Ho Phase One 8- 7-72 e C ± -<br />

4517 Night of the Cobra Woman<br />

(85) Ho New World 8-28-72 e ±<br />

4507 Night of the Lepus<br />

(89) SF-Ho MGM<br />

4502 Now You Sn Him, Now Y«i Doa't<br />

7-24-72 PG A2 -f<br />

-<br />

(88) C BV 7- 3-72 BB Al -f +<br />

4497 Other, The (IN) (g) Sut . .Mth-Fox 6-19-72 PG A3 +f<br />

4527 Outside In (90) D ..Harold Robbins 10- 2-72 E +<br />

—P—<br />

4497 Parades (95) D CRC-GSF 6-19-72 H A3 ±<br />

4505PickuD on 101 (93) Melo AlP 7-17-72 PG A3 +<br />

4499 Pied Piper, The (90) Hi Para 6-26-72 BB A2 ±<br />

4506 Place Called Today, A (103) D Emb 7-17-72 (» C ±<br />

4531 Play It as It Lays (101) D Univ 10-16-72 H A4 -f<br />

44»iOPIay It Again, Sam (86) C ..Para 5- 8-72 PG A3 +<br />

4487 Please Doa't Eat My Motherl<br />

(98) Sex C Boxoffici Infl 5-15-72 ++<br />

4518 Pope Joan (132) (J) D Col 8-28-72 PG A4 +<br />

4502 Portnoy's Complaint (101) (g) CD WB 7- 3-72 Bl C -|-<br />

4492 PoHession of Joel Dllaney, The<br />

(105) Sut Para 5-29-72 051 A4 -f<br />

4497 Prime Cut (91) (g) Ac NGP 6-19-72 Bj C ±<br />

Princess Yang Kwei Fci<br />

(91) D New Yorker 8-14-72 A2 +<br />

4529 Private Parts<br />

(86) Ho Prtmiir Prod. 10- 9-72 JH ± —<br />

4508 Public Eye. The (90) (8 C Univ 7-24-72 H A2 -f -(-<br />

4535 Pulp (96) Ac-Salire UA 10-30-72 PG A3 ff ±<br />

—B—<br />

4535 Rats Are Coming I The<br />

The Werewolves Are Here!<br />

(92) Ho William Mishkin 10-30-72 -f<br />

Red Ditachmtnt of Worn*<br />

(100) Ballet SR 7- 3-72 -|-<br />

4494 Rid Sun (112) W NGP 6- 5-72<br />

4524 Return of Sabata (106) ® W . . . UA 9-18-72<br />

PG A3<br />

PG A3<br />

H<br />

±<br />

-f-<br />

4495 Revengers, The (105) (» W .<br />

2<br />

. NGP 6-12-72 PG AS -h ±


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Mellnda Forrest, Paul Tobors<br />

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@Lady Zazu's Daughter<br />

i (73) C. Sep 72<br />

; Dolly Sharp, Fred Zotts<br />

. AUDUBON FILMS<br />

©Little Mother (90) ..D..Aug72<br />

Christine Kruger, Siegfried Ranch<br />

.<br />

JOSEPH BRENNER & ASSOC.<br />

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©The Virgin Witch<br />

• (91) D..Jun72<br />

Ann Michelle, Patricia Haines<br />

CAPITAL<br />

©George! (86) C. Sep 72<br />

' Marshall Thompson, Jack Mullaney<br />

CINEMA 5<br />

; ©The Trial of the<br />

Catonsville Nine (85) D.. May 72<br />

0«en Arner. Ed Flanders<br />

I ©SiMarjoe (92) Doc. Aug 72<br />

< ©The Policeman (87) C.<br />

; Shay K. Ophir, Zaharia Harifai<br />

DONALD DAVIS PRODUCTIONS<br />

Nashville Story<br />

' (70) Doc. May 72<br />

Roy Acuff<br />

Comes That Nashville<br />

Sound (84) CM.. Oct 72<br />

3 Randy Boone, Sheb Wooley<br />

3 DIMENSION PICTURES<br />

' Sweet Sugar (..) Sus..May72<br />

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Phyllis Davis, Ella Edwards<br />

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©Doberman Gang (87) ..Ac..Jun72<br />

• Byron Mabe, Julie Parrlsh<br />

Group Marriage (..) ...D.. Jul 72<br />

Aimee Eccles, Victoria Vetrl<br />

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! ©Space Love (73) Jun 72<br />

^ ©Dynamite (75) Sex C. Aug 72<br />

.< Monica Rivers, Steve Gould<br />

] ELLMAN ENTERPRISES<br />

^ ©The Werewolf vs.<br />

; the Vampire Woman<br />

; (82) Ho.. May 72<br />

i Paul Naschy, Gaby Fuchs<br />

3 ©Illusions<br />

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c .(•) A. Jun 72<br />

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.; Clark. Franca Polesello<br />

t ©Diabolic Wedding (84) Ho. Jul 72<br />

.S Margaret O'Brien<br />

(In combination with)<br />

1<br />

- Legend of Horror<br />

• (80) (b&w) Ho.. Jul 72<br />

c Karin Field<br />

©The Mad Butcher (..) Ho. Jul 72<br />

J Victor Buono, Karln Field<br />

. ©Annabelle Lee (90) ..Ho.. Aug 72<br />

1 Margaret O'Brien<br />

• Rita Book, Tracy nandfu.ss<br />

c ©The Suckers (83) D.. Jun 72<br />

Barbara Mills, J<br />

Richard Smedley<br />

- ©The Adult Version of Jekyll<br />

c & Hyde (85) D.. Jul 72<br />

©The Erotic Adventures of<br />

I<br />

•<br />

Zorro (104)<br />

Douglas Krey,<br />

Sex C . . Aug 72<br />

Robyn Wliltting<br />

jf<br />

FILM VENTURES INT'L<br />

©Boot Hill (92) ® ...W.. Jul 72<br />

Terence Hill, Woody Strode<br />

©The Warriors Ac. . Nov 72<br />

Mark Damon, Barbara O'Nell<br />

FUTURAMA INrL<br />

©The Dolls Head (89) .... May 72<br />

Boy Jensen, Bve Joselo<br />

©House of Pleasure (92) . . May 72<br />

Margaret Lee, Terry Torday<br />

Cat That Ate the Parakeet<br />

Jun 72<br />

Madelyn Keen, Phillip Pine<br />

©Didn't You Hear? (82) ..Jun 72<br />

Dennis Christopher, John Kauffman<br />

©Like a Crmr on a June Bug<br />

(94) Jun 72<br />

Sliiiore (a-lffeth. Beterly Powers<br />

GAMALEX ASSOC.<br />

Off My Grass<br />

(90) CD..May72<br />

Mickey Doleni, Oary Wood<br />

MISCELLANEOUS<br />

Rel. Date<br />

Rel. Date<br />

ACE INTERNATIONAL<br />

GENENI FILMS<br />

OStock Car Racing With Joy<br />

©Children Shouldn't Play With<br />

(90) Ac. Sep 72 Dead Things (101) ..Ho. May 72<br />

Jo; Wilkerson, Tony Cardoza<br />

Alan Orinsby, Valerie Mauches<br />

Beast of Yucca Flats Ho.<br />

Tor Johnson<br />

GENERAL FILM CORP.<br />

Night Train to Monde-Fine ..Ac. ©Bonnie's Kids (105) ..Cr .Sep72<br />

John C&rradine<br />

Tiffany Boiling. Steve Sandor<br />

OOutiaw Riders (86) Cycle.. ©Sugar Cookies D .<br />

Bryan "Sonny" West, Lindsay<br />

Monique Van Vooren. George<br />

Crunljj<br />

Shannon<br />

GROUP 1 FILMS, LTD.<br />

©The Depraved (..) D.. Dec 72<br />

Gerard Moulet, Cassandra French<br />

©The Runaway (95) ..Sex. May 72<br />

Gilda Texter, William Smith<br />

©Room of Chains ( . . ) . . D . . Dec 72<br />

Allison Taylor, Frank Martin, Karen<br />

Thomas<br />

©Up Your Alley (..) ..C. Dec 72<br />

Frank COrsentino, Haji<br />

©Pepper & His Wacky Taxi<br />

(..) C. Jan 73<br />

John Astln, Frank Sinatra jr.,<br />

Jackie Gayle, Alan Sherman<br />

HALLMARK RELEASING<br />

©Mark of the Devil (90) Ho. .Apr 72<br />

Herbert Lom, Olivcra Vuco<br />

©The Last House on the Left<br />

(91) Melo..Nov72<br />

David Hess, Lucy Grantham<br />

HEMISPHERE PICTURES<br />

©The Swingin' Pussycats<br />

(..) Sex.. Jul 72<br />

©Tessa (90) Jul 72<br />

Suzy Kendall, Frank Flnlay<br />

©Revenge (90) Sep 72<br />

Joan Collins, James Booth<br />

HOLLYWOOD CINEMA ASSOC.<br />

©Country Girl<br />

(65) Sex Melo..Apr72<br />

Marie Campbell, Jean Wilson<br />

©The Muthers<br />

(74) Sex Melo..Apr72<br />

Marsha Jordan, Kathy Williams<br />

HOWCO INT'L<br />

Dirty Dan's Women<br />

(90) My,. June 72<br />

Micky Dolenz, Chuck Patterson<br />

JACK H. HARRIS<br />

©Son of Blob (reviewed as<br />

"Beware! The Blob")<br />

(87) Ho.. June 72<br />

Robert Walker, (Jodfrey Cambridge<br />

©House of Missing Girls<br />

(85) Sex..<br />

Ann Gael<br />

©Ride in the Whirlwind (83).. W..<br />

Jack Nicholson<br />

©The Shooting (82) W.<br />

Jack Nicholson<br />

©Bone (95)<br />

D..<br />

Yaphet Kotto, Andrew Duggan<br />

INDEPENDENT-INT'L<br />

©Angels' Wild Women<br />

(85) Sex-Ac .Jul72<br />

Ross Hagen, Regina Carol<br />

©Dracula vs. Frankenstein<br />

(90) Ho.. Jul 72<br />

J. Carrol Naish, Russ Tamblyn<br />

©Gang Girls (84) Ac. Aug 72<br />

(l)oI (3iick Morgan<br />

©Women for Sale<br />

(82) Sex.. Aug 72<br />

1 ENTERTAINMENT VENTURES<br />

2 ©The HitchHikers (93) D. Apr 72<br />

t Misty Rowe, Norman Klar<br />

c ©Red, White & Blue!<br />

(90) Sex Doc. Apr 72<br />

i ©Dirty Lovers (80) D.. May 72 ©Exchange Student<br />

c ©The Big Snatch (77) ..D.. Jun 72<br />

INT'L PRODUCERS CORP.<br />

©The Contract<br />

(85) Sex Melo..Sep72<br />

Bruno Pradel, CJiarles Southwood<br />

(90) ® C. Oct 72<br />

Louis De Funes, Martlne Kelly<br />

J-CINEMAX INrL<br />

©Rip-Off (90) CD.. Sep 72<br />

Don Scardlno, Ralph Endersby<br />

LEVITT-PICKMAN<br />

©Ten Days' Wonder<br />

(100) My.. May 72<br />

Orson Welles, Anthony Perkins<br />

©Heat (100) Satire..<br />

SyMa Miles. Joe Dallesandro<br />

©Hoffman (111) D.<br />

LION DOG ENTERPRISES<br />

©Shantytown Honeymoon<br />

(85) CD.. Jun 72<br />

Ashley Brooke, Oorge Ellis<br />

MAGUS FILAAS<br />

©Prince of Peace (135) D. May 72<br />

©Festival of the Undead<br />

() Ho. Jun 72<br />

The Senator (90) .. .Sex. .Aug 72<br />

©The Corruptor<br />

(..) Ac-Ad. .0ct72<br />

©Virgin Planet SF-$ex..DK72<br />

MANSON DISTRIBUTING<br />

©Sex and the Office Girl<br />

(80) Sex.. Oct 72<br />

Mary Worthlngton, Lee Korl<br />

MARON<br />

©Toys Are Not for Children<br />

Rel.<br />

Date<br />

(85) D.. Jun 72<br />

Mareia Forbes, Fran Warren<br />

MATURE PICTURES<br />

©The Morning After<br />

(78) Sex.. Jun 72<br />

Sammy Cole, Jean Parker<br />

WILLIAM MISHKIN<br />

©The Man With 2<br />

Heads<br />

(80) Ho.. May 72<br />

Denis De.Marne, Julia Stratton<br />

NOR'WEST PROD.<br />

©Alaska, America's Last Frontier<br />

(110) Doc. Oct 72<br />

PARAGON PICTURES<br />

©The Asphyx (98) ® ..Sus..0ct72<br />

Robert Stephens, Robert Powell<br />

©Kill Me With Kisses<br />

(100) C.Nov 72<br />

Nino Manfredl, Ugo Tognazzi<br />

(Selected Engagements)<br />

©When Women Played Ding Dong<br />

(95) C. Nov 72<br />

Nadia Cassinl, Howard Ross<br />

©Terror in 2-A (91) ..Sus..Jan72<br />

Raf Vallone, Angelo Infant!<br />

PREMIER PRODUCTIONS<br />

©Private Parts (86) Ho..<br />

Ayn Ruymcn, Lucille Benson<br />

HAROLD ROBBINS INT'L<br />

©Outside In (90) D.. Sep 72<br />

Darrel Larson, Heather Menzies<br />

ROBERT SAXTON FILMS<br />

©The Halfhreed (90) ..W.. Nov 72<br />

Lex Barker, Ursula Glas<br />

©How Did a Nice Girl Like You<br />

(88) C. Dec 72<br />

Ba. hi Benton, Hampton Fancher<br />

©Naked Evil (SO) . . . Ho. .Jan . 72<br />

Anthony Ainley, Suzanne Neve<br />

©The Cheerleaders ( .<br />

. ) D .<br />

SCA DISTRIBUTORS<br />

©Class Reunion<br />

(85) Sex Melo..0ct72<br />

Marsha Jordan, Sandy Cary<br />

©The Snow Bunnies<br />

(85) Sex Melo..0cf72<br />

.Marsha Jordan, Sandy Cary<br />

SCOTIA<br />

©Bad Man's River<br />

INTERNATIONAL<br />

() C-W..Apr72<br />

Lee Van Cleef. Gina Lollobrlgida<br />

©Crucible of Terror ® Ho.. May 72<br />

.Mike Raven, Mary Maude<br />

©The Fifth Day of Peace<br />

® D.. May 72<br />

Richard Jotinson. Franco Nero<br />

©Pancho Villa ® .. Hi-Ad. . May 72<br />

Telly Savalas, Clint Walker<br />

©Psychomania ® . . Ho-Ad. .<br />

George Sanders, Beryl Reid<br />

May 72<br />

©Suburban Wives (87) Sex.. May 72<br />

Bia Whl.slaw, Barry Llnehan<br />

©Horror Express<br />

() ® Ho..Jun72<br />

Peter Cushing, Christopher Lee<br />

SOUTHERN STAR<br />

PRODUCTIONS<br />

©Dear, Dead Delilah<br />

(95) Sus..Jun72<br />

Agnes Moorehead, Will Geer<br />

©A Day at the White House<br />

(92) Sex C. Aug 72<br />

Lorl Saunders, Robert Ridgely<br />

©Black Trap (90) Ac. Oct 72<br />

Terry Carter, Gwen Mitchell<br />

SUN INT'L<br />

©Trap on Cougar Mountain<br />

(94) oO-Ad<br />

Keith Larsen, Eric Larsen<br />

TRANSVUE<br />

©Johnny Hamlet<br />

(91) ® W. .Jun 72<br />

Chip Corman, Gilbert Roland<br />

©The Incredible Challenge<br />

(95) D..Sep72<br />

Michael Craig, Eva Renzl<br />

©Premonition (90) . . .Sus. .Sep 72<br />

Carl Crow, Tim Ray<br />

©Rainbow Bridge (108) M.. Sep 72<br />

Jiml Ilcndrlx, Pat Hartley<br />

TWI NATIONAL<br />

©Voodoo Heartbeat (85) Ho. Jul 72<br />

Ray Molina, Philip .Mm<br />

©Women of Stalag 13<br />

(92) Ad. Oct 72<br />

Sally Mar, Perry Page<br />

UNITED FILM ORG.<br />

©The Secretary (85) ..Sex.. Apr 72<br />

Josh Gamble, Angela Gale<br />

UPI-UNITED PICTURES<br />

©Long Way From Home<br />

Ian Scott, Barbara Grace<br />

(..) D..Apr72<br />

WESTERN INT'L<br />

©The Galling Gun<br />

(93) ® D.. Jun 72<br />

Woody Strode, Robert Fuller<br />

FOREIGN LANGUAGE<br />

FEATURE REVIEWS<br />

Fist of Fury<br />

Mandarin dialogue Melodrama<br />

English and Chinese ® ©<br />

titles<br />

Pagoda Films 103 Minutes Rel. Nov. '72<br />

Kung-fu, the Cantonese art of self-defense in<br />

which all parts of the body are used, is demonstrated<br />

to a remarkable degree by Bruce Lee, 1972<br />

World's Black Belt Hall of Fame, in this actionfilled<br />

film. Dialog is in Mandarin, with both Chinese<br />

and often illiterate English titles. Dubbing for the<br />

action market could result in a lot of added revenue<br />

for the U.S. distributor, New York's Pagoda Films.<br />

Directed and written by Lo Wei, the film describes<br />

the events following the death of Ho Yun Chia,<br />

teacher of a Chinese school of self-defense, in 1908.<br />

Star pupil Lee successfully battles the Japanese<br />

villains who poisoned his leader, then has to pay<br />

when the authorities threaten retaliation. Set in<br />

Shanghai's International Settlement, the film is<br />

played in modern dress. Lee's acting ihe has appeared<br />

on TV here, notably on "The Green Hornet")<br />

is overly intense but his athletic prowess is<br />

something to behold. Among the attractions are a<br />

Chinese inspector who resembles an American cop,<br />

an English-speaking Russian boxer, a nude dancer<br />

and a ballad for the hero. Raymond Chow produced<br />

the Golden Harvest production in Hong Kong, in<br />

Dyaliscope and Eastman Color. Since Warner Bros.<br />

will release Lee's next film, "Blood and Steel," in<br />

English, interest in "Fist of Fuiy" may be aroused.<br />

Bruce Lee, Miao Ker Hsiu, James Tien,<br />

Robert Baker, Maria Yi.<br />

SEXPLOITATION FEATURE REVIEW<br />

Oh! Calcutta!<br />

® ^t<br />

Cinemation Industries 105 Minutes Rel. Oct. '72<br />

A filmed perfoiTnance of this sensational Broadway<br />

play is now available for popular runs. It is<br />

basically a series of skits, a theatrical revue, that<br />

satirizes sex and mores in contemporary society.<br />

This play opened off-Broadway June 17, 1969, and<br />

moved to Broadway Feb. 25, 1971. Devised by Kenneth<br />

Tynan, many people have been listed as contributors<br />

for the numerous skits: Samuel Beckett,<br />

Jules Feiffer, Dan Greenburg, John Lennon, Jacques<br />

Levy, Leonard Melfi, David Newman, Robert Benton,<br />

Sam Shepard, Clovis Trouille, Kennth Tynan<br />

and Sherman Yellen. A couple of skits have been<br />

deleted from the film version, but otherwise it is<br />

intact. Everyone has heard of the nudity in it, which<br />

begins immediately with a complete disrobing of<br />

the cast. Once past this gimmick, which doesn't<br />

take long, the viewer can get down to evaluating<br />

the content of the skits, many of which have some<br />

redeeming socio-cultural values. Sex is never explicit,<br />

but implications of it are frequently humorous.<br />

Some skits are loaded with four-letter words.<br />

Everything about sex is satirized from young people<br />

to their elders, from swapping couples to Masters<br />

& Johnson. A highlight is a dance sequence done<br />

by a nude male and female, which is extremely<br />

artistic and graceful. Natm'ally, some people will<br />

be shocked by this film and will look on it as tasteless<br />

and dirty. It is only for adults and broad-minded<br />

ones. So know your audience well and advertise<br />

accordingly. This is much better than the usual run<br />

of sexploitation and X-rated films around.<br />

SEMI-DOCUMENTARY FILM REVIEW<br />

nter-racial Drama<br />

©<br />

Impact Films 78 Minutes Rel. Nov. '72<br />

Filmmaker Lionel Rogosin, whose innovative<br />

track-record has stirred deservedly considerable<br />

critical comment over the years, now tui'ns to the<br />

topical theme of inter-racial marriage, using as<br />

central story line the life of one Jim Collier, whose<br />

longings for emotional ties to white women evolved<br />

into marriage and fatherhood. Where such dramatic<br />

projections have brought out audiences, this should<br />

prove of strikingly strong boxoffice strength.<br />

There's some nudity, true, but the overall effect is<br />

Black Fantasy<br />

one of a man's striving for identification. Rogosin<br />

produced and directed, J. Robert Wagoner was responsible<br />

for the camera. In Eastman Color.<br />

Jim Collier, EUie Fiscalini, Elena Hall,<br />

Hollis Hanson, Denise Hogan-Bey.<br />

BOXOFTICE BookinGuido :: Nov. 13, 1972,


Opinions on Current Productions<br />

^EATUkE REVIEWS<br />

Symbol O tfMota color; © CImtmUfpm; f fnmt Mu m; 3) TockairanM; C othor anamorphtc pracMMt. Fo» itory SYMpote ea OMb pM«ra, ••• imtm M*.<br />

ILZAyrS RAID m<br />

Western<br />

©<br />

Universal (7214) 103 Minutes Rel. Nov. '72<br />

In American history, the Chiraeahua Apache called<br />

Ulzana was a savage whose exploits equalled those of<br />

the more famous Cochise and Geronimo. He is remembered<br />

chiefly for a raid in which he brutally murdered<br />

white settlers. This brutality is explored to a degree in<br />

the Carter De Haven-Robert Aldrich production, directed<br />

by Aldrich and produced by De Haven. Only two scenes<br />

qualify for the R: the shot in which Apaches cut open<br />

dead trooper Dean Smith to use his intestines as a ball<br />

and closeups of Karl Swenson's burned body. Unfortunately,<br />

the rest of the film is fairly routine Cavalry vs.<br />

Indians fare. A general audience rating could very likely<br />

be obtained by removing the explicit violence. Alan<br />

Sharp's screenplay has the ring of authenticity in the<br />

dialogue, but there is no indication that Ulzana really<br />

existed. Burt Lancaster as the old scout has another fine<br />

character role which he handles with ease, although the<br />

actor may be concentrating too much on oaters of late.<br />

Bruce Davison, Richard Jaeckel and Jorge Luke are good<br />

in co-starring parts, while Joaquin Martinez is largely<br />

off-screen as Ulzana. Frank DeVol's music is in the John<br />

Ford-cavalry movie tradition. Joseph Biroc's Technicolor<br />

lensing in Nogales, Ariz., and Nevada adds interest.<br />

Burt Lancaster, Bruce Davison, Richard Jaeckel, Jorge<br />

Luke, Joaquin Martinez, Lloyd Bochner.<br />

TREASURE ISLAISD<br />

°"""<br />

H *''«"'"S<br />

National General ( ) 93 Minutes Rel. Nov. '72<br />

The classic Robert Louis Stevenson tale, which has<br />

been filmed several times before, now bears the personal<br />

stamp of Orson Welles. Starring as Long John Silver<br />

and collaborating with Wolf Mankowitz on the screenplay<br />

c under the name G.BiC. Jeeves i, Welles has attempted<br />

a more adult version of a tale basically for<br />

children. Together with the direction of TV-trained John<br />

Hough, who shows a fondness for throwing objects into<br />

camera range for effect and using many closeups, the<br />

result is still a children's film with little appeal to adults.<br />

While performing in a full-blown manner, Welles tends<br />

to swallow much of his dialog. Most of the supporting<br />

cast is dubbed and some of them are unintelligible also. I ing\<br />

I<br />

Kim Burfield, an 11 -year-old actor, replaced Mark Lester<br />

in the role of Jim Hawkins, a part with which any adolescent<br />

can easily identify. Walter Slezak occasionally<br />

loses his British accent as an amusing Squire Trelawney,<br />

while Lionel Stander adds his gravel voice to the role<br />

of Billy Bones. Filming in Eastman Color for the Harry<br />

Alan Towers production was accomplished in Puerto Rey,<br />

southern Spain, and in Madrid and Rome and off the<br />

coast of Cornwall. Seeing Welles as Long John may intrigue<br />

some adult patrons. Music is by Natal Massara.<br />

Orson 'Welles, Kim Burfield, Walter Slezak, Lionel<br />

Stander, Paul Muller, Maria Rohm.<br />

006'<br />

DIRTY LITTLE BILLY [R<br />

Columbia (015) 93 Minutes<br />

Western<br />

©<br />

Rel. Nov. '72<br />

The famed outlaw Billy the Kid lives again in a very<br />

modern western which is notable in several respects.<br />

^:.% The film is Jack L. Warner's first independent producu\r-<br />

tion, preceding "1776," and is the first movie to be produced<br />

by the Wells, Rich and Greene advertising agency<br />

and directed by TV commercial creator Stan Dragoti.<br />

The Charles Moss-Dragoti screenplay literally makes William<br />

Bonney a dirty character, but then nearly everyone<br />

is grimy throughout the picture. With Michael J. Pollard<br />

in the title role, the result is by far the most authentic<br />

version of the usually glamorized picture of the young<br />

killer. The real Billy was said to be an ugly, nearly demented<br />

youth who muidered 21 men before being killed<br />

at the age of 21. Pollard's interpretation is that of an<br />

oafish misfit whose loyalty to a half-crazed saloon owner<br />

leads to a career of crime. Billy's first killings (three<br />

mountain mem occur at the climax, creating some suspense<br />

in that his Initial victim could be almost anyone.<br />

Pollard and Richard Evans portray awkwardness and<br />

madness effectively while Lee Purcell and Charles Aidman<br />

deliver solidly professional performances. Color<br />

filmed near Benson, Ariz., the Columbia release is an<br />

interesting try: its appeal, however, may be limited.<br />

Michael J. Pollard, Lee Purcell, Richard Evans, Charles<br />

Aidman, Dran Hamilton, Willard Sage.<br />

DAUGHTERS OF SATAN<br />

[p] Horror Drama<br />

United Artists (7219) 90 Minutes Rel. Oct. '72<br />

A new horror combination from United Artists shows<br />

that the Philippines offers possibilities for film production.<br />

Coupled with the lesser half of the bill, "Superbeast,"<br />

the far superior is 'Daughters of Satan." The<br />

tale of reincarnation, written by John C. Higgins from<br />

a story by John Bushelman, has been solidly directed by<br />

Hollingsworth Morse. Except for some deficiences on the<br />

part of the actors, the film is engrossing and well done.<br />

Audiences for these thrillers should find "Satan" quite<br />

entertaining and won't be distm-bed by the lack of polished<br />

thesping, which makes some of the dialogue unin-<br />

. c^ tentionally fimny. Actually, the native Filipino talent<br />

me, I especially Paraluman and Vic Silayan—steals acting<br />

» M> honors. Tom Selleck is acceptable as the hero, menaced<br />

by his owTi wife. Pi-etty Barra Grant is the possessed<br />

spouse, haunted by the spirit of a witch ancestor seeking<br />

revenge. Tani Phelps Guthrie has the third lead, her<br />

skull-like features being an asset for the role of devil's<br />

advocate. All three of the stars have had TV experience.<br />

The horror touches are very effective for such a lowbudget<br />

effort, reflecting what a bit of ingenuity can do.<br />

Some topless bits account for the R. Produced by Aubrey<br />

Schenck. De Luxe Color.<br />

Tom Selleck, Barra Grant, Tani Phelps Guthrie,<br />

Paraluman, Vic Silayan, Vic Diaz, Paquito Salcedo.<br />

WiyTER COMES EARLY PG Drama<br />

©<br />

Cannon Release 112 Minutes Rel. Mar. '72<br />

Hockey serves as the background for this romantic<br />

drama about two young people, who fight hard to stay in<br />

love. Their backgroimds and value systems are entirely<br />

different, so their affair is ill-starred from the beginning.<br />

In the world of hockey a wife must imderstand her husband's<br />

devotion to the game, be supportive to him. and<br />

blend into the atmosphere. Art Hindle and Trudy Young<br />

are the two young performers in this Argincourt International<br />

presentation. Art is rough, aggressive and competitive.<br />

Miss Young is a singer, a bit on the hippie side, and<br />

very sensitive. She is appalled, when on a visit to his<br />

family in rural Canada, to see Hindle order his dog to attack<br />

a helpless rabbit. This is a key scene that clearly<br />

spells out their differences. The film carries enough love<br />

interest and hockey scenes to hold an audience's attention.<br />

Many National League hockey teams are seen in<br />

action. George McCowan dii'ected the film for producer<br />

John P. Bassett. The screenplay of George Robertson<br />

gradually builds up interest. Frank Moore wrote the<br />

songs and plays Miss Young's manager. The perfonnances<br />

are generally good. John 'Vernon and Vivian Reis stand<br />

out as the coach and his wife. Color photography is an<br />

added asset to this Canadian film.<br />

.^rt Hindle, Trudy Young, Frank Moore, John Vernon,<br />

Vivian Reis, Kate Hawtrey, Steve Pernie.<br />

Dn<br />

(2i<br />

SUPERBEAST [1<br />

"•""q"^'""''<br />

United Artists (7220) 93 Minutes Rel. Oct. '72<br />

A new horror package from United Artists consists of<br />

a pair of Pliilippine-made films by the father and son<br />

team of Aubrey and George Schenck. Top half of the<br />

bill is George William Schenck's "Superbeast," which is<br />

less than effective. Co-featm-ed is the senior Schenck's<br />

more interesting "Daughters of Satan." Producer-director-writer<br />

George Schenck obviously had a good premise<br />

in his original story concerning the after-effects of a<br />

treatment intended to cui-b anti-social behavior in hardened<br />

criminals. Except for the opening, there is almost<br />

no action at all as the plot settles into a variation on<br />

"The Most Dangerous Game," wherein great white himter<br />

Harry Lauter stalks the beastly creatures whom Dr.<br />

Ci-aig Littler has failed to ciue. The R-rating really seems<br />

extreme in view of the mild tone of most of the film.<br />

A totally irrelevant topless woman is seen during the<br />

credits while the only real shock touches are non-horror:<br />

exposing a man's intestines on the operating table and<br />

cutting off a live chicken's head. 'While acting is not<br />

necessarily essential in this type of horror film, it becomes<br />

almost non-existent here. Only veteran Harry Lauter,<br />

star of some of the last serials made in this country,<br />

^^^ manages to impress. Music by Richard LaSalle. De Luxe<br />

Ang Color.<br />

'3'-<br />

Antoinette Bower, Craig Littler, Harry Lauter, Vic Diaz,<br />

Jose Romulo, John Garwood, Nanita.<br />

The reviews on these pages may be filed for future reference in any of the following ways (1) in ony standard three-ring<br />

looseleaf binder; (2) individually, by company, in any standard 3x5 card index file; or (3) in the BOXOFFICE PICTURE<br />

GUIDE three-ring, pocket-sixe binder. The latter, including a year's supply of booking ond doily record sheets,<br />

may be obtained from Associoted Publications. 825 Van Brunt Blvd., Kansas City, Mo. 64124 for $1.50 postage paid.<br />

4540 BOXOmCE BookinGuide Nov. 13, 1972 4539


FEATURE REVIEWS Story Synopsis; Exploitips; Adiines for Newspapers and Progranf:<br />

THE STORY: "Dirty Little Billy" (Col)<br />

Michael J. Pollard as Billy Bonney arrives in Coffeyville,<br />

Kas., from New York City with mother Di-an Hamilton<br />

and stepfather Willard Sage. A hard-working farmer,<br />

Sage is at odds with Pollard. The youth, unsuccessful at .<br />

farming, leaves the rimdown ranch. He meets saloon MSHK<br />

owner Richard Evans and his girl Lee Purcell. Evans, " '<br />

half-insane, has Purcell hire out as a prostitute. Bartender<br />

Josip Elic and crazy old Ronnie Graham are Evans'<br />

only other friends. Fighting for her man, Puicell cuts<br />

off the ear of buffalo girl Rosary Nix. Pollard makes<br />

love to Purcell with Evans' blessing, earning her respect.<br />

After Sage dies, Hamilton takes up with wealthy land<br />

owner Charles Aidman. The latter arranges for Evans<br />

to leave town, but Evans is wounded and Purcell killed.<br />

Pollard, helping Evans, shoots mountain man Severn<br />

Darden and two henchmen—Billy the Kid's first killings.<br />

EXPLOITIPS:<br />

Tie in with other Billy the Kid films, emphasizing<br />

that this is the real story. Play up Sascha Burland's<br />

catchy score, via a special 45 rpm soundtrack recording<br />

which Columbia is distributing. Arrange special promotionals<br />

with leading ad agencies.<br />

Mention the presentation<br />

at the San Francisco Film Festival.<br />

CATCHLINES:<br />

The Real Billy the Kid ... A Dirty Little Kid in a<br />

Rotten Little Town, When Killing Was the Best Way to<br />

Survive.


1 <strong>Boxoffice</strong>.<br />

'.<br />

"<br />

. .<br />

I0< per word, minimum S3.00. CASH WITH COPY. Four consecutive insertions for price<br />

2 additional words and include 50< additional, to<br />

When using a BoxoHice No., figure<br />

ccl of handling repUes. Display Classified, S25.00 per Column Inch. CLOSING DATE: Monloc<br />

preceding publication date. Send copy and answers to Box Numbers to BOXOFFICE,<br />

'orBrunt Blvd., Kansas City, Mo. 64124.<br />

CUflRinG<br />

HELP WANTED EQUIPMENT FOR SALE<br />

THEATBE CIBCUIT has manopen<br />

for experienced person,<br />

aiiable in western New York<br />

plies conlidential. Apply with<br />

Resume to <strong>Boxoffice</strong>, 2814.<br />

t AND INDOOH THEATHE MANnotion<br />

oriented aggressive in-<br />

I have a promising future with<br />

lonsion minded circuit. Thea-<br />

;u in a medium sized resort<br />

B, in Wisconsin, close to Minne-<br />

Bi St. Paul. Call or write Carisch<br />

1611 E, Lake St., Wayzata, Minn.<br />

ne (612) 473-1269.<br />

^ — Good managers, indoor and<br />

. (ealres, Louisville, Kentucky, Cin-<br />

[ihio and Midwest area. Top salpo<br />

insurance, retirement, excellerit<br />

Bent ooportunilies. RepUes confi-<br />

2815.<br />

ATION—Willing to become expert<br />

{automation unit available. New<br />

» company needs you part time.<br />

become consultation expert as<br />

.nstall and service. No sales in-<br />

/rite giving brief description of<br />

iiilications. We will send you delional<br />

Automation Services, Box<br />

bfins, Minn. 55343.<br />

NG DIHECTOR. Must be heavy<br />

ng, promotion and group sales.<br />

_ knowledge of reserved seat<br />

Midwest area. RepUes conlidenresume<br />

to <strong>Boxoffice</strong>, 2817.<br />

MP ERS OH QUALIHED ASSISTANTS<br />

ipvig Maryland and Virginia circuit,<br />

^etme and photo to Theatres, 14504<br />

^c: Rd., aiver Spring, Md. 20904.<br />

f ,-E<br />

::2.<br />

MANAGERS WANTED. Growexcelient<br />

opportunities. Box-<br />

iTNG MANAGER. Opening for experson<br />

in multiple theatre comneast.<br />

Experience will ideally<br />

projection room and theatre mainzperience<br />

as well as managerial<br />

a. Salary to $12,000.00 depending<br />

ications. Advancement opporluconlidential.<br />

<strong>Boxoffice</strong>, 2821.<br />

SERVICES<br />

COMMUNICATIONS<br />

services<br />

theatre sound and projection<br />

Airway Communications for<br />

^curity systems, touchtone or<br />

telephone systems, intercoms,<br />

systems. For the best, call or<br />

/way Commxinications, lOOI LoucDrive,<br />

Kansas City, Mo. 54116.<br />

4-7666, 7667.<br />

i);<br />

SOUND PROJECTION<br />

WINTENANCE MANUAL &<br />

KOrHLY SERVICE BULLETINS<br />

TO BETTER SOUND REPRODUC-<br />

D PROJECTION—For exhibitors,<br />

:i7cuits, projectionists. Simplified<br />

IS on "how to repair projectors<br />

i ecjuipment." Automation Equip-<br />

Brenkert,<br />

W AND OLD Simplex,<br />

Ballcmlyne, Motiograph, .<br />

id Arc Lamps<br />

etc.<br />

. . . Generators<br />

. .<br />

tiers . . "Step-By-Step" service<br />

.<br />

/acuum Tube and Transistor ara-<br />

Speolcer Systems . . S:;reens<br />

3 . . . Optics, etc. . . . SCHE-<br />

SD DRAWINGS ... We keep<br />

>date on NEW developments in<br />

t every month ALSO,<br />

'<br />

SERVICE BULLETINS AND NEW<br />

OR YOUR LOOSE-LEAF MANUAL<br />

3th ior one year. Over 150 pages<br />

Locse-Leai Practical Manual<br />

^<br />

ONLY S9.95 in U.S.A., Conada.<br />

:cible and Authentic. Edited bv<br />

A".th 35 years of Exoerience; \h<br />

rhnical Editor the MODERN THEash.<br />

Check, or P.O. No CODs.)<br />

TROUT. EDITOR. Bass Bldg.. Box<br />

Oklahoma 73701.<br />

'ACE :: November 13, 1972<br />

MINI THEATHE PROJECTION SYSTEM.—<br />

Two 16mm JAN projectors, chcmgeovers,<br />

30 watt amplifier, lenses, reconditioned.<br />

List $2,795.00 a pair, now $995.00 pair.<br />

Why not buy the best? SK Film Equipment<br />

Co., Inc., 6340 SW 62nd Terrace, Miami,<br />

Fla. 33143.<br />

SIMPLEX XL's. SH lOOO's, LL3 bases,<br />

Magnarcs, etc. Factory fresh as new. The<br />

finest for your booth now. Write for our<br />

low quotes. Complete booths from $1,500 00<br />

up. SK Film Equipment Co., Inc., 6340 SW<br />

62nd Terrace, Miami, Fla. 33143.<br />

JUMPY PICTUHE. poor sound, noise,<br />

noise, noise. Get it fixed in a hurry. Dial<br />

(305) 661-9490. SK Film Equipment Co.,<br />

Inc.<br />

BEHNZ-O-MATIC IN-CAH HEATEHS. Exelusive<br />

factory authorized sales, service<br />

and parts. STANFORD INDUSTRIES, 311<br />

Waukegan Ave., Highwood, III. 60040.<br />

(312) 432-0444.<br />

THEATHE SPECIAL—Inventory reduction.<br />

Two I5mm lANs, changeover, 30 watt amplifier,<br />

dousers, excellent, $696.50. Send for<br />

free listing. HECHT, Box 443, Ellenville,<br />

N.Y. 12428.<br />

LIKE BRAND NEWl 16mm Victor Kalart,<br />

Model 70-15 projectors, $275.00 each,<br />

$495.00 pair. Independent Theatre Supply,<br />

2750 East Houston, San Antonio, Texas<br />

78202. Phone (512) 226-3508.<br />

DRIVE-IN SPEAKER CORDS. Heavy duty.<br />

Send for price Ust. Box 433, Oriska, North<br />

Dakota 580B3.<br />

EQUIPMENT WANTED<br />

USED EQUIPMENT bought and sold.<br />

Best prices. Texas Theatre Supply. 915<br />

So. Alamo, San Antonio, Texas 78205.<br />

3Smm PORTABLE PROJECTORS, USED.<br />

Bob Goodrich, 80 Market, Grand Rapids,<br />

Michigan 49502.<br />

ONE OR TWO used 16mm projectors for<br />

use in mini-theatre. Call betweet 7 & 10<br />

p.m. (517) 739-8188 or write Mini-Art Theatre,<br />

P. O. Box 463, Oscoda, Michigan<br />

48750.<br />

BUSINESS<br />

STIMULATORS<br />

BINGO CARDS, S5.75M, 1-75. Other<br />

aames available. Off-On screen. Novelty<br />

(3ames, 1263 Prospect Avenue. Brooklyn,<br />

New York. (212) 871-1460.<br />

Build attendance with real Hawaiian<br />

orchids. Few cents each. Write Flowers ol<br />

Hawaii, 670 S. Lafayette Place, Los Angeles,<br />

Calii. 90005^<br />

BINGO CARDS DIE CUT. 1-75, 1500<br />

Combination. Dillerent color, 500 in each<br />

package. $5.75 per thousand. Premium<br />

Products, 339 West 44th St., New York,<br />

N. Y., 10035. Phone: (212) CI B-4972.<br />

MARQUEES, SIGNS<br />

Designed, Engineered, Built, Erected,<br />

Maintained on Lease or purchase plan.<br />

BUX-MONT, Leasing and Maintenance.<br />

Horsham, Pa. (215) 675-1040.<br />

THEATRE REMODELING<br />

CINEMA DESIGNERS, INC., builders of<br />

contemporary theatres, can remodel your<br />

old theatre or build you a new one. C,omplete<br />

turnkey project. Write for free brochure;<br />

1245 Adams St., Boston, Mass.<br />

02124. (617) 298-5800.<br />

MISCELLANEOUS<br />

DON'T THROW ANYTHING AWAY .<br />

We buy movie posters, uncut pressbooks,<br />

stills, trailers, etc. Old—Current—Any<br />

Quantity. Also want set of door panels<br />

from "HELP." Cinema Attic, Box 7772, Philadelphia,<br />

Pa. 19101.<br />

HOUSE<br />

THEATRES WANTED<br />

Wanted to buy or lease: Indoor theatre<br />

in Metropolitan areas, population at least<br />

75,000. Contact; William Berger, Belle Plaza<br />

209, 20 Island Avenue, Miami Beach,<br />

na.<br />

WANTED TO BUY OR LEASE: Indoor or<br />

outdoor. Contact Mike Kutler, 1221 W. 6th<br />

St., Cleveland, Ohio 44113. (216) 621-4579.<br />

DRIVE-IN THEATRES WANTED! Boston<br />

based theatre circuit seeks to acquire<br />

drive-in theatres anywhere in U. S. TOP<br />

DOLLAR PAIDI Write <strong>Boxoffice</strong>. 2750.<br />

AMERICAN DRIVE-INS required. Bovilsky,<br />

34 Batson St., Glasgow, Scotland.<br />

WANTED: ADULT THEATRES! Drawing<br />

area of 250,000 or more. Anywhere. Top<br />

dollar paid. Write <strong>Boxoffice</strong>, 2818 or call<br />

(203) 229-2846.<br />

WANTED TO LEASE: Indoor in or<br />

around Pittsburgh, Pa. area. Top showman,<br />

best references. P. O. Box 185, Harrison<br />

City, Pa. 15636.<br />

THEATRES FOR SALE<br />

WE SELL THEATRES. Joe Joseph, Theatre<br />

Broker, P.O. Box 31406, Dallas 75231.<br />

Phone (214) 353-2724.<br />

BEAUTIFUL TWIN, each seating 300, located<br />

in the heart ol the fastest growing<br />

community in Kansas City. Simplex booth<br />

with automation. Excellent long term lease<br />

with renewal options. Both theatres completely<br />

equipped. Owner selling due to<br />

health. Coll or write: Bud Yates, 8447 West<br />

95th St., Overland Park, Kansas 66212.<br />

(913) 649-5588.<br />

INDOOR THEATRE downtown. For lease<br />

or sale. Luverne, Minnesota. Write NECOM<br />

Inc., Box 239, Northfield, Minnesota 55057.<br />

FOR SALEl Excellent adult theatre building<br />

in Moline, 111. Terrific value at $75,-<br />

000.00. Write Midwest Theatres, 8815 Sunset<br />

Blvd., Los Angeles, Ca. 90069 lor information.<br />

WEST TEXAS—600 seat indoor theatre.<br />

Dry climate, county seat, population 5500.<br />

Refrigerated air building and equipment,<br />

$20,000.00. <strong>Boxoffice</strong>, 2820.<br />

JUST REMODELED 560 seat theatre, plus<br />

five rental apartments, restaurant and real<br />

estate-insurance offices (all luUy occufjied)<br />

included in this choice Northern<br />

llinois county seat property located five<br />

miles from tmiversity (over 20,000 students).<br />

First run policy. $225,000.00 includes<br />

real estate. Principals only. CaU<br />

(312) 426-3112 a.m. only or write P. O.<br />

Box 56, Dundee, lU. 60118.<br />

500 SEAT FAMILY INDOOR for sale.<br />

Good condition. Currently profitable operation.<br />

Small Ohio town 50 miles from<br />

Cincinnati. County population 35,000.<br />

Realistic price and terms to suit buyer.<br />

Phone (513) 421-3474. Mr. Rehme.<br />

FILMS<br />

FOR SALE<br />

16inm FILMS. Postcard brings bargain<br />

list, ingo Films. P.O. Box 143. Scranton,<br />

Pa. 18504.<br />

FOR SALE: Full length, widescreen. color<br />

prints. Country Western features: TEN-<br />

ME?^SEE lAM'OREE


The Janus Films Collection,<br />

The hit of the New York Film Festival and now booking<br />

in<br />

major markets throughout the country.<br />

In the tradition of "Jules and Jim"<br />

"a gem from Truffaut" - New York Times.<br />

GmSl.<br />

a film V^in color by Fran9ois Truffaui'<br />

Two future film classics coming this winter.<br />

FROM ONE OF THE<br />

GREATEST FILMMAKERS,<br />

A MAJOR WORK OF ART<br />

Akira Kurosawa's Masterpiece<br />

The most honored Canadian film ever.<br />

"BEST PICTURE!<br />

BEST DIRECTOR!<br />

BEST SCREENPLAY!"<br />

—Canadian film Awards<br />

"BEST PICTURE!<br />

BEST SCREENPLAY!"<br />

-Chicago /nternational<br />

film Festival<br />

iwy.uNcU antoIne"<br />

A NATIONAL f IIM BOARD OF CANADA PRODUCTION OFCUUDE lUIRA'S FILM "MY UNCLE AN It<br />

Now available following Lincoln Center command performance<br />

eCCI^SE BERNARD SHAWS<br />

pyeMALiON<br />

The film on which MY FAIR LADY is based<br />

LESLIE LICWARC<br />

AND<br />

Vivien Lei^ and<br />

WCNEiy tilLLEK<br />

Claude Rains<br />

^^-^v,*. - ^<br />

Geotge Bernard 5hatA/&<br />

CAES^Rand<br />

CLEOIWRA<br />

Lauranea Olivar'a film of<br />

^^>^ William Shakaapaara'a<br />

-^'a<br />

III<br />

And a catalog of film classics that includes: "CITIZEN KANE," "THE RED SHOES,"<br />

"BLACK ORPHEUS," "KING KONG," "THE 39 STEPS," "JULES AND JIM,"<br />

"WILD STRAWBERRIES," and many others.

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