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iiademvtheater<br />
cinema I cinema n<br />
I<br />
• NOVEMBER 13, 1972<br />
NATIONAL EXECUTIVE EDITION<br />
Including the Sectional News Pages of All Editions
From Columbia in '73<br />
A Reflection Of Fear<br />
Black Gunn<br />
Brief Season<br />
Chloe In The Afternoon<br />
Death Of A Snow Queen<br />
Dirty Little Billy<br />
First Blood<br />
40 Carats<br />
Funny Girl<br />
Godspell<br />
Images<br />
King In NewYork<br />
Let The Good Times Roll<br />
Limelight<br />
Lost Horizon<br />
Lost In The Desert<br />
Love And Pain And The Whole Damn Thing<br />
Monsieur Verdoux<br />
Oklahoma Crude<br />
Oliver<br />
1776<br />
Shamus<br />
Sinbad's Golden Voyage<br />
The Alf Garnett Saga<br />
The Creeping Flesh<br />
The Kid<br />
The King Of IVIarvin Gardens<br />
The Last Detail<br />
The National Health or Nurse Norton's Affair<br />
TheValachi Papers<br />
The Way We Were<br />
Watts Stax '72<br />
White Sister<br />
Young Winston<br />
V>I«&<br />
COLUMBIA!
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IE NATIONAL FILM WEEKLY<br />
ublijfud In Nine Sectional Editions<br />
EN SHLYEN<br />
.-;n-Chief and Publisher<br />
ISE SHLYEN Manajing Editor<br />
r»«AS PATRICK ..Equipment Editor<br />
>i CASSYD Western Editor<br />
WRIS SCHLOZMAN ...Business Mgr.<br />
Mication Offices: 825 Van Brunt BliA,<br />
Dtj, Mo. 64124. Jmm Shlyen,<br />
Editor: Morris ScMozman. Busl-<br />
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Section. (816) 241-7777.<br />
rW Offic«: 1270 Afenue of tlie<br />
waiea Suita 1804, KocketeUer Center.<br />
K Yuri. N.V. 10O20. (212) 265-6370.<br />
Itern Offices: 6425 HoUjsood BM<br />
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EXHIBITORS' PRODUCTION ENTRY<br />
TO BE NATO CONVENTION TOPIC<br />
BAL HARBOUR, FLA—The<br />
National<br />
Ass'n of Theatre Owners opens its 1972<br />
four-day national convention at the Americana<br />
Hotel here at week's end, with a 9:30<br />
a.m. Saturday (18) session, following two<br />
days of preconvention activity by the board<br />
of directors and the various committees.<br />
Following the welcome to delegates by<br />
Tom Elefante, president of NATO of Florida,<br />
Roy B. White, Cincinnati, National<br />
NATO president, will deliver the keynote<br />
address. Under the heading "Mission Possible<br />
. . . The Exhibitor Becomes a Producer<br />
. . . and It's Becoming," the conclave<br />
will hear of renewed efforts to boost product<br />
supply through exhibition entering the film<br />
production field. Also scheduled for Saturday<br />
morning is introduction of the NATO<br />
drive-in "Containment" screen, with "daylight"<br />
qualities.<br />
ALP to<br />
Host Opening Luncheon<br />
American International Pictures will<br />
host<br />
the opening luncheon and Saturday afternoon<br />
will be left open from 2:30 p.m. for<br />
delegates to visit the motion picture and<br />
concessions industries tradeshow co-sponsored<br />
by Theatre Equipment Ass'n and<br />
NATO. Saturday night, Paramount Pictures<br />
will host a dinner dance starting at 8 p.m.<br />
With the theme "A New Day, A New<br />
Way . . . The Challenge & Rewards of<br />
Change," the convention this year marks a<br />
change of pace for NATO also in that activities<br />
are centering around the weekend,<br />
rather than the traditional Monday-through-<br />
Thursday schedule of the past. Prior to the<br />
convention's opening, on Friday night<br />
Crown International will host a 5 p.m.<br />
reception, and at 9 p.m. exhibitors will<br />
attend the 1973 "Exhibitors' Premiere" of<br />
product presentations.<br />
On Simday, a 10 a.m. business session<br />
will be devoted to new ways to make theatrical<br />
investments pay, such as unconventional<br />
uses of conventional theatres and "daytime<br />
dividends" for drive-ins. National Screen<br />
Service will host the noon luncheon, which<br />
will be followed at 1:45 p.m. by more product<br />
presentations under the heading "Encore<br />
1973 Exhibitors' Premiere." From 2:30<br />
on will be left free for the tradeshow, as will<br />
the same time period on the following two<br />
days.<br />
Columbia Preview Charted<br />
Delegates will leave the hotel at 8 p.m.<br />
Sunday evening for the Bal Harbour Theatre<br />
and a special preview of "Shamus," along<br />
with a product presentation and an 11 p.m.<br />
champagne breakfast, hosted by Columbia<br />
Pictures.<br />
On Monday (20),<br />
the business session will<br />
open at 9:30 a.m. with a discussion of advertising,<br />
delving into a plan for stretching<br />
advertising dollars, what's new in the field<br />
of theatrical and motion picture advertising,<br />
and what is foreseen for 1973. Cable television,<br />
its current status and its future<br />
ROY B. WHITE<br />
President of NATO<br />
potential, also will be considered at the<br />
Monday meeting.<br />
Walt Disney Productions-Buena Vista<br />
Distribution will host the luncheon, and<br />
after the tradeshow, guests will attend an<br />
8 p.m. Polynesian Paradise luau, hosted by<br />
Warner Bros.<br />
Business begins even earlier on the final<br />
day of the convention, with a 9 a.m. Theatre<br />
Equipment Ass'n presentation. This will be<br />
followed by "Let's Face Reality," an evaluation<br />
of the film rating system, and the<br />
1973 legislative outlook, and, at 10:30, by<br />
a session on trade practices, antitrust laws<br />
and licensing agreements. The 12:30 luncheon<br />
will be given by 20th Century-Fox Film<br />
Corp.<br />
The convention will wind up its activities<br />
Tuesday night with the traditional black tie<br />
President's Banquet, at which the annual<br />
NATO awards to Stars of the Year, Producer,<br />
Director and other notables will be<br />
presented.<br />
At the pre-convention sessions<br />
on Thursday,<br />
the regional presidents committee will<br />
meet and closed meetings will be held by<br />
the nominating committee and the finance<br />
committee. On Friday, the nominating committee<br />
will hold another closed meeting, and<br />
the board of directors will convene.<br />
Special Activities Set Up<br />
For Ladies at Conclave<br />
BAL HARBOUR, FLA.—A number of<br />
special activities have been arranged for<br />
ladies attending the National NATO convention<br />
at the Americana Hotel here for<br />
three days, Saturday (18) through Monday<br />
(20).<br />
On Saturday afternoon at 3 o'clock, ladies<br />
will be guests at a pink champagne tea and<br />
fashion show. The following day, Carbon<br />
Products Division of Union Carbide Corp.<br />
will host a 12:30 luncheon, followed by a<br />
EUGENE PICKER<br />
NATO Board Chairman<br />
1<br />
panel discussion.<br />
On Monday, the ladies will have their<br />
choice in NATO's Triple Play. They may<br />
leave at 8 a.m. for golf and luncheon at<br />
the Country Club of Miami; leave at 8:30<br />
a.m. for a day of drift fishing, with a box<br />
luncheon, or leave at 11:30 a.m. for a day<br />
at the races—the Tropical Meet at Calder<br />
with luncheon at the race track. Ladies must<br />
register their preference of the three activities<br />
in the registration area by 3 p.m.<br />
Saturday (18).<br />
NATO to Honor Wolfson<br />
With Walt Disney Award<br />
NEW YORK—Mitchell Wolfson, Florida<br />
motion picture exhibitor and civic leader,<br />
has been designated<br />
1972 recipient of the<br />
Walt Disney Award<br />
of the National Ass'n<br />
of Theatre Owners.<br />
The<br />
announcement<br />
was made at NATO<br />
headquarters here<br />
Tuesday (7).<br />
The award is periodically<br />
bestowed on<br />
an individual who has<br />
Mitchell Wolfson<br />
engaged in notable<br />
humanitarian endeavors. It will be presented<br />
to Mr. Wolfson during the 1972 convention<br />
of the theatre owners' group, taking<br />
place at the Americana Hotel, Bal Harbour,<br />
Fla., November 18-21.<br />
The award ceremony will occur during<br />
the President's Banquet the evening of<br />
Tuesday (21). This formal event traditionally<br />
concludes the yearly conclave of the<br />
nation's film exhibitors.<br />
Wolfson is president of Wometco Enterprises,<br />
Inc., based in Miami. The diversified<br />
business operation includes the largest<br />
theatre chain in Florida.<br />
BOXOFFICE :: November 13, 1972
; als<br />
i' the<br />
ITOA Asks Justice Dept<br />
Trade Practice Action<br />
NEW YORK—Indicative of the exhibitor<br />
revolt that is brewing around the country,<br />
the Independent Theatre Owners Ass'n of<br />
New York has launched a multi-faceted<br />
campaign to remedy flagrant trade practice<br />
abuses that threaten theatre owners with<br />
extinction.<br />
As a first step in a "help yourself" campaign,<br />
pursuant to a blueprint laid down<br />
by its trade practices committee following<br />
a series of intensive meetings, the ITOA<br />
is urging the Justice Department to take<br />
appropriate,<br />
and long overdue, action under<br />
the distributor consent decrees to restore<br />
free and open competition and equiptable<br />
dealings in the industry.<br />
The ITOA request for action has been<br />
further implemented with a special letter<br />
of appeal to Judge Edmund L. Palmieri of<br />
the U.S. Statutory Court as well as by<br />
letters to U.S. attorney general Richard<br />
G. Kleindienst, assistant attorney general<br />
Thomas E. Kauper in charge of the Antitrust<br />
Division of the Justice Department,<br />
and the presidents of the film companies<br />
subject to the consent decree restrictions.<br />
A letter has also been dispatched to NATO's<br />
president, Roy White, since ITOA is an<br />
affiliate of the national group, soliciting<br />
the support and cooperation for the regional<br />
unit's actions and future plans.<br />
Sidney Dreier Makes Findings<br />
These disclosures were made by Sidney<br />
Dreier, ITOA president, in the wake of<br />
a meeting held last month with Maurice<br />
Silverman, motion picture attorney in the<br />
Antitrust Division of the Justice Department.<br />
The three-hour, question and answer<br />
session was held in the board room of the<br />
Chelsea National Bank in New York and<br />
attended by a substantial group of independent<br />
exhibitors and film buyers representing<br />
several hundred theatres in the<br />
Metropolitan area.<br />
Exhibitor complaints at the meeting<br />
focused on the furious competition between<br />
sales managers to establish film rent-<br />
at the most extraordinary, take-it-orleave-it<br />
levels, often without any relation<br />
to the potential of the films or the theatres;<br />
policy of demanding extraordinary advances<br />
and guarantees that exhaust the average<br />
exhibitor's resources and place him in<br />
an unfair competitive position; the early<br />
and premature release and sale of theatrical<br />
films to ancillary markets; tie-in sales;<br />
price fixing; the creation of competitive<br />
areas where, in fact, none exist; disorderly<br />
release and excessive demands for preferred<br />
playing time; the withdrawal of pictures<br />
before completion of their full runs; the<br />
reselling of such pictures to preferred runs<br />
to the exclusion of subruns; the arbitrary<br />
creation of preferred runs for the benefit<br />
of selected accounts; and the unreasonable<br />
use of print shortages to favor preferred accounts<br />
and exclude others.<br />
Exhibitor representatives emphasized that<br />
it was inconceivable that, despite the innumerable<br />
complaints of trade practice<br />
frauds, conspiracy and blatant illegality over<br />
more than two decades, the Justice Department,<br />
which has the obligation and responsibility<br />
to police the decrees, has never<br />
instituted one proceeding under the distributor<br />
consent decrees which require theatre<br />
by theatre licensing on the merits without<br />
discrimination.<br />
In commenting on the ITOA action,<br />
Dreier stated, "The plight of the exhibitor<br />
is one of desperation. We are suffering<br />
from a cancer and it is growing worse.<br />
We do not intend to sit idly by while there<br />
is<br />
an effort to hammer nails into our coffin.<br />
We are going to deal with our problems<br />
affirmatively, relying on exhibitors to help<br />
themselves in every way possible. We are<br />
going to do whatever we have to do to survive,<br />
if it means legislation, litigation or<br />
anything else."<br />
In this connection, ITOA has prepared<br />
a detailed statement to the effect that it is<br />
the duty of the attorney general's office to<br />
institute construction proceedings before the<br />
statutory court under the distributor consent<br />
decrees to redress trade irregularities<br />
and discriminatory procedures. The presentation<br />
further charged the Justice Department<br />
with laxity in ignoring the findings<br />
of the U.S. Supreme Court which rejected<br />
bidding in the industry's antitrust suit and<br />
warned of the high court's reluctance to<br />
NATO SEES BETTERMENT FOR SMALL TOWNS<br />
NEW YORK—The special problems of the small-tovvn exhibitor were discnssed<br />
at recent meetings held in New York between representatives of the National<br />
Ass'n of Theatre Owners and the sales heads of several of the major distribution<br />
companies.<br />
Participating in the sessions on behalf of NATO were Roy B. White, president<br />
of the organization; Richard Durwood, co-chairman of NATO's trade practices committee;<br />
Ray Vonderhaar, president of NATO of North Central States, and Carl<br />
Schwanebeck, exhibitor from Knoxville, Iowa.<br />
It was indicated that the film company sales executives reacted favorably to<br />
the >'iews expressed by the NATO contingent.<br />
delegate the management of the bidding<br />
system to the distributor defendants; that<br />
bidding would favor the more powerful<br />
circuits with the longest purse; and that<br />
it would require the court to administer<br />
detailed rules governing priority, clearance,<br />
runs and competitive areas, among others.<br />
The attorney general's office was also<br />
charged with ignoring the directives of the<br />
Statutory Court. It was pointed out that<br />
the Justice Department was cautioned not<br />
to permit the law to be violated and added<br />
that, if the government is advised of questionable<br />
practice attacking distribution's<br />
conduct, "the appropriate procedure for<br />
establishing norms of conduct in these situations<br />
would be to initiate a construction<br />
proceeding pursuant to the Consent Judgment<br />
on notice to all consent decree distributors."<br />
In response to exhibitor complaints of<br />
flagrant violations warranting investigation<br />
and prosecution by the Justice Department,<br />
Silverman observed that his was a one-man<br />
operation and, manpowerwise, inadequate<br />
to the task sought by the exhibitor presentation.<br />
Policy Decision Awaited<br />
Without expressing any conviction as to<br />
the legaUty or illegality of certain distribution<br />
practices complained of, Silverman<br />
added there were several he does not like<br />
or condone, but that he was powerless to<br />
make a policy decision such as the one<br />
sought by ITOA without consultation with<br />
his superiors in the attorney general's office.<br />
Silverman did promise, however, that he<br />
would take the matter up with the proper<br />
parties and report back any decision.<br />
One area in which Silverman did not<br />
equivocate at all at the ITOA meeting was<br />
that the consent decree distributor defendants<br />
could not sell their pictures any way<br />
they liked to anyone they liked. He was<br />
equally adamant on out-and-out price fixing<br />
and tie-in sales.<br />
In its presentation, ITOA suggested<br />
Justice Department action in 16 areas of<br />
the bidding procedure alone where trade<br />
practice misconduct and irregularities are<br />
notoriously present because of the unilateral<br />
management of the system by distribution<br />
without any supervision or clear<br />
cut<br />
rule*.<br />
Utah Drive-In Agrees to Stop<br />
Showing X-Rated Films<br />
LOGAN, UTAH—Theatre owner Harold<br />
Heninger and the city commission have<br />
verbally agreed to call a halt to X-rated<br />
films at a local drive-in.<br />
Heninger and Mayor Ted Perry announced<br />
that the theatre will stop showing X-rated<br />
movies and that Heninger will call on the<br />
Logan police department to review other<br />
questionable films. Perry said he had been<br />
discussing the matter of X-rated product<br />
with Heninger long before the Cache County<br />
commission protested in October.<br />
Mayor Perry said that he was close to an<br />
agreement with Heninger, but the county<br />
commission's actions placed the theatre<br />
owner in a position of not knowing how to<br />
react to both city and county requests;<br />
BOXOFHCE :: November 13, 1972
'*1B<br />
/'<br />
than The Godiather DAVID SH||HANj^^^^^gg,„<br />
TheVb<br />
A Killing in Chicago!<br />
A Killing in Los Angelei<br />
$199,899<br />
First 17 days—State-Lake Theatre<br />
$102,23<br />
First 12 days—Hollywood, Rosecran<br />
Cinema Cei<br />
A Killing in Atlanta!<br />
A Killing in San Francis<br />
$24,589<br />
First 12 days—Fine Arts, Broadview 1<br />
$51,301<br />
First 10 days—Alexandria Thea<br />
A Killing in Cleveland<br />
A Killing in<br />
if<br />
$55,200<br />
First 5 days—5 Theatre Multiple<br />
$15,08!<br />
First 5 days—Carous(<br />
A Killing in Pittsburgh!<br />
in Dayton!<br />
$23,480<br />
First 5 days—Gateway Theatre<br />
$10,83<br />
Firsts days—Kon Tiki 1 Theal<br />
DtNO DC lAURENTMS prtMnta<br />
CHARLES BR0N80N<br />
UNO VENTUfM i.aTERENCE YOUNQ nim'THE VALACHI PAPERS"<br />
JOSEPH WISEMAN JILL IRELAND WALTER CHIARI GERALD S. OLOUGHLIN AMEDEO NAZ2ARI<br />
Scf.«»liy by STEPHEN GELLER<br />
BtMd en Km beek -tht VHkM Ftftn" by PETER MAAS ITBI mSIRICTID «» Mmicby RIZ ORTOLAN! FmnCelvinMancKirM
ichi<br />
I :<br />
ijfilling in Philadelphia!<br />
in Boston!<br />
^ $59,802<br />
First 12 days—Midtown Theatre<br />
$66,592<br />
First 12 days—Circle Theatre<br />
IKilling in Kansas City!<br />
A Killing in Detroit<br />
$23,851<br />
First 5 days—Glenwood 1. Blue Ridge 1 & 3<br />
V<br />
filling in Seattle!<br />
$77,710<br />
First 5 days— 7 Theatre Multiple<br />
A Killing in Minneapolis!<br />
$13,031<br />
First 5 days—Crossroads 1,<br />
Cinema I. Renton<br />
filling inToronto!<br />
$38,364<br />
First 3 days—Carlton Theatre<br />
$21,854<br />
First 5 days—State Theatre<br />
FLASH!<br />
1st3 DAYS,NEW YORK<br />
VW4L<br />
-<br />
Loew's State 2, Loew's Cine, 34th Street East<br />
Ftom Columbia!
NATO Opposes Contemplated FCC<br />
Revision of CATV Regulations<br />
WASHINGTON—The National Ass'n of<br />
Theatre Owners has voiced vigorous opposition<br />
to a Federal Communications Commission<br />
proposal which would permit the regulation<br />
of pay CATV in much the same way<br />
that subscription TV is controlled. The approach<br />
under consideration by the FCC<br />
would eliminate present protective measures<br />
for feature theatrical films from cable bidding<br />
for special presentation to subscribers<br />
at an extra charge on a per-channel or perprogram<br />
basis. Joining NATO in protesting<br />
the proposed action was the National Ass'n<br />
of Broadcasters, representing the three major<br />
TV networks.<br />
Controls Being<br />
Considered<br />
The control structure being contemplated<br />
by the FCC for pay CATV would allow feature<br />
films to be shown only during the first<br />
two years of their theatrical release or after<br />
eight years, with the interim "protected<br />
period" reserved for free TV programing;<br />
CATV would be barred from carrying any<br />
sports event that had been aired on local TV<br />
within the past five years; regular entertainment<br />
series could not be sold to cable customers;<br />
feature films and sports on the<br />
CATV system could not exceed 90 per cent<br />
of the yearly program output, and the cable<br />
system would be prohibited from selling<br />
commercials during programs fed to customers<br />
paying the extra charge for special<br />
programing on a per-channel or per-program<br />
basis.<br />
The Justice Department, however, contends<br />
that regulating CATV in the same<br />
manner as subscription TV is not justified,<br />
asserting that they are "profoundly different<br />
media." A spokesman charged, "Concern for<br />
protecting 'free' broadcasting against cablesiphoning<br />
appears to rest on the assumption<br />
that program material is fixed in amount. If<br />
the amount of material can change with<br />
changes in demand, then the addition of pay<br />
cable-casting demand to the total demand<br />
for program material will result in a substantial<br />
increase in supply. The large-scale<br />
under-employment of America's actors,<br />
writers, directors and filmmakers generally<br />
suggests that the capacity to meet increased<br />
demand is present."<br />
In consonance with this premise, the Justice<br />
Department recommended that the FCC<br />
take steps to determine the necessity for<br />
such controls and give consideration to<br />
eliminating the "harsh restrictions" presently<br />
imposed on CATV operations.<br />
MPAA Approves D of J Stance<br />
The Motion Picture Ass'n of America,,<br />
stating that "the basic elasticity of the production<br />
industry . . . could be used to fill<br />
any additional need for product the networks<br />
have in the future," approved the<br />
Justice Department stance, agreeing that<br />
rules against feature films and entertainment<br />
series should be dropped.<br />
"The pay cable rules will deprive the program<br />
suppliers of an opportunity for servic-<br />
ing the motion picture public which formerly<br />
attended the local theatre and thereby<br />
defeat rather than promote the development<br />
of a healthy production industry, a goal that<br />
the commission (FCC) has recognized as essential<br />
to both the television and cable industries,"<br />
MPAA stated.<br />
NATO, however, urged the FCC not to<br />
permit cable systems to exact a separate<br />
charge for any program service provided to<br />
its subscribers and to retain strict controls, if<br />
CATV is<br />
to be allowed.<br />
Further, NATO asked for a complete ban<br />
on any feature films in theatrical release<br />
previously, or at least this stipulation: "If a<br />
feature is released for exhibition by one or<br />
more motion picture theatres in the U.S.,<br />
such films shall not be cablecast for at least<br />
one year after the date of the first such exhibition,<br />
provided, however, where a feature<br />
film has been exhibited in<br />
a motion picture<br />
theatre in the U.S. within one year of its<br />
release for exhibition, such film shall not be<br />
cable-cast until 90 days after date within<br />
said one-year period when such film was<br />
last exhibited in the community in which the<br />
cable system operates."<br />
NATO to Honor Zukor<br />
On His 100th Birthday<br />
NEW YORK—Tlie executive committee<br />
of the National Ass'n of Theatre Owners,<br />
meeting at the Warwick<br />
Hotel here on<br />
October 17, unanimously<br />
passed the following<br />
resolution and<br />
directed President Roy<br />
B. White to transmit<br />
a copy of it to Frank<br />
Yablans, president of<br />
Paramount Pictures:<br />
Corp.:<br />
"W h e r e a s, Mr.<br />
Adolph Zukor Adolph Zukor was a<br />
dynamic pioneer in the advent and subsequent<br />
development of the motion picture<br />
industry; and whereas the name Adolph<br />
Zukor has become synonymous with that of<br />
the motion picture; and whereas, Mr. Zukor<br />
will celebrate his 100th birthday on Janmiry<br />
7th, 1973, therefore,<br />
"Be it resolved that we, representing<br />
13,000 theatres tocated in every city of<br />
every state in the nation, hereby offer our<br />
talent and facilities in the formulation and<br />
implementation of a program which appropriately<br />
will recognize the contributions of<br />
this leader to America, and to the world,<br />
and which properly will celebrate his 100th<br />
birthday."<br />
The resolution was presented before the<br />
executive committee by B. V. "Sturdy"<br />
Sturdivant of Arizona.<br />
The FCC refused to grant NATO additional<br />
time for comment during the hearing,<br />
but said it might be possible for the exhibitor<br />
organization to present the findings from a<br />
survey of theatremen at a later date.<br />
Noting the<br />
increasing magnitude of closed-circuit<br />
TV operations offering theatrical<br />
motion pictures and other programs in hotels<br />
and motels, the National Ass'n of Broadcasters<br />
opted for strict antisiphoning rules<br />
which would be applied to all CATV originations—not<br />
just those programs which are<br />
available at extra charge to<br />
subscribers.<br />
Warning the FCC of the inherent danger<br />
to the free TV industry should relaxation of<br />
CATV controls be permitted, NAB said:<br />
"If<br />
CATV is permitted to have its way in the<br />
area of originations, there will come a day<br />
when substantial segments of this country<br />
will wake up to find themselves left on the<br />
outside looking at a distant privileged pay<br />
TV world in which they can never partake."<br />
B. V. Sturdivant Urges<br />
National DST Campaign<br />
YUMA, ARIZ.—Higher gross figures for<br />
theatres in Arizona, as well as in other states<br />
that have eliminated Daylight Saving Time,<br />
have been reported to the National Ass'n<br />
of Theatre Owners, and B. V. Sturdivant,<br />
chairman of NATO's regional presidents<br />
committee, is urging that a campaign be<br />
launched for a general return to Standard<br />
Time in all areas of the country. Since Arizona<br />
dropped DST approximately three<br />
years ago, drive-ins have noted a 30 per<br />
cent increase in business, while receipts at<br />
hardtops have cUmbed 15 per cent.<br />
Declares Sturdivant, "We all should devote<br />
more attention to this in the industry.<br />
It helps production, distribution and exhibition.<br />
This increase that Arizona has experienced<br />
could nationally be a great asset."<br />
The effect of DST on theatre grosses<br />
everywhere will be discussed at the regional<br />
presidents meeting at the upcoming national<br />
NATO convention in Bal Harbour, Fla.,<br />
Sturdivant said, and a recommendation will<br />
be made to the NATO board at that time.<br />
He noted that many regional presidents<br />
have been hard at work on the issue in their<br />
own areas and, at the NATO meeting, a<br />
determination will be made regarding the<br />
feasibility of a national campaign.<br />
"We had quite a battle in Arizona, but<br />
we succeeded," Sturdivant stated. "Before<br />
then, in some parts of the state, we couldn't<br />
start a show until 9:30 p.m. And for agricultural<br />
states—where farmers get up early<br />
in the morning—it hurts. New Mexico has<br />
made several attempts to get back to Standard<br />
Time, but has failed. But they seem<br />
to be considering another move. Other states<br />
have made spasmodic attempts."<br />
Pointing out that Indiana, Michigan, Arizona,<br />
Alaska and Hawaii have Standard<br />
Time at present, Sturdivant added, "There's<br />
been talk of it in Texas. There's a great deal<br />
of opposition from carriers such as airlines<br />
and from the communications media, because<br />
they say it interrupts their scheduling.<br />
Such vigorous opposition is difficult to overcome."<br />
8<br />
BOXOFHCE :: November 13, 1972
Academy Pictures<br />
Charts 73 Releases<br />
HOLLYWOOD—James H. Nicholson,<br />
president of Academy Pictures Corp., and<br />
Michael (Mickey)<br />
Zide, sales vice-president<br />
for the new company,<br />
have announced<br />
^p> i a definite 1973 release<br />
^'<br />
schedule for Academy's<br />
first four productions.<br />
All will be<br />
distributed worldwide<br />
by 20th Century-Fox.<br />
^y^ First to go into release,<br />
the week of<br />
James H. Nicholson<br />
May 30, 1973, will be<br />
"The Legend of Hell House," now shooting<br />
in England. A contemporary supernatural<br />
horror thriller, its cast is headed by Pamela<br />
Franklin, Roddy McDowall, Gayle Hunnicutt<br />
and the distinguished British stage and<br />
television star. Clive Revill. The picture is<br />
being directed by John Hough, who directed<br />
a number of episodes on ABC's "Avengers"<br />
television series. Screenplay is by Richard<br />
Matheson, and an adaptation of his 1971<br />
novel, "Hell House," whose eerie subject<br />
matter has won wide reader and critical attention.<br />
Nicholson is executive producer,<br />
and Academy Pictures vice-president Norman<br />
Herman, along with British suspense<br />
film expert, Albert Fennell, are co-producers.<br />
Tom Corbett, one of Europe's most<br />
famous psychics, is technical adviser.<br />
Next will<br />
come "Blackfather," with June<br />
27, 1973, as its initial week of release in<br />
anticipation of July 4 holiday bookings.<br />
Now in preparation, the picture will go into<br />
production December 1 1 in the "inner city"<br />
of a U.S. metropolis, and will be filmed entirely<br />
on location. Story content, as outlined<br />
previously by Nicholson, will deal with<br />
powerful and shadowy underworld figures<br />
who, through patronage, muscle and "benevolence,"<br />
abetted by violence, have created<br />
multi-million dollar empires of organized<br />
crime in black communities. Leading<br />
roles will be announced shortly, Nicholson<br />
said. He will serve as executive producer,<br />
and Zide as producer.<br />
August 15, 1973, will mark the release of<br />
"Dirty Mary and Crazy Larry," based on an<br />
original Nicholson idea. A chase melodrama<br />
with a series of daring holdups as its background,<br />
this picture also will be filmed on<br />
,<br />
location and has been scheduled for a starting<br />
date of Feb. 19, 1973.<br />
This will be followed by the fall release of<br />
"The Street People," now in preparation.<br />
Based in part on documented cases, this pro-<br />
'<br />
duction will be "a story of the "real' people<br />
—the hapless ones who become the victims<br />
of loan sharks, bail bond bounty hunters,<br />
dope pushers and petty swindlers."<br />
Also in preparation, Nicholson revealed,<br />
are a number of other properties, among<br />
them "Prison!," "The Martins and the<br />
Coys," "The Thousand Year Man" and<br />
"School for Stewardesses."<br />
BOXOmcE :: November 13, 1972<br />
Landau Organizes<br />
For Distribution<br />
NEW YORK—The Ely<br />
Landau Organization,<br />
Inc., has announced it will distribute<br />
through its own facilities nine motion pictures<br />
which it is producing for the American<br />
Film TTieatre's first season, which begins in<br />
September 1973. In making the announcement,<br />
Ely Landau, president of both organizations,<br />
said that Leonard Gruenberg has<br />
been engaged on an interim basis to assist<br />
in organizing a special marketing division<br />
for distribution of the American Film Theatre's<br />
productions. Gruenberg also will continue<br />
to develop his own independent projects.<br />
He is a former chairman of the board<br />
of Filmways, Inc., and was president and<br />
founder of Sigma III distribution company.<br />
Emphasizes Marketing Method<br />
Landau's decision to develop his own<br />
distribution organization was reached after<br />
a 14-month association with Columbia<br />
Pictures expired August 31 following protracted<br />
legal complications involving Columbia<br />
and federal government rulings and<br />
consent decrees controlling the motion picture<br />
industry.<br />
"We have made the decision to distribute<br />
through our own facilities because of the<br />
American Film Theatre's unique product<br />
and marketing concepts," Landau said.<br />
"Marketing our films through out own<br />
organization closely parallels the plan to<br />
have our own organization also sell subscriptions<br />
for the American Film Theatre<br />
directly to the consumer."<br />
In his distribution assignment for AFT,<br />
Gruenberg will be assisted initially by Herman<br />
Ripps, former director of sales planning<br />
and assistant general sales manager for<br />
MGM, who will be based in Los Angeles.<br />
Three other regional executives, to headquarter<br />
in New York, Chicago and Atlanta,<br />
will be named soon.<br />
Being presented by the Ely Landau<br />
Organization in association with the American<br />
Express Co., AFT will offer the public<br />
nine films on a subscription basis in its first<br />
season. The pictures are based on outstanding<br />
contemporary plays and, beginning in<br />
September, will be shown at about 500 theatres<br />
across the country. Each theatre will<br />
set aside two regularly scheduled successive<br />
days per month for two evening and two<br />
matinee performances of each picture. Season<br />
subscriptions go on sale next spring.<br />
Producing Five in Two Months<br />
Landau will have five films in production<br />
in the next two months. They are: John Osborne's<br />
"Luther," which began rehearsals at<br />
Shepperton Studios October 16 and started<br />
shooting Monday (6), starring Stacy Keach<br />
and directed by Guy Greene from an Edward<br />
Anhalt screenplay; Edward Albee's<br />
Pulitzer Prize-winning play, "A Delicate<br />
Balance," with screenplay by the author, to<br />
start filming in London Monday (20), with<br />
Tony Richardson directing stars Katharine<br />
Hepburn. Paul Scofield, Kim Stanley and<br />
Joseph Cotten.<br />
Also, Eugene O'Neill's "The Iceman<br />
Own Facilities<br />
of AFT Films<br />
Cometh," starring Lee Marvin and directed<br />
by John Frankenheimer from a Thomas<br />
Quinn Curtis screenplay, with principal photography<br />
to start in late December at 20th<br />
Century-Fox studios in Los Angeles; Harold<br />
Pinter's "The Homecoming," with a screen<br />
treatment by Pinter, going into rehearsal at<br />
Shepperton December 11, with filming to<br />
start December 27. Michael Jayston will<br />
join the original Broadway cast for this film.<br />
The fifth film is Eugene lonesco's "Rhinoceros,"<br />
starring Zero Mostel, to be directed<br />
by Tom O'Horgan from a screenplay by<br />
Julian Barry, with filming to start in<br />
January.<br />
Three other AFT productions set to go<br />
before the cameras early next year are<br />
Robert Shaw's "The Man in the Glass<br />
Booth," with a screenplay by Edward Anhalt;<br />
a contemporary version of Ferenc<br />
Molnar's "Liliom," set in Harlem, with a<br />
screenplay by Charles Gordone; the Kurt<br />
Weill-Maxwell Anderson musical, "Lost in<br />
the Stars," based on Alan Paton's "Cry the<br />
Beloved Country" and a ninth production<br />
to be announced.<br />
NGT's National to Open<br />
In Times Square Dec. 12<br />
NEW YORK—Plans are under way by<br />
National General Theatres, Inc., for the<br />
gala opening on December 12 of the first<br />
new motion picture theatre to be built in<br />
Times Square in over 30 years, the 1,445-<br />
seat National Theatre, it is announced by<br />
Nat D. Fellman, NGT president. The de<br />
luxe new show palace is incorporated in the<br />
new 34-story office building located on the<br />
east side of Broadway between 43rd and<br />
44th streets, and was designed by architect<br />
Drew Eberson.<br />
The world premiere of "The Poseidon<br />
Adventure," Irwin Allen production for 20th<br />
Century-Fox, has been selected as the opening<br />
attraction. Directed by Ronald Neame,<br />
the picture, to be shown on the giant screen<br />
in 70mm, has an all-star cast, including<br />
Gene Hackman, Ernest Borgnine, Red Buttons.<br />
Shelley Winters, Carol Lynley, Roddy<br />
McDowall, Stella Stevens, Jack Albertson,<br />
Arthur O'Connell and other, many of whom<br />
are expected to attend the opening.<br />
The new National has many innovative<br />
features including a covered arcade along<br />
Broadway leading to the entrance; dramatically<br />
designed lobby and foyers, which are<br />
viewed through glass walls from Broadway;<br />
a continuous treatment of the ceiling of<br />
the marquee leading directly into the lobby;<br />
a spectacular lighting creation in which<br />
graceful whorls form chandelier-like displays<br />
at each end of the upper theatre lobby.<br />
This curved progression of lamps penetrates<br />
the sheer glass facade of the building to<br />
swoop over the marquee itself.<br />
The National seats 932 on the orchestra<br />
floor and 513 in the loge and mezzanine.<br />
National General Theatres operates 270 theatres<br />
in 29 states and Canada.<br />
9
Columbia's Uptrend<br />
Cited by Bankers<br />
BURBANK, CALIF—Columbia Pictures<br />
Industries, Inc., executives concluded a<br />
series of meetings with studio executives<br />
and with representatives of the 14 banks<br />
that participate in its $180,000,000 revolving<br />
bank credit. A review of all company<br />
activities was held during the course of the<br />
meeting, which proved very stimulating.<br />
William Thompson, senior vice-president<br />
of the First National Bank of Boston, on<br />
behalf of the banks, stated: "We are pleased<br />
with the progress being made in all facets<br />
of activity by the company, we believe<br />
the future progress and goals as outlined<br />
are most encouraging, and management is<br />
to be congratulated for the turnaround<br />
that has taken place in a relatively short<br />
period of time. The company is in most<br />
capable hands."<br />
Columbia executives attending the meetings<br />
were A. Schneider, Chairman; Leo<br />
Jaffe, president; Jerry Hyams, senior executive<br />
vice-president; Stanley Schneider,<br />
president of the motion picture division;<br />
John Mitchell, president of its television<br />
division Screen Gems; Sy Malamed, financial<br />
vice-president and secretary treasurer;<br />
David Horowitz, vice-president, secretary<br />
and general counsel; Joe Fischer,<br />
vicepresident<br />
and controller; Herb Estrin, vicepresident;<br />
Bill Butters, president of its<br />
Trans-World Hotel Communications division;<br />
Peter Guber, vice-president in charge<br />
of U.S. motion picture production; and Art<br />
Frankel, vice-president of Screen Gems<br />
Studio operations.<br />
At the conclusion of the day long meeting,<br />
a tour was made of the Burbank<br />
Studios which the company jointly owns<br />
with Warners.<br />
Preliminary Fiscal Year<br />
For Cinecom Reported<br />
NEW YORK—Cinecom Corp. reported<br />
preliminary unaudited profit and loss information<br />
for the fiscal year ended Feb. 29,<br />
1972. Based on preliminary figures, revenues<br />
amounted to $14,960,000, compared to audited<br />
revenues of $15,814,000 for the prior<br />
fiscal year. In fiscal 1972, the preliminary<br />
loss from continuing operations was $1,730,-<br />
000 and extraordinary loss amounted to<br />
$190,000 for a total net loss of $1,920,000<br />
($1.49 per share), compared to a loss from<br />
continuing operations of $233,000, extraordinary<br />
loss plus loss from discontinued<br />
operations of $239,000 and a total net loss<br />
of $473,000 or 37 cents per share in<br />
fiscal<br />
1971.<br />
Management expects audited financial<br />
statements for the fiscal year ended Feb. 29,<br />
1972 to be completed and available within<br />
the next few weeks. Cinecom Corp. plans to<br />
hold a shareholders' meeting as soon as possible<br />
after audited financial statements are<br />
available and intends to present at the meeting<br />
and in related proxy material all pertinent<br />
facts pertaining to management and<br />
operational changes that have occurred<br />
since the last shareholders' meeting.<br />
ne V. Klein Predicts<br />
^^^^, Record Year for NGC<br />
NEW YORK—Continuation of National<br />
General Corp's favorable income trends<br />
in the third and fourth quarter could result<br />
in a record range of from $5.00 to $5.25<br />
in operating income per share on a primary<br />
basis, or fully diluted earnings per share<br />
of about $2.50 for the full year 1972, it<br />
was estimated by Eugene V. Klein, chairman<br />
and chief executive officer. These<br />
would compare with primary operating income<br />
of $3.20 per share, or $2.11 per share<br />
on a fully diluted basis, for 1971. Figures<br />
for both years exclude gains from securities,<br />
Klein pointed out.<br />
In a talk Wednesday (1) to the New<br />
York Society of Security Analysts at the<br />
Waldorf-Astoria Hotel, Klein also estimated<br />
that operating income per share for the<br />
third quarter would be about $1.70 on a<br />
primary basis, or 76 cents a share on a<br />
fully diluted basis.<br />
It was also reported that NGC's board of<br />
directors elected Klein president, in addition<br />
to his other duties as chairman and chief<br />
executive officer. The board also elected<br />
Daniel Schwartz, executive vice-president,<br />
as chief operating officer.<br />
NGM Net Jumps 18%<br />
For Fiscal 1972 Year<br />
NEW YORK — Metro-Goldwyn-Mayer,<br />
Inc., Friday (3), reported that its net income<br />
from operations increased 18 per cent to<br />
$9,229,000 or $1.56 per share for the year<br />
ended August 31. This compares to $7,835,-<br />
000 or $1.32 per share for the previous<br />
year.<br />
MGM also reported extraordinary income<br />
of $1,508,000 or $.25 per share for 1972,<br />
compared to $8,523,000 or $1.44 per share<br />
in 1971.<br />
"In addition to this important gain in<br />
earnings," said James T. Aubrey, jr, president<br />
and chief executive officer, "I feel it<br />
is particularly significant that MGM has<br />
just achieved its eighth consecutive profitable<br />
quarter from operations.<br />
"The immediate public acceptance of our<br />
$50 million bond issue to finance a portion<br />
of the MGM Grand Hotel in Las Vegas was<br />
extremely gratifying," Aubrey added. "Having<br />
reached an agreement in principle for<br />
a loan to cover the cost of furniture and<br />
fixtures, the company has now completed<br />
all contemplated financing for the MGM<br />
Grand Hotel with no dilution of stockholder<br />
equity. Construction is proceeding on schedule<br />
and we expect this 2,084-room hotel, the<br />
largest in Nevada, to open in October 1973.<br />
"It is apparent that the first quarter of<br />
1973 will be profitable and we have every<br />
reason to expect this trend to continue<br />
throughout the balance of the year," Aubrey<br />
concluded.<br />
20th-Fox Reports Gain<br />
In 3rd Quarter, 9 Mos.<br />
HOLLYWOOD—Twentieth Century-Fox<br />
Film Corp. reported earnings before extraordinary<br />
items for the third quarter of 1 972<br />
of $1,265,000 or 15 cents per share as compared<br />
with earnings before extraordinary<br />
items for the comparable period last year of<br />
$607,000 or 7 cents per share. It was the<br />
seventh successive quarter in which Fox enjoyed<br />
earnings from operations.<br />
The company reported net earnings after<br />
net extraordinary charges for the third quarter<br />
of 1972 of $714,000 or 9 cents per share.<br />
This compares with net earnings of $4,305,-<br />
000 or 51 cents, per share after net extraordinary<br />
gains in the comparable period last<br />
year.<br />
For the first nine months of 1972 total<br />
net earnings before extraordinary items were<br />
$5,210,000 or 61 cents per share, compared<br />
with $4,895,000 or 57 cents per share in the<br />
comparable period last year. After extraordinary<br />
items net earnings for the nine<br />
months were $6,057,000 or 71 cents per<br />
share, compared with $10,332,000 or $1.21<br />
per share in the 1971 period.<br />
Included in the third quarter 1972 results<br />
is a pre-tax extraordinary charge of $1,200.-<br />
000, representing previously announced severance<br />
costs related to the consolidation by<br />
Fox of some foreign distribution operations.<br />
It is anticipated that the expected annual<br />
savings starting with the year 1973 will substantially<br />
exceed this one-time charge.<br />
Included in the third quarter of 1971 results<br />
was an extraordinary gain of $3,832.-<br />
000 after carryforward tax benefits.<br />
Dennis C. Stanfill, chairman of the board<br />
and chief executive officer, and Gordon<br />
Stulberg, president and chief operating officer,<br />
commented: "We are especially pleased<br />
to note the significant increase over last year<br />
in the company's income from subsidiary<br />
operations for the first nine months of<br />
1972 . . . We believe that the continued<br />
growth of our income from subsidiary operations<br />
will result in a broader and fundamentally<br />
healthier profit base for our company's<br />
business."<br />
August Amusement Receipts<br />
Up, Commerce Reports<br />
WASHINGTON — The Department oi<br />
Commerce monthly survey of business receipts<br />
in selected service industries indi<br />
cated that receipts from motion pictures,<br />
amusement and recreation services rose 2}<br />
per cent in August, compared to the same<br />
period in 1971.<br />
Receipts for the first eight months of<br />
this year gained 13 per cent over the same<br />
period in 1971. August receipts were four<br />
per cent above the preceding month.<br />
Preliminary adjusted receipts in August<br />
for motion pictures, amusements and recreation<br />
services were $1,035 billion, compared<br />
to July's finalized figure of $994 million<br />
and $840 million for August 1971.<br />
The first eight months of 1972 total<br />
receipts were $7.8 billion, compared to $6.9<br />
billion for the same period in 1971.<br />
10 BOXomCE :: November 13, 1972
.._L<br />
^ntonWEH*''"'*''"^'-^'<br />
CURRENTLY IN RELEASE<br />
H3IE-^^^^<br />
STILLGOING STRONG<br />
CURRENTLY IN RELEASE<br />
W^„\<br />
DECEMBER 1972<br />
**t^\#^<br />
NOVEMBER 1972<br />
GENERAL RELEASE AT POPULAR PRICES<br />
OMCalcutta!<br />
NOVEMBER 1972<br />
The UltimateIransplant<br />
A COMEDY!<br />
MillMzk'lbVAl<br />
eb€finilnomed^u£ed<br />
Mdd:h\th\'.V*UVk9<br />
IheMftfioWtinte^W<br />
BSSniESI<br />
MARCH 1973<br />
THi MIlGiCBiRD<br />
CHILDREN'S CARTOON FEATURE<br />
C/he French Cousins KIND STRANGERS<br />
AND THIS IS ONLY THE FIRST HALF OF THE YEAR!<br />
CINEMATION INDUSTRIES<br />
1350 AVENUE OF THE<br />
•<br />
AMERICAS NEW YORK NV 10019- 1212)765-3430<br />
JERRY GROSS President<br />
HAROLD MARENSTEIN Vice President- Sales<br />
MURRAY KAPLAN General Sales Manager<br />
MURRAY BAKER Central Division Manager<br />
Computer Buildmg-Suite 215. 1 1 141 Georgia Avenue. Wheaton. Md. 20902 (»1 ) 933-6568<br />
EDMUND C. DeBERRY Souttlwest Division Manager.<br />
500 S. En
The only company in the<br />
motion picture industry<br />
which has been<br />
a sponsor of every<br />
national NATO convention...<br />
and every convention<br />
of its predecessor<br />
organizations... is<br />
National Screen Service.<br />
This year, we look forward to<br />
greeting you at our Sunday lunch<br />
on November 19, and<br />
in the NSS/NTS/AI trade show<br />
booths each afternoon.<br />
Burton E.<br />
President<br />
Robbins
I<br />
First<br />
Global Cartoon<br />
Festival Nov. 18-22<br />
NEW YORK—The first annual USAniernational<br />
Animation Film Festival will<br />
le held November 18-22 at New York's<br />
iilton Hotel. All proceeds after expenses<br />
vill be contributed to the United Nations<br />
"hildren's Fund, to which the festival is<br />
leing<br />
dedicated.<br />
The festival will be composed of three<br />
i.irts, beginning with films being presented<br />
1 competition and out of competition from<br />
.ipan, Italy, France, Canada, Belgium, the<br />
setherlands, Australia, England and the<br />
-: European countries. The other presents<br />
will be "Extensions in Animation,"<br />
s\mposium series headed by John Halas,<br />
nd an exhibition of audio-visual equipment.<br />
A series of salutes is also scheduled,<br />
Tcluding a major salute to the National<br />
ilm Board of Canada and tributes to the<br />
enter of Research of French Television;<br />
illian Schwartz and Ken Knowlton, of<br />
•ell Labs' computer animation department;<br />
I .ichard Williams, British animator of the<br />
ward-winning "A Christmas Carol"; and<br />
imerican animators Mark and Jack Zender.<br />
The morning symposiums will offer such<br />
jbjects as "Persuasion-Advertising," chairlan.<br />
Jack Roberts, president of the Interational<br />
Design Conference in Aspen 1972;<br />
ilaformation-Industry," chairman. Jack Delon,<br />
head of public relations for IBM<br />
New York; "Revelation-Science, Educaon<br />
and Research," chairman, Louis Dorflan,<br />
vice-president and art director of CBS<br />
New York.<br />
Also, "Inspiration-Experimental and<br />
vant-Garde Films, New Techniques and<br />
se of Computer," chairman. Prof. Charles<br />
suri of Ohio State Univ.; and "Integra-<br />
Jn-Production Values and the New Gene-<br />
.tion," chairman, Alexander Mackendrick,<br />
ian of the Faculty of Films, California<br />
istitute of the Arts.<br />
The films entered in competition will be<br />
dged by an international jury presided<br />
>er by Thomas McManus, president of<br />
BC International. Distributors participatg<br />
in the Festival are: Leo Dratfield.<br />
esident of Contemporary McGraw-Hill:<br />
narles Benton, president of Films Inc.:<br />
yron Bresnick, Audio-Brandon Films;<br />
:onard Feldman, president of Sterling<br />
Jucational Films (a division of the Walter<br />
riade Organization); Ernest McEuen of<br />
ass Media Distributors, Learning Corp.<br />
' America; Texture Films, Inc.; Grove<br />
ess; Swank Motion Picture; Twyman<br />
1ms, Inc., and others.<br />
en Weiner Joins Olympia<br />
1.5 VP-Generol Sales Mgr.<br />
NEW YORK—The appointment of<br />
Ben<br />
'einer as vice-president-general sales manier<br />
for Olympia Films was announced<br />
Ire<br />
by Leonard Kirtman, president.<br />
Weiner has a<br />
background of 20 years in<br />
I: field of motion picture distribution.<br />
Proposition 18 Is Overwhelmingly<br />
Defeated by 68% of Calif. Vote<br />
LOS ANGELES—Proposition 18, which<br />
was opposed by Hollywood stars and all resources<br />
of the California film industry as a<br />
threat to public freedom of speech and expression,<br />
was resoundingly defeated by<br />
voters of this state in the Tuesday (7) election.<br />
The vote on the obscenity issue was 5,-<br />
442,395 or 68 per cent against Proposition<br />
18 and 2,574,933 for it.<br />
Jack Valenti, president of the Motion<br />
Picture Ass'n, told <strong>Boxoffice</strong> that "Californians<br />
demonstrated on election day that<br />
they know a bad proposition when they see<br />
one. The defeat of Proposition 18 is a great<br />
triumph for good sense and simple justice<br />
and is sufficient cause for everyone in the<br />
movie industry to feel good about the future<br />
of freedom in this country."<br />
Those opposing the 5,000-word proposal<br />
had pointed out that it was overly broad,<br />
casting suspicion on any mention of sex in<br />
print, on film, in works of art or in speech.<br />
Under powers granted by the proposition,<br />
any citizen who felt that a film, book or art<br />
work was obscene would have been empowered<br />
to effect a citizen's arrest of an exhibitor,<br />
seller or museum director. The measure<br />
also provided for formidable fines and long<br />
jail terms for those convicted under its provisions.<br />
Joining those rejoicing in the defeat of the<br />
restrictive measure. Bud Levin, president of<br />
NATO of Northern California, declared: "I<br />
am very pleased that we won. It was the<br />
only thing we could have done. You can't<br />
Recreation Earnings Rise<br />
8-to-20% During 1972<br />
NEW YORK—Recreation indnstry<br />
earnings for 1972 will run from 8 to<br />
20 per cent ahead of last year, according<br />
to the Value Line Investment Survey,<br />
research and advisory service. The accelerated<br />
growth of consumer spending<br />
leading to the increase is expected to<br />
produce another good year in 1973,<br />
the survey says, and demand for entertainment,<br />
recreation products and related<br />
services will continue to benefit.<br />
In the motion picture field. Value<br />
Line said, boxoffice receipts of major<br />
U.S. theatres registered a year-to-year<br />
gain of 8 per cent in the second quarter<br />
and 9 per cent in the third. Both tabulations<br />
exclude receipts from Paramount's<br />
"staggeringly profitable" release,<br />
"The Godfather." But, says Value<br />
Line, "add that boxoffice bonanza in<br />
(which is technically legitimate though<br />
figuratively misleading) and the second<br />
quarter rockets to 36 per cent; the<br />
third quarter, to an impressive 24 per<br />
cent."<br />
fool the general public. They just know what<br />
is right or wrong. Just like a good or bad<br />
movie. 1 want to personally thank all the<br />
exhibitors and committees for their cooperation<br />
in a hard fight."<br />
Roy D. White, national NATO president,<br />
noting the huge percentage of the vote going<br />
against Proposition 18, stated: "I am gratified<br />
and pleased that voters of California<br />
voted to retain their own freedom of choice<br />
and recognized the extreme danger in the<br />
proposed legislation.<br />
"I congratulate NATO of Southern and<br />
NATO of Northern California for herculean<br />
cooperative efforts in working so hard and<br />
so long to defeat Proposition 18. This effort<br />
is a glowing example of what serious-minded<br />
men and women can accomplish when they<br />
work together towards common goals."<br />
Bruce C. Corwin, president of NATO of<br />
Southern California, commented: "We<br />
should all be thankful. We put a lot of time,<br />
effort and resources into the fight. We are<br />
happy to see that the people of California<br />
responded to the issue of freedom of choice,<br />
not only in motion pictures but in books<br />
and works of art.<br />
"Our entire industry in a moment of crisis<br />
joined together to work for the benefit of<br />
the motion picture business.<br />
"Why don't we make the same effort<br />
continue in a similar climate on other issues?<br />
It seems our common foe is a matter of<br />
how we handle our communications. We<br />
can solve problems."<br />
Bernard Zeeman to Retire<br />
From Columbia Int'l<br />
NEW YORK—Bernard E. Zeeman, vicepresident<br />
and treasurer and a director of<br />
Columbia Pictures International, and employed<br />
continuously in the motion picture<br />
industry for 48 years, will retire December<br />
31.<br />
In announcing Zeeman's action. Marion<br />
F. Jordon, executive vice-president of Columbia<br />
International, said "We will all miss<br />
Bernie Zeeman and his wide range of abilities.<br />
Over the years he has been invaluable<br />
in his administration of our far-flung organization's<br />
operations in more than 40 countries,<br />
in his dealings with financial institutions<br />
both here and abroad and most recently<br />
his involvement in the establishment of<br />
joint venture operations in a number of major<br />
countries."<br />
Zeeman, one of the last active veterans of<br />
the pre-sound era, began his career in 1924<br />
as a clerk in the outside producers department<br />
of Universal Pictures. He later served<br />
as a traveling auditor and in 1935 moved to<br />
Columbia Pictures.<br />
At Columbia he was an auditor and then .<br />
assistant manager of the domestic branch<br />
operations department before being named<br />
foreign branch operations manager in 1943.<br />
He was elected vice-president and treasurer<br />
of Columbia International in 1957.<br />
to<br />
I'XOFnCE :: November 13, 1972 13
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Conventioning Concessionaires Will<br />
Receive<br />
Happy Industry Forecast<br />
BAL HARBOUR, FLA.—Welcoming<br />
members of the National Ass'n of Concessionaires<br />
to their annual convention here<br />
November 18-21 will be an occasion for a<br />
happy forecast by Van Myers, convention<br />
chairman. Myers sees a great future for an<br />
already huge industry due to the growth of<br />
many service and leisure time facilities<br />
throughout the U.S. and Canada.<br />
This year's convention theme, "Progress<br />
Through Professionalism," will be outlined<br />
in greetings from president Andrew S. Berwick<br />
jr and program chairman Mortie<br />
Marks at a combined NAC board and membership<br />
luncheon at the Americana Hotel<br />
headquarters Saturday, (12). The board's<br />
agenda that morning will include receiving<br />
reports from the NAC's convention, exhibit<br />
and program committees and launching<br />
four days of activities to be concluded Tuesday,<br />
21.<br />
Ribbon-Cutting Ceremonies<br />
Trade show registration will coincide with<br />
the membership luncheon with ribbon-cutting<br />
ceremonies scheduled for 2:30 p.m. in<br />
the Nautilus Hall lower level. More than<br />
135 exhibits of manufacturers and suppliers<br />
serving the refreshment concession and<br />
theatre trade have been announced by Lxjuis<br />
L. Abramson, trade show administrator and<br />
executive director of NAC. The trade show<br />
is co-sponsored by the National Ass'n of<br />
Theatre Owners (NATO) and Theatre<br />
Equipment Ass'n (TEA) with NAC.<br />
A dinner dance in the Grand Ballroom<br />
Saturday night will add social flair to opening<br />
day of what promises to be NAC's bestattended<br />
meeting, preceded by a reception<br />
at 7:00 p.m.<br />
The first of three sponsored trips away<br />
from the Americana headquarters Sunday<br />
will bus NAC members to the campus of<br />
Miami-Dade Junior College to participate<br />
in a simulated exercise developed by the<br />
Cornell University Hotel School. Developed<br />
by Robert M. Chase, professor of engineering<br />
and computer sciences, the Cornell Restaurant<br />
administration simulation exercise,<br />
or "CRASE" for short, involves dividing the<br />
audience into competing groups to solve<br />
management problems.<br />
To Discuss Many Problems<br />
Participants make rapid analysis of such<br />
questions confronting the food-service operator<br />
as: Will I increase business if I change<br />
my sales prices? Food quality? Portion size?<br />
Will it help my business if I add employees<br />
and how many, or if I increase wages? Will<br />
it help my business if I redecorate, or remodel<br />
the kitchen with new equipment?<br />
Top level decisions are collected and processed<br />
by computers which have been previously<br />
programmed, returning to each group<br />
instant long-range results of their decisions.<br />
Program chairman Marks feels that the<br />
game of CRASE will be the "fun spot" of<br />
a busy convention schedule and an educational<br />
bonus.<br />
Other opportunities during the convention<br />
for learning food-service operation techniques<br />
will include a field trip Tuesday<br />
morning to the Miami Seaquarium, one of<br />
Florida's top tourist attractions. In addition<br />
to touring the Seaquarium's vast food facilities<br />
participants will see the complete show,<br />
guided by Joe St. Thomas of Wometco Enterprises,<br />
and be served box lunches.<br />
The other trip is for a film screening<br />
Sunday night (19) in Bay Harbor.<br />
Individual and combined NAC segment<br />
meetings begin the work of the convention<br />
Monday (20) morning. The diversified concession<br />
and theatre concession segments will<br />
be combined for panels on "How We Compute<br />
Yields" and a brainstorming roundtable.<br />
At the same time, in an adjoining<br />
room, the Equipment Manufacturers and<br />
Suppliers will combine to discuss NAC activities;<br />
and in still a third room, a vigorous<br />
roundtable on current problems has been<br />
planned by the jobber/ distributor, popcorn<br />
processors, manufacturer, wholesale and<br />
merchandiser segments.<br />
The annual member luncheon and business<br />
meeting, with election<br />
of new officers,<br />
is scheduled for Monday in the Floridian<br />
Room.<br />
Trade Show All Four Days<br />
The trade show will be open all four days<br />
for registration at 1:30 p.m. until 6 p.m.,<br />
except for the final closing at 5 p.m. on<br />
Tuesday (21).<br />
The social program Sunday night (19) is<br />
a champagne breakfast at 1 1 p.m. following<br />
the special film screening; a dinner partyluau<br />
Monday (21) evening; and Tuesday's<br />
black-tie president's banquet followed by<br />
the NAC president's farewell cocktail party.<br />
Ladies will join with men in all evening<br />
functions but have their own, special<br />
events starting Saturday at 3 p.m. with a<br />
pink champagne tea and fashion show. Sunday<br />
morning while the men are at the<br />
"CRASE" event, women will be treated to<br />
a luncheon; and on Monday there will be the<br />
choice of golf, drift fishing or a day at<br />
Calder Race Track.<br />
Permcoient Charities Gifts<br />
Reaches $1,226,800 Mark<br />
HOLLYWOOD—The Permanent<br />
Charities<br />
1973 campaign stands at $1,226,800<br />
after seven weeks of active campaigning, it<br />
was reported by G. Clark Ramsay, MGM,<br />
1973 campaign chairman.<br />
The figure is $58,853 over the amount<br />
reported two weeks ago and $34,500 greater<br />
than the amount collected at the same point<br />
in last year's campaign.<br />
Ramsay said 1,467 persons have signed<br />
up for payroll deductions or made cash<br />
gifts to the campaign so far this year.<br />
William E. Arnold, Permanent Charities'<br />
executive vice-president, said that 34 corporate<br />
gifts have been received so far, totalling<br />
$127,045.<br />
Sony Planning to Step Up<br />
Videocassette Production<br />
LAS VEGAS—Sony Corp. of Tokyo will<br />
manufacture more than 100,000 U-matic<br />
Videocassette machines during 1973 to meet<br />
the worldwide demand for the equipment.<br />
Harvey L. Schein, president and chief executive<br />
officer of Sony Corp. of America, disclosed<br />
here at the annual convention of the<br />
National Ass'n of Educational Broadcasters.<br />
A new factory will be built in Japan next<br />
year to meet the production target of 100,-<br />
000 units. Schein stated that acceptance of<br />
the Sony U-matic Videocassette machines in<br />
the United States and Canada and other<br />
countries has encouraged the expansion of<br />
Sony's manufacturing facilities.<br />
Some 40,000 units have been manufactured<br />
during the past year for international<br />
marketing. Sony is now producing about<br />
4,000 U-matic Videocassette Recorder/<br />
Players monthly and production will rise to<br />
5,000 units monthly by the end of 1972.<br />
This will increase to 10,000 monthly in the<br />
new factory by next summer.<br />
Sony has sold 181,000 video tape recorders,<br />
making the company the largest supplier<br />
of VTR equipment in the world. The company<br />
has introduced a record/ player which<br />
meets European and American tape standards<br />
and allows for the exchange of international<br />
pre-recorded color videocassette programs.<br />
Disc Goes to Radio Stations<br />
For 'Dirty Little Billie'<br />
NEW YORK—A special 45 rpm recording<br />
from the soundtrack of "Dirty Little<br />
Billy" is being rushed to radio stations<br />
around the country as part of a unique<br />
promotion-publicity campaign on behalf of<br />
the Jack L. Warner and WRG/Dragoti<br />
production for Columbia Pictures.<br />
The special disc features two distinctly<br />
styled themes by composer Sascha Burland.<br />
"Billy's Theme" (for Michael J. Pollard)<br />
and "Berle's Theme" (for Lee Purcell).<br />
Response to the catchy score at early<br />
screenings of the film was highly favorable.<br />
Dealing with the early life of Billy the<br />
Kid, "Dirty Little Billy" was produced by<br />
Warner and directed by Stan Dragoti, from<br />
a screenplay by Charles Moss and Dragoti.<br />
James Goss Named Director<br />
Of P.R. for Ivy Film/16<br />
NEW YORK—Sidney Tager, president of<br />
Ivy Film/ 16, announced the appointment of<br />
James Herbert Goss as director of public<br />
relations. The company, located at 165 West<br />
46 St. here, handles over 1,500 feature<br />
films for rental to colleges, clubs and institutions.<br />
Goss. a graduate of Phillips-Exeter Academy,<br />
Columbia University and the Columbia<br />
Graduate School of Journalism, last<br />
worked for the Thoroughbred Owners and<br />
Breeders Ass'n in Lexington, Ky. He has<br />
served with The Philadelphia Inquirer,<br />
Reuters News Agency in London, I'Agence<br />
France Presse in Paris and KING Broadcasting<br />
Co. on the West Coast, working as<br />
a news commentator in the last instance.<br />
16 BOXOmCE :: November 13, 1972
'<br />
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'Escape to Sun' Debut<br />
Aids Soviet Jewry<br />
By JOHN COCCHI<br />
NEW YORK—The first<br />
film concerning<br />
the plight of Jews attempting to leave the<br />
Soviet Union, "Escape to the Sun," had its<br />
American premiere at the Criterion Theatre<br />
here on October 31. Producer-director and<br />
co-scripter Menahem Golan was in town for<br />
the opening of the Cinevision release, a<br />
benefit for the Greater New York Conference<br />
of Soviet Jewry.<br />
The Israeli filmmaker said that his film<br />
was an Israeli-French-German co-production,<br />
with half the financing coming from<br />
the country of origin, Israel, and the other<br />
half from France and Germany. The terms<br />
of European co-production deals provide<br />
that at least one key actor and one or more<br />
important technical people be employed<br />
from each of the participating countries.<br />
Ironically, none of the film was made in<br />
Israel: principal shooting was accomplished<br />
in Oslo, Norway and Berlin, Germany.<br />
Golan is credited with introducing Topol<br />
to films with the feature called "Eldorado,"<br />
which was also the director's first movie.<br />
Yuda Barkan, featured in "Escape to the<br />
Sun," is Israel's most popular actor after<br />
Topol, said Golan. The international cast<br />
also includes Laurence Harvey, Josephine<br />
Chaplin, Lila Kedrova, Olive Revell, John<br />
Ireland, Peter Capell, Yehuda Efroni, Gila<br />
Almagor and Jack Hawkins. British-bom<br />
Hawkins, who lost his voice several years<br />
ago because of cancer, has been dubbed by<br />
Robert Rietty and Golan was pleased with<br />
the results.<br />
Reports of "Escape" being sold to Cinevision<br />
for $1,500,000 are true insofar as<br />
Golan's Noah Films company will participate<br />
in the grosses over and above what the<br />
distributor paid for the rights. Made on a<br />
budget of $750,000, "Escape to the Sun"<br />
has been hugely successful in Israel and<br />
will be distributed in the Far East and South<br />
It<br />
has been brought to our notice<br />
by the designers and manufacturers<br />
of "Cinemation"<br />
Automatic Equipment —<br />
Essoldomatic Limited of London,<br />
England— that the name<br />
of our company could be confused<br />
with the trademark<br />
'Cinemation' registered and<br />
used by them for many years.<br />
We wish to make it clear on<br />
behalf of both Essoldomatic<br />
Limited and ourselves that the<br />
name we selected for our company<br />
was purely coincidental.<br />
This announcement is by<br />
agreement with Essoldomatic<br />
Limited of London, England.<br />
CINEMATION INDUSTRIES, INC.<br />
America. Los Angeles and Chicago openings<br />
are already set, while the film will receive<br />
a 50-theatre showcase break in the New<br />
York metropolitan area following its Criterion-Trans-Lux<br />
85th Street Theatre runs.<br />
Golan was enthused about the American<br />
premiere and the receptions which would<br />
follow. Stars Harvey and Chaplin were in<br />
attendance, along with many prominent<br />
political figures, among them Gov. Rockefeller,<br />
Sen. George McGovern and Sen. Ted<br />
Kennedy. Golan was returning to Israel but<br />
voiced the hope that he would be able to<br />
attend the film's Los Angeles opening.<br />
In January, Golan will begin work on his<br />
first American-made project. Titled "Sue<br />
Ann," the scenario is set in New York's<br />
Chinatown and will be shot on a budget<br />
of $300,000. The story of the love between<br />
a Chinese-American girl and a white youth,<br />
it is the type of "old fashioned" moviemaking<br />
for which Golan had a particular<br />
fondness. He also owns the rights to the life<br />
story of Moishe Dayan and will film it for<br />
an American distributor. He is readying the<br />
already completed "The Robbery" and "I<br />
Love You, Rosa," a Cannes Film Festival<br />
entry,<br />
for release.<br />
Ohio Court to View Film<br />
To Determine Obscenity<br />
AKRON—A fourth film has been submitted<br />
to the courts here for consideration<br />
of obscenity content. Judge James V. Barbuto<br />
of Summit County Common Pleas<br />
Court will be asked to view "Nympho Cycler,"<br />
being shown at the Adult Cinema,<br />
278 South Main St., to determine whether it<br />
is obscene.<br />
Akron Law Director William Baird previously<br />
had filed suits against the showing<br />
of "Alley Cat" and "The Vice Hustler," offered<br />
at the Adult Physiological Studies<br />
Center, a downtown book store-theatre enterprise,<br />
and "The Four Poster Fable,"<br />
shown at the downtown New Strand Theatre.<br />
Baird is seeking a permanent injunction<br />
against the film's exhibition.<br />
The latter three films are being considered<br />
in Judge L. A. Lombardi's court. Judge<br />
Lombardi signed a restraining order banning<br />
public screening, removal or editing of the<br />
three films. Those cases still are pending.<br />
New Jerry Lewis Cinema<br />
Opens in Morton, 111.<br />
MORTON, ILL.—The Jerry Lewis Cinema<br />
in the Field Shopping Center here<br />
bowed Halloween night, October 31, with<br />
a horror film, before starting its run of<br />
regular movie fare Wednesday (1). Manager<br />
of the mini-theatre is Chuck Thomas, who<br />
also helms the Delavan and Mason City<br />
houses.<br />
The 350-seat cinema was built by N.<br />
Zobrist & Sons of Morton and features completely<br />
automated projection. The principals<br />
involved in the development of the theatre<br />
are Steve Joos, Ron Ridker and Frank Bussone.<br />
First Feature Completed<br />
By Colorado-Based CVD<br />
DENVER—Creative Visual Dynamics<br />
has completed shooting on its first feature<br />
motion picture, "The Brothers O'Toole,"<br />
with all location work done at Buckskin Joe,<br />
Colo., near Canon City. Filming continued<br />
through a recent big snowstorm in the area,<br />
which gave the company an opportunity to<br />
finish interior shots. Planned for a month's<br />
shooting schedule, that is just what was required<br />
for the feature—from October 9<br />
through Wednesday (8).<br />
Editing will be done at CVD Studios in<br />
nearby Aurora, Colo., by Bud Malone, who<br />
has had wide experience in motion pictures<br />
and TV. The production of films for exhibition<br />
will be completed by Commercial Film<br />
Industries of Los Angeles.<br />
The cast of "The Brothers O'Toole" includes<br />
Jim Backus, John Astin, Jesse White,<br />
Pat Carroll, Steve Carlson and three Colorado-born<br />
principals—Richard Jury, Ted<br />
Classen and Francelle Fuller. Another principal<br />
who is a newcomer to films (but who<br />
has a theatrical background) is Miranda<br />
Robin Barry, daughter of Philip jr. and Patricia<br />
Barry, both prominent in film production,<br />
and granddaughter of Philip Barry,<br />
who wrote "The Philadelphia Story." She<br />
has just graduated from the Stanford School<br />
of Acting. Former Miss America Lee Meriwether<br />
also is a principal in the film.<br />
CVD's new sound stage is slated for completion<br />
not later than January and the facility<br />
in Aurora will be the largest free-span<br />
building in Colorado as well as the largest<br />
sound stage between New York and Hollywood.<br />
I<br />
Director Richard Erdman has signed a<br />
two-year contract with CVD and 12 films<br />
are planned for production during that time.<br />
Three already are in preproduction, "A<br />
World of Miracles," "The Campers" and<br />
"The Agency." Other directors will be<br />
brought in to assist Erdman on the films,<br />
which CVD says will be produced on a low<br />
budget with all aimed for family audiences.<br />
"The Brothers O'Toole," a comedy western,<br />
is slated for a world premiere at the<br />
Paramount Theatre in Denver April 13,<br />
with a day-and-date showing at the suburban<br />
Arvada Plaza, both Wolfberg theatres.<br />
CVD has signed union contracts and has<br />
been given a major studio designation by the<br />
Screen Actors Guild.<br />
Sheriff Closes Theatre<br />
After Viewing 'Throat'<br />
MARION, OHIO—Sheriff Ron Scheiderer<br />
of Marion County went to the Southland<br />
Cinema near Marion to see "Deep Throat"<br />
after receiving numerous complaints. He<br />
didn't like what he saw and closed the theatre.<br />
The film had been running for a week<br />
and was due to close after three more days.<br />
Scheiderer said that Martha Erjavec, manager<br />
of the theatre, told him she had little to<br />
do with the selection of the films shown at<br />
as she ojjerates on contract with<br />
the theatre,<br />
a distributor. The sheriff said no charges<br />
were filed, as his department has had no<br />
previous problems with the theatre.<br />
18 BOXOmCE :: November 13, 1972
CINEMAX-KEYSTONE PRESENTS ITS VERY FIRST PACKAGE OF SUPERIOR ENTERTAIN-<br />
MENT FILMED IN 1917 {OR THEREABOUTS) AND FULLY RESTORED TO SUPERB QUALITY<br />
eriirv<br />
Circa 1917<br />
STARRING<br />
Bothwell Browne<br />
as the U.S. Aviator<br />
Ford Sterling<br />
as The Kaiser (BOO!)<br />
Mai St Claire<br />
as The Crown Prince<br />
Bert Roach<br />
as Von Hindenberg (also, BOO!)<br />
Eva Thatcher<br />
as The Kaiserina<br />
Marie Prevost<br />
as The Daughter of Belgium<br />
(Bless her little heart)<br />
These marvelous old films have been restored to<br />
"mint condition" and are<br />
available immediately. The feature is 68 minutes. The companion threereeler<br />
is 24 minutes. We have a limited number of prints in 35mm and 16mm<br />
available on a first-come, first-served basis. The cost to you is an advance<br />
of $1,000 per week against 35% of the gross and on a "no-look" basis. Holdovers<br />
are the same, although the short feature will be replaced by a new one<br />
of the same length.<br />
V<br />
Plus...3one-r88l8rs<br />
. . . spliced together to produce<br />
24 minutes of howling comedy!<br />
Love, Speed & Thrills<br />
Chester Conklin<br />
Mack Swain<br />
Mabel Normand<br />
Gentlemen of Nerve<br />
Chester Conklin<br />
Mabel Normand<br />
Mack Swain<br />
Charlie Chaplin<br />
Fatty's Seaside Lovers<br />
Fatty Arbuckle<br />
Harold Lloyd<br />
. . . and a cast of hundreds running<br />
around doing funny things!<br />
One minute, full color lead-ins are done by Duncan Renaldo (the<br />
Cisco Kid, himself), and each picture has a new, Wurlitzer organ<br />
sound track. Added to the package are promotional materials for<br />
your local advertising, and posters from the period available to<br />
you for resale.<br />
Write today or see us at the Motion Picture Theater Equipment<br />
and Concessions Show, Bal Harbour, Florida-BOOTH #97.<br />
l^tfdtoHe*<br />
Suite 3/1830-130th N.E. • Beilevue, Wash. 98005<br />
Telephone (206) 885-1221<br />
BOXOFTICE :: November 13, '972 19
"ACROSS<br />
110TH STREET"<br />
Executive Producers Anthony Quinn<br />
and Barry Shear<br />
Directed by Barry Shear<br />
Produced by Ralph Serpe, Fouad Said<br />
Screenplay by Luther Davis<br />
Starring Anthony Quinn,<br />
Yaphet Kotto, Anthony Franciosa<br />
U<br />
AVANTI<br />
f><br />
A Mirisch Production<br />
Producer-Director Biliy Wilder<br />
Screenplay by Billy Wilder<br />
and I.A.L. Diamond<br />
Starring Jack Lemmon, Juliet Mills,<br />
Clive Revill<br />
"BILLY TWO HATS ff<br />
A Palmer Algonquin Films Ltd. Production<br />
Produced by Norman Jewison<br />
Directed by Ted Kotcheff<br />
Screenplay by Alan Sharp<br />
Starring Gregory Peck, Desi Arnaz Jr.<br />
"COPS AND<br />
ROBBERS"<br />
Produced by Elliott Kastner<br />
Directed by Aram Avakian<br />
Screenplay by Donald E. Westlake<br />
Starring Cliff Gorman, Joseph Bologna<br />
"ELECTRA GLIDE<br />
IN BLUE"<br />
Producer-Director James W. Guercio<br />
Screenplay by Robert Boris<br />
and Rupert Hitzig<br />
Starring Robert Blake,<br />
Billy (Green) Bush, Mitch Ryan,<br />
Jeanine Riley, Melissa Green<br />
'FIDDLER ON<br />
lilt IfUUr<br />
(General Release)<br />
Mirisch Production Company<br />
Produced and Directed by Norman Jewison<br />
Screenplay by Joseph Stein<br />
Starring Topol<br />
"EVERHHING YOU<br />
ALWAYS WANTED<br />
TO KNOW ABOUT<br />
SEX BUT WERE<br />
AFRAID TO ASK'<br />
A Jack Rollins-Charles H. Joffe<br />
and Brodsky/Gould Production<br />
Executive Producer Jack Brodsky<br />
Produced by Charles H. Joffe<br />
Directed by Woody Allen<br />
Screenplay by Woody Allen<br />
Starring Woody Allen<br />
ff<br />
ii P><br />
FELLINrS ROMA<br />
Ultrafilm, L.P.A.A.<br />
Directed by Federico Fellini<br />
"GAWAIN & THE<br />
GREEN KNIGHT"<br />
Produced by Carlo Ponti<br />
Directed by Stephen Weeks<br />
Screenplay by Philip Breen<br />
and Stephen Weeks<br />
Starring Murray Head, Ciaran Madden,<br />
Nigel Green<br />
ii<br />
HAMMER M<br />
A Bernard Schwartz Production<br />
Produced by Al Adamson<br />
Directed by Bruce Clark<br />
Screenplay by Charles Johnson<br />
Starring Fred Williamson<br />
"RICKEY & BOGGS<br />
A Film Guarantors, Inc. Production<br />
Produced by Fouad Said<br />
Directed by Robert Culp<br />
Written by Walter Hill<br />
Starring Bill Cosby and Robert Culp<br />
"HARRY NEVER<br />
HOLDS"<br />
Executive Producer Alden Schwimmer<br />
Produced and Directed by Bruce Geller<br />
Screenplay by Ron Austin, James Bucham<br />
Starring James Coburn, Michael Sarrazln.<br />
Irish Van Devere, Walter Pidgeon<br />
M
1 Henry<br />
United Artists<br />
jtertainment from Transamerica Corporation<br />
LADY CAROLINE<br />
LAMB"<br />
Produced by Franco Cristaldi<br />
and Fernando Ghia<br />
Directed by Robert Bolt<br />
Screenplay by Robert Bolt<br />
Starring Sarah Miles<br />
'UST TANGO<br />
IN PARIS"<br />
Produced by Alberto Grimaldi<br />
Directed by Bernardo Bertolucci<br />
Screenplay by Bernardo Bertolucci<br />
and Franco Arcalli<br />
Starring Marlon Brando, Maria Schneider<br />
'LIVE AND LET DIE"<br />
Produced by Albert Brocolli<br />
and Harry Saltzman<br />
Directed by Guy Hamilton<br />
Screenplay by Tom Manl
John G. Baer to Staff<br />
Of Century Projector<br />
NEW YORK—Century Projector Corp.<br />
has announced the addition to its staff of<br />
John G. Baer, physicist<br />
and engineer and<br />
previously director of<br />
research, development<br />
and engineering for<br />
20th C e n t u r y-Fox<br />
Film Corp. in New<br />
York.<br />
Baer, a graduate in<br />
physics from the University<br />
of Chattanooga,<br />
with graduate<br />
John G. Baer<br />
study in optics at the<br />
University of Rochester, joined 20th-Fox<br />
in August 1967 and was responsible for all<br />
phases of research, development and engineering<br />
and for coordinating those efforts<br />
with the financial, marketing, sales and<br />
corporate management departments. He also<br />
was responsible for the technical evaluation<br />
of new products and systems and for patent<br />
preparation.<br />
Before that, he served as an engineer's<br />
product supervisor and advanced product<br />
planner with Bausch & Lomb, Inc., in<br />
Rochester.<br />
Larry Davee, president of Century,<br />
pointed out that Baer brings to Century, a<br />
wealth of experience in the manufacture and<br />
use of motion picture films for motion picture<br />
theatres in both color and black and<br />
white including special dichroic filters. Baer,<br />
38, lives in Princeton Junction, N.J., with<br />
his wife Dotty and three children.<br />
Davee has offered the services of Century<br />
in an advisory capacity to dealers, theatres<br />
and theatre circuits in solving technical<br />
problems and advising on the standardization<br />
and use of motion picture films and<br />
equipment for optimum theatre results. It<br />
is suggested that all requests for technical<br />
assistance and equipment selection be directed<br />
to Century authorized dealers in principal<br />
cities throughout the world.<br />
Sherhll C. Corwin Returns<br />
From England and Ireland<br />
HOLLYWOOD—Variety Clubs International<br />
president Sherrill C. Corwin returned<br />
to Los Angeles following a visit to Variety<br />
chapters in England and Ireland.<br />
In Leeds, England, Corwin and Cary<br />
Grant both participated in a charity gala<br />
which honored Prince Rainier and Princess<br />
Grace of Monaco. Corwin presented the<br />
Rainiers with silver Variety patron life<br />
membership cards, and Grant dedicated<br />
three Sunshine Coaches to charities designated<br />
by Princess Grace. The gala netted<br />
charities of the Leeds committee, a branch<br />
of London Tent 36, more than $75,000.<br />
Corwin also visited Variety Tent 41 of<br />
Ireland, with headquarters in Dublin, which<br />
will be the site of next year's Variety International<br />
convention. A worldwide attendance<br />
of 1,200 Variety members and their<br />
wives is anticipated.<br />
Philadelphia Tonris- Bureau<br />
Ties in With '1776 Film<br />
PHILADELPHIA, PA. — -'L ccu'.dn'l<br />
have happened at a better time." stated<br />
Eugene C. Hosmer, president of .he Phila-<br />
See 13%.<br />
Then see<br />
Philadelphia.<br />
We have the original<br />
set.<br />
Iwkpewifnee Hall, Philadelphia. A hil attiadioo foe alrnosi 200 yeare. Koc inionmtMm UTile to the<br />
niiladelphia Onvcnlionaiid Tourist Bureau. 16(h and J
I<br />
Contact<br />
'<br />
iS^<br />
From<br />
CINEVISIOIM FILMS, LTD.<br />
J. Arthur Elliot and Sam Lang<br />
present<br />
"THE<br />
RED<br />
MAHrTLE"<br />
Original Music Composed by MARC FREDERICKS<br />
Lyrics of the Love Theme "A Moment of Your Love"<br />
by SAMMY CAHN, Sung by HJDY SCOTT<br />
Lyrics of the Peace Song "When Will The Killing End"<br />
by R. I. ALLEN. Suns by JERRY KELLER<br />
Directed by GABRIEL AXEL Produced by ASA FILMS,<br />
MOVIE ART OF EUROPE and EDDA FILMS<br />
Color by Movielab • Panavision* and Eastmancolor |R| ^<br />
Original Sound Track Album available on RCil Records and Tapes<br />
Rudolf<br />
Nureyev<br />
in<br />
Margot<br />
Fonteyn<br />
"I Am A Dancer''<br />
TECHN'ICOLOR®<br />
Selected Engagements<br />
January, 1973<br />
"ESCAPE<br />
TO THE SUN"<br />
starring<br />
Laurence Harvey<br />
Josephine Chaplin<br />
John Ireland • Jack Hawkins<br />
Clive Revill • Lila Kedrova<br />
TECHNICOLOR'<br />
Selected Engagements<br />
CAROL<br />
/JOHN<br />
WHITE / MILLS<br />
BULCIMA<br />
AN EMI RLM PRODUCTION<br />
TECHNCOLOR* jpQJ<br />
RAYGALTONind<br />
ALAN SIMPSOf*S<br />
WILFRID<br />
BRAMfiELL<br />
HAMR<br />
COilBEn<br />
CAROLYN SEYMOUII<br />
_1HRB«CK mcHARO intNBOnniJGH- KYVWl iENHETT-MILO QSHEA-ROY HOLDER<br />
cifFdw-wfRHtiM mm<br />
An£Mlf*n EASTMANCOlOR [gl<br />
.<br />
^POLC TIMES<br />
Jf>^IGHT<br />
«^.-««<br />
^^<br />
'<br />
your local Cinevision Branch • Home Office 159 West 53rd St., N.Y. 10019 • (212) 247-1363!<br />
^e %idelicate<br />
balance<br />
(WHAT DID SHE SEE?)<br />
Color by Movtetab '"R *»<br />
RICHARD<br />
mm<br />
HARRISON<br />
^^"^ A LEONE PRODUCTION<br />
—<br />
BOXOmCE :: November 13, 1972 23
for the money.<br />
7 films for '73<br />
from General Film Corp.<br />
the film company of the 70's<br />
GENERAL FILM CORP. / 1040 NORTH LAS PALMAS, HOLLYWOOD, CALIFORNIA 90038
Commonwealth Forms Equipment Firm<br />
To Distribute Automated Projector<br />
KANSAS CITY, MO.—Victor Cinematic<br />
Importing and Distributing Corp. has<br />
opened offices at 217 West 18th Street, Kansas<br />
City. The company holds exclusive distribution<br />
rights to the Imperial system, a<br />
fully automated projection-sound-lighting<br />
unit.<br />
Each projector system is designed as a<br />
complete factory-assembled pre-wired package.<br />
All film, Jamphouse and projector<br />
mechanisms are self-contained within the<br />
unit which is operated with all doors closed.<br />
The only external connections required are<br />
those for AC power source, rectifier, stage<br />
and monitor speaker leads. Primarily designed<br />
for mini-theatre operation, the Imperial<br />
system can also be used for rear-projection<br />
and other advertising mediums requiring<br />
35mm sound film.<br />
Foil cue marks applied to the film activate<br />
the automated devices which control<br />
starting, stopping and changeovers. Optional<br />
equipment is available and is compatible<br />
through pre-wired connections.<br />
Projector mechanisms and the optical<br />
sound reproducers are in one unit with<br />
forced oil bath lubrication. A 3-phase, 220-<br />
volt, 6-pole motor is used to insure smooth<br />
drive and uniform speed. A conical shutter<br />
and curved film gate provide maximum light<br />
transmission and minimum film movement.<br />
Take-up and supply reels are 26" and hold<br />
6,150 feet of film. Rewind time is less than<br />
15 minutes and is done without removing<br />
film from the machine.<br />
Imperial projection systems contain<br />
Xenon lamphouses, using both 1,000 and<br />
2,000-watt high intensity bulbs. Light units<br />
are mounted horizontally in<br />
a deep-type reflector<br />
to produce minimal screen brightness<br />
distribution of 75 to 80 per cent. Solid-state<br />
power amplifiers are 30 watts incorporated<br />
in each unit with 4-8-16 ohm speaker connections.<br />
Projectors also contain auxiliary<br />
inputs for mixer, amplifier, microphone or<br />
phone output.<br />
The Imperial system is manufactured by<br />
Victor Sound Equipment Co., Ltd. of Japan.<br />
Initial American installation was in the Los<br />
Altos twin theatres in Albuquerque, N.<br />
Mex., operated by Commonwealth TTieatres,<br />
which will install units in Ranch Mart 3-4,<br />
Kansas City.<br />
Victor Cinematic Importing and Distributing<br />
Corp., is currently developing a program<br />
of dealerships for nationwide distribution<br />
and sales of the Imperial projector<br />
package.<br />
Old-Time Stars Featured<br />
In 'Laff-Movie' Series<br />
NEW YORK — Bing Crosby, Shirley<br />
Temple, Buster Keaton, Bob Hope, Danny<br />
Kaye and Milton Berle are among the top<br />
stars featured in the comedy shorts package<br />
called "Laff-Movie." Maurice H. Zouary,<br />
president of Filmvideo Releasing Corp.,<br />
and the BBD & O (Batten, Barton, Durstine<br />
& Osborne) Advertising Agency have<br />
reached a joint agreement whereby the<br />
agency's new television sales and syndication<br />
division will represent Filmvideo's<br />
series of 52 one-hour TV comedy specials.<br />
Zouary had originally planned to present<br />
the series theatrically under the "Laff-<br />
Movie" name. The possibility still exists<br />
that theatrical outlets may be sought. The<br />
films, originally produced by Educational<br />
Productions in the Thirties, reflect the current<br />
nostalgia craze and will be offered as<br />
weekly one-hour shows. An extensive prtimotional<br />
campaign will be coordinated with<br />
local sponsors, newspapers and critics in<br />
each market sold.<br />
The shorts include the Baby Burlesk<br />
comedies made by tiny Shirley Temple in<br />
1932 and 1933, as well as the all-star<br />
"Dime a Dance" (1937), which features<br />
Danny Kaye, Imogene Coca, Barry Sullivan<br />
and June Allyson. The other stars include<br />
such comics as Harry Langdon, Bert Lahr,<br />
Joe Cook, Willie Howard, Andy Clyde.<br />
Billy Gilbert, Tim and Irene Ryan, the<br />
Ritz Brothers, Col. Stoopnagle and Budd.<br />
Charlotte Greenwood, Buster West and<br />
Tom Patricola, Lloyd Hamilton, Tom<br />
Howard and George Shelton, Lupino Lane,<br />
Charles Kemper and Rooney and Timberg.<br />
In all, there are 156 subjects from the<br />
early days of sound comedy films.<br />
Leisure Media to Release<br />
Israeli 'I Love You Rosa'<br />
NEW YORK—"I Love You Rosa," the<br />
critically acclaimed Israeli entry at this<br />
year's Cannes Film Festival, has been acuired<br />
for U.S. and Canadian distribution<br />
by Peter Gettinger and Oliver A. Unger of<br />
Leisure Media, Inc. Gettinger and Unger<br />
were responsible for bringing back the<br />
Charlie Chaplin films last<br />
year.<br />
A Menahem Golan production, written<br />
and directed by Moshe Mizahi, "I Love<br />
You Rosa" is a love story based on a<br />
Jerusalem legend which is passed on from<br />
generation to generation. Michal Bat-<br />
Adam stars as Rosa, a childless widow,<br />
and Gabi Otterman is Nissim, her 11-yearold<br />
brother-in-law who must wait seven<br />
years to marry her and fulfill ancient<br />
Richord Orear (1.), president<br />
of Commonwealth Theatres, Inc.,<br />
points to the emblem of the<br />
firm's newly formed subsidiary,<br />
Victor Cinematic Importing &<br />
Distributing Corp. Looking on<br />
ore Fumio Hiraoka, of Japan,<br />
whose firm holds world rights<br />
to the Victor equipment, and<br />
0. H. Reesman, manager of the<br />
Commonwealth<br />
subsidiary.<br />
Deuteronomic Law.<br />
The film was awarded first prize for the<br />
best Israel production of 1972 at Israeli<br />
Film Week in Sefad, while Miss Bat-Adam<br />
won the Heart of David (the Israeli Academy<br />
Award) for best performance of the<br />
year.<br />
The U.S. premiere of "I Love You Rosa"<br />
is scheduled for New York in January,<br />
with national dates to follow early in 1973.<br />
Larry Cruickshank to NWP<br />
As Head of Foreign Sales<br />
HOLLYWOOD — Larry<br />
Cruickshank,<br />
former executive at Warner Bros. Studios,<br />
has joined New World Pictures and will<br />
head the newly created foreign sales department,<br />
it is announced by company<br />
president Roger Corman.<br />
Bosnick, Lewis Get Rights<br />
To 'Suddenly—Big Shot!'<br />
NEW YORK—"Suddenly—Big Shot!.'<br />
a first novel by James E. Parlatore. has<br />
been acquired via a long-term extendible<br />
option on production rights by producerdirector-writer<br />
Ned Bosnick and Bernard<br />
Lewis, a New York public relations executive.<br />
Bosnick will serve in his triple capacities<br />
while Lewis is to be the film's executive<br />
producer.<br />
Parlatore is a vice-president of Carl<br />
Byoir and Associates Inc., New York-based<br />
public relations company which is one of<br />
the largest in the field. His novel is now<br />
being offered to publishers in manuscript<br />
form. It's a comedy of two generations of<br />
Italians in Brooklyn feuding over a winning<br />
lottery<br />
ticket.<br />
Lewis' firm. The Bernard Lewis Co., has<br />
been handling Bosnick's promotion. The<br />
young filmmaker's first picture, "To Be<br />
Free," is now in its world premiere engagement<br />
at Pittsburgh's Shadyside Theatre,<br />
opening there strongly October 18. Bosnick,<br />
originally from Pittsburgh, has been making<br />
films in Hollywood.<br />
Bosnick has two film scripts on his production<br />
schedule, but has not decided which<br />
would be produced first.<br />
26 BOXOFFICE :: November 13. 1972
THE<br />
FOLLOW A TRAIL OF DEATH THROUGH THE STREETS OF SOHO.<br />
A HERB BROMBERG PRESENTATION<br />
Hi<br />
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PG<br />
PARENTAL GUIDANCE SUGGESm^ ^^<br />
Some material may not be suitable lor pre teenagers
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FROM 5UNSET INTERNATIONAL RELEASING<br />
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THE HORROR OF BLACKWOOD CASTLE<br />
WRITTEN BY EDGAR WALLACE<br />
VtHAl STRANGE TERRORS LURK WITHIN ITS<br />
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1<br />
THS Arranges First Tour<br />
Of Chicago Movie Houses<br />
CHICAGO— It was interesting to note<br />
hat a good-sized crowd took advantage<br />
jf "going down memory lane" when the<br />
lOcal chapter of the Theatre Historical So-<br />
;iety set up the first of a series of tours<br />
to movie theatres. Saturday (11) the Uptown<br />
and Riviera took the spotlight as they<br />
had done starting in 1918 and 1925. Both<br />
ivere representative of elegance and both<br />
Liptown-area theatres have suffered reverses<br />
kvhich occur with population changes.<br />
Ken Edgerly, general manager, took the<br />
iiroup on a walk from the entrance doors<br />
ki the fire walks and from the orchestra<br />
floors to the top of the balconies. The<br />
Uptown and Riviera played important roles<br />
in the history of Chicago's north side as<br />
Well as in the history of Chicago enteriainment.<br />
Both were built by Balaban &<br />
katz (now known as ABC Great States<br />
Theatres). They were designed by Rapp<br />
i: Rapp, well-known architects responsible<br />
or theatre design all over the country.<br />
The Riviera was first. It opened in Sepember<br />
1918. The Uptown opened Aug.<br />
19. 1925.<br />
B&K brought Frank Camberia to Chiago<br />
from New York City to design the<br />
reductions at the Riviera and Centra!<br />
ark theatres. He shortly was put in charge<br />
if mounting stage productions which were<br />
resented at the Tivoli, Chicago, Uptown,<br />
liviera and Central Park theatres.<br />
The Muriel Abbott dancing girls began<br />
heir rise to fame at the Riviera. Gladys<br />
Jwarthout sang from the Riviera stage and<br />
ater went on to the Met in New York<br />
ty.<br />
It was at the Riviera where B&K introluced<br />
the pass system for veterans and<br />
ither such groups. It also was at the<br />
liviera where B&K set up an attended<br />
layroom for youngsters so mothers would<br />
able to sit through the program withmt<br />
disturbance.<br />
The Uptown was the third of the original<br />
Jig Three, with the Tivoli and Chicago<br />
•receding it. The Uptown had the largest<br />
urlitzer theatre organ ever built for a<br />
novie house in<br />
metropolitan Chicago. Jesse<br />
rawford, Kenri Keats and Edna and Pres-<br />
;on Sellers presided at the Wurlitzer.<br />
The stage band policy started at the<br />
VlcVickers Theatre by B&K became an<br />
ntegral part of Uptown Theatre programng,<br />
with such names as Buddy Rogers, Al<br />
K.vale, Frankie Masters and Mark Fisher.<br />
Many recall George Givot and his zany<br />
routines. The Uptown practically was his<br />
tiome.<br />
The overall decor at the Uptown was<br />
:onsidered outstanding and the auditorium<br />
ighting a particular feature. Old-timers<br />
f/eW remember how patrons stood in line<br />
for an hour and even two hours to get<br />
into the Uptown.<br />
Hosts for the first tour were Peter Miller,<br />
manager at the Uptown, and B.<br />
O'Rourke. manager of the Riviera. Joe Duci<br />
Bella, Bill Benedict and Dann Kann of<br />
THS spearheaded the tour arrangements.<br />
The THS national convention will take<br />
place in Chicago in July 1973.<br />
SCHOLARSHIP CHECK — Henry<br />
Markbreit, left, chief barker of Chicago's<br />
Tent 26, turns over a $1,000<br />
check for the Karyn Kupcinet Memorial<br />
Scholarship to Ir\ and Essie Kupcinet<br />
The scholarship will be awarded<br />
to a "distinguished student for study<br />
at Shimer College," where the Karyn<br />
Kupcinet Theatre is located. The scholarship,<br />
in memory of the late young<br />
actress, has been sustained by the Variety<br />
Club since its inception. The presentation<br />
took place at the fourth annual<br />
Jefferson .\wards at the Conrad Hilton<br />
Hotel, which honor Chicagoans for excellence<br />
in acting, directing and production.<br />
Honoring Lockport Mayor<br />
For Stand on X Movies<br />
BUFFALO—Raymond C. Betsch,<br />
mayor<br />
of Lockport, N.Y., is to be honored for his<br />
stand against X-rated motion pictures. The<br />
Catholic War Veterans Post 925, Niagara<br />
Falls, will honor the mayor at a presentation<br />
dinner Sunday (19) in the Cataract<br />
City. Aldo DiFlorio, a CWV member, will<br />
make the presentation.<br />
Norman Wade, Post 925 first vice-commander,<br />
said the mayor is being honored<br />
for his "moral courage when he ordered<br />
a curb of X-rated films in the Lock City."<br />
Rockettes Not Injured<br />
In Rehearsal Accident<br />
NEW YORK—Sixteen dancing Rockettes<br />
plunged to the stage during a rehearsal<br />
Wednesday (8) at the Radio City Music<br />
Hall when a prop drawbridge collapsed.<br />
None was injured seriously but all 16 were<br />
taken to Roosevelt Hospital.<br />
A metal staircase simulating a drawbridge<br />
collapsed under the weight of the girls,<br />
dropping them from six to nine feet. The<br />
36 precision dancers were rehearsing "Parade<br />
of the Wooden Soldiers" for the<br />
Thanksgiving show.<br />
Smith/Mead Handling BJW<br />
Advertising, Publicity<br />
BALTIMORE—Public relations and advertising<br />
counselors for BJW Productions,<br />
new independent film company, are<br />
Smith/ Mead & Associates, 724 York Rd.,<br />
Baltimore. Md. 21204. BJW has become<br />
well-known for its premier motion picture,<br />
"The Gentle People," the first full-length<br />
feature ever made about the Pennsylvania<br />
Amish.<br />
Second Annual Filmex<br />
Opens in Los Angeles<br />
By SYD CASSYD<br />
HOLLYWOOD—Opening with the fanfare<br />
typical of the motion picture center of<br />
the world and at its world-famed National<br />
General Theatre's Chinese Theatre on Hollywood<br />
Boulevard, the movie town celebrated<br />
its most prestigious gift to the world,<br />
the art of film, as Filmex, the second annual<br />
Los Angeles International Film Exposition<br />
opened its sessions with the Columbia film,<br />
"Young Winston," Thursday (9). Sessions<br />
run through the 19th, following the $50<br />
ticket opening and the After-premiere supper-reception<br />
at the Beverly Wilshire Hotel<br />
ballroom.<br />
While the Oscar and the Emmy have held<br />
the center entertainment world stage spotlight<br />
for years, and many attempts have been<br />
made to bring the public into the festivities,<br />
it remained for this young group to break<br />
through the sacred cow myths and establishment<br />
syndrome, which has characterized the<br />
Hollywood climate, and bring all the art<br />
groups and cinema schools under one roof.<br />
Gary Essert, director, Gary Abrahams, associate<br />
director, Philip Chamberlin, chairman<br />
of the board, and Arthur Knight were<br />
spearheads for the attack. Before this, attempts<br />
to have any film celebration under<br />
any umbrella except the motion picture<br />
Academy met with defeat.<br />
Look at the lineup the Filmex Board of<br />
Trustees list in a black and silver sophisticated<br />
48-page catalog, with notes by Pauline<br />
Kael. It states "with the cooperation of The<br />
Academy of Motion Picture Arts and Sciences,<br />
the American Film Institute, the Los<br />
Angeles County Museum of Art. the Harold<br />
Lloyd Foundation and the film schools of<br />
UCLA, use and Cal-Arts." Bringing together<br />
the latter group is an accomplishmait<br />
in<br />
protocol itself.<br />
As Essert noted in his own way in the<br />
program the "determined individuals"<br />
banded together ... and with a little money<br />
and a lot of "chutzpah," got into the festival<br />
act.<br />
The 1 1-day celebration of the "art form<br />
of the century," is a "low-cost retrospective,"<br />
according to Charles Champlin, Los<br />
Angeles Times critic who gave it solid editorial<br />
support. He called it "extraordinarily<br />
ambitious and a thoughtful attempt to do<br />
and be everything a film festival ought to<br />
do and be."<br />
Following the festival, Fihnex is presenting<br />
from November 24 through December<br />
16, a session "Written for the Screen," with<br />
eight distinguished screenwriters to discuss<br />
their work on four weekends. Writers Guild<br />
joins the other groups who have cooperated.<br />
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BOXOFnCE :: November 13, 1972<br />
35
BOXOFFICE<br />
BAROMETER<br />
This chart records the performance of current attractions in the opening week of their first mnt in<br />
the 20 key cities checked. Pictures with fewer than five engagements ore not listed. As new runs<br />
ore reported, ratings are added and averages revised. Computation is in terms of percentage in<br />
relation to normal grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />
the figures show the gross ratings above or below that mark. (Asterisk * denotes combinotion bills.)<br />
^MM^iWi<br />
5^<br />
Bad Company (Para)
'OUTRAGEOUS!..<br />
'AUDACIOUS!<br />
• • • •<br />
l|k^^w<br />
'CONTAGIOUS!....<br />
'ADVANTAGEOUS<br />
»»«««»»»»««
CINEMECCANICA- IREM • HORTSOr<br />
COMING IN 1973<br />
ANOTHER NEW 35MM PROJE<br />
HIGH POWER HORIZONTAL<br />
XENON LAMPHOUSE<br />
NEW SOUND SYSTEMS<br />
NEW 16MM PROJECTOR<br />
NEW XENON BULBS<br />
V-8 F/R<br />
FORWARD-REVERSE<br />
10,000'<br />
V-14M<br />
13,00076000'<br />
V-4ESX<br />
10,000'<br />
"PIONEERS OF THE TOTAL BOOTH CONCEPT-<br />
CARBONS, INC. y
BENOIST BERTHIOT • PHILIPS<br />
MIL>NO<br />
;mm<br />
rotectors<br />
iooo'<br />
V-4ES<br />
6000'<br />
V-18A<br />
V-18M<br />
13.00076000'<br />
OR<br />
13,000'/1 0,000'<br />
MAXI TYPE<br />
AUTOMATION<br />
POWER SUPPLIES<br />
C-40PT<br />
SOUND<br />
7111 DELUXE<br />
AUTOMATION<br />
C-65T/2 SOUND<br />
16,35.70MM<br />
LENSES<br />
XENON BULBS
No Legal or Technical Problems Posed<br />
By Proposed Basement Mini-Cinema<br />
NORTH ADAMS, MASS.—The proposed<br />
operation of a mini cinema in the<br />
basement of the new North Adams Inn will<br />
not pose legal or technical problems with the<br />
city's Redevelopment Authority or with the<br />
U.S. Department of Housing and Urban<br />
Development, it has been learned.<br />
Louis R. Sinclitico, Renewal Agency<br />
chairman, disclosed that he discussed the<br />
situation in depth, posed by the possible<br />
construction of two cinemas in the North<br />
Adams urban renewal area, with the federal<br />
agency.<br />
Codman Co. of Boston, the prime developer,<br />
had tried for several months to get<br />
an operator for the proposed twin cinemas<br />
at the east end of Main Street, only recently<br />
completing negotiations with Davis Film<br />
Distributors, Boston, to handle the operations<br />
if the Codman organization could arrange<br />
loans to<br />
construct the building.<br />
Then the new North Adams Inn, now being<br />
built at the west end of Main Street and<br />
not related to the Codman interests, disclosed<br />
plans for a mini cinema in<br />
the basement,<br />
to be operated by Albert Coury jr., of<br />
Adams, who operates several drive-in theatres<br />
in western Massachusetts.<br />
Codman objected and Renewal Agency<br />
members, at an emergency meeting, voted to<br />
support the Codman project and withhold<br />
approval of the inn's cinema.<br />
Sinclitico, who held a minority opinion,<br />
went to some length to determine that the<br />
inn, being constructed by Fred Lieberman<br />
of Philadelphia, could include the cinema in<br />
its<br />
plans.<br />
Sinclitico noted: "There will be some revisions<br />
necessary in the agreement and the<br />
Renewal Agency must sign a proclaimer<br />
that the change is of a minor nature and<br />
not a major alteration but there are no real<br />
barriers to the Lieberman project."<br />
For its part, Codman cited the time involved<br />
in setting up the twin-cinema project,<br />
for the delay in the core project, which is to<br />
include two major tenants, plus specialty<br />
shops and eating facilities.<br />
A Codman spokesman added that the firm<br />
would have to wait until the old City Hall<br />
and other remaining buildings in the sevenacre<br />
tract were torn down before any tenants<br />
could be signed up for the new commercial<br />
mall.<br />
Lieberman said he would be interested in<br />
taking over the entire urban renewal project<br />
but until last week Sinclitico and other Authority<br />
members had been unanimous in<br />
support of Codman, despite lack of a development<br />
schedule or proposed tenants.<br />
Popcorn Smuggler Caught<br />
GLENMONT, N.Y.—A local moviegoer,<br />
William Samore, is "turned off" by the<br />
policy in effect at a Glenmont theatre. It<br />
wasn't the motion pictures booked at the<br />
theatre that caused the disenchantment;<br />
rather, it was the manager's attitude toward<br />
popcorn—not the theatre's popcorn but the<br />
bagful that Samore intended to carry into<br />
the movie house.<br />
He told the whole story in a letter to the<br />
editor of the News-Union-Star at Schenectady,<br />
N.Y. Samore's entire statement follows:<br />
"When my sons and I went to a local<br />
movie recently, the ticket-taker asked to<br />
see what was in the bag my son (15 years<br />
old) was carrying. Fair enough. After all,<br />
it could be a bomb! But when it was discovered<br />
to be only popcorn, the manager<br />
on duty refused to let us in with the<br />
popcorn.<br />
"No need to ask him why not. Surely not<br />
because of the theatre's fear of littering<br />
they sell their own popcorn. What else but<br />
petty commercial 'extortion'? If you want<br />
to eat popcorn while you see my movie,<br />
then you must buy my popcorn at exorbitant<br />
prices—or don't see the movie at all.<br />
"No doubt the theatre as a private enterprise<br />
can exclude patrons for good reason.<br />
But this practice is cheap, asinine, arrogant,<br />
self-serving and self-defeating. Even if my<br />
son didn't bring his own popcorn, we<br />
wouldn't have bought the theatre's popcorn.<br />
"We got our money back and walked<br />
out."<br />
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Bayonne's DeWitt Closed<br />
By Mrs. Helen Josephs<br />
BAYONNE, N.J.—Mrs. Helen Josephs,<br />
who had operated the DeWitt in Bayonne<br />
since March 1972, has closed that 1.500-seat<br />
house.<br />
Mrs. Josephs, whose family at one time<br />
had operated several theatres in Montclair<br />
and Bloomfield, most recently had been running<br />
the DeWitt as well as the Center in<br />
Bloomfield. The latter was sold early last<br />
summer to the operators of the independent<br />
Montclair.<br />
Ciairidge in<br />
The DeWitt originally was opened in the<br />
1920s by Warner Bros, and operated for<br />
many years by Stanley Warner and subsequently<br />
by RKO-SW. It was purchased by<br />
the Nathan circuit in September 1970 and<br />
later turned over to Mrs. Josephs.<br />
The closing of the DeWitt, believed to be<br />
permanent, now leaves Bayonne with only<br />
two houses, the Lyceum and the newly<br />
opened Bay Cinema.<br />
Theatre Opening Delayed<br />
MEADVILLE, PA.—The unveiling of<br />
the 400-seat Mall Theatre at the Meadville<br />
Mall, originally scheduled for Wednesday,<br />
October 25, was postponed two weeks because<br />
of unforeseen delays in construction,<br />
it was announced by Ronald Blair, manager.<br />
The showhouse was slated to bow Wednesday<br />
(8) with the George C. Scott starrer,<br />
"The New Centurions."<br />
.
Economist Sees Hope<br />
For the Central City<br />
PROVIDENCE—There is hope for the<br />
central city and its business community, including<br />
exhibition, in the opinion of urban<br />
economist Bennett Harrison of the University<br />
of Maryland.<br />
Addressing an audience at Brown University,<br />
Professor Harrison commented: "I<br />
see no compelling evidence that the central<br />
city is not viable. I see many people continuing<br />
to live in the city ... by conscious<br />
choice, including migrants from rural areas<br />
who have benefited themselves by coming to<br />
the city."<br />
Harrison, who is joining the Massachusetts<br />
Institute of Technology faculty in<br />
February, said that he wanted to correct the<br />
average person's perception of urban living<br />
"as a whole series of unpleasantries" that<br />
have led governmental officials to give up<br />
on the city.<br />
He cited three "myths" about the central<br />
city, defining a "myth" as something that is<br />
partly true but believed as though it were<br />
entirely true.<br />
First: "Jobs are leaving the central city."<br />
This holds true, he said, for manufacturing,<br />
wholesale and retail jobs, which constitute<br />
some 60 per cent of the total. But governmental<br />
and service jobs are growing in the<br />
city.<br />
In addition, the proportion of factory jobs<br />
in the city has been found to drop during recessions<br />
and rise as the national economy<br />
emerges from a recession. One factor involved<br />
here is that multi-plant companies<br />
curtail activity at older plants first.<br />
Second: "There's no land left to build on<br />
in the central city." While the city does not<br />
have the wide open spaces prevelant in suburban<br />
areas, he said, a study finds that 20<br />
per cent of the "buildable" land in the city is<br />
vacant.<br />
Third: "Blacks are better off in the suburbs."<br />
Income data, he said, refutes this<br />
view.<br />
"The worst problems of the city could be<br />
solved if society wants to," declared Professor<br />
Harrison.<br />
Rob't Woempner Promoted<br />
To GFC General Manager<br />
HOLLYWOOD—Robert<br />
Woempner has<br />
been promoted to the post of general manager<br />
of General Film Corp., it was announced<br />
by Arthur Marks, president of the<br />
production-distribution company.<br />
A veteran of 20 years' experience in all<br />
phases of motion picture distribution and<br />
exhibition, Woempner joined General Film<br />
in May 1970. Previously he had been with<br />
Parade Pictures, Producers Studio and<br />
Bradford Productions.<br />
He is the son of Oscar C. Woempner,<br />
now retired, who formerly owned 40 theatres<br />
in the Minneapolis area.<br />
Kerasotes to<br />
Unveil<br />
Twin Airer in 1973<br />
SPRINGFIELD, ILL.—Work on Springfield's<br />
first twin underskyer is being completed<br />
this fall, although the opening won't<br />
be until spring. The 89th and 90th units in<br />
the Kerasotes Theatres circuit, the dual theatre<br />
is located west of Springfield on Jacksonville<br />
Road just beyond the proposed Westroads<br />
Shopping Center. The circuit, which<br />
operates in Illinois and Missouri, is headed<br />
by George Kerasotes, president, who also<br />
currently is<br />
a member of the Motion Picture<br />
Ass'n Code Appeal Board and a past president<br />
of the National Ass'n of Theatre Owners.<br />
The drive-in will feature 75-foot-high<br />
screens measuring 40x100 feet. Each parking<br />
area will accommodate 750 autos and<br />
high-fidelity in-car speakers. A center building<br />
will contain a refreshment center, restrooms<br />
and a projection booth on the upper<br />
level, all air-conditioned. One entrance road<br />
for both ozoners will lead to individual boxoffices.<br />
Contractors for the twin-theatre project is<br />
Drive-In Theatre Construction Co., Fairfield.<br />
Equipment is by Drive-In Theatre<br />
Supply Co., Kansas City, and Abbott Theatre<br />
Supply Co., Chicago.<br />
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el. 212-246-6285<br />
Wil-Kin, Inc.<br />
301 North Avenue, N.E.<br />
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Tel. 404-876-0347<br />
Oklahoma Theatre Supply Company<br />
628 W. Sheridan Avenue<br />
Oklahoma City, Oklahoma 73 1 02<br />
Tel. 405-236-8691<br />
Tegfmeier Associates, Inc.<br />
988 Market Street, Suite 604<br />
San Francisco, California 94102<br />
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Heywood-Wakefield Company<br />
1 0726 Green Mountain Circle<br />
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Transworld Theatre Supply Co., Inc.<br />
2931 Lime Street<br />
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Des Moines Theatre Supply Company<br />
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Budd Theatre Supply, Inc.<br />
8537 W. Washington Blvd.<br />
Culver City, California 90230<br />
Tel. 213-870-9301<br />
linema Designers, Inc.<br />
Adams Street<br />
Joston, Massachusetts 02 1 22<br />
el. 617-298-5900<br />
Carroll Seating Company<br />
1 835 West Armitage Avenue<br />
Chicago, Illinois 60622<br />
Tel. 312-772-0160<br />
Mid-Continent Theatre Supply<br />
1800 Wyandotte Street<br />
Kansas City, Missouri 64 1 08<br />
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B.F. Shearer, Jr. & Associates<br />
1 3360 S.W. 76th<br />
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105 S. Church Street<br />
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el. 704-333-6101<br />
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Walter Reade Organization Planning<br />
Return to Film Production Scene<br />
NEW YORK—The Walter<br />
Reade Organization,<br />
until recently one of the dominant<br />
forces in independent co-production and distribution<br />
in the U.S. and abroad, will return<br />
to the motion picture production scene with<br />
two major film commitments, it was announced<br />
by Walter Reade jr., president and<br />
chairman of the board.<br />
Financing already has been completed for<br />
the first film, a ballet version of "Don<br />
Quixote." and production will start inunedi-<br />
Signing the agreement for the production<br />
and presentation of "Don<br />
Quixote" starring Rudolph Nureyev<br />
and Sir Robert Helpmann are left to<br />
right: Budd Rogers, producer's representative;<br />
John L. Hargreaves (seated),<br />
executive director of International Arts,<br />
Inc., producers of the film, and Sheldon<br />
Gunsberg, executive vice-president of<br />
the Walter Reade Organization.<br />
ately in Melbourne, Australia in association<br />
with International Arts, Inc., a newly formed<br />
.Australian company. Two of the world's<br />
most celebrated figures in ballet, Rudolph<br />
Nureyev and Sir Robert Helpmann, will<br />
combine their talents in re-creating their<br />
original stage roles in the film. Lucette<br />
Aldous of the Royal Ballet will portray the<br />
key role of Ketri, considered a showpiece<br />
for ballerinas. The major new film features<br />
the internationally famous Australian Ballet<br />
and will be filmed entirely in Australia.<br />
The Walter Reade Organization will present<br />
the film throughout the world, following<br />
its world premiere, scheduled for the<br />
new Sydney Opera House in June 1973<br />
under the auspices of the Australian government.<br />
The William Morris Agency is associated<br />
with WRO in this activity.<br />
The second film on the Reade schedule<br />
will be the reuniting of the production-direction<br />
team of Walter Reade jr., and Joseph<br />
Strick for the film version of James<br />
Joyce's "The Portrait of an Artist as a<br />
Young Man," to commence shooting in<br />
Dublin in the spring of 1973. Reade and<br />
Strick were responsible for the highly successful<br />
version of the Joyce classic, "Ulysses"<br />
in 1968. Strick will commence preparation<br />
of the new Joyce film immediately upon<br />
the completion of his current production.<br />
Reade will be going to London in November<br />
to complete the financing and distribution<br />
arrangements in the U.K.<br />
In commenting on the new program,<br />
Reade stated. "The Walter Reade Organization<br />
does not intend to go into normal<br />
distribution as such, but is making commitments<br />
for the co-production and release of<br />
major films directly to the company's own<br />
theatres. Other exhibitors throughout the<br />
world, who similarily feel it necessary to<br />
make pre-production commitments in order<br />
to insure a suitable flow of important firstrun<br />
product for their theatres, have been invited<br />
to participate, with the Reade Organization<br />
assuming all responsibility for delivery<br />
of these quality films."<br />
"In order for this new direct merchandising<br />
to theatres to be fairly evaluated, we are<br />
considering adding two additional major<br />
motion picture properties to the program.<br />
We hope to be able to make an announcement<br />
before the end of the year for this<br />
further co-production involvement," Reade<br />
stated. Television, cassettes, and other media<br />
investors will be invited to participate in the<br />
activity of the new program.<br />
The 22 sub-distributors presently handling<br />
WRO product under the supervision of<br />
the<br />
Budd Rogers will form the nucleus of the<br />
sales organization for these films, after the<br />
major direct presentation commitments have<br />
been liquidated.<br />
Reade stated further that while WRO's<br />
film involvements in the past have generally<br />
been in the very select and quality field of<br />
motion pictures, under the new program the<br />
company will consider more commercialtype<br />
films as well. Also where in the past<br />
WRO's major involvement and success has<br />
been mainly with European co-production,<br />
current plans include involvements with<br />
U.S.-based production companies. "Our<br />
careful and special handling of such recent<br />
successes as "Fellini's Roma," Truffaut's<br />
"Two English Girls," Bunuel's "The Discreet<br />
Charm of the Bourgeoisie," the 6V^<br />
hour version of the Russian "War and<br />
Peace" and "Cabaret," indicates to us that<br />
our methods of presenting unusual and outstanding<br />
films can be profitable, so long as<br />
we are discriminating and if, at the same<br />
time, we limit our risk," Reade commented.<br />
The commitment on "Don Quixote" was<br />
made with John L. Hargreaves, executive<br />
director of International Arts. Hargreaves,<br />
whose film credits include "Red Shoes,"<br />
"Tales of Beatrix Potter" and the forthcoming<br />
"I Am a Dancer," starring Nureyev, will<br />
serve as producer. In addition to performing<br />
the key roles of Basil the Barber and The<br />
Don, respectively, Nureyev and Helpmann<br />
will share directorial duties as well. John<br />
Lanchbery, principal conductor of England's<br />
Royal Ballet and composer of the music for<br />
"The Tales of Beatrix Potter" will conduct<br />
the famed Ludwig Minkus score with the<br />
Melbourne Theatre Trust Orchestra. Geoffrey<br />
Unsworth, one of the industry's foremost<br />
cinematographers, whose successes include<br />
"2001: A Space Odyssey," and the<br />
more recent "Cabaret," will be the cameraman.<br />
Sets and costumes will be designed by<br />
Barry Kay, designer for more than 40 productions<br />
of opera, theatre, ballet and film<br />
for the Covent Gardens Royal Opera House,<br />
the Sadler's Wells Opera, Royal Shakespeare<br />
Co. and many others.<br />
The film version of the "Don Quixote"<br />
ballet follows its recent presentation on<br />
stage starring Nureyev and Helpmann,<br />
which broke boxoffice records throughout<br />
major cities in the United States, as well as<br />
Montreal and Toronto, and was seen by<br />
audiences totaling more than 1,500,000.<br />
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IWAKEFIELD<br />
BOXOmCE :: November 13, 1972 45
To Expand Facilities<br />
At Goldwyn Studios<br />
HOLLYWOOD—Jack P. Foreman, general<br />
manager, Samuel Goldwyn Productions,<br />
has announced plans for a major expansion<br />
of production and post-production facilities<br />
at Samuel Goldwyn Studios. Prompted by<br />
"a need to expand the total-facility complex<br />
for the independent producer," according<br />
to Foreman, the plan will be initiated in<br />
January with the opening of an all-new<br />
post-production sound center to be called<br />
the Sawyer Sound Building, named in honor<br />
Such a<br />
comfort<br />
1
Form Fox-Rank Firm<br />
For UK Distribution<br />
LONDON—The formation of Fox-Rank<br />
Distributors. Ltd., a new company to handle<br />
ail the respective theatrical film distribution<br />
activities of 20th Century-Fox and Rank<br />
film distributors in the United Kingdom<br />
starting December 3, has been announced<br />
by Sir John Davis, chairman and chief executive<br />
of the Rank Organization, and Gordon<br />
Stulberg. president and chief operating<br />
officer of 20th-Fox Film Corp.<br />
Co-chairman of the new company will be<br />
Percy Livingstone, vice-president and sales<br />
manager of 20th-Fox International and managing<br />
director of 20th-Fox UK, and Frank<br />
Poole, managing director of Rank Film Distributors.<br />
They have named R. M. Drennen<br />
as general manager of the new company.<br />
Drennen currently is director of sales for<br />
Rank. The new company will operate from<br />
127 Wardour.<br />
Both 20th-Fox and Rank will continue<br />
independently playing their leading roles<br />
in the industry and both companies will be<br />
located at 31 Soho Square. Rank Distributors<br />
will maintain its control of the Rank<br />
Organization's investment in film production<br />
and will service the industry through its<br />
dispatch and examination departments. It<br />
also will be responsible for worldwide distribution<br />
of product through the recently<br />
announced integration of Rank overseas<br />
film distribution's activities with its own.<br />
Twentieth-Fox will continue its production<br />
and acquisition of British product, the<br />
control and booking of its theatres and will<br />
retain its interest in British Movietonews<br />
Ltd., its 16mm operation and other ancillary<br />
activities.<br />
The new company will not operate in Eire<br />
or Northern Ireland nor handle sales<br />
or nontheatrical 16mm.<br />
A number of other appointments to the<br />
new company have been announced by<br />
Drennen, including: sales manager, R. Dawson,<br />
now sales manager, 20th-Fox; company<br />
secretary. R. Bryan, now director of administration<br />
for Rank, and publicity manager,<br />
to TV<br />
J. Fairbairn, currently publicity manager for<br />
20th-Fox.<br />
AIP to Release Krantz's<br />
Animated 'Heavy Traffic'<br />
BEVERLY HILLS, CALIF.—Samuel Z.<br />
Arkoff, president and chairman of the<br />
board of American International Pictures,<br />
announced that AIP has concluded arrangements<br />
with Steve Krantz Productions for<br />
"Heavy Traffic," a feature-length animated<br />
picture. Now in production with release<br />
scheduled for 1973, "Heavy Traffic" is<br />
being created especially for AIP by its<br />
writer-director Ralph Bakshi and producer<br />
Steve Krantz, whose combined first effort,<br />
"Fritz the Cat," has won international acclaim<br />
and broken boxoffice records. The<br />
new feature will be drawn from human<br />
beings, as opposed to the animal characterizations<br />
in "Fritz the Cat."<br />
"The ground we broke with our concept<br />
of 'Fritz' is just the beginning," says writerdirector<br />
Bakshi, "when compared to the<br />
freshness I hope to bring to the screen in<br />
'Heavy Traffic' After all, I will have the<br />
great<br />
advantage of dealing with human beings<br />
instead of animal characters and 'Fritz'<br />
was started more than two years ago. What<br />
I learned from 'Fritz' is going into 'Heavy<br />
Traffic' and then some," Bakshi stated.<br />
Bakshi's feature-length animation of<br />
the "Fritz" character, created by famed<br />
underground cartoonist Robert Crumb, had<br />
the unusual distinction of opening the 11th<br />
annual Critics Week at the Cannes Film<br />
Festival this year.<br />
Junior Book Award Winner<br />
To Be Animated Feature<br />
NEW YORK—"The Pushcart War," bestselling<br />
Junior Book Award-winning novel by<br />
Jean Merrill, will be produced as a fulllength<br />
animated feature film by Lawrence<br />
N. Belling and Treasure Films, Ltd., of<br />
London, with production starting early next<br />
year under the direction of Bob Godfrey<br />
from a Stan G. Spiegelman screenplay.<br />
Designed for family audiences, "The<br />
Pushcart War" takes place a few years from<br />
now in New York when traffic chokes the<br />
island of Manhattan so that transportation<br />
from 32nd to 36th street often takes four to<br />
five hours. Trucks have grown to enormous<br />
proportions and trucking owners decide to<br />
blame the traffic snarls on pushcart peddlers<br />
whose carts, they claim, block traffic. A<br />
farcical satirical war between truckers and<br />
pushcart peddlers ensues.<br />
To be in production for a year and onehalf,<br />
"The Pushcart War" is expected to be<br />
ready for release about Easter 1974. with a<br />
running time of about 80 minutes.<br />
Peter Stone, Peter Hunt Form<br />
New Production Company<br />
NEW YORK—Writer Peter Stone and<br />
director Peter Hunt, whose Broadway musical,<br />
"1776," won both the New York Drama<br />
Critics' Circle Award and the Tony Award,<br />
have formed Charade Productions whose<br />
activities will encompass motion pictures<br />
and television, as well as theatre.<br />
On the feature film agenda for Charade<br />
is "The Ornament," from an original script<br />
by Stone with Hunt directing, which deals<br />
with the irony of a yoimg man working for<br />
a large corporation who achieves success<br />
only after management mistakenly believes<br />
he is black.<br />
Another future motion picture project is<br />
the adaptation of Brock Brewer's Gothic<br />
novel, "The Late Great Creature," the story<br />
of the last bizarre days of an aged horror<br />
film star.<br />
NSS Di-vision Wins Prizes<br />
At Advertising Show<br />
NEW YORK—Three displays printed by<br />
Continental Lithograph Corp., division of<br />
National Screen Service, were awarded<br />
prizes at this year's POPAI (Point of Purchase<br />
Advertising Institute) show held<br />
October 24-26 at the Hilton Hotel in New<br />
York, it was announced by Vincent LaSala,<br />
vice-president of Continental.<br />
Three-State Expansion Is<br />
Under Way for Redstone<br />
CEDARHURST, N.Y.—Woodbay Construction<br />
Corp., and Redstone Management<br />
(Showcase Cinema) have announced the<br />
signing of a multimillion-dollar contract for<br />
theatres to be built in Connecticut, Massachusetts<br />
and Ohio. Construction is already<br />
under way at all three locations.<br />
In addition to the multimillion-dollar construction<br />
with Redstone Management,<br />
Woodbay has built theatres for Loews,<br />
RKO-Stanley Warner, Network Cinema<br />
(Jerry Lewis) and other independents.<br />
Woodbay Construction Corp. will be at<br />
Booth 119 during the NATO convention and<br />
also<br />
will host a hospitality suite.<br />
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BOXOFFICE :: November 13, 1972 47
Harvey Garland Named<br />
ABC Theatres President<br />
NEW YORK—P. Harvey Garland<br />
has been appointed president of ABC<br />
Theatre Holdings, Inc., it was announced<br />
by Elton H. Rule, president and<br />
chief operating officer of American<br />
Broadcasting Companies, Inc.<br />
In his new post, Garland will report<br />
to Rule and will be responsible for the<br />
supervision and management of all the<br />
435 theatres in which ABC has an interest.<br />
Garland was executive vicepresident<br />
of ABC Theatre Holdings.<br />
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IWAKEHEID<br />
W. E. Mitchell to Retire<br />
As ABC Interstate Head<br />
NEW YORK—William E. Mitchell, president<br />
of ABC Interstate Theatres, Inc., has<br />
elected to retire in<br />
January 1973 after 31<br />
years in the theatre<br />
business, it was announced<br />
by P. Harvey<br />
Garland, president of<br />
ABC Theatre Holdings,<br />
Inc. ABC Interstate<br />
Theatres, Inc.,<br />
operates motion picture<br />
theatres in Texas,<br />
^ ^... , .. Mississippi, Arkansas<br />
Wm. E. MitcheU ^^^ Tennessee.<br />
In making the announcement. Garland<br />
said, "Bill Mitchell's request for retirement<br />
was accepted with deep regret. His record,<br />
including the past two years as president<br />
of Interstate, is one of outstanding leadership<br />
and showmanship. All of us at ABC<br />
and Interstate wish him many years of<br />
health and happiness."<br />
Commenting upon his long career with<br />
the theatre chain, Mitchell said: "The years<br />
with Interstate have been both gratifying<br />
and rewarding, but I feel that it is now<br />
time to relax a little and devote more leisure<br />
time to my family and to personal interests."<br />
Mitchell, a church and civic leader in<br />
the local community, is a native Texan and<br />
was a newspaper executive before joining<br />
Interstate in 1941. During his theatre career,<br />
which has been spent entirely with the pioneer<br />
theatre circuit in Dallas, he has at<br />
various times been in charge of real estate,<br />
insurance, and personnel, has been division<br />
director and executive vice-president and<br />
general manager. He was named president<br />
of ABC Interstate in 1970.<br />
Andrew Stone, Mary Costa<br />
Tour for 'Great Waltz'<br />
HOLLYWOOD—Producer-Director<br />
Andrew<br />
L. Stone and star Mary Costa are making<br />
separate three-week tours of United<br />
States and Canada for major city openings<br />
of Metro-Goldwyn-Mayer's "The Great<br />
Waltz."<br />
Miss Costa's first stop was New York,<br />
then Dallas and Abilene, Texas, Boston,<br />
Philadelphia, San Francisco, Savannah, Atlanta<br />
and Chicago, returning to Los Angeles<br />
Nov. 21. Stone will visit Toronto, Montreal,<br />
Washington, D.C., Chicago, Miami, New<br />
Orleans, Houston, Dallas, St. Louis, Seattle,<br />
Vancouver and Portland, returning to Los<br />
Angeles Friday (17).<br />
Mature Pictures to Handle<br />
'High Rise' Distribution<br />
NEW YORK—Robert R. Sumner, president<br />
of Mature Pictures Corp., has obtained<br />
distribution rights to Danny Stone's production<br />
"High Rise" starring Tamie Trevor and<br />
James Kleeman, with music and lyrics by<br />
Jacques Urbont.<br />
"High Rise" is scheduled to follow the<br />
hgihly successful "Deep Throat" into the<br />
Mature World Theatre in New York and<br />
will be released in the spring of 1973.<br />
'New Centurions' Gross<br />
Tops $9 Million Mark<br />
NEW YORK—Columbia Pictures' "The<br />
New Centurions" has been breaking boxoffice<br />
records across the country, grossing<br />
over $1,000,000 a week for its first nine<br />
weeks of general release, for a total gross<br />
of $9,261,500 to date.<br />
Highlighting the Chartoff-Winkler production's<br />
sensational national gross has been<br />
its boxoffice performance in New York<br />
and Los Angeles.<br />
During its New York run, "The New<br />
Centurions" has amassed $1,402,260 which<br />
includes the film's highly successful first<br />
run and subsequent showcase engagements.<br />
In Los Angeles, the film has become Columbia's<br />
all-time LA boxoffice champion,<br />
scoring a tremendous $744,008, which includes<br />
the film's record-breaking world premiere<br />
engagement at the Hollywood Cinema,<br />
UA Cinema Westwood and the Rosecrans<br />
Drive-In and only two weeks of its<br />
current mini-multiple run.<br />
Construction Delays Debut<br />
Of 'Under Milk Wood'<br />
NEW YORK—The American premiere<br />
of the film version of Dylan Thomas' "Under<br />
Milk Wood," starring Richard Burton,<br />
Elizabeth Taylor, Peter O'Toole and Glynis<br />
Johns, was originally set to open United<br />
Artists Theatres' new 299-seat chic Eastside<br />
Cinema on Manhattan's Third avenue in the<br />
mid-'50s October 24, but construction delay<br />
moved the opening back to mid-November<br />
with a further delay making the date December<br />
24 and now assurances have been<br />
given that the latest January 28 opening<br />
(preceded by a week of benefit performances)<br />
is definite.<br />
Because of advance critical praise (with<br />
several magazine raves already in print),<br />
producer Jules Buck was looking forward<br />
to the December opening in order to qualify<br />
his picture for ten-best lists and possible<br />
New York critics' awards for 1972 released<br />
films.<br />
"SWINGING<br />
WIVES"<br />
A forthcoming film expose<br />
about sex starved women and<br />
marital moralities. An international<br />
Producers Corporation<br />
release. P. O. Box 7148,<br />
Burbank, California 91505.<br />
48<br />
BOXOFnCE :: November 13, 1972
Today more theaters than ever — 9 out<br />
of 10, according to a survey of circuits<br />
and booking services — are booking<br />
tree shorts.<br />
And for good reason, too.<br />
Puerto Rico—Island of Beouty (11 mins.)<br />
Jose Ferrer narrates and appears in this<br />
color-filled trovelog, showing Miss USA<br />
and Miss Universe (1972) the sights and<br />
delights of Puerto Rico. Not bod compony<br />
to see the Island with! ... A Very<br />
Special Stone (9 mins.) It's got holdover<br />
written oil over it! A simply beautiful film<br />
obout diomonds from their volcanic origins<br />
to finished gems. Exquisite. ... For the<br />
Love of on Eogle (14 mins.) Whot an<br />
outdoor adventure this one is! A young<br />
woman befriends a rore South African<br />
eagle and proves that ecology is reolly<br />
a man-to-wildlife relationship . . .<br />
The Possible Dream (14 mins.) We're holding<br />
it over for a second yeor! Ask the<br />
guy who played it and you'll see why. A<br />
lush and lovely travel film . . .<br />
Bontu<br />
Toddlen (13 mins.) South African kids<br />
at ploy, which shows that kids are the<br />
same the world over. Play it for adults<br />
and at your kiddie matinees too . . .<br />
No Simple Thing (14 mins.) A soaring<br />
tribute to the men and women who developed<br />
the L-lOn Tri-Star jet. A real<br />
aviation epic with a "2001" type score...<br />
The Menu Plonner (10 mins.) You'd better<br />
lay in plenty of refreshery food 'cause<br />
this one will really whet audience appetites.<br />
A special poster goes with this one<br />
to dress up your lobby and offer patrons<br />
free recipe booklets by James Beard . . .<br />
Wacky World of Wilfred Wickenbush (13<br />
mens.) A merry melonge of old-time<br />
movie clips humorously illustrote a day<br />
in the life of a Walter Mitty type . . .<br />
Theater Cavalcades No. 7 ond 8 Latest<br />
issues of our popular news featurette<br />
series. Exhibitors love 'em and so do audierKes<br />
. . and coming soon: Ifs a Pleos-<br />
.<br />
ure to be Here (13 mins.) Jose Ferrer in<br />
a leisurely Island tour that shows the<br />
fun and sun of Puerto Rico . .<br />
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For Regional Availabilities write<br />
^^^k ASSOCIATION -STERLING FILMS<br />
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Mickey<br />
••%**i#>.<br />
Mouse Celebrates<br />
44th Birthday Nov. 18<br />
BURBANK, CALIF. — Walt<br />
Disney's<br />
famous character, Mickey Mouse, whose<br />
name has become a household word<br />
throughout the world, will celebrate his 44th<br />
birthday Saturday (18). It was Nov. 18,<br />
1928 that the first Mickey Mouse cartoon,<br />
"Steamboat Willie" made its debut at the<br />
Colony Theatre in New York.<br />
Walt Disney had made two cartoons<br />
prior to "Steamboat Willie," but he had<br />
been unable to sell them as they were silent<br />
films. Al Jolson's "The Jazz Singer" had<br />
been released the previous year, and the<br />
theatre-going public was clamoring for more<br />
sound films. So Walt Disney decided to<br />
make "Steamboat Willie" with sound. As<br />
there was no company in Hollywood who<br />
could record the sound for his picture,<br />
Walt had to take it back to New York<br />
late in the summer of 1928. He hired an<br />
orchestra, made a deal with a sound recording<br />
outfit, and even supplied Mickey's<br />
voice (or squeaks) himself.<br />
Writing a letter back to his brother, Roy,<br />
in California on Sept. 14, 1928, Walt said:<br />
"The sound situation is still a big mystery-<br />
No one is positive how it is all going to<br />
turn out. But I have come to this definite<br />
conclusion: Sound effects and talking pictures<br />
are more than a mere novelty. They<br />
are here to stay and in time will develop<br />
into a wonderful thing. The ones that get<br />
in on the ground floor are the ones that<br />
will more likely profit by its future development.<br />
That is providing they work for<br />
quality and not quantity and quick money."<br />
This letter shows Walt's foresight at a time<br />
when sound was indeed a novelty. He saw<br />
its possibilities, and was able to get in on<br />
the ground floor.<br />
"Steamboat Willie" was a tremendous<br />
success that Sunday in November when it<br />
opened. Variety said it represented "a high<br />
order of cartoon ingenuity cleverly combined<br />
with sound effects." It went on to<br />
say that "giggles came so fast at the Colony<br />
they were stumbling over each other."<br />
Mickey Mouse had made his momentous<br />
debut. Four years later, Walt Disney was<br />
honored with a special Academy Award for<br />
Mickey's creation. Mickey went on to star<br />
in 117 short cartoons, as well as the features<br />
"Fantasia" and "Fun and Fancy<br />
Free." In 1955 with the start of the Mickey<br />
Mouse Club he rose to even greater fame,<br />
and now he appears as official greeter at<br />
Disneyland and Walt Disney World.<br />
The little<br />
guy has come a long way since<br />
1928. Happy Birthday, Mickey!<br />
'Ben' Invited to Royal<br />
Command Performance<br />
LONDON—Michael Jackson's been to<br />
London to visit the Queen, and he brought<br />
"Ben" with him.<br />
When the Jackson Five were summoned<br />
to appear at the Royal Command Performance<br />
last week at the Palladium, it was requested<br />
that Michael Jackson perform his<br />
current Motown Records hit "Ben," the<br />
theme song from Cinerama Releasing's<br />
terror hit of the same name.<br />
Glenda Jackson Honored<br />
By French Fihn Academy<br />
PARIS. FRANCE—Glenda Jackson was<br />
honored here by the French Film Academy<br />
with the Etoile de Cristal for "her allaround<br />
excellence as a motion picture actress,"<br />
Georges Auric, president of the<br />
Academy, made the award before a notable<br />
group from the French and Italian film<br />
worlds.<br />
The British actress, who has just completed<br />
a starring role in Hal Wallis' production<br />
of "A Bequest to the Nation" for<br />
Universal, also accepted an award for Peter<br />
Finch, her co-star in the historical drama.<br />
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WAKEFIELD<br />
BOXOFnCE :: November 13, 1972 49
'Movie Review Scholarship<br />
Plan<br />
Seen As Industry Image Improver<br />
MIAMI—A "Movie Review Scholarship<br />
Plan," being adopted by National NATO<br />
for use across the nation in an attempt to<br />
upgrade the image of the motion picture<br />
industry, was first put into operation by<br />
Wometco Theatres here last month, according<br />
to Jack Mitchell, director of advertising<br />
and promotion for the circuit.<br />
As outlined recently in Wometco's house<br />
organ, "On Target," the plan is being cosponsored<br />
by the Miami Herald and Wometco,<br />
with the hop)e of getting some of the film<br />
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companies and other local circuits involved.<br />
The plan has been approved by the Dade<br />
County Board of Education and will run<br />
from October through April, with special<br />
screenings each month for a selected group<br />
of students from each area high school.<br />
The students will be chosen by English<br />
and social studies department heads under<br />
the guidance of Margaret Dinn, English<br />
literature, and Jim Fleming, social studies,<br />
of the Board of Education.<br />
There will be a screening once a month at<br />
one of Wometco's theatres, with approximately<br />
50 students from each high school in<br />
attendance. There are 24 high schools in<br />
Dade County. After the screening the students<br />
will do their own reviews of the film<br />
they saw.<br />
Each school will have a counsellor in<br />
charge of the screenings, who will select up<br />
to a maximum of five student reviews from<br />
each screening for consideration at the end<br />
of the school year for final judging.<br />
With seven screenings October through<br />
April,<br />
the month of May will be devoted to<br />
final judging, at which time from three to<br />
five students will be selected by the judges<br />
as the recipients of scholarships. The scholarship<br />
money will not be turned over to<br />
the students until they graduate, when a<br />
check will be made out to the educational<br />
institution of the student's choice, ensuring<br />
continuation of his education.<br />
Members of the scholarship committee<br />
are Miss Dinn, Fleming, Mitchell and John<br />
Huddy of the Miami Herald.<br />
Mitchell says of the plan: "The 'Movie<br />
Review Scholarship Plan' is an exciting new<br />
approach in many areas. We fully believe<br />
that it will aid the image of our industry<br />
showing the people that we do make fine<br />
films and are not just 'porno peddlers'<br />
the reputation we bear today. It should encourage<br />
young people and aid them in<br />
developing their minds and stimulating them<br />
into furthering their education . . . possibly<br />
into the field of journalism . . . and, or,<br />
who knows, it might also create an interest<br />
for future manpower in our industry. There's<br />
no doubt that after the students see each<br />
film they'll create a lot of word-of-mouth<br />
on the selling of the film. As you can see, it<br />
opens up a whole new concept of high-level<br />
promotion or advertising."<br />
Movielab Ncones Hinkle<br />
Hollywood Plant Head<br />
NEW YORK—Harold Hinkle has been<br />
named vice-president in charge of plant<br />
operations for Movielab/ Hollywood Inc., it<br />
was announced by president Arnold P.<br />
Diamond. In 1969, Hinkle joined Movielab,<br />
Inc. as production manager. He was subsequently<br />
promoted to vice-president in charge<br />
of production for the parent company.<br />
An industry veteran with a quarter century<br />
of varied laboratory experience, Hinkle<br />
is<br />
a member of the Society of Motion Picture<br />
and Television Engineers.<br />
Harvey Chertok Offering<br />
Children's Cinema Course<br />
WEST NYACK, N.Y.—"Let's Go to the<br />
Movies," a new ten-week course for children<br />
eight to 12 involving a study of cinema<br />
concepts and the art of the short film,<br />
now is under way Saturdays at 11:30 a.m.<br />
at the Rockland Center for the Arts in<br />
West Nyack. Being given by filmmaker and<br />
TV marketing executive Harvey Chertok,<br />
the course has been designed to offer<br />
youngsters an introduction to cinema concepts<br />
through a presentation and analysis<br />
of the short film.<br />
"Since more and more colleges and universities<br />
presently are offering such courses,<br />
many for the first time, why shouldn't<br />
younger children have a similar opportunity?"<br />
asks Chertok. "Especially so, since<br />
children, through TV and audio-visual<br />
materials in school, are exposed to more<br />
film than ever before, respond vigorously<br />
to it and deserve an opportunity to explore<br />
and understand this vital medium of communication<br />
so that they can become better<br />
equipped to evaluate its purpose and appeal,"<br />
he adds.<br />
Included in the course are such film<br />
study programs as "Close-Up on Cartoons,"<br />
"Comedy Learns to Talk." "Experiments in<br />
Film," "Strange and Exciting Adventures"<br />
and "Some of the Really Great Ones."<br />
"One of the specialties of the course<br />
will be the presentation of a selection of<br />
outstanding films produced in various countries<br />
throughout the world, many of which<br />
will enjoy their 'U.S. premieres' in our<br />
classroom," noted Chertok, who has served<br />
in various executive positions with such<br />
film companies as National Telefilm Associates<br />
and Warner Bros.-7 Arts and currently<br />
is a marketing consultant to United Artists<br />
Television.<br />
Nat'l Council of Churches<br />
Gives Boost to 'Sounder'<br />
NEW YORK—"Sounder," Radnitz/ Mattel<br />
production for 20th Century-Fox release,<br />
has been singled out for special attention in<br />
Film Feedback, a special publication put out<br />
by the broadcast and film committee of the<br />
National Council of Churches.<br />
This represents the first time that a film<br />
has been so treated in a publication under<br />
the official banner of the National Council.<br />
This copy of Film Feedback, a special<br />
supplement of the National Council's<br />
monthly newsletter. Film Information, is devoted<br />
entirely to a study and appreciation of<br />
"Sounder" and is being distributed to approximately<br />
70,000 clergymen, religious<br />
educators and editors and other key people<br />
and opinion makers in the 34 denominations<br />
that make up the National Council.<br />
'Carte Blanche' Retitled<br />
HOLLYWOOD—"The Sugarland Express"<br />
is the new title for the Zanuck-<br />
Brown Co. production for Universal originally<br />
announced as "Carte Blanche." Steven<br />
Spielberg will direct the original screenplay<br />
by Hal Barwood and Matthew Robbins,<br />
with filming to begin in January.<br />
BOXOFTICE :: November 13, 1972
MOTION PICTURES RATED<br />
BY THE CODE & RATING<br />
ADMINISTRATION<br />
The following feature-length motion pictures<br />
have been reviewed and rated by the<br />
Code and Rating Administration pursuant<br />
to the Motion Picture Code and Rating Program.<br />
TIH* Distributor Rating<br />
Avanti (UA)<br />
Black Girl<br />
(Cinerama)<br />
Countdown (Allied Artists)<br />
Doc (*)<br />
(UA)<br />
Encounter With the Unknown<br />
(Centronics)<br />
The Four Dimensions of Greta<br />
(General Film)<br />
November Children (**)<br />
(Cinema Nat'l)<br />
Piranha! Piranha! (Seventh Seal)<br />
Santa and the Ice Cream Bunny (R&S)<br />
Santa and the Magic Fountain<br />
(Finest Film)<br />
3 on a Meathook (Studio I)<br />
They Only Kill Their Masters (MGM)<br />
Two People<br />
(Universal)<br />
Up the Sandbox (NGP)<br />
(*) Supersedes R rating listed in Bulletin No.<br />
(**) Supersedes R roting listed in Bulletin No.<br />
PG<br />
PG<br />
PG<br />
PG<br />
PG<br />
PG<br />
m<br />
PG<br />
IS<br />
m<br />
145.<br />
177.<br />
CINE Golden Eagle Given<br />
To 'Ringer' Film Short<br />
WASHINGTON—A CINE Golden Eagie<br />
Certificate was presented Thursday (9) to<br />
"The Ringer," Hearst-Metrotone film short<br />
about the merchandising of narcotics to<br />
youngsters. The certificate from CINE<br />
(Council on International Non-theatrical<br />
Events) is evidence of the film's suitability<br />
for international festival use. The award was<br />
accepted at a CINE awards presentation here<br />
by Charles Shutt, Hearst-Metrotone's Washington<br />
bureau manager. It is the fUm's second<br />
major award following receipt of a<br />
Gold Leaf at the Atlanta Film Festival last<br />
summer.<br />
"The Ringer" was written and directed<br />
by 24-year-old Jeff Lieberman and scored<br />
by 28-year-old Elliot Chiprut. Jerry Berger,<br />
production chief of King Features and<br />
Hearst-Metrotone, was the film's executive<br />
producer.<br />
Ossie Davis Receives<br />
School League Medal<br />
NEW YORK—Actor-writer-director Ossie<br />
Davis was selected by the School Art<br />
League to receive the School Art League<br />
Youth Friends Medal. The medal, awarded<br />
in recognition of Davis' service over the<br />
\ears to young people, was presented Thursday<br />
(2) at a reception in his honor. Actress<br />
Joan Fontaine made the presentation.<br />
Mitchell Leisen, Veteran<br />
Film Director, Dies at 74<br />
HOLLYWOOD— Mitchell Leisen, 74, director<br />
and onetime art director for Cecil<br />
B. De Mille during the 1920s, died of<br />
coronary complications at Motion Picture<br />
Country Hospital October 28. He had been<br />
retired in recent years due to ill health.<br />
Leisen, known as an artistic director<br />
because of his past experience as a production<br />
designer, learned much of his trade<br />
from De Mille. He joined De Mille in 1919<br />
and was associated with him for 12 years<br />
at the old Famous Players-Lasky studio.<br />
His first direction was on "Cradle Song,"<br />
with Dorothea Weick.<br />
Thereafter, he directed such films as<br />
"Big Broadcast of 1937," "Remember the<br />
Night," "Hold Back the Dawn," "To Each<br />
His Own," "Kitty," "The Mating Season"<br />
and "Las Vegas by Night."<br />
His TV credits included "Shirley Temple<br />
Story Book," "Adventures in Paradise,"<br />
"Pete and Gladys" and 'The Girl from<br />
U.N.C.L.E." series.<br />
Services were held Friday (3) at All<br />
Saints Episcopal Church, Beverly Hills.<br />
Reginald Owen Dies at 85;<br />
Veteran Character Actor<br />
BOISE, IDA.—Veteran British character<br />
actor Reginald Owen, 85, died Sunday night<br />
(5) of a heart attack.<br />
Owen's acting career spanned almost 70<br />
years. He made his stage debut in Shakespeare's<br />
"The Tempest" in 1905, and later<br />
appeared in such popular productions as<br />
"The Prisoner of Zenda" and "The Thief."<br />
Owen made his American stage debut in<br />
Chicago in 1924 and his movie debut in<br />
1929.<br />
His movies, in a wide variety of character<br />
roles, included "Of Human Bondage,"<br />
"Green Dolphin Street," "Kim," "The<br />
Miniver Story," "Red Garters," "Grounds<br />
for Marriage" and "Affairs of State."<br />
Owen was bom at Wheathampstead,<br />
England, the son of a brick manufacturer.<br />
He was a graduate of the London Academy<br />
of Dramatic Art and served as a lieutenant<br />
of the Royal Garrison Artillery in France<br />
in World War I. Married three times, his<br />
wife Barbara and two step-children survive.<br />
Veteran Sales Executive<br />
Ralph Kinsler, 69. Dies<br />
NEW YORK—Ralph Kinsler, 69, a veteran<br />
of over 40 years in motion picture sales<br />
and Los Angeles branch manager for Cinemation<br />
Industries, died October 30 in an<br />
automobile accident near his Glendale,<br />
Calif., home. Services were held Friday (3)<br />
at Forest Lawn Cemetery in Hollywood<br />
Hills. He leaves his wife, three sisters and<br />
two brothers.<br />
Kinsler began his film career in Cincinnati,<br />
where he held various sales positions<br />
with 20th-Fox, RKO and Warner Bros. For<br />
RKO and Warners, he was a branch manager<br />
at various times. On moving to the<br />
West Coast around 1955, he worked in sales<br />
for Walter Reade, Rizzoli. Al Kolitz Films<br />
and finally Cinemation.<br />
Herb Jaffe to Produce<br />
For United Artists<br />
NEW YORK—Herb Jaffe will become an<br />
independent producer exclusively for United<br />
Artists, it was announced by David V. Picker,<br />
UA president. Jaffe's first two projects<br />
will be "High Rise," a multi-million-dollar<br />
drama about the construction business, and<br />
"Savage Is Loose," the story of the survival<br />
of a family on a remote island.<br />
Jaffe previously was vice-president of<br />
UA's worldwide production. He will phase<br />
out his current company responsibilities<br />
over the next few months in order to complete<br />
the transition as smoothly as possible.<br />
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BOXOFnCE :: November 13, 1972 51
'ii^oU^UMMd defiant<br />
Zanuck, Brown Buy Rights<br />
To "The Eager Sanction'<br />
Richard B. Zanuck and David Brown<br />
have announced that they, in association<br />
with Universal Pictures, now possess the<br />
film<br />
rights to "The Eiger Sanction," a novel<br />
by Trevanian. The novel, already in its<br />
fourth printing, has been the subject of two<br />
New York Times book reviews, both of<br />
which praised the book as an outstanding<br />
suspense thriller. It is published by Crown<br />
in the U.S., Heineman in Britain and by<br />
companies in a score of foreign countries<br />
The screen rights to the comedy novel,<br />
. . .<br />
'The Tin Lizzie Troop," by Glendon<br />
Swarthout, have been purchased by First<br />
Artists, Ltd., as a film property to be produced<br />
by Coleytown Productions. Paul Newman<br />
will star. Patrick Kelley, president of<br />
First Artists, said the screenwriter and director<br />
will be announced shortly. John Foreman<br />
will produce the film, which has a<br />
1973 dateline and will be released by National<br />
General. The action of the story takes<br />
place on the Mexican border during the<br />
days of General Pershing's expedition in<br />
pursuit of Francisco Villa in 1916.<br />
Paul Newman, Robert<br />
Star in 'Sting' for Universal<br />
Redford<br />
Paul Newman and Robert Redford have<br />
been set to star in "The Sting" with George<br />
Roy Hill to direct the Richard D. Zanuck-<br />
David Brown presentation for Universal.<br />
The film represents a reteaming of the acting,<br />
directing and production talents responsible<br />
for the immensely popular Academy<br />
Award-winning "Butch Cassidy and the<br />
Sundance Kid." It will be a Bill/ Phillips<br />
production by Tony Bill and Michael and<br />
Julia Phillips from an original screenplay by<br />
David S. Ward . . . Gayle Hunnicutt was<br />
signed by James H. Nicholson, president of<br />
Academy Pictures Corp., for one of the leading<br />
roles in their initial production, "The<br />
Legend of Hell House," now filming in London<br />
for 20th-Fox release. Other major parts<br />
are being played by Pamela Franklin, Roddy<br />
McDowall and Clive Revill. Lensing will be<br />
entirely in England with John Hough directing,<br />
from a screenplay by Richard Matheson<br />
based on his novel, "Hell House."<br />
AIP Signs William Marshall<br />
To Special 3-Year Pact<br />
William Marshall, star of American International<br />
Pictures' horror hit "Blacula," was<br />
signed to a special three-picture contract<br />
with the film company, it was announced by<br />
Samuel Z. Arkoff, AIP president and chairman<br />
of the board . . . Sheila Frazier will be<br />
starred by producer Sig Shore in<br />
the sequel<br />
of "Super Fly." The yet untitled film will aso<br />
star Ron O'Neal, who will be directing the<br />
film as well . . . The role in "Ssssssss," re-<br />
52<br />
..By SYD CASSYD<br />
quiring the most complex motion picture<br />
makeup in recent years, has gone to Dirk<br />
Benedict, who was signed by producer Dan<br />
Striepeke for the Zanuck-Brown suspense<br />
thriller to be directed by Bernie Kowalski.<br />
. . David<br />
Five stages of makeup will be required to<br />
transform the young actor, who will star<br />
with Strother Martin, into a king cobra.<br />
Screenplayed by Hal Dresner, the film goes<br />
before the cameras this month .<br />
Clennan will play the role of Toombs in the<br />
Thompson-Paul production for 20th Century-Fox's<br />
"The Paper Chase," as announced<br />
by Elmo Williams, vice-president in charge<br />
of worldwide production. Other cast members<br />
include Timothy Bottoms, Lindsay<br />
Wagner, Graham Beckel and James Naughton.<br />
James Bridges is directing from his own<br />
screenplay adaptation of the John Jay Osborn<br />
jr. novel. Filming is on location in<br />
Toronto, Canada . . . Donnelly Rhodes has<br />
been signed by producer Sandy Howard for<br />
the co-starring role of an aquanaut leader in<br />
the Quadrant, Ltd.—Bellevue Pathe, Ltd.<br />
production for 20th-Fox release, "The Neptune<br />
Factor — an Undersea Odyssey,"<br />
Rhodes, a Canadian and member of the first<br />
class to graduate from the National Theatre<br />
School in Montreal, joins previously announced<br />
stars Ben Gazzara, Ernest Borgnine,<br />
Yvette Mimieux and Walter Pidgeon<br />
at the film's Toronto, Canada location site.<br />
The film marks a homecoming of sorts for<br />
Winnipeg, Manitoba-born Rhodes. "Neptune"<br />
is directed by Daniel Petrie for executive<br />
producers David Perlmutter and Harold<br />
Greenberg. Filming began September 22 . . .<br />
Sue Bernard joins Ann Sothern in the cast<br />
of a psychological suspense drama, "Are<br />
You a Good Boy?" The young actress will<br />
portray a teenage rape victim. George Edwards<br />
is the producer. Curtis Harrington is<br />
directing the Media Trend production.<br />
Neville Brand Gets a Role<br />
In 'Wednesday Morning'<br />
Neville Brand, who played Al Capone in<br />
the TV series "The Untouchables" and was<br />
nominated for an Oscar for his role in<br />
"Birdman of Alcatraz," has been signed by<br />
producer Michael A. Wayne to play a good<br />
guy in "Wednesday Morning," a Batjac production<br />
for Warner Bros. Starring John<br />
Wayne and George Kennedy, the suspense<br />
western was scheduled to roll this week in<br />
Durango, Mexico with Andrew V. McLaglen<br />
directing ... Art Lund, former vocalist<br />
with the Benny Goodman band, veteran<br />
character actor Ned Beatty, and Dublin-bom<br />
actress Geraldine Fitzgerald, have been<br />
signed by producers John Cutts and William<br />
Roberts for co-starring roles in the Rojo<br />
production for 20th-Fox, "The Last American<br />
Hero," to be shot entirely on location in<br />
Charlotte, N.C., and Martinsville, Va., under<br />
the direction of Lament Johnson.<br />
Screenplay is by writer-producer Roberts<br />
and William Kirby . . . Viveca Lindfors,<br />
Murray Hamilton, Marcia Mae Jones and<br />
Don Keefer have been signed for roles in<br />
The Way We Were," a Ray Stark/ Sydney<br />
Pollack production for Columbia Pictures.<br />
Barbra Streisand and Robert Redford star in<br />
the 20-year love story about two people with<br />
totally different life styles. Stark produces<br />
while Pollack directs from a screenplay<br />
based on the best-selling novel by Arthur<br />
Laurents . . . James Harrell will play the<br />
minister in the opening sequences of the<br />
Directors Co. presentation of "Paper<br />
Moon," starring Ryan O'Neal and his nineyear-old<br />
daughter Tatum, now filming on<br />
location in Kansas. Peter Bogdanovich is<br />
directing and producing the Paramount Pictures<br />
release from a screenplay by Alvin<br />
Sargent based on Joe David Brown's novel,<br />
"Addie Pray." Frank Marshall is associate<br />
producer. Laszlo Kovacs directs cinematography<br />
and Polly Piatt heads production design<br />
. . . Bill Foster arrived in Enid, Okla.,<br />
to play a farmer killed in a shoot-out in<br />
American International's "Dillinger," starring<br />
Warren Oates. Dillinger's costumer<br />
James George reports that the company got<br />
a "steal" purchasing the male stars' apparel<br />
from Poore Bill's Used Clothing Store for a<br />
flat sum of $50. If rented from a Hollywood<br />
supply house, American International would<br />
have spent $2,500.<br />
Eric Morris. Robert O'Neil<br />
Form Nemo Productions<br />
Eric Morris and Robert O'Neil have<br />
joined forces to form Nemo Productions<br />
and have just completed their first joint<br />
venture "Love Among Strangers." They<br />
plan a varied schedule with Morris and<br />
O'Neil alternating the producing/ directing<br />
chores. Their slate for 1973 includes "Point<br />
of No Return" and "In Strawberry Rain."<br />
Morris currently is preparing Nemo's suspenser<br />
"Nightmare House." O'Neil is completing<br />
final post-production stages of "The<br />
Chinese Puzzle," starring Nancy Kwan . . .<br />
Byron-Stillwell Productions, Inc., having set<br />
up corporate headquarters at the Goldwyn<br />
Studios, is preparing a feature film, "Winter<br />
Grass." This is an original screenplay based<br />
on a true incident by James Hamilton and<br />
George Gutekunst, who will co-produce.<br />
Producer is John H. Bocardo and Budd<br />
Boetticher will direct with shooting date set<br />
for the middle of January . . .<br />
"Dracula Is<br />
Dead . . . and Well and Living in London."<br />
Hammer Films' eighth in Dracula series will<br />
be filmed for Warner Bros., according to<br />
an announcement by Robert H. Solo, vicepresident<br />
of foreign production for Warner<br />
Bros. Christopher Lee will star as Dracula<br />
and Peter Cushing will portray Van Helsing.<br />
The picture will be produced by Roy Skegga<br />
and directed by Alan Gibson. "Dracula Is<br />
Dead<br />
." will be filmed in and around<br />
. .<br />
London, locations beginning in mid-November.<br />
It is the third Dracula film Hammer<br />
has done in association with Warner Bros, j<br />
. . . Clifton James, Tommy Lane and David<br />
!<br />
Hedison have been added to the cast of<br />
"Live and Let Die." UA's latest James Bond<br />
thriller. James, who has roles in more than<br />
30 Broadway productions to his credit, will<br />
play tobacco-chewing Southern Sheriff J.N^'<br />
Pepper. Roger Moore stars as Bond.<br />
BOXOFnCE :: November 13, 1972<br />
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MICHAEL FOREST- BEN ARCHIBEK<br />
• •<br />
MICHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American • InternatiORal Release<br />
Wniten by Produced by Directed by<br />
WILLIAM MERCER and MICHAEL C. HEALY<br />
•<br />
JOSEPH E. BISHOP and ART JACOBS • JERRY JAMESON<br />
CONTACT YOUR American International exchan<br />
1972 American International Pictures. Inc.<br />
lEW YORK<br />
PHILADELPHIA<br />
>onold Schwartz, Branch Mgr. Joseph Quinlivon<br />
6S W. 4«»h St. 1612 Market Street<br />
lew York, New York 10036 Philadelphia, Po. 19103<br />
•I*.: (ZI2) 4«9-
Plavhcuse—A<br />
The Valachi Papers' Composite 580<br />
First Week at Three NY Theatres<br />
NEW YORK — "The Valachi<br />
Papers"<br />
put together these muscular gross percentages<br />
in its debut week here: Cine, 585;<br />
State II, 580, and 34th Street East, 575,<br />
and the resulting composite 580 set the<br />
Columbia release firmly in the metropolitan<br />
area's No. 1 slot for the report week. Retaining<br />
No. 2 from the preceding report,<br />
"The Discreet Charm of the Bourgeoisie,"<br />
which improved its percentage from a firstweek<br />
410 at the Little Carnegie to a second-week<br />
510. No. 3 position this time<br />
went to "Young Winston," the leader of<br />
the preceding report, which had a fourthweek<br />
425 at Columbia II.<br />
"Trouble Man" stirred up a strong 380<br />
(350 at the DeMille and 410 at Juliet II)<br />
in its first week here and captured spot<br />
No. 4 on the barometer. "Play It as It<br />
Lays," also new, ranked fifth with 370 at<br />
the Beekman and "A Separate Peace," No.<br />
6 in the preceding report, retained that<br />
The Top Theatres are using<br />
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(Average Is 100)<br />
Baronet—Bad Compony (Para), 4th wk 65<br />
Beekman— Ploys It As It Loys (Univ) 370<br />
Cine—The Valochi Popers (Col) 585<br />
Cinema I—The Ruling Class (Emb), 8th wk. ..150<br />
Cinema II—A Seporote Peace (Para), 6th wk. . .295<br />
Cinerama— Forewell, Uncle Tom (Cannon),<br />
2nd wk '70<br />
Columbia I—The King of Marvin Gardens<br />
(Col), 4th wk 130<br />
Columbia II—Young Winston (Col), 4th wk. ..425<br />
Coronet—The Assossinotion of Trotsky<br />
(CRC), 3rd wk 75<br />
Criterion— Escope to the Sun (Cinevision) 70<br />
DeMille—Trouble Man (20th-Fox) 350<br />
Festival—Heat (Levitt-Pickman), 5th wk 50<br />
55th Street Playhouse— Bijou (Poolemar),<br />
3rd wk 280<br />
•<br />
59th Street Twin II—Farewell, Uncle Tom<br />
(Cannon), 2nd wk -75<br />
Fine Artr—Two English Girls (Janus), 3rd wk. ..150<br />
Forum—You'll Like My Mother (Univ), 3rd wk. ..75<br />
Juliet II—Trouble Mon (20th-Fox) 410<br />
Little Carnegie—The Discreet Chorm of the<br />
Bourgeoisie (20th-Fox), 2nd wk 510<br />
New Embassy—Sounder (20th-Fox), 6th wk. ..200<br />
Orpheum—Lady Sings the Blues (Para), 3rd wk. .<br />
.240<br />
Paris—Why (Hallmark) -85<br />
Ploza—Sounder (20th-Fox), 6th wk<br />
.195<br />
Radio City Music Hall—When the Legends Die<br />
(20th-Fox), 3rd wk<br />
.55<br />
Rialto II—All About Sex of All Nations<br />
(Mishkin), 38th wk 275<br />
Rivoli—Fiddler on the Roof (UA), 52nd wk. . .60<br />
RKO 86th Street Twin II— Farewell, Uncle Tom<br />
(Cannon), 2nd wk '50<br />
68th Street Ployhoute—Chloe in the Afternoon<br />
(Col), 6th wk 275<br />
State I—Lady Sings the Blues (Para), 3rd wk. ..295<br />
State II—The Valochi Papers (Col) 580<br />
Sutton—The Emigrants (WB), 6th wk. ........ 155<br />
34th Street East—The Valachi Papers (Col) ..575<br />
Tower East— Deliveronce (WB), 14th wk 275<br />
Trans-Lux East—The Red Mantle (Cinevision),<br />
3rd wk ' ^<br />
Trons-Lux 85th Street— Escope to the Sun<br />
(Cinevision)<br />
100<br />
Ziegfeld— Fellini's Roma (UA), 3rd wk. 190<br />
.<br />
'A Separate Peace' Four<br />
Times Average in Baltimore<br />
BALTIMORE—"A Separate Peace" inspired<br />
warm response among Baltimore<br />
theatregoers, grossing a strong 400—four<br />
times normal business at the Cinema I and<br />
Playhouse theatres—in the film's first week<br />
here. "Hammersmith Is Out," in a second<br />
frame at the Glen Burnie Mall and Liberty<br />
11 theatres, played to a composite 100.<br />
C'nema Seporote Peace (Para) .400<br />
1<br />
Glen Burnie Moll, Liberty II—Hommersmith Is<br />
Out (CRC), 2nd wk . . • . .<br />
'00<br />
Liberty I, Senatcr—Where Does It Hurt? (ORC),<br />
5th wk 75<br />
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'Lady/ 'Mondo' and "Elvis'<br />
Gross 140 in Buffalo Bows<br />
BUFFALO—Several newcomers managed<br />
to come up with fairly good grosses,<br />
Buffalo percentages ranging from a low of<br />
100 (average business) up to 140. In fact,<br />
three films grossed 140—and all three were<br />
^^^<br />
playing first Buffalo weeks: "Lady Sings the<br />
Blues," Holiday 2; "Mondo Exotica," Teck,<br />
and "Elvis on Tour," Holiday L<br />
Backstage—The Virgin Witch (SR); Make Me a<br />
Woman (SR) '30<br />
Buffalo, Wehrle— Lost House on the Lett (SR) ..130<br />
Center—The Limit (SR) 1 30<br />
Cinema, Amherst—Where Docs It Hurt? (CRC),<br />
3rd wk '00<br />
Colvin—You'll Like My Mother (Univ) 125<br />
Evans—Savage Messiah (MGM) 1 25<br />
Holiday 1 — Elvis on Tour (MGM) 1 40<br />
Holidoy 2—Lody Sings the Blues (Para) 140<br />
Holiday 4—Adrift (SR) 100<br />
Penthouse—Sensuous City (SR); Whot Next? (SR) 100<br />
Teck—Mondo Exotica (SR) 1 40<br />
Jack L. Warner Given<br />
Project HOPE Award<br />
NEW YORK—Producer Jack L. Warner,<br />
recipient of countless awards and recognitions<br />
throughout his<br />
long and celebrated<br />
career, received perhaps<br />
his most unusual<br />
honor Wednesday (8)<br />
from Project HOPE,<br />
sponsors of the gala<br />
world premiere of<br />
•'1776," the Jack L.<br />
Warner production for<br />
Columbia Pictures. A<br />
rare and valuable<br />
Jack Warner<br />
porcelain sculpture of<br />
a young American bald eaglet, the award<br />
was presented to Warner at a special prepremiere<br />
luncheon at the Hemisphere Club<br />
in New York.<br />
Premiere chairman Mrs. Franklin D.<br />
Roosevelt jr. made the presentation of the<br />
sculpture, which was created by the late<br />
Edward Marshall Boehm.<br />
The organization honored Warner for<br />
his "patriotic depiction of the birth of the<br />
U.S." The eagle long has been a symbol<br />
of the American ideals of personal freedom<br />
and the first eaglet was presented to<br />
President Richard M. Nixon in 1968 as<br />
an "expression of hope and confidence in<br />
the vitality and strength of American<br />
youth."<br />
Shepard Bloom, 52. Dies;<br />
20th-Fox Branch Manager<br />
WASHINGTON, D.C.—Shepard Bloom,<br />
20th Century-Fox's branch manager in<br />
Washington, D.C., died Tuesday, October<br />
31. He was 52.<br />
He is survived by his wife Muriel and a<br />
son Mark.<br />
Ecology Plans at Kodak<br />
ROCHESTER. N.Y. — Eastman Kodak,<br />
Rochester, will begin cleaning up the air<br />
around Kodak Park and will upgrade or<br />
replace its liquid chemical waste incinerator,<br />
the company has promised the state.<br />
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BROADWAY<br />
JACK L. WARNER arrived in town for<br />
a series of publicity activities on behalf<br />
of his production of "1776" for Columbia<br />
Pictures, which had its world premiere<br />
Thursday (9) at the Radio City<br />
Music Hall as the Thanksgiving-Christmas<br />
attraction. On the stage is the traditional<br />
"Nativity Pageant," together with "Greetings!",<br />
a holiday spectacular.<br />
Based on the award-winning musical<br />
play, "1776" features most of the original<br />
cast and was made by many of the same<br />
creative talents who worked on the play.<br />
The advance sales on tickets for the stage<br />
and screen show have set an all-time high<br />
of over $1,065,000, it was announced by<br />
Music Hall president and managing director<br />
James F. Gould. The previous house record<br />
for advance sales on a Christmas show was<br />
the $320,000 set by "Scrooge" in 1970.<br />
•<br />
"Black Gill," produced by Lee Savin<br />
and directed by Ossie Davis for Cinerama<br />
release, had its world premiere Wednesday<br />
(8) at the Penthouse Theatre for the benefit<br />
of the Sickle Cell Disease Foundation<br />
of Greater New York. Richard Campbell,<br />
executive director of the foundation, served<br />
as chairman of the gala benefit premiere.<br />
J. E. Franklin did the screenplay for<br />
North American Films, Inc, Presents<br />
"Black Girl," based on her highly successful<br />
off-Broadway play of that name. The<br />
cast is headed by Leslie Uggams, Brock<br />
Peters, Claudia McNeil, Louise Stubbs,<br />
Gloria Edwards, Loretta Greene and Peggy<br />
Pettitt in the title role. Davis' wife Ruby<br />
Dee has a guest appearance in a nonspeaking<br />
role.<br />
The firm of Andrew W. Cooper, Inc.,<br />
has been named by Cinerama to take care<br />
of special public relations and publicity<br />
programs on behalf of the film. Cooper, a<br />
communications consultant and specialist in<br />
urban affairs, recently handled the campaign<br />
for the NAACP's Project Rebound<br />
benefit premiere of Paramount's "Lady<br />
Sings the Blues," starring Diana Ross as<br />
Billie<br />
Holiday.<br />
•<br />
Speaking of earnings, the gross for<br />
"Super Fly" at Loews' State II and Loews'<br />
Cine was a huge one! The Sig Shore production<br />
for Warner Bros., starring Ron<br />
O'Neal, ended its world premiere run at<br />
the two houses Thursday (2) after 13<br />
weeks. A showcase run in the metropolitan<br />
area commenced the next day, Friday (3).<br />
•<br />
Richard A ttenborough, director of<br />
"Young Winston." flew from New York to<br />
Los Angeles Monday (6) to attend the West<br />
Coast premiere of the Columbia release,<br />
which opened the second annual Los Angeles<br />
International Film Exposition. He had<br />
been in town briefly from London for<br />
publicity on behalf of the roadshow attraction.<br />
"Young Winston" is continuing at the<br />
Columbia II Theatre on a reserved-seat<br />
basis.<br />
•<br />
Cheri Caffaro, her husband Don Schain<br />
and Ralph T. Desiderio departed for St.<br />
Thomas. Virgin Islands. The three are,<br />
respectively, star, director and producer of<br />
Derio Productions' "Girls Are for Loving,"<br />
which went before the cameras Monday<br />
(6). They had engaged in preproduction activities<br />
the weekend before shooting began.<br />
•<br />
Three displays printed by Continental<br />
Lithograph Corp. were awarded prizes at<br />
this year's Point of Purchase Advertising<br />
Institute show, it was announced by Vincent<br />
LaSala, vice-president of the company, a<br />
National Screen Service division. The<br />
POPA I show was held October 24-26 at<br />
the Hilton Hotel here.<br />
•<br />
The Sutton Theatre is offering special<br />
group discounts for 20 or more people for<br />
weekday afternoon performances of Jan<br />
Troell's widely acclaimed "The Emigrants."<br />
The discounts will apply before 5 p.m.,<br />
Monday through Friday. Information and<br />
reservations may be obtained by calling<br />
PL 2-3200, extension 20.<br />
Max von Sydow and Liv Ullmann, stars<br />
of the Warner Bros, release, were both<br />
in town recently on filming assignments.<br />
Von Sydow arrived here from Stockholm<br />
for his starring role in Warner Bros.' "The<br />
Exorcist," while Miss Ullmann came in for<br />
a week's location shooting on "Forty<br />
Carats," Columbia film in which she is<br />
E-4 BOXOFFICE :: November 13, 1972
Ij<br />
starring with Edward Albert, Gene Kelly<br />
and Binnie Barnes. She then returned to<br />
Los Angeles to complete the filming at<br />
the Burbank Studios.<br />
•<br />
Manhattan will be the shooting site for<br />
"Anatomy of a Burglary," to be produced<br />
and directed by John G. Avildsen for<br />
United Artists. Two of Avildsen's associates<br />
from "Joe," star Peter Boyle and scripter<br />
Norman Wexler, again will perform in<br />
those capacities for the new film. Based<br />
on an original story by Timothy Mulligan,<br />
as first printed in New York Magazine,<br />
the film will be shot in what is described<br />
as "an affluent New York suburb." Nancy<br />
Seltzer & Associates is handling publicity<br />
for the film.<br />
•<br />
Phil D'Antoni addressed the New York<br />
membership and the executive committee<br />
of the Screen Actors Guild Thursday (9).<br />
He discussed the future of the industry,<br />
why he prefers filming in New York and<br />
in what direction TV is heading.<br />
D"Antoni, Academy Award-winning producer<br />
of "The French Connection," is<br />
preparing to make his directorial bow with<br />
his new film, "The Seven Ups." For D'Antoni<br />
Television Productions, he's serving as<br />
executive producer for two 90-minute films,<br />
one for NBC-TV and one for ABC-TV.<br />
Both the TV films and the theatrical feature<br />
will be shot in New York.<br />
•<br />
Warner Bros, is conducting a "Horro-<br />
Ritual" seminar for New York exhibitors<br />
Monday (13) to outline plans for the metropolitan<br />
area openings of "Dracula A.D.<br />
1972." The exhibitor meeting will cover all<br />
aspects of the promotional campaign and<br />
there will be demonstrations of the special<br />
"HorroRituaV film, lobby records, theatre<br />
giveaways, posters and other aids.<br />
"Dracula A.D. 1972," starring Christopher<br />
Lee and Peter Gushing, opens at showcase<br />
theatres Wednesday (29) with "Crescendo,"<br />
another WB film.<br />
•<br />
November was slated as British classic<br />
film month by Janus Films. Four Manhattan<br />
houses, the Murray Hill,<br />
the 72nd Street<br />
Playhouse, the Elgin and Theatre 80 St,<br />
Marks, have been participating in the presentation<br />
of films unseen in years.<br />
In the group are such films as "Caesar<br />
and Cleopatra" (1946) with Vivien Leigh<br />
and Claude Rains; "The Red Shoes" (1948).<br />
Moira Shearer and Anton Walbrook;<br />
"Whistle Down the Wind" (1926). Hayley<br />
Mills and Alan Bates; Noel Coward's<br />
"In Which We Serve" (1942); "The Clairvoyant"<br />
(1935), Rains and Fay Wray;<br />
"Major Barbara" (1941), Rex Harrison,<br />
Wendy Hiller and Deborah Kerr; "Pygmalion"<br />
(1938). Leslie Howard and Hiller:<br />
"Transatlantic Tunnel" (1935), Richard<br />
Dix, George Arliss and Walter Huston, and<br />
"Evergreen" (1934). Jessie Matthews.<br />
"Dirty Little Billy was a punk" is the<br />
slogan printed on derbies given out in San<br />
Francisco to promote Columbia's film about<br />
Billy the Kid.<br />
Theatre Patron Complains<br />
About Condition of Films<br />
SCHENECTADY, N.Y.—An Albany,<br />
N.Y., moviegoer, Lawrence P. Wiest. recently<br />
wrote a letter to the editor of the<br />
Schenectady News-Union-Star to object to<br />
the manner in which motion pictures have<br />
been presented at theatres in his area. "How<br />
many readers," Wiest asked, "are fed up<br />
with being abused by the area theatres?"<br />
He continued: "I'm not talking about the<br />
content of motion pictures this time but the<br />
actual condition of the film shown. I sat<br />
through 'Butch Cassidy and the Sundance<br />
Kid' and endured two and a half hours of a<br />
screen filled with vertical stripes, abrupt<br />
changes of scene in midsentence, characters<br />
miraculously vaulting across the screen and<br />
an incoherent plot, all the result of tired<br />
film and ruthless splicing. More recently I<br />
suffered through "Cabaret' for the same<br />
reasons, though to a somewhat lesser degree.<br />
"Last night while watching "Gone With<br />
the Wind,' the soundtrack of the film during<br />
its last half-hour gave way to a loud<br />
rushing and hissing noise and after ten<br />
painful minutes my wife and I left and<br />
requested a refund. We were told to come<br />
back the next day and speak with the manager.<br />
I subsequently did explain to the manager<br />
in a consciously civil manner what had<br />
occurred the previous evening and again<br />
requested a refund, to which the response<br />
was an indignant announcement that it was<br />
not the policy of the theatre to give refunds.<br />
"He said then, "How can you expect a<br />
refund after watching the picture for over<br />
two hours?' Following the manager's logic,<br />
one who, while eating at a restaurant, finds<br />
a roach in his food two-thirds of the way<br />
through the meal, should still be expected to<br />
pay for that two-thirds of the meal enjoyed<br />
before the roach's appearance.<br />
"After a brief debate, the manager did<br />
GREETINGS<br />
The<br />
picture is always<br />
offer two 'courtesy passes' (which I begrudgingly<br />
accepted) and then made a final<br />
deceptively profound statement for which I<br />
had no reply. 'If things were so bad, how<br />
come out of 800 people you and your wife<br />
were the only two to complain?'<br />
"It is precisely this point: until we refuse<br />
to take butchered films sitting down, we are<br />
giving license to all area theatres to take as<br />
much advantage of us, the moviegoer and<br />
the consumer, as their conscience will allow<br />
them—and you know what that means."<br />
Ali-Foster, Roman-Daniels<br />
Fights on Closed Circuit<br />
NEW YORK—The long-sought fight<br />
between<br />
Muhammad Ali. former world heavyweight<br />
champion, and Bob Foster, world<br />
light heavyweight champion, will be telecast<br />
at metropolitan area theatres from Lake<br />
Tahoe, Nev., Tuesday evening (21). Also<br />
being telecast is a 10-round battle between<br />
Joe "King" Roman, Puerto Rican heavyweight<br />
champion, and heavyweight contender<br />
Terry Daniels from Texas.<br />
Both fights will be seen via special closedcircuit<br />
television, with free TV and radio<br />
coverage not being permitted. Tickets are<br />
now on sale at $7.50 each, every ticket<br />
guaranteeing a seat.<br />
The participating theatres in this area are:<br />
Manhattan: Loews Victoria (125 Street),<br />
UA Academy of Music and UA Riverside.<br />
Brooklyn: RKO Albee, UA Walker and the<br />
independent Carroll. Bronx: RKO Fordham<br />
and UA Interboro. Queens: Loews Triboro,<br />
Loews Valencia, UA Midway and UA Lynbrook<br />
(Nassau). Westchester: Loews New<br />
Rochelle.<br />
In New Jersey, the theatres are: RKO<br />
Stanley in Jersey City, RKO Branford in<br />
Newark, UA Fox in Hackensack and RKO<br />
Ritz in Elizabeth.<br />
Principal photography for MGM's "Soylent<br />
Green" has been completed.<br />
NATO & NAC<br />
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BOXOFnCE :: November 13, 1972<br />
E-S
BUFFALO<br />
Cidney J. Cohen, president of NATO of<br />
New York State, plans to arrive in<br />
Miami, Fla., for the Thursday (16) meeting<br />
of the national NATO presidents' committee<br />
the night before the opening of the big powwow<br />
in the Americana Hotel, Bal Harbour,<br />
Fla. Joining the western New York delegation<br />
will be Mr. and Mrs. John Martina<br />
and Mr. and Mrs. Morrie Slotnick of Jo-<br />
Mor Theatres, Rochester; Sol Sorkin, Syracuse,<br />
and Mr. and Mrs. Marvin Samuelson,<br />
Dipson Theatres, Batavia. Formerly announced<br />
as Buffalo delegates were Dewey<br />
Michaels, Palace; Gasper "Pat" Mendola<br />
of the Delavan Drive-In, and Mannie A.<br />
Brown, president, Frontier Amusement<br />
Corp.<br />
With a seating capacity of 250 in each<br />
screening area, the new Jerry Lewis Twin<br />
Cinema opened October 31 at 2500 Military<br />
Rd. in Niagara Falls. The hosts were David<br />
H. and Steven Goldstein and the Network<br />
Cinema Corp. of New York. The opening<br />
attractions were "Fiddler on the Roof" and<br />
"Slaughterhouse-Five." Steven Goldstein announces<br />
the policy of the twin will be family<br />
motion pictures at low cost, noting that the<br />
theatres only will show an X-rated film if<br />
it is "in good taste" and if a G-rated feature<br />
accompanies it in the other auditorium.<br />
Locally based Sportservice Corp., headed<br />
by Jeremy Jacobs and which has a nationwide<br />
concession business, may be involved<br />
in a deal in the making that, if concluded,<br />
will result in the reopening of the Bliss &<br />
Laughlin steel plant in this city under new<br />
ownership. It would be the first industrial<br />
venture for Sportservice via Emprise. The<br />
famous concession corporation would have<br />
a stock interest in the steel operation.<br />
Courier Cable Co. has disclosed it hopes<br />
to bring CATV service to South Buffalo by<br />
January 1. In its monthly report filed with<br />
the city clerk's office, the company said it<br />
is aiming to complete a substantial portion<br />
of its coaxial cable hookup in the area before<br />
cold weather. Approximately 75 miles<br />
of cable will be used. Courier Cable TV<br />
service currently is concentrated generally<br />
in the northeastern area of the city. Under<br />
its franchise with the city, it has until February<br />
1974 to have the entire city wired for<br />
the service.<br />
A preliminary proposal for construction<br />
of a $7.5 million international-type amusement<br />
park has been presented to the Niagara<br />
Falls Urban Renewal Agency. The development,<br />
that would be built behind the $30,-<br />
000,000 convention center now under construction,<br />
has been planned by Charles R.<br />
Wood, former Lockport man who has extensive<br />
holdings in the Lake George area,<br />
including Storyland U.S.A. . . . The Niagara<br />
(Continued on page E-8)<br />
Chart 7 New Screens<br />
For Greater Buffalo<br />
BUFFALO—Three twins and a single<br />
theatre are expected for metropolitan Buffalo<br />
late next summer, a spokesman for<br />
Western New York Cinema Corp. has announced.<br />
All are scheduled for a spring<br />
construction start.<br />
The locations are on Transit and Maple<br />
roads, Amherst (a twin); at one of three<br />
possible sites in the town of Hamburg (a<br />
twin); at French and Union roads, Cheektowaga<br />
(a twin) and at Niagara Falls Boulevard<br />
and Robinson Road, Amherst (a twin).<br />
Sandy Cobe New President<br />
Of First Cinema, Atlanta<br />
ATLANTA — First Cinema Releasing<br />
Corp., with headquarters in the Atlanta<br />
Film Building, announced that it has accepted<br />
the resignation of Charles Gary Wilson<br />
with deep regret. Wilson resigned as<br />
president of First<br />
Cinema for reasons of ill<br />
health.<br />
Sandy Cobe, a veteran in the film industry<br />
in production and distribution in both<br />
Hollywood and New York, has been named<br />
president of the company and, in preparation<br />
for First Cinema's expansion projections,<br />
has appointed Roger Miller, former<br />
assistant regional manager of Inter-West<br />
Film Corp., as office manager of the company<br />
and Harlan Antler has been named<br />
director of public relations.<br />
TWHEN IT COMES TO<br />
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BUFFALO<br />
(Continued from page E-6)<br />
Frontier Broadcasting Corp. of Niagara<br />
Falls, citing six years' operating losses, is<br />
seeking FCC approval of the sale of WBNY-<br />
FM here for $588,000. Niagara Frontier<br />
Broadcasting also is the licensee of WJJL<br />
in Niagara Falls. Thomas W. Talbot is the<br />
president. The application seeks approval<br />
of the transfer of the WBNY-FM license<br />
to McCormick Communications, Boston,<br />
Mass.<br />
Alfred £. Anscombe, past chief barker<br />
of Variety Club Tent 7 and president of<br />
Amherst CableVision, has been elected to a<br />
three-year term as a director of the Empire<br />
State Chamber of Commerce. Anscombe is<br />
a former general manager of WKBW Radio.<br />
bH D Mr, A>>in««r«< (<<br />
g^,„„a5&^*^^^<br />
ROYAL THEATRES, LTD.<br />
'!ec..M«TM«,J=^*^iluiJil<br />
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Wallace Anderson of Jamestown has been<br />
elected president of the New York State<br />
Cable Television Ass'n. Anderson, who was<br />
elected at a Northeastern regional meeting<br />
of TV groups in Hartford, Conn., succeeds<br />
Michael Arnold of Islip, L.I., who moves<br />
up to the chairmanship of the board of directors.<br />
Mannie A. Brown, president. Frontier<br />
Amusement Corp., in General Hospital for<br />
a time, now is out and okay. He is packing<br />
his bags for the national NATO convention<br />
in Miami.<br />
Bill Abrams, Columbia Pictures representative<br />
in this exchange area, still is occupying<br />
the Columbia headquarters at 310<br />
Delaware Ave. All the other employees have<br />
departed.<br />
Paul Wall, Metro-Goldwyn-Mayer representative<br />
here, attended a Boston sales meeting<br />
the other day and reports his company<br />
executives are enthusiastic over the fall and<br />
winter product. Paul has lined up a flood<br />
of bookings on the MGM kiddies shows for<br />
Saturday and Sunday matinees in this area<br />
and in Rochester.<br />
John Roberts, Cinerama Releasing Corp.<br />
branch manager, invited exhibitors to a<br />
tradescreening of "Hammersmith Is Out,"<br />
starring Richard Burton and Elizabeth Taylor.<br />
It was held Monday (6) in the operators'<br />
hall at 498 Pearl St. . . . The Star, Park and<br />
Lakeshore drive-ins now are operating weekends<br />
only and electric heaters are being<br />
played up in the ads of underskyers operating<br />
at the present time.<br />
"The Godfather" on his hands. It is titled<br />
"The Valachi Papers" and it opened to boxoffice<br />
lines Wednesday (8) in Holiday 1. It<br />
is an exclusive Columbia Pictures booking<br />
and Joe played up the fact in his ads that<br />
Valachi was buried at Niagara Falls "high<br />
on a grassy knoll less than a half-mile from<br />
the swirling currents."<br />
Plans for a new $2.3 million shopping<br />
center in West Seneca have been put on the<br />
shelf and may stay there. The strip plaza was<br />
to be built at Orchard Park Road and Ridge<br />
Road on a 19-acre site now occupied by<br />
the Park Drive-In. The developers said the<br />
major prospective tenants, F. W. Woolworth<br />
Co., decided against locating a store there,<br />
throwing the whole project into limbo . . .<br />
The beautiful new WGR-TV communications<br />
Center is about to open at 259 Delaware<br />
Ave. Taft Broadcasting, parent corporation,<br />
declares the new center has the<br />
most modern broadcasting equipment to<br />
complement a dedicated, professional staff.<br />
Four films based on the work of Nobel<br />
Prize-winning writer Samuel Beckett were<br />
screened Monday (6) in the Norton Union<br />
Conference Theatre of the State Universtiy<br />
at Buffalo. The UB French department<br />
sponsored the screenings, which were open<br />
free to the public.<br />
Charlie Lee, Tent 7 secretary, has notified<br />
members that there will be a general meeting<br />
and nomination of crew members for<br />
the coming year Monday (13) in the clubrooms<br />
at 193 Delaware Ave. The meeting<br />
and luncheon will begin at 12 noon sharp,<br />
says Charlie.<br />
Gus Nestle, Jamestown exhibitor, has<br />
been appointed chairman for the Jamestown<br />
section for the December 12 Henry P.<br />
Bronkie Shrine ceremonial class. Gus will<br />
head the Chautauqua town gang on a bus.<br />
MOTION PICTURE SERVICE CO.<br />
r^ _,.,. ,__, ,OKO. Co 94102- Phone 14151673-9162 g« '^ "- ' "-<br />
It looks like managing director Joseph P.<br />
Garvey of the Holiday theatres has another<br />
PETER PAUL INTRODUCES<br />
A NEW PEANUT BUTTER<br />
from the<br />
makers of<br />
TASTE SENSATION!<br />
MOUNDS • ALMOND JOY • CARAVELLE • ALMOND CLUSTER • POWERHOUSE<br />
Court Says Seized Films<br />
Must Be Returned by DA<br />
UTICA, N.Y.—Dist. Atty. Richard Enders<br />
has been ordered by a federal court to<br />
return three locally seized films— "The Sex<br />
Machine," "The Morning After" and "The<br />
Dirtiest Game in the World"—to Esquire<br />
Theatres' 258 Cinema, where Leslie Coulter<br />
is manager. Enders and local police further<br />
were ordered to desist from making future<br />
seizures without a judicial hearing.<br />
Coulter was arrested on charges of "promoting<br />
obscenity" at the time the three<br />
films were confiscated and charges are still<br />
pending in city court.<br />
The district attorney could seek a<br />
review of the federal court ruling before the<br />
Second Circuit Court of Appeals in New<br />
York City.<br />
FOR THE HOLIDAYS<br />
And All Year Around<br />
Only One Good Place To Gel<br />
SPECIAL TRAILERS<br />
And That's From DopendabI*<br />
FILMACK<br />
1327 S. WABASH<br />
CHICAGO 6060S<br />
E-8 BOXOFFICE :: November 13, 1972
SOFT SHOULDERS-SHARP CURVES'<br />
If you think you have seen everything, you<br />
haven't—^not by a long shot.<br />
Danish director GABRIEL AXEL, believing<br />
that eroticism is one of the most important<br />
links between human beings, has organized the<br />
zaniest love trip on wheels, travelling from London<br />
to Copenhagen—Munich to Paris. A love<br />
blast on wheels, rails, water, and even horseback<br />
and love always having the right of way.<br />
A journey with mouth-watering lovelies,<br />
guiding their partners down a highway of love<br />
in high gear all the way.<br />
This is one trip that is not like any you'll find<br />
in the guide books. This is the wildest, swingiest<br />
trip ever. A love trip on wheels.<br />
A CONTIFILM PRODUCTION<br />
in color and wide-screen<br />
SOFT<br />
SHOULDERS<br />
SHARP<br />
CURVES<br />
Starring:<br />
Uta<br />
Doris<br />
Ingeborg<br />
Sylvia<br />
Kopa<br />
Arden<br />
Steinbach<br />
Folk<br />
Christian Fredersdorf<br />
Mogens Von Gadow<br />
Fernando<br />
Gomez<br />
Music by Gerhard<br />
Heinz<br />
Directed by<br />
Gabriel (Denmark) Axel<br />
For<br />
Release<br />
January<br />
1973<br />
USA—CANADA<br />
GLOBE<br />
PICTURES, Inc.<br />
37 West 57th St.<br />
New York, N.Y.<br />
(212) 751-6040<br />
Joseph Green, Pres.
PITTSBURGH<br />
Qeorge T. Pappas, manager of the Chatham<br />
Cinema, this week joins the Motion Picture<br />
Pioneers. A former local exhibitor,<br />
Norman Chussitt, who has resided in<br />
Florida for many years, is another new<br />
member of the Pioneers.<br />
You, too, can laugh<br />
all the way to the bank<br />
by using<br />
BOXOFFICE'S<br />
Clearing House for<br />
BUYING-SELLING-TRADING<br />
new or used equipment.<br />
Ray Crider, Associated circuit, moved<br />
over from the Strand in Oakland to the<br />
Manor in Squirrel Hill . . . Pennsylvania's<br />
50-cent lottery has been grossing $6 million<br />
weekly in Wednesday drawings and the new<br />
$1 lottery now starting will be drawn Thursdays.<br />
These lotteries and the numbers rackets<br />
remove millions of dollars weekly from possible<br />
entertainment takes.<br />
George Stern, Associated circuit, termed<br />
the plan and demand to abolish free enterprise<br />
via the killing of so-called "Ladies<br />
Day" reduced admission policies as determined<br />
by a local human relations commission<br />
as "harassment of downtown business<br />
by city hall. They are chasing all the business<br />
out of the city." The city commission<br />
charged that the ladies' reduced admission,<br />
usually on Wednesday, was sex discrimination<br />
against males.<br />
A. L. Butler & Associates, Fulton Building,<br />
as in many years past, is printing the<br />
Playgoer, program of the Nixon Theatre . . .<br />
Cambist Films will release "The Crazies,"<br />
based on germ warfare, next month. This<br />
was produced here by the Latent Image.<br />
L'Amoure recently showed "She Never<br />
Said No," "The Sexual Therapist," "Hotshot<br />
Secretaries" and "Debbie's First Time" . . .<br />
Liberty offered "Money Honey" and "Oh!<br />
That Erotic Art" . . . Bizarre featured "Rendezvous<br />
in Hell" and "Gland Hotel" . .<br />
Nixon, in its new stage season now under<br />
way, again makes note that the taking of<br />
pictures or the use of recording devices during<br />
jjerformances is forbidden by law.<br />
Saul L Perilnian, veteran film distributor<br />
who died October 30, is survived by his<br />
wife Florence. He was the father of Stanley,<br />
Stuart and Jerrilyn and brother of Mrs.<br />
Lillian Bernstein and Marvin Perilman. Also<br />
surviving are four grandchildren.<br />
John O. Glaus, indef)endent exhibitor,<br />
film distributor, booker and partner with<br />
the late Saul L Perilman in<br />
film distribution<br />
and in the P&G Film Shipping Co., handling<br />
all independent film prints here, has been<br />
making recovery from a heart ailment which<br />
had hospitalized him until just before the<br />
death of Perilman. P&G staff members continue<br />
on their jobs.<br />
"Dutch" Lauth has been a Fulton projectionist<br />
from the day the theatre was<br />
opened more than 42 years ago. Who can<br />
match this record? ... In area release are<br />
such films as "Nightmare in Wax," "The<br />
House That Dripped Blood." "Frankenstein<br />
Created Woman," "Hot Spurs." "Tower of<br />
Evil," "Tales of the Bizarre," "Tonight for<br />
Sure," "Baby Love," "How to Succeed With<br />
Sex," "The Haunted Palace," "The Liberation<br />
of L. B. Jones," "R.P.M." and "The<br />
Erotic Adventures of Zorro."<br />
(Continued on page E-12)<br />
Mr. Exhibitor . .<br />
FREE SHORT SUBJECTS FOR YOUR THEATRE<br />
For your convenience we maintain national distribution with established<br />
booking offices and prints in all 32 key exchange cities to serve your<br />
theatres promptly and efficiently.<br />
FOR INFORMATION ON HOW TO GET THE BEST IN FREE SHORTS<br />
FILL IN COUPON.<br />
NAME-<br />
TITLE-<br />
THEATRE OR CHAIN<br />
ADDRESS<br />
CITY- STATE- ZIP.<br />
piLMEDiA. INC. RHR Fllmedia, Inc. 48 West 48 Street, New York, N.Y. 10036 (212) 541-9692<br />
Richard H. Rogers. President Sy Perry, Director of Theatre Division<br />
E-10 BOXOmCE ;: November 13, 1972
k<br />
THE BIG MONEYMAKERS<br />
from<br />
SUnSET inTERnflTIOnflL RELEflSinC<br />
NOVEMBER RELEASE<br />
"THE HORROR OF<br />
BLACKWOOD USTLE"<br />
Unseen Terrors!<br />
An Edgar Wallace tale of horror<br />
"THE GAMES<br />
SCHOOL GIRLS PLAY"<br />
After School Hours<br />
Starring MARION FORSTER<br />
A G.A.D.A.<br />
Presentation<br />
"THE NAKED WYTCHF'<br />
PG<br />
Adventures of a Sensuous Witch<br />
Starring<br />
BARBARA KLINGERED<br />
AND<br />
EASTMAN Color by Pacific Film Lob<br />
NOVEMBER RELEASE<br />
AND<br />
EASTMAN Color by Pacific Film Lab<br />
NOVEMBER RELEASE<br />
AND<br />
EASTMAN Color by Pacific Film Lab<br />
CURRENT RELEASE<br />
"THE MAN WITH<br />
THE GLASS EYE"<br />
An Edgar Wallace story<br />
A tale of death in London's Soho<br />
"SHOULD A<br />
SCHOOL GIRL TELL?"<br />
About Her Bedtime Playmates?<br />
Starring BARBARA CAPELL<br />
"SEX AND THE<br />
LONELY WOMAN"<br />
Starring SUSANNA GROSSEN<br />
A Sudam Production<br />
FREEDOM IN GERMANY"<br />
''SEX<br />
A journey into a new erotic world<br />
June 7-13 MULTIPLE in New York—$126,000.00 Rated X<br />
DECEMBER RELEASE<br />
XILL ME GENTLY<br />
with Tony Kendall and Crista Linder<br />
Action Finds Thrills in the "Bond" Style Rated PG<br />
JANUARY RELEASE<br />
''BLOODY<br />
FRIDAY"<br />
Suspense and Violence—The Bloodiest Heist in a Decade<br />
PG<br />
Rated R<br />
sunsET inTERnflTionflL RELEflsinc, inc.<br />
Home Office: 8222 West Third St., Los Angeles, Calif. 90048<br />
Telephone (213) 653-3020, 653-5200<br />
Herb Bromberg, Pres. Ted Leversuch, Vice Pres. Natalie S. Jacobs, Gen. Soles Mgr.<br />
DISTRIBUTORS:<br />
ALBANY<br />
Cair MARVIN FRIEDLANDER<br />
(In New York)<br />
(212) 765-9544<br />
ATLANTA<br />
Coll HARRY CLARK<br />
(404) 524-6588<br />
BOSTON<br />
Call PAUL PETERSON<br />
(617) 482-4443<br />
BUFFALO<br />
Coll MARVIN FRIEDLANDER<br />
(In New York)<br />
(212) 765-9544<br />
CHARLOTTE<br />
Coil BOB MC CLURE<br />
(704) 333-0369<br />
CHICAGO<br />
Coll SAM KAPLAN<br />
(312) 782-8413<br />
CINCINNATI<br />
Coll JO HARRISON<br />
(513) 721-4742<br />
CLEVELAND<br />
Coll BILL KOHAGEN<br />
(216) 861-0390<br />
DALLAS<br />
Coll HEYWOOD SIMMONS DIST.<br />
(214) 522-0662<br />
DENVER<br />
Coll JACK FELIX<br />
(303) 623-1221<br />
DES MOINES<br />
Coll HOWARD THOMAS<br />
(In Konsos City)<br />
(816) 421-2305<br />
DETROIT<br />
Coll DON FILL<br />
(313) 557-0105<br />
INDIANAPOLIS<br />
Coll JO HARRISON<br />
(In Cincinnati)<br />
(513) 721-4742<br />
JACKSONVILLE<br />
Call HARRY CLARK<br />
(904) 353-7347<br />
KANSAS CITY<br />
Coll HOWARD THOMAS<br />
(816) 421-2305<br />
LOS ANGELES<br />
Coll DON FOSTER<br />
(213) 657-6700<br />
MEMPHIS<br />
Coll F. KAISER<br />
(901) 527-4023<br />
MILWAUKEE<br />
Coll SAM KAPLAN<br />
(In Chicago)<br />
(312) 782-8413<br />
MINNEAPOLIS<br />
Coll STAN MC CULLOCH<br />
(612) 333-2281<br />
NEW HAVEN<br />
Coll<br />
PAUL PETERSON<br />
(In Boston)<br />
(617) 482-4443<br />
NEW ORLEANS<br />
Coll DON KAY<br />
(504) 524-2732<br />
NEW YORK<br />
Coll MARVIN FRIEDLANDER<br />
(212) 765-9544<br />
OKLAHOMA CITY<br />
Coll<br />
HEYWOOD SIMMONS DIST.<br />
(In Dallos)<br />
(214) 522-0662<br />
OMAHA<br />
HOWARD THOMAS<br />
Coll<br />
(In Konsos City)<br />
(816) 421-2305<br />
PHILADELPHIA<br />
Coll ALAN STRULSON<br />
(215) 561-0800<br />
PITTSBURGH<br />
Coll PETE DE FAZIO<br />
(412) 471-8225<br />
PORTLAND<br />
Coll PETE TOLINS<br />
(In SeoHle)<br />
(206) 624-6234<br />
SALT LAKE CITY<br />
Coll JACK FELIX<br />
(In Denver)<br />
(303) 623-1221<br />
SAN FRANCISCO<br />
Coll ANDY ANDERSON<br />
(415) 776-4409<br />
SEATTLE<br />
Coll PETE TOLINS<br />
(206) 624-6234<br />
ST. LOUIS<br />
HOWARD THOMAS<br />
Coll<br />
(In Kansas City)<br />
(816) 421-2305<br />
WASHINGTON, D.C.<br />
Call ROSS WHEELER<br />
(202) 244-1500<br />
TORONTO, ONT., CANADA<br />
Coll DON WEINZWEIG<br />
PANTON FILMS, LTD.<br />
(416) 367-0917
PITTSBURGH<br />
(Continued from page E-10)<br />
"The Little Arii" was a recent Saturday-<br />
Sunday kiddies matinee offering at various<br />
theatres . . . "The Deadly Trap" gets no first<br />
run but goes into the suburban theatres . . .<br />
Dino de Laurentiis, producer of "The Valachi<br />
Papers," telephoned from New York to<br />
the Gateway here to check receipts with<br />
Associated's downtown manager Tom Bryant.<br />
New twin theatres which the<br />
Manos circuit<br />
will open in 1973 at Greensburg will<br />
seat 800 and 600, respectively. The location<br />
is in the new Hempfield Plaza . . . John<br />
Currie, former veteran National Theatre<br />
Supply executive who started here some<br />
years ago as an NTS clerk and now is an<br />
Optical Radiation executive, was a visitor<br />
from Azusa, Calif.<br />
Joe "Barney" Krenn, veteran projectionist<br />
who died recently, started in the business<br />
as a youngster at the Colonial Theatre on<br />
Troy Hill. Soon thereafter he went with the<br />
late M. A. Rosenberg at the Rialto, Marion<br />
and Fifth, uptown.<br />
Jake Pulkowski, National Screen Service<br />
depot manager, changed vacation plans and<br />
he will be absent from duties the last week<br />
in November and the first week in Decem-<br />
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Alexander Beck, President<br />
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Telephone (212) 765-0632<br />
SUBDISTRIBUTORS -<br />
KANSAS CITY & ST.<br />
LOUIS<br />
Mercury Film Co., Inc.<br />
1703 Wyandotte<br />
Kansas City, Missouri 64108<br />
WASHINGTON, DC.<br />
American International Pictures<br />
1217 "H" Street, N.W.<br />
Washington, DC.<br />
BOSTON, NEW HAVEN<br />
Gordon Films<br />
Ellis<br />
614 Statler Office BIdg.<br />
Boston, Mass. 02116<br />
CHARLOTTE<br />
Charlotte Booking & Distributing Co.<br />
P.O.B. 546<br />
Charlotte, North Carolina 28202<br />
LOS ANGELES, HAWAII, ALASKA &<br />
GUAM<br />
Poul Mart Productions<br />
1505 N. Vine at Sunset<br />
Hollywood, California<br />
DETROIT, CINCINNATI, CLEVELAND<br />
American International Pictures<br />
P.O.B. 8880<br />
23300 Greenfield<br />
Oak Park, Michigan 48237<br />
ATLANTA, JACKSONVILLE<br />
Clark Film Releasing Company<br />
137 East Forsyth Street<br />
Jacksonville Florida 32202<br />
CHICAGO, MILWAUKEE, MINNEAPOLIS<br />
& INDIANAPOLIS<br />
Teitel Film Corp.<br />
600 South Michigan Avenue<br />
Chicago, Illinois<br />
PHILADELPHIA<br />
Aquarius Releasing, Inc.<br />
229 West 42nd Street<br />
New York, N.Y. 10036<br />
Suite 301<br />
NEW YORK<br />
Marvin Films, Inc.<br />
1585 Broadway<br />
New York, N.Y.<br />
BOXOFTICE :: November 13, 1972 E-13
'Emigrant' Benefit<br />
At Sutton Theatre<br />
NEW YORK—The New York chapter<br />
of the American-Scandinavian Foundation<br />
held a benefit performance of "The Emigrants"<br />
at the Sutton Theatre. HRH Princess<br />
Christina of Sweden, now on tour of<br />
the U.S., greeted those attending at an informal<br />
reception prior to the showing of<br />
the Warner Bros, film that stars Max von<br />
Sydow and Liv Ullmann.<br />
The special performance was for the<br />
newly established Carl Sandburg Memorial<br />
Fund of the American-Scandinavian Foundation,<br />
to underwrite journalistic, literary<br />
and poetic exchanges between the Scandinavian<br />
countries and the U.S. The establishment<br />
of the Sandburg Memorial Fund<br />
has been endorsed enthusiastically by Sandburg's<br />
widow and children as a most suitable<br />
memorial to the great American writer<br />
of Swedish descent, whose career mastered<br />
so many aspects of the verbal arts.<br />
"The Emigrants," the widely acclaimed<br />
film directed by Jan Troell, is based upon<br />
Swedish author Vilhelm Moberg's monumental<br />
work on emigration to the U.S.<br />
Harold McCormick Elected<br />
To the Colorado Senate<br />
DENVER — Harold McCormick, who<br />
operates theatres in Canon City, Colo., has<br />
been elected to the Colorado Senate. Mc-<br />
Cormick has been in the Colorado House<br />
of Representatives for several terms.<br />
With reapportionment putting him in a<br />
district with another Republican member<br />
of the House, McCormick ran for the<br />
Senate.<br />
While in the House, McCormick has been<br />
instrumental in getting an appropriation<br />
aimed at bringing motion picture, TV and<br />
TV commercial productions to the state.<br />
The appropriation now stands at $35,000<br />
a year.<br />
South Plainfield Low Is<br />
Challenged in UA Suit<br />
NEWARK, N.J .—A suit filed by United<br />
Artists Eastern Theatres in federal court<br />
challenges an ordinance recently enacted by<br />
the borough of South Plainfield which<br />
threatens theatre owners with loss of their<br />
license for admitting persons under 18 to<br />
"obscene" movies. UA operates two theatres<br />
in the borough. Cinema I and Cinema II,<br />
located in the Middlesex Shopping Mall.<br />
The suit charges that under the ordinance<br />
E-14<br />
Coming in January:<br />
motion pictures may be held as "obscene"<br />
for persons under 18 "on the basis of an<br />
isolated scene taken by itself and out of the<br />
context of the whole pictures." It further<br />
charges that the ordinance would permit a<br />
picture to be ruled obscene even if it contained<br />
only a single scene "in which a mere<br />
verbal reference is made to sexual activity."<br />
The action maintains that the ordinance<br />
would "effect censorship of nonobscene motion<br />
pictures on a lowest common denominator<br />
approach keyed to infant children ."<br />
. .<br />
The theatre owners asserted that the ordinance<br />
"applies the same infantile standard<br />
to the 17-year-old high school senior and<br />
the five-year-old kindergartner."<br />
In addition to revoking the theatre's license,<br />
the ordinance also provides for suspensions<br />
and fines of up to $500.<br />
Stewart Guidotti Joins<br />
Columbia-Warner Dist.<br />
LONDON—Stewart Guidotti has joined<br />
Columbia-Warner Distributors, Ltd., in the<br />
capacity of advertising manager (U.K.), with<br />
specific responsibilities for Warner Bros.<br />
projects, it was announced by Patrick M.<br />
Williamson, managing director of the company.<br />
Guidotti will make his headquarters<br />
at the company's offices, 135 Wardour St.<br />
and will work under the direct supervision<br />
of Diane Solomon, director of publicity and<br />
advertising, Columbia-Warner Distributors,<br />
Ltd. (Warner Bros., U.K.).<br />
Guidotti comes to Columbia-Warner from<br />
EMI Cinemas & Leisure, Ltd., where he<br />
functioned as assistant publicity and advertising<br />
manager. Before this appointment,<br />
he held a similar position at Fiat (England),<br />
Ltd.<br />
Pa. Court Rules Columbia<br />
Airer Can't Show X Films<br />
COLUMBIA, PA.—The Lancaster County<br />
Court October 20 ordered Lou Weinstock,<br />
manager of the Columbia Drive-In,<br />
to pay court costs and to refrain from<br />
showing any X-rated motion pictures at the<br />
underskyer for a period for two years. The<br />
court also ruled that no bill of indictment<br />
shall be represented against Weinstock to the<br />
grand jury. Judge Wilson Bucher termed<br />
the punishment "an intelligent resolution to<br />
the problem."<br />
Authorities May 18 seized the film<br />
"Mona," which had been playing at the<br />
Columbia Drive-In, and it later was ruled<br />
obscene by a judge. The movie "Mona" will<br />
be locked in the courthouse for a period of<br />
two years and it was noted that it could<br />
be used as evidence if any agreement violation<br />
were to occur.<br />
Jerry Lewis Cinema Opens<br />
LANSDALE, PA.—Thomas Schumaker's<br />
350-seat Jerry Lewis Cinema, located in the<br />
Lansdale Shopping Center, Main Street and<br />
Oak Boulevard, was slated to open Wednesday<br />
night, October 18, with "Butterflies Are<br />
Free" as the inaugural attraction. Prices<br />
never will top $1.50 a person, according to<br />
Schumaker. In fact, he says movies will cost<br />
99 cents Monday through Thursday.<br />
'Ladies Day' Stirs<br />
Sex Discrimination<br />
right<br />
PITTSBURGH — Free enterprise, the<br />
of theatres to offer reduced admission<br />
prices on "Ladies Day," seriously challenged<br />
here by the Mayor's Committee on<br />
Human Relations, gained more publicity<br />
than any film offered hereabouts in years<br />
and years.<br />
The Post-Gazette editorially stated in<br />
"An Absured Sex Ruling" that "the trouble<br />
with too many reformers is that they never<br />
seem to know where to draw the line between<br />
reasonableness and absurdity . . .<br />
Theatre and ball park operators have from<br />
time immemorial sought to promote attendance<br />
by offering ticket discounts to<br />
women at specified times when gate receipts<br />
are in a slack period. This is a legitimate<br />
form of business promotion and has<br />
nothing to do with sex discrimination."<br />
Theatre circuits here received a letter<br />
from James E. Simms, director of the<br />
so-called Human Relations Commission,<br />
signed August 15, threatening legal action<br />
if theatres did not discontinue the businessstimulating<br />
effort known as "Ladies Day,"<br />
which has been featured at nearly all theatres<br />
here for five years or longer. Simms'<br />
letter stated that "Ladies Day" admission<br />
policies were "in direct violation of sex<br />
discrimination laws," etc.<br />
Theatre officers said that maybe children's<br />
prices also would be challenged.<br />
Norman Mervis, Associated Theatres'<br />
general manager, asked to appear before<br />
the full 5-member commission. Mike Cardone,<br />
RKO-Stanley Warner executive, fed<br />
the commission letter to the news media.<br />
Recently officials of theatres, including<br />
the Chatham Cinema, received another letter<br />
which softened the bias charge, the<br />
legal threat action flickering against the<br />
"flicker palaces."<br />
The Post-Gazette editorial states: "Will<br />
the commission rule next that a discount<br />
on ladies' shoes discriminated against men<br />
and can't be offered except on a general<br />
basis? How free will businesses be to operate<br />
if this sort of nonsense becomes rampant?<br />
. . . The commission indulged in nit-picking<br />
excessess . . . We believe that many millions<br />
of Americans are turned off by this<br />
sort of thing and that it should be stopped."<br />
Theatre Permit Approved<br />
VIRGINIA BEACH. VA. — The<br />
city<br />
council last month approved a use permit<br />
for a second film theatre, to seat 600 patrons,<br />
in the northeast comer of the parking<br />
lot at Pembroke Mall.<br />
WHO Selling Strcmd Theatre<br />
PLAINFIELD. N.J .—The Walter Reade<br />
Organization's Strand Theatre on Front<br />
Street is being offered for sale. The movie<br />
house was closed because of "the lack of<br />
good movies and high maintenance costs,"<br />
according to WRO.<br />
Warner Bros.' "Zande" starring Liv Ullmann<br />
has been re-titled "Taylor's Bride."<br />
BOXOFFICE :: November 13, 1972
Don't forget . . . the training,<br />
tlie discipiine^he experience,<br />
the leadership, the teamwork,<br />
the loyalty, the determination.<br />
Don't forget all the assets veterans have. Attitudes that make them highly-motivated,<br />
productive individuals. Skills adaptable to a variety of industries and positions. Proven trainability<br />
and self-discipline. Don't forget. Don't forget all they learned . . . sometimes the hard vi/ay.<br />
For help in hiring veterans, contact your local office of the State Employment Service;<br />
for on-the-job training information, see your local Veterans Administration office.<br />
Don't forget. Hirethe Vlt<br />
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BOXOFHCE :: November 13, 1972 E-IS
BALTIMORE<br />
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the Roof" opened Wednesday (8) at these<br />
four theatres: Five West, Strand, Paramount<br />
and Pikes.<br />
Public hearings on six applications for a<br />
CATV franchise in Baltimore County will<br />
be moved back about a month to give the<br />
county's consultant time to study the massive<br />
applications. Four of the nation's six<br />
largest CATV companies were among the<br />
six that presented applications Friday (3)<br />
for a franchise to provide cable service to<br />
the 200,000 households in the county . . .<br />
Free State Communications Services, owned<br />
in part by F. H. Durkee Enterprises and<br />
the agent for which group is C. Elmer Nolle<br />
jr., an executive of Durkee, has filed application<br />
for CATV operations in Baltimore<br />
County. The firm already owns one in Anne<br />
Arundel County and one in Annapolis.<br />
Carlin's Drive-In currently is charging<br />
$3.50 per carload at all times.<br />
TIRED OF HEARING, "SORRY NO PRINTS?"<br />
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Ray Thompson, executive of Ray Thompson<br />
& Associates, left Friday, October 20,<br />
with a party of 16 for a three-week safari<br />
in Africa. Besides being president of the<br />
Baltimore Zoological Society, Thompson<br />
also is executive secretary of both the Pennsylvania<br />
and Maryland Veterinarian Medical<br />
Ass'ns. His companions in the hunt<br />
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izations. He has made many trips of this<br />
nature in the past.<br />
A film festival for moviemakers will be<br />
held at the Randallstown area branch of<br />
the Baltimore County Public Library in<br />
early December. Moviemakers with 8mm<br />
or 16mm films they wish to show should<br />
contact Mrs. Barbara Franklin at the Randallstown<br />
area branch in the Liberty Court<br />
. . .<br />
Shopping Center at Liberty and Old Court<br />
roads One of the more than 1,500<br />
known asteroids is named Marlene after<br />
movie star Marlene Dietrich . . . Robert W.<br />
Russo has been appointed account executive<br />
for WBAL-FM, according to Robert Benson,<br />
director of the FM station. He will<br />
be in charge of sales and new accounts.<br />
Aaron Seidler, executive vice-president of<br />
R/C Theatres, is joining the local contingent<br />
which will attend the national NATO convention<br />
in Bal Harbour, Fla., Friday (17)<br />
. . . Irwin Cohen, president of R/C Theatres,<br />
and Dave Knight, Virginia district manager<br />
of the same circuit, will attend the<br />
'"Pioneer of the Year" 34th anniversary<br />
dinner at the Hotel Americana in New<br />
York Wednesday (15) . . . Ilene Cohen, oldest<br />
daughter of Irwin Cohen, R/C Theatres<br />
president, now attending the Wharton<br />
School of Finance in Philadelphia, visited<br />
her parents during a recent weekend. She<br />
was a former employee of R/C.<br />
Stephen D. Seymour, former general sales<br />
manager of WJZ, has been appointed general<br />
manager of the Westinghouse Group<br />
W station here, effective immediately. He<br />
succeeds Alan J. Bell, who becomes vicepresident<br />
and general manager of the Group<br />
W station in Philadelphia, KYW-TV.<br />
Clive Barnes, New York Times drama and<br />
dance critic, lectured at Johns Hopkins University<br />
Wednesday (1) on the role of the<br />
artist in modern society . . . Plans for a<br />
national clown museum in this city are<br />
being developed by the local "alley" of<br />
Clowns of America. The national convention<br />
of the clown's organization will be held here<br />
in<br />
April.<br />
The film series at the Baltimore Museum<br />
"Was There Ever Really an<br />
of Art entitled<br />
America or Was There Only Frank Capra?"<br />
ended Thursday (2) with a special appearance<br />
by Frank Capra. Following the film<br />
"It's a Wonderful Life," Capra participated<br />
in a discussion about his films and filmmaking<br />
with Michael Webb of the American<br />
Film Institute. Questions from the audience<br />
were answered.<br />
Baltimore County would collect between<br />
$962,000 and $3.9 million during the first<br />
decade of CATV in the county, if estimates<br />
made by six firms competing for the franchise<br />
are accurate. The companies also estimate<br />
that between 93.500 and 180.000<br />
households in the county will subscribe to<br />
cable TV by 1983. There currently are<br />
200,000 households in the county. However,<br />
Councilman Webster C. Dove (D-4th)<br />
doubted CATV would be a moneymaker for<br />
the county because of the cost of regulating<br />
E-16<br />
BOXOmCE :: November 13, 1972<br />
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E-18 BOXOFHCE :: November 13, 1972
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No matter what show you are offering this week. No<br />
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Capitol Motion Picture Supply Co.<br />
630 9th Avenue<br />
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BOXOmCE :: November 13, 1972<br />
E
WASHINGTON<br />
Lany McMurtiy, author of "The Last Picture<br />
Show" and now an area resident,<br />
wrote in the Sunday Star and News (5) in<br />
his review of Quentin Bell's book, "Virginia<br />
Woolf": "He has done his gifted aunt full<br />
justice and has given us, I believe, the best<br />
biography we have so far had of a major<br />
20th Century literary figure."<br />
Norman Jewison, the 46-year-old Toronto-bom<br />
director of "Fiddler on the Roof"<br />
is in Israel filming "Jesus Christ Superstar"<br />
for Universal release in June. According to<br />
his interview with the Star-News' Allan<br />
Parachini: "Jewison rejected an overly serious<br />
cinematic approach to 'Superstar,' protesting<br />
that 'this is not a deeply religious<br />
work and it has an interesting point of view<br />
... It has an element of spoof.' "<br />
Jerry Levy, MGM Philadelphia-based division<br />
manager, tradescreened "The Great<br />
Waltz" at Motion Picture Ass'n of America<br />
screening room Monday morning (6) . . .<br />
William Zoetis, 20th Century-Fox salesman,<br />
invited exhibitors to view "Trouble Man" at<br />
the same site Monday afternoon (6). Zoetis<br />
had been in charge of the exchange during<br />
what proved to be Shep Bloom's terminal<br />
illness.<br />
John Turner, Philadelphia-New York-<br />
Washington distributor for Jet Set Productions,<br />
among other companies, was seen on<br />
Filmrow. He came here from his headquarters<br />
in Philadelphia.<br />
Peter Boyko, president of Capital Film<br />
Laboratories, a Washington-based film processing<br />
firm, reported a 103 per cent increase<br />
in earnings for the first half ending<br />
September 30. Net income after taxes<br />
totaled 44.7 cents per share compared with<br />
22 cents per share in the first six months<br />
of the preceding fiscal year. Boyko also reported<br />
that a new 16mm color Ektachrome<br />
machine has been installed on his company's<br />
Miami facility.<br />
Fred L. Wineland, Maryland Secretary<br />
WRITE—<br />
The Exhibitor Has His Say<br />
TO:<br />
BOXOFFICE. 825 Van Bnint BWd.,<br />
TiUe<br />
Cuuiixi#iit<br />
Eanaoi City, Mo. 64124<br />
YOOH REPORT OF THE PICTURE YOU<br />
HAVE JUST PLAYED FOR THE<br />
GUIDANCE OF FEUOW EXHIBITORS.<br />
of State and treasurer of Wineland Theatres,<br />
and Mrs. Wineland announced the engagement<br />
of their daughter Gail Ann to Peter<br />
L. Martin of Denver. She's in her fourth<br />
year at the University of Denver.<br />
Frank Getlein, Star-News critic, wrote<br />
regarding "La Salamandre" at the Pedas<br />
brothers' Outer Circle Theatre: "It is the second<br />
feature-length movie by the Swiss director<br />
Alain Tanner . . . While acknowledging<br />
and taking pleasure in the first-rate talent<br />
here in evidence, you conclude that for Tanner,<br />
as for many French 'auteur' directors,<br />
there ought to be someone like Sam Goldwyn<br />
around to keep reminding him that a<br />
story ought to go someplace."<br />
John Cassavetes First<br />
AFI Resident Filmmaker<br />
WASHINGTON, D.C.—John Cassavetes,<br />
who began an association with the American<br />
Film Institute's Center for Advanced<br />
Film Studies October 9 when AFI Fellows<br />
aided him with preproduction chores on<br />
"A Woman Under the Influence," will<br />
serve as the first Filmmaker in Residence<br />
at the Center.<br />
The appointment of Cassavetes to this<br />
post was announced by AFI director George<br />
Stevens jr.<br />
Cassavetes, in his new assignment, will<br />
meet with AFI Fellows periodically to<br />
discuss his work. On a rotating basis. Fellows<br />
will assume functional learning roles<br />
in the production and will have access to<br />
screenings of daily rushes. Fellows will join<br />
Cassavetes and his associates at screenings<br />
of his current film project in its post-production<br />
phase up to its completion.<br />
Both Cassavetes and Stevens emphasized<br />
that the Fellows will not at any time replace<br />
regular crew members on the film.<br />
"We hope that John Cassavetes' imaginative<br />
example will be a breakthrough for<br />
other programs of this kind," Stevens said.<br />
"The purpose of the AFI Fellows program<br />
is to provide professional learning experi-<br />
CompanT..<br />
Days of Week Played Weather..<br />
Exhibitor „ _ „.... Theatre<br />
— Right Now<br />
ence to qualified, advanced young filmmakers.<br />
The opportunity to work closely<br />
with a filmmaker of John Cassavetes'<br />
stature will prove an invaluable asset to<br />
these men and women."<br />
The AFI currently has 38 Fellows in<br />
residence at its Center for Advanced Film<br />
Studies in Beverly Hills. In addition to the<br />
Cassavetes program, some AFI Fellows<br />
are serving as interns on film productions<br />
through the Academy of Motion Picture<br />
Arts and Sciences-sponsored Internship program.<br />
Two X Films Are Seized<br />
In Washington Theatres<br />
WASHINGTON, D.C.—"Hot Circuit"<br />
and "Distortions of Sexuality," being shown<br />
at Trans-Lux Corp.'s Trans-Lux and New<br />
Plaza theatres, were seized by FBI agents<br />
acting on orders from John F.<br />
Rudy, U.S.<br />
assistant attorney, upon grounds that the<br />
theatres were violating a federal law prohibiting<br />
"interstate transportation of obscene<br />
matter."<br />
The New York distributors, Sherpix,<br />
Inc., ("Hot Circuit") and Distrib Pix, Inc.,<br />
("Distortions of Sexuality"), had selfapplied<br />
X ratings to the films and expressed<br />
surprise at seizure of the pictures.<br />
Grand jury hearings on whether or not<br />
to indict the distributors and theatre management<br />
will be held within two weeks.<br />
The films have been replaced at both theatres<br />
with somewhat milder R-rated double<br />
bills, which, according to Pat Davis, manager<br />
of the Plaza, are not doing comparable<br />
business.<br />
The Playhouse, the<br />
other Trans-Lux theatre<br />
in Washington, is headquarters for<br />
T-L general manager Gus Lynch, who has<br />
been recuperating several weeks following<br />
surgery. Also under Washington management<br />
is the Richmond, Va., Blue and Gold<br />
Theatre.<br />
Wometco Off-Shore Post<br />
Given to J.D. Richards<br />
From Southeastern Edition<br />
MIAMI—J.<br />
D. Richards has been named<br />
divisional manager, off-shore motion picture<br />
theatres for Wometco Enterprises. Richards<br />
has served with Wometco since 1967 as<br />
vice-president, Grand Bahama Theatres,<br />
Freeport, Bahamas.<br />
He will continue to supervise Wometco's<br />
Bahamas theatres from his new office in<br />
Miami and also will coordinate the operation<br />
of theatres in Alaska, Puerto Rico,<br />
Santo Domingo and the Virgin Islands.<br />
Prior to joining Wometco, Richards was<br />
chairman of the board and managing director<br />
for Picturedrome (Eastbourne) in<br />
England.<br />
He served as president and trustee of the<br />
General Cinematographers and Exhibitors<br />
Ass'n of Great Britain and Ireland, and<br />
was the exhibitor representative for the<br />
British government's films council.<br />
He is a graduate of Roborough College,<br />
Eastbourne, and served with distinction during<br />
World War II in both Europe and Asia,<br />
rising from lieutenant to commandant of<br />
the Rhine Army Division College.<br />
E-20 BOXOFHCE :: November 13, 1972
: 1972<br />
'HE Fuzr<br />
lat flashes<br />
badge on tli<br />
irt Gang!'<br />
\b'\\ get a face full of bloody tread<br />
rarks and a 250 lb. dirt bike right<br />
ihere he doesn't need it.<br />
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^\<br />
/:<br />
t/f^<br />
^^^^<br />
''4iaL.<br />
V<br />
- - *.<br />
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:*:-<br />
•.!'<br />
%*j<br />
PAUL CARR<br />
jj'ar'.ng<br />
•<br />
MICHAEL FOREST -BEN ARCHIBEK<br />
• •<br />
MICHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American International Release<br />
•<br />
>'.-;'ent;v Pfoduced by Directed by<br />
WILLIAM MERCER and MICHAEL C. HEALY<br />
•<br />
JOSEPH E. BISHOP and<br />
•<br />
ART JACOBS JERRY JAMESON<br />
CONTACT YOUR American International exchange<br />
American International Pictures. Inc.<br />
CO SALT LAKE CITY LOS ANGELES SAN FRANCISCO SEATTLE PORTLAND<br />
ir dwoy 252 Eost First South 9033 Wihhire Blvd. 251 Hyde Street 2401 Second Avenue 925 N.W. 19th Avenue<br />
', 'lo. 80205 Salt Loke City, Utoh 84111Beverly Hills, Colif. 90211Son Francisco, Calif. 94102Seattle, Washington 9(121 Portland, Oregon 97209<br />
! )3) 825-2263 Phone: (801) 332-3601 Phone (213) 273-7433 Phone: (415) 771-5485 Phone: (206) 622-0660 Phone: (503) 228-1175<br />
U- 1, Mgr. Fred C. Palosky, Mgr. Harry Levinson, Mgr. Hoi Gruber, Mgr. J. R. "Jimmy" Beale, Mgr. Terry Crowford, Mgr.
'<br />
^^<br />
The Valachi Papers/<br />
'T J / iinn T \<br />
{j^^ge jim eihs sees Dim<br />
Future for Pornography<br />
Lady 4UU in la Portland, ore. — circuit Court<br />
* Judge James Ellis, a supporter of Oregon's<br />
LOS ANGELES—A pair of 400s graced recently revised criminal code, believes that<br />
the report list as "Lady Sings the Blues" there is not enough of a market to support<br />
quadrupled average in a second week at pornographic movies and live sex acts for<br />
Pantages Theatre and "The Valachi Papers" any great length of time. Ellis, a recently<br />
came up with equally good business in appointed judge in Multomah County, told<br />
a second frame at the Hollywood Cinema members of the Oregon Social Welfare<br />
and UA Cinema. Ranking right behind Ass'n Portland district that the revised crimthe<br />
co-leaders were "The Emigrants," 300, inal code has been a boon both to those<br />
third week at the Music Hall, and "Sound- accused and the public, as well as those<br />
er," fourth, Avco Center Cinema L "The involved in the criminal justice system, de-<br />
Great Waltz," "The Ruling Class," "De- spite the attention focused on the repeal of<br />
liverance," "Runaway Hormones" and "A sections dealing with former sex offenses.<br />
Separate Peace" also grossed in the 200— Judge Ellis expressed his opinion that if<br />
or twice average— range. the public will sit back and wait, waning<br />
(Average Is 100) interest will soon result in an end to live<br />
ABC City 2—The Great Wolti (MGM) 200 ^„ „ ^ j clns.irp nf thp "HirH, m^,/i»"<br />
Avco Center Cinema 1—Sounder ^^ ^^^ ^na Closure Ot tne dirty mOVie<br />
(20th-Fox), 4th wk 290 houseS.<br />
Avco Center Cinema 2—The Ruling Class<br />
(Emb), 5th wk 200<br />
Beverly, El Rey—George! (SR) 100 _ ii m<br />
Bruin—Sovage Messiah (MGM) 3rd wk 75<br />
StCIlllOrd FoOthCTll Termi<br />
Cinema—School Girl (SR), 17tfi wk 150<br />
»J1»-H1*W1W IWWlWWll i. VPUlll<br />
Cineramo— Deliverance (WB), 12th wk 210 T_ ^:_-_-, ''LI^^^-.'DH,,~J'<br />
Crest—Bad Company (Poro), 3rd wk 60 IS'j'lVeil tlOrrOrlltUal<br />
Fox, Village—Heat (SR), 3rd wk 175 „,,„„.»,,, ^ ,. ,„ r^. „<br />
Hollywood—Hammer (UA) 75 BURBANK. CALIF.—The Stanford Uni-<br />
"°&s^Co'i')^"'2nd^wk^'"^"'°T^.''.V^°',"''',..400 vcrsity football team and its coaches were<br />
Mayon—Runowoy Hormones (SR) 2nd wk 200 sworn in as honorary members of the Count<br />
Music Hall—The Emigrants (WB), 3rd wk 300 „ • .<br />
r. „• ,., ^ . .<br />
National—Corry On Doctor (AlP) 100 Dracula Society in a HorroRitual Friday<br />
''<br />
^S^n^^les^l^^riiirg^'tr'Sr^es'^"^'<br />
night (3) prior to a special screening of<br />
PlJL°:^k 's-e^pa^a^e Peace •(Pora); ind "wk: " ! I !<br />
i^gg<br />
^"L""'^';' "°^'"" ^^.- ^^F 'I ""!<br />
State—Btacuia (AlP), 4th wk 65 Burbank Studios. The next day they played<br />
Wiishire-Fiddier on the Roof (UA), 52nd wk. .<br />
.110<br />
^^^^ y^LA Bruins in the Los Angeles Coli-<br />
*A Separate Peace' Lively -m. o» ^ j . j .l<br />
Stanford team requested the screen-<br />
.<br />
250 in Denver 1st Week<br />
ing as<br />
T^EKT^^cr. c uu-.- u u A<br />
a good luck charm, since last year<br />
DENVER-Exhibition here had recovjj,^y<br />
^^^^ j^^^,^^ ^^ ^ ^^^ ^^ ^g,^<br />
ered to the point where most films were<br />
..s^^^ g^^^,, ^^^^^ ^^^.^ ^.^^ ^^^<br />
attracting better- than - average business,<br />
university of Southern California and then<br />
Leading the way, A Separate Peace new<br />
proceeded to "skin" the Trojans.<br />
at the Esquire, grossed a solid 250 and<br />
fourth-week "Deliverance," playing at the rn XA7"U' IVI OU *"<br />
Centre Theatre, was nearly as strong at 240. "UIl Wlia INOW bUOOting<br />
Also rating in the elite 200 class, "Runaway In Northem NeW MexiCO<br />
Hormones" scored 205 in a second stanza adtz-^ttttt xt ii,r a<br />
ABIQUIU, Oriental Theatre<br />
N.M.—A contemporary outat<br />
the oriental iheatre.<br />
^^^^ ^^^ ^j^^ ^ ^^^ ^^ ^,^^^j $1,000,-<br />
Aloddin— Fiddler on the Roof (UA), 51st wk. ..125 •<br />
r,nn *i u u i. xi.-<br />
Centre— Deliverance (WB)^ 4th wk 240 ^^^y Currently IS being shot m this remote<br />
Century 21 —Everything You Always Wanted arga ^f northern New Mpxiro about I Of)<br />
to Know About Sex (UA)^ 10th wk<br />
^^"^<br />
70<br />
"^ noruieni imcw iviexico, doout ivu<br />
Cherry Creek, Villa Italia—The New Centurions miles from Albuquerque.<br />
(Col), 5th wk 100 -FM • » .-.1 J i.r. II7M J ..<br />
Cooper—The Condidote (WB), 10th wk 110 ihe picture, titled Run Wild, Stars<br />
Denham—The Darwin Adventure (20th-Fox) 125 Llovd i-iu>u Bridees Dina Merrill Gilbert Roland<br />
Denver 1, Lakeside, Plaza—You'll Like My<br />
Duugcs, L/iUd iviernu, OUDCn K.Oiana<br />
Mother (Univ) 100 and Pat Hingle. It is being produced by<br />
Eight theatres—Outdoor Rambling (SR) 125 r^„^„ • i, . t * •• .<br />
Esquire—A Seporate Peace (Para) 250 Communicating V 6 n t u r e s International,<br />
Flick—Gumshoe (Col), 2nd wk 150 ltd Robert MoCahnn is thp i^ircrtnr<br />
Four theatres—Run, Cougor, Run (BV), 2nd wk. .100 ," '^"'p*^" lvlc»...dnon IS tne QireCtor.<br />
Lakeside, Plaza, Colfax—^Another Nice Mess Location shoOting here is expected tO COn-<br />
Orientol—Runiwoy Homones (SR)', in'd' wk.' ' .' .'205 t'nue through mid-Novembcr.<br />
Paramount—Asylum ' (CRC), 2nd wk 110<br />
-ri _. T^ . -^, ,<br />
"Black Beauty' Benefit Showing<br />
Iheatre Fermit Okayed tempe, ARiz.-The cameiback Man<br />
LAS VEGAS—The county commissioners Cinema, 7033 East Cameiback Rd., Scottshave<br />
approved a use permit for the Nevada dale, October 28 presented a special show-<br />
Cinema Corp. to construct a movie theatre ing of "Black Beauty" as a benefit for the<br />
in a shopping center on the west side of Big Sisters of Arizona Auxiliary. Proceeds<br />
Eastern Avenue, about 700 feet south of from the event will be used by the organiza-<br />
Sahara Avenue. tion to assist in its work with young girls.<br />
H. C. Rogers Elected<br />
To Trustees Board<br />
HOLLYWOOD — Henry C. Rogers,<br />
chairman of the board of Rogers, Cowan &<br />
Brenner, has been elected to the board of<br />
trustees of the American Film Institute, it<br />
was announced by Charlton Heston, AFI<br />
board chairman. Rogers who long has been<br />
involved in community affairs and active in<br />
various motion picture industry organizations,<br />
also presently is on the Performing<br />
Arts Coordinating Council of the University :<br />
of Southern California.<br />
He will attend his first AFI trustees'<br />
meeting Monday (13) at the organization's<br />
headquarters in the John F. Kennedy Center<br />
for the Performing Arts in Washington,<br />
D.C.<br />
R. D. Steckler Is Given<br />
Green Light on Theatre<br />
LAS VEGAS—The city council of North<br />
Las Vegas has approved a request filed by<br />
Ray Dennis Steckler for a license to operate<br />
a motion picture theatre at 2101 Civic Ceni<br />
ter Dr. The permit was granted with the i<br />
provision that sexploitation films could not<br />
be shown.<br />
Steckler indicated that the cinema would<br />
be named the Hollywood Theatre and that<br />
film fare would be confined to product with<br />
a G, PG or R rating.<br />
This was the first license granted in many<br />
years for the operation of a movie theatre in<br />
North Las Vegas.<br />
Father O'Shea Invested<br />
As Prelate of Honor<br />
SAN FRANCISCO—Father Patrick John<br />
O'Shea, chaplain of Variety Club Tent 32<br />
and also chaplain of the Catholic Entertainment<br />
Guild, was invested as prelate of honor<br />
of His Holiness Pope Paul VI Sunday morning<br />
(5) at a concelebrated mass at Most Holy<br />
Redeemer Church, with Most Rev. Merlin<br />
J. Guilfoyle, bishop of Stockton, presiding.<br />
The Most Rev. Monsignor O'Shea was<br />
joined by his family and friends at<br />
a reception<br />
at the school hall immediately following<br />
the mass.<br />
Start Operators' School<br />
DENVER—Operators Union 230 is turning<br />
its garage building into a school to<br />
teach the latest electronics developments and<br />
techniques in motion picture production.<br />
The school will be open to all operators and<br />
apprentices, with the teaching being done<br />
mainly by members of the union but, whenever<br />
possible, technicians from companies in<br />
the projection field also will be brought in.<br />
CARBONS, INC.<br />
< '<br />
Box K, Cedar Knolls, N<br />
in Calitornio— Budd Theotrc Supply Co., Culver City, 839-4325<br />
B. F. Shearer Company, Son Francisco—861-1816<br />
Western Theotrical Equip. Co., Son Francisco—861'<br />
in Arizono—Theatrical Supply Company, Phoenix—254-021 S<br />
in Colorado— National Theatre Co., Denver—825-0201<br />
in Utoh—L and S Theatre Supply Co., Solt Lake City—328-1641<br />
7571<br />
W-4<br />
BOXOFHCE :: November 13, 1972<br />
'\
^Best<br />
Picture<br />
pf theyear<br />
No matter what show you are offering this week. No<br />
matter how many Oscars it boasts and who the stars<br />
may be.<br />
Your boxoffice success will<br />
depend as much on<br />
the quality of the projection as on the picture itself.<br />
Ensure the success of your theatre operation with<br />
Century projection and sound reproduction. Get the<br />
best out of your prints and give your patrons pleasing<br />
quality projection that will keep them coming back<br />
again and again.<br />
If Century didn't consistently project<br />
the clearest, sharpest, brightest picture<br />
possible, it wouldn't be the standard in<br />
American movie theatres today.<br />
Century—the best projection<br />
for the best picture of<br />
the year, every year!<br />
SEE YOUR CENTURY DEALER - OR WRITE:<br />
CENTURY PROJECTOR CORPORATION<br />
165 West 46th Street, New York, New York 10036<br />
Western Theatrical Equipment Co. John P. Filbert Co., Inc.<br />
187 Golden Gate Avenue 1100 Flower Street (P.O. Box 5085)<br />
San Francisco, Gilifomia 94102 Glendole, California 91201<br />
Phone: (213) 247-6550<br />
Peterson Theatre Supply<br />
19 E. 2nd South (Room 1001)<br />
Salt Lake City, Utoh 84111<br />
Phon«: (801) 484-4251<br />
Western Service & Supply, Inc.<br />
2100 Stout Street<br />
Denver, Colorado 80205<br />
Pacific Theatre Equipment Co.<br />
142 Leavenworth Street<br />
San Francisco, California 94102<br />
S. F. Burns & Co., Inc.<br />
2319 2nd Avenue<br />
Seattle, Washington 98101<br />
IBOXOFHCE :: November 13, 1972 W-5
Jj<br />
LOS ANGELES<br />
Jl^rt Sanborn, Sanborn Theatres, is vacationing<br />
in the Virgin Islands before proceeding<br />
to Bal Harbour, Fla., for the national<br />
NATO convention. Another theatre<br />
for that firm is in the "talking" stage.<br />
ABC Theatres received a big shot in the<br />
arm from the aggressive promotion of the<br />
Theatre Guild-American Theatre Society,<br />
which focused attention on the complex<br />
with big ads in the Los Angeles Times<br />
amusement section. With Metro-Goldwyn-<br />
Mayer's "The Great Waltz" in ABC City<br />
Theatre II, and "Cabaret" in ABC City<br />
Theatre I, it now appears that the center will<br />
get the promotion needed to make it into the<br />
area which was promised when the original<br />
plans were developed.<br />
Hollywood Pacific is playing a double bill<br />
of "Necromancy" and "Bluebeard," which is<br />
what the boulevard needs to bring 'em in off<br />
the streets. The Gs and PGs don't do this<br />
and these films have the quality which fits<br />
READY<br />
NOW!<br />
g CHRISTMAS HOLIDAYS §<br />
SEASONAL GREETING TRAILER<br />
I<br />
|<br />
Sf A beautiful full-color 60-second action M<br />
g scenic trailer with sleigh ride music back- ^ ground. g<br />
I • Says "Happy Holidays" |<br />
g • Lets your patrons know you care! a<br />
w • Wish them a "Joyous Holiday »<br />
Season"<br />
I<br />
|<br />
90-Foot, 60-Second<br />
I<br />
Eastman<br />
|<br />
Color Sound 35mm Film w<br />
I<br />
U. $16.50 each postpaid ^<br />
g Your money returned if not delighted!<br />
^<br />
I<br />
SEND CHECK AND ORDER TO:<br />
^<br />
g H & H COLOR LAB g<br />
n Special Films Division §<br />
g P. 0. Box 7495 M<br />
I Tampa, Fla. 33603 g<br />
Phone<br />
I<br />
(813) 248-4935<br />
g<br />
S Ask about our full-color custom time clock M<br />
K films ond stock intermission-snack bar films, w<br />
During the past three years we<br />
have moved from No. 5 to No. 2<br />
in the carbon industry. WE ARE<br />
NO. 2 (second only to Union Carbide)<br />
BECAUSE OUR<br />
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tACiM<br />
DOUBLE EiLGLE CARBONS<br />
I'.O. BOX 7H!):J NASHVILLK. TKNN. :I72(I
Help put our best<br />
natural resources to work.<br />
As you know, today there is a ciying<br />
need for technicians.<br />
The trouble is many bright kids don't<br />
know about these jobs.<br />
So the U.S. Office of Education, The<br />
Conference Board and The Advertising<br />
Council have put together a full-scale advertising<br />
program to get the message through.<br />
It consists of two parts. One is a seven<br />
page booklet giving all the facts on technical<br />
careers, technical schools and financial aid.<br />
The other is a poster offering the booklet.<br />
You can help by handing out the<br />
free booklet—and seeing that the poster is<br />
displayed in high schools, churches, youth<br />
clubs, wherever young people hang out.<br />
For free samples of our booklet and<br />
poster and information on quantity reprints,<br />
use the coupon at right.<br />
Reprints are cheap. Only $4.00 per<br />
hundred for the poster. $5.00 per hundred<br />
for the booklet.<br />
For a small additional charge, we'll<br />
even imprint your company's name.<br />
Mail the coupon. You'll be helping kids<br />
who want to make something of themselves—<br />
and assuring yourself a supply of o^--<br />
technicians for the future.<br />
ADVERTISING CONTRIBUTED FOR THE PUBLIC GOOD<br />
L.<br />
Technicians<br />
Bowie<br />
hav« a college mao^<br />
careerwilhoal four<br />
years o< college.<br />
P.O. Box 313, Radio City Station, New York, N.Y 10019<br />
Name-<br />
Firm—<br />
Business Address-<br />
City -State- .Zip_<br />
:j<br />
BOXOFTICE :: November 13, 1972 W-7
DENVER<br />
Qyron Shapiro, Columbia district manager,<br />
was in town visiting the local branch<br />
. . . United Artists sneak-previewed "Man<br />
of La Mancha" at the Century 21 Theatre<br />
before a packed house.<br />
In an unusual robbery, thieves broke into<br />
the LaJunta Drive-In and stole two Cinema-<br />
Scope lenses, two reflectors, one film gate,<br />
exciter lamps and a spotlight box. Serial<br />
numbers of the missing items have been<br />
registered and it would be suggested that<br />
exhibitors throughout the area be on the<br />
watch for the equipment. If offered such<br />
equipment for sale, contact Bruce Young,<br />
district manager. Commonwealth Theatres,<br />
at (303) 892-0477.<br />
Kenneth Lee Lewis, who formerly was<br />
manager for the Cobb circuit at the Westminster<br />
Plaza Theatre, now is manager of<br />
the Bluffs Theatre in Scottsbluff, Neb. . . .<br />
Commonwealth Theatres booker Dick Fulham<br />
is back at the desk following a week's<br />
hospitalization . . . Dolly, wife of Bob Heyl,<br />
Wyoming Theatre, Torrington, Wyo., earned<br />
her teaching certificate and immediately was<br />
put to work as a substitute teacher in the<br />
local school system.<br />
In town to set datings were Milton<br />
Boehm, Cover Theatre, Fort Morgan; Paul<br />
Cory, Starlite Drive-In, Sterling, and<br />
Michael Barry, Village Theatre, Steamboat<br />
Springs. Barry still is aiming for a Thanksgiving<br />
Day opening for his new Times<br />
Square Cinema, which is being erected in<br />
the Mount Werner section of the city,<br />
with<br />
FINER PROJEGION-SUPER ECONOMY<br />
CREENS<br />
Ask Your Supply Dtalw or Write<br />
HURLEY SCREEN COMPANY, Inc.<br />
U Unk Driva rarmliifldal*, L. U M. Y., 11711<br />
W-8<br />
Coming in January:<br />
Russ Meyer's<br />
the opening timed for the beginning of the<br />
ski season in the area.<br />
Jim Kottman, formerly of Kansas City<br />
and a resident of our town for over two<br />
and a half years, now is working as second<br />
booker (since August 27) with the 20th<br />
Century-Fox branch here. Jim, who is 26,<br />
was assistant booker with Warner Bros, in<br />
Kansas City from October 1967 to March<br />
1969 and says he is most happy to be back<br />
in the industry—and we're happy to have<br />
him in Denver! . . . Pam Stokes from<br />
Cincinnati, Ohio, is new booker's secretary<br />
with 20th-Fox. This is her first affiliation<br />
with the industry and Filmrowites extend<br />
a hearty welcome and best wishes for much<br />
success . . . Dorothy Orrino, 20th-Fox,<br />
recently returned from a two-week vacation<br />
in Cincinnati . . . The two "big ones" for<br />
Christmas, it is announced by 20th-Fox, are<br />
"Sounder" and "The Poseidon Adventure."<br />
Blanche Hatton Marks 48<br />
Years As Theatre Manager<br />
ALBUQUERQUE—Miss Blanche Hatton,<br />
one of New Mexico's few lady theatre<br />
managers, recently marked her 80th birthday.<br />
A few days after that occasion, she was<br />
featured in a half-page article in the<br />
women's section of the afternoon Albuquerque<br />
Daily Tribune.<br />
The store, titled "Theatre Veteran Recalls<br />
48 Years on Central," was written by Tribune<br />
staffer Charlotte Black. Portions of the<br />
feature story follow:<br />
"Blanche Hatton has been managing<br />
movie theatres in Albuquerque for nearly<br />
half a century. I've been on Central Avenue<br />
for 48 years,' laughs the manager of the<br />
Lobo Theatre (Central Avenue is Albuquerque's<br />
main thoroughfare).<br />
"She recently celebrated her 80th birthday.<br />
Is she dreaming of the day she can<br />
retire? Not for a minute, she's not! 'It's a<br />
privilege to work ... my work's my pleasure<br />
.. . I'd really miss it. My evenings<br />
always have been the high spot of my day.<br />
Besides, I don't want to sit in a rocking<br />
chair. I just don't think I'd like that. I think<br />
they're wrong to push early retirement<br />
they're losing a lot of leadership.' "<br />
The story goes on to tell about her start<br />
in the theatre business in Indiana where she<br />
cashiered in a house owned by Paul Williamson.<br />
He later moved to Albuquerque and<br />
got into real estate.<br />
Miss Hatton and her brother moved to<br />
Albuquerque in 1924 and found that Williamson<br />
had purchased the Ideal Theatre<br />
downtown. She soon became manager. In<br />
1934 the Chief Theatre was opened and for<br />
awhile Miss Hatton managed both houses.<br />
Later she was manager of the Hiland Theatre<br />
when it opened in 1950.<br />
The story continues: " 'There isn't a day<br />
goes by when somebody that used to work<br />
for me doesn't come by to see me,' she goes<br />
on. 'They show up all the time.' " And. the<br />
story goes on, many of the Albuquerqueans<br />
who worked for her as teenagers now are<br />
bringing their sons and daughters to the<br />
kindly Miss Hatton to be hired.<br />
"Most people think it prepares them for<br />
the world. Having to meet people gives them<br />
the ability to analyze." says Miss Hatton.<br />
She doesn't think children today are "as<br />
old for their age" as they were years ago.<br />
They've all "had allowances and not so<br />
much responsibility."<br />
What does she think of today's movies<br />
compared to those of years ago? Tactfully,<br />
she deflects the question. "I like the 'workings'<br />
of a theatre— I don't follow the pictures<br />
very much." But she admits to some<br />
concern for her formerly faithful patrons.<br />
"They don't care for the rough language<br />
and the nudity. It's hard on them to miss<br />
their movies—they enjoyed them so. Many<br />
of them have just stopped coming."<br />
Daryl Deckers Purchase<br />
Louisville, Colo., House<br />
LOUISVILLE, COLO.—The Rex Theatre<br />
here has been purchased from Mr. and Mrs.<br />
Carmen Romano by Mr. and Mrs. Daryl<br />
Decker. The Deckers have owned the drivein<br />
located between Louisville and Lafayette,<br />
Colo., for approximately two years.<br />
In disposing of the Rex, the Romanos<br />
have completed approximately a half-century<br />
in the movie theatre business. For<br />
many years he was a projectionist before<br />
acquiring the Rex Theatre. Mr. and Mrs.<br />
Romano also were co-owners of the nearby<br />
drive-in before it was bought by the Deckers.<br />
After their long association with exhibition,<br />
Mr. and Mrs. Romano thanked the<br />
community for its support— "all the people<br />
and especially the children who attended the<br />
shows all down through the years at the<br />
Rex."<br />
Rex Theatre in Longmont<br />
Acquired by Dick Klein<br />
LONGMONT, COLO.—Richard Klein,<br />
owner and operator of the Trojan Theatre<br />
and the Star-Vu Drive-In here, has announced<br />
the acquisition of the Plaza Theatre, located<br />
at 201 South Pratt Pkwy., Longmont.<br />
The Plaza previously was operated by Midwest<br />
Shopping Theatres and more recently<br />
by Cobb Theatres, which owns a circuit of<br />
showhouses throughout the country.<br />
The Plaza has been closed for complete<br />
remodeling and renovating under the supervision<br />
and planning of well-known theatre<br />
designer Mel Glatz of Denver.<br />
The showhouse will be under the family<br />
operation of Dick and Jeannette Klein and<br />
will be<br />
their daughter Connie Coffield and it<br />
renamed the Parkway Theatre. Programing<br />
will he family-oriented.<br />
Em-Lee to Operate Cinema<br />
From Mideastern Edition<br />
MARQUETTE, MICH — Em-Lee, Inc.,<br />
will operate a 400-seat theatre, the Mall<br />
Cinema, in the Marquette Mall. The shopping<br />
complex now is under construction on<br />
the south side of U.S. 41 immediately west<br />
of the Marquette city limits.<br />
BOXOFFICE :: November 13. 1972
lat flashes'<br />
badge on the<br />
irt Gang!'<br />
)'ll get a face full of bloody tread<br />
rarks and a 250 lb. dirt bike right<br />
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Area Exhibitors,<br />
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CHICAGO — As the eighth Chicago<br />
International Film Festival takes over a<br />
big spot in Chicago's entertainment, increased<br />
interest among exhibitors and the<br />
public is a gratifying note. And while Michael<br />
Kiitza jr., originator of the festival,<br />
has been credited with handling each series<br />
of events with outstanding professionalism,<br />
it generally is agreed that this is going to<br />
be the best year.<br />
The festival opened Friday (3) at the<br />
Esquire, where the auditorium is twice the<br />
size of other theatres which were sites for<br />
prior festivals. "Mirage," the newest offering<br />
of award-winning Peruvian director<br />
Armando Robles Goday, was the opener.<br />
Frederick Wiseman was honored early<br />
in the festival with the screening of his<br />
six documentary films, including "High<br />
School," "Basic Training," "Law and Order"<br />
and "Titicut Follies." Wiseman, who<br />
was on hand to answer questions about<br />
his films, said ". . . all of them are about<br />
public institutions, a high school, a mental<br />
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institution, a police force, a hospital and<br />
the Army—with the exception of my newest<br />
film, 'Essene,' which is about life in a<br />
private institution, a monastery."<br />
16mm<br />
All of Wiseman's films are shot in<br />
black and white, with synchronous, onlocation<br />
sound. No music or narration is<br />
added. Wiseman said that, on an average,<br />
he spends about one to three months with<br />
the institution taking anywhere from 60,000<br />
to 120,000 feet of film and 30 to 60 hours<br />
in running time. He spends six to eight<br />
months editing it down to a 3,000-foot or<br />
90-minute movie.<br />
Other early entries included "The End<br />
of Song," a Bulgarian production about a<br />
shepherd who wrongly is accused of a crime<br />
and prevented from singing to his goats,<br />
and "The Old Maid," from France, the<br />
story of a 32-year-old spinster's visit to a<br />
Mediterranean resort during the vacation<br />
month of August.<br />
As curiosity and interest rise with each<br />
festival, there has been talk about bringing<br />
some of the festival films to theatres<br />
in the Midwest, especially to towns and<br />
cities where college and university students<br />
represent a sizable segment of the patronage.<br />
Kutza, by now thoroughly seasoned in<br />
garnering films from all over the world,<br />
does warn of many regulations, particularly<br />
in relation to governmental restrictions,<br />
which have to be hurdled in order to bring<br />
various films to this country.<br />
This year brings 32 feature films, in<br />
addition to shorts, business and industrial<br />
films, and educational programs from 23<br />
countries and the U.S.<br />
When the festival comes to a close at<br />
the Esquire Thursday (16), the Lake Shore<br />
Theatre will be the site of an American<br />
Film Institute retrospective, plus the best<br />
of the festival showings, Friday (17)<br />
through Thursday (23).<br />
Plan Thanksgiving Bow<br />
HIAWATHA, KAS. — Richard<br />
Smith,<br />
Marysville, owner and manager of the theatre<br />
under construction here in the 700<br />
block of Oregon Street, expects the building<br />
to be completed in time for a Thanksgiving<br />
Day (23) opening.<br />
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'Separate Peace' Top<br />
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KANSAS CITY—Eight new attractions<br />
—assisted by cold, damp weather— gave a<br />
slight boost to area boxoffices, as exhibitors<br />
waited impatiently for the major product<br />
due during the Thanksgiving-Christmas<br />
period. One holdover and one new arrival<br />
led the field with 300 per cent each: "Deliverance"<br />
(fourth frame. Ranch Mart 1)<br />
and "A Separate Peace" (Fine Arts). Also<br />
new and making an impressive bow at the<br />
Plaza was "Hammersmith Is Out," drawing<br />
250 for second place. Another tie<br />
at 200 apiece—was tallied for "Bad Company,"<br />
debuting at Embassy I, and "Everything<br />
You Always Wanted to Know About<br />
Sex" in its ninth and final go-round at<br />
Blue Ridge I. Other new entries making<br />
good showings in single-week, multiplerun<br />
engagements were: "Shanty town Honeymoon"<br />
(185), and "Carry On Doctor" and<br />
"The Legend of Frenchie King," both<br />
notching 150. All first runs registered average<br />
or better for the first time in several<br />
weeks.<br />
(Average Is 100)<br />
Blue Ridge I You Always Wanted to<br />
Know About Sex (UA), 9th wk 200<br />
Embassy I Company (Pare) 200<br />
Embassy II Slaughterhouse-Five<br />
(Univ), 7th wk 1 00<br />
Empire 4 Hickey & Boggs (UA), 3rd wk 100<br />
Fine Arts A Seporate Peace (Para) 300<br />
Four theatres Shantytown Honeymoon (SR) ....185<br />
Glenwood I, Midland 1 The New Centurions<br />
(Col), 4th wk 150<br />
Plaza ^tlommersmith Is Out (CRC 250<br />
Ranch Mart 1 Deliverance (Vv'B), 4th wk 300<br />
Seven theatres Carry On Doctor (AlP) 150<br />
Seven theatres The Legend of Frenchie King<br />
(SR) 150<br />
Seven theatres When the Legends Die<br />
(20th-Fox) 110<br />
'Lady Sings the Blues' Up<br />
100 Points in Loop 2nd<br />
CHICAGO—The second week of "Lady<br />
Sings the Blues" outdid the opening week<br />
by 100 per cent, making the follow-up week<br />
an astounding 400. "The Valachi Papers,'<br />
another top grosser in the Loop, did 300<br />
per cent at the State Lake Theatre, as it<br />
played a second week. Also in the top<br />
bracket were "The Ruling Class," third<br />
week, Carnegie, and "A Separate Peace,"<br />
second week. Cinema. A winner in outlying<br />
Edens 2 and Willow Creek theatres,<br />
as well as Marina 2 Cinema, was "The<br />
Groundstar Conspiracy."<br />
Carnegie The Ruling Gloss (Emb), 3rd wk. ..225<br />
Chicago Lady Sings the Blues (Para), 2nd wk. . .400<br />
Cinema A Separate Peoce (Para), 2nd wk 230<br />
Oriental Asylum (CRC), 2nd wk 175<br />
Roosevelt Uliono's Roid (Univ), 2nd wk 150<br />
State Lake The Valachi Papers (Col), 2nd wk. . .300<br />
United Artists Deliverance (WB), 4th wk 200<br />
Woods ^Lost House on the Left (SR), 3rd wk. ..175<br />
Monday Football Widows<br />
Have Choice of 3 Shows<br />
From New Englond Edition<br />
HARTFORD—Three metropolitan<br />
Hartford<br />
theatres are running "Monday Night<br />
Football Widow" shows, tied to a pitch for<br />
greater distaff attendance while the football<br />
season is in full swing on network television.<br />
The UA Theatre East, Manchester; Family<br />
Theatre II. Rockville, and Jerry Lewis<br />
Cinema, South Windsor, have the policy in<br />
effect, price .scales ranging from a low of 75<br />
cents at the Family Theatre II to 99 cents.<br />
C-2 BOXomCE :: November 13, 1972
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A PHASE ONE FILMS. INC. RELEASE<br />
DAVID EMANUEL, President<br />
1 65 West 46th Street. New York • Tel. (2 1 2] 245-3925
CHICAGO<br />
Wic Bernstein, American International Pictures<br />
district manager, and Gene Cole,<br />
publicist, launched a campaign for the mid-<br />
November outlying openings of "Baron<br />
Blood" and "The Thing With Two Heads."<br />
Bernstein is discovering that he should have<br />
many more prints of "Mr. Magoo's Christmas<br />
Carol" and "Mr. Magoo's Snow White."<br />
Even though he set a record in booking 70<br />
Chicagoland theatres, many more movie<br />
houses wanted to participate in running<br />
the two features for kiddies matinees in<br />
December.<br />
"The Poseidon Adventure" was the big<br />
topic of discussion at a 20th Century-Fox<br />
seminar held here. Those attending included<br />
Peter Myers, vice-president and general<br />
manager; Jonas Rosenfield, vice-president in<br />
charge of advertising; Central division<br />
branch managers Avron Rosen of Minneapolis;<br />
Bob Meyers, Indianapolis; Tony<br />
Knollman, Cincinnati; John Sturm, Detroit,<br />
and David Gold, Des Meines; Sol Gordon,<br />
WATCH FOR THE<br />
BLOCKBUSTERS!<br />
Group Marriage<br />
RUSS MEYER'S<br />
BLACKSNAKE<br />
The Sin of Adam and Eve<br />
SUPER GIRL<br />
Gilbreth Film Co.<br />
Jack Gilbreth — Sid<br />
Kaplan<br />
32 W. Randoiph St<br />
Chicago, Illinois 60601<br />
Phone 726-1558<br />
in charge of exploitation in this area, and<br />
his new assistant Ed Ustic, and Milwaukee<br />
representative Mrs. Marj Ondrejka.<br />
WOMPIs were represented by Cindy Macre<br />
who, dressed as Santa's helper, passed out<br />
press kits on the 20th-Fox Christmas<br />
feature.<br />
Wayne Witte from the Minonk Theatre,<br />
Minonk, was in town checking on new product<br />
. . . "King Lear," the film starring Paul<br />
Scofield and released in New York last year,<br />
opened at the Marina City cinemas here . . .<br />
While illness forced Peter Lawford to cancel<br />
his planned trip here to talk about "They<br />
Only Kill Their Masters," first-hand publicizing<br />
will be handled by June AUyson . . .<br />
A one-minute radio spot appears to have<br />
been instrumental in keeping the Woods<br />
Theatre boxoffice busy during the showing<br />
of "The Last House on the Left." "It's only<br />
a movie" was the brief and simple keynote<br />
of the campaign.<br />
Leo Suchovsky returns to exhibition as<br />
he takes over the Tivoli in Stephenson,<br />
Mich. It formerly was owned and operated<br />
by Robert Rickabe, who closed the theatre<br />
when he retired two years ago. Suchovsky<br />
has been busy getting the place in up-to-date<br />
order and he is planning a name change. It<br />
is expected that students from nearby Menomonee<br />
College will be loyal patrons.<br />
Jack Eckhardt of Cinemation Industries<br />
was able to stay put for a few days after<br />
setting up saturation bookings of "Oh! Calcutta!"<br />
in theatres in the states of Minnesota,<br />
Wisconsin and South Dakota . . .<br />
Donna Russo was welcomed to the Cinemation<br />
staff. She is the daughter of Ray Russo<br />
FOR THE HOLIDAYS<br />
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SPECIAL TRAILERS<br />
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. . National General staffers<br />
of 20th-Fox .<br />
compiled some good comments following a<br />
screening of a new documentary, "The Edge<br />
of the Arctic Ice." And, they set up a saturation<br />
break throughout Chicagoland for the<br />
showing of "A Boy Named Charlie Brown"<br />
for mid-November . . . Otto Zeman of the<br />
H&E Balaban organization spent his vacation<br />
in Nevada resorts . . . Get-well wishes<br />
to Frank Standel of ABC Great States. He's<br />
been in traction at Weiss Memorial Hospital<br />
for a slipped disc . . . The S. B. Greiver<br />
organization will handle the buying and<br />
booking for the Jerry Lewis Cinema in<br />
Morton, where Charles Thomas is manager.<br />
Jack Clark, president of NATO of Illinois,<br />
reports that exhibitors at a recent meeting<br />
of NATO's rating committee voiced their<br />
concern "over the inane use of explicit<br />
language in the current crop of pictures."<br />
They felt many of the scenes rated R are<br />
"bad enough without the support of the<br />
language" and also frowned upon the practice<br />
of "presumably editing a film in order<br />
to change its classification from an X to<br />
an R or an R to a PG." Members of the<br />
exhibitor organization will be further advised<br />
to take second looks at the "hard"<br />
PGs and Rs and interpret them accordingly<br />
at<br />
the boxoffice.<br />
"Brasil Colonial a Brasilia," which moves<br />
through colonial cities of Brazil to the "City<br />
of Tomorrow." opened the 22nd annual<br />
Spanish Portuguese Film Series of the Pan-<br />
American Council and Northwestern University<br />
Spanish Club.<br />
Ken Dickenson of the Towne Theatre,<br />
Highland, Ind., checked with Sam Kaplan,<br />
Kaplan-Continental Pictures, in regard to<br />
booking new product . . . Inga Swenson of<br />
Chicago is to play the role of Charlton<br />
Heston's wife in Arthur Miller's drama,<br />
"The Crucible" . . . Area theatre organ<br />
enthusiasts once again returned to the Oriental<br />
Theatre for a presentation by John<br />
Seng. The event was staged as a tribute to<br />
i|<br />
Edna Sellers who, with her husband Preston<br />
Sellers, were a husband-and-wife organ team<br />
at the Oriental as well as other Chicago<br />
;<br />
theatres. Edna Sellers appeared on the program<br />
to reminisce about the days when the<br />
Mighty Wurlitzer was a daily part of the<br />
Oriental's presentations. The Oriental War-<br />
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Gilbreth Film Co. staffers are setting up<br />
playdates for "Group Marriage" . . . While<br />
major concentration appears to lean toward<br />
Thanksgiving and Christmas playtime, Gilbreth<br />
is making plans for the February 1973<br />
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is doing outstanding business in<br />
and West coast markets. A shortage<br />
of prints for the G-rated film makes it necessary<br />
to wait until next February and actually<br />
the delay should have some advantages,<br />
for traditionally February is a month<br />
when new product is not most plentiful . . .<br />
Sid Kaplan of the Gilbreth organization<br />
queries are flying in as to when there<br />
will be screening print available of Russ<br />
Meyer's "Blacksnake." This marks Meyer's<br />
first independent production since his success<br />
at 20th-Fo.x with "Beyond the Valley<br />
of the Dolls" and "The Seven Minutes." Exhibitors<br />
appear to regard this movie with<br />
special interest because it is an R-rated film<br />
and can be played in the full range of theatres<br />
in this area, whereas Russ' former inmovies<br />
were limited to a small<br />
percentage of theatres.<br />
RIncon, who has taken over the<br />
Royal Theatre, said while visiting the Azteca<br />
that he is raffling off his new Sting-<br />
ray at $10 a chance. Rincon, formerly a<br />
operator, said he wants to drive<br />
more conservative-looking car, now that<br />
is in movie house business . . . The San<br />
Theatre will be opening with "Tu Yo<br />
a Mexican film which has been<br />
nominated for awards.<br />
20th-Fox Promotes Russo<br />
To Central Division Mgr.<br />
CHICAGO — Raymond Russo.<br />
former<br />
Chicago branch manager for 20th Century-<br />
Fox, has been promoted to Central division<br />
manager, it has been announced by Peter<br />
Myers, vice-president in charge of domestic<br />
distribution.<br />
Russo. who became Chicago branch manager<br />
for 20th-Fox in 1963, first joined the<br />
company in 1952 as a salesman in Cincinnati.<br />
His position has been filled by 25-<br />
year-old Dan Marks.<br />
Marks, who came to 20th-Fox in July<br />
1972 as a trainee for a managerial post,<br />
working as a salesman in its Los Angeles<br />
branch, becomes one of the youngest branch<br />
managers in the industry. He is married to<br />
actress Kathleen Marks.<br />
Elmer Bernstein will compose and conduct<br />
the music for MGM's "Deadly Honeymoon.<br />
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Art Groups Want to Use<br />
Embassy in Fort Wayne<br />
FORT WAYNE. IND.—A proposal<br />
convert the former Indiana Hotel into private<br />
apartment housing and to raze the<br />
adjacent Embassy Theatre for a parking<br />
lot, with help from the Department of Housing<br />
and Urban Development to the tune<br />
of $1,700,000, has brought to light local<br />
efforts by cultural groups to get the Embassy<br />
Theatre, in the downtown area, for use as a<br />
theatre.<br />
A spokesman for the Fort Wayne Fine<br />
Arts Foundation, the Fort Wayne Ballet and<br />
the Fort Wayne Philharmonic Orchestra revealed<br />
they had been working behind the<br />
scenes for months to get the Embassy Theatre<br />
for cultural activities. The theatre building<br />
is owned by Cinecom and currently<br />
shows first-run features.<br />
The Embassy, with a seating capacity of<br />
more than 2,000, can accommodate larger<br />
crowds than the Performing Arts Center,<br />
now under construction and costing $4,000,-<br />
000. This structure, to be opened in January,<br />
seats only 767 persons. The Embassy<br />
has a large stage and will be the scene of a<br />
rock concert by Edgar Winter's White Trash<br />
Sunday (19).<br />
Indianajwlis-based Property Management<br />
Consultants, which is proposing the conversion<br />
and razing project, said if the cultural<br />
groups cannot keep the one-time Titanic of<br />
movie houses in Fort Wayne afloat economically,<br />
it will be demolished. The operator<br />
of the Embassy Building, Property Manage-<br />
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ment, said it would give the art groups a<br />
chance to retain it if they are financially<br />
able.<br />
If the Embassy is razed, parking space<br />
would be provided for cars and a courtyardpatio<br />
covering 2,200 square feet also would<br />
be available.<br />
Duo in Norwalk SC Plans<br />
From Western Edition<br />
NORWALK, CALIF. — Brighton<br />
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IBOXOFFICE :: November 13, 1972<br />
C^5
KANSAS CITY<br />
Qickinson's Festival Theatre, 3319 Main<br />
St., premieres Wednesday (15) with "La<br />
Salamandre" as the inaugural attraction.<br />
Formerly known as the Kimo, the house<br />
was closed October 20 for renovation. The<br />
Festival will be a showcase for "the finest<br />
films from all over the world," according to<br />
Kent Dickinson, vice-president of the circuit<br />
. . . Dickinson's former Roxy Theatre<br />
in Carthage, closed the past two months,<br />
was destroyed early Friday morning (2) in<br />
the worst fire in the history of this city,<br />
according to a newspaper report. The theatre<br />
was first opened in 1914 by "Putt"<br />
Williams and named the Delphus. Later Bill<br />
Bradfield, former Columbia Pictures salesman,<br />
was one of the operators. At the time<br />
Coming in January:<br />
of the fire no equipment was in the building<br />
as everything had been removed when the<br />
theatre<br />
closed.<br />
Screenings at Commonwealth: "Rage"<br />
(WB), Tuesday afternoon (7); "Love Minus<br />
One" and "Molly Lawless and John" (Mercury),<br />
Wednesday afternoon (8); "Pancho<br />
Villa" (Midwest), Thursday morning (9);<br />
"Save the Tiger" (Para), Thursday afternoon,<br />
and "The Great Waltz" (MGM), Friday<br />
afternoon (10).<br />
Forty years ago, according to the column<br />
by that name in the Kansas City Times for<br />
Monday (6), "They Call It Sin" with Loretta<br />
Young and George Brent was at the Plaza<br />
Theatre. Ernst Lubitsch's "Trouble in Paradise"<br />
with Miriam Hopkins, Kay Francis,<br />
Herbert Marshall and Charlie Ruggles was<br />
at the Newman. "The Mask of Fu Manchu"<br />
with Boris Karloff, Myma Loy, Karen Morley<br />
and Lewis Stone was at the Loew's Midland.<br />
Olsen & Johnson were on the RKO<br />
Mainstreet stage.<br />
2 Films Are Confiscated<br />
At Columbia, Mo., Theatre<br />
COLUMBIA, MO.—Two films, "Love<br />
Amazon" and "Classified Sex," have been<br />
confiscated at the University Theatre and<br />
Bookstore, 109 North Fifth St., by personnel<br />
from the Boone County prosecutor's<br />
office. Prosecutor Charles Franklin charged<br />
that the two motion pictures "went beyond<br />
the limits he had set down" in what he<br />
termed a "gentlemen's agreement" with the<br />
establishment.<br />
The two films, which had been viewed<br />
earlier by a member of the prosecutor's<br />
staff, were seized by Police Detective Robert<br />
Vember and Carroll Highbarger, an investigator.<br />
"We had an agreement with the theatre<br />
that there would be no raids as long as they<br />
showed films that were in what I call the<br />
'gray area,' " Franklin said. "An example<br />
of this type of film would be showing two<br />
people nude but with no physical contact."<br />
He continued: "Our own state Supreme<br />
Court ruled that this type of film was considered<br />
to be pornographic and illegal but<br />
the U.S. Supreme Court overturned the case<br />
but gave no opinion. We really don't know<br />
where we stand."<br />
His office has kept a close check on the<br />
theatre and in the past has found it to be<br />
showing the type of films that fell within<br />
the "gray area" he had set up. Franklin<br />
said. It was only after receiving information<br />
on the two confiscated films that Franklin<br />
decided to raid the theatre.<br />
"I regret that this raid got out to the<br />
media," Franklin commented. "The last<br />
raids that were publicized gave them an<br />
amazing amount of publicity."<br />
When officials entered the theatre and<br />
interrupted one of the films, an estimated<br />
20 people were present.<br />
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Spring Debut Planned<br />
For Flat River Airer<br />
FLAT RIVER, MO.—Preliminary grading<br />
has been started and actual construction<br />
will begin soon on a drive-in theatre to be<br />
located approximately a mile from downtown<br />
Flat River on Highway 8, it was announced<br />
recently by Tom Edwards and<br />
Frank Plumlee. Although plans for the airer<br />
are completed, an architect's decision on<br />
where to place the screen for possible expansion<br />
to a twin operation in the future<br />
is being awaited.<br />
The underskyer will be designed for yeararound<br />
operation, with ultramodern auto-<br />
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concession stand and the newest and most<br />
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food for patrons" enjoyment.<br />
Opening of the drive-in is scheduled for<br />
the spring of 1973.<br />
FP Opens Fiesta 1 and 2<br />
From Canadian Edition<br />
NANAIMO, B.C.—Famous Players<br />
has<br />
just opened a twin-theatre complex here,<br />
where the venerable Capitol, which was<br />
situated on one of the twisting, narrow<br />
streets of the old downtown area, has been<br />
demolished. Still close to the center of<br />
action, the theatres, named Fiesta 1 and 2,<br />
are at 91 Chappel St.<br />
THANK YOU<br />
Louis,<br />
Jules, Jack Jablanow<br />
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At St. Clair County Fair<br />
BELLEVILLE, ILL.—BAC Theatres previewed<br />
the circuit's summer and fall coming<br />
attractions at the St. Clair County Fair<br />
and over 160,000 people visited the displays<br />
in the large air-conditioned fairgrounds<br />
auditorium. With the aid of a new<br />
platter system and xenon lamp, BAC continuously<br />
showed over three hours of different<br />
35mm previews and assorted short<br />
subjects on a large screen from 12 noon<br />
until 11 p.m. daily for eight days.<br />
The equipment employed was part of<br />
that destined for use in the Fairview Cinema,<br />
a twin theatre now under construction<br />
in Fairview Heights, 111.<br />
Claude Shanks, manager of the BAC<br />
Cinema of Belleville, was one of those<br />
who manned the booth. This duty also was<br />
shared by managers and personnel from<br />
the circuit's other 13 theatres in the area.<br />
During the fair, the Skyview Drive-In<br />
in Belleville was showing "Conquest of the<br />
Planet of the Apes." Two drive-in employees,<br />
dressed in ape costumes, paraded<br />
around the fairgrounds distributing handbills.<br />
This promotion was enjoyed by patrons<br />
who visited with the apes in front of the<br />
booth and various other locations.<br />
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BOXOFTICE :: November 13, 1972
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Metropolitan Atlanta Film Council<br />
Marks End of First<br />
ATLANTA—The Metropolitan Atlanta<br />
Better Film? Council, among the first of<br />
such organizations formed in the U.S., celebrated<br />
its Golden Anniversary at the October<br />
luncheon meeting held at the Ansley<br />
Golf Club.<br />
Mrs. Mike Carmichael, the council's 30th<br />
president, presided at the meeting, with her<br />
official family for the coming year seated<br />
on the dais. This group included Mrs. William<br />
F. Dowda and Mrs. E. L. McNiff, vicepresidents;<br />
Mrs. H. B. Carroll, recording<br />
secretary; Mrs. John C. Horton, corresponding<br />
secretary; Mrs. L. Hubert Bolch, treas-<br />
*tirer; Mrs. F. C. Dabney, auditor, and Mrs.<br />
A. P. Whitehead, parliamentarian.<br />
It was in 1922 that DeSales Harrison,<br />
manager of the Howard Theatre (later<br />
named the Paramount) invited a group of<br />
interested women to meet with him and<br />
discuss forming an organization to promote<br />
Half-Century<br />
better film entertainment for Atlantans.<br />
Formal organization was completed and the<br />
Atlanta Better Films Council held its first<br />
meeting Oct. 15, 1922. Several years ago<br />
the Atlanta council merged with the Decatur<br />
Better Films Council and the name changed<br />
to Metropolitan Atlanta Better Films<br />
Council.<br />
Primary object of the council is to promote<br />
better motion picture and TV programs<br />
and to aid in the building of discriminating<br />
audiences.<br />
Present at the anniversary meeting were<br />
nine former presidents, including Mrs. Alva<br />
G. Maxwell, prominent Atlanta clubwoman<br />
who was the eighth president of the organization.<br />
Mrs. Maxwell told of the early<br />
struggles of the members: "We had our<br />
problems with exhibitors in those days, too,<br />
but they were tame when compared to<br />
what's going on in the industry today."<br />
President Carmichael introduced the other<br />
ex-presidents who responded with highlights<br />
of their terms in office.<br />
Eight other past-presidents at the meeting<br />
were Mesdames A. C. Dunn; Mary Horton,<br />
who recalled the stir caused by the showing<br />
of "Stromboli"; Vonna McNiff, who remembered<br />
the battle that raged around<br />
"Room at the Top"; Betty Floyd jr., who<br />
recalled how a group of council members<br />
talked their way into a convention of Theatre<br />
Owners of Alabama, Georgia and Tennessee;<br />
Helen Shell, who explained how her<br />
constant presence at court hearings and her<br />
willingness to address clubs gained her the<br />
title of "Mrs. Pornography"; June Whitehead,<br />
Ruth Hewell sr. and Myrtle Tankersley,<br />
immediate past president, who, with her<br />
husband J.S., formerly owned and operated<br />
film theatres in this area.<br />
Perusal of the list of past presidents revealed<br />
that only one male ever occupied the<br />
post of president of the council. He was<br />
J. W. Setze jr. and was the coimcil's seventh<br />
leader.<br />
Mrs. Carmichael presented each member<br />
with a gayly wrapped birthday gift and distributed<br />
gifts to several visitors.<br />
James M. Simpson New<br />
Circuit President<br />
KNOXVILLE, TENN.—James M. Simpson<br />
has been promoted from secretary to<br />
president of the Simpson Operating Co., a<br />
Knoxville circuit, by the board of directors.<br />
The directors also created the post of<br />
chairman of the board and elevated to it<br />
C. H. Simpson, father of James, who previously<br />
had served as president.<br />
Other officers of the company are Jack<br />
Chambliss of Chattanooga, vice-president;<br />
H. D. Raney, Knoxville, secretary and assistant<br />
treasurer; W. O. Hubbuck, Chattanooga,<br />
treasurer.<br />
The Simpson circuit operates Capri Cinema,<br />
Capri 70, Riviera and River Breeze<br />
Drive-In. It is building the Capri Terrace<br />
Theatre on Homberg Drive, one block east<br />
of the present Capri theatres.<br />
Interviews to come up with a lead player<br />
for Warner Bros.' "Cleopatra Jones" resulted<br />
in a deluge of young ladies crowding<br />
in to talk with producer Bill Tennant.<br />
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Comingyourway<br />
for Easter 1973<br />
Principal photography is completed on the<br />
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Starring:<br />
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Steve Carlson<br />
Pat Carroll<br />
Hans Conried<br />
Richard Erdman<br />
Allyn Joslyn<br />
Richard Jury<br />
Lee Meriwether<br />
Jesse White<br />
Directed by Richard Erdman<br />
Screenplay by Marion Hargrove<br />
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The wacky, wonderful tale of the unbelievable<br />
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r<br />
SOXOFHCE :: November 13, 1972 SE-3
ATLANTA<br />
HBC Southeastem's 4,000-seat Fox, which<br />
recently announced a change in its<br />
straight film policy to include stage attractions,<br />
has been engaged for a week, starting<br />
Wednesday (29) by a group which will present<br />
a full-length feature picture, "Free,"<br />
plus concerts by three live bands, alternating<br />
their appearances on the huge Fox stage and<br />
in the pit. The 43-year-old Fox is the only<br />
film theatre in Atlanta with complete stage<br />
and screen facilities. Already booked by the<br />
Fox when the original announcement was<br />
made was a joint presentation by Humble<br />
Pie and the J. Geils Band, two rock groups,<br />
for concerts at 7 and 10:30 p.m. December<br />
14. The Fox will interrupt a successful run of<br />
Avco Embassy's "Trinity Is Still My Name"<br />
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Thursday (16) to present two special performances<br />
(at 2 and 8 p.m.) of Peter Brook's<br />
film of William Shakespeare's "King Lear,"<br />
starring Paul Scofield and Irene Worth, with<br />
a special price of $1 for students. According<br />
to George Deavours, managing director of<br />
the Fox, "Trinity Is Still My Name" has<br />
showed surprising strength at the boxoffice.<br />
"Asylum" is pencilled to follow "Trinity."<br />
Names of motion picture leaders in the<br />
Atlanta area dominate the membership of<br />
the new crew elected at a meeting of Atlanta<br />
Tent 21, Variety Club International, held<br />
in the club's headquarters in the Fox Theatre<br />
Building. Included in the 1 1 names, listed<br />
alphabetically, are V. J. Bello sr., American<br />
International Pictures district manager;<br />
Thomas Carr, radio and TV broker; Frank<br />
Cason, advertising company representative;<br />
Gordon Craddock, president, Craddock<br />
Films; Henry Harrell, division manager. National<br />
General Pictures; Willard Kohorn,<br />
National Screen Service, office managre;<br />
William Lowery, president, Lowery Music<br />
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AIP office manager, and John Stembler jr.,<br />
Georgia Theatre Co. concessions manager.<br />
Bello and Matthews have both served the<br />
tent as chief barkers. Crew members are<br />
scheduled to meet this week and name a<br />
selection from among their numbers to fill<br />
the chief barker position. He, in turn, will<br />
appoint the new slate of officers to serve<br />
with him in 1973.<br />
Raquel Welch was forced, by a film commitment,<br />
to cancel an appearance on the<br />
Bob Hope Show Friday (3) here in the<br />
Omni, 15,000-seat entertainment and sports<br />
complex ... A. Gordon Gray has been<br />
appointed national production manager in<br />
charge of all syrup production facilities for<br />
Coca-Cola USA. He will be based here . .<br />
John A. Tenaglia,<br />
.<br />
former manager of GCC<br />
Communications of Atlanta, licensee of<br />
WGKA and WZGC radio stations, has been<br />
promoted to executive vice-president of<br />
General Cinema Corp. in charge of all<br />
broadcasting operations in Atlanta, Cleveland,<br />
Philadelphia. Houston and Miami.<br />
John B. Frankhouser jr. succeeds to the post<br />
vacated by Tenaglia in Atlanta.<br />
Leonard Allen, freelance public relations<br />
and promotion agent with offices in the<br />
Atlanta Film Building, set up a special<br />
screening of "Confessions of Tom Harris"<br />
in Columbia's Filmrow Playhouse Monday<br />
(6). The picture, produced by David Nelson,<br />
(Continued on page SE-6)<br />
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SE-4 BOXOFFICE :: November 13, 1972
FERUN HUSKY in<br />
Was<br />
this girl<br />
a craiad<br />
klllar?<br />
A STORY FILLED WITH<br />
RAW ACTION AND<br />
RANK TERROR<br />
THAT YOU WILL ^<br />
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^
ATLANTA<br />
(Continued from page SE-4)<br />
son of Ozzie and Harriet,<br />
and starring Don<br />
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Lowery's Carolina Booking Service . . .<br />
Dottie Key joined the office staff of National<br />
General Pictures. She is a niece of<br />
Wilma Park, assistant cashier in the Columbia<br />
exchange.<br />
Margaret Hilley, 20th Century-Fox booker,<br />
was injured while en route to work and<br />
heading for her bus stop. She fell and was<br />
taken to a hospital, where it was learned that<br />
she had dislocated her shoulder and splintered<br />
the upper part of her right arm. She<br />
is recuperating at the home of her sister.<br />
It's believed she twisted her ankle, causing<br />
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Mrs. Nell Castleberry, WOMPI president,<br />
was in charge of the Wednesday (15) club<br />
luncheon at the Atlanta Hotel. Margaret<br />
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Baker, Wil-Kin Theatre Supply, was in<br />
charge of the program and introduced the<br />
main speaker, a member of the staff of<br />
Renewal House, who spoke on the work of<br />
this project, one of the chief beneficiaries<br />
of WOMPI charity.<br />
WOMPIs brought baskets<br />
of food to the meeting and presented<br />
them to Renewal House in preparation of<br />
the home's annual Thanksgiving Day celebration<br />
. . . Theatres have been showing<br />
trailers to promote the freshman charity<br />
football game between Georgia Tech and<br />
Clemson, sponsored by Variety Tent 21 of<br />
Atlanta. The WomPets, WOMPI group,<br />
have been selling game tickets at the theatres.<br />
Sarah Lowery, feeling quite fit, has returned<br />
to her duties at United Artists after<br />
undergoing surgery in a Griffin, Ga. hospital,<br />
followed by recuperation at her home<br />
in Jackson and then by a week of her vacation<br />
. . . Helen Kuykendahl of the 20th<br />
Century-Fox accounting department is back<br />
at her desk after a week's vacation.<br />
Trade and press screenings—Columbia's<br />
Filmrow Playhouse: "Farewell, Uncle<br />
Tom," Harnell Independent Productions;<br />
"The Great Waltz," MGM; "Trick Baby,"<br />
Universal; "The Ruling Class," Avco Embassy;<br />
"The King of Marvin Gardens,"<br />
Columbia; "Pancho Villa" and "Hail," General<br />
Films; "What a Way to Die," Jack<br />
Vaughan Productions. 20th-Fox screening<br />
room: "Vampire Circus" and "Countess<br />
Dracula." Preview Theatre, Altanta Film<br />
Building: "Ginger in the Morning," Craddock<br />
Films.<br />
Robert Tarwater, UA Atlanta exchange<br />
manager, came up with this sage comment<br />
after he and his wife returned from Las<br />
Vegas: "There's just no way a visitor to that<br />
place can get home with any money after<br />
a vacation there." The Tarwaters, who<br />
motored to the Nevada resort city, reported<br />
they saw the Glen Campbell Show at the<br />
Sahara and the Paris Lido extravaganza at<br />
the Stardust. Turning from vacation memories,<br />
Tarwater said he's preparing to launch<br />
the Christmas Salute collection for the Will<br />
Rogers Memorial Hospital during which<br />
film industry people and theatre workers<br />
will make their own contributions. He reported<br />
that other collections for the hospital,<br />
including the audience solicitation in which<br />
the WOMPIs participated, are "about on a<br />
par" with last year's totals. He asks that<br />
industry people be as generous as possible.<br />
There is much gloating on the part of<br />
20th-Fox hereabouts over the success of<br />
"Sounder," which had its world premiere at<br />
the Atlanta Film Festival and now is in<br />
special release in a few selected locations<br />
(including Atlanta) and racking up record<br />
grosses. Latest plaudits for the Robert Radnitz-Martin<br />
Ritt picture comes from the<br />
new issue of Film Feedback. Published by<br />
a branch of the National Council of Churches,<br />
it was devoted entirely to an appreciation :<br />
of the 20th-Fox release. This the first<br />
\<br />
time the publication has treated any film<br />
in such an extensive manner and terms.<br />
Kiddies weekend matinees are doing well<br />
\<br />
here. "The Wonderful Land of Oz" de- •<br />
lighted youngsters at seven Eastern Federal I<br />
theatres covering the five-county metropoli- |<br />
tan area. All seats for the matinees were<br />
|<br />
priced at 50 cents and an added lure to the \<br />
youngster was a chance to register for a<br />
20-inch Iverson Sprint bicycle being given<br />
away by the theatres and the Zayre Department<br />
stores . . . Lassie was starred in "Hills<br />
of Home" in MGM's children's matinee<br />
series at eight Georgia Theatre Co.'s units<br />
and six Storey theatres. Tickets were $L<br />
Dave Tribble, fresh out of Uncle Sam's<br />
Navy after a four-year tour that took him<br />
around the world, has signed on with 20th-<br />
Fox here as assistant to Ralph Buring. A<br />
native Atlantan, Tribble attended Sylvan<br />
Hills High School. While in the Navy, he<br />
was assigned to public relations, studied<br />
military journalism at Ft. Benjamin Harrison<br />
and gained experience in radio and TV<br />
announcing. He spent the last 16 months of<br />
his hitch at the Albany, Ga., Naval Air<br />
Station as editor of Flight Lines, the station's<br />
newspaper. After his separation from<br />
service, he founded and edited Extravaganza,<br />
an Atlanta magazine which features motion<br />
picture reviews and other editorial material<br />
devoted to the film industry.<br />
M. V. McAfee, Paramount's Atlanta exchange<br />
manager, hosted a sneak preview<br />
October 27 of "Lady Sings the Blues" at<br />
Loews' Tara Theatre . . . Avco Embassy's<br />
"Trinity Is Still My Name" was presented<br />
at two special night preview screenings<br />
Wednesday, October 25. and the following<br />
evening, at Columbia's Filmrow Playhouse.<br />
College students, exhibitors and media representatives<br />
made up the audience each<br />
night.<br />
Rudy Behlmer, Hollywood writer and film<br />
buff, was here promoting his new book<br />
"Memo From David O. Selznick." a $15<br />
volume published by Viking Press. Years<br />
ago, Behlmer recalled, he spoke to the famous<br />
producer about the legend that he had<br />
saved every memorandum he had ever writ-<br />
(Continued on page SE-8)<br />
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in Virginia—Perdue Motion Pictures, Roanoke—366-0295<br />
in North Carolina—American Theatre Supply Co., 529 S. Tryon St.,<br />
Charlotte, N. C.<br />
SE-6 BOXOFHCE :: November 13, 19?:
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ATLANTA<br />
(Continued from page SE-6)<br />
ten. DOS admitted it and said he had considered<br />
putting some of them into a book.<br />
He asked Behlmer if he would like to tackle<br />
the job. Behlmer declined, realizing that<br />
such a project would have to be undertaken<br />
after the death of Selznick, a man of such<br />
dominant character that he would insist on<br />
keeping tight control over the entire collaboration.<br />
Two years after Selznick died,<br />
Behlmer asked DOS' son Danny about the<br />
memos. Danny suggested that Behlmer do a<br />
book built upon the voluminous files, more<br />
than 2,000 boxes, each the size of a file<br />
drawer, piled high in an old warehouse.<br />
In the book, Selznick's memos shed new<br />
light on the production of "Gone With the<br />
Wind," filmization of Atlantan Margaret<br />
Mitchell's novel of the Old South. Atlantans<br />
on the scene will be surprised to learn from<br />
these memos that "GWTW," from beginning<br />
to end, was seemingly wild confusion,<br />
FINER PROJEaiON-SUPER ECONOMY<br />
Ask Your Supply Dealer or Write<br />
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belied by the fact that it remains as Selznick's<br />
cinematic monument, a film that will<br />
continue to entertain many generations of<br />
moviegoers. DOS' last "GWTW" memo<br />
read: ". . . If we can't get a sequel, I would<br />
still be delighted to have a story to be called<br />
'The Daughter of Scarlett O'Hara' ... It is<br />
not clear to me how Scarlett would get herself<br />
pregnant again but then Scarlett, after<br />
all, was Scarlett . .<br />
."<br />
Maurice Ehrlich, associated with Jerry<br />
Lewis Cinemas in this area, and Robert A.<br />
DuLong, partners in Soundhog South. Inc.,<br />
are preparing to open a new 450-seat folkrock-comedy<br />
concert hall to be called the<br />
Great Southeast Music Hall, Emporium and<br />
Performing Artists Exchange in the Broadview<br />
Shopping Center. Lorenz-Redfield of<br />
Atlanta and New York City has been engaged<br />
as management consultant and entertainment<br />
director of the new facility's Music<br />
Hall. In New York City they have been associated<br />
with the Bitter End and the Downstairs<br />
at the Upstairs.<br />
Roger Corman Productions will film "The<br />
Cockfighter," the screen version of Charles<br />
Willeford's novel, on location in Florida<br />
next year.<br />
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The Poseidon Adventure'<br />
Seminar Held in Atlanta<br />
ATLANTA—John Friedkin, 20di Century-Fox<br />
director of promotion, advertising<br />
and publicity, conducted the second oneday<br />
seminar in a series of five here October<br />
25 on producer Irwin Allen's spectacular<br />
"The Poseidon Adventure," scheduled for<br />
national release in December. Friedkin was<br />
assisted by Ralph Buring, 20th-Fox's Southeastern<br />
field representative who has headquarters<br />
here.<br />
Invited to participate in the seminar were<br />
more than 40 independent exhibitors, circuit<br />
chiefs, film bookers and buyers from<br />
the Atlanta territory and Jacksonville. A<br />
feature was the showing of a 40-minute reel<br />
of highlights from "The Poseidon Adventure,"<br />
plus a slide presentation followed by<br />
a ten-minute documentary. Closing the seminar<br />
was disclosure of plans for an extensive<br />
network TV buy for December.<br />
Among those attending were John Huff,<br />
ABC Southeastern Theatres; Kip Smiley,<br />
Marvin Doris, John H. Stembler jr., Georgia<br />
Theatres Co.; Joe Harper and Joe Lee,<br />
R. C. Cobb Theatres Atlanta booking headquarters;<br />
Larry Pitman, General Cinema,<br />
Miami; Elton Holland, Malco circuit, Memphis;<br />
Kenn Maxwell, R. C. Cobb Theatres,<br />
Birmingham; Tom Sawyer, ABC Theatres,<br />
Jacksonville; Richard Huffman, Jack Jordan,<br />
ABC Theatres, Charlotte; Danny Deaver,<br />
Charlotte, and George Shepp, Atlanta,<br />
representing Eastern Federal Corp.; Mr. and<br />
Mrs. Sid Katz, Weis Theatres, Atlanta;<br />
Richard Roshier, National General, Knoxville;<br />
Bob Gunter, ABC Theatre; Dick Volberg,<br />
American Multi Cinema, Jacksonville.<br />
Also Jay Cooper, National General, New<br />
Orleans; Bob Capps, General Cinema, Jackconville;<br />
Robert Hosse and Foster Hotard,<br />
Atlanta, and Ronnie Otwell, Columbus,<br />
representing Martin Theatres; Ralph Puckhaber,<br />
ABC Florida State Theatres, Jacksonville;<br />
Preston Henn, Earl and Harold<br />
Turbyfill, Henn Theatres, Margate, Fla.<br />
Also from the 20th Century-Fox exchange<br />
in Atlanta: branch manager Dan Coursey;<br />
office manager Harry Purdy; salesman Travis<br />
Carr; bookers Margaret Hilley and<br />
Margie Roberson; Nancy Hamilton, Buring's<br />
secretary, and Dave Tribble, assistant<br />
to<br />
Buring.<br />
At the conclusion of the seminar, the<br />
guests moved to the nearby Atlanta American<br />
Motor Hotel for a Christmas turkey<br />
luncheon, complete with a gaily decorated<br />
tree and a miniskirted Santa Claus from<br />
the 20th-Fox staff.<br />
"The Poseidon Adventure," the company's<br />
Christmas picture, is booked into Weis'<br />
Capri Cinema.<br />
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SE-8 BOXOFnCE :: November 13, 1972
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BETHEL G. BUCKALEW • HARRY H. NOVAK<br />
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Atlanta Cinema Showcase<br />
Valuable Publicity Aid<br />
ATLANTA—Cinema Showcase, a TV<br />
series produced at WETV, Atlanta's educational<br />
station and a link in the ten-station<br />
Georgia educational TV network, now is<br />
being syndicated on the Southern Educational<br />
Commission's Network of 80 stations,<br />
having made its initial bow Saturday,<br />
October 21.<br />
Motion picture aficionados will be morethan-a-little<br />
interested in the WETV production,<br />
which features interviews with stars<br />
and celebrities of the silver screen, comments<br />
on current feature pictures, reviews<br />
and other facets pertinent to the industry.<br />
Originally designed as a weekly 1 5-minute<br />
film review on the air over WETV, the<br />
series impact was so strong after four telecasts<br />
that producer Danny Royal expanded<br />
the program to 30 minutes and broadened<br />
the format. It became an instant hit with<br />
film<br />
buffs.<br />
Each week, host Jim Whaley interviews<br />
personalities with an in-depth perception<br />
that has become a trademark of the program<br />
and has won him the praise of his guests.<br />
He also features reviews of films, usually<br />
illustrated with specific scenes, on location<br />
and behind-the-scenes filming of a soon-tobe-released<br />
feature and occasionally a retrospective<br />
visit with an established film star.<br />
Whaley has accumulated several filmed<br />
and taped interviews with stars, including<br />
Ginger Rogers, who remarked after visiting<br />
here that her meeting with Whaley was "the<br />
most complete and interesting interview I<br />
have ever given."<br />
Three-time Academy Award-winning producer-director<br />
Frank Capra said of his<br />
taping session with Whaley: "Now, that's<br />
how an interview should be done."<br />
Susan Hayward, who during the height of<br />
her film career lived at her country home<br />
near Atlanta with her late husband Eaton<br />
Chalkley, commented to Whaley while on<br />
the air: "You know more about my career<br />
than I do."<br />
Others who have appeared on Cinema<br />
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Blyth, Sydney Poitier, James Dickey (author<br />
of "Deliverance"), Jack Klugman, Yvette<br />
Mimieux, Mercedes McCambridge and<br />
Richard Hayman.<br />
Cinema Showcase is on WETV, Channel<br />
30, at 8 p.m. each Wednesday and has<br />
caught on quickly with Atlanta's film buffs.<br />
Affiliation with the Southern Educational<br />
Commission's 80 stations gives the program<br />
a greater outlet than that obtained by any<br />
other independently produced educational<br />
TV show.<br />
GTC Staffer Lucy Banks<br />
Wins AIP $100 U.S. Bond<br />
ATLANTA—Lucy Banks, Georgia Theatre<br />
Co. booking staffer, was presented a<br />
$100 U.S. Savings Bond as winner of first<br />
prize in the American International Pictures<br />
Bonus Lucky Playdate Drive, which ended<br />
October 1. Her name was drawn by Mrs.<br />
Nell Castleberry, United Artists staffer and<br />
president of the Atlanta WOMPI Club.<br />
Second-place winner was Janice Wansley,<br />
who received a $75 bond. She is with the<br />
Martin Theatres' Atlanta booking headquarters<br />
staff.<br />
Third place and a $50 bond were won by<br />
Daisy Ussery, also a Martin staffer, and<br />
fourth place $25 bond went to Marguerite<br />
Stith.<br />
Competition is keen in these contests and<br />
Glenn Simonds, AIP Atlanta exchange manager,<br />
announced that another Lucky Playdate<br />
Bonus Drive will end February 1. It<br />
started October 1.<br />
Rules governing the<br />
drive are:<br />
1. All playdates must be played and/ or<br />
paid for during the period of the contest<br />
dates<br />
only.<br />
2. The contest is for the exhibitor, buyer<br />
or booker.<br />
3. Cards must be filled out and submitted<br />
by the person requesting the playdates.<br />
4. Names of the prize winners will be<br />
drawn February 16 at 12 noon in the offices<br />
of American International Pictures by someone<br />
neutral to AIP business. Participants do<br />
not have to be present to win.<br />
Fox Lease May Not Be Renewed<br />
SACRAMENTO, CALIF.—Local manager<br />
Max Brodie has indicated that National<br />
General Theatre Corp. does not intend to<br />
renew the lease on the downtown 2,000-<br />
seat Fox Theatre when it expires May 31,<br />
1973. Brodie, a native of Sacramento, has<br />
managed the Fox since 1949.<br />
Morrissey Would Restore<br />
Glamour to Hollywood<br />
ATLANTA—Motion picture personalities<br />
who come here promoting their films never<br />
seem reluctant to sound off about their<br />
product or the state of the film industry.<br />
This certainly was true of Ron O'Neal,<br />
star of "Super Fly," now showing at Eastern<br />
Federal Corp.'s Coronet Theatre, and Paul<br />
Morrissey, an associate of Andy Warhol<br />
and director of "Flesh," "Trash" and<br />
"Heat," the latter current at Weis' Cinema.<br />
Morrissey says he would like to make a<br />
movie that critics don't see: "A movie just<br />
for the public. Where you don't have to sell<br />
it like you have to sell movies."<br />
Morrissey added that he would like to<br />
resurrect the long lost glamour of Hollywood,<br />
commenting that the films of the<br />
1930s will last 300 years, whereas the films<br />
of the 1960s "won't be remembered 30 years<br />
from now."<br />
"I disagree with what everyone says about<br />
film being the director's medium," Morrissey<br />
went on. "It's the stars, the actors, that<br />
made something for the public. People went<br />
to see names, not directors."<br />
He credits Warhol's philosophy about the<br />
use of the camera as being greatly influential,<br />
as is Warhol's attitude toward actors:<br />
"I prefer to work with people who are not<br />
professional actors. What do you look for<br />
in a person who is appealing? Well, that<br />
quality makes you realize this person is always<br />
turned-on, probably always has been."<br />
O'Neal chose to concentrate on refuting<br />
charges that "Super Fly" glorifies crime.<br />
West Coast civil rights leaders have said<br />
that the cocaine pusher portrayed by O'Neal<br />
presents the character in a favorable way.<br />
O'Neal responds by saying he simply shows<br />
the way things are in Harlem.<br />
Such charges "can only mean that they<br />
don't understand what the film is all about,"<br />
said O'Neal, who admits owning a piece of<br />
the picture. He added that the film shows<br />
"the real world of the ghetto, where crime<br />
is one of the career options to the ambitious<br />
young man."<br />
At worst, he said, "Super Fly" represents<br />
"a bit of making hay while the sun shines,"<br />
a reference to part of the group of films<br />
obviously slanted to cash in on the current<br />
fad for black-oriented motion pictures.<br />
O'Neal contends that "Super Fly," which<br />
was directed by Gordon Parks jr., son of<br />
the Life photographer, shows the dope trade<br />
from the black point of view and was<br />
crafted with a canny eye on the<br />
boxoffice.<br />
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From New England Edition<br />
HARTFORD—Evening trade has markedly<br />
improved at the 1,300-seat downtown<br />
Strand, reports owner Harold Konover,<br />
since his decision several months ago to<br />
provide free parking space daily after 5<br />
p.m. at the Konover family-owned Gateway<br />
parking lot across Main Street.<br />
Strand patrons may park free in the lot<br />
all day on Sundays.<br />
BOXOFHCE :: November 13, 1972
THE BIG MONEYMAKERS<br />
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NOVEMBER RELEASE<br />
"THE HORROR OF<br />
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Unseen Terrors!<br />
An Edgar Wallace tale of horror<br />
PG<br />
AND<br />
"THE MAN WITH<br />
THE GLASS EYE"<br />
An Edgar Wallace story<br />
A tale of death in London's Soho<br />
PG<br />
EASTMAN Color by Pocific Film Lab<br />
NOVEMBER RELEASE<br />
"THE GAMES<br />
SCHOOL GIRLS PLAY"<br />
After School Hours<br />
Starring MARION FORSTER<br />
AND<br />
A G.A.D.A.<br />
Presentation
LeRoy Griffith Negotiating to Turn<br />
Miami's Paramount Into Stage House<br />
MIAMI—Another "dowager" movie palace<br />
in the downtown area here will be converted<br />
into a legitimate theatre by Christmas<br />
if negotiations between LeRoy Griffith and<br />
Florida State Theatres work out.<br />
Griffith, who owns five adult theatres in<br />
south Florida, proposes to take control of<br />
the old Paramount Theatre at 257 East<br />
Flagler St. and ojjerate it as an adult movie<br />
house while preparing the stage for legitimate<br />
roadshow productions. Griffith cited<br />
the attention given the Gusman Philharmonic<br />
Hall, located at Flagler Street and<br />
Southeast Second Avenue as one reason<br />
for his present thinking. He says he believes<br />
the downtown area will be much safer in<br />
the evenings now.<br />
The Paramount closed in June after a<br />
brief run of "Annie Caulder" and "The<br />
Deserters." Griffith plans a moderate remodeling<br />
(not on the $2 million scale spent<br />
by philanthropist Maurice Gusman on the<br />
old Olympia Theatre to convert it into<br />
Gusman Hall) and an opening by mid-<br />
December.<br />
If the Griffith plans materialize, the<br />
1,200-seat Paramount would be the second<br />
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legitimate theatre in the downtown area<br />
and he firmly believes his Paramount would<br />
help, not hurt, the new Gusman Hall.<br />
"I honestly believe that the more theatres<br />
there are in downtown Miami, the better<br />
it will be for all," Griffith told the Miami<br />
press. "New York and Broadway are good<br />
examples of how a theatre district, as opposed<br />
to just one theatre, can attract millions<br />
of people."<br />
The move to secure the Paramount is the<br />
second such effort by Griffith in recent<br />
months. Previously, after he had obtained<br />
the Beach Theatre in the Lincoln Mall area<br />
on Miami Beach, Griffith announced plans<br />
to operate a legitimate theatre for plays and<br />
variety shows. That plan met an obstacle<br />
physical difficulties with the theatre itself.<br />
"I planned to extend the stage into the<br />
audience to provide enough stage room," he<br />
recalled. "But when I did that, I realized<br />
people in the balcony couldn't see all the<br />
stage. That reduced capacity by so many<br />
that I couldn't go ahead with the project."<br />
The Paramount Theatre was opened in<br />
1920 as a combination legitimate theatre,<br />
vaudeville house and movie palace. For<br />
the next two decades, the Paramount<br />
brought in roadshows, famous variety stars<br />
and even minstrel shows. Many of the top<br />
names in show business performed on the<br />
Paramount stage, just as they did at the<br />
nearby Olympia, and into the 1940s the<br />
Paramount offered a wide variety of entertainment.<br />
Old Brooklyn Schoolmcrtes<br />
Are Reunited in Atlanta<br />
ATLANTA—When Nat Rosen, Charlotte-based<br />
Eastern Federal Corp.'s film<br />
buyer and booker, was assigned to Atlanta,<br />
where the circuit owns and operates ten<br />
theatres, among the first acquaintances he<br />
made was that of V. James Bello sr., American<br />
International Pictures Southeastern division<br />
manager. They soon established the<br />
fact that, although they couldn't recall meet-<br />
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ing one another, they had attended the same<br />
school in Brooklyn, N. Y.<br />
During one of their conversations, Rosen<br />
made reference to his wife Sid, which stirred<br />
Bello's memories.<br />
He asked Rosen: "Is your wife's name<br />
Sidonia? I knew a girl by that name when<br />
we went to school together at Public School<br />
163 in Brooklyn. The last time I saw her<br />
must have been in 1926—46 years ago!"<br />
A confrontation was arranged and the<br />
46-year gap bridged by a nostalgic meeting<br />
between Mrs. Rosen, nee Sidonia Reissman,<br />
who brought out her school's yearbooks,<br />
with Jimmy Bello's picture therein; there<br />
was a flood of reminiscences exchanged,<br />
with Rosen and Bello's wife Doris as delighted<br />
audience. Old times and old friends<br />
became the main topics. Of course, the reunion<br />
called for a celebration and it took<br />
the form of a dinner, complete with vintage<br />
champagne.<br />
Bello began his industry career as a reelboy<br />
at the age of 9, when he became a reel<br />
boy in a Brooklyn exchange. He observed<br />
his 50th anniversary in the film industry<br />
two years ago. Nate Rosen started his industry<br />
career at the age of 12 years—so the<br />
experiences of the two families have followed<br />
a much similar pattern down through the<br />
last half century.<br />
Passaic Theatres Change<br />
Policy on X Pictures<br />
From Eastern Edition<br />
PASSAIC, N.J.—Both Passaic theatres<br />
which were involved in a recent "pornography<br />
crackdown" by the city and the county<br />
prosecutor's office have agreed voluntarily<br />
to begin showing, immediately, films which<br />
meet the state pornography statute. Operators<br />
of the Montauk and Capitol theatres,<br />
which feature a consistent policy of X-rated<br />
films, through their attorneys, stated that<br />
they will withdraw their usual "hard-core"<br />
pornographic films but will continue to<br />
show X-rated films that meet the state laws.<br />
The prosecutor's office said it intends to<br />
view future film showings at the two houses<br />
to make sure they do comply with the law.<br />
Several weeks ago the Passaic City Council,<br />
prompted by the Roman Catholic Archdiocese<br />
of Newark, called for "a crackdown<br />
on smut and pornography" in the city. It<br />
was joined by county officials shortly thereafter.<br />
The theatre owners' decision was received<br />
by the prosecutor immediately following<br />
the arrest of a local store owner by<br />
city and county police on charges of selling<br />
obscene books.<br />
The Montauk is operated by Richard<br />
Nathan, while the Capitol ownership recently<br />
was transferred to Al Hayward and John<br />
Scher.<br />
WMT Stresses Phone Service<br />
From New England Edition<br />
SPRINGFIELD—Col. Samuel Goldstein,<br />
president. Western Massachusetts Theatres,<br />
is stressing phone information for all WMT<br />
situations, the line "24-Hour-Tele. Serv."<br />
appearing in newspaper ads. A recorded<br />
message provides feature film titles and<br />
running times.<br />
j<br />
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^BOXOFnCE :: November 13, 1972 SE-13
MIAMI<br />
Cian Barbara Allen, daughter of the Lee<br />
Leveys of Miami Beach, is making a<br />
film in Israel. The TV and movie actress<br />
has an outstanding role in the film, "You'll<br />
Like My Mother," now playing at local<br />
theatres, and also played a lead in TV's<br />
"Bonanza" October 24. She is a graduate of<br />
the Pasadena Community Playhouse. The<br />
Leveys, formerly of Cincinnati, recently<br />
moved to Surfside, Miami Beach, and own<br />
the Holiday Inn Beauty Salon at 8701 Collins<br />
Ave. Daughter Sian has appeared on<br />
many TV shows, including "Marcus Welby,"<br />
"Alias Smith and Jones," "U.S. Treasury"<br />
and "Gunsmoke."<br />
Steve Hawkes, the former Tarzan actor,<br />
and his unusual pets, Delilah, the 200-pound<br />
Bengal tiger, and Sampson, the lion, were<br />
back in the newspapers and broadcast news<br />
reports again after an incident in Griffing<br />
Park in North Miami. Hawkes had taken<br />
the tiger and lion to the park for the annual<br />
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tober 29. During the service, Delilah bolted<br />
briefly out of control and bit Dennis<br />
Churchill, 9, on the left leg and back of<br />
the head. Delilah also injured Hawkes, when<br />
the latter pulled the big cat away from<br />
Dennis. In fact, Hawkes needed seven<br />
stitches to close the bite wounds that Delilah<br />
inflicted on his left leg in the struggle.<br />
The boy was riding a bicycle and Hawkes<br />
was holding Delilah on a short chain leash<br />
when Delilah bolted. Hawkes said the tiger<br />
wasn't used to bicycles. Delilah and Sampson,<br />
the 400-pound lion, were taken home<br />
immediately by Hawkes after the incident.<br />
The annual blessing, sponsored by the<br />
Friends of Animals, Inc., honors St. Francis<br />
of Assisi, patron of animals.<br />
Hawkes and his wife were scheduled to<br />
appear before the Metro zoning appeals<br />
board Monday (6) to apply for a variance<br />
that will allow them to continue to keep<br />
Delilah and Sampson in their home, 15341<br />
Northwest 32nd Ave., Miami. Hawkes insists<br />
the declawed Delilah, who sleeps with<br />
his son Steve, 7, is gentle. Hawkes real name<br />
is Steve Sipek and he uses "Steve Hawkes"<br />
as his stage name. He has been invited to<br />
enter his unique pets in a pet show by<br />
Friends of Animals, Inc., the nonprofit<br />
group.<br />
Much clowning around marked the Golden<br />
Harvest luncheon sponsored by the<br />
Women's Committee, Variety Children's<br />
Hospital at the Fontainebleau Hotel Thursday<br />
(9). Following the theme, "I Love a<br />
Circus," 12 spirited AU-Americanettes led<br />
by Mrs. James Searle opened the annual<br />
benefit affair. Edward J. Melniker, garbed<br />
as a circus barker, and Jordan Davidson,<br />
wearing a harlequin outfit, were commentators<br />
for the musical revue written and directed<br />
by Mrs. Melniker. A group of prominent<br />
Miami Beach women modeled and Mrs.<br />
Arthur Huttoe sang, as well as modeled.<br />
The luncheon was underwritten by Mr. and<br />
Mrs. Harry Simone of New York, who came<br />
in for the event. Chairmen were Mrs. Melniker,<br />
Mrs. Simone, Mrs. Ivah Miller, Mrs.<br />
Robert Pentland and Mrs. Joseph Weintraub.<br />
Aiding<br />
Tel-Air Interests<br />
UM Production Students<br />
MIAMI—University of Miami students<br />
studying production this<br />
year are particpating<br />
in a unique project with the executives<br />
of Tel-Air Interests, one of the largest motion<br />
picture production companies in the<br />
Southeast.<br />
To provide practical and professional instruction<br />
to the 100 UM students enrolled<br />
in the four filmmaking courses each semester,<br />
Tel-Air's top personnel will lecture and<br />
present demonstrations in their specialties<br />
—cinematography, editing, directing and<br />
sound recording.<br />
Grant J. Gravitt, president of Tel-Air, has<br />
also volunteered to transport some of the<br />
company's up-to-date portable equipment<br />
to<br />
the university to augment UM properties<br />
for demonstration purposes. Classes also<br />
will make field trips to the company at<br />
1755 Northeast 149th Street to gain experience<br />
in such areas as cinema sound.<br />
Tel-Air administrators participating in the<br />
program are Charles N. Allen, vice-president<br />
of the commercial division; Sunny Fader,<br />
vice-president of the creative department;<br />
Jeff Gillen, director-editor; Richard Huft,<br />
director of photography; Suzanne Kuennen,<br />
production coordinator and artist; Henry<br />
Lopez, recordist, and H. Martin Pitts, director<br />
and cameraman. Working with the Tel-<br />
Air personnel is Sandy Mielke, a university<br />
instructor in motion picture production.<br />
The four classes in the film production<br />
sequence are basic photography, an introductory<br />
course to acquaint the student with<br />
photography as a creative tool of communication<br />
and expression; motion picture<br />
workshop in which students work with<br />
16mm professional equipment on more difficult<br />
projects; management and direction,<br />
study of the problems in developing those<br />
skills as related to producing films and special<br />
projects, a course in which each student<br />
must make his own film.<br />
Paul Nagel, UM associate professor of<br />
mass communications and coordinator of<br />
motion picture classes, has noted that there<br />
is an upsurge in teaching film production<br />
in the past several years which is reaching<br />
all the way down to the high school level.<br />
He also cites the growth in the numbers of<br />
UM film majors. Five years ago about 25<br />
students selected this area as their major;<br />
today there are between 200 and 300 students<br />
studying film production. UM students<br />
selecting this as<br />
their major may also intern<br />
at various Miami companies for on-the-job<br />
training. Firms which have participated in<br />
the inter-ship program to date are Coronado<br />
Studios, M.J. Productions, Ivan Tors Stu- I<br />
(Continued on page SE-16)<br />
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BE- 14 BOXOFTICE :: November 13, 1972
David Bond, president of SCOPE 111 Inc.<br />
and Allen EIrod<br />
announce immediate distribution<br />
of the UNUSUAL SHOCKER-<br />
"The Folks at Redwolf Inn"<br />
ATTENTION, SUBDISTRIBUTORS -<br />
This is your chance to plug it at the<br />
NATO CONVENTION.<br />
ATTENTION, THEATRES<br />
Contact me, Dave Bond or your subdistributor.<br />
(You remember me from Eve<br />
Productions with the big grosses.)<br />
SCOPE III<br />
Inc.<br />
250 South La Cienega Blvd.<br />
Beverly Hills, California 90211<br />
Phone (213) 659-5161<br />
OXOFHCE :: November 13, 1972 SE-15
Houck, Pope Building<br />
Monroe, La., Cinema<br />
MONROE, LA.—Joy N. Houck of<br />
Joy<br />
Theatres and his partner Jack Pope of<br />
Monroe are constructing a theatre here in<br />
the K-Mart Shopping Center, 2300 Louisville<br />
Ave. The new Monroe theatre is to be<br />
known as the Cinema Three.<br />
It will have about 900 luxury seats and<br />
will be the finest and most luxurious theatre<br />
in northeast Louisiana. Cinema Three will<br />
be the second Monroe theatre to be built<br />
and operated by Houck and Pope, the earlier<br />
one being the fabulous Eastgate, which<br />
made its debut in 1965.<br />
Houck and Pope plan to be ready for<br />
their grand opening at Cinema Three around<br />
March 1.<br />
NEW ORLEANS<br />
page Baker of Gulf States Theatre owners<br />
Service and his co-workers surprised<br />
Don Kay of Kay Enterprises Friday (3) with<br />
a birthday party. In reality, it was a double<br />
celebration since it also was a bon voyage<br />
. . Hostess of another<br />
party for Don, who left that night on a trip<br />
to South America .<br />
birthday surprise party was Kay Sacco of<br />
Gulf States Theatres. The "surprisee" was<br />
Kay's daughter Beth, who just turned 16.<br />
Since there's such a scarcity of first-run<br />
product, reissues still are the resort of exhibitors<br />
who must fill the booking gaps<br />
until the holidays. "Funny Girl" opened at<br />
the Lakeside and Oakwood cinemas I and<br />
the Kenilworth Cinema; "Hello, Dolly,"<br />
Aereon 3; "Ryan's Daughter," Panorama 2;<br />
"2001: A Space Odyssey," Trans-Lux Theatre.<br />
New pictures opening downtown included<br />
"When the Legends Die," Orpheum; "Trinity<br />
Is Still My Name," Saenger; "You'll Like<br />
Coming in January:<br />
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My Mother," Joy; "Daughters of Satan" and<br />
"Superbeast," Loews' State Theatre.<br />
Congratulations to Erlene Dupuis of Blue<br />
Ribbon Pictures, who celebrated her wedding<br />
anniversary Election Day (7). The<br />
family had a big celebration to mark the<br />
event.<br />
MEMPHIS<br />
^J<br />
A. Lightman, president of Malco Theatres,<br />
has donated a house which is<br />
being used as a Memphis home for children<br />
who have run away from their own homes.<br />
Family Service is operating the house at<br />
2115 Monroe, the service providing shelter<br />
and food for the youngsters while efforts<br />
are being made to arrive at a reconciliation<br />
between them and their parents. Lightman<br />
has donated the house to the service for<br />
"as long as needed."<br />
. . .<br />
Charles Arendall has closed the Mulberry<br />
Theatre at Mulberry, Ark., for the season<br />
The Glenwood Drive-In at Glenwood,<br />
The Starlite<br />
Ark., was closed Sunday (12) . . .<br />
at Gasville, Ark., will be closed Sunday<br />
(19) and the Raco Drive-In at Covington<br />
the following day. The Covington Ritz Theatre<br />
is booked for a Wednesday (22) opening,<br />
moving patrons inside for the winter.<br />
WOMPI Notes: A Halloween party was<br />
held at the home of Juanita Hamblin, with<br />
WOMPIs from Malco Theatres serving as<br />
co-hostesses. Juanita's husband Tom was<br />
chef for the charcoaled steaks and Martha<br />
Sappington was the party's fortune teller<br />
. . . Lurlene Carothers, United Artists, is<br />
preparing a Thanksgiving basket for a family<br />
the WOMPI Club adopted for the year.<br />
Other WOMPIs are busy on the club's plans<br />
for the Christmas season.<br />
PCC Campaign Grand Total<br />
Above Last Year's Level<br />
HOLLYWOOD—Nearly $77,000 in additional<br />
funds have been pledged to the 1973<br />
Permanent Charities' campaign in the past<br />
two weeks, bringing the grand total to $1,-<br />
167,947 and keeping the drive $16,000<br />
above last year's level. G. Clark Ramsay,<br />
MGM, 1973 campaign chairman, reported<br />
that $76,821 has been pledged by 557 new<br />
payroll deduction subscribers or direct cash<br />
donors.<br />
The campaign's grand total is ahead of<br />
PCC's p>osition at this time last year, even<br />
though the amount collected in the fourth<br />
and fifth weeks of campaigning is behind<br />
that received last year.<br />
After a slow start in the 1972 campaign,<br />
the drive last year picked up $103,000 in<br />
its fourth and fifth weeks. This year's campaign<br />
started faster, with $91,000 collected<br />
in the first three weeks, but has lost some<br />
headway as the campaign continues.<br />
William E. Arnold, executive vice-president<br />
of the Permanent Charities Committee,<br />
re-emphasized the importance of taking advantage<br />
of current levels of employment in<br />
the industry and urged campaign workers<br />
to "sell the campaign."<br />
'Where Does It Hurl?'<br />
350 in Memphis Isl<br />
MEMPHIS—A delightful surprise at the<br />
Park Theatre, "Where Does It Hurt?",<br />
jumped off to a rousing first week that kept<br />
patrons lined up at the boxoffice for many<br />
performances and produced a 350 grossing<br />
percentage—three and one-half times average.<br />
Also scoring big (three times normal)<br />
was a fourth week of Georgia-filmed<br />
"Deliverance" at the Paramount Theatre.<br />
"Slaughter" turned in a solid fifth week,<br />
doubling average returns at the Malco<br />
Theatre.<br />
(Average Is 100)<br />
Crosstown You'll Like My Mother<br />
(Univ), 2nd wk 100<br />
Loews' Super Fly (WB), 6th wk 1 50<br />
Malco Slaughter (AlP), 5th wk 200<br />
Memphian Bluebeard (CRC) 4th wk 100<br />
Paramount Deliveronce (WB), 4th wk 300<br />
Park Where Does It Hurt? (CRC) 350<br />
Village A Separate Peace {Paro) 100<br />
Tel-Air Interests Aiding<br />
UM Production Students<br />
(Continued from page SE-14)<br />
dios, Sigma Films, McLeod Films, Reela<br />
Film, Woroner Films, Motion Picture Associates,<br />
Screen Arts Corp., Tel-Air and Minifilms<br />
of Fort LauderdaJe.<br />
For the first time two UM interns have<br />
also been appointed to work with Gary<br />
Wetherington who heads an office in Coral<br />
Gables established by the Florida Development<br />
Commission to encourage the development<br />
of the film industry in South Florida.<br />
When the theatrical film, "The Masters,"<br />
starring Donald Sutherland and Jennifer<br />
O'Neill, was shot in the Miami area, four<br />
students performed their internship working<br />
on the film and two were later hired by<br />
Tomorrow Entertainment.<br />
Students of film<br />
have their choice of two<br />
degree programs at the university, the bachelor<br />
of arts offered by the dapartment of<br />
mass communications and the bachelor of<br />
fine arts in filmmaking offered jointly<br />
through the drama and mass communications<br />
departments for students primarily<br />
interested<br />
in purely theatrical film.<br />
Other film courses taught at the university<br />
deal with the history of film, film art<br />
and script writing. Beginning intermediate<br />
and advanced script writing courses are<br />
offered to students in the filmmaking sequence<br />
and also as an inter-discipline to<br />
students majoring in creative writing.<br />
LITTLE FALLS, MINN.—Following the<br />
completion of a $45,000 remodeling project,<br />
the Falls Theatre here was reopened recently<br />
by Tentelino Enterprises of Alexandria,<br />
Minn.<br />
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SE-16 BOXOmCE :: November 13, 1972
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DAVID EMANUEL, President<br />
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705 North Cole Avenue<br />
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ATLANTA, JACKSONVILL E, NEW ORLEANS<br />
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161 Spring St. N. W.<br />
Atlanta, Georgia<br />
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NORTH & SOUTH CAROLINA<br />
Bob McClure<br />
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MEMPHIS<br />
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SE-I8 BOXOFHCE :: November 13, 1972
Picture<br />
pf theyear<br />
No matter what show you are offering this weel
UA Cinema 1, 2 Going<br />
Up in Conway, Ark.<br />
CONWAY, ARK.—Plans for a gala<br />
opening of UA Cinema 1 and UA Cinema<br />
2 here early in January are rapidly nearing<br />
completion, according to John H. Rowley,<br />
vice-president of the United Artists Theatre<br />
Circuit.<br />
The luxurious twin theatres are being<br />
constructed by the Matthews Co. of North<br />
Little Rock, Ark., and will be operated by<br />
UATC, a major circuit. The complex will<br />
be the newest showcase operation in this<br />
state for the circuit which already operates<br />
units in Tennessee, Texas and Oklahoma,<br />
with divisions on the East and West coasts.<br />
The new twins will be located in Faulkner<br />
Plaza Shopping Center, where parking facilities<br />
at all times will be more than adequate<br />
for capacity crowds. A single lobby will<br />
serve both auditoriums, with a refreshment<br />
stand and restrooms centrally located there.<br />
Patrons also will be able to buy tickets to<br />
L«« ARTOE REFLECTORS<br />
i-'ilJlnElil<br />
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the auditorium of their choice at a single<br />
boxoffice.<br />
The theatres will be equipped with Christie<br />
Autowind Film Systems, recently introduced<br />
into the exhibition field, which ensure<br />
quality automatic projection equipment<br />
with complete reliability and fail-safe operation.<br />
These units include Christie Xenolite<br />
consoles with built-in xenon lamps and rectifiers.<br />
The very newest design projectors<br />
have been furnished by Century and Projection<br />
booth and sound systems are being built<br />
to United Artists Theatre Circuit specifications.<br />
Theatre decorations will be highlighted by<br />
modular designs on accoustical panels that<br />
provide attractive decor.<br />
A series of events is being readied for the<br />
opening.<br />
No Arson Evidence Found<br />
In Arkansas Theatre Fire<br />
UTTLE ROCK. ARK.—A Sunday morning<br />
fire in mid-October destroyed the Joy<br />
Twin theatres at 119 and 121 Main St. in<br />
North Little Rock. Firemen estimated damage<br />
to the theatres, owned by the Southland<br />
Theatre Corp., at $30,000. The twins<br />
were housed in a two-story brick building.<br />
Although both theatres had been the center<br />
of controversy, as a result of showing<br />
adult movies, the fire department representatives<br />
said they found no evidence of arson.<br />
Robert Lundry, manager of the theatres, had<br />
requested a thorough investigation by firemen<br />
for arson evidence because he said<br />
when the building had been closed at 12:30<br />
a.m. it had just been checked out by employees,<br />
who had found nothing amiss. Outbreak<br />
of the fire was reported at 1 a.m<br />
The Joy Twins made their debut in January<br />
1971 and soon ran into conflicts, over<br />
the type of films shown, with the North<br />
Little Rock Censor Board, Mayor Laman,<br />
church groups and the courts. As a result<br />
of these conflicts, the church groups picketed<br />
the theatres a month after they were<br />
opened and the mayor had a fence built<br />
around the front of the twins so the pubhc<br />
couldn't see attractions boards advertising<br />
the<br />
films.<br />
Eventually the pickets departed and the<br />
fence came down; then the censor board<br />
got the courts to close the theatres or confiscate<br />
films twice. Most recent action in<br />
the controversy came in September, when<br />
deputy prosecuting attorney Wilbur C.<br />
"Dub" Bentley had amended a Chancery<br />
Court suit against the Joy Twins to allege<br />
that two of its films were obscene.<br />
Twin Airer Plans Blocked<br />
CLARENCE, N.Y.—Plans for a twin<br />
drive-in at 8075 Transit Rd. near the Millersport<br />
Highway have been blocked by the<br />
Clarence Town Board. The board has denied<br />
a petition by Thomas Barillari to rezone 17<br />
acres of land at the site from agriculture to<br />
commercial. The planning boards of both<br />
Erie County and Clarence objected to the<br />
twin-theatre proposal.<br />
Join the Widening Circle<br />
Send in your reports to BOXOFFICE<br />
on response of patrons to pictures<br />
you show. Be one of the many who<br />
report<br />
to—<br />
THE EXHIBITOR HAS HIS SAY<br />
A Widely Read Weekly Feature of Special Interest<br />
(Address your letters to Editor,<br />
"Exhibitor Has ffis Say." 825<br />
Van Brunt Blvd.. Kansas (Sty,<br />
Mo. 64124.<br />
BOXOFFICE<br />
Always in the Forefront With the News<br />
SE-20 BOXOFFICE :: November 13, 1972
-<br />
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HE Fuzr<br />
iiat flashes<br />
_<br />
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irt Gang!'<br />
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'<br />
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OHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American International Release<br />
•<br />
Dy Produced by Directed by<br />
\iLLIAM MERCER and MICHAEL C. HEALY • JOSEPH E. BISHOP and ART JACOBS<br />
• JERRY JAMESON<br />
(ONTACT YOUR American International exchange<br />
1972 American International Pictures, Irx:.<br />
11<br />
DALLAS<br />
OKLAHOMA CITY<br />
Don Grienon<br />
Lois Scott and Hany McKenna<br />
2011 Jackson Street<br />
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Dallas, Texas 75201<br />
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Tele.: (214) 748-4964<br />
Tele.: (405) 232-3038
'Charles, Dead or Alive Is Winner<br />
Of Unique Festival's Psyche Prize<br />
SAN ANTONIO—The Psyche Prize,<br />
the<br />
University of Texas Medical School's answer<br />
to the Oscar, was awarded to Swiss<br />
film director Alain Tanner for his film,<br />
"Charles, Dead or Alive."<br />
Presentation of the Psyche Prize climaxed<br />
the unique three-day film festival<br />
devoted to the culture and psychiatry of<br />
Switzerland.<br />
"Charles, Dead or Alive," already had<br />
won two European film festivals before<br />
taking the $1,000 cash prize at the festival<br />
here. Tanner, who could not attend, was<br />
notified by telegram. Another of his films,<br />
"La Salamandre," also was shown at the<br />
festival.<br />
In announcing the decision of the fourmember<br />
panel of judges. Dr. James M.<br />
Turnbull of the medical school's department<br />
of psychiatry, cited the film's embodiment<br />
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of one of the theines of the festival—man's<br />
search for the soul.<br />
The 93-minute film is a story about<br />
Charles, who is 50 and bored by life, work<br />
and family. He sets out in a middle-aged<br />
revolt and disappears down the road, eventually<br />
moving in with a painter and his girl<br />
friend.<br />
Charles' son, meanwhile, searches for<br />
him and hires a detective, who finds the old<br />
man. Charles is sent to an asylum because<br />
of his alienation from society.<br />
More than 800 participants were here<br />
from all parts of the United States, Mexico<br />
and Switzerland. Other films shown included<br />
"The Magic Mirror of Aloyse," "A<br />
Bell for Ursli," travelogs promoting Switzerland,<br />
"Face to Face: Carl Gustav Jung,"<br />
three films made by mental patients in the<br />
Psychiatric Clinic at the University of<br />
Lausanne, plus additional films made by<br />
and concerning mental patients and a threepart<br />
study of Jung made in 1971 for the<br />
BBC.<br />
Actor Lee Marvin was one of the speakers<br />
at the first annual International Film<br />
Festival on Culture and Psychiatry, saying<br />
that he uses psychology in his roles even if<br />
he doesn't know exactly how he's using it.<br />
Marvin said that he has never studied psychology<br />
but that he believes it has to be<br />
used by an actor in his job.<br />
Marvin said, "I'm a psychologist through<br />
human participation and believe in the<br />
practical approach." He tries to find something<br />
that will make the characters he plays<br />
real.<br />
Psychology Useful<br />
Psychology can be used to different degrees<br />
in acting, Marvin added. One of his<br />
first notable roles, he said, that of a policeman<br />
on the television series, "M-Squad," had<br />
very little depth to it. His favorite film, and<br />
one which did require psychological insight,<br />
was "Hell in the Pacific," the story of an<br />
American Marine and a Japanese soldier<br />
stranded on the same Pacific Island during<br />
World War II.<br />
Currently Marvin is preparing to play the<br />
part of Hickey in a film version of Eugene<br />
O'Neill's "The Iceman Cometh." The film<br />
is one of a series based on classic American<br />
plays being produced for limited distribution.<br />
The part will be another in which the<br />
psychology of the character, one of several<br />
drunks sitting in a bar, will be important,<br />
Marvin stated.<br />
On his personal psychological makeup,<br />
Marvin commented that he is not the tough<br />
guy he frequently portrays on the screen.<br />
He recently finished filming "Emperor of<br />
the North Pole," a movie about railroad<br />
hoboes during the '30s.<br />
Plans for future festivals called for one<br />
centered around Mexico in 1973, followed<br />
in subsequent years by festivals on Africa<br />
and Freud.<br />
Mrs. Esther Covington;<br />
On MGM Staff 26 Years<br />
DALLAS—Mrs. Esther Lorraine Covington,<br />
a contract clerk here for MGM for 26<br />
years and prominent in WOMPI Club activities,<br />
died Friday (3) in Red River County,<br />
of which she was a native.<br />
Mrs. Covington served as president of<br />
the Dallas WOMPI Club during the 1961-<br />
1962 term and also served as WOMPI International<br />
corresponding secretary. In 1968<br />
she was honored as WOMPI of the Year<br />
by the Dallas club. In addition to her film<br />
industry interests, Mrs. Covington was a<br />
leader in Texas garden clubs and book review<br />
clubs, holding high local and state<br />
offices in both of these fields.<br />
Survivors are her mother, a brother and<br />
a sister. Funeral services were held Monday<br />
(6) and burial was in the Laurel Land Me-^<br />
morial Park.<br />
Tercar Co. Adcis Duties<br />
For Myrick, Goodkowsky<br />
HOUSTON — Charles Paine, vice-president<br />
and general manager of Tercar Theatre<br />
Co.,<br />
announced the promotion of Foy Myrick<br />
to be director of theatres for the circuit.<br />
Myrick will handle the day-to-day operation<br />
of all Tercar units in addition to those of<br />
the newly acquired Cole circuit theatres.<br />
Pete Goodkowsky, Tercar's director of<br />
advertising, will be in charge of all advertising<br />
for the Cole theatres, as well as handling<br />
his regular Tercar duties.<br />
With the addition of the Cole circuit, Tercar<br />
Theatre Co. now operates 29 screens. Its<br />
and Yoakum.<br />
operations extend from Houston to Baytown,<br />
La Porte, Rosenberg, Sugarland, Hallettsville<br />
Now under construction is the Allen Center<br />
III in downtown Houston, planned for<br />
an opening early next year.<br />
Earl Moseley Joins Staff<br />
Of Fort Stockton Paper<br />
FORT STOCKTON, TEX.—Earl<br />
Moseley,<br />
previously a <strong>Boxoffice</strong> correspondent<br />
at Dallas, Wichita Falls and Amarillo, began<br />
as editor Monday (6) of the Fort Stockton<br />
Pioneer.<br />
During the past three years, Moseley has<br />
been state editor for the Brownwood Bulletin.<br />
He was a staff writer two years on the<br />
Hereford Brand staff before moving to<br />
Brownwood.<br />
Moseley was a projectionist in theatres<br />
throughout Texas, New Mexico and Oklahoma<br />
for a number of years until June 1967.<br />
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SW-2 BOXOFTICE :; November \}. 19721
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. . Betty<br />
DALLAS<br />
Tnvitations printed as an old-fashioned<br />
movie folded handbill are out for the<br />
Sunday (19) Golden Wedding anniversary<br />
observance of H. A. "Hyder" Wortham and<br />
his wife. Wortham has been a Filmrow<br />
man since the good old days of 1917, when<br />
he started with the Pathe Exchange. After<br />
it closed, he joined the Atlantic Oil Production<br />
Co. for six months, didn't like the work,<br />
and got a job with Texas Consolidated Films<br />
under Ned Depinet. Universal bought out<br />
Texas Consolidated and he stayed with the<br />
new owner until 1931. For about six months<br />
he worked for Silverman Bros, before joining<br />
Jack Adams sr. in 1931 and was with<br />
him until 1936. In that year Wortham joined<br />
Sack Amusement Enterprises; from there he<br />
went with Harold Schwarz at Tower Pictures.<br />
He worked later as assistant controller<br />
for Volk Bros., leaving there to go into<br />
service during World War II. After receiving<br />
a medical discharge, he rejoined Volk Bros,<br />
in 1946 for a few months before going back<br />
with Harold Schwarz at Tower Pictures.<br />
When Schwarz died in November 1954,<br />
Wortham joined Bob Hartgrove, then<br />
moved on to the Oskar Kom Theatres<br />
where he remained until Kom died in 1968<br />
In that year Wortham joined Leroy Mitchel<br />
Theatres, staying with that circuit until hi<br />
retired in February of this year. Mrs. Wor<br />
tham worked for Volk Bros, from 1937 unti<br />
1961 before retiring to become a full-tiiiii<br />
housewife. We understand that the cicvc;<br />
invitations were a surprise package fron<br />
the Wortham's grandnephew, who is honor<br />
ing the couple at his home in Lake High<br />
lands. All on Filmrow extend to this grant<br />
couple heartiest congratulations during the<br />
season of their Golden Wedding observance<br />
'<br />
Charles McKinney and Jimmie Skinner o<br />
Modern Sales and Service will be attendin.<br />
the NATO convention in Miami . . . Bur<br />
Lovelace of Starline Pictures has been on i<br />
two-week vacation to Salt Lake City am<br />
San Francisco.<br />
'm^A^<br />
See us for —<br />
NEW CONSTRUCTION • REMODELING<br />
SITE PLANNING AND DEVELOPING<br />
Dorothy Barbosa of ABC Interstate Thea'<br />
tres is deeply concerned over her father<br />
who was in the hospital with double pneu<br />
monia at this writing . Owen, als(<br />
of Interstate, had surgery on her foot ir<br />
a patieri'<br />
Presbyterian Hospital and was still<br />
there . . . Jerri Erickson of Commonwealtl<br />
has been at the bedside of her sister, wk<br />
had surgery in Baylor Hospital.<br />
Fox Austin 2 Being Made<br />
Ready for December Bow<br />
AUSTIN—Nat D. Fellman, president o;<br />
National General Theatres of Los Angeles]<br />
has announced that the circuit's new 507,<br />
seat showplace. Fox Austin 2 at 6757 Air.<br />
Complete Line of Concession<br />
Equipment and Supplies<br />
port Blvd. at Pampa Drive, will make ifcj<br />
debut December 20.<br />
The building is an addition to the 1,000<br />
seat Fox Austin, which was opened Oct. 26<br />
Let us help you plan your new concession area or remodel your<br />
present one. We can show you how to make it more appealing,<br />
more accessible, and, most of all, more profitable.<br />
Complete line of concession area needs. Everything from operating<br />
equipment to approximately 5000 saleable items as well as cooking<br />
items and janitorial supplies are available from our company.<br />
COMPLETE PACKAGE DEAL<br />
NOW AVAILABLE<br />
Xenon Lamps - Westrex Equipment<br />
Massey Seats - Technikote Screens<br />
(Con be financed by Litton Ind. Credit Corp.)<br />
You name it<br />
- We have it!<br />
PINKSTON<br />
Sales 6l Service<br />
If we don't have it - Weil get it quick!<br />
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1901 S. Good-Lafimer Expressway<br />
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BOXOmCE :: November 13. l'>7:
1967. Following the debut of the addition,<br />
the two units are to be known as Fox Austin<br />
1 and Fox Austin 2.<br />
Fellman sid that the latter, adjacent to<br />
the 1967 construction, is luxuriously designed<br />
and will embody the same beautiful<br />
features as its sister theatre, including wide<br />
aisles, spacious seating and the latest innovations<br />
in sound and projection.<br />
"Fiddler on the Roof." winner of three<br />
Oscars, will be the opening attraction at<br />
Fox Austin 2, according to Jack Fleming.<br />
who will manage the twin complex. Opening<br />
at the same time at Fox Austin 1 will<br />
be "The Getaway." an action-suspense film<br />
starring Steve McQueen and Ali MacGraw.<br />
General contractor is the Joe Badgett<br />
Construction Co. of Austin. The theatre<br />
was designed by Pearson and Wuesthoff,<br />
AIA. of Los Angeles, who also drew plans<br />
for the Fox Austin.<br />
Supervision of the construction of Fox<br />
Austin 2 under the direction of Richard G.<br />
Preble and Robert Baker of National General<br />
Theatres' construction and engineering<br />
department.<br />
Jack McGee, vice-president of the Midwest<br />
division for National General Theatres,<br />
is in charge of theatre operations, assisted by<br />
Sidney L. Page, district manager.<br />
National General Theatres operates 270<br />
theatres in 29 states and Canada. In Texas,<br />
the firm has twin theatres in San Antonio.<br />
Corpus Christi, Lubbock and single units in<br />
Amarillo, El Paso and the present Fox in<br />
Austin.<br />
Tex. Film Commission<br />
Has Permanent Status<br />
SAN ANTONIO — Gov. Preston Smith<br />
signed into law Stenate Bill 30 creating the<br />
Texas Film Commission as a premanent organization.<br />
The executive committee met<br />
here to witness the signing of the bill.<br />
This was the first meeting under the permanence<br />
of the new bill and Texas is said<br />
to be the only state to have created such a<br />
commission.<br />
Smith said that the 49-member commission<br />
,established in 1971 as an advisory<br />
body to the governor's office, would attract<br />
the production of motion pictures and television<br />
films to Te.xas, since movie production<br />
is migrating from Hollywood and New<br />
York.<br />
The governor stated that there is great<br />
economic, cultural and educational fwtential<br />
in Texas for the film industry.<br />
In the first year, the Texas Film Commission<br />
with Warren Skaaren as executive<br />
director, was directly responsible for bringing<br />
more than $6 million in new cash into<br />
the Texas economy, for bringing more than<br />
$12 million in film production of all types<br />
and for the production in Texas of seven<br />
feature films.<br />
Twenty-two productions have been committed<br />
or completed in Texas during the<br />
past year. There are three on location in the<br />
state now. One of these is "Leaving Cheyenne,"<br />
an adaptation of Larry McMurtry's<br />
novel, which will begin shooting this week<br />
in Bastrop.<br />
BOXOFHCE :: Ncyvember 13, 1972<br />
FORT WORTH<br />
^nthony Burgess, author of "A Clockwork<br />
Orange," spoke at the Texas Christian<br />
University Student Center Ballroom Wednesday<br />
evening, October 25, explaining the<br />
meaning of his book . . . October 17 brought<br />
the end to a ten-week run of "Fiddler on<br />
the Roof" at the Bowie Theatre. Replacing<br />
"Fiddler" was a single-week run of "Nicholas<br />
and Alexandra."<br />
Bill Ellis, manager of Cinema I and Cinema<br />
II in Seminary South, has been notified<br />
that he's the first-place winner in a nationwide<br />
publicity contest among managers of<br />
nearly 400 General Cinema Corp. theatres.<br />
It's a great triumph for Bill. Our congratulations<br />
to him on this outstanding achievement<br />
. . . Steve Maskevich, formerly assistr<br />
ant manager at the Fort Worth Hollywood<br />
Theatre, is now manager of the Fine Arts<br />
Theatre in Snider Plaza, Dallas.<br />
Maybe to J. D. Kennemer it's all in the<br />
day's work but to many motion picture<br />
aficionados of Fort Worth his demolition<br />
efforts are far from a cheerful sight. In 1968<br />
Kennemer's firm had the contract to raze<br />
the Majestic to make room for the Tarrant<br />
County Convention Center—a task Kennemer's<br />
forces accomplished within a week.<br />
Now Kennemer has razed the Gateway,<br />
which had been operated until January 1971<br />
by ABC Interstate Theatres. The Gateway<br />
site was purchased by the State Bank of<br />
East Fort Worth ... By the way, Kennemer<br />
reports he has given away (to John L. Ash,<br />
a druggist in Graford) the last artifacts<br />
saved when the Majestic was torn down.<br />
These were plaster figures of flutes, fiddles<br />
and masks used as ornamentation.<br />
Still another theatre demolished here recently<br />
was the Riverside Tower. East Belknap<br />
and North Riverside Drive. This suburban<br />
theatre dated back to the 1940s. Even<br />
though such demolitions represent closed<br />
chapters in exhibition history, it's gratifying<br />
to learn that the handsome new theatres<br />
opened here are thriving—and still more<br />
such theatres are on the way. Next to open<br />
(sometime this month) will be the Western<br />
Hills, a four-theatre complex at 6467 Camp<br />
Bowie Blvd. Equipment is being installed<br />
and checked now.<br />
Fort Worth is proud of the hometown<br />
performers who appeared in films here in<br />
the last two or three weeks. First came<br />
Candy Clark, a Tech High graduate and<br />
former model, whose rapid succession of<br />
film break qualifies her for the over-night<br />
success ranks. Candy's vehicle was "Fat<br />
City." Then came Fred Forrest in "When<br />
Legends Die," who portrays the Indian star<br />
as an 18-year-old, showing at the Belaire,<br />
Cineworld, Cinema-Six Flags and Mansfield<br />
Drive-In. Only a decade ago, Fred was<br />
working as a salesman at downtown Washer<br />
Bros., a young men's clothing store, and<br />
playing roles in the Community Theatre.<br />
Even though he's not as young as he appears<br />
in "When Legends Die," he's still youthful<br />
in appearance and portrays the teenage Indian<br />
convincingly. A former TCU student<br />
from Waxahachie, Fred gained experience<br />
acting, as noted, in the Fort Worth Community<br />
Theatre, then went to New York<br />
to study acting at Lee Strasberg's famed<br />
Actors Studio. Going on to California, he<br />
was studying at Los Angeles' Actors Studio<br />
West when film director Stuart Millar signed<br />
him for the role in "When Legends Die."<br />
As Perry Stewart, a Fort Worth film reviewer,<br />
expressed it: "He's a lot of actor;<br />
one you'll be seeing in many films to come."<br />
Mrs. Virginia Shaw, cashier at the Fort<br />
Worth TCU Theatre, has fond memories<br />
of the musical "No, No. Nanette." As a<br />
young dancer with the famed Gus Edwards<br />
Revue of Dallas, which went to New York<br />
on tour, Mrs. Shaw auditioned in New<br />
York 46 years ago for the original "No, No,<br />
Nanette," starring Louise Groody and Hal<br />
Skelley. She was signed for the touring "No,<br />
No, Nanette" company and went to Chicago<br />
with it. In the late 1920s and early 1930s,<br />
Mrs. Shaw also danced in several Broadway<br />
shows. Naturally she was eager to see "No,<br />
No, Nanette" on the stage of the beautifully<br />
remodeled State Fair Auditorium in Dallas<br />
during the Texas State Fair.<br />
Announces Theatre Site<br />
PROVIDENCE—Dr. Michael Ramundo<br />
of Clifton, N.J., has announced plans for a<br />
67,000-square-foot shopping center, to include<br />
a 600-seat cinema, in suburban Kingston,<br />
R.I.<br />
"Go Modern...For All Your Theatre Needs"<br />
Coming in January:<br />
h,,yPloile/ut.<br />
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"Go Modem . , . Lquipmrut, Supplies & Serried<br />
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SAN ANTONIO<br />
Yhree Hollywood stars came in to help the<br />
Republican party here and one to aid<br />
the Democrats. Bob Sterling and Ann Jeffries<br />
were here to start a get-out-the-vote<br />
drive. Actor Ron Ely, who starred in a Tarzan<br />
series, held a press conference as model<br />
Pam Powell, daughter of actress June Allyson,<br />
was forced to cancel an appearance<br />
here. Tom Powers, Cinema Arts Theatres<br />
city manager, escorted Shirley MacLaine<br />
during her visit on behalf of the McGovern-<br />
Shriver ticket.<br />
Mr. and Mrs. Abel Floras returned from<br />
their honeymoon in Harlingen, Tex. They<br />
were married October 28. Abel is a trainee<br />
working with Clifford Lands, manager of<br />
the downtown Majestic . . . Brooks Flieg,<br />
producer of "Scuba," was here for a press<br />
conference about the film, which is being<br />
edited for early release. With him was his<br />
wife Kit, associate producer of the movie<br />
and a native of San Antonio.<br />
FOR ALL YOUR THEATRE NEEDS & REPAIRS<br />
THE BEST PLACE TO BUY IS<br />
TEXAS THEATRE SUPPLY<br />
915 S. Alamo St.<br />
San Antonio, Texas 78205<br />
YOUR LASERLITE CARBON DEALER<br />
The San Antonio Express/News, in its<br />
Sunday One amusement supplement, is<br />
printing a map of the city showing the locations<br />
of major indoor theatres and drive-in<br />
theatres. There are listings of 14 indoor and<br />
1 1 drive-in theatres and the map shows their<br />
exact addresses and location.<br />
Booked for San Antonio engagements:<br />
"The Valachi Papers," Wonder; "Treasure<br />
Island," North Star Cinema and McCreless<br />
Cinema; "TTie Deadly Trap," also at the<br />
North Star Cinema; "Molly and Lawless<br />
John," Century South and Colonies North;<br />
"Hammersmith Is Out," Fox Twin and Mission<br />
Twin.<br />
Two Men Who Built Airer<br />
Are Among Demolitioners<br />
SAN ANTONIO—James W. Price and<br />
Charles Coleman had a hand in the construction<br />
and then destruction of the Alamo<br />
Drive-In, Ofierated here by the Gulf States<br />
Theatres of Texas.<br />
Price had the contract to do the winch<br />
work for the construction and Coleman<br />
worked for Price when the Alamo Drive-In<br />
was built in 1945, 27 years ago. It was rated<br />
as the state's second oldest drive-in theatre.<br />
Price got the contract to pull the big<br />
screen down to make room for a mobile<br />
trailer sales lot, so Coleman also was<br />
brought on to the job.<br />
Coleman used a cutting torch to cut the<br />
screen supports and winch lines were attached<br />
to the screen and it came down in a<br />
matter of seconds in a roaring cloud of dust.<br />
HOUSTON<br />
The Texas premier of "Man of La Mancha<br />
is booked for ABC Interstate's Tower<br />
TTieatre here December 14. Seats will not<br />
be reserved but, at the same time, no seat<br />
beyond theatre capacity will be sold. The<br />
schedule calls for a 2 p.m. matinee on<br />
Wednesdays, 2 and 4:30 p.m. showings Saturday<br />
and 2 p.m. Sundays. Evening shows.<br />
Monday through Thursday, are to start at<br />
8 o'clock; at 7:15 and 9:40 Fridays and<br />
Saturdays and at 5 and 8 Sundays. A special<br />
schedule is to be in effect during the Christmas<br />
week, with additional holiday matinees.<br />
Ticket prices range from $2 up to $3.50.<br />
The 8 p.m. showing December 14 is to be<br />
a benefit for B'nai B'rith; the 10 p.m. showing<br />
the next night will benefit the Beth<br />
Teshurin Men's Club and an 8 p.m. December<br />
17 performance will benefit the Marian<br />
High School PTA.<br />
"Baron Blood" is having its Southwestern<br />
premiere at the Houston Majestic . . . Bar-<br />
(Continued on page SW-8)<br />
SW-6 BOXOFFICE November 13. 1972
^Best<br />
Picture<br />
of theyear<br />
No matter what show you are offering this weel
OKLAHOMA CITY<br />
y^e want to correct the name of the new<br />
owner in Binger to Tom Brooks, not<br />
Tom Rook. Brooks is new to the theatre<br />
business ... El Rancho Drive-In at Vernon,<br />
Tex., had heavy water damage to the con-<br />
TWILIGHT GARDENS<br />
DRIVE-IN THEATRE AT<br />
AUCTION<br />
THURSDAY, NOVEMBER 16<br />
10:30 A.M.<br />
9600 Block N. May Ave., Okla. City<br />
This theatre is nov^ closed & all equipment<br />
will be sold at public auction. 2 projector<br />
heads. Century Model AH; 2 lamphouses,<br />
RCA-Dynarc; 2 RCA bases; 2 upper magazines.<br />
Century 18"; 2 lower magazines. Century<br />
18"; 2 magnetic soundheads, Magnaphonic;<br />
2 optical soundheads, RCA; 2 optical<br />
preoinps, Ballantyne Royal model UX20; main<br />
amplifiers, RCA; Imperial generator; 2 anamorphic<br />
lenses, videoscope; 2 bockup lenses,<br />
size 2V4"; 2 wide screen lenses; Sony tape<br />
player; 2 Weaver changeovers; Goldberg<br />
auto rewind; 12 section film cabinet; 4 section<br />
film cabinet; Goldberg rewind table; work<br />
bench with nice 12 section film cabinet; Winsel<br />
hand rewind stand; 685 speakers complete;<br />
9 Miracle Whirl wooden doors; 2 two-place<br />
kiddie swings; 3 six' slides; 2 twenty' slides;<br />
1 train; air conditioner; 16 ramp markers &<br />
arrows; 2 electric neon rod signs.<br />
SNACK BAH EQUIPMENT: Westinghouse deep<br />
freeze; Star master deep fat fryer; Star hamburger<br />
grill; Tolan pizza oven; Walt Logan<br />
lowboy popcorn machine; 2 refrigerated ice<br />
cream displays; 2 snow cone displays; Doyle<br />
3-head dispenser; 2 stainless ice chests; refrigerated<br />
candy case; 4 head multiplex roto<br />
grill; Manley popcorn machine; 6 vending<br />
machines; refrigerated orange machine; 40'<br />
front counter; 15' back bar; 12' back bar;<br />
Frigidaire deep freeze (chest type); Westinghouse<br />
deep freeze; Crystal Kept ice maker<br />
& storage; electric adding machine; Mosler<br />
safe; 96' pole screen tower; I box office; 38<br />
White Way lights; 41 down lights; rest room<br />
equipment for men's & ladies'; a lot of other<br />
items of office equipment & snack bar equipment<br />
too numerous to mention.<br />
TERMS: Cosh, cashier's check or proper<br />
identification. Any announcement made ot<br />
time of sate supersedes all advertising.<br />
Heldenbtand &<br />
" ^<br />
Anderson, Inc.<br />
AUCTIONEERS<br />
1419 Terrace Drive<br />
236-8814 942-4244<br />
cessions building and grounds during the<br />
recent heavy rains.<br />
Dan Wolfenbarger was scheduled to open<br />
his new Mini Cinema in Frederick Wednesday<br />
(8) or thereabouts. With the help of his<br />
father and a brother who does the architectural<br />
work, Dan had been working day<br />
and night for several weeks in preparation<br />
for the opening. John McConnell, from the<br />
Hobart theatres, did the electrical work for<br />
the Mini Cinema, a piggy-back type of<br />
theatre. We were taken on a tour of it prior<br />
to the opening and found that it was a real<br />
de luxe situation.<br />
While in Binger on a recent trip, we got<br />
to renew the acquaintance of H. D. "Digger"<br />
Cox, who recently sold his theatre to<br />
Tom Brooks. Cox still is very active in theatre<br />
affairs although he isn't operating a<br />
theatre at this time . . . Filmrow people<br />
here noted the destruction of the Roxy<br />
Theatre in Carthage, Mo., during that<br />
town's most disastrous fire in history. The<br />
Roxy, which had been closed about two or<br />
three months previously, was located in the<br />
center of the south side of the Carthage<br />
square. Virtually every building on that side<br />
of the square was either completely destroyed<br />
or heavily damaged by the fire,<br />
which started around 1 a.m. Friday (3).<br />
Video Notes: William B. Turk had surgery<br />
at Baptist Memorial Hospital Monday,<br />
your complete<br />
equipment house<br />
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October 16, then planned to return home to<br />
recuperate. Cards and notes may be addressed<br />
to him at 6300 Styll Rd., Oklahoma<br />
City, Okla. 73112 .<br />
well,<br />
. .<br />
now vacationing in<br />
Booker Audie Ad-<br />
Albuquerque, won<br />
third place in the fourth flight of the annual<br />
Dallas Variety golf tournament this fall.<br />
Video film buyer Frank McCabe, Oklahoma<br />
City, also played in the tourney . . . Video's<br />
Around the Circuit newsletter for November<br />
reports progress in "twinning" Video theatres<br />
in Shawnee (Hornbeck Theatre) and<br />
Cleburne (Esquire), Tex. The Esquire was<br />
closed October 2 and 3 while the dividing<br />
walls for the two auditoriums were installed.<br />
The Hornbeck, which will have a piggyback<br />
penthouse above its former single auditorium,<br />
was closed October 24 for the reconstruction.<br />
It will reopen Thanksgiving Day,<br />
if the present schedule holds up . . . Received<br />
at Video offices here was a surprise picture<br />
post card from Video's Chickasha manager<br />
Horace Clark and his wife Marie, who<br />
vacationed in Hawaii and stayed at the beautiful<br />
Hilton Hawaiian Village Hotel complex.<br />
Condolences to Jack E. Brooks, Video<br />
treasurer and controller, whose mother-inlaw<br />
Mrs. Gertrude Ella Hall Watt of Midwest<br />
City died October 6. Memorials to<br />
Mrs. Watt may be made to the Oklahoma<br />
Medical Research Foundation. Private<br />
graveside services were held at Rose Hill<br />
Cemetery in Oklahoma City Monday, October<br />
9.<br />
Architect Bill Kaign has assured the Variety<br />
Health Center board that he will have<br />
plans, specifications and artists" renderings<br />
of the expansion of the center ready to show<br />
by Wednesday (15) . . . Tuesday (14) is<br />
Election Day for Variety Tent 22, the day<br />
of the general membership and board meeting.<br />
Officers elected that day for Tent 22<br />
and Women of Variety will be installed<br />
December 6 at the Oklahoma City Golf and<br />
Tent 22's membership<br />
Country Club . . .<br />
drive starts Wednesday (15) . . . Tent 22<br />
has three members who joined during<br />
September and October: R. T. Ayers, Rendezvous<br />
Trails of America; Ken Shubat and<br />
Bud Morse, both of radio station KOMA.<br />
HOUSTON<br />
(Continued from page SW-6)<br />
bra Streisand is on several area screens in<br />
. . . The<br />
a return showing of "Funny Girl" and the<br />
first run of "What's Up, Doc?"<br />
Gulf-Way, McLcndon Triple and Thunderbird<br />
Drive-In are showing the Southwesten<br />
premiere of "The Greatest Blood Show,<br />
four features including "Countess Dracuhi.<br />
"Vampire Circus," "Blood Thirst" and .i<br />
mystery hit that starts at 11:15 p.m.<br />
"Fiddler on the Roof," in a 47th week at<br />
the Tower, needs only five weeks to complete<br />
a record-breaking year . . . "TTie Godfather"<br />
is being shown here at the Granad.i<br />
in<br />
English with Spanish titles.<br />
SW-8 BOXOFnCE :: November 13, 1972
li get a face full of bloody tread<br />
rks and a 250 lb. dirt bike right<br />
are he doesn't need it.<br />
>AUL CARR<br />
•<br />
•<br />
MICHAEL FOREST BEN ARCHIBEK<br />
• •<br />
CHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American • International Release<br />
A", by Produced by Directed by<br />
'ILLIAM MERCER and MICHAEL C. HEALY<br />
•<br />
JOSEPH E BISHOP and ART JACOBS JERRY JAMESON<br />
•<br />
ooNTACT YOUR American International exchange<br />
MILWAUKEE<br />
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Milwaukee, Wisconsin 53203<br />
Tele.: (414) 273-3887<br />
OMAHA<br />
Ixxy Sokolof<br />
1 508 Davenport Street<br />
Tele.: (402) 342-1161<br />
Omaha, Nebrosko 68102<br />
?l 1972 American Internat'onal Piclu'es. Inc<br />
MINNEAPOLIS<br />
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Minneapolis Minnesota 55403<br />
Tele.: (612) 333-8293<br />
Branch Manager; Morrie Buell
?*i<br />
'ja!ijiig^aB'^:jaiBigg»gygiigrrsw<br />
MARCUS SHOWMANSHIP CAMPAIGN—Special problems of minitheatres<br />
were pointed up by these men at the Marcus Theatres circuit's two-day<br />
showmanship campaign held recently in Milwaukee. Seen here, left to right, are:<br />
H. B. Toilette, vice-president in charge of all theatre operations; Wally Nesler,<br />
manager of Cinema 1 and 2, LaCrosse, Wis.; Ralph Schallow, manager of Marc 1<br />
and 2, Sheboygan, Wis.; Ben Marcus, president of the circuit; Walt Blaney,<br />
manager, Marc 1 and 2, Menomonee Falls, Wis.; Jerry Bares, manager of theatres<br />
in the LaCrosse area, and Wayne Berkley, manager of Marc 1 and 2, Appleton<br />
Wis.<br />
Nebraska NATO Making Legal Study<br />
Of States Proposed Obscenity Law<br />
LINCOLN—Nebraska NATO president<br />
Irwin Dubinsky reports tliat copies of<br />
Nebraska's proposed new law on obscenity<br />
already have been obtained. They will be<br />
studied by the state<br />
exhibitor organi2:ation's<br />
attorney, then sent on to the national NATO<br />
headquarters in New York City for legal<br />
review. Although Charles Huff, Lincoln,<br />
counsel for Nebraska NATO, and Dubinsky<br />
still are digesting the draft document, the<br />
latter speculates that it can't help but create<br />
some problems in the months ahead.<br />
The new obscenity law draft emerged a<br />
few days ago as part of a proposed new<br />
Nebraska criminal code going to the Unicameral's<br />
judiciary committee for 1972<br />
consideration. Some $66,000 in federal<br />
funds has financed the mammoth legal<br />
undertaking.<br />
In presenting the draft to<br />
the committee,<br />
Atty. Gen. Clarence Meyers included a fourpage<br />
cover letter in which he said "not all<br />
members of the advisory committee approve<br />
of each and every part of the proposed code.<br />
Some members . . . are opposed to some of<br />
what has been included." Meyer said all of<br />
the proposed code should be examined and<br />
predicts that some parts undoubtedly will<br />
provoke extended debate.<br />
An operative date of April 15, 1974, is<br />
proposed for the code if it is enacted by<br />
the 1973 legislature. However, judiciary<br />
committee chairman Sen. William Hase-<br />
SlifupeA Theatre Supply, Inc.<br />
^^<br />
1502 Davenport St.<br />
^^^P Omaha, Nebraska 68102<br />
^F ^Area Code (402) 431-5715<br />
When Your Butinesi Is APPRECIATED<br />
broock said later it may be more realistic<br />
to give the Unicameral more study time and<br />
aim for a 1975 operative date if the code<br />
receives legislative approval.<br />
Atty. Gen. Meyer, code project director,<br />
confirms that Citizens for Decent Literature<br />
(CDL) supplied the text material for the<br />
proposed new obscenity law in the code.<br />
Meyer adds it was his suggestion that those<br />
putting the new criminal code together include<br />
the CDL model bill.<br />
According to reports, the recommended<br />
state statute would: rewrite the U.S. Supreme<br />
Court's definition for determining<br />
obscenity (the revision proposes a more restrictive<br />
standard on what could be permitted<br />
to be spoken, written, sold or displayed);<br />
permit each community to set its<br />
own contemporary standards for judging<br />
pornography and obscenity (guidelines could<br />
be more strict than minimal standards decreed<br />
by state law); establish a criminal<br />
court jury as "the exclusive judge of the<br />
common conscience of the community and<br />
the embodiment of community standards";<br />
eliminate an accused person's now unqualified<br />
right to waive a jury trial in an obscenity<br />
case, thereby allowing a single judge to<br />
measure alleged activities against statutory<br />
prohibitions and constitutional guarantees<br />
and make a presumption that "every person"<br />
has "knowledge of the standards that exist<br />
in the community and what the juror or<br />
trier of fact may declare to be obscene."<br />
Subject matter to be covered in the CDL<br />
model law "shall mean any book, magazine,<br />
newspaper or other printed or written material<br />
or any picture, drawing, photograph,<br />
motion picture, play, nightclub performance,<br />
TV production or other pictorial representation<br />
or any statue or other figure, or any<br />
recording, transcription of mechanical,<br />
chemical or electrical reproduction or any<br />
other articles, equipment, machines or<br />
materials."<br />
For example, it is reported the CDL bill<br />
would outlaw singing of any song or ballad<br />
judged obscene—in person or by any mechanical<br />
means, including TV. That act<br />
would be a Class II misdemeanor.<br />
CDL, a nonprofit organization based in<br />
Los Angeles, has worked closely with Gov.<br />
J. J. Exon in "antismut" activities, including<br />
a seminar for Nebraska county attorneys a<br />
year ago. CDL also has conducted a letterwriting<br />
campaign in Nebraska where much<br />
of the emphasis in "fighting obscenity" has<br />
been against films.<br />
Venture Films Corp. Is<br />
Formed in Kansas City<br />
KANSAS CITY—Stephen D. Durbin has<br />
announced the formation of Venture Films<br />
Corp. to serve exhibitors of the Kansas City,<br />
St. Louis, Des Moines, Omaha and Minneapolis<br />
exchange areas. The company will<br />
headquartered at 1703 Wyandotte in Kansas<br />
City.<br />
Among the titles currently being released<br />
by Venture are "The Passion Seekers,"<br />
"Tom Jones Rides Again," "Hot Spur,'<br />
"The Sensuous Maid" and "Mondo Erotica.'<br />
A wide variety of additional titles will be<br />
announced in the near future.<br />
Before forming Venture Durbin held sales<br />
positions with American International Pictures<br />
in Chicago and Hollywood and with<br />
United Artists in Kansas City, St. Louis and<br />
San Francisco. He also held positions as<br />
film buyer for the Kerasotes circuit in Illinois<br />
and for Kindair Corp. in California.<br />
"In forming this new company," Durbin<br />
said, "I hope to give exhibitors throughout<br />
the Midwest top grosses produced through<br />
the combined showmanship efforts of both<br />
exhibitor and distributor. Promotion and<br />
cooperation are the keys to our success."<br />
Ray Vonderhaar Acquires<br />
Madison, S.D., Theatres<br />
MADISON, S.D.—Ray Vonderhaar. veteran<br />
Alexandria, Minn., exhibitor, has acquired<br />
the State Theatre and Madison Drive-<br />
In here from Joseph M. Prill, who has<br />
owned and personally managed the facilities<br />
for the past 17 years. Vonderhaar's son<br />
Michael, assisted by his wife Joanne, will<br />
be resident manager of the two theatres.<br />
In acquiring the Madison theatres. Vonderhaar<br />
praised the city as an "up-and-coming,<br />
wide-awake business community and<br />
said he was pleased to have the opportunity<br />
to make a business investment here." The<br />
State and Madison are Vonderhaar's first<br />
South Dakota theatres.<br />
Prill said he had no definite plans for the<br />
immediate future.<br />
Injunction Halts Demolition<br />
WATERLOO. IOWA — Demolition<br />
the Paramount Theatre Building was halted<br />
by court injunction recently after owners<br />
of an adjacent structure complained th;ii<br />
falling bricks were damaging their<br />
proper!<br />
Paul Mazursky and his "Blume in Lose<br />
cast are now on a three-week filming jaunt<br />
in<br />
Venice.<br />
be<br />
of<br />
NC-2 BOXOFHCE :: November 13, 1972
I<br />
A PHASE ONE FILMS, INC. RELEASE<br />
DAVID EMANUEL, President<br />
lAR Woc+ 4A+h
MILWAUKEE<br />
\X7hen Joe Imhof, formerly branch manager<br />
for United Artists here, was in<br />
town for a visit recently a luncheon in his<br />
honor was attended by Angle Porchetta,<br />
Capitol Service; William Imhof, Theatres<br />
Candy Co.; Harry Mintz, Capitol Court<br />
Theatre; Gerry Franzen, Cinema, Inc., and<br />
David Chapman, formerly salesman for<br />
Columbia. It was held at the popular John<br />
Ernst Restaurant. Joe Imhof, who is retired,<br />
returned to his home in San Diego, Calif.<br />
Jack Ringe, manager of the (Marcus)<br />
Centre Theatre, mailed out invitations to<br />
a sneak preview of Paramount's "Lady Sings<br />
the Blues" Saturday night (4) at 8 p.m. The<br />
film was scheduled to begin a run Wednesday<br />
(8) at the Centre, Brookfield Square<br />
and Capitol Court theatres.<br />
Edward Stolier, branch manager for United<br />
Artists, reports to <strong>Boxoffice</strong> that "Fiddler<br />
on the Roof" is doing fantastic business<br />
all over the state. It winds up a full<br />
year at the UA Southgate Theatre in mid-<br />
December, when it is scheduled to be replaced<br />
by "Man of La Mancha" ... Pat<br />
Halloran, local sales representative for Universal<br />
Film Exchanges, invited exhibitors<br />
and their families to a tradeshowing of the<br />
PG-rated "Limbo" Friday (3) at the Centre<br />
screening room, 212 West Wisconsin Ave.<br />
. . . We owe an apology to Ed Gavin, AIP<br />
office manager here, for reporting the wrong<br />
title in <strong>Boxoffice</strong> (October 30) of his recent<br />
tradeshowing of "Unholy Rollers." We<br />
inadvertantly caught the phrase "Hell on<br />
Wheels" in the description concerning this<br />
movie and somehow reported that as the<br />
title.<br />
Fred Rott, manager of the (Marcus) Villa<br />
Theatre, who does such an excellent job with<br />
i READY "^ ^<br />
NOW!<br />
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U films and stock intermlsslon-snock bar films, i<br />
kiddies show promotions, had a weeklong<br />
"Disney Halloween Treat" which featured<br />
"Bedknobs and Broomsticks" and "The Vanishing<br />
Prairie," plus several cartoons, together<br />
with a dress-up contest. For a whole<br />
week youngsters who came to the theatre in<br />
some kind of costume, even if only a mask,<br />
were given a handout and Polaroid photos<br />
were taken (with the kids or their parents<br />
eventually getting possession of the pictures).<br />
Fred's talented staff of ushers and vendorettes<br />
also pitched in by painting black cats,<br />
bats, ghosts and all sorts of eerie symbols on<br />
the windows surrounding the theatre lobby.<br />
Scarecrows, skeletons and more Halloween<br />
things were hung on the lobby walls. But<br />
the main eye-catcher was a huge pumpkin<br />
made out of chicken wire and crepe paper<br />
that measured four feet by almost five<br />
feet.<br />
It was filled with all sorts of candy goodies<br />
and was perched in the center of the lobby.<br />
A five-year-old girl dressed as a clown became<br />
the proud possessor of the pumpkin<br />
when Fred and his staff deemed her costume<br />
to be the best. Oh, yes, her parents had to<br />
use a vehicle in order to cart the pumpkin<br />
away! Meanwhile, the Villa is in the middle<br />
of its second ten-week series of free, sponsored<br />
Saturday morning kiddies shows. The<br />
tickets are picked up by the parents from<br />
cooperating merchants in the immediate<br />
neighborhood. With all this action going,<br />
Fred also is distributing window signs to<br />
local merchants who are being contacted to<br />
cooperate in the Holiday Merchant Ticket<br />
deal. The merchants buy a flock of theatre<br />
tickets (at a reduced price) which are good<br />
for one free admission at any time during<br />
the month of December and give them out<br />
to their customers as a sort of extra Christmas<br />
bonus. About 30 merchants are tied in<br />
with the project so far. Last year, Fred reports,<br />
the holiday merchant ticket project<br />
was so well received the cooperating store<br />
owners contracted for 20,000 tickets. It<br />
could be even bigger this time, Fred believes.<br />
Capitol Court Theatre (RKO-Stanley<br />
Warner), located adjacent to the Capitol<br />
Court Shopping Center on the city's northwest<br />
side, has dropped its daily matinee to<br />
only one a week—on Wednesday. Doors<br />
open at 11:30 a.m. One complete show starts<br />
at 12 noon. Special admission is $1. . . .<br />
The stageshow "Hair" is scheduled for still<br />
another return to the Palace Theatre when<br />
it presents seven performances starting Monday<br />
(13). It is now billed as a "farewell<br />
tour."<br />
Fifty Years Ago: The silent movie "When<br />
Knighthood Was in Flower," starring Marion<br />
Davies, began a long run Nov. 4, 1922,<br />
at the (now removed) Garden Theatre on<br />
Grand Avenue
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Ensure the success of your theatre operation with<br />
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BOXOmCE :: November 13, 1972 NC-5
j<br />
MILWAUKEE<br />
(Continued from page NC-4)<br />
three-judge panel to consider a suit by Delto<br />
which challenges the constitutionality of<br />
state obscenity laws. In a case involving<br />
charges of showing an obscene film against<br />
the principal agents of the theatre firm<br />
Donald E. Thomas and James G. Burner<br />
County Judge Patrick J. Madden last April<br />
had dismissed the charges, ruling that the<br />
prosecution had failed to prove that the men<br />
knew the film was obscene. The onus did<br />
not fall on them, he decreed.<br />
Esquire Theatre in Madison has continued<br />
its policy of offering a reduced admission<br />
price to Madison area students during 1972-<br />
73. A student discount card is sold at the<br />
theatre at a cost of 50 cents each and when<br />
presented at the Esquire entitles the student<br />
to a saving of 50 cents off the regular adult<br />
admission.<br />
Emile de Antonio, a filmmaker whose<br />
documentary style of biting satire and social<br />
comment is identified with his "Millhouse:<br />
A White Comedy," "Point of Order," "Rush<br />
for Judgment" and others, will premiere his<br />
newest film at the University of Wisconsin-<br />
Milwaukee campus during a two-day seminar<br />
Monday and Tuesday (13, 14). It is<br />
entitled "Painters Painting." De Antonio<br />
started producing films in 1962 and has<br />
come to this city under joint sponsorship<br />
of the Center for Theatre Research and the<br />
UW Center for 20th Century Studies to conduct<br />
mini-courses and seminars in filmmaking<br />
at UW-M. He next is scheduled to go<br />
to Madison where his films and manuscripts<br />
are to be placed permanently in the<br />
Wisconsin Center for Theatre Research.<br />
Mondays during<br />
'NFL Monday Nile Football'."<br />
Screen actress Joan Fontaine returned to<br />
this city Wednesday (2)—she had appeared<br />
here in the stage play "Dial M for Murder"<br />
about six years ago—to speak before the<br />
Whitefish Bay Women's Club. She reviewed<br />
the romantic era of entertainment in Hollywood<br />
and bemoaned the fall of the star system<br />
which, she said, resulted in a loss of<br />
public interest in movies. Directors who then<br />
became the "stars" began to use actors who<br />
were relatively unknown, she said. The actress,<br />
who is a sister of Olivia deHavilland<br />
(with whom she was supposed to have had<br />
a feud but only as a studio publicity stunt),<br />
also revealed here that she had just relurned<br />
to the U.S. following a six-month stage tour<br />
of South Africa.<br />
Filmmaiier Barbara Loden (whose husband<br />
is director Elia Kazan) was in<br />
town to discuss moviemaking as part of<br />
the "Women in the Arts" celebration at<br />
UW-M . . . The Vogue in Arcadia received<br />
front-page stories in two newspapers announcing<br />
that theatre's "Trinity Club." The<br />
club was formed "in order to promote attendance<br />
for good, clean entertaining<br />
movies." Four f.ims featuring the popular<br />
stars of "They Call Me Trinity" were booked<br />
and anyone purchasing a special Trinity<br />
Club ticket at the theatre is entitled to see<br />
all four films for the price of three. There<br />
also is a special ticket for children's matinee<br />
showings priced at $1 for all four shows.<br />
The remaining films in the series are: "Boot<br />
Hill," "They Call Me Trinity" and "Trinity<br />
Is Still My Name." Donald LeGros is owner-operator<br />
of the Vogue.<br />
'The Bittersweet Night' and 'Preacherman'<br />
... I believe the newspapers are a<br />
powerful influence.<br />
"Please do what you can to uphold that<br />
which is good for our society. Eliminate<br />
pornographic advertising. (Signed) Mrs.<br />
Emerson Miller."<br />
Three days before this letter appeared the<br />
Journal Co. had mailed out a letter to area<br />
theatremen saying that it would modify or<br />
reject advertising of so-called adult movies<br />
that violate the movie industry's own standards.<br />
By October 2 theatremen who had<br />
received the letter were discussing it pro<br />
and con.<br />
Henry Kratz, executive director of the<br />
National Ass'n of Theatre Owners of Wisconsin<br />
and Upper Michigan, stated that a<br />
meeting will be held at NATO to familiarize<br />
the people responsible for placing the ads<br />
with the Journal Co.'s rules and regulations.<br />
However, Kratz indicated that he particularly<br />
was disturbed by a section of the letter,<br />
written over the signature of Charles K.<br />
Clarke, Journal Co. vice-president and ad-<br />
,<br />
vertising manager, which read: "We publish<br />
,<br />
the Motion Picture Ass'n of America rating<br />
|<br />
guidance system (G, PG, R and X) for par-<br />
\<br />
waukee Sentinel."<br />
ents every day in both the Journal and Mil-<br />
Kratz said the rating guidance system was<br />
paid for by the theatres and that since the •<br />
first of the year "we have spent over $7,000<br />
for that rating guidance ad ... we are<br />
doing our job in tj-ying to inform the public i<br />
about the types of pictures, for children and<br />
adults." i,<br />
Len Schulze, district manager for United<br />
i<br />
\<br />
Artists Theatres of Wisconsin, said his group<br />
]<br />
of theatres "will continue submitting ads as 1<br />
usual with the understanding that the Jour- j<br />
nal may make changes as usual. We feel it's ]<br />
censorship but we don't run anything the<br />
Journal doesn't want us to run." Another<br />
,<br />
Movie actor Jon Voight, star of "Midnight<br />
Cowboy" and "Deliverance," was here<br />
Saturday and Sunday (4, 5) doing some<br />
electioneering for his favorite presidential<br />
candidate. His scheduled appearances included<br />
greeting the moviegoers in the lobby<br />
of the Mayfair Theatre Saturday night (4)<br />
where, according to the Mayfair manager<br />
Bob Stumpf, "Deliverance" is doing an outstanding<br />
business . . . Towne Theatre,<br />
Whitewater, has inaugurated a "Night for<br />
Ladies" on Mondays during the football season.<br />
In its ad in the local weekly a special<br />
note read: "Let HIM watch the game—and<br />
the KIDS. Ladies admitted for 75 cents<br />
Coming in January:<br />
Journal Co.'s Ad Edict<br />
Brings Mixed Reactions<br />
MILWAUKEE—A letter to the editor<br />
was published in the Milwaukee Journal<br />
October 2 which stated in part: "Normally<br />
I quickly turn the pages that picture coming<br />
attractions at the movie theatres. It upsets<br />
me to see advertised the filth shown on<br />
some movie screens today.<br />
"But I happened to note in the center of<br />
the entertainment section the announcement<br />
that two of the Oregonian Publishing Co.<br />
newspapers had decided to eliminate advertising<br />
on 'adult' pornographic films and live<br />
shows from its pages. My heart leapt and I<br />
said 'please, dear Lord, motivate the Milwaukee<br />
Journal and Sentinel to take such a<br />
stand also, ... A parent cannot censor a<br />
newspaper for a teenager. We do want our<br />
young people to<br />
be educated by reading the<br />
current news and yet we do not want their<br />
sexual appetites whetted in a perverted way<br />
by seeing such ads as were in the September<br />
20 Journal, namely: 'Private Parts,' 'Teenage<br />
Sex Report,' 'Dirtiest Girl I Ever Met,'<br />
'Shotgun Wedding,' 'The Swingin' Pussycats,'<br />
local movie owner told <strong>Boxoffice</strong> he considered<br />
the censorship by the Journal "a<br />
haphazard." He said he frequently was surprised<br />
by the frank nature of some ads that<br />
seemingly were missed by the censors and<br />
subsequently were published in the paper.<br />
Richard Leonard, Journal editor, stated<br />
that about 40 complaints, both letters and<br />
telephone calls, were received weekly by the<br />
news department. They come from all ovor<br />
the state and there "is no indication of an<br />
organized campaign," he stated.<br />
Another local theatre operator, expressing<br />
the opinion that the Journal letter was uncalled<br />
for, said a number of X-rated films<br />
had to be run because they were the monc>makers.<br />
"Why run a film if we can't advertise<br />
it appropriately?" he asked.<br />
Still another showman pointed out that<br />
\,s0ss0^<br />
WI/^^WS<br />
SCREENS«>^QEi»|<br />
^ IMMEDIATE DELIVERY ^<br />
"«"<br />
^<br />
50
movie houses use advertising material which<br />
is supplied to them by distributors of the<br />
picture and that these same ads do appear<br />
in newspapers all over the country. However,<br />
if the Journal and Sentinel are going<br />
to censor the advertising, he said, the local<br />
theatremen will cooperate in making<br />
changes "as we have done for years."<br />
LINCOLN<br />
Pat Miles, Varsity Theatre manager, began<br />
earlier than usual—about 8:15 a.m.<br />
October 28, although the day didn't start<br />
out too well. She intended to be at the<br />
movie house long before magician Bill Morton<br />
and other performers showed up to set<br />
up their equipment for the 17th annual Lincoln<br />
Braille Club benefit show. But, her car<br />
stopped dead halfway downtown. She made<br />
it but not before magician Morton and the<br />
others. Despite the start, the benefit went<br />
off well. A nagging question in the minds<br />
of Morton and others throughout the morning<br />
children's show was where the 18th<br />
event would take place. The Varsity will<br />
come down in early 1973 and Morton<br />
thinks it may take a super trick to turn up<br />
another downtown place as convenient as<br />
the Varsity and its cooperative staff.<br />
Dean Ziettlow has returned to Minneapolis<br />
after a vacation here and in Colorado<br />
but not his new Mercedes-Benz. Dean, manager<br />
of Cooper's Cinerama in Minneapolis,<br />
had driven into the Villager parking area<br />
adjacent to the Cooper/ Lincoln Theatre to<br />
visit manager Jay Maness, when another<br />
motorist came around the comer to smack<br />
the Mercedes head-on. According to Cooper<br />
friends. Dean wasn't hurt but, oh, his brand<br />
new car! It couldn't be repaired in time for<br />
Dean's scheduled departure, so he returned<br />
to Minneapolis by air. The Mercedes will<br />
be here until Dean comes down to this city<br />
December 5 with other Cooper theatre managers<br />
from Colorado and Nebraska for the<br />
circuit's annual two-day managers' conference—out<br />
at the Villager and the nearby<br />
Cooper/ Lincoln.<br />
Dave Etmund, another of Cooper's former<br />
managers here, is back in town for a twoweek<br />
vacation with his parents. Dave now is<br />
manager of the Cooper Twin in Greeley,<br />
Colo. . . . Herman Hallberg, vice-president<br />
of Cooper Theatre Enterprises, just managed<br />
to get up to Minneapolis for a Thursday<br />
(2) appointment. He was out in Colorado<br />
Springs early that week, got caught in<br />
that state's heavy snows and finally got<br />
back to this city Thursday morning (2) to<br />
fly to Minneapolis the same day . . . Re-<br />
F>orts from Tokyo from Nebraska's cowboy<br />
showman, Montie Montana jr., indicate that<br />
the Japanese like the "small sample" of the<br />
West which the American wild west show,<br />
originally packaged in Buffalo Bill country<br />
at North Platte, is offering in the foreign<br />
land. Showman Montana reports he hopes<br />
to share the Indian dances, sign-language<br />
(Continued on next page)<br />
MINNEAPOLIS<br />
•[•he IDS Center Theatre, located in the<br />
concourse level of the 57-story IDS<br />
building in the downtown area, bowed with<br />
"The Darwin Adventure," a first-run offering,<br />
though house policy has yet to be<br />
firmed. The new 400-seat theatre is owned<br />
by Movieland, Inc., a partnership made up<br />
of J. Warren Burke, Donald McGlinn and<br />
Richard Carmaker, all of this city.<br />
Dean Lutz, Metro-Goldwyn-Mayer branch<br />
manager, and Don Dalrymple, assistant resident<br />
sales manager, winged off to Chicago<br />
Wednesday (1) for discussions of product<br />
due in these last weeks of 1972 and early<br />
1973 . . . Harry Goldman, Midwest division<br />
manager for Warner Bros., flew in from<br />
Chicago for routine branch business. Meanwhile,<br />
WB's timely "The Candidate" had<br />
its city break Wednesday (1) with seven<br />
prints working the Twin Cities area.<br />
Roy Smith, William H. Lange Co. branch<br />
chief, rejxjrts that Carol Hismith is here<br />
from Pennsylvania for a four-week promotional<br />
campaign for "The Late Liz." The<br />
Anne Baxter starrer bows Wednesday (29)<br />
at three Twin Cities theatres—the Southdale<br />
Cinema I, the Har-Mar I and the Brookdale<br />
Theatre. Smith is chuckling because Carol's<br />
name is just like "Hi, Smith!"<br />
Is the Twin Cities area in danger of becoming<br />
over-screened? "No doubt about it,"<br />
say an increasing number of those in the<br />
industry. Multiple theatres are "springing<br />
up like mushrooms," to use the expression<br />
commonly applied these days. Twins, triplex<br />
and quad-theatres are increasingly common<br />
—and a couple of startling statistics are<br />
coming to light. First, there shortly will be<br />
90 screens in the Twin Cities area (and can<br />
this area support that lofty total?) and,<br />
second, this will mean more seats to be<br />
filled than existed in 1950!<br />
Paramount's "A Separate Peace" won the<br />
applause of 800 teachers and professors in<br />
an educators' screening October 28, held<br />
at the Cinema II in Edina . . . George Carisch,<br />
Wayzata, head of the Carisch circuit,<br />
was bedded with a bad back . . . Bill Levy,<br />
Heights Theatre, Columbia Heights, is ailing<br />
and is<br />
back in Mount Sinai Hospital.<br />
The day before Halloween, Marvin Agotness,<br />
Lyric Theatre, Park River, N.D., told<br />
Filmrow bussies on the phone that six<br />
inches of snow had blanketed his area. That<br />
was only the start. Before the day was over<br />
more than 13 inches of snow had hit different<br />
parts of South Dakota! . . . Forrie<br />
Myers. Paramount branch manager, went<br />
duck hunting in northern Minnesota October<br />
28-29. He had great luck the first day but<br />
couldn't scare up a single bird the next day.<br />
Pat Verducci, Columbia exploitation,<br />
pushed a solid promotional campaign for<br />
"The Valachi Papers," aided by impressive<br />
newspaper ads stressing the factual side of<br />
the Mafia-themed film . . . Meanwhile,<br />
Verducci also was pushing "A Reflection of<br />
Fear." with Sondra Locke, its star, due in<br />
town Monday (13). "A Reflection of Fear"<br />
opens Wednesday (15) at the Gopher Theatre<br />
here, with a St. Paul date still tentative.<br />
'Sounder/ 'Emigrants'<br />
Big in Minneapolis<br />
MINNEAPOLIS— "Sounder,"<br />
kicked off<br />
with a heavy promotional and advertising<br />
campaign, took off in strong style at the<br />
World, breaking with an impressive 350.<br />
Launched with an equally ambitious slice<br />
of hoopla, including a premiere attended by<br />
Sweden's Princess Christina, "The Emigrants"<br />
chalked up a hefty 300 at the Academy.<br />
The two were the only newcomers and<br />
their healthy gross figures were part of an<br />
extremely mixed overall picture. Cicely Tyson,<br />
star of "Sounder," was here for a round<br />
of press, TV and radio interviews and the<br />
actress snared abundant ink and time. "The<br />
Emigrants." if it's going to click anywhere,<br />
has to be big here: It deals with Swedes who<br />
migrated to this state and was filmed in part<br />
in Minnesota. This state's large Swedish<br />
population should make it a readymade success.<br />
"Deliverance" continued to deliver for<br />
Skyway II, in with 400 in its fourth week<br />
and what a way to launch a new theatre!<br />
"The New Centurions" also was dazzhng at<br />
the new Skyway I, posting a lively 250 in<br />
its fourth frame. "Slaughterhouse-Five" was<br />
showing strong legs at the Cooper, 210 in<br />
a ninth week. Elsewhere, for the most part,<br />
the gross picture was a case of the blahs.<br />
{Average Is 100)<br />
Academy The Emigrants (WB) 300<br />
Cooper Slaughterhouse- Five (Univ), 9th wk, ...210<br />
Skyway I—The New Centurions (Col), 4th wk. ..250<br />
Skyway II—Deliverance iWB), 4th wk 400<br />
State—Hickey & Boggs (UA), 2nd wk 80<br />
World—Sounder (20th-Fox) 350<br />
Western Service & Supply<br />
Opens Los Angeles Office<br />
From Western Edition<br />
DENVER—Bob Tankersley, president of<br />
Western Service & Supply Co., based here,<br />
announces the formation of a Los Angeles<br />
subsidiary. Western Service and Supply of<br />
Los Angeles, Inc. Sam Aspaas has been<br />
named president and general manager to<br />
direct the Los Angeles operation. This<br />
brings to three the number of Western Service<br />
and Supply offices. Another office is in<br />
Billings, Mont.<br />
"We are fortunate," said Tankersley, "to<br />
obtain the service of a man of Sam Aspaas'<br />
ability and experience in the theatre supply<br />
field. For the past 25 years, Sam has been<br />
serving theatres in the Los Angeles area. He<br />
was formerly with Westrex and National<br />
Theatre Supply, and recently has been in a<br />
sales and advisory capacity with Budd Theatre<br />
Supply. Exhibitors in the Los Angeles<br />
and Arizona areas will find Aspaas ready<br />
and willing to assist them."<br />
Patrick McGoohan has been signed to<br />
direct "Catch My Soul" for Metromedia.<br />
BOXOFTICE :: November 13, 1972 NC-7
D E S<br />
MOINES<br />
QUI Doebel of D&D Enterprises, formerly<br />
with National General Theatres, will<br />
be doing the buying and booking for the<br />
Boone Theatre, Boone. The theatre is owned<br />
by Bill Arts of Carroll and managed by<br />
Maurice Wilson.<br />
E. C. Lund, owner of the Lund Theatre,<br />
Viborg, S. D.. has a neat way of keeping<br />
the children of Viborg under control on<br />
Halloween. He sponsored a free show<br />
Wednesday (8) at his theatre, because there<br />
was no destruction in town on Halloween<br />
night. The school dismissed the children<br />
at 1 p.m. on the day of the show. This free<br />
show has taken place every year for the<br />
past few years and has worked wonders,<br />
Lund says. The kids all know this before<br />
Halloween, so are on guard. Lund says<br />
they permit a little soaping but nothing of<br />
a destructive nature.<br />
Carl Schwanebeck, chairman of the Iowa<br />
NATO liaison committee, was in New York<br />
City recently to meet with the national president<br />
and other members of the small-town<br />
theatre committee. They visited several of<br />
the<br />
film companies and national sales managers.<br />
Paramount held a sneak preview at the<br />
Fleur Theatre Sunday (5) of "Lady Sings the<br />
Blues." Diana Ross stars and this is her first<br />
picture, portraying the story of Billie Holiday<br />
. . . WOMPI Club members say they<br />
are making plans to sell nuts and candy<br />
again this year for the holidays and will<br />
welcome any orders they can get.<br />
Charles lies, president of Iowa Parcel, is<br />
a proud new grandpa! He announces the<br />
arrival of an eight-pound girl, born to his<br />
daughter and her husband Thursday (2).<br />
The little one was named Andrea . . . Everyone<br />
at Des Moines Theatre Supply is anxiously<br />
awaiting the return of Robby Robbins<br />
from his two-week deer-hunting trip to<br />
Montana. We hof)e he got his trophy without<br />
getting caught in the blizzards and deep<br />
snow reported in that area.<br />
Filmrow vilstors: Abbott Swartz, Minneapolis;<br />
E. C. Lund, Lund Theatre, Viborg,<br />
S. D., and Albert Crow, American Theatre,<br />
Coming.<br />
Central States news: At Fairfield, Gary<br />
Sandler had an excellent news story on the<br />
MGM Children's Matinees and now for the<br />
engagement itself has used the story within<br />
his ad, making an excellent layout . . . Radio<br />
station KROS at Clinton sponsored an election<br />
contest. Customers coming to the theatre<br />
were provided a ballot to make their<br />
choice of presidential nominees. This promoted<br />
a lot of local interest . . . Bob Morton,<br />
manager at the Fremont Theatre, Fremont,<br />
Neb., had free root beer coupons for<br />
all who came for his Friday the 13th show<br />
last month. He had a drawing for a transistor<br />
radio, all donated by local merchants<br />
. . . Dave Reab, city manager at Mason City,<br />
offered a half-price admission for the first<br />
50 coming to his Friday the 13th show (and<br />
. .<br />
that's half of $2) only to have his opposition.<br />
Park 70, come out with a midnighter<br />
with all admissions at $1. That is the way<br />
. it goes sometimes! Dean Tutor at Fort<br />
Dodge offered free admissions to the first<br />
five coming to the Rialto for the Friday<br />
the 13th show that had birthdays on the<br />
1 3th and another five free to those willing<br />
to break a mirror in the theatre lobby. He<br />
didn't say how many takers he had. The<br />
chamber of commerce at York has bought<br />
the Sun Theatre for a pre-Christmas kiddies<br />
show December 16 ... A couple more<br />
drive-in closings: Fort Dodge and Fairfield<br />
drive-ins has closed for the 1972 season.<br />
With some snow on the ground, they<br />
thought it a good idea to lock up . . . Visiting<br />
the home office of Central States recently<br />
were Tom North, new manager of<br />
the Ritz Theatre, Chariton, and Jay Cobb,<br />
manager of the Regent at Cedar Falls, as<br />
well as Irv Heller from Iowa City . . . Irv<br />
Shiffrin of the WestVue Drive-In in our<br />
town has rented the attraction board to a<br />
local bank for use this winter while the<br />
theatre is closed . . . Arthur Stein is sporting<br />
a new rain suit and recently went to the<br />
game in Ames in cold, rainy weather . . .<br />
The Rivoli Theatre in Hastings, Neb., is<br />
having a cinema art series again, according<br />
to Fred Teller, manager.<br />
LINCOLN<br />
(Continued from preceding page)<br />
demonstrations, trick roping, whipcracking<br />
and country and western music with the<br />
military men at U. S. bases near Tokyo.<br />
Irwin Dubinsky reported Sunday (5) that<br />
he had sp>ent the previous week in the family<br />
circuit's home offices contemplating what<br />
might get the quiet state of business off<br />
dead center. It's not Dubinsky theatres but<br />
all industry members who are feeling the<br />
continued slow business status, Dubinsky<br />
noted. His conversation included these notations:<br />
there is no product of consequence<br />
available now, except for a few like "Slaughterhouse-Five,"<br />
currently showing at the Dubinskys'<br />
local movie house, the Stuart;<br />
production<br />
companies' salesmen aren't traveling<br />
around. They have no product to offer of<br />
any major quality, and it has been a long,<br />
dry spell that won't be ended until Thanksgiving<br />
and Christmas. Warner Bros.' "Deliverance,"<br />
for example, is a good offering<br />
currently showing in other areas but has<br />
been held back until Christmas for the Midwest<br />
. . . "Bad Company," sneak-previewed<br />
Friday evening (3) at the Stuart, is a "good<br />
picture," according to Dubinsky. but it<br />
"could be hurt by its bad title." (Dubinsky<br />
and his wife, both attending the preview,<br />
liked it and thought it had some good, funny<br />
sequences and provides some good entertainment—if<br />
not for the title and for other<br />
"competing events" as it is shown here on<br />
a regular schedule). Speaking of competing<br />
activities, Dubinsky noted one the presidential<br />
election,<br />
which disappeared Tuesday<br />
(7). Not the two or three days weekly of<br />
nationally televised football games, though.<br />
Distribution of the average family's or person's<br />
entertainment dollar is another consideration<br />
... A much younger industry member's<br />
report of the lack of community support<br />
of special matinees at special prices<br />
the previous week of "A Separate Peace"<br />
lent support to Dubinsky's discussion on the<br />
state of the movie business in November<br />
1972. According to Gary Meyer, assistant<br />
manager at the Cooper/ Lincoln, there was<br />
disappointing response to the $1 matinees<br />
for college students on all four special matinee<br />
performances of "A Separate Peace." It<br />
wasn't much better in terms of school group<br />
special rate response, he adds. The film was<br />
shown twice each of the four afternoons<br />
at 2 and 4 p.m.—as a further convenience<br />
to lower and higher education group attendance.<br />
Gary made a Sunday (5) speculation<br />
that the special film, "Trap on Cougar<br />
Mountain," opening Tuesday (14) when the<br />
suburban Cooper/ Lincoln is rented out to<br />
Sun Internatonal Pictures for its independent<br />
offering, will draw good crowds. He<br />
bases this forecast on the experience of<br />
other similar theatre-rental picture engagements<br />
at the house.<br />
. . .<br />
Randy Griffin, doorman at the Cooper/Lincoln,<br />
is off on a week's vacation.<br />
He is out in western Nebraska hunting deer<br />
Mike Gaughan, Cooper district manager,<br />
and his wife Judy were busy Saturday<br />
afternoon (4) shifting new furnishings<br />
around in their living room, painting and<br />
trying to keep up on the Cornhusker-Colorado<br />
football game via TV from Boulder,<br />
Colo. Mike reports he now has painted all<br />
the interior and exterior of their one-story<br />
home during the past 24 months . . . Walt<br />
Jancke spent Sunday (5) down at Cinema 1<br />
and 2 so that his assistant Dennis Garrison<br />
could go pheasant hunting. Business there<br />
wasn't overwhelming, either, reports Walt,<br />
where the screens offered "Butterflies Are<br />
Free"—until Tuesday (14)—and "Slaughter,"<br />
to be succeeded by "Dirty Little Billy"<br />
— "another of those bad-titled films," adds<br />
Jancke.<br />
A charge of "showing obscene movies" in<br />
the Sprague Theatre, Delevan, was dismissed<br />
by Walworth County Judge John Voss after<br />
he ruled that testimony by an Elkhom police<br />
officer was not admissible as evidence.<br />
The officer was called as a witness by District<br />
Attorney Robert Read. The officer had<br />
seen the movie alleged to be obscene and<br />
Read expected his testimony would prove<br />
the charge. However, Judge Voss ruled that<br />
it would not be admissible. The film itself<br />
could not be obtained by the district attorney's<br />
office. A new case against the operator<br />
of the Sprague, James Anderson, will<br />
be initiated, Read said.<br />
Certificate of Withdrcrwal<br />
From New England Edition<br />
In Theatre Corp., a New York state<br />
STAMFORD, CONN.—Stamford Drive-<br />
corporation,<br />
filed a certificate of withdrawal (in<br />
effect, withdrawing from doing business in<br />
Connecticut) with the secretary of state's<br />
office.<br />
NC-8 BOXOmCE :: November 13, 1972
; 1972<br />
I<br />
HE Fuz;<br />
lat flashes<br />
badge on the<br />
irtGangr<br />
III<br />
get a face full of bloody tread<br />
-ks and a 250 lb. dirt bike right<br />
bre he doesn't need it.<br />
PAUL CARR<br />
•<br />
MICHAEL FOREST -BEN ARCHIBEK<br />
• •<br />
IICHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An American International Release<br />
•<br />
bitten by PfOducecJ by Directed by<br />
•<br />
7ILUAM MERCER and MICHAEL C. HEALY JOSEPH E. BISHOP and ART JACOBS JERRY JAMESON<br />
•<br />
CONTACT YOUR American International exchange<br />
American intamatiooal Ptctures, Inc.<br />
L<br />
DETROIT<br />
Marty Zide<br />
23300 Greenfield Rd.<br />
Oak Pork, Mich. 43237<br />
Tale.: (31 3> 399-9777<br />
CLEVELAND<br />
Bill Andrewi<br />
2108 Payne Avenue<br />
Cleveland, Ohio 44114<br />
Tele.: 1216) 621-9376<br />
CINCINNATI<br />
Milt Gurion<br />
Executive Building<br />
35 East 7th Street<br />
CinciiuMtL, Ohio 4S202
'<br />
'<br />
Court Decision Forces Alteration<br />
In Toledo 'Obscenity Enforcement<br />
TOLEDO, OHIO—Th^ established practice<br />
of Toledo police of sefzing allegedly obscene<br />
films and arresting theatre employees,<br />
where such films were being shovyn, charging<br />
them with "exhibiting an obs&ne performance"<br />
(punishable with up to $5,000<br />
fine and one year in jail), is being halted, in<br />
view of the Thursday (2) decision by U.S.<br />
District Court Judge Don J. Young in Toledo.<br />
The city is considering new procedures<br />
against theatres showing "objectionable"<br />
films. Meanwhile, in the light of Judge<br />
Young's ruling, which outlawed the seizure<br />
of films at the time arrests are made, Joseph<br />
Jordan, an assistant city law 'director, has<br />
recommended the dismissal of criminal<br />
charges against personnel of three, Toledo<br />
theatres in return for the dismissal of civil ;,<br />
actions brought in federal court by the theatre<br />
employees against the city. ^ -<br />
In one of the three cases, Ju«|ge,Young<br />
had ordered the city to return a 'f}im,'>"The<br />
Coming Thing," which had. been seized<br />
September 23 from the VSf^estwood Art<br />
Theatre, and ruled that such s^zures violated<br />
constitutional protections.' At that time,<br />
police arrested Martin G. Gleason, 23, theatre<br />
manager; Gerald Blawski, 27, assistant<br />
manager, and Francis H. Shjader, 51, projv<br />
jectionist, while a 17-year-old girl tickettaker<br />
was held on a juvenile delinquency<br />
charge and as a runaway from her home in<br />
Michigan.<br />
Although the ruling was only in the Westwood<br />
Theatre case, city officials said that<br />
the concept also was applicable to film seizures<br />
August 18 at the Las Vegas Cinema,<br />
where Roger Clem,' manager, and Violett<br />
Nickell, cashier, had been cited, and to a<br />
similar seizure August 23 at the Avalon Art<br />
Theatre, where police seized "The Two of<br />
Us" and "The Innocents," arresting Gary<br />
Licata, manager; Charles Cangiamialla, projectionist,<br />
and Carol Schwartz, ticket-t^er.<br />
U.S. District Judge Nicholas Walinski had<br />
refused to return the films seized from the<br />
Avalon or Las yegas theatres, citing an<br />
Ohio Supreme Court ruling allowing such<br />
seizures at the time of the arrests. He said<br />
the return of the seized prints was not relevant<br />
to appeals in the federal circuit court<br />
for a decision on the necessity of an adversary<br />
hearing as dictated by U.S. Supreme<br />
Court prior to seizure of any allegedly ob-<br />
Coming in January:<br />
scene material. He remarked that if he were<br />
to return the prints he would, in effect, be<br />
interferring with prosecution in the state<br />
courts.<br />
However, the recent ruling by Judge<br />
Young contradicted Judge Walinski's decision<br />
and held that federal court rulings have<br />
prohibited the seizure of films at the time<br />
arrests are made. Ted lorio, attorney for the<br />
theatre personnel, said that all the civil actions<br />
against the city in connection with the<br />
seizures, including the,;;appeal lo the U.S.<br />
l^th Circuit Court of Appeal^ Will be dis-<br />
-<br />
missed. , ,<br />
Cilyiattornfty Jordan said that if the civil<br />
cases had not been dismissedj' the city would<br />
ha^e had to abide by Judge Yoling's order,<br />
wfiich was in<br />
ihe. form of a preliminary injunction<br />
to ban seizure of films-by police,<br />
until all issues of the case finally were decided.<br />
He said the ctiy would proceed<br />
against "porno" exhibitors in one of two<br />
ways without violating Judge Young's order<br />
against. seizures of films.<br />
One would be to hold a prior adversary<br />
hearing to determine whether a film was obscene<br />
before prosecuting criminal charges<br />
against those involved in its exhibition. This<br />
procedure is followed in most of Ohio's<br />
metropolitan areas. This Would require a<br />
'policeman to view the film and, if he felt it<br />
was obscene,, to file an affidavit charging<br />
the theatre owner, manager, ticket-taker,<br />
projectionist or any other p>ersonnel with exhibiting<br />
an obscene performance. However,<br />
no arrests would be made until those named<br />
in the charges were given a hearing and instructed<br />
to bring the film so a judge could<br />
determine the obscenity of the film. If the<br />
film was not produced, the court either<br />
could take the word of the officer or go to<br />
the theatre and view the picture. If, after a<br />
hearing, the court found the film to be obscene,<br />
warrants could be issued for its seizure<br />
and for the arrest of the theatre personnel.<br />
In the second method, the same procedure<br />
would be followed, except that instead of<br />
summoning both personnel and property to<br />
an adversary hearing, subpoenas would be<br />
issued for a trial. Legal authorities said that<br />
the second method might raise questions<br />
about self-incrimination, so that the adversary<br />
hearing procedure would be more<br />
direct.<br />
If the adversary hearing is to work, it<br />
would be necessary for police to view a film<br />
early in its showing schedule, so that action<br />
could be taken before the theatre changed<br />
its screen offering.<br />
Liberty Theatre Closes<br />
BENTON HARBOR, MICH.—The Liberty<br />
Theatre in Benton Harbor closed Sunday,<br />
October 29, as Butterfield Theatres'<br />
lease on the building. The Liberty was<br />
opened in 1922 and had been managed for<br />
many years by Harry Himes.<br />
'Deliverance' Huge<br />
675 in Cincinnati<br />
CINCINNATI — "Deliverance," playing<br />
at the Times Towne Cinema, rounded out<br />
a highly profitable first month there with<br />
an impressive 675 fourth week and led all<br />
metropolitan first runs. Newcomer "Hickey<br />
& Boggs" opened at the Grand and grossed<br />
325, good enough for No. 2 spot on the<br />
business barometer, and "Butterflies Are.<br />
Free" earned No. 3 ranking with a 225;<br />
percentage in the film's 13th week at the;<br />
Place Theatre. \<br />
(Average Is 100)<br />
Ambassador Corry On Doctor (AlP), 2nd wk. . loc!<br />
Grand Hickey & Boggs (UA) 32;'<br />
Bod (Para), 2nd wk 75'<br />
International<br />
Kenwood<br />
70 Fot<br />
Company<br />
City (Col) 125'<br />
Place Butterflies Are Free (Col), 13th wk. .22;'<br />
Studio Cinemas Everything You Always Wanted<br />
to Know About Sex (UA), 10th wk 20C',<br />
'<br />
Times Towne Cinema Deliveronce<br />
(WB), 4th wk 675!<br />
20th Century Slaughterhouse-Five<br />
(Univ), 6th wk .150<br />
'Deliverance' Composite 300<br />
At Three Cleveland Theatres<br />
CLEVELAND — Three times average<br />
business by "Deliverance" marked this re<br />
port week, the Georgia-filmed thriller show<br />
ing at three area theatres for a fourth<br />
week. "Super Fly" raced through a sixth<br />
week to a 150 score at the Embassy The'<br />
atre to nail down No. 2 grossing percentage<br />
while No. 3 was a tie between "Asylum,'<br />
new at five theatres, and "The New Centurions,"<br />
fifth week at three other theatres<br />
each of these films grossing 130.<br />
Colony Fiddler on the Roof (UA), 46th wk. ..I2C|<br />
Embassy Super Fly (WB), 6th wk 15C<br />
Five theatres Asylum (CRC) 1 3C<br />
Five theatres The Deodly Trop (NGP) 8!<br />
Hippodrome, Shaker Born Black (SR) I2i;<br />
Loews' East, Loews' Stiilwell, Loews' West— ji<br />
The New Centurions (Col), 5th wk I3d<br />
Three theatres Deliverance (WB), 4th wk 30Q<br />
World East, World West Everything You Always<br />
i<br />
Wanted to Know About Sex (UA), lOth wk. . . lOq<br />
ilorold Rankin Succumbs;<br />
Canadicai Theatre Owner<br />
DETROIT—Harold Rankin, well-knowr<br />
Chatham, Ont., businessman, traveler ancJ<br />
a theatre owner, died Sunday, October 29i<br />
at the age of 68. He long had played ar|<br />
active role in the entertainment life ot<br />
Chatham and the surrounding area.<br />
;<br />
Rankin was the first manager of the<br />
Centre Theatre when it was built in 1940;<br />
As part of his promotional campaign, hi'<br />
sponsored the "Rankin Walk" betweer;<br />
Chatham and Windsor, Ont., as well a^<br />
"Rankin's Swingathon." He also promoted<br />
ice boat racing on Rondeau Bay. i<br />
Rankin gained considerable area fame<br />
for his sponsorship of "Uncle Harland',<<br />
Tea Party" on the fledgling local r.idii<br />
station.<br />
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I<br />
ME-2 BOXOmCE :: November 13, l
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Ringold Theatre Equipment Co.<br />
952 Ottawa, N.W.<br />
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Phone: (616) 454-8852<br />
32647 Ford Rood<br />
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laXOmCE :: November 13, 1972<br />
Hadden Theatre Supply Co.<br />
1909 Emerson Avenue<br />
Louisville, Kentucky 40205<br />
Ohio Theatre Supply Co.<br />
2108 Payne Avenue<br />
Cleveland, Ohio 44114<br />
Moore Theatre Equipment Co.<br />
506 Lee Street (P.O. Box 782)<br />
Charleston, West Virginia 25323<br />
Phone: (304) 344-4413<br />
ME-3
DETROIT<br />
Qeneral Cinema Corp. is planning a major<br />
expansion program in the metropolitan<br />
area. Two additional auditoriums will be<br />
built at the existing Warren Cinema, making<br />
it a quadplex. To be named the Warren<br />
Quad, a Thanksgiving opening is scheduled.<br />
Also, there will be twin cinemas built in the<br />
Pontiac and Somerset Mall shopping centers,<br />
to be ready for of)eration in mid-February<br />
and in April, respectively. A triplex has<br />
been announced for the Oakland Mall, Troy,<br />
but no completion date set. Each facility<br />
is located in a suburb of this city.<br />
Susan Stark, Free Press film critic, has<br />
coined a new word for motion pictures made<br />
to appeal to black patrons. She calls the<br />
movies the "blaxploitation" films, as she<br />
reports on "Hammer" at the Grand Circus<br />
and neighborhood theatres. Of "Hammer,"<br />
Miss Stark said: "This week's major entry<br />
in the movie industry's blaxploitation sweeps<br />
is no better, no worse, than last week's or<br />
any week before. 'Hammer' has the usual<br />
complement of bloody faces, bashed heads,<br />
rough talk and gratuitous sex. The picture<br />
itself inspires only one thought, the same<br />
thought inspired by its innumerable predecessors:<br />
how long will the black audience<br />
continue to accept the exclusive diet of junk<br />
dished up and shoved in its direction by the<br />
short-order boys of Hollywood?"<br />
Burt Holmes, retired United Artists boi^k<br />
er, suffered a severe heart attack and is<br />
in intensive care at Toil-Free Hospital.<br />
Room 144, West Branch. Mr. and Mrs.<br />
Holmes had just celebrated their 50th wedding<br />
anniversary and had been given a trip<br />
to Hawaii by their children. Burt was ii<br />
long-time booker for UA, going there fr i<br />
Buena Vista, and he had years of experici .<br />
ahead of that. Industryites extend best wishes<br />
for a speedy recovery.<br />
mini<br />
L^onaratulatlond to<br />
FRED<br />
NAGHER<br />
4<br />
€ openina, of uour<br />
Southfield Plaza Cinema<br />
Southfield^<br />
Michigan<br />
(A Jerry Lewis Theatre)<br />
ancl ^hcLriK Ljou<br />
An excitingly different movie house was<br />
opened October 25 at West Eight Mile Road<br />
and Daly Road in Southfield by Playhouse<br />
Cinemas. The circuit plans to open the<br />
Playhouse Cinema at Waterford, a twin<br />
showplace. Thanksgiving week. Then, as a<br />
Christmas treat, a Playhouse Cinema is<br />
scheduled to bow in Rochester.<br />
Students participated in a discussion of a'<br />
film at the Youth Film Forum's meeting at<br />
the Studio New Centre Theatre Saturday<br />
(11). Moderator was John Joannides, chairman<br />
of the English department of Milford<br />
High School and coordinator of extension<br />
courses at Oakland Community College. A<br />
written critique of the film was forwarded<br />
to Mrs. Wilma Maimark, chairman of the:<br />
Youth Film Forum . . . Leslie Fargo, one<br />
of the Midwest's top acting-modeling agency<br />
heads, is very proud of the way her clients<br />
performed in "Scarecrow," the Gene Hackman-Al<br />
Pacino film recently shot in part<br />
at Belle Isle-Harper Hospital and along<br />
Jefferson. Leslie rounded up some 50 extras<br />
and several principals in her Fisher Theatre<br />
Building agency office . . . Actor Gene<br />
Hackman and associates found the weather,<br />
here ideal for the final scenes of "Scare^<br />
crow"—cold, damp, bleak and gloomy, just<br />
right for the downbeat ending. The financial<br />
manager for the Sanford production estimated<br />
that the unit spent approximately<br />
$7,500 per shooting day.<br />
RINGOLD<br />
THEATRE EQUIPMENT CO<br />
PAUL J.<br />
Serving the Midwest<br />
STOCK IN BOTH LOCATIONS<br />
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952 Ottawa, N. W.<br />
Grand Rapids, Michigan 49503<br />
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32647 Ford Road<br />
Garden City, Michigan 48135<br />
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The Detroit Institute of Arts Youtheatre<br />
again this year is proving the purchasing<br />
power of the thin dime with a film series<br />
raising clouds of western dust via "Ten-Cent<br />
Mustang Matinees." Films are shown in the<br />
museum auditorium the fourth Saturday of<br />
every month, October through May, at 1<br />
a.m. and 2 p.m. No advance sales^ust<br />
purchase at the door for your dime admis-,<br />
sion. Films include William S. Hart in "Tumbleweeds"<br />
(1925) and two chapters of Tom<br />
Mix serial thrills; "Oid Santa Fe." with<br />
Ken Maynard (1934); "Roaring Mountain."<br />
with Gabby Hayes (1935); "Border Vigilantes,"<br />
with William Boyd (Hopalong Cassidy)<br />
(1939); "Stagecoach," with John Wayne<br />
(1939); "Melody Ranch," with Gene Autr>'<br />
(1940); "Ghost Rider." with Johnny Mack<br />
Brown (1943), and "Along the Navajo<br />
Trail," with Roy Rogers (1945), plus others.<br />
An advance showing of "Lady Sings the<br />
Blues" was held at the Madison Theatre<br />
ME-4 BOXOFHCE :: November 13, l'>::
wntown October 24 for the Motown Rec-<br />
J Corp. The film stars Diana Ross as<br />
Hillie Holiday. All of black society attended<br />
. . . Morality in Media awards go to Martin<br />
S. Hayden, vice-president and editor of the<br />
News, the country's largest afternoon newspaper,<br />
for "courageous refusal to print X-<br />
rated movie advertisements." Hayden was<br />
Ipresented the bronze plaque which read:<br />
"Morality in Media of Michigan honors the<br />
Detroit News in recognition of its positive<br />
stand against the advertisement of X-rated<br />
films and its strong editorial position on the<br />
'problem of pornography." A similar award<br />
was made to WJBK-TV, Channel 2. Hayden<br />
is scheduled to receive a further award on<br />
behalf of the News from the national organization<br />
during a dinner at the plush St.<br />
Regis Hotel in New York Monday (13).<br />
Debbie Griffs, a 16-year-old high school<br />
junior from the Hillsdale County community<br />
of Jerome, also received a U.S. Savings<br />
Bond for the winning essay on "improving<br />
movies" in a contest sponsored by the organization.<br />
Summit Theatrical Taking<br />
Over the Esquire Theatre<br />
TOLEDO. OHIO—The Esquire Theatre.<br />
a downtown Toledo house operated as a<br />
burlesque theatre and later as an exploitation<br />
film facility by the late Rose La Rose,<br />
burlesque star who died in July, has been<br />
assured of continued operation as a theatre<br />
of the same type until February 1. at<br />
least. Summit Theatrical Enterprises, 2488<br />
Glenwood Ave., Toledo, has taken over the<br />
lease on the Esquire. The contract with the<br />
owners of the building calls for taking over<br />
a five-year lease which had been held by the<br />
jEll Gee Corp., of which Miss La Rose was<br />
sole owner.<br />
The Summit firm is headed by Harry S.<br />
Tumier, president, and James A. Manuel,<br />
^general manager. The latter said that existing<br />
contracts with booking agencies call for<br />
the continuation of the same type of movies<br />
at the Esquire until Feb. 1,<br />
^contracts expire.<br />
1973. when these<br />
Manuel said he is not certain what type of<br />
films will be offered after that date but that<br />
there would not be any "hard-core pomoaphic<br />
films" shown. He said he is interested<br />
in showing "high-quality films which<br />
usually are not offered to mass audiences in<br />
'Toledo." He said experimental films may be<br />
shown, as well as revivals of past hits, esf>e-<br />
'cially old-time musicals, if the present interest<br />
in nostalgia continues.<br />
The Summit firm also operates the Regent<br />
: iTheatre in Erie, Pa., which specializes in<br />
burlesque-type movies and, at one time<br />
1968). had operated the small-seater Gayj^ty,<br />
322 Summit St., Toledo, for a year.<br />
Manuel now is manager of the Fantasy<br />
Adult Book Store at 113 Erie St., a few<br />
Diocks from the theatre, but said the book<br />
itore has no connection with the theatre<br />
'inn.<br />
Warner Bros. "The Mackintosh Man"<br />
iwll star French actress Dominique Sanda<br />
Paul Newman.<br />
:j3g>Pposite<br />
High Court Ruling Could<br />
Affect Ky. Prosecution<br />
OWENSBORO. KY.—Attorney John<br />
Miller, representing Gerald L. Benzel, manager,<br />
and the Capri Cinema Theatre, charged<br />
in Daviess Circuit Court with "exhibiting<br />
obscene matter," has argued in Division 11<br />
of the court that if the U.S. Supreme Court<br />
should redefine "contemporary community<br />
standards," the Benzel case would be affected.<br />
Circuit Judge Dan M. Griffith, who<br />
earlier was about to continue Benzel's trial<br />
until the January term of criminal court to<br />
await the Supreme Court decision on which<br />
standards should be applied, has allowed<br />
Stewart B. Elliot, assistant commonwealth<br />
attorney, additional time to check on the<br />
status of pending high court ruling.<br />
Griffith explained that if the circuit court<br />
tries Benzel using local community standards<br />
and the Supreme Court later rules<br />
that<br />
national community standards should apply.<br />
Daviess County would have to grant Benzel<br />
a new trial.<br />
Court Hearing Scheduled<br />
On Larey Theatre Value<br />
PORTSMOUTH. OHIO — The Larey<br />
TTieatre. owned by Stern Ohio Theatres, is<br />
the last building which will be required for<br />
the widening of Gay Street, the primary<br />
north bound one-way street in downtown<br />
Portsmouth. All of the other properties have<br />
been acquired for the project, from Second<br />
Street north to Gallia Street. However, a<br />
lawsuit involving the theatre property has<br />
held up the seeking of bids for demolition of<br />
the buildings involved.<br />
A hearing has been scheduled in Scioto<br />
County Common Pleas Court on the continuation<br />
of an injunction which prevents<br />
the razing of the theatre. Stem Ohio Theatres<br />
wants a legal determination made of<br />
what parts and furnishings of the building<br />
are real estate and what are personal property<br />
before a price the city will pay for the<br />
property is determined.<br />
The proposed street widening would relieve<br />
a traffic bottleneck.<br />
GCC Theatre Started<br />
In Lexington Mall<br />
LEXINGTON, KY.—Construction has<br />
started on a new film theatre for Lexington,<br />
to be operated by Boston-based General<br />
Cinema Corp. TTie showhouse will be located<br />
in Fayette Mall.<br />
Attending recent groundbreaking ceremonies<br />
for the cinema were Mike Malmstrom,<br />
manager of the circuit's Cinema-onthe-Mall,<br />
located in Turfland Mall; William<br />
Mohr, manager of Fayette Mall, and Lexington<br />
Mayor Foster Pettit, among others.<br />
Family Film Fare Booked<br />
By Operators of Capitol<br />
DELPHOS, OHIO—Ted Jones of Delphos<br />
and Jim Musson of Dayton, Ohio, who<br />
have taken a winter lease on the Capitol<br />
Theatre here, have announced that the<br />
showhouse will be op>en Friday and Saturday<br />
nights and Sunday afternoon, according<br />
to initial plans. If demand warrants, the<br />
Capitol will be open Sunday nights. Additionally,<br />
a movie is planned Thanksgiving<br />
night (23).<br />
The opening Friday (3) weekend featured<br />
Walt Disney's "Now You See Him. Now<br />
You Don't" and "Black Beauty," both rated<br />
G.<br />
Jones said many Disney movies already<br />
are booked for December and the rest of the<br />
winter season, among them "TTie Lady and<br />
the Tramp." He said the fare mainly will be<br />
well-known screen attractions or Academy<br />
Award nominees or winners.<br />
Bookings for the Capitol are by Tri-State<br />
Theatres, headquartered in Cincinnati.<br />
Public Hearing for Development<br />
SOUTH LYON, MICH. — The South<br />
Lyon Planning Commission has indicated<br />
that a public hearing will be scheduled to<br />
determine the feasibility of a shopping center<br />
at Nine Mile and Pontiac Trail. The<br />
development, which would include a movie<br />
theatre, has been proposed by Morris Wolok<br />
of Southfield, Mich.<br />
Start BOXOFFICE coming .<br />
D 1 year for $10 D 2 years for $17 (Save $3)<br />
n PAYMENT ENCLOSED Q SEND INVOICE<br />
TlMse rates for \JS., Canada, Pan-America only. Other countries: $15 a year.<br />
THEATRE „ _<br />
STREET ADDRESS _ _ _ __ _<br />
TOWN „ STATE „ ZV NO. .<br />
NAME<br />
POSrriON<br />
BOXOFFICE-THE NATIONAL FILM WEEKLY<br />
825 Von Bnjnt Blvd., Kansas City, Mo. 64124<br />
lOXOFnCE :: November 13, 1972 ME-5
CLEVELAND<br />
The Blue Angel," Marlene Dietrich's first<br />
film, in which she co-starred with Emil<br />
Jannings, was shown Thursday (2) in the<br />
auditorium of the main public library. It<br />
was the original motion picture, in German<br />
with English subtitles.<br />
Walter Nicholus, Avon Lake Drive-In<br />
manager, would enjoy hearing from friends<br />
during his stay at Will Rogers Memorial<br />
Hospital.<br />
Laura DeMent, secretary to Universal<br />
branch manager Jim Ryan, spent her week's<br />
vacation at home doing the "101 things that<br />
needed doing."<br />
Carl Reid, formerly of this city and former<br />
Play House actor who has made his<br />
home in California for many years and has<br />
appeared in approximately 50 movies, is retiring<br />
in Studio City, where he will devote<br />
more time to tending his garden.<br />
Rudy Behlmer, author of "Memo From<br />
David O. Selznick," was in the city recently<br />
promoting his new book. He told Emerson<br />
Batdorff, Plain Dealer theatre critic, that<br />
Selznick had written 2,300 big file boxes of<br />
memos and that he, Behlmer, had read them<br />
all and added that fortunately he'd just<br />
completed a speed-reading course.<br />
Bill Lanese, former Colony manager, flew<br />
in from San Francisco to attend a funeral.<br />
He did find time to catch the Avco Embassy<br />
screening October 31 of "The Ruling Class"<br />
and visit with friends in the Film Building.<br />
Bill is as charming and pleasant as ever and<br />
says he loves the West Coast . . . Marcus<br />
Advertising's TV spot for Cole National,<br />
optical division, is a finalist in the New<br />
York Film Festival . . . "Clarence, the<br />
1 READY<br />
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CHRISTMAS HOLIDAYS |<br />
SEASONAL GREETING TRAILER<br />
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• Says "Happy Holidays"<br />
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• Wish them a "Joyous Holiday<br />
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P. 0. Box 7495 «<br />
Tompa, Flo. 33603 fi<br />
Phone
:<br />
'-<br />
Welcome<br />
lo the club.<br />
Harold S. Geneen<br />
Chairman and President.<br />
International Teieptione<br />
-. - - Corp.<br />
Frank R. Milliken<br />
President,<br />
Kennecott Copper Corp.<br />
Dr. Eimer W. Engstrom<br />
Past President and<br />
Chief Executive Officer,<br />
Lynn A. Townsend<br />
Chairman of the Board<br />
Chrysler Corp.<br />
Daniei j ndug.-.i^ii<br />
Chairman of the Board.<br />
Lockheed Aircraft Corp.<br />
William P. Gwinn<br />
Chairman.<br />
United Aircraft Corp.<br />
James M. Roche<br />
Past Chairman of the Board,<br />
General Motors Corp.<br />
Ten of the busiest men in America.<br />
Yet each one found the time to serve as<br />
Chairman of the U.S. Industrial Payroll<br />
Savings Committee.<br />
Each one gave his energy and leadership<br />
to the task of selling America's business<br />
men on making U.S. Savings Bonds<br />
available to their employees through the<br />
automatic Payroll Savings Plan.<br />
They believed in what they were doing.<br />
And they did it well.<br />
They didn't reach quite everybody.<br />
Some business executives still haven't<br />
had a chance to find out how easy and<br />
worthwhile it is to offer Payroll Savings.<br />
Gordon M. Metcalf<br />
Chairman of the Board,<br />
Sears, Roebuck and Co.<br />
"You"<br />
B. R- Oorsey D. S. MacNaughton<br />
President.<br />
Chairman, Chief ExecutiveOfficer,<br />
Gulf Oil Corp.<br />
The Prudential<br />
Insurance Company of America.<br />
And how positive an effect it can have<br />
on employee moraleas well asthe nation's<br />
economic strength.<br />
If you're among them, get the Savings<br />
Bond story by writing Director of Marketing,<br />
The Department of the Treasury,<br />
Savings Bond Division, Washington, D.C.<br />
20226.<br />
You don't have to run the U.S. Industrial<br />
Payrol I Savings Comm ittee to do your part.<br />
Just install and promote the Payroll<br />
Savings Plan in your company.<br />
America needs you.<br />
Join the club.<br />
/C*\ Take stock In America.<br />
\;,-/ U.S. Savings Bonds<br />
OV The U.S. Government Joes not pay for this advertisement, ft<br />
is presented as a public service in cooperation with The Department of The Treasury and The Advertising Council<br />
eoxomCE :: November 13, 1972 ME-7
COLUMBUS<br />
& permanent injunction against the operators<br />
of the Livingston Art Theatre<br />
preventing the showing of "hard-core pornographic<br />
films" was upheld by the FrankHn<br />
County Court of Appeals. The appellate<br />
court also upheld a $100 contempt-of-court<br />
fine against the theatre because of a film<br />
shown after the order was issued by Common<br />
Pleas Judge Jay C. Flowers. The appeals<br />
court held that pornography was not<br />
protected by the constitutional guarantee of<br />
free speech. The defendants in the original<br />
suit, filed by Mayor Tom Moody, are the<br />
Thrush Corp.. operator of the theatre; Cosby<br />
Corp., Indianajx)lis, distributors; David<br />
Eugene Hanson, management representative<br />
of the company, and Grover Wayne Sharp<br />
(also known as Walter Frazier), manager of<br />
the theatre.<br />
Loews' Arlington and Cinema East booked<br />
a first-run showing of "Marjoe" . . .<br />
"Super Fly" proved to be one of the big<br />
boxoffice attractions of the year at RKO<br />
Palace and was held for a fourth week.<br />
Teresa Wright, screen and stage star,<br />
heads the cast of "The Effect of Gamma<br />
Rays on Man-in-the-Moon Marigolds,"<br />
booked for the Ohio Theatre Monday (20)<br />
through Saturday (25).<br />
Charles Sugarman and Jim Burgess attended<br />
the planning committee meeting for<br />
the seventh annual NATO Mideastem convention-seminar<br />
held October 31 in Toledo.<br />
The convention will be held May 21-22,<br />
1973, at the New Toledo Sheraton Hotel.<br />
Committee members attending the planning<br />
Green, general chairman; Bill Herring,<br />
Bowling Green, and Al Boudouris, Toledo,<br />
co-chairmen; Ben Cohen, Cincinnati, president<br />
of NATO of Ohio; Jim Dempsey and<br />
Jeff Cray, Toledo, and Ed Purvis, Cincinnati.<br />
Burgess said that plans are to make the<br />
convention the largest, most unique, informative<br />
and interesting Mideastern meet ever<br />
held.<br />
Ron Pataky, theatre editor of the Citizen-<br />
WRITE—<br />
The Exhibitor Has His Say<br />
TO:<br />
BOXOFHCE, 825 Van Brunt Blvd.,<br />
mue<br />
Ccmmsnt „<br />
Days oi W««k PloyMl<br />
ExUbitor<br />
Kansas City, Mo. 64124<br />
Journal, is being considered for the lead in<br />
a TV series to be produced by a Scottsdale,<br />
Ariz., production company. Producer Bob<br />
Cawley hopes to get production under way<br />
in the spring in Scottsdale. Pataky would<br />
. . Faith healer<br />
use his vacation or take a leave from his<br />
duties at the newspaper .<br />
Leroy Jenkins said he hopes to resume his<br />
"The Church of What's Happening Now"<br />
at the Ohio Theatre. Jenkins, who has been<br />
charged with intoxication by city police,<br />
has had his case postponed because of a<br />
heart attack suffered by his lawyer George<br />
Lias. Jenkins said he is innocent of the<br />
charge. Jenkins also is completing the sale<br />
of a $350,000 residence near Delaware. He<br />
stated that he is planning the construction<br />
of a $5 million cathedral with a penthouse<br />
for his use in downtown Columbus. Jenkins<br />
further stated he has had a recent offer from<br />
Universal Studios to star in a film about<br />
faith healing. He said he appeared in a<br />
United Artists film, "Childish Things,"<br />
made about three years ago.<br />
CINCINNATI<br />
£Jd Handler of Interstate Theatre Services,<br />
is the proud father of Millissa Lee<br />
Handler, born Sunday, October 29.<br />
Phil Fortune, Buena Vista branch manager,<br />
was in Philadelphia to attend an Irish<br />
christening for one of his relatives . . . Mike<br />
Gosset, Holiday Amusement booker, spent<br />
the recent holiday weekend playing golf in<br />
Florida.<br />
Larry St. John, Paramount branch manager,<br />
attended a company branch managers'<br />
meeting in New York Thursday (9).<br />
Tony Knollman, 20th Century-Fox<br />
branch manager, was in Chicago for a seminar<br />
on new products. While there, it was<br />
announced that Ray Russo, Chicago branch<br />
manager, had been appointed division man-<br />
YOUR REPORT OF THE PICTURE YOU<br />
HAVE JUST PLAYED FOR THE<br />
GUIDANCE OF FEUOW EXMBITORS.<br />
Company..<br />
Thaoli*<br />
WaaifaM..<br />
— Right Now<br />
ager for this area. Russo was very popular<br />
here when he was branch manager and the<br />
"welcome mat" will be out when he returns<br />
for a visit with exchanges and exhibitors.<br />
The board of directors and committee<br />
chairmen for the 1973 Mideastern convention<br />
of NATO, which includes western<br />
Pennsylvania, West Virginia and Ohio, met<br />
in Toledo recently to make some unusual<br />
plans for a different type of convention,<br />
which will be held in the spring of 1973.<br />
Livonia Sets a Rehearing<br />
On Multitheatre Complex<br />
LIVONIA, MICH.—The city council has<br />
referred proposals for overall development<br />
of the northeast corner of the Plymouth<br />
Road-Farmington Road intersection to a<br />
committee-of-the-whole and a hearing has<br />
been scheduled for Monday (20). The council's<br />
action reopened the possibility of the<br />
development of a movie theatre complex<br />
at the site.<br />
The city council previously had rejected<br />
a proposed rezoning which would have allowed<br />
two additional theatres to be built on<br />
the property where the Mai Kai Theatre<br />
now is located. The land presently is zoned<br />
for manufacturing and would require a<br />
change to commercial before the project<br />
could be approved.<br />
State Theatre Demolition<br />
Is Planned by New Owner<br />
EAST LIVERPOOL, OHIO—The State<br />
Theatre, last of East Liverpool's old-time<br />
movie and vaudeville houses, has been sold<br />
to excavating contractor Mike Pusateri by<br />
the East Liverpool Theatre Corp.. owned by<br />
Tom and George Anas of Weirton, Ohio.<br />
The showhouse is located on St. Clair Avenue.<br />
Pusateri plans to raze the structure and<br />
use the site temporarily as a parking lot.<br />
Most of the theatre equipment remains in<br />
place, although the air-conditioning unit, the<br />
projectors and the sound equipment have<br />
been removed.<br />
The East Liverpool Theatre Corp. operates<br />
the American and area drive-in theatres.<br />
Nov. 3 Reopening Planned<br />
For Varsity in Athens<br />
ATHENS, OHIO—The Varsity Theatre<br />
in Athens was slated to reopen Friday (3)<br />
following the completion of an extensive<br />
renovation project, it was announced by<br />
Jack Berkemeir, manager of the Chakeres<br />
circuit house. The first screen attraction<br />
booked for the updated theatre was the<br />
Ryan O'Neal-Barbra Streisand starrer,<br />
"What's Up, Doc?"<br />
The Varsity had been closed for several<br />
days to permit workers to pour a new concrete<br />
floor, install new seats, a new screen,<br />
wall covering, concession stand, restroom<br />
fixtures and partitions, carpeting and additional<br />
equipment.<br />
ME-8 BOXOFFICE :: November 13, 1972
'<br />
pat flashes<br />
badge on the<br />
irt Gang!'<br />
II<br />
get a face full of bloody tread<br />
rks and a 250 lb. dirt bike right<br />
lere he doesn't need it.<br />
'AUL CARR<br />
MICHAEL FOREST- BEN ARCHIBEK<br />
• •<br />
1ICHAEL PATAKI NANCY HARRIS NANCI BECK -COLOR by CFI An -<br />
/ILLIAM MERCER and MICHAEL C MEALY • •<br />
JOSEPH E. BISHOP and ART JACOBS<br />
American International Release<br />
'itten Dy Produced by Directed by<br />
JERRY JAMESON<br />
iONTACT YOUR American International exchange<br />
1972 Amecican international P-ctui-ea. Inc<br />
11<br />
HARVEY APPELL, Branch Manager<br />
Phone: 542-0677, 78 or 79<br />
46 CHURCH STREET, BOSTON, MASS. 02116
Heot<br />
'Heat' Posts Big 250<br />
In New Haven Start<br />
NEW HAVEN—"Heat," one of six new<br />
screen programs here, delivered the best<br />
business of the current report weelc as it<br />
earned 250 at Showcase Cinema I. Companion<br />
auditoriums of Showcase Cinema I<br />
also had the week's only above-average<br />
holdovers, "Deliverance" scoring 115 in<br />
its fourth frame in Showcase Cinema II<br />
and "The New Centurions" posting 110 in<br />
a fifth week in Showcase Cinema III.<br />
(Average Is 100)<br />
College Hammer (UA) 90<br />
College Street Cinema Bad Compony (Para) ..100<br />
Crcwn— Teenage Fantasies (SR), 2nd wk 70<br />
Roger Sherman, Post Born Black (SR) 80<br />
Showcase Cinema I (SR) 250<br />
Showcase Cinema II Deliverance (WB),<br />
4th wk 115<br />
Showcase Cinema III The New Centurions<br />
(Col), 5th wk 110<br />
Westville, Whitney, Bowl The Deodly Trap<br />
(NGP); Red Sun (NGP) 85<br />
Whalle, A Separate Peace (Para) 90<br />
"You'll Like My Mother' 125<br />
First Week at Hartiord Trio<br />
HARTFORD—It was a relatively big<br />
week, quantity-wise, since seven attractions<br />
were playing first weeks here, but nothing<br />
really smacked of anything like blockbuster<br />
status. In fact, the only opening picture in<br />
town to score at a quicker-than-average<br />
pace was "You'll Like My Mother," new<br />
at the Cine Webb, Elm and UA Theatre<br />
East, with a 125 percentage. "Tonight I<br />
Love You" rated 110 in a tenth week at<br />
the Art Cinema and was the only hold-<br />
(^58g55agi35S5!ag535SSSK?SSE!!5S5!S5JSS53BS53SgC5agEy<br />
READY<br />
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scenic frailer with sleigh ride music back- g<br />
ground<br />
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• Says "Happy Holidays" «<br />
• Lets your patrons know you core!<br />
|<br />
• Wish them a "Joyous Holiday S<br />
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^<br />
90-Foot, 60-Second |<br />
Eastman Color Sound 35mm Film<br />
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$16.50 each postpaid »<br />
Your money returned if not delightedl M<br />
SEND CHECK AND ORDER TO:<br />
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H & H COLOR LAB<br />
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: films and stock intermission-snack bar films. ^<br />
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over to slide up beyond the average 100<br />
line.<br />
Art Cinema Tonight I Love You (SR), 8th wk. . .110<br />
Avon Park North-—Toys Are Not for Children<br />
(SR) 100<br />
Ber.in Cine II Lady Liberty (UA) 80<br />
Cinema II The Deadly Trap (NGP) 90<br />
Cinerama Fiddler on the Roof (UA), 37th wk. . .40<br />
Cine Webb, Elm, UA Theatre East You'll Like<br />
My Mother (Univ) 1 25<br />
Five theatres The New Centurions<br />
(Col), 5th wk 60<br />
Meadows Bonnie's Kids (SR); Brute Corps<br />
(SR), 2nd wk 1 00<br />
Newington Butterflies Are Free (Col), 13th wk. ..35<br />
Rivoli The Sorrow and the Pity (SR) 100<br />
Strand Loving Feeling (SR) 80<br />
Webster Malcolm X (WB) 75<br />
TONE Members Face<br />
Up to CATV Threat<br />
BOSTON—A special luncheon meeting<br />
of Theatre Owners of New England was set<br />
up for Wednesday (8) at the 57 Restaurant<br />
to discuss the rapidly growing twin<br />
problems of Cable TV expansion and the<br />
showing of current motion pictures on<br />
CATV facilities.<br />
In his notice summoning members to<br />
this meeting, TONE executive secretary<br />
Carl Goldman stressed the activity of proponents<br />
of CATV: "Already plans have<br />
been announced to interconnect cable systems<br />
in large and small communities in<br />
New York state, Pennsylvania and perhaps<br />
in Massachusetts and other New England<br />
states for the purpose of delivering current<br />
movies on pay TV channels from the<br />
Sterling Manhattan, New York, city cable<br />
system."<br />
"In addition," Goldman continued, "current<br />
movies are being offered on pay TV<br />
channels to hotel guests in New York City,<br />
Atlanta. Ga., and plans have been announced<br />
for doing so in hotels in other<br />
major cities in the United States."<br />
Goldman announced that Martin E. Firestone,<br />
attorney for the National Ass'n of<br />
Theatre Owners, would be the principal<br />
speaker at the Wednesday luncheon and<br />
would bring New England exhibitors upto-date<br />
on CATV. Among other questions<br />
Firestone planned to answer were these:<br />
Do you want to know what CATV is all<br />
about? Do you want to know what CATV<br />
can do to you? Do you want to know what<br />
NATO is doing for you regarding CATV?<br />
Do you want to know what you can do<br />
regarding the danger of CATV? Firestone<br />
also was to answer questions from the<br />
floor.<br />
MOVIE PROGRAMS<br />
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Conn. Exhibitors Give<br />
OTganizaiion New Name<br />
Hartford—NATO of Connecticut<br />
has changed its name to Connecticut<br />
Ass'n of Theatre Owners.<br />
Bemie Menschell of the Menschell<br />
Bros. Theatres, suburban Hartford, is<br />
president.<br />
Several New Assignments<br />
Within Redstone Ranks<br />
BOSTON—Sumner Redstone, presiden<br />
of Redstone Theatres, has announced th<br />
appointment of Paul Hollenbeck. a Nev<br />
England district manager, to a similar pos<br />
in Louisville, succeeding Mike Henry, re<br />
signed.<br />
At the same time, John P.<br />
Lowe, tempo<br />
rarily assigned to the home office bookin,<br />
department, resumes his previous title o<br />
New England division manager.<br />
Ken Damore has resigned as managei<br />
Showcase cinemas I-II-III, Orange, Com<br />
He is<br />
succeeded by Carmene Meli. former!<br />
manager of Showcase Cinema I-II, Law<br />
rence, Mass. Manny Gianni, manager c<br />
the Starlite Twin Drive-In, North Readinj<br />
Mass., has been assigned to Lawrence. /<br />
replacement manager is to be announced fo<br />
the underskyers.<br />
Producer Paul Morrissey<br />
In New Haven for 'Heat'<br />
NEW HAVEN—In<br />
one of the few sue<br />
functions here in many months, John I<br />
Lowe, New England division manager fc<br />
Redstone Theatres, hosted Paul Morrissej<br />
producer of Andy Warhol's latest filn<br />
"Heat," at a preofjening press luncheon. Th<br />
film was booked into Showcase cinemas l<br />
II-III.<br />
"Heat," a Levitt-Pickman release, wa<br />
later screened for the press and represent.:<br />
tives of the Yale University Film Club. !<br />
Phil Foster's Screenplay<br />
Is Optioned by MGM<br />
HARTFORD—Comic Phil Foster, pel<br />
forming at the Mount Sinai Hospital Wc<br />
men's Auxiliary Ball, disclosed that MGJi<br />
has taken an option on his .screenplay, er<br />
titled, "Just Another Story."<br />
New Tony Musante Role<br />
HARTFORD—Tony Musante.<br />
who ju<br />
finished work in Carlo Ponti's "Within th<br />
Family," upcoming Columbia release, i<br />
Rome, will star in the Hartford Stage (on<br />
pany production of Tennessee Williams'<br />
Streetcar Named Desire." opening Frida<br />
(24).<br />
'<br />
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In New York—Sun Carbon Co., 630 — 9th Ave., New York City —<br />
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Phone TL 4-1736<br />
In<br />
Albany Theatre Service, Albany, New York. Ho 5-50S5<br />
Mossochuiettj—Mauachuiettt Theatre Equipment Co..<br />
Boston, Liberty 2.9S14<br />
NE-2 BOXOrnCE ;: November 13, 197
,<br />
^Best<br />
Picture<br />
pf the year<br />
No matter what show you are offering this week. No<br />
matter how many Oscars it boasts and who the stars<br />
maybe.<br />
Your boxoffice success will depend as much on<br />
the quality of the projection as on the picture itself.<br />
Ensure the success of your theatre operation with<br />
Century projection and sound reproduction. Get the<br />
best out of your prints and give your patrons pleasing<br />
quality projection that will keep them coming back<br />
again and again.<br />
If Century didn't consistently project<br />
the clearest, sharpest, brightest picture<br />
possible, it wouldn't be the standard in<br />
American movie theatres today.<br />
Century—the best projection<br />
for the best picture of<br />
the year, every year!<br />
SEE YOUR CENTURY DEALER - OR WRITE:<br />
CENTURY PROJECTOR CORPORATION<br />
165 West 46th Street. New York, New York 10036<br />
Massachusetts Theatre Equipment Co.<br />
Phones: LI. 2-9814—LI. 2-0356<br />
20 Piedmont St. Boston, Moss. 02116<br />
BOXOFHCE :: November 13, 1972 NE-3
Another Isl-Run Unit<br />
For New Haven Area<br />
NEW HAVEN—Metropolitan New Haven<br />
is getting another first run. The fast-expanding<br />
General Cinema Corp. has shuttered<br />
the 1,522-seat Milford Cinema, in the<br />
suburban Connecticut Post Shopping Center,<br />
for an eight-week conversion to a twin.<br />
The new complex will have 708 seats in<br />
each auditorium; the Milford Cinema, constructed<br />
several years ago, plays product on<br />
a first-run metropolitan New Haven policy.<br />
Tentative reopening date is<br />
the week before<br />
Christmas.<br />
SPRINGFIELD<br />
Psquire Theatres of America, which has<br />
markedly expanded in western Massachusetts<br />
in recent years, is now grouping all<br />
regional theatres in a composite daily newspaper<br />
ad for better corporate identity. The<br />
showplaces are bracketed under subheadings<br />
of Springfield, Pittsfield and Hadley areas,<br />
respectively.<br />
The Parkway Drive-In has dropped Monday-Tuesday<br />
performances for the colder<br />
months. A similar policy was adopted by the<br />
Pittsfield Drive-In, Pittsfield.<br />
Bnrial services were held for Ralph Delano<br />
Whitmore, 84, a mechanical engineer<br />
in the film industry for three decades and<br />
winner of an Oscar in 1961 for outstanding<br />
technical achievement in the conversion of<br />
Cinemascope. He died in New York after a<br />
long illness. He was a fellow of the Society<br />
of Motion Picture and Television Engineers<br />
and National Film Board of Canada.<br />
HARTFORD<br />
Pari Hollings, formerly manager of the Berlin<br />
Drive-In, has been named manager<br />
of the Central, West Hartford, a first-run<br />
metropolitan Hartford showcase operated by<br />
Esquire Theatres of America. He assumes<br />
the niche previously held by Ray McNamara,<br />
who left the circuit. Peter Lussier<br />
continues as assistant manager.<br />
Milton Daly, division manager for UA<br />
Theatres, is thinking in terms of an early<br />
spring opening for the twin addition under<br />
Coming in January:<br />
Russ Meyer's<br />
way at UA Theatre East, Manchester Shopping<br />
Parkade. Each auditorium will contain<br />
250 seats, bringing overall capacity to 1,300.<br />
Construction is to start shortly on the UA<br />
triple cinema complex announced for the<br />
Caldor Shopping Center, Rocky Hill. This<br />
will have overall seating capacity of 1,000.<br />
Jerry Lewis Cinema, Canton, playing<br />
"The Candidate," invited area state legislative<br />
candidates to meet patrons before 7:15<br />
and 9:15 p.m. performances . . . Sperie P.<br />
Perakos, vice-president and general manager,<br />
Perakos Theatres Associates, hosted<br />
World Magazine film critic Hollis Alpert<br />
and Mrs. Alpert at the opening of the latter's<br />
art works display in the Wintonbury<br />
Mall, Bloomfield. Alpert previously wrote<br />
for the Saturday Review . . . Hartford visitors<br />
were Harvey Appel, New England division<br />
manager, AIP and Charles "Chuck"<br />
Mason, General Cinema Corp.<br />
Future of Kingston Shop<br />
Center-Cinema Plan Vague<br />
KINGSTON, R.I.—The town council has<br />
voted to hold a joint meeting with the planning<br />
board to discuss the community's future<br />
in relation to a proposal to rezone a<br />
section of Kingston from commercial to<br />
residential use.<br />
Dr. Michael Ramundo of Clifton, N.J.,<br />
plans a shopping center, to include a cinema,<br />
for the tract.<br />
The previous town council had approved<br />
Doctor Ramundo's request to rezone the<br />
property from residential to commercial, a<br />
State Supreme Court decision recently upholding<br />
the council's action.<br />
The tract is comprised of 18 acres, off<br />
Route 108.<br />
Some 900 persons have signed a petition<br />
opposing the Ramundo project, hoping that<br />
a new rezoning of the land can halt the<br />
construction.<br />
In postponing a decision on the matter of<br />
rezoning, the new council indicated that it<br />
wanted to "take stock" of both its legal<br />
position as well as Kingston's future growth.<br />
The petitioners argued that because of<br />
circumstances not envisioned when the old<br />
Council's move was made, a decision now<br />
must be made to reverse the previous one.<br />
Those opposed to the Ramundo project<br />
contended that routes 108 and 138, central<br />
traffic routes near the University of Rhode<br />
Island, would be unable to handle the resultant<br />
new traffic.<br />
In addition, they said that with new commercial<br />
centers in other parts of Kingston,<br />
the town will have too many commercial<br />
outlets, with several merchants to be forced<br />
out of business.<br />
But Ramundo's legal counsel, Thomas<br />
Durkin, has told the new council that the old<br />
council considered evidence relating to traffic,<br />
market surveys and other factors and.<br />
moreover, that the State Superior Court had<br />
ruled that the old council took these matters<br />
properly into consideration.<br />
Omnibus Productions will film "Islands<br />
in the Stream," Hemingway's last published<br />
novel.<br />
Christmas Day Debut<br />
For Vernon Cinemas<br />
VERNON, CONN.—Bemie Menschell of<br />
Menschell Bros. Theatres has firmed a<br />
Christmas Day opening for the company's<br />
newest project, twin cinemas at junctions of<br />
routes 15, 84, 86 and 83. The site is ten<br />
minutes driving time from Hartford.<br />
Each auditorium will contain 400 seats<br />
and the complex will be known as Vernon<br />
Cine I-II.<br />
Already booked for Cine I is the metropolitan<br />
Hartford premiere of Universal's<br />
"Pete 'n' Tillie," co-starring Walter Matthau<br />
and Carol Burnett. The attraction for Cine<br />
II is yet to be determined.<br />
Menschell Bros. Theatres, in which Bernie's<br />
brother Sy is a principal officer, also<br />
operates Berlin Cine I-II, on the suburban<br />
Hartford Berlin turnpike; Pike Drive-ln,<br />
Newington, and Manchester Drive-In, Bolton<br />
Notch.<br />
Hartford attorney John L. Calvocoressi is<br />
a partner with the Menschells in the local<br />
project.<br />
MAINE<br />
Fsquire Theatres of America's Paris Cinema,<br />
Portland, is now offering a "Late<br />
Show" Friday, beginning at 11:15. Admission<br />
is one dollar. A recent attraction was<br />
UA reissue "Alice's Restaurant."<br />
E.M. Loew's Fine Arts Twin cinemas,<br />
Portland,<br />
recently played double features in<br />
both auditoriums, advertising, "Double<br />
Features at Reduced Rates!" Cinema I had<br />
"Summer of '42" and "Klute," and the sister<br />
Cinema II screened "The Man" and "Last of<br />
the Red Hot Lovers."<br />
The County Times, published at Presque<br />
Isle since last February as a morning newspaper<br />
for northern Maine, has shifted to<br />
afternoon publication. Publisher Karl Hall<br />
said the move follows a survey.<br />
Carrols to Build Fence<br />
Around Berlin Drive-In<br />
HARTFORD — Carrols<br />
Development<br />
Corp. of Syracuse, N.Y., owner of the suburban<br />
Berlin Drive-In, has agreed in U.S.<br />
District Court to build a fence around the<br />
property.<br />
The theatre circuit, in response to complaints<br />
by Berlin town officials and residents<br />
over the screening of X-rated films being<br />
visible from the street, said it would build a<br />
1 2-foot fence.<br />
FOR THE HOLIDAYS<br />
And All Year Around<br />
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BOXOFHCE :: November 13, 1972
iiJJilil<br />
rHE Fuzr<br />
fiat flashes<br />
badge on th<br />
I<br />
lirt GangSL<br />
!*ll<br />
get a face full of bloody tread<br />
irks and a 250 lb. dirt bike right<br />
iiere he doesn't need it.<br />
='AUL CARR<br />
•<br />
vllCHAEL PATAKI<br />
•<br />
•<br />
MICHAEL FOREST<br />
NANCY HARRIS NANCI BECK -COLOR by CFI An •<br />
BEN ARCHIBEK<br />
American International Release<br />
.'.enD, Produced by Directed by<br />
WILLIAM MERCER and MICHAEL C. HEALY •<br />
JOSEPH E. BISHOP and ART JACOBS •<br />
JERRY JAMESON<br />
jboNTACT YOUR American International exchange<br />
BRIAN BrNGHAM<br />
Astral<br />
Building<br />
224 Davenport Rd.<br />
TORONTO<br />
CLAUDE CHENE<br />
5800 Monklond Av*.<br />
MONTREAL<br />
FLORENT BOULET<br />
43S Berry StrMt<br />
WINNIPEG<br />
GORDON GUIRY<br />
311 1 Edmonton Trail<br />
CALGARY<br />
1972 American internattonal Pictures. lr>c.<br />
DARYL MADILL<br />
Royal Hotel BIdg.<br />
Germain & King St.<br />
ST. JOHN. N.B. I
Butterflies<br />
Grosses Surge Up in<br />
Calgary as Six<br />
'Excellenf Ratings Are Recorded<br />
CALGARY—Exhibition rang up one of<br />
its most productive weeks of 1972 with six<br />
"excellent," three "very good" and one<br />
"good" ratings out of the 11 possibilities.<br />
Of the six topnotchers, only one was in<br />
its first week, "Portnoy's Complaint" opening<br />
at Westbrook 2. Holdovers recording<br />
"excellent" business during the report week<br />
included: "The New Centurions," "What's<br />
Up, Doc?", "Slaughterhouse-Five," "Fiddler<br />
on the Roof" and "Butterflies Are Free."<br />
Calgary Place 1 Z.P.G. (Para), 2nd wk. ..Very Good<br />
Calgary Place 2 Cancel My Reservation<br />
(WB), 2nd wk Very Good<br />
Grand 1 The Magnificent Seven Ride! (UA) . .Good<br />
Grand 2 The New Centurions<br />
(Col), 5th wk Excellent<br />
North Hill Cinerama What's Up, Doc?<br />
(WB), i 6th wk Excellent<br />
Pa'ace Night of the Lepus (MGM) Poor<br />
Palliser Square 1 Slaughterhouse-Five<br />
(Univ), 2nd wk Excellent<br />
Palliser Square 2 Fiddler on the Roof<br />
(UA), 31st wk Excellent<br />
Towne Cinema Where Does It Hurt?<br />
(IFD), 3rd wk Very Good<br />
Uptown Butterflies Are Free (Col),<br />
7th wk Excellent<br />
Westbrook 2 Portnoy's Complaint (WB) . .Excellent<br />
'Super Fly' in 'Excellent'<br />
Start in Edmonton Run<br />
EDMONTON — Grosses were high<br />
throughout the city exhibition facilities as<br />
first-week "Super Fly" and five holdover<br />
films grossed "excellent" and second-week<br />
"Cancel My Reservation" nearly made that<br />
lofty level but settled for a "very good"<br />
gross total at Westmount (B). "Without a<br />
Stitch," "Butterflies Are Free," "Where<br />
Does It Hurt?" and "What's Up, Doc?"<br />
turned in "excellent" results on holdover<br />
time.<br />
Avenue Without a Stitch (C-P), 4th wk. ..Excellent<br />
Capitol When the Legends Die (BVFD) . . . .Poor<br />
Jasper Cinema Guess Whot We Learned in<br />
School Today (IFD), 5th wk Good<br />
Klondike Portnoy's Complaint (WB), 4th wk. ..Good<br />
Odeon Butterflies Are Free (Col). 7th wk. . .Excellent<br />
Paramount Super Fly (WB) Excellent<br />
Riolto Carry On Loving (Astrol) Good<br />
Towne Cinema Where Does It Hurt?<br />
(IFD), 2nd wk Excellent<br />
Westmount (A) What's Up, Doe?<br />
(WB), 16th wk Excellent<br />
Westmount (B) Cancel My Reservation<br />
(WB), 2nd wk Very Good<br />
Grosses in<br />
Winnipeg Up<br />
10 Per Cent Over 1972<br />
WINNIPEG— Business was up 10 per<br />
cent, both over last week and over the<br />
same week a year ago. Adding to the forcefulness<br />
of the citywide playbill, "The New<br />
Centurions" came in with a first-week<br />
"excellent" rating, while three holdovers<br />
Coming in January:<br />
also reached that much-desired business<br />
level. "Where Does It Hurt?" produced an<br />
"excellent" fourth week at the Capitol Theatre,<br />
fifth-week "Butterflies Are Free" had<br />
similar results at Garrick I and "The Legend<br />
of Frenchie King" grossed at<br />
top speed for<br />
a fourth week at the Metropolitan Theatre.<br />
Capitol Where Does It Hurt?<br />
(IFD), 4th wk Excellent<br />
Downtown Cool It Carol (C-P);<br />
Mon of Violence (C-P) Good<br />
Garrick I Are Free<br />
(Col), 5th wk Excellent<br />
Garrick II The New Centurions (Col) ....Excellent<br />
King's Fiddler on the Roof (UA), 32nd wk. . .Good<br />
Metropolitan The Legend of Frenchie King<br />
(K-Tel), 4th wk Excellent<br />
North Star II George! (Ind), 4th wk Average<br />
Odeon Return of Sabata (UA);<br />
Money Talks (UA) Good<br />
Park Les Males (Intra) Poor<br />
Polo Park Slaughterhouse- Five<br />
(Univ), 6th wk Very Good<br />
Towne The Jerusalem File (MGM) Fair<br />
Four 2nd Week Films 'Excellent'<br />
In Metropolitan Toronto Houses<br />
TORONTO—Grosses continued to roll<br />
along at well-above-average levels, with four<br />
of the bookings particularly strong. Curiously<br />
enough, each of these four "excellent"<br />
grossers was in a second week here:<br />
"Sounder" at Hollywood (North). "Deliverance"<br />
at Hollywood (South), "Where Does<br />
It Hurt?" on the Uptown 2 screen and<br />
"Bluebeard" at the Yonge Theatre. Eight<br />
other motion pictures grossed either "very<br />
good" or "good."<br />
Carlton Ulzona's Raid (Univ), 2nd wk Fair<br />
Coronet Love Me Like I Do (C-P);<br />
Foursome (C-P) Fair<br />
Downtown Necromancy (IFD); Someone Behind<br />
the Door (IFD) Good<br />
Fairlawn Young Winston (Col), 2nd wk Good<br />
Glendaie Cabaret (C-P), 35th wk Very Good<br />
Hollywood (North) Sounder (BVFD),<br />
2nd wk Excellent<br />
Hollywood (South) Deliveronce<br />
(WB), 2nd wk Excellent<br />
Hyland 2 Frenzy (Univ), 16th wk Fair<br />
Internotional Cinema A Fan's Notes<br />
(WB), 3rd wk Good<br />
Towne Cinema Slaughterhouse-Five<br />
(Univ), 8th wk Very Good<br />
University Fiddler on the Roof (UA),<br />
48th wk Good<br />
Uptown 1 Everything You Always Wanted to<br />
Know About Sex (UA), 8th wk Very Good<br />
Uptown 2 Where Does It Hurt?<br />
(IFD), 2nd wk Excellent<br />
Uptown 3 Fritz the Cot (Prima),<br />
1 4th wk Very Good<br />
Yonge Bluebeard (IFD), 2nd wk Excellent<br />
York 1 Fot City (Col) Fair<br />
York 2 Butterflies Are Free<br />
(Col), 13th wk Fair<br />
'Young Winston' Only 'Excellent'<br />
Grosser in Vancouver Report<br />
VANCOUVER — "Young Winston"<br />
proved to be the only new picture with<br />
enough boxoffice magic to command an<br />
"excellent" gross rating, although there were<br />
six first-week screen programs in the city.<br />
Two others rated "very good," as "Where<br />
Does It Hurt?" opened at the Capitol and<br />
"The Other" started at the Downtown on<br />
that high level. Other new products failed<br />
to earn holdover playing time.<br />
Capitol Where Does It Hurt? (IFD) ....Very Good<br />
Coronet Everything You Always Wonted to<br />
Know About Sex (UA) 8th wk Good<br />
Denman Place Whirlpool (Ind); Nona (Ind) ..Foir<br />
Downtown The Other (BVFD) Very Good<br />
Eve—Together (C-P); Whot Next? (C-P),<br />
3rd wk Poor<br />
H/lond Young Winston (Col) Excellent<br />
Odecn—The Salzburg Connection<br />
(BVFD), 4th wk Good<br />
Orpheum Prime Cut (NGP), 3rd wk Fair<br />
Pork fiddler on the Roof (UA), 45th wk. .Fair<br />
Strand Blindmon (BVFD) Foir<br />
Varsity Slaughterhouse-Five (Univ),<br />
7th wk Above Averoge<br />
Vogue—S for Sex (Prima); How Did a<br />
iSice Girl (Prima) Foir<br />
Montrears Piccadilly<br />
Celebrates 1st Year<br />
MONTREAL—Sheila Garfield and Beverlee<br />
Gurberg, owners and operators of the<br />
Piccadilly Theatre, 5025 Sherbrookc St.<br />
West, are proud to announce the completion<br />
of their first year in the motion picture<br />
exhibition field. The Piccadilly is celebrating<br />
its first anniversary!<br />
The very unique Piccadilly Theatre is the<br />
only movie house in Canada owned and<br />
operated by women. Sheila and Beverlee<br />
personally handle all the important functions,<br />
from ordering popcorn to booking<br />
all the motion pictures.<br />
The Piccadilly has just under 200 seats<br />
and, after one complete year of operation,<br />
the girls are proud to report that they ended<br />
up "in the black!" Additionally, the gals<br />
presently are planning a new 600-seater in<br />
the Montreal area.<br />
Both Sheila and Beverlee want to thank<br />
all the distributors in the region who were<br />
so very patient and helpful while they were<br />
getting started in the exhibition field and,<br />
besides, to wish all their new friends in<br />
the motion picture industry a Merry<br />
Christmas and a Happy New Year!<br />
Harold Rankin Is Dead;<br />
Ontario Theatre Owner<br />
CHATHAM, ONT.—Harold Rankin, onei<br />
of Chatham's best-known businessmen, trav-|<br />
eler and a theatre owner, died Sunday.;<br />
October 29, at the age of 68. He long hadl<br />
played an active role in the entertainment^<br />
life of Chatham and the surrounding area.'<br />
Rankin was the first manager of the:<br />
Centre Theatre when it was built in 1940.:<br />
As part of his promotional campaign, hej<br />
sponsored the "Rankin Walk" between Chat-:<br />
ham and Windsor, Ont., as well as "Rankin's'<br />
Swingathon." He also promoted ice boat<br />
racing on Rondeau Bay.<br />
Rankin gained considerable area fame for<br />
his sponsorship of "Uncle Harland's Tea'<br />
Party" on the fledgling local radio station<br />
Senior Citizens Matinees<br />
ROCKVILLE, CONN.—Ron Goldbciy is<br />
running senior citizens' matinee progr.mi^<br />
on Fridays at 2 p.m. in Theatre I of his<br />
Family Theatre I-II complex.<br />
FOR THE HOLIDAYS<br />
And All Year Around<br />
There's Only One Good Place To Get<br />
SPECIAL TRAILERS<br />
And That'i From Dependable<br />
FILMACK<br />
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CHICAGO 6060S<br />
K-2 BOXOFTICE :: November 13,
^Best<br />
Picture<br />
pf theyear<br />
No matter what show you are offering this week. No<br />
matter how many Oscars it boasts and who the stars<br />
maybe.<br />
Your boxoffice success will<br />
depend as much on<br />
the quality of the projection as on the picture itself.<br />
Ensure the success of your theatre operation with<br />
Century projection and sound reproduction. Get the<br />
best out of your prints and give your patrons pleasing<br />
quality projection that will<br />
again and again.<br />
keep them coming back<br />
If Century didn't consistently project<br />
the clearest, sharpest, brightest picture<br />
possible, it wouldn't be the standard in<br />
American movie theatres today.<br />
Century—the best projection<br />
for the best picture of<br />
the year, every year!<br />
SEE YOUR CENTURY DEALER - OR WRITE:<br />
CENTURY PROJECTOR CORPORATION<br />
165 West 46th Street, New York, New York 10036<br />
General Sound and Theatre Equipment, Ltd.<br />
7 Banigan Drive<br />
Toronto 17, Ontario<br />
Phone (416) 425-1026<br />
Branches throughout Canada<br />
JOXomCE ;: November 13, 1972 E-3
VANCOUVER<br />
J^iach Rogers was in town to negotiate a<br />
new lease for his Ashcroft Theatre,<br />
which now will be operated by Doreen Cannel<br />
of nearby Cache Creek and a lady<br />
friend. Nothing is forthcoming as yet about<br />
the drive-in at Cache Creek, which was<br />
closed following the tragic death of John<br />
McKinnon.<br />
The Varsity's Shakespearean film<br />
festival<br />
is getting a mixed reaction. The showing of<br />
"Macbeth'" not only filled the house but<br />
turned away almost 1,000, which means a<br />
repeat. The Russian "Twelfth Night" drew<br />
just over half a house, then crowds turned<br />
out for "Hamlet" and hundreds were turned<br />
away ... A new experiment, at least for<br />
this city, was in the production of Shakespeare,<br />
when the University of British Columbia<br />
produced a rock opera version of<br />
"Macbeth," with the story updated to the<br />
20th Century. It was directed by Richard<br />
Ouzanian, a young expatriate from the San<br />
Francisco area, who already has the highly<br />
successful "Jacques Brel Is Alive and Well"<br />
to his credit and, along with local entrepreneur<br />
David Lui, bids fair to set up the first<br />
American-Chinese production team.<br />
Exploitation films and "sex" pictures<br />
dominated the first-run scene as no less than<br />
17 vied for the voyeur's dollar, with the<br />
result that all were replaced after a week.<br />
Starting with "Everything You Always<br />
Wanted to Know About Sex But Were<br />
Afraid to Ask," in its eighth week at the<br />
Coronet, the scoreboard read as follows:<br />
"triples" in the Cascades Drive-In and Night<br />
& Day and "doubles" in the Eve, Vogue,<br />
Denman Place and Golden Kitten.<br />
The latest fugitive from the New York<br />
rat race to take up residence here is Lome<br />
Hassen, who left this area more than a<br />
dozen years ago and since has been the<br />
producer of such items as "The Wonderful<br />
World of Golf" and ABC's "Wide, Wide<br />
World of Sports." He currently is looking for<br />
a house and a job in production. "New York<br />
J. M. RICE and CO. LTD.<br />
"EVERYTHING FOR<br />
THE DRIVE-IN and INDOOR<br />
THEATRE"<br />
PHILIPS 35/70 PROJECTORS<br />
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Winnipeg 21, Man.<br />
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Edmonton, Alta.<br />
422-8502<br />
was fine until the kids started school." he<br />
explains, "but race riots in grade one were<br />
the final straw. Now nothing makes New<br />
York worthwhile." If there's no TV or<br />
film work here he'll go into some other line<br />
of work, "because I've decided this is where<br />
1 want to live."<br />
Famous Players has taken over the booking<br />
and operation of the Coronet, Victoria,<br />
last of the Astral circuit theatres in this<br />
territory.<br />
Avid patrons of airline holiday tours are<br />
members of the local Odeon head office<br />
staff. Booker Ron Keillor just returned from<br />
a hcgira to Europe and secretary Betty Gray<br />
and her husband are in Hawaii.<br />
Obscenily Conviction<br />
Overturned in Sask.<br />
SASKATOON, SASK.<br />
— A conviction<br />
against Daylight Theatre Co. of Saskatoon<br />
for "showing obscene entertainment" was<br />
overturned October 26 by District Court<br />
Judge E. N. Hughes on the grounds that a<br />
provincial government body earlier had approved<br />
the film. The charge followed the<br />
seizure of the 3-D motion picture "The<br />
Stewardesses" from the Midtown Cinema in<br />
December 1971. Daylight Theatre Co. was<br />
convicted last March in magistrate's court<br />
following a trial before Judge R. H. King,<br />
who levied a fine of $1,000. The appeal<br />
hinged on whether the crown would prosecute<br />
under the Criminal Code after the<br />
film had been approved by a board of the<br />
provincial government.<br />
Judge Hughes, in allowing the appeal, in<br />
an hour-long judgment quashed the conviction<br />
and ordered the $1,000 fine and court<br />
costs returned to Daylight Theatre Co. of<br />
Saskatoon.<br />
Defense counsel Clarence Estey, in arguing<br />
his case during the appeal hearing, submitted<br />
that the crown could not lay the<br />
charge under the Criminal Code as long as<br />
the Theatres Act was in force and as long<br />
as that act had not been declared ultra vires.<br />
Estey at that time said the film had been<br />
approved by the Saskatchewan Film Classification<br />
Board, which he noted had the power<br />
to approve or disapprove films.<br />
Judge Hughes said it was a situation<br />
where one provincial government department<br />
had approved the film as fit for public<br />
exhibition and where another, namely the<br />
attorney general's department, "prosecutes<br />
the theatre under the Criminal Code for<br />
showing the film."<br />
The judge said the situation "appears to<br />
be a classic example of speaking out of both<br />
sides of the mouth at one time. If that is<br />
not so, then it indicates to me that the left<br />
hand was unaware of what the right hand<br />
was doing."<br />
Hughes said he was surprised at the prosecution,<br />
"bearing in mind the similarity of<br />
standards used in determining obscenity under<br />
the code and by the Saskatchewan Film<br />
Classification Board." In the lower court<br />
judgment Judge King ruled the Criminal<br />
Code took precedence over provincial statutes<br />
and the federal law was being applied in<br />
this case.<br />
The management of Daylight Theatre Co.<br />
said no decision had been made on whether<br />
"The Stewardesses" would be brought back<br />
to Saskatoon. Attorney general's agent T<br />
D. R. Caldwell said an appeal is under consideration,<br />
since the 14-page judgment dealt<br />
specifically with one point of law and not<br />
with the question of obscenity. Judge<br />
Hughes noted that if his decision was appealed<br />
by the attorney general and the case<br />
returned to him for argument "a decision<br />
on the remaining point" would have to be<br />
rendered.<br />
Still before the courts in Saskatoon is<br />
Odeon Morton Theatres of Winnipeg,<br />
charged in July with "showing obscene entertainment"<br />
in connection with the film<br />
"Without a Stitch."<br />
CALGARY<br />
J^loyd Fedor, Metro-Goldwyn-Mayer branch<br />
manager, was out of town on a road<br />
trip recently. This took in the "Saskatchewan<br />
Circle," going south and east of our<br />
town to Swift Current and north to Saskatoon<br />
before coming back into this city from<br />
the northeast. Lloyd had good weather for<br />
the trip and reports some resumption of<br />
harvesting operations in Saskatchewan.<br />
Odeon's Roxy Theatre, Edmonton, showed<br />
"The Virgin Spring" in its continuing<br />
Bergman festival. There were special performances<br />
with two added matinees, one<br />
Saturday, October 21, and an extra one Sunday,<br />
October 22 . . . The Edmonton Film<br />
Society opened its international series Monday,<br />
October 23, at the Students Union<br />
Building Theatre, University of Alberta,<br />
with a Swedish double bill of "The Ritual"<br />
and "Flickorna."<br />
Seen around the exchange: Randy Archibald<br />
of the Armond Theatre, Cranbrook,<br />
B.C.; Bill Hunchak of the Lux Theatre,<br />
Rocky Mountain House; John Dobek of<br />
the Crowsnest Pass theatres. Blairmore, and<br />
Mrs. Axel Jensen of the Kam Theatre,<br />
Camrose.<br />
The Empre.ss Theatre in Rimbey, which<br />
had been closed for some time, was purchased<br />
by Irvin Janzen with a takeover date<br />
of Friday (17). Buying and booking will be<br />
done by Walter DuPcrrier of Prairie Allied<br />
Booking Ass'n in this city.<br />
The Wales Theatre in High River has been<br />
sold to Len Larson with a takeover date of<br />
Saturday (11). Buying and booking will be<br />
done by Walter DuPerrier of Prairie Allied<br />
Booking Ass'n here ... In the William<br />
Shakespeare Film Festival currently under<br />
way, the Klondike-Cinema Theatre in Edmonton<br />
played "Julius Caesar," starring<br />
Marlon Brando. Sunday, October 22.<br />
K-4 BOXOFFICE ;: November 13, 1972
C^tU^^ucGl^K^ • C44iu>M6fit • CotfCeMioiuL • /yfciititlnaAUie<br />
NOVEMBER 13, 1972<br />
Concession stand at new UA Four complex. Little Rock, Ark., is located for easy access and<br />
styled for ease of operation. Custom-built counter is walnut Formica with black Formica top,<br />
featuring Industry Tradeshow-Convention<br />
and Candy-Concessions Merchandising
Stein<br />
l/l/ooclcruPt i^orp.<br />
MANUFACTURERS AND DISTRIBUTORS<br />
OF<br />
POPCORN WARMERS AND CONCESSION STANDS<br />
The<br />
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WARMER<br />
The one most often imitated, but never duplicated,<br />
holds 24, 32 or 46 ounce cups in pull-out drawers<br />
with additional area to pre-heat bulk corn. Recessed<br />
area for buttermat with outlet. Fully illuminated<br />
sign ("HOT BUTTERED POPCORN"). Display front<br />
filler with plexiglass divider. One key locks entire<br />
warmer. Removable chaff drawer for easy<br />
cleaning of old maids. Rear and top loading for<br />
pre-popped bulk corn. This machine is fully insulated<br />
and manufactured with our own hot-air circulating<br />
system to insure fresh, crisp popcorn at all<br />
times.<br />
Dimensions: Height 52" Width 36" Depth 24"<br />
The<br />
SHOWCASE<br />
WARMER<br />
The name is exactly what it implies. Counterheight<br />
warmer with showcase lighting, auxiliary<br />
electrical outlet, sign reading "HOT POPCORN,"<br />
holds approximately 15 pounds of pre-popped corn<br />
in stainless steel bin. The Showcase warmer saves<br />
time, speeds service and adds luxury to your concession<br />
counter.<br />
Dimensions: Height 4T Width 36" Depth 24"<br />
PORTABLE<br />
CONCESSION<br />
STAND<br />
A full<br />
service concession stand on casters. All prewired<br />
for your convenience. Just plug into any 110<br />
outlet. Unit consists of 3 ft. Stein Showcase Popcorn<br />
Warmer, 3 ft. Candy display case, drop leaves<br />
suitable for Jet Spray, Frankfurters etc.<br />
Dimensions: Height 41' Width 72" Depth 24"<br />
18 NEIL COURT • OCEANSIDE. N.Y. 11572 • PHONE (516) 536-5151<br />
The MODERN THEATRE SECTION
NOVEMBER<br />
13,<br />
1972<br />
o n t<br />
^<br />
n<br />
t<br />
s. JEEMINGLY DOOMED TO extinction<br />
in an era of mini- and multi-theatres<br />
and shopping center units, the magnificent<br />
movie palaces of the "ZOs and '30s have<br />
been responsible for the creation of a relatively<br />
new organization, the Theatre Historical<br />
Society, which is establishing archives<br />
where a photographic history of<br />
these great theatres can be preserved. In<br />
an article beginning on page 4. Whitney<br />
Stine discusses the Theatre Historical Society,<br />
the huge exhibition houses of yesteryear,<br />
and the handful of architects responsible<br />
for most of the movie palaces.<br />
Buffalo, N.Y., will soon have its first<br />
ten-theatre operation, all located on the<br />
same site at Holiday City, with the opening<br />
of a new four-auditorium complex<br />
adjacent to the six units presently in operation.<br />
In addition to the theatres, Holiday<br />
City contains a restaurant which is open 24<br />
hours a day, and will soon be joined by a<br />
lounge on the same site. See page 8.<br />
Academy Awards for "Best Sound" and<br />
the equipment used to record sound for<br />
the winning films are detailed from the<br />
first such Oscar in 1928 in a history of<br />
sound films found on page 10.<br />
For the convenience of those attending<br />
the Tradeshow in Bal Harbour, the Tradeshow<br />
floor plan and list of exhibitors appear<br />
on page 14.<br />
New theatres described in this issue are<br />
the Aquarius Theatres FV in Dallas, the<br />
Regency in Salt Lake City, the ABC Entertainment<br />
Center in Los Angeles, and the<br />
Los Altos in Albuquerque. All but the<br />
Regency have more than one auditorium.<br />
The Aquarius and the Los Altos are freestanding<br />
units located in shopping centers,<br />
and the ABC Entertainment Center, located<br />
in the futuristic Century City complex, has,<br />
in addition to two movie theatres, an adjoining<br />
legitimate theatre. Architect Henry<br />
George Greene designed the ABC unit and<br />
the Regency.<br />
Glenn Berggren, in an article on page<br />
56. describes xenon and tells what it is,<br />
where it comes from, and how we get it.<br />
Other articles in this issue describe a<br />
new "package" projection system from<br />
Ballantyne, a new line of products forthcoming<br />
from Ashcraft which will be on<br />
display at the Tradeshow, a new Universal<br />
lamp from EPRAD, and Christie Electric's<br />
efforts with the Underwriter's Lab which<br />
have resulted in that firm's receiving UL<br />
listing for its xenon products.<br />
Atmospheric Theatres: The Magnificent Movie Palaces of<br />
Yesteryear Whitney Stine 4<br />
Buffalo, N.Y., Theatre Expanding to Ten Units C. B. Taylor 8<br />
Equipment Behind 'Best Sound' Oscars Col. Barney Oldfield 10<br />
Trodeshow Floor Plan and List of Exhibitors 14<br />
Trans-Texas Circuit Opens First Multiple-Unit<br />
Complex Mable Guinan 19<br />
EPRAD Introduces Universal Xenon Lamp 20<br />
ABC Entertainment Center Opens in Century City Complex 24<br />
ABC Intermountain's Regency Is Recent Addition to Salt Lake<br />
City Exhibition Ranks 30<br />
Commonwealth Opens New Twin in Albuquerque 34<br />
Maintaining Print Quality Wesley Trout 36<br />
Cashier Is Opening Link to Courtesy Allen Widem 46<br />
SMPTE Announces New Fellow Members 48<br />
Ballantyne Introduces 'Package' Projection System 53<br />
Xenon Is 'Strange,' But It's Here to Stay Glenn Berggren 56<br />
Dr Pepper Stockholders Approve Two-for-One Stock Split 58<br />
New Ashcraft Line to Be at Tradeshow 59<br />
UL Listing for Christie Xenon 60<br />
DEPARTMENTS:<br />
^<br />
Tradeshow—Convention 14 New Equipment, Developments 43<br />
New Construction 19 Readers' Service Bureau 61<br />
Projection and Sound 36 Advertisers' Index 61<br />
ON THE COVER<br />
About People and Product 62<br />
Centrally located concession stand at new United Artists fourtheatre<br />
complex in Little Rock, Ark., is easily accessible from all<br />
four auditoriums. Styled for ease of operation, the custom-built<br />
counter is of walnut Formica with a black Formica top. High ceiling,<br />
plush carpeting and attractive lighting accent the concession area.<br />
THOMAS L. PATRICK, Managing Editor<br />
The MODERN THEATRE is o oound-m section DUDlishea eaen month in BOXOFFICE. Editorial<br />
or general Business corresoonaence snouia oe oaaressea to Associated Publications. Inc.. 825<br />
Van Brunt Biva., Kansas Citv. Mc. 64124. Weslev Trout, Technical Editor; Eostem Reoresentative:<br />
James Young, 1270 Sixth Ave., Rockefeller Center, New York, N. Y. 10020; W«t-<br />
•m Represemative: Syd Cassyd, 6425 Hollywood Blvd., Hollywooa, Calif. 90028. "
A creation of C. W. and George L. Rapp, the 5,000-seat Uptown<br />
Theatre in Chicago is seen above as it appeared in 1925. At right<br />
is Thomas Lamb's Fox Theatre, San Francisco, which opened in<br />
1929. The Fox is considered to be Lamb's masterpiece.<br />
ATMOSPHERIC THEATRES<br />
The magnificent palaces of yesteryear<br />
By<br />
WHITNEY STINE<br />
A New Generation of moviegoers is beginning to<br />
appreciate and properly assess the huge exhibition houses of<br />
yesteryear: theatres so magnificently designed, decorated and<br />
furnished, as to boggle the imagination—a kind of Xanadu where<br />
the cares of the world vanished in a never-never land of make<br />
believe.<br />
During the depression era, with admissions ranging from 35<br />
cents to 65 cents, 90 million persons per week attended the local<br />
"picture show," most certainly to see the escapist films of the<br />
period, but also to partake of a glamorous atmosphere far removed<br />
from the poverty known at home.<br />
For a pittance, could be had a view of the sparkling world of<br />
Viennese chandeliers, marble staircases, oriental rugs, pillars of<br />
gold and silver leaf, exquisite hand-painted domes, murals rendered<br />
by acclaimed artists, and giant mirrors that stretched up<br />
to a baroque ceiling.<br />
Inside the auditoriums, stretching out in a comfortable loge<br />
or "love seat," the typical teenager looked up at a dome of deep<br />
blue sky, complete with clouds that traveled in a pre-destined pattern<br />
(courtesy of the Brenkograph machine), above facades so<br />
breathtaking and exotic that the spectator was lost in a dream<br />
world of imagination. At show time, a hush fell over the audience<br />
as the asbestos fire curtain—always of spectacular beauty<br />
rose solemnly to disclose an elaborately fashioned title curtain,<br />
often woven of gold and silver threads or perhaps embroidered<br />
with historical scenes, or bold, geometric designs. The curtain<br />
parted or rose majestically with many intricate looped, scalloped<br />
or waterfall effects; then and only then, a beam of hot, white<br />
light flashed on the screen from the projection room and focused<br />
on the moving beacons of the 20th Century logo, the Vitaphone<br />
Shield, Paramount's half-moon-shaped logo, the airplane moving<br />
slowly around the Universal "world," or Columbia's famous lady<br />
with a lamp, or perhaps the resounding double roar of MGM's<br />
lion echoed throughout the house.<br />
During intermission, the patron was treated to a light-pattern<br />
show or intricate cove lighting revealed new mysteries of breathtaking<br />
splendor—an awesome experience. One never talked in<br />
such an enthralling atmosphere—one whispered! Somehow a good<br />
film seemed more engrossing and a poor film always appeared<br />
better after the lights came up to reveal acres of oraamentation<br />
on the sidewalls or the proscenium showered with subtle Hlumination<br />
effects.<br />
restored to the real world<br />
Going out into the heavy foot traffic,<br />
of bread lines and apple sellers and pressing personal economic<br />
problems, the moviegoer looked impatiently toward n»xt week,<br />
a new film and another experience of absolute luxury which<br />
could only be captured in The Movie Palace.<br />
Perhaps not more than five or six architects were mainly responsible<br />
for the trend toward the romantic, finely wrought<br />
baroque theatres of the twenties, some of which still exist to<br />
enthrall the movie patron of 1972. John Eberson, ia aa effort to<br />
pare the gigantic costs involved in constructiag elaborately designed<br />
theatres like his contemporary architects, created the socalled<br />
"atmospheric" theatre. He discovered that building a<br />
"shell" or curving the ceiling of an auditorium was far less expensive<br />
than adding a false ceiling composed of intricate cast<br />
plaster effects. He painted these domed ceilings a deep blue,<br />
added lights for stars and designed spectacular side walls to<br />
resemble exterior facades of opulent grandeur, Hghted and draped<br />
imaginatively. His first atmospheric was the historic Majestic<br />
in Houston, which was demolished only months ago.<br />
Other prominent architects who furthered the movement toward<br />
the movie palace and bizarre decor and furnishings were<br />
C. Howard Crane who designed most of the United Artists theatres;<br />
Thomas Lamb, responsible for many theatres in riie East,<br />
the San Francisco Fox and Loews Midland; G. Albert Lansburg,<br />
who formulated the plans for many of the Orpheums; B. Marcus<br />
Pritica (FIAI) who created the Pantages Theatres, and Rapp<br />
and Rapp of Chicago, architects for many of the Paramount<br />
houses. There were other men in the field who made outstanding<br />
contributions.<br />
The baroque theatres were famous for plaster castings hand<br />
painted to resemble gothic arches, fluted doric columns, pemJant<br />
fan vaulting, Byzantine domes, Greek and Roman lentels, ceilings<br />
suggesting the minarets of the Middle East in gold and silver<br />
stenciling. Others made use of the early French school of elaborate<br />
ornamentation, abundant with flowers and birds. Extravagant<br />
amounts of money were spent on ceilings as artfully composed as<br />
Continued on page 6<br />
Th» MODERN THEATRE SECTIOW
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BOXomCE :: November 13, 1972
BUFFALO<br />
HOLIDAY<br />
TO UNDERGO<br />
EXPANSION<br />
i<br />
By C. B. TAYLOR<br />
Buffalo, N.Y., is about to have<br />
its first ten-theatre operation, with all to be<br />
located on the same spot at Holiday City,<br />
3801 Cheektowaga. De luxe indoor theatres<br />
numbers 1 and 2 which started the operation,<br />
and numbers 3, 4, 5 and 6 which are<br />
now open in the rear of the same location,<br />
will soon be joined by theatres 7, 8, 9 and<br />
10.<br />
The newest complex will be built adjacent<br />
to the present quartet, making eight automated<br />
houses in a line. Work is to begin<br />
soon after the first of the year on the four<br />
new auditoriums.<br />
In addition to all<br />
the aforementioned theatres,<br />
Holiday City contains the Holiday<br />
Showcase restaurant, open 24 hours a day,<br />
and will soon be joined by the Aerohead<br />
Lounge on the same site.<br />
Holiday City makes much of its free<br />
lighted parking area for over 2,500 cars,<br />
and this convenience is widely advertised<br />
on radio and television and in newspaper<br />
ads. The site is called a one-stop recreation<br />
center.<br />
All the present theatres are attracting excellent<br />
business and prove president Alvin<br />
B. Wright's philosophy in putting up the big<br />
Holiday City. Wright is sure the pendulum<br />
has swung back in the entertainment world<br />
and that people want to get out and be<br />
entertained in such places as are featured<br />
in this big recreation complex. With ten<br />
theatres at the site, playing features until<br />
and after midnight, the health of the screen<br />
is okay, Wright believes.<br />
Holiday 1 through 6, and the projected<br />
four-theatre complex, mark the culmination<br />
of 22 years of plotting and planning by<br />
Wright and his partner, Valentine Fabyan,<br />
executive vice-president. Both men went to<br />
Buffalo from St. Mary's, Pa. Wright was<br />
The MODERN THEATRE SECTION
Artist's sketch at top of opposite page shows<br />
what the front of the eight-theatre Holiday<br />
complex will look like when completed.<br />
Theatres 3 through 6 are presently in<br />
operation, and theatres I and 2 are in<br />
operation on the other side of the building.<br />
View of projection booth, bottom opposite,<br />
gives idea of great depth of facility now<br />
serving the present quartet. Platter-type<br />
no-rewind systems are by Norelco.<br />
Photograph at top left is lobby view showing<br />
boxoffice and concession stand used at<br />
theatres 3, 4, 5 and 6. A uditorium interior,<br />
bottom left, of one of the Holiday theatres<br />
shows seating plan and screen location with<br />
curtain closed and illuminated by footlights.<br />
originally a projectionist in the Basil circuit,<br />
and worked for a short time in Olean. An<br />
outdoor theatre built by Wright was the<br />
fourth such theatre in the Buffalo area.<br />
The present six Holiday theatres are centers<br />
of boxoffice activity. All feature the<br />
latest patron comfort equipment, as well as<br />
the newest developments in projection,<br />
seating,<br />
carpeting, restrooms. concession stands.<br />
air conditioning, heating, marquees, and<br />
lobby advertising displays. A huge sign on<br />
the front of the 1 & 2 building sets forth<br />
the current attractions.<br />
When the proposed four-auditorium complex<br />
is completed, the immense project will<br />
offer the public a wide selection of screen<br />
entertainment. The several theatres will also<br />
give the owner corporation the opportunity<br />
to hold for longer run those features which<br />
attract unusual business.<br />
The lobby at the present quartet has a<br />
centrally located concession stand and ticket<br />
booth. Doors at either end of the lobby<br />
allow convenient entrance and exit.<br />
The projection booth is a modern model<br />
kind; the unusually long room houses<br />
of its<br />
equipment which serves all four auditoriums.<br />
The boxoffice and concession stand were<br />
supplied by the Butler Equipment & Mfg.<br />
Co., and all booth equipment was supplied<br />
by Western Service & Supply Co., both<br />
Denver area firms. T. C. Castin, vice-president<br />
of Western, attended the opening of<br />
the quartet and supervised equipment installation.<br />
Optical Radiation Corp. supplied<br />
the projection lamps. Heads, projection and<br />
sound systems and bases were installed by<br />
Century, and the sound systems are by<br />
Altec. Platter film systems are by Norelco<br />
and lenses are by Kollmorgen.<br />
When the ten theatres, the Aerohead<br />
lounge and the restaurant are all in operation,<br />
Holiday City should be one of the<br />
biggest recreation centers of its kind.<br />
BOXOFHCE :: November 13, 1972
PERFECTING MOTION PICTURE SOUND<br />
Drama and humor accompanied sound's<br />
development,<br />
and Westrex was there through it all.<br />
By COL. BARNEY OLDFIELD<br />
Several years before the statuette<br />
"Oscar," the prestige emblem of the<br />
awards of the Motion Picture Academy of<br />
Arts and Sciences, Western Electric had an<br />
activity with the acronym ERPI (Electrical<br />
Research Products, Inc.) which grew to be<br />
called Westrex.<br />
Since September of 1958, Westrex has<br />
continued as a Litton Industries division.<br />
Through all its years, Westrex equipment in<br />
use in studios all over the world has stalked<br />
and captured more Oscars and nominations<br />
than anything or anybody else in Hollywood.<br />
Often, as was the case in the ceremonies<br />
of 1972, Westrex had all or a piece<br />
of the action for all those being considered<br />
in "Best Sound." Over the years, beginning<br />
with the Special Award to "The Jazz Singer"<br />
in 1928, nearly 200 of the nominations<br />
had the Westrex logo, and Westrex had the<br />
winner all but six times.<br />
Hollywood is a very "insidey" community,<br />
and so are its equivalents in London, in<br />
Rome, in Paris, in Tokyo, in Hong Kong.<br />
Respect for professionalism within it is<br />
hard won, and, once secured, is tenaciously<br />
fought for. And just as tenaciously held onto<br />
when acquired. Westrex is of the trade, but<br />
not a matter of public conciousness. When<br />
the annual Academy Awards program is<br />
held, "Best Sound" is in the number-one<br />
position, given almost as viewers are seating<br />
themselves in the theatre or auditorium<br />
where the Awards are held, or while the<br />
home audience is still switching channels<br />
and adjusting the set. It is further insulated<br />
in that the "Best Sound" goes to the studio<br />
sound department, of that studio which has<br />
made the nominated film which got the most<br />
ballots. But, Westrex doesn't mind that it's<br />
never the star, as long as it's the most frequently<br />
sent for "supporting player." And<br />
it is.<br />
Golden Year<br />
It was about 50 years ago that the "Best<br />
Sound" category was being born, although<br />
the midwives at work on it then weren't<br />
even sure they had anything when the late<br />
Sam Warner was listening and liking what<br />
he heard. The sound he was playing back<br />
was of Rin Tin Tin, the dog star, scratching<br />
himself! At that time, the Warner Brothers<br />
had three motion picture assets—that dog,<br />
the late Monte Blue, and a barn which they<br />
used for a studio and, on occasion, as a<br />
set. None knew it then, but Sam, the onetime<br />
projectionist in the Warners' first movie<br />
house in New Castle, Pa., and an inveterate<br />
tinkerer, was on the trail of something<br />
which would eclipse all the other things<br />
which passed for Warner Brothers properties<br />
then.<br />
The trouble was for a long time that<br />
none could see how Rin Tin Tin's itch could<br />
be turned into boxoffice "scratch," but as<br />
it was ushering in the Academy's eventual<br />
"Best Sound" category, it was also to be<br />
the rudest unsettler of the industry. Even<br />
more so than the later advent of TV.<br />
Recording, by Westrex and others,<br />
brought the spoken voice lip-synch to the<br />
screen, but it necessitated pin-dropping<br />
silence on sets and cameras housed in muffling<br />
layers of insulation. The director had<br />
to lay out the scene in advance, and could<br />
no longer heckle his star-studded help<br />
through a megaphone to lay on with the<br />
thespic skills. Proximity to the fixed mikes<br />
was imperative, which meant that actors<br />
seemed not to be talking to each other as<br />
much as into vases, telephones, and behind<br />
wall-hung pictures; and movement,<br />
except for the mouths of the players, seemed<br />
about to be lost to what were called motion<br />
pictures. A further paradox wasted Hollywood's<br />
silent stars, and brought stagetrained<br />
unknowns into town on every train<br />
for the simple reason that while recordings<br />
could be amplified enough decibels to make<br />
6,000-seat theatres possible, it could also<br />
reveal high, nasal, and shrill vocal qualities<br />
as well as abominable speech habits and<br />
grammatical horrors which the silent screen<br />
had concealed. It did all these things, and<br />
more, yet it made an industry pay through<br />
its nose, endure a convulsion, and survive<br />
even a depression.<br />
First Night<br />
The first public night with a sound track<br />
was August 6, 1926, at the Warner Theatre<br />
in New York. What an evening of<br />
oddities! The first talking short featured a<br />
politician (Will Hays), not an actor. The<br />
first song was an operatic aria, rather than<br />
a popular tune. The feature of the evening<br />
had not one spoken word ("Adventures<br />
of Don Juan"), only a musical track, yet<br />
it had two of the greatest footlight luminaries,<br />
John Barrymore and Montagu Love,<br />
who could have crossed well-uttered words<br />
as well as swords had technology been far<br />
enough along at the time. Sam Warner, who<br />
muscled his way through all the introductory<br />
frustrations and used up almost all of the<br />
patience of his brothers, died before the<br />
premiere which was to prove him right.<br />
Lee deForest, who had carried the only<br />
model of the audion tube around with him<br />
for years looking in vain for a taker for this<br />
gadget which would make long distance<br />
phones, radio and TV networks, and sound<br />
films, didn't attend the Warner that night.<br />
Later, when he was asked if he thought<br />
he had sold the audion tube too cheaply,<br />
he said: "I probably did, but I can always<br />
invent something else." He did, too.<br />
Sound came over the horizon almost as<br />
if it were a slapstick comedy. George Jessel<br />
starred in the stage version of "The Jazz<br />
Singer," and when the Warners wanted to<br />
put it on the screen, he wanted money. The<br />
Warners gave the starring role to Al Jolson,<br />
for part money, part Warners stock. He<br />
sang, spoke a line or two, and that picture<br />
won the first Westrex-assisted "Oscar" in<br />
1928. It was the big milestone! It established<br />
Al Jolson as the biggest boxoffice<br />
name of the period, and Louise Dresser as<br />
the first mother (of all the mother roles<br />
talked to on the screen ever since). It had<br />
a ricochet clear to 1946, when Westrex<br />
equipment was in on the "Oscar" statuette<br />
again for "The Jolson Story." When that<br />
happened George Jessel evened up in his<br />
feud with Jolson for having won the original<br />
part away from him. When Columbia did<br />
"The Jolson Story," they wouldn't even let<br />
Jolson play himself!<br />
Comedy and Heartbreak<br />
There was comedy and heartbreak all<br />
over, everywhere sound went in that early<br />
period. Hollywood got back in motion on<br />
its sound stages via two comics. Andy Devine,<br />
who had a generous spread of back,<br />
had himself rigged with a microphone hanging<br />
behind him at hip level and was cast<br />
in the role of a waiter during a boy-girl<br />
table chat. By serving the non-speaking<br />
member, he faced away from the talking<br />
actor so the mike would pick it up. As<br />
the first speaker finished his lines, Andy<br />
served him, which got the mike over in time<br />
to pick up the response. Dialog coaches<br />
came later, but Andy was the original "dialog<br />
catcher." It was the late Hugh Herbert<br />
who really restored locomotion. "Woo woo."<br />
as he was called, was a fisherman by<br />
inclination, so he used a fishing pole which<br />
he attached with a mike to dangle it over<br />
the heads of the actors, and he could chase<br />
them all over the set in this fashion! As<br />
Devine's role was twice menial, Herbert<br />
came to Warners from a downtown musical<br />
comedy to write gags for their two-reelers<br />
and stayed—with Brynie Foy—to make<br />
the first all-talking feature, by accident. It<br />
Continued on page 12<br />
10 The MODERN THEATRE SECTION
en meir money was on<br />
these circuits chose ORC.<br />
e line—<br />
ID-STATES THEATRES NATIONAL GENERAL CORPORATION<br />
CENTURY THEATRES GULF STATES THEATRES BUTTERFIELD<br />
THEATRES RIFKIN THEATRES AMERICAN BROADCASTING<br />
COMPANIES, INC. PACIFIC THEATRES WEHRENBERG THEATRES<br />
ASSOCIATED THEATRES JERRY LEWIS THEATRES MARTIN<br />
THEATRE CO. COOPER THEATRES FAVORITE THEATRES<br />
CARROLS DEVELOPMENT KALLET THEATRES FAMOUS PLAYERS<br />
COBB THEATRES STERLING THEATRES MARCUS THEATRES<br />
FRIDLEY THEATRES MALCO THEATRES DICKINSON THEATRES<br />
CHAKERES THEATRES McLENDON THEATRES TRANS-LUX CORP.<br />
COMMONWEALTH THEATRES PRIORITY THEATRES CINECOM<br />
INTERSTATE WOLFBERG THEATRES TRI-STATES THEATRES FRISINA<br />
ENTERPRISES MID-AMERICA THEATRES SBC MANAGEMENT<br />
FRELS THEATRES DeMARSH THEATRES SACK THEATRES<br />
COMMONWEALTH-FRONTIER THEATRES, INC. MOYER THEATRES<br />
ROWLEY UNITED ODEON THEATRES HARRIS-VOELLER THEATRES<br />
ESQUIRE THEATRES E. M. LOEW'S JOY'S THEATRES LES CINEMAS<br />
ODEON L & M MANAGEMENT CO. BLOOMER AMUSEMENT CO., INC.<br />
THE LEADER IN XENON LAMPHOUSES<br />
)<br />
J<br />
Optical Radiation Corporation<br />
6352 N. Irwindale Avenue. A2usa. California 91702 • (213) 969-334'<br />
WINNER OF THE ACADEMY AWARD FOR TECHNICAL ACHIEVEMENT IN 1S71
SOUND<br />
Continued from page 10<br />
was "The Lights of New York," shot on<br />
bootleg sets with Gene Pallette and Wheeler<br />
Oakman (it had the famous shot in the<br />
barber chair of a lathered-up dead gangster,<br />
whose rigor mortis slid him out of the chair<br />
onto the floor while Pallette was faking<br />
shaving him). Foy and Herbert couldn't<br />
make their bread and jam come out even,<br />
first coming in with a 2'/i-reel picture, then<br />
a 3'/i-reeler, and finally managed to quit<br />
at five. As it was done at night and on<br />
the backlot, just as they were ready to<br />
spring their surprise, it backfired. Harry<br />
Warner, then the WB head man, had come
x oooov<br />
o<br />
o<br />
o<br />
t)00oooooooa<br />
lor<br />
^o<br />
LUV SEATS EARN RAVE REVIEWS<br />
IN NEW JO-MOR THEATRE<br />
voooo^<br />
o<br />
o<br />
o<br />
o<br />
Cheers from the audience. LUV Seats proved an instant<br />
hit with JO-MOR's patrons. Why? Because togetherness<br />
counts. As one star-struck fan exclaimed, "It was the<br />
first time I've held hands with my wife in the movies<br />
in ten years!" Another Eastview couple said,<br />
"All the<br />
LUV Seats were taken, so we had to settle for conventional<br />
seating. We love LUV Seats!"<br />
LUV SEATS PAY OFF<br />
LUV Seats are their own reward, and the reward is<br />
increased patronage, more receipts! Why not a special<br />
PATRONS LOVE<br />
"^ LUV SEATS<br />
American Seating's new LUV Seats<br />
recently made a smashing debut at the Eastview Plaza<br />
Theatre in the Rochester, New York suburb of Victor.<br />
The result was instant and enthusiastic acclaim. The<br />
Eastview Plaza is part of the twelve unit JO-MOR<br />
chain, o\\Tied by John Martina and Morry Slotnick.<br />
Says Mr. Slotnick in regard to the building of their<br />
latest, newest theatre:<br />
"The only mistake we made was<br />
in not putting more LUV Seats in the house. The response<br />
(to LUV Seats) has been most gratifying. On<br />
those nights when the house is thin, we find that our<br />
customers seek out the LUV Seats and fill them before<br />
they do the singles."<br />
"LUV Seat section" in your theatre? The Eastview<br />
Plaza, for example, has 802 seats, 101 of which are LUV<br />
Seats arranged in seven alternating rows toward the<br />
rear of the theatre. As Mr. Slotnick explains, "Our<br />
LUV Seats accommodate 202 persons or more, in the<br />
case of parents with a small child or baby."<br />
LUV SEATS EARN PROFITS<br />
LUV Seats bring people together, and they love it. The<br />
JO-MOR experience is proof that "togetherness is wonderful<br />
for business."<br />
You, too, should cash<br />
in on this sensible<br />
specialty seating.<br />
Backed with a bit of<br />
publicity and merchandising,<br />
you'll have<br />
patrons returning<br />
again and again — just<br />
to be together.<br />
FOR LITERATURE,<br />
WRITE TODAY: American<br />
Seating Company,<br />
Dept. BO-764. Grand<br />
Rapids, Michigan 49304.<br />
AMERICAN<br />
t SEATING<br />
BOXOFFICE :: November 13, 1972 13
I<br />
I<br />
I<br />
COMPANY<br />
1972 Exhibitors<br />
BOOTH NO.<br />
Adier Letter Co 127<br />
American Kosher Provisions 58<br />
American Seating Co 64-65-66<br />
Amusement Business Tel. Servicenter 9<br />
Anderson Clayton Foods 29<br />
C. S. Ashcraft Corp 93<br />
Auto Filmtronics, Inc.<br />
Alec Service Corp 125<br />
Bagcraft Corp. of America 45<br />
Ballontyne of Omaha, Inc 140-141<br />
Bevdite Mfg. Co 104<br />
Blevins Popcorn Co., Inc 85<br />
Brown Poper Goods Co 3<br />
Butler Fixture & Mfg 11-12<br />
Carbons, Inc 100-101<br />
Carisch Theatres 126<br />
Carnation Co 4<br />
Century Projector Corp 139<br />
Christie Electric Corp 120-121<br />
Cinemox 97<br />
J. G. Clark Co. &<br />
Bennett Sales 47-48<br />
Coca-Cola USA 16-17-18, 20-21-22<br />
Coffee-Mot Corp 8<br />
Cornnuts, Inc 50<br />
Crctors 8< Co 86<br />
Crush International, Inc 10<br />
Curtiss Candy Co 33<br />
COMPANY<br />
BOOTH NO.<br />
Dart Container Corp 61<br />
Dr Pepper Co 62-63<br />
Dripcut Starline Corp 5<br />
Drive-In Theatre Mfg. Co 115-116<br />
Electro Sound, Inc 110-111<br />
Ellman Enterprises<br />
Indepix Int'l. Releasing Corp 145<br />
EPRAD Inc 122<br />
Filmack Trailer Co 103<br />
Flavo-Rite Foods, Inc 26<br />
General Register Co 69<br />
Globe Ticket Co 96<br />
Gold Medal Products Co 41-42<br />
Green Giant Co 71<br />
Griggs Equipment, Inc 98-99<br />
Henry Heide, Inc 25<br />
Hershey Foods Corp 56<br />
Heywood-Wakefield Co 114-117-118<br />
M. J. Holloway & Co 7<br />
Irwin Seating Co 129-130<br />
Jet Spray Corp 43<br />
King Foods, Inc 72<br />
Kinoton, Inc. USA 132-133<br />
Lawrence Metal Products 94<br />
Lever Bros. Co 76<br />
Lily-Tulip Div. Owens-Illinois 23-24<br />
The Linsey Corp 74<br />
L. P. Associates 113<br />
Manley, Inc 30<br />
Massey Seating Co., Inc 105-106<br />
Nabisco Confections, Inc 46<br />
National Asi'n of Concessionaires 6<br />
National Equipment Co 51-52<br />
COMPANY<br />
BOOTH NO.<br />
National Screen Service Corp 87-88-89<br />
National Theotre Supply 90-91-92<br />
The Nestle Co., Inc 83-84<br />
Odell Concessions Spec. Co 13<br />
Olympic Films Ltd 137<br />
Optical Radiation Corp 108-109<br />
Pepsi-Cola Co 36-37<br />
Perey Turnstiles 107<br />
Peter Paul, Inc 32<br />
Pic Corp 53<br />
Proctor Dist. Co 12<br />
Product Sales Associates 102<br />
Profeco 67<br />
Projected Sound, Inc 68<br />
Raven Laboratories 131<br />
Rex Packaging Co 27<br />
Schoefer Corp 60<br />
Schneider Corp 124<br />
The Seven-Up Co 77-78<br />
Smithfield Ham & Prod. Co., Inc 57<br />
Soundfold, Inc 70<br />
Standard Box Co 40<br />
Star Mfg. Co 59<br />
Star Metal Corp 1-2<br />
Stein Woodcraft Corp 38-39<br />
The Strong Electric Corp 134-135<br />
Supurdisploy/Server Sales, Inc 14-15<br />
Sweetheart Cup 19<br />
Theatramation, Inc 95<br />
Theatre Equipment Ass'n 143-144<br />
Theatre Equipment Co 112<br />
Tootsie Roll Industries 31<br />
TV Time Foods 44<br />
MOTION PICTURE THEATRE EQUIPMENT AND CONCESSIONS INDUSTRIES TRACE SHOW<br />
AMERICANA HOTEL, BAL HARBOUR, FLORIDA - NOVEMBER 18-21, 1972<br />
Booth<br />
Layout and Identification<br />
N<br />
I<br />
19 J<br />
EXIT<br />
41<br />
42 r^r 67 L<br />
INDICATES THEATRE EQUIPMENT SECTION<br />
CEILING HEIGHT: 10' 6"<br />
(EXCEPT 8- 4" — 8' 10" AT COLUMN DOMES)<br />
146—8' X 10' BOOTHS<br />
14<br />
The MODERN THEATRE SECTION
Union Carbide Carbor Prods. Div 128<br />
Voriefy Clubs Internotionoi 142<br />
Wagn«r Sign Services 123<br />
Word Candy Co 49<br />
Will Rogers Hospital 136<br />
Winchester Corton Corp 34<br />
Woodboy Construction Corp 119<br />
Y & S Candies, Inc 35<br />
NAC Plans<br />
Convention<br />
Unique<br />
Program<br />
^^HAT Is Considered "unique" in<br />
the way of programing will take place at<br />
the convention of the National Ass'n of<br />
Concessionaires being held at the Americana<br />
Hotel, Bal Harbour, Fla.<br />
The convention program committee,<br />
which is chaired by Mortie Marks, director<br />
of concessions, Wehrenberg Theatres, St.<br />
Louis. Mo., has come up with an unusual<br />
format which should attract the interest of<br />
every type of food-service concessionaire,<br />
and make their attendance at this year's convention<br />
most informative and productive.<br />
In line with this year's convention theme<br />
"Progress Thru Professionalism" one of the<br />
highlights of the program will be the presentation<br />
of a new simulated exercise developed<br />
by the Cornell University Hotel School<br />
under the direction of Robert M. Chase,<br />
Cornell University Professor of Engineering<br />
and Computer Sciences. Known as the Cornell<br />
Restaurant Administration Simulation<br />
Exercise, or CRASE for short, which was<br />
developed primarily by Professor Chase, it<br />
involves considerable audience participation.<br />
The audience is divided into several competing<br />
groups, each with a competing operation.<br />
Groups may organize themselves as<br />
but they have to keep<br />
they see most fitting,<br />
I in mind that analysis and decision making<br />
must be done rapidly and carefully. These<br />
top level decisions are then collected and<br />
processed by computer which has been previously<br />
programed, and returns to each<br />
group instantly long-range results of their<br />
decisions.<br />
A first for NAC, this exercise has been<br />
secured for such companies as Ramada Inns,<br />
Burger King, Howard Johnson's, CaroU's,<br />
American Hotel Ass'n, New York Restaurant<br />
Ass'n, and the Marine Corps Club and<br />
Mess, to name only a few.<br />
The exercise will deal with such questions<br />
confronting the food-service operator as:<br />
Will I increase business if I change my<br />
sales prices, or food quality, or jxartion size?<br />
Will it help my business if I add employees<br />
and how many, or if I increase wages? Will<br />
it help my business if I redecorate, or remodel<br />
the kitchen with new equipment?<br />
Marks feels that Professor Chase's game<br />
of CRASE will be the "fun spot" of the<br />
NAC Convention, and the educational dividends<br />
will make the trip to Florida worth<br />
while.<br />
Other opportunities during the convention<br />
for food-service operation know-how will include<br />
a field trip to the famed Seaquarium<br />
including an inspection of their food service<br />
facilities and to view the exciting show<br />
which they have to offer.<br />
Wagner<br />
marquees<br />
eliminate the<br />
generation gap!<br />
Wagner builds theatre marquees by hand, using the best stainless steel and<br />
break resistant Filon background material. A Wagner Filon marquee bridges<br />
a generation or more with trouble free operation. Filon stands up to high<br />
winds, storms—even vandalism.<br />
And, if you're having problems with plastic letters that crack or have<br />
clips that easily break off, ask your sign or theatre dealer to show you<br />
Wagner's black Cycolac® plastic letters. They're made of the identical<br />
material as used in<br />
Wagner's Cycolac letters can take it.<br />
professional football helmets. Drop them! Stomp on 'em!<br />
Wagner also has 3 dimensional slotted letters in green, red and blue.<br />
Sizes range from 4" to 17". In addition, we have plexiglass and marquee<br />
glass available as well as durable, low cost metal marquees for outlying<br />
drive-in theaters.<br />
With centralized manufacturing and warehousing facilities, Wagner assures<br />
fast delivery to meet<br />
opening deadlines anywhere<br />
in the country. Call i_ii___i j i.._. — ^H^k^H<br />
National Advertising Compann'3Iin<br />
your sign manufacturer or " '^<br />
^^SSJL"<br />
A SUBSIDIARY of^maxmut<br />
contact us direct for the<br />
„or„» ^f w,,,.. r, = o.«ot<br />
31 20 HIRSCH STREET<br />
name of your nearest .<br />
MELROSE PARK, ILLINOIS 60160<br />
Wagner dealer.<br />
WAGNER SIGN SERVICES<br />
BOXOmCE :: November 13, 1972 15
LETTERS<br />
To The Editor:<br />
Often during the past several years the<br />
motion picture industry has cried "foul"<br />
because of the state of the industry. Recently<br />
your magazine has indicated that things are<br />
improving and that a new era is at hand.<br />
I will accept the fact that there are more<br />
than a few pictures now out which are doing<br />
business, but I will not accept the fact that<br />
the industry can look forward to a bright<br />
future until there is a great deal of "internal<br />
housekeeping."<br />
In an issue of your magazine <strong>Boxoffice</strong>/<br />
Modern Theatre, in September 1971, it<br />
was stated that anamorphic lensing and<br />
stereophonic sound would come in the<br />
future. Well, as of now there are probably<br />
less films in<br />
'Scope than ever before. Stereo<br />
sound is unheard of in most areas now, and<br />
in most theatres unless they run 70mm. Yet,<br />
it was stated that anamorphic projection<br />
gave a better light in the center of the<br />
screen, and that many people enjoy better<br />
sound in the home than in the theatre.<br />
All too often, through poor print handling,<br />
the public is subjected to a poor<br />
presentation because of oily film full of<br />
dirt.<br />
Some prints have so many patches that<br />
the soundtrack is all loused up. The public<br />
remembers this and very often has second<br />
thoughts about returning to a theatre.<br />
Then there is the problem of warped<br />
prints caused by the heat from the big<br />
lamps. Did you ever try to explain to a<br />
patron why you can't hold focus properly<br />
on the screen? How do you explain to them<br />
that because another theatre used high-j<br />
intensity lamps with the print you cannot<br />
maintain a focus?<br />
I sometimes wonder how some theatres<br />
have the guts to charge admission. How<br />
many theatres just don't bother to maintain<br />
their projection equipment until it completely<br />
breaks down? They don't care whether<br />
the sound blasts the patron right out of<br />
his seat or cannot be heard at all. The theatre<br />
management becomes interested in th(<br />
almighty dollar rather than the recurring!<br />
patron!<br />
Some of the new theatres are typical ol<br />
the trend toward apathy. I have heard stories<br />
of theatres cutting apertures 15 minutes<br />
before showtime on opening night.<br />
In order<br />
to complete the "minimum requirements"<br />
for the opening, a rush job is done in the<br />
booth with the opening night patron seeing<br />
the result of this rush job. Lack of proper<br />
training and experience in automation<br />
creates an even bigger mess in a new twin.<br />
Meanwhile the patron sits downstairs saying,<br />
"I'll never come back to this place<br />
again."<br />
Of course, this doesn't even begin to<br />
cover some of the technical problems. If<br />
someone would finally end the battle of the<br />
projection! There are so many<br />
ratios for flat<br />
that the operator is either "cropping" or<br />
showing lines. Either you cut off heads or<br />
show lines (or black with 1.85:1 using bigger<br />
aperture).<br />
After these and other problems are solved,<br />
just maybe we can give the patron the quality<br />
he deserves. Now, people can turn to TV<br />
and get some of the quality we should gi\c.<br />
and can give. Just think of all those people<br />
who will see "Patton" on ABC-TV this fall<br />
and miss the added dimension of Todd-AO<br />
and stereo sound. These people won't know<br />
what they have missed, because in most<br />
cases we haven't been giving it to them.<br />
The patron is our most important item.<br />
VELIO lACOBUCCI<br />
Projectionist, Lansdowne Theatre<br />
Upper Darby, Pa.<br />
\<br />
16 The MODERN THEATRE SECTION
introducing tiie<br />
I<br />
PROJECTION SYSTEM<br />
.^•^^m^H^^.^-^^fi,^^,^'. ^- .«.- .'.^-
RECTIFIER<br />
D.C. Arc current<br />
D.C. Arc Voltage<br />
Lamphouse Blower<br />
Input Voltage<br />
DATA<br />
40-80 Amps.<br />
22.5-30 Volts<br />
220 Volts AC<br />
180-200-220 Volts AC 3-Phase, 50-60 Hz<br />
CONTROL PANEL<br />
Xenon Lamp Ignite<br />
Projector Start<br />
Douser Open-Manual<br />
Douser Close-Manual<br />
Complete Stop<br />
Film Rewind Ready<br />
Film Rewind Start<br />
Drive Motor Only Start<br />
Main Power Switch And Pilot Light<br />
Xenon Bulb Hour Meter<br />
Sound Level Control<br />
POWER REQUIREMENTS
I he<br />
•<br />
:her<br />
2 Overall view of free-standing building is seen above. Below is<br />
<strong>Boxoffice</strong>. above, is located under protective canopy. Auditorium I,<br />
I island-type 15x20-foot concession stand. below, is largest of four units.<br />
TRANS-TEXAS OPENS FIRST COMPLEX<br />
By<br />
MABLE GUINAN<br />
The opening of the Aquarius<br />
leatres IV earlier this year in the South<br />
).ik Cliff section of Dallas brought to 15<br />
10 number of screens operated by the<br />
rans-Texas circuit. The first multiplenit<br />
complex opened by Trans-Texas, the<br />
\quarius theatres are housed in a freeanding<br />
building in a shopping center.<br />
theatres operated by the Trans-Texas<br />
. rcuit are located in Dallas, Fort Worth,<br />
\ustin. El Paso, Denton and Wichita<br />
I<br />
alls, all in Texas.<br />
Occupying a total ground area of 136,-<br />
10 square feet, the building was conructed<br />
at a cost of $300,000 and equipped<br />
a cost of $145,000. Total seating capacity<br />
- 1,200, with auditorium I seating 468,<br />
II seating 332, and III and IV each seating<br />
iQ. Architect was Wooten & Bogard and<br />
'ntractor was Mid-Tex Construction Co.,<br />
nh of Fort Worth.<br />
The front and exterior of the new theatre<br />
feature pre-cast concrete aggregate<br />
\inels by Steelcrete Structures and bronzenish<br />
aluminum doors and frames with<br />
"onze plate glass. The main sign is located<br />
love the entrance, with individual mar-<br />
.juees located on either side of the entrance.<br />
central boxoffice for the four theatres<br />
- located at the front of the building under<br />
I protective canopy. The spacious and<br />
colorful common lobby has one wall of<br />
pre-cast aggregate panels and different<br />
shades of vinyl cover the other three walls.<br />
Each auditorium is draped throughout,<br />
each in its own distinctive color and material.<br />
Griggs chairs, color coordinated to<br />
the auditorium, are spaced 39 inches back<br />
to back. Crestwood carpeting by Alexander<br />
Smith is used in the auditoriums. Quarry<br />
tile is used throughout the rest of the<br />
building. Screens measure 14x32 feet in the<br />
two larger auditoriums and 9x20 feet in<br />
theatres III and IV.<br />
Two projection booths service the four<br />
auditoriums, and are equipped with Century<br />
projectors, Eprad sound equipment, Neumade<br />
rewinds and the Norelco RotoMatic<br />
no-rewind system.<br />
An island-type concession stand measuring<br />
15x20 feet is located in the center of<br />
the lobby to accommodate a maximum of<br />
patrons. The floor in this area is quarry<br />
tile, and there is a special quarry tile base<br />
around the entire stand. The stand itself<br />
is made of walnut Formica with one insert<br />
of blue Formica on each side and a persimmon-colored<br />
Formica insert at the front.<br />
A large storage area with three stainless<br />
steel wash basins is located directly behind<br />
the concession stand. Beverage tanks are<br />
located in this storage area, and lines lead<br />
directly to the drink dispenser.<br />
Special highlights of the project include<br />
floodlights on a timer which illuminate the<br />
theatre and surrounding area after closing<br />
and a special ramp and lavatory facilities<br />
for the handicapped.<br />
Modern Sales & Service of Dallas supplied<br />
all concession, projection and boxoffice<br />
equipment, tape decks, seats, drajjes,<br />
screens and screen frames. National Theatre<br />
Supply of Dallas supplied all outside<br />
and inside color-coordinated display boards,<br />
marquee and mini marquees.<br />
CREDITS:<br />
Acoustical Material: Chas. F. Williams Co.<br />
Air Conditioning: Harrington Bros., Inc.<br />
Architect: Wooten & Bogard<br />
Carpet: Alexander Smith<br />
Contractor: Mid-Tex CONSTRUCTION<br />
Drink Dispensers: Cornelius Nassau<br />
Non-Carbonated Coolers: Jet Spray<br />
No-Rewind System: Norelco<br />
Plumbing: McInnish Plumbing Co.<br />
Popcorn Machine: Cretors<br />
Projectors: Century<br />
Rewinds: Neumade<br />
Seats:<br />
Griggs<br />
Signs: Federal Sign & Signal<br />
Sound: EPRAD<br />
Supply Dealers: Modern Sales & Service;<br />
National Theatre Supply<br />
BOXOrnCE :: November 13, 1972 19
UNIVERSAL LAMPHOUSE IS<br />
INTRODUCED<br />
A UNIQUE "tunable reflector, plus a high degree of bulb<br />
reliability" are features of a new universal lamphouse just introduced<br />
by Eprad, Inc. of Toledo, Ohio.<br />
As the company points out, reliability is the theatre owner's<br />
prime concern in selecting a lamphouse. Beyond this, he must look<br />
the right place at the least cost.<br />
for the one giving the most light in<br />
Eprad believes its new xenon Universal lamphouse meets and<br />
exceeds those objectives.<br />
Reliability is said to be assured by an unusual simplicity and<br />
sturdiness of design, both in the lamp and in the power supply.<br />
High reliability of the bulb is achieved by careful design of an<br />
unusually powerful cooling system.<br />
More light from a given bulb wattage is collected by the largest,<br />
computer-designed aspheric reflector ever used in a comparable<br />
unit.<br />
The light is delivered to the right place because the company<br />
claims that the reflector is unique in being "tunable" to suit any<br />
desired aperture aspect ratio. By a simple adjustment, the shape<br />
of the reflector is changed to provide optimum coverage of any<br />
aperture from near-square to 1.85:1 and beyond. The diagrams<br />
show how much light can be directed into the right place in this<br />
way, rather than wasted.<br />
As a by-product of this arrangement, which is the subject of a<br />
patent application, it is simple to achieve any desired degree of<br />
flatness of illumination. The percentage of light at the edges of<br />
the screen compared with light at the center is variable at will,<br />
from 60 per cent to 100 per cent (evenly distributed illumination<br />
clear across the horizontal center line). The former condition will<br />
usually be desirable for drive-ins where there is never enough light<br />
available to provide the luxury of full-width, "flat" illumination.<br />
In this way the company reports that considerable economies<br />
are achieved in power consumption and bulb life for a given value<br />
of effective light on the screen.<br />
Further, according to the manufacturer, the initial outlay is less<br />
than for comparable units. Prices are actually lower than for any<br />
other xenon system of equal wattage.<br />
EPRAD says its equipment, unlike all others, needs no extras<br />
to make it operable by automation.<br />
LIGHT PATTERN PROJECTED from<br />
WASTED LIGHT<br />
REGULAR LAMPHOUSES at aperture plate<br />
Tuned to suit 1.85:1 Tuned to suit C-scope<br />
LIGHT PATTERN PROJECTED from<br />
EPRAD UNIVERSAL LAMPHOUSE at aperture plate<br />
You gain all of that<br />
big shaded area less the<br />
tiny black areas<br />
EPRAD TUNED LIGHT PATTERN<br />
superimposed on pattern by others.<br />
Appropriate single phase and three phase power supplies are<br />
available. These are self-regulating to ensure full light output from<br />
the instant of starting. With most so-called "regulated" units, the<br />
output does not reach full brilliance until the lamp has fully<br />
warmed up.<br />
An additional feature of the EPRAD Universal lamphouse is<br />
acceptance of any bulb from 900 to 4.200 watts with simple<br />
adaptor sets for mounting. Bulbs may be from any of at least three<br />
manufacturers. It may, of course, be necessary to change the<br />
power supply to suit a change in bulb wattage.<br />
its<br />
TWO CAN LIVE AS CHEAPLY AS ONE<br />
HAVE TWINS<br />
Exfra Property Could Mean Extra Cash<br />
For FREE Estimates Call HARRY R. JONES, Owner<br />
NEW TOWERS<br />
REMODELING<br />
I<br />
THEATRE CONSTRUCTION CO., INC.<br />
Foirfield Drive-ln Theatre<br />
Fairfield, III. 62837<br />
Phone A/C 618-847-7636<br />
NEW DRIVE-INS<br />
PAINTING<br />
20 The MODERN THEATRE SECTION
y^^fc
NOW... PROJECTION LENSES ARE BROUGHT TO Y(<br />
Effective November 1, 1972, Schneider Corporation<br />
of America assumed marl
CLUSIVELY BY SCHNEIDER CORPORATION OF AMERICA<br />
Visit us at our booth, No. 124, at the IVIotion Picture<br />
Theatre Equipment and Concessions Industries<br />
Trade Show, Americana Hotel, Bal Harbour,<br />
Florida, November 18-21.<br />
*^^w5E5aec\<br />
SCHNEIDER CORPORATION OF AtyiERICA<br />
154 Lodi Street, Hackensack, N.J. 07601<br />
Tel: 201 7343-3939 -Telex: 138-039<br />
Subsidiary. Jos. Schneider & Co.. Optische Werke<br />
Bad Kreuznach W Germanv
Entrances to ABC theatres are protected by elaborate canopy.<br />
Building is faced with imported marble chosen in Italy by<br />
architect Henry George Greene.<br />
Some 3,200 yards of custom-woven Downs carpet cover floor of<br />
huge lobby. Concession stand in background separates entrances to<br />
the auditoriums<br />
ABC ENTERTAINMENT CENTER DEBUTS<br />
Twin theatres seating over 2,200 are included in ABC development<br />
in Los Angeles' futuristic Century City complex<br />
The New Century City complex<br />
in Los Angeles has a short history but a<br />
long past: the futuristic buildings are located<br />
on what was once the back lot of 20th<br />
Century-Fox Studios. On the grounds where<br />
motion pictures were once shot, now rises<br />
the new ABC Entertainment Center, where<br />
films are shown to the public in an atmosphere<br />
of luxury and perfection of showmanship.<br />
The ABC Entertainment Center contains<br />
three theatres: ABC City Theatre I and II,<br />
devoted to first-run films, and the Shubert,<br />
a legitimate house. Architect Henry George<br />
Greene, A.I.A., NCARB, has brought great<br />
imagination to the design, as well as an intrinsic<br />
feel of what fine theatres should<br />
offer to the public. Greene created a forward<br />
thrust of tomorrow in formulating the<br />
building plans.<br />
The multi-level complex is actually two<br />
separate buildings, faced with rare Travertine<br />
marble chosen in Italy by the architect;<br />
ABC I and II are located in one structure<br />
and the Shubert in the other— joined by a<br />
long canopy and marquee. An enormous<br />
forecourt leads to the world's largest parking<br />
garage, providing sheltered on-thepremises<br />
parking for 6,000 cars on six levels,<br />
and a concourse under the expansive Avenue<br />
of the Stars connects to the plaza level<br />
of the Century Plaza Hotel.<br />
Over two years ago, Greene met with<br />
Spero L. Kontos of the Filbert Co. to discuss<br />
furnishings and theatre equipment for<br />
the twin houses, with the instruction that<br />
these theatres were to include the finest<br />
possible accoutrements to insure total environmental<br />
comfort and the ultimate in<br />
projection and sound. In short, it<br />
was ABC's<br />
specific intent that these theatres were to<br />
be second to none, the true flagship houses<br />
of the circuit.<br />
Since the completion of the theatre structure<br />
was sometime in the future, the Filbert<br />
Co. undertook a comprehensive study of<br />
industry trends to determine what new developments<br />
were on the horizon with regard<br />
to seating, drapery treatments, and theatre<br />
equipment, so any new innovations could<br />
be incorporated into the theatres. After the<br />
final determination of the equipment and<br />
furnishings package, the responsibility of<br />
its execution was assigned to Filbert executive<br />
Edward P. Burke, who would act as<br />
project<br />
coordinator.<br />
ABC Theatre I and II share a common<br />
lobby, especially designed to forward the<br />
traffic flow from each auditorium so that<br />
the patron is never inconvenienced. The<br />
boxoffice and concessions stand, which separate<br />
the entrances to the houses, can serve<br />
as a dividing line in the lobby with the addition<br />
of roped standards should shows break<br />
at the same time. Separate restroom facilities<br />
for each theatre allow patron control from<br />
one auditorium to another, and there is<br />
also a special restroom for handicapped<br />
persons which adheres to the new uniform<br />
building code covering facilities in public<br />
buildings.<br />
The spacious lobby is covered with 3,200<br />
yards of custom-woven,<br />
100 per cent nylon<br />
carpeting in a broken stripe pattern in<br />
shades of burgundy and gold, set off by<br />
bronze and charcoal grey open-weave Saran<br />
22x110 drapery, enclosed in a concealing<br />
soffit in the ceiling. The walls are covered<br />
with gold, bronze, silver and red Vicrtex<br />
in a box pattern. Huge potted ferns<br />
and aspidistras add a warming touch of<br />
greenery.<br />
ABC Theatre I contains 800 Massey Astro<br />
Loungers in deep orange nylon material<br />
with teakwood laminate backs. The sidewalls<br />
are draped with 2,100 yards of textured<br />
Ravanna Verel fuchsia fabric with a bronze<br />
herringbone weave. The title curtain is<br />
nubby, gold verel and the Hurley Super<br />
Optica screen measures 25x48 feet. Robert<br />
P. Wolf, manager of Filbert's drapery division,<br />
also assumed the responsibility for the<br />
installation of all auditorium furnishings.<br />
At the time of the initial negotiations, it<br />
was the decision to use Massey Seating's<br />
loge and rocker models. However, the Filbert<br />
Co. survey revealed that Massey was<br />
in the process of designing a complete new<br />
concept in theatre seating, incorporating an<br />
airline type, three-section cushion back.<br />
Kontos brought this information to Greene<br />
and ABC, who wholeheartedly endorsed the<br />
new product line—with the result that the<br />
ABC twin theatres are the first to feature<br />
the new Astro models.<br />
Greene, after considering various 35mm<br />
Continued on page 26<br />
24 The MODERN THEATRE SECTION
merits a command performance in your theatre...<br />
Presenting EPRAD'S New Xenon<br />
Lamphouse With Exclusive-shape<br />
Aspheric Reflector.<br />
Let us run a side-by-side test in your<br />
theatre of our new lamphouse and any<br />
other of equal power. You'll discover our<br />
lamphouse is brilliant beyond compare<br />
and the light is spread with unmatched<br />
evenness over your entire screen.<br />
What are the reasons for this incredible<br />
performance?<br />
First— EPRAD'S reflector is the largest<br />
and deepest ever used for bulbs of comparable<br />
wattage. Which means it gathers<br />
* * Patent Applied for<br />
$895 $895<br />
Come dance with us at Booth No. 122, NATO Convention.<br />
There will be good cause for joy, not only in<br />
the new Eprad Lamphouse, but in a NEW QUALITY<br />
AUTOMATION PACKAGE at a fantastically low price:<br />
$895.00 complete. We call it THE CO-OPERATOR.<br />
This, too, you must seel<br />
and delivers more of the available light<br />
than any other lamphouse.<br />
Second— this superb reflector was designed<br />
by computer in the ideal aspheric<br />
form for collecting light. Then we incorporated<br />
subtle changes in its regular shape<br />
to achieve optimum use of the light. As a<br />
result, the even illumination of the picture<br />
is<br />
a delight to see.<br />
But seeing is believing. So call EPRAD<br />
today for a command performance. We'll<br />
bring our lamphouse to your movie house<br />
for a demonstration"*. We promise a performance<br />
so dazzling, you may even<br />
dance with joy. ., ,. .. ^,.<br />
'<br />
'For a limited time only<br />
Sold Internationally thru selected theatre supply dealers<br />
Incorporated<br />
Box 4712 • Toledo. Ohio 43620 • (419) 243-8106<br />
BOXOFFICE :: November 13, 1972 25
Auditorium of ABC II, seen at top left, features 1,420 combination<br />
Massey Astro-Rockers and Loungers covered in a deep burgundy<br />
fabric of 100 per cent nylon. Backs are laminated teakwood. Booth<br />
of ABC II, bottom left, has Century projectors, Model JJ-3,<br />
capable of reproducing both 35 and 70mm film. Light source is<br />
Christie 4,200-watt xenon with 35/70 optical converters. Lobbylevel<br />
restroom for handicapped, above, adheres to new uniform<br />
building code specifications covering facilities in public buildings.<br />
Door is wide enough for passage of wheel chair.<br />
ABC<br />
ENTERTAINMENT CENTER<br />
production systems, elected to<br />
Continued from page 24<br />
have the Filbert<br />
Co. treat the auditorium with the Ultra-<br />
ViMon projection concept, a Wil-Kin development,<br />
with Glenn Berggren as consultant.<br />
The system incorporates the use of Century<br />
projectors and sound reproducers, including<br />
the patented Cine-Focus Film Stabilization<br />
System. The light source is manufactured by<br />
the Christie Electric Corp. to the Ultra-<br />
Vision technical specifications. The amplification<br />
is by Electro Sound, with Altec<br />
Model A-4 speaker system. Projectors operate<br />
at 45 degrees to the center line of the<br />
auditorium and project through the Ultra-<br />
Vision Optiverter, which allows both machines<br />
to project directly at the screen,<br />
eliminating any horizontal keystoning.<br />
Lenses are of a special design by KoUmorgen.<br />
Film handling equipment is by Neumade<br />
and Goldberg.<br />
26<br />
ABC City Theatre II features a combination<br />
of 1,420 Massey Astro-Rockers and<br />
Loungers, covered in deep burgundy 100<br />
per cent nylon with laminated teakwood<br />
backs. Some 2,700 yards of Ravanna Verel<br />
fabric in deep gold with a bronze herringbone<br />
stripe covers the walls of the auditorium.<br />
The title curtain, also of Ravanna<br />
Verel, is fuchsia. The custom designed serpentine-shaped<br />
track, allows the front curtain<br />
to move entirely backstage, as two<br />
solid, bi-parting panels reveal the Technikote<br />
lenticular XRL 28x61 foot screen.<br />
The theatre is equipped to permit reproduction<br />
of all 35 and 70mm processes. The<br />
Century projectors. Model JJ-3, of the latest<br />
design, have the capability of reproducing<br />
both 35-70mm film with optical sound or<br />
four or six channel magnetic sound. The<br />
projectors<br />
feature Cine-Focus, which eliminates<br />
film flutter which can occur with<br />
70mm. The light source is Christie 4,200-<br />
watt xenon, including 35-70 optical convertors<br />
to allow the most uniform field of light<br />
possible when projecting either 35 or 70mm.<br />
Amplification is the Century transistorized<br />
multi-channel system, which can reproduce<br />
optical or four-channel magnetic for 35mm<br />
film, or six-channel magnetic for 70mm, as<br />
well as intermission music.<br />
The power amplifiers are Altec, which<br />
operate through five Altec A4X speaker<br />
systems located behind the giant screen.<br />
For magnetic sound operation, the theatre<br />
includes a multi-speaker ceiling installation<br />
to faithfully reproduce surround or effect<br />
sound recording. Lenses are by the Kollmorgen<br />
Corp., designed to permit deep-curved<br />
screen projection. The projection facilities<br />
have been carefully planned to allow future<br />
installation of automation equipment as well<br />
as large film transports to simplify the pre-<br />
Continued on page 28<br />
The MODERN THEATRE SECTION
PROVEN PRODUCTS<br />
make<br />
our<br />
electronics<br />
division ...<br />
BETTER THAN THE REST!<br />
RIVERSIDE<br />
TIDIOOO<br />
Film Transport System<br />
Requires No Rewind<br />
Runs 4V'2 hrs. non-stop.<br />
Features Turbo-Air Drive<br />
eliminating tension on film.<br />
Does away with abrupt<br />
starts, stops or jerks.<br />
Rewinds while projecting.<br />
35M<br />
Film Transport System<br />
Runs 3 hrs. Non-Stop.<br />
Ideal for smaller projection<br />
booths, with no alterations<br />
necessary. Easy to install.<br />
Low maintenance cost.<br />
Film break protection<br />
built-in. Rewinds in<br />
15 minutes.<br />
GMD<br />
Guaranteed Automobile<br />
Recording & Detection<br />
Undefeatable display<br />
system and gate control<br />
device. Includes car<br />
counter, computer<br />
calculator, alarm system,<br />
payment display. Counts<br />
more than 6 patrons per<br />
car, computes 2 different<br />
priced tickets.<br />
PLUS<br />
ATS-1 AUTOMATION For AII single Projector Pilm systems<br />
Booth Functions—Auditorium Functions— Pre-Timed Intermission— Remote Control<br />
Simple & Inexpensive To Install. Reliable & Easy To Operate.<br />
Write, Wire or Phone—<br />
Your Theatre Supply Dealer or .<br />
Electronics Division of<br />
DRIVE-IN'2^«?^<br />
MFG. CO., INC.<br />
709 North 6th St.<br />
Kansas City, Kansas 661 01 91 3/321 -3978<br />
BOXomcE :: November 13, 1972 27
ABC<br />
ENTERTAINMENT<br />
CENTER<br />
Continued from page 26<br />
sentation of studio previews.<br />
The ABC Entertainment Center is a step<br />
forward into the exciting world of tomorrow.<br />
Architect Henry George Greene's<br />
imaginative concepts, combined with Filbert<br />
Co. technical expertise have placed into the<br />
able hands of P. Harvey Garland, executive<br />
vice-president of ABC Theatres, and George<br />
M. Aurelius, vice-president of Western Operations,<br />
and their staffs, one of the world's<br />
finest showplaces.<br />
CREDITS:<br />
Architect: Henry George Greene, A.I.A.<br />
Carpeting: Downs<br />
Changeable Letters: Bevelite Mfg. Co.<br />
Contractor: Tishman Realty &<br />
Construction Co.<br />
Drapery: Filbert Co.<br />
Film Handling Equipment: Neumade<br />
Products; Goldberg Bros.<br />
General Supply Dealer: Filbert Co.<br />
Lamphouses: Christie Electric Co.<br />
Projectors: Century Projector Corp.<br />
Screens: Hurley Screen Co.; Technikote<br />
Corp.<br />
Seating: Massey Seating Co.<br />
Speakers: Altec Service Co.<br />
Wil-Kin's Ultra-Vision projection concept is used in ABC 1 . Between Cenniry projectors<br />
(with Cine-Focus) is Ultra-Vision Optiverter which allows machines to project directly<br />
at screen, eliminating horizontal keystoning. Lenses are special design by Kollmorgen.<br />
WESTERN MOVES WEST!<br />
NOW -THREE STORES TO SERVE YOU!<br />
Our new Los Angeles store is open<br />
end we are ready to serve you with a<br />
complete line of theatre equipment<br />
and supplies. Sam Aspaas, president<br />
and general manager of Western<br />
Service & Supply Co. of California,<br />
Inc.,<br />
has over 25 years experience in<br />
the theatre equipment business.<br />
Give Sam a call when you need assistance<br />
regarding your theatre equipment<br />
and supply needs.<br />
Bob Tankersley<br />
Sam Aspaas<br />
WESTERN SERVICE & SUPPLY, Inc.<br />
WESTERN SERVICE 8. SUPPLY of Calif., Inc.<br />
2100 Stout St.<br />
Denver, Colorado 80205<br />
(303) 534-7611<br />
14 North Broadway<br />
Billings, Montana<br />
(406) 252-8664<br />
1109 S. La Cienega Blvd.<br />
Los Angeles, Calif.<br />
(213) 652-1517<br />
28 The MODERN THEATHE SECTION
Ihe Citation is appealing to the eye. It's nice-looking<br />
and we find it is a very comfortable chair . . .<br />
From the first time we sat in the Irwin Citation,<br />
we liked everything about it . . .<br />
"Mechanically, we have had absolutely no problems with<br />
the Citation, and no service has been required in<br />
any of our installations . . .<br />
"Your company has been more than cooperative in helping<br />
engineer a total seating package that provides all the things<br />
we need in developing, completing and presenting a theatre."<br />
Attractiveness, comfort, durability, cooperation.<br />
When Marvin and Roy White buy the Citation again and<br />
again, it's<br />
for some very good reasons.<br />
Irwin Seating<br />
Company<br />
P.O. Box 2429 -B<br />
Grand Rapids, Mich. 49501<br />
BOXOFHCE :: November 13, 1972 29
At left are Century 35/70mm projectors with Christie CHF xenon systems. Above, 77<br />
decorative light fixtures on light tracks with Plexiglas dividers illuminate lobby and<br />
concession stand. Exterior view of three-level building is seen below.<br />
THE<br />
REGENCY<br />
Luxurious<br />
ABC Intermountain<br />
Theatre Is<br />
Welcome Addition<br />
to<br />
Salt Lake City Exhibition<br />
Community<br />
Salt Lake City's newest and<br />
most luxurious theatre, ABC Intermountain<br />
Theatres' Regency, is an addition to the<br />
local theatre community which is quite<br />
unique in location, structural and interior<br />
design and technical equipment. The ultramodern<br />
three-story structure, with an exterior<br />
of stone, concrete and glass, is elevated<br />
above a spacious parking lot with<br />
a capacity of 200 cars. The area within<br />
the ramp is fountained and landscaped,<br />
adding to the overall effect of the design.<br />
The inside of the theatre is no less unique.<br />
One side of the second floor lobby extends<br />
to a terrace overlooking the Salt Lake<br />
Valley, and the interior standee area has<br />
floor-to-ceiling windows so that the patrons<br />
might enjoy the panoramic view.<br />
Behind the handsome exterior and the<br />
plush decor are specially designed acoustics<br />
and some of the most advanced electronic<br />
sound equipment the industry has yet developed.<br />
And the use of the new Century<br />
35/ 70mm projection system and Christie<br />
CHF xenon consoles with 3,000-watt bulbs,<br />
coupled with the modern curved 22x50-<br />
foot Technikote XR 171 screen, produces<br />
a picture of considerable sharpness and<br />
clarity. The multi-channel sound system is<br />
by Electro Sound, and all the systems combined<br />
bring the Regency patrons the ultimate<br />
in audio and visual effects. Other<br />
booth equipment—^which was supplied and<br />
installed by Peterson Theatre Supply—includes<br />
Kollmorgen lenses, Neumade rewinds<br />
and Goldberg 5,000-foot reels for<br />
35mm.<br />
Personal services include an ample welllighted<br />
parking area around the Regency<br />
and sparkling lounge and restroom facilities<br />
located lobby left. The ladies' lounge features<br />
shag carpet and wall mirrors.<br />
The Regency auditorium features some<br />
800 widely spaced rocking chair and<br />
lounge-type seats from American Seating<br />
Co. and electronically controlled tempera-,<br />
ture to allow the patrons to enjoy year<br />
'round climatized comfort. Red waterfall<br />
and traveler curtains and gold sidewall curtains<br />
from R. L. Grosh & Sons coordinate<br />
with the orange, gold and brown carpeting^<br />
and the<br />
red-orange seats.<br />
A centrally located refreshment center<br />
features K-Way drink dispensers and a<br />
Scotsman ice machine. The concession<br />
counter was prefabricated with built-in'<br />
popcorn warmers and candy display. Walnut<br />
veneer on the front matches the back<br />
bar, and tile back wall colors match the<br />
carpet colors.<br />
Other features of the Regency include a<br />
Continued on page 32<br />
30 The MODERN THEATHE SECTION
1 the Dispensers / the Buttercups < the Sales Accessories<br />
SERV-0-MAT...<br />
fully automatic<br />
butter dispenser<br />
. . . new, modern,<br />
efficient and durable<br />
. . . Trigger<br />
touch bar efficiently<br />
dispenses<br />
controlled portions<br />
of hot butter.<br />
the Deluxe Butter Server<br />
lighted ... low cost, manually operated<br />
for small volume locations .. .controlled<br />
heat.<br />
2<br />
with VITA-GLAZE*<br />
in the nation's<br />
most sought after,<br />
4 sizes. Wax free,<br />
leak-proof ... in<br />
in the fami I iar<br />
brown and yellow,<br />
a#o
View of auditorium shows red curtain closed and highlighted by<br />
recessed lighting.<br />
View with contour and traveler curtains open shows the 50x22-foot<br />
Technikote screen.<br />
THE<br />
quarry tile<br />
REGENCY<br />
Continued from page 30<br />
floor at the entrance and around<br />
the concession area, a manager's office<br />
which connects with the cashier at the boxoffice,<br />
a projection room with dual film<br />
dummies for studio previews, and offices<br />
for the Salt Lake division of ABC Intermountain<br />
Theatres on the second floor.<br />
CREDITS:<br />
Architect: Henry George Greene<br />
Carpet: Barwick & Co.<br />
Contractor: John Price Construction Co.<br />
Drapes: R. L. Grosh & Sons<br />
Drink Dispensers: K-Way<br />
General Supply Dealer: Peterson Theatre<br />
Supply<br />
Ice Machine: Scotsman<br />
Lamps: Christie<br />
Lenses: Kollmorgen<br />
Plumbing: American Standard<br />
Projectors: Century<br />
Reels: Goldberg<br />
Rewinds: Neumade<br />
Screen: Technikote<br />
Seats: American Seating Co.<br />
Sound Equipment: Electro Sound<br />
H URLEY<br />
SCREEN^^CO. 26 Sarah Drive Farmingdale, N.Y. 11735<br />
PIONEEi OF ADVANCED TECHNIQUES<br />
IN MOTION PICTURE SCREENS<br />
IN USE IN THE WORLD'S LEADING THEATRES"<br />
SUPEROPTICA .<br />
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LENTICLITE 20 .<br />
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AND NOW<br />
SILVERGLO . . smooth<br />
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MADE WITH CARE AND 35 YEARS EXPERIENCE<br />
SOLD BY YOUR THEATRE SUPPLY DEALER<br />
32 The MODERN THEATRE SECTION
1<br />
The Ori^mal Butter-Flavored<br />
Popcorn Seasoning!<br />
Savoroi — pioneered and<br />
developed in Popcorn Village<br />
to give you the Best<br />
Tasting Popcorn with a rich<br />
buttery flavor and color.<br />
Savoroi — now more popular<br />
than ever. Increase<br />
your sales and your profits<br />
with the original butter<br />
flavored popcorn seasoning.<br />
Conveniently pocked:<br />
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18 one-pound rounds to a case<br />
50 pound bulk cartons<br />
25 pound bulk cartons<br />
It costs less than a penny to<br />
season 10 boxes of popcorn<br />
with Savoroi.<br />
ORDER TODAY!<br />
CALL US COLLECT FOR THE NAME OF YOUR NEAREST DEALER<br />
THE SAVOROL COMPANY<br />
Popcorn Building<br />
Nashville, Tennessee 37202<br />
(615) 383-4050<br />
BOXOmCE :: November 13, 1972 33
B^"3HriRHHi.<br />
lr«—5^0^*<br />
Free-standing Los Altos building is clearly visible in above<br />
photograph. A t top right is view of projection booth and Imperial<br />
projection system. The Imperial is a factory-assembled package<br />
unit, complete in every respect. Each unit is automated, and each<br />
contains a xenon lamphouse and comes with its own sound system.<br />
At bottom right is view of one of the two Los Altos auditoriums.<br />
LOS ALTOS TWIN<br />
New Commonwealth<br />
Unit<br />
Opens in<br />
Albuquerque<br />
Heralded by a barrage of advance<br />
publicity, the Los Altos twin theatres<br />
were officially opened in Albuquerque,<br />
N.M., on August 23.<br />
Newest showcase for Commonwealth<br />
Theatres and the first twin operation m<br />
Albuquerque, the Los Altos One and Two<br />
feature the latest in luxury appointments,<br />
refreshment services and automated projection<br />
and sound equipment. The free-standing<br />
building is pre-cast concrete faced with<br />
black volcanic rock. Located on Wyoming<br />
near Montgomery, the complex is surrounded<br />
by over 200 parking spaces.<br />
A fast-paced, well-organized campaign of<br />
opening activities was planned for the debut<br />
of the new twins, beginning with a buffet<br />
and cocktails and ending with a late night<br />
champagne party. Initial festivities began on<br />
the patio of the Hilton Inn under the brightly<br />
colored Commonwealth Cabaret canopy,<br />
so named for one of the opening films,<br />
"Cabaret." Entertainment was furnished by<br />
Max Apodaca and his German band and<br />
station KOB's Golden Girl Twins roamed<br />
the area taking candid photos. "Funny<br />
Money" was handed to each invited guest<br />
upon arrival, a plug for the other opening<br />
attraction, "Money Talks."<br />
Honored guests included Governor Bruce<br />
King of New Mexico; Harry Kinney, chairman<br />
of the Albuquerque City Council, and<br />
Commonwealth representatives from Kansas<br />
City and Dallas. Also in attendance were<br />
Miss New Mexico, Miss Albuquerque and<br />
Miss Commonwealth. A live remote was<br />
broadcast by KDEF Radio.<br />
Guests were invited to ride in the Hilton<br />
Inn's double-decker omnibus to the Los<br />
Altos theatres, accompanied by a police-escorted<br />
motorcade carrying the Governor,<br />
Kinney, Miss New Mexico and Commonwealth<br />
executives.<br />
KOB-TV cameramen were at the theatre<br />
to film the gala opening night events. KOB<br />
Radio interviewed guests inside the theatre<br />
and reporters and photographers from both<br />
the Albuquerque Journal and Albuquerque<br />
Tribune were on hand to provide full newspaper<br />
coverage.<br />
Opening night was sold out in both auditoriums,<br />
purchased by the Republic Bank<br />
and KOB Radio/ TV.<br />
Prior to the film presentations, Richard<br />
Orear, president of Commonwealth Theatres,<br />
was officially welcomed by the Governor<br />
and was presented keys to the city by<br />
Kinney. Orear and Miss New Mexico then<br />
signaled the beginning of the first Los Altos<br />
screening by pushing a special button. Identical<br />
ceremonies were held in each theatre.<br />
Behind the scene of the opening night<br />
activity was another "first" for this city,<br />
the<br />
initial U. S. installation of the Imperial system,<br />
a completely automated projection and<br />
sound unit. Exclusive distribution of the<br />
Imperial system is handled by Victor Cinematic,<br />
wholly-owned subsidiary of Commonwealth<br />
Theatres.<br />
Representing Commonwealth Theatres<br />
and the new Los Altos twin units were E. C.<br />
Rhoden, chairman of the board; Richard<br />
Orear, president; Doug J. Lightner, vicepresident<br />
and general manager, and E. C.<br />
Bomberger, vice-president and treasurer, all<br />
of Kansas City. Other company executives<br />
included Dale Stewart, division manager<br />
and board member from Dallas, and Phil<br />
Blakey, district manager based in Albuquerque.<br />
Lou Avolio is the resident city manager<br />
for Commonwealth properties in Albuquerque<br />
and Joe Abousleman, formerly at the<br />
Hiland, is the manager of the Los Altos.<br />
34 The MODERN THEATRE SECTION
h^!t^!^9^<br />
X-"*"**"*^<br />
-.^-<br />
1^<br />
^<br />
It's easy to be fooled !<br />
See our mad magician prove<br />
it at the NATO show at<br />
Bal Harbour. Nov. 18/21.<br />
Visit Booth #128.<br />
Excitement! Prizes!<br />
Do you mean to tell me the lightirffi source for this motion<br />
picture is the UCAR Projector Ca^on? The same lighting<br />
source that has survived and proliferated during the motion<br />
picture's three quarters ofa century oftechnological achievement?<br />
That it is the UCAR Carbon Arc that gives such true<br />
color reproduction, brilliance, and color balance and is made<br />
especially for people like me who demand true color fidelity?<br />
My Goodness Gracious!<br />
^^<br />
UNION<br />
CARBIDE<br />
UNION CARBIDE CORPORATION<br />
CARBON PRODUCTS DIVISION<br />
270 Park Avenue. New York. NY 10017<br />
UCAR Proieclor Carbons are available at your local Union Carbide dealer<br />
UCAR IS a registered trademark of Union Carbide Corporation
ing<br />
Projectionists Con Help<br />
Ill<br />
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C O R P O R AT I<br />
PHILADELPHIA 34-,<br />
PENNA<br />
POOR PRINT<br />
CONDITION<br />
EVERYONE'S<br />
CONCERN<br />
By WESLEY TROUT<br />
Prom time to time we receive<br />
from projectionists and exhibitors<br />
complaining about<br />
the bad condition of<br />
prints, and they are<br />
not always carefully<br />
inspected by<br />
exchanges<br />
or at points<br />
of distribution to theatres.<br />
We have, dur-<br />
'<br />
^ ^^<br />
our talks in the<br />
L^apjflk^ field, found some of<br />
vl^^^k<br />
I<br />
these complaints to be<br />
justified. We believe,<br />
however, exchanges,<br />
when not too rushed for time, do try to send<br />
their prints out in fairly good physical condition.<br />
But we do find cases where print<br />
damage was caused at the theatre by projectors<br />
not in good repair, badly worn<br />
sprockets, shoes, and excessive take-up tension<br />
on the lower reel. Also, rewinding too<br />
fast or reels in bad condition can damage<br />
film.<br />
Projectionists should remove broken or<br />
damaged perforations and make a splice instead<br />
of making a "V" in the broken perforation.<br />
A broken perforation, in many<br />
cases, will not go through the projector<br />
mechanism and usually causes the film to<br />
tear off and cause damage. Moreover, don't<br />
try to repair a splice that is not good by<br />
making a "V" in it. Projectionists should<br />
use fresh film cement and use a good mechanical<br />
splicer. Hand-made splices arc very<br />
seldom satisfactory and pull apart.<br />
Another cause of film damage is careless<br />
threading of the projector and soundhead.<br />
Be sure the film is threaded correctly—make<br />
certain the sprocket teeth engage in the perforations<br />
accurately before you start the projector.<br />
Make sure the pad rollers holding the<br />
film on the sprockets arc adjusted correctly<br />
and do not "ride" the film. The thickness of<br />
two pieces of film is the correct distance of<br />
the pad roller(s) from the face of the sprocket.<br />
There should be a snap when the bracket<br />
is lowered on the sprocket, this indicating<br />
there is sufficient tension on the bracket to<br />
hold it down snugly. Make sure rollers turn<br />
freely and do not have end-play.<br />
The MODERN THEATRE SECTION
Another source of film damage is worn<br />
lateral guide rollers. Rollers must be correctly<br />
adjusted so that film will run down to<br />
the gate and the intermittent sprocket in a<br />
straight line. If rollers do not turn freely<br />
they will develop grooves and not turn all<br />
the "time. Splices may catch in grooves and<br />
tear the splice apart and cause damage to<br />
several feet of film, before the projector can<br />
be stopped, particularly if the splice is poorly<br />
made. Worn rollers can cause picture<br />
weave. Check rollers at least once a month<br />
to make sure they are okay.<br />
The intermittent guide assembly that holds<br />
the film against the intermittent sprocket<br />
must be adjusted correctly or it can cause<br />
film damage and fail to hold the film steady.<br />
There should not be excessive tension as the<br />
purpose of a film guide is simply to hold<br />
the film against the sprocket firmly and no<br />
more. Be sure to keep the shoes clean and<br />
free of any accumulation of dirt and film<br />
particles. Use a stiff-bristle toothbrush for<br />
cleaning each day.<br />
Another cause of film damage is improper<br />
adjustment of the take-up mechanism. In<br />
older type of projectors, the ones using discs<br />
with leather between them should be frequently<br />
taken apart and thoroughly cleaned<br />
and readjusted for smooth take-up of film.<br />
It is necessary to have just enough tension to<br />
turn a reel when it is full. Excessive tension<br />
causes rapid wearing of the holdback<br />
sprocket teeth and too much strain on the<br />
I>erforations, resulting in torn out sprocket<br />
holes and pulling apart of poorly made film<br />
splices. Greatly improved take-up mechanisms<br />
in modem makes of projectors need<br />
little attention once they are properly adjusted.<br />
Take-ups are often sadly neglected<br />
and not kept clean, and this causes trouble.<br />
Never, never use a signaling device that<br />
has a roller riding the film. Such devices can<br />
prove harmful, particularly on a new print<br />
when the emulsion is most susceptible to<br />
damage. The newer types of signaling device<br />
that operate outside of the upper magazine,<br />
on the spindle, are far superior and will not,<br />
of course, damage the film. They do a better<br />
job in giving a signal when getting ready to<br />
make a changeover. The outside of the<br />
magazine-type signal device may be obtained<br />
from most local theatre supply houses at a<br />
reasonable cost.<br />
is<br />
Imprint of the sprocket teeth on the film<br />
brought about when the film runs off the<br />
sprocket, which may be caused by badly adjusted<br />
sprocket idlers, poorly made splices,<br />
sprocket holes in film not matched, loose<br />
•splices, and projector not threaded up properly.<br />
When you check film, make sure<br />
splices are "welded" and hold firmly all the<br />
way across the splice.<br />
All makes of projectors are equipped with<br />
-.tripper plates. A stripper rests on the hub<br />
of the sprocket (take-up and feed sprockets)<br />
where it does not interfere with the film. If<br />
the film should tear or come apart due to a<br />
badly made splice, it has a tendency, in most<br />
cases, to wrap itself around the sprocket.<br />
The function of the stripper is to prevent<br />
this, forcing the film off, and keeping the<br />
film from being damaged. If the film should<br />
Continued on following page<br />
For ALL YOUR THEA TRE NEEDS<br />
SEE YOUR<br />
gff^<br />
THEA TRE EQUIPMENT DEALER ^F<br />
He has the ability,<br />
the experience, the<br />
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Made by the specialist<br />
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machine work —<br />
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equipment where finest workmanship.*'<br />
extreme accuracy, is vital. Specify<br />
LaVezzi parts — always. It pays.<br />
7^<br />
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BOXOFnCE :: November 13, 1972 37
'<br />
'<br />
'<br />
CREKXS DIPLOMAT may be<br />
the gieatest way ever<br />
thought of to make<br />
$60 an hour.<br />
Nobody ever made<br />
anybody unhappy by<br />
handing them a 15C<br />
bag of dehcious,<br />
hot popcorn.<br />
Cretors Diplomat with a 20-oz. all-steel kettle<br />
pops 400 bags every hour. Multiply that by 15
We too often find, in our field treks,<br />
"green operators" given very little training<br />
in the handling of equipment and care of<br />
film. This results in a poorly presented program,<br />
damage to film and improper handling<br />
of the lamps and projectors and improper<br />
operation of the sound equipment.<br />
Every theatre should set up a training program<br />
before a novice is put in charge of<br />
equipment costing many thousands of dollars.<br />
We know, of course, not every situation<br />
can employ a projectionist with long<br />
experience, but some qualified projectionist<br />
should be available to train a novice before<br />
he is turned loose in a projection room to<br />
operate. Projectionists—novice or an experienced<br />
man—should be supplied with a<br />
manual on sound and projection to help him<br />
gain knowledge. Your patrons expect good<br />
screen presentation and clear, crisp sound<br />
reproduction. Why not try to give it to<br />
them?<br />
Now let's get back to some of the causes<br />
of film damage. At least 90 per cent of film<br />
damage is done in the projection room by<br />
untrained projectionists and worn projection<br />
equipment, and equipment that is not kept<br />
Iffoperly adjusted. Careless handling of the<br />
film is another cause, of course, as is rewinding<br />
the film too fast with not enough<br />
tension on the dummy end of the rewinder<br />
so that film will be tight on the reel instead<br />
of loose. Projectionists who do not give<br />
enough attention to inspecting and remaking<br />
splices that are in bad condition, or who use<br />
exchange reels that are bent and otherwise<br />
in poor condition, contribute to film damage.<br />
There should always be on hand a sufficient<br />
number of good house reels for use in<br />
the upper and lower take-up magazines.<br />
Rewind elements should be kept in perfect<br />
alignment so that film will travel in a<br />
straight line from the dummy element to the<br />
rewind element. Film should never be "pulled<br />
down" in order to get it tight on the reel,<br />
nor should it be held back and pulled, as this<br />
will cause long scratches. Another source of<br />
scratches is magazine trap rollers that do not<br />
turn or are badly worn and have flat places.<br />
Do not let dirt or scraps of film collect in<br />
the magazine rollers. Clean trap rollers by<br />
using a short piece of film and pulling it up<br />
and down through the rollers. This will pull<br />
out scraps of film and dirt accumulations.<br />
We find that the greatest culprits of film<br />
damage are dirty and worn film trap rollers,<br />
excessive take-up tension on the lower reel,<br />
badly worn sprockets and worn lateral guide<br />
rollers. The film path should be kept clean<br />
and worn part replaced when needed.<br />
Since the advent of automation, we are<br />
happy to see more projectionists taking interest<br />
in checking their film for bad splices<br />
and nicked perforations. They know, in<br />
order for automation to work 100 per cent,<br />
the film must be in good running condition<br />
or there will be trouble and unnecessary<br />
stops, and this would not be in a first-class<br />
theatre. Properly inspected film will run day<br />
in and day out without any trouble, if the<br />
equipment is in good repair. The picture<br />
should be presented without annoying stops<br />
and with good light, good focus and perfect<br />
changeovers.<br />
Continued on following page<br />
What Have You Got<br />
To Have That WE<br />
Haven't Got To<br />
GIVE...?<br />
Ste us in<br />
Booth 69<br />
NATO<br />
Convention<br />
REGISTERS<br />
Completely Adaptable. Available in either<br />
MG or ST style equipment. Two case sizes<br />
accommodate 1 to 3 or 3 to 5 units.<br />
Silent. Drive power inside case for quiet,<br />
smooth ticket issuing.<br />
Easily Installed. Smooth case, free of outside<br />
obstructions provides ease of<br />
installation.<br />
Sen/ice-Free Case. Case body free of moving<br />
parts, allowing permanent installation.<br />
Complete Unit Service. Ticket issuing unit<br />
and power assembly can be returned as<br />
one. for economical service.<br />
For complete information<br />
Write or see your Equipment Dealer<br />
CONSOLIDATED TICKET REGISTER CORP.<br />
1784 Coney Island Avenue / Phone: 212-375-1845<br />
Brooklyn, N.Y. 11230<br />
Whaf do you want in an optical sound system?<br />
, . . . Professional qualify? High reliability?<br />
.... Ease of operation? .... Ease of maintenance?<br />
If you Insist on all of these features, there's only one system<br />
precisely tailored to fit your requirements at a competitive price.<br />
That's the<br />
ELECTRO SOUND MODEL 70<br />
Here is an optical sound system designed for the theatre of the<br />
I970's. It is the only optical system which provides studio quality<br />
sound reproduction, and does it within the reach of any budget.<br />
So when you think sound, think<br />
ELECTRO SOUND<br />
Visit us in<br />
Booths No. 110-111<br />
NATO Convention<br />
Nov. 18-21<br />
£))<br />
725 KIFER ROAD/SUNNYVALE, CALIFORNIA 94086/TELEPHONE (408) 245-6600<br />
A SUBSIDIARY OF VIEWLEX, INC.<br />
BOXOFTlCE :: November 13, 1972 39
POOR PRINT CONDITION<br />
Continued from preceding<br />
page<br />
treks in the field. This is false economy and<br />
is not good business.<br />
Protective Leader<br />
BEVELITE<br />
Toll Free Number:<br />
(800)421-1256<br />
In California, Call Collect.<br />
(213)321-5641<br />
Stak-Eze, Bevelite's Flat Letter. Beveletter,<br />
our Formed Letter. Both styles<br />
In sizes 4" to 31". Track or complete<br />
background support for letters.<br />
BEVELITE<br />
Manufacturing Co.<br />
17819 So. Figueroa St.<br />
Gardena, Calif. 90248<br />
Phone: (213) 321-5641<br />
There are many dedicated men in projection<br />
rooms who take a great interest in<br />
their chosen profession and really want to<br />
do a good job in taking care of their equipment<br />
and want to present a picture that you<br />
enjoy seeing. They take time out to study<br />
all the technical data they can obtain and<br />
find out the correct procedure on how to<br />
make repairs, and they do take an interest<br />
in inspecting their films so they will not be<br />
damaged unnecessarily. By keeping equipment<br />
clean and making repairs when needed,<br />
a smooth running show is presented and<br />
this brings the customers back to enjoy good<br />
screen presentation and good sound reproduction.<br />
We are happy to note, too, that more<br />
exhibitors are taking an interest in projection<br />
and sound and try to work with<br />
their projectionists to give them the cooperation<br />
they should have. Of course, now<br />
and then, we find many exhibitors know<br />
little or nothing about what goes on in their<br />
projection room and don't want to put out<br />
any money for parts or repairs as long as<br />
the projectors still run. and they wait until<br />
something breaks down and then<br />
make repairs,<br />
which can cost more in the long run.<br />
It can often cause a complete shutdown of<br />
the theatre for several hours or a day or<br />
two. Believe me, we have seen this in our<br />
In order to keep the film path cleaner,<br />
many film companies have added a leader<br />
to their prints. It is known as a "protecta<br />
print" and is 30 feet in length. Added to<br />
this, or part of the 30 feet, is five feet of<br />
a green burnishing cleaning film. This leader<br />
will clean the aperture plate and rollers and<br />
pick up the dirt and dust on the end of each<br />
reel. This is supposed to improve the life<br />
of film by around 25 jjer cent. Now, if the<br />
projectionist will also cooperate by keeping<br />
the sprocket teeth clean and avoiding excessive<br />
tension on film at the gate and take-up,<br />
it certainly will improve projection and<br />
avoid unnecessary damage to prints. Moreover,<br />
good house reels should be used and<br />
the reels taken care of and placed in the<br />
film cabinet when not in use. Be careful to<br />
not drop a reel, as this treatment generally<br />
damages a reel beyond future use.<br />
Now let's talk about film splicing. Splicing<br />
of film is of paramount importance<br />
because the variety of damage caused by<br />
poorly made splicing is a source of mors<br />
trouble than most any other factor. For an<br />
example, a poorly made splice that tears<br />
loose at one side only and lets the edge<br />
catch on a sprocket or guide roller,<br />
ripping<br />
the film apart, in some cases ripping the<br />
film down several feet before coming to a<br />
stop. This does, you will agree, cause the<br />
loss of several feet of film and the projec-<br />
C&Actafit = ——<br />
[LDITSm\ow projection<br />
SYSTEMS WILL SOON BE HERE.<br />
We were not about to put our 55 years of experience and superior technical know-how<br />
in jeopardy and throw it all away on look-alikes. Not Ashcraft. We dodged the usuaf<br />
and made sure our xenon systems are different—AND BETTER!<br />
Our XE-LITE xenon lamphouses will hove a rotating bulb device to increase useful bulb<br />
life ... a built-in, fool-proof optical aligning system that requires less than ten minutes<br />
to put the reflector, xenon bulb, aperture plate, and projection lens on a perfect optical<br />
axis. These are just TWO ASHCRAFT EXCLUSIVES the competitors DON'T HAVE! And, there<br />
are many more you will soon know about, including a new line of power supply systems<br />
wearing the ASHCRAFT badge of DEPENDABILITY!<br />
Visit our booth No. 93 at the<br />
NATO-TEA-NAC Convention in<br />
Bal Harbour, Florida, Nov. 18-21<br />
... end SEE XE-LITE!!<br />
If you've never been convinced that a xenon projection system could be developed to<br />
overcome the problems common to the present crop of xenon lamphouses, then just you<br />
be patient a bit longer!<br />
C S. Ashcraft Mfg. Co., Inc.<br />
^^<br />
36-32 38th Street<br />
Long Island City, N.Y. 11101<br />
40 Th« MODERN THEATRE SECTION
; at<br />
'<br />
end<br />
tor has to be stopped until it is rethreaded<br />
again, etc. This could be avoided if the<br />
splice was carefully made, using a good<br />
mechanical splicer and good film cement.<br />
When making a film splice, there are<br />
three important factors to be kept in mind,<br />
namely: use a good well-known brand of<br />
film cement, thoroughly clean the splice<br />
before applying cement, and use a good<br />
film splicer. Next, only one swipe of the<br />
brush with cement is generally enough for<br />
any film splice — too little or too much<br />
cement makes either a soft or hard splic;.<br />
A hard splice may cause film to jump the<br />
sprocket and cause damage. Use either a<br />
single-edge razor blade or the scraper that<br />
comes with the splicer. Clean all the emulsion<br />
off thoroughly, but remember, film is<br />
only about 1/1000 of an inch thick! Just<br />
remove the emulsion—too much scraping,<br />
of course, can make a weak splice that can<br />
easily tear apart.<br />
Clean the mechanical film splicer when<br />
finished so there will not be an accumulation<br />
of film cement. Make sure the blade<br />
1 that cuts the film is adjusted correctly so<br />
I<br />
that it cuts straight. Also make sure the<br />
splicer is perfectly set so the jjerforations<br />
will be matched. Once set correctly the<br />
splicer will need no further attention except<br />
for occasional cleaning. All leading theatre<br />
supply dealers sell mechanical splicers.<br />
In making splices, film ends should be cut<br />
the right place and cut square. The stub<br />
must be exactly the right length; if it is<br />
too short it will be weak and if it is too long<br />
it will be stiff. Scrape the emulsion from<br />
the stub end exactly to the center of the<br />
frame line. Scraping must be straight across<br />
the<br />
line.<br />
Scrape Celluloid Side of Film<br />
We also recommend the<br />
rear or celluloid<br />
side of the film be scraped very slightly to<br />
remove any dirt and oil, and roughen this<br />
side a little. Wipe clean with a clean rag.<br />
This all takes a little more time but you<br />
will be rewarded by having a splice that will<br />
hold and will not pull apart.<br />
Take good care of film in the projection<br />
room. We strongly recommend that all film<br />
not running through the projector should be<br />
kept stored away in the film cabinets and<br />
not set on the floor or left in the projector<br />
overnight. This will help to prevent dust<br />
settling on the reel. Do not let a piece of<br />
leader stick out of the film cabinet. Always<br />
keep a supply of extra leader in case you<br />
need to have some to add to one that is too<br />
short for run down in<br />
projector.<br />
Film should never be rewound too fast<br />
by hand or in an electric rewind. Now, if the<br />
rewinding speed is high, the reels not in<br />
good condition or the rewinder elements not<br />
in line, particularly with hand rewinders, the<br />
film will suffer damage, of course. When<br />
reels are out of alignment the edge of the<br />
film will rub against the reel sides with<br />
sufficient force to damage the sides of the<br />
film and sometimes cause damage to the<br />
soundtrack. Electric rewinds are generally<br />
equipped with an automatic cut-off switch<br />
Continued on following page<br />
See OS in Booth 127<br />
at NATO Convention<br />
Important Exclusive<br />
Features Make<br />
Marquees by Adier<br />
YOUR BEST CHOICE<br />
— ">r<br />
so that the motor will stop and prevent ex-<br />
New PRONTO flat silkscreened<br />
Letter: automatically<br />
self-spacing, requiring<br />
minimum storage<br />
space.<br />
3-Diin»nsional SNAP-LOK<br />
Letter: interchangeable in<br />
sizes from 8" to 31" on<br />
the same background.<br />
ADLERITE Backgrounds: hi-impact material resists<br />
storm and vandalism damage.<br />
/:<br />
ADLER SILHOUETTE LETTER CO.<br />
PRODUCTS<br />
8108 CAPITOLA AVENUE<br />
FAIR OAKS, CALIF. 95628<br />
11843 West Olympic Blvd.<br />
Los Angeles, Calif. 90064<br />
CARBON<br />
SAVERS<br />
Contact Your<br />
Theatrical<br />
Supply House<br />
INCREASE YOUR PROFITS WITHOUT INCREASING YOUR PRICES!<br />
Now you can Increase your earnings without raising prices a single penny.<br />
Just sell or rent the Sound Master — a receiver specially designed for drive-in theatre use. The<br />
Sound Master enables movie soundtracks to be enjoyed through stereo speakers — like<br />
they were made to be heard.<br />
The Sound Master is simple to use too. Merely Insert the Sound Master into any standard<br />
8-track tape player and clip the connecting wire to your drive-in speaker<br />
cable. The movie's soundtrack is induced through the car stereo speakers. The<br />
clip requires no electrical connections, easily connects and disconnects and will<br />
not damage the speaker cable in any way.<br />
The Sound Master is so unique that it'll sell or rent itself. Everybody who patronizes<br />
your drive-in theatre and owns a tape player is a potential customer.<br />
To help promote sales of the Sound Master, on orders of 12 or more a 30<br />
second film strip will be furnished, along with an illuminated sign for concession<br />
display.<br />
Now you can get in on the terrific profits earned from the Sound Master. On<br />
your first order of three or more Sound Masters, you get the special dozen<br />
lot price — only S12.00 per unit. Suggested retail selling price of $19.95<br />
each and suggested rental price of S .50 per evening make you a substantial<br />
profit. A complete rental kit is available to make renting procedure simple.<br />
Don't wait any longer!<br />
Order your Sound Masters<br />
today, and start making the<br />
extra profits that Sound Master<br />
to offer. has<br />
(|ound^aster<br />
BOXOmCE :: November 13, 1972 41
*^
'<br />
4,600<br />
I<br />
OOOOOOOOQOOOQQOBBOngg OOBBBflBg;<br />
NEW<br />
EQUIPMENT<br />
==== and ==<br />
DEVELOPMENTS<br />
International Audio Visual Adds 16/35<br />
Projector to Its Line of Equipment<br />
International Audio Visual, Inc., has<br />
added the International 16/ 35mm projector<br />
to its line of audio visual equipment,<br />
according to Bob Gaskins, vice-president.<br />
Rocking Chair Comfort<br />
Massey answers your<br />
seating problems with its<br />
big, luxurious oversized<br />
Astro-Rocker featuring<br />
three foam-pillar back<br />
supports and full depth<br />
foam cushion seat and<br />
back. Cradle your deepseated<br />
worries away with<br />
the new Massey Astro-<br />
Rocker. Your customers<br />
will love you. Also available,<br />
stationary<br />
Astro- Lounger.<br />
You're always sitting pretty with<br />
RQasseu<br />
aeaiing co<br />
NASHVILLC. TENNESSEE 37208<br />
The 16/35 projector is a professional,<br />
high precision unit, designed to convert<br />
easily from 16mm to 35 mm film. The<br />
conversion takes less than five minutes<br />
and involves just five steps: 1) changing<br />
the gate, 2) substituting spindles, 3) rei<br />
setting mode switches, 4) changing lens,<br />
!<br />
5) alternate threading. The film reels carry<br />
feet of 35mm color film, and 5,000<br />
•<br />
feet of 16mm film. An automatic changeover<br />
mechanism is built into the projector.<br />
The International 16/35 projector has a<br />
2,000-watt xenon lamp that gives maximum<br />
brightness for film projection. Intermittent<br />
sprockets move both 16mm and<br />
35mm film.<br />
The 16/ 35mm projector is said to be<br />
ideal for use in small theatres, university<br />
and civic auditoriums, convention halls,<br />
company meeting rooms and any other<br />
large assembly room where films are shown.<br />
The 16/ 35mm projector is a highly versatile<br />
unit for professional and commercial use.<br />
New Scroll Design Is Adapted to Keyes<br />
Line of Chinet Food Service Products<br />
Keyes Fibre Co., maker of Chinet disposable<br />
tableware, has introduced a new Scroll<br />
design to its special print line of products<br />
for use in all types of food service operations.<br />
The design has been adapted to<br />
Continued on following page<br />
a D&D screen<br />
makes the<br />
best<br />
showing<br />
V<br />
D&D not only makes the<br />
best showing with its<br />
superior facing (STEEL<br />
SHEETS FULL LENGTH OF<br />
YOUR PICTURE) but<br />
For more information, write to:<br />
GENE TAYLOR<br />
in all of our services. Like<br />
10 days or less<br />
to replace your screen,<br />
exclusive designs by<br />
registered steel engineers.<br />
When it comes to<br />
drive-in theatre screens<br />
we really make a showing.<br />
nJ? n THEATRE SCREENS, INC. P.O. Box 4042<br />
UOLU Overland Park, Kansas 66204 (913) 649-7116<br />
BOXomCE :: November 13, 1972 43
NEW EQUIPMENT AND DEVELOPMENTS<br />
Continued from preceding<br />
page<br />
Chinet dinner, luncheon, and compartment<br />
plates; platters; bowls; dessert and accessory<br />
dishes.<br />
The Scroll motif was selected from dozens<br />
of designs for its attractive and classical<br />
look that enhances the appearance of food.<br />
It is available in stock colors of green on<br />
green and can be ordered in any personal<br />
preference two-color combination without<br />
additional cost when ordered in minimum<br />
quantities.<br />
Chinet is the quality line of disposable<br />
tableware that is known for its strength and<br />
finish that is plasticized for use with either<br />
hot or cold foods. Chinet is completely biodegradable<br />
as are all the many hundreds of<br />
products manufactured by Keyes Fibre.<br />
Sweden Pressurizer Designed for Use<br />
In Carbonated Beverage Dispensing<br />
A leaking CO^ cylinder can often be a<br />
big headache to the concession operator. It<br />
is not just the cost (although a 20-pound<br />
bottle of C02 does cost about $7.00) but<br />
the inconvenience. It always seems that you<br />
are down when you are the busiest.<br />
Sweden Freezer has introduced a "Pressurizer"<br />
Model 5-26 that is designed for<br />
medium volume controlled air supply system.<br />
It can be used with carbonated beverage<br />
dispensing equipment or beer dispensers.<br />
Use of the 5-26 also reduces foaming and<br />
Sweden claims the device can actually pay<br />
for itself by reducing CO^ losses caused by<br />
re-opening syrup tanks for refilling.<br />
Xenon Igniter and Xenon Conversion<br />
Available From Lombardo Electric<br />
Lombardo Electric Co. of Hollywood has<br />
announced the introduction of its new xenon<br />
igniter which is said to permit efficient, surefire<br />
ignition of xenon lamps. The system is<br />
available in three sizes: 3,000-5,000 watts;<br />
1,600-2,500 watts and 500-1,000 watts.<br />
Lombardo also announced that work is<br />
currently being completed on a conversion<br />
system allowing theatres to convert their<br />
equipment from arc to xenon. This conversion<br />
will become available in the very near<br />
future.<br />
According to<br />
information supplied by the<br />
firm, satisfaction is guaranteed on all products<br />
and Lombardo also guarantees its<br />
products to perform as well as more expensive<br />
systems.<br />
Insulated Bags from Brown Paper Goods<br />
Eliminate Any Possibility of Sogginess<br />
Brown Paper Goods Co., Libertyville, II<br />
has announced the availability of STA HOT<br />
insulated bags. BPG refers to this new baa<br />
as "the 'hot' bag that breathes." It keeps hoi<br />
dogs, hamburgers, french fries and other<br />
foods hot and fresh,<br />
but eliminates any possibility<br />
of sogginess which is typical of foil<br />
bags.<br />
STA HOT bags are made with a special<br />
heat retention formula and the while<br />
areas in the checkerboard design actuall><br />
Over the years, Selby<br />
screen tovs^ers have weathered<br />
some horrible things.<br />
Selby builds every screen tower<br />
to withstand high winds, driving<br />
rains, snowstorms, lightning and the<br />
Frankenstein monster. Over 600 Selby<br />
screen towers are in service today in<br />
drive-ins throughout the U.S., Canada,<br />
Puerto Rico, Jamaica and Venezuela.<br />
All of Selby's screens are engineered,<br />
fabricated and constructed to<br />
meet AISC and ACI code standards.<br />
If your plans call for a new screen<br />
tower, call for a Selby screen tower<br />
specialist. He could save you from<br />
making some horrible mistakes.<br />
'e^v<br />
Industries, Inc.v^<br />
3920 Congress Parkway<br />
Richfield, Ohio 44286<br />
216-659-6631<br />
(On 24-hour call)<br />
44 The MODERN THEATHE SECTION
i<br />
The<br />
!<br />
i Drive-in<br />
1 heard<br />
;<br />
with<br />
:<br />
cially<br />
cable. The sound is then induced through<br />
'<br />
breathe. Heat retention is 87 per cent that<br />
making doors in the self service of soft ice<br />
B ' of foil. Cost is considerably less than that of the stereo speakers. The Sound Master<br />
foil bags. The checkerboard design is standard,<br />
works by induction—not by a car battery<br />
but customer-imprinted bags are or electrical connection. The easy connect/<br />
available.<br />
disconnect clip will not damage the speaker<br />
Free samples, prices and complete information<br />
cable even when forgotten to be removed<br />
may be obtained.<br />
when the car starts to pull away.<br />
A Sound Master filmstrip and illuminated<br />
Specially Designed Receiver Induces<br />
concession sign will be supplied on orders of<br />
Airer Sound Through Stereo Speakers 12 or more to help promote sales. Dozen lot<br />
theatre soundtracks can now be price is $12.00 per unit, with suggested retail<br />
selling price SI 9.95 each and suggested<br />
and enjoyed through stereo speakers<br />
the use of a Sound Master from rental price $.50 per evening. A complete<br />
Ale,xco Mfg. Co., Oklahoma City. The sperental<br />
kit is available to make renting operations<br />
designed Sound Master receiver induces<br />
the easiest possible.<br />
the sound through stereo speakers The Sound Master can also be used in<br />
without any electrical connections required. conjunction with a car radio, transistor<br />
Sk>und Master works by inserting it radio and telephone hookup.<br />
into any standard 8-track tape player and<br />
clipping the connecting wire to the speaker<br />
Sweden's Self-Service SoftServer<br />
Features Simplicity of Operation<br />
Self-service soft-serve is easy with Sweden<br />
Freezer's new counter model SoftServer.<br />
The Sweden Counter Model 1-270 Soft-<br />
Server which was introduced a few months<br />
ago has opened some money-saving, profit-<br />
cream.<br />
The new push type handle is so simple<br />
to operate anyone can use it, and even the<br />
most inexperienced can serve themselves.<br />
A simple push-type dispensing gate automatically<br />
starts dasher motor and dispenses<br />
soft-serve, sherbet or other frozen desserts<br />
of smooth texture and uniform consistency.<br />
NEW<br />
A COMPACT COIN COUNTER<br />
AND PACKAGER<br />
n<br />
NADEX QUICKCOUNT<br />
With Instont Count Verifier<br />
only $29.95<br />
COUNT AND WRAP COINS<br />
WITH SPEED, EASE, ACCURACY<br />
INQUIRE ABOUT FREE TRIAL OFFER<br />
NADEX Industries Inc.<br />
Dept. 1414, 220 Delawore<br />
Buffalo, N. Y. 14202<br />
For more information about products<br />
described in this issue use Readers' Service<br />
Bureau coupon on page 61.<br />
Leaders in Changeable Plastic Letters<br />
^ian J-^roducts^<br />
1319 W. 12th Place-Los Angeles, Calif. 90015<br />
Phone (213) 747-6546<br />
SIZES: 6", 8", 10", 17", 24"<br />
COLORS: RED, BLACK, GREEN, BLUE<br />
CLIPPED FOR STANDARD 7" O.C. TRACK<br />
ALL STAINLESS STEEL CLIPS<br />
FREIGHT ALLOWANCE<br />
Samples on<br />
Request<br />
Eost Coast Distributor—CROWN MOTION PICTURE SUPPLY CO., Phone (212) 635-2564<br />
.CARBONS, Inc. 10 Saddle Road, Cedar Knolls, N. J. 07927.<br />
Systems<br />
5s^srs;s<br />
Xenon Lighting<br />
See your<br />
Theatre<br />
Equipment<br />
Dealer<br />
for details<br />
Jlo^i^iaUte Qcu^Lo^h4><br />
^mmm<br />
COMPLETE<br />
LINE OF<br />
^°[J^ini-Mult<br />
',22l2l!^-ln Theau res<br />
EQUIPMENT<br />
BOXOFHCE :: November 13, 1972 45
NOW .<br />
. . YOU CAN STAY OPEN ALL YEAR<br />
WITH<br />
THERMOLATOR<br />
INKAR HEATERS!<br />
Total car comfort<br />
500 and 750<br />
watt models<br />
U/L Approved tor<br />
"Permanent" or<br />
"Hand Ouf<br />
Installations<br />
Rugged Construction<br />
Guaranteed Safe<br />
Keeps windshield<br />
dry and clear<br />
Write for<br />
illustrated<br />
brochure<br />
Thermolator Inkar Heaters have more<br />
practical dollars-and-cents value for your<br />
drive-in theatre than any other comparable<br />
heater on the market! They pay for<br />
themselves from your increased profits.<br />
THERMOLATOR CORP.<br />
1628 Victory Boulevard. Glendale 1, California<br />
TO-GET-THE<br />
BEST RESULTS<br />
USE THE BEST<br />
FILM<br />
CEMENT<br />
ETHYLOID<br />
Ayailable at All Theatrt Supply Dtaltn<br />
Fisher Manufacturing Co.<br />
lias M». RMd Blvd.<br />
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UJJk.<br />
Cashier Is<br />
Opening<br />
Linic to Courtesy<br />
By ALLEN M. WIDEM<br />
The CAsmER, on the front-line of<br />
direct patron contact, is the opening link<br />
to a 1972 theatre's continuing campaign of<br />
courtesy, no small matter of importance to<br />
exhibition's image, in the studied opinion of<br />
Don Baker, vice-president for advertising<br />
and promotion for Loews Theatres.<br />
In a management-level communique, entitled<br />
simply, "What Is a Cashier," Baker<br />
recalls that the other day he happened to<br />
call a major corporation and the switchboard<br />
operator, after asking whom he wished<br />
to speak to, said, "One moment please,<br />
have a nice day!"<br />
"I was so struck with her response," he<br />
said, "that I hung up immediately and called<br />
the company back to see what would happen<br />
when 1 reached another operator."<br />
The second operator, too, also answered<br />
courteously, appending the words, "Have a<br />
nice day!"<br />
Baker mused: "You know what? I did<br />
have a nice day."<br />
He said that with such personality radiating<br />
through a mere telephone, he wanted to<br />
do business with that corporation.<br />
Just what is a cashier?<br />
Baker remarks: "She's a company image<br />
for good or for bad. The telephone can be<br />
a deadly instrument or an instrument of<br />
infinite good. The cashier who answers the<br />
telephone with, 'Good afternoon, Loews<br />
Theatre' and concludes the conversation with<br />
'Thank you for calling Loews' gives our<br />
company a good image."<br />
Courtesy shapes personalities, too. That<br />
cashier will probably enjoy her day, because<br />
the courtesy she generates becomes contagious<br />
to<br />
What is<br />
those around her.<br />
a cashier?<br />
"She's the recipient of endless abuse,"<br />
Baker admits. "The man who read the time<br />
schedule in the newspaper incorrectly will<br />
shout his annoyance at her. The lady who<br />
had to wait in a long line will think she's<br />
too slow.<br />
"The abuse is endless, but a good cashier<br />
smiles through it all and kills complaints<br />
with kindness. What man can stand up to<br />
a cashier who says, 'Oh, I'm terribly sorry<br />
the time schedule was incorrect. I'll tell the<br />
manager at once. I only wish I could undo<br />
the wrong. I'm truly sorry for the inconvenence<br />
it caused you.'<br />
Baker, who came up through the managerial<br />
ranks with "Loews Theatres Everywhere,"<br />
concedes that the individual lodging<br />
a complaint is generally looking for an<br />
argument.<br />
"He's probably already rehearsed his in<br />
his mind, and when he is faced with a<br />
cashier who refuses to argue and heaps<br />
sympathy upon him, the argument fades."<br />
Baker advises Loews personnel and others<br />
in the field: "Try it, it works every time,<br />
and, remember, they're not generally mad<br />
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46 The MODERN THEATRE SECTION
at you as a person, but the company you<br />
represent. The cashier just happens to be the<br />
first person with whom tiiey come in<br />
contact."<br />
What is a cashier?<br />
"She's the direction-giver, and the sympathizer.<br />
What she's not is a secretary. She<br />
answers questions about feature times, prices<br />
and who's in the film, but refers all other<br />
calls to the manager's office. It's tough<br />
enough being a cashier without being a secretary,<br />
too."<br />
What is<br />
a cashier?<br />
"She's a sidewalk superintendent. She<br />
notifies the manager when the sidewalk is<br />
not tidy or when the posters are not neatly<br />
placed in the display frames or when bulbs<br />
are burned out in the marquee."<br />
What is a cashier?<br />
"She's a sign-changer. She checks her<br />
price signs and perhaps prepares new ones<br />
when pictures change."<br />
What is a cashier?<br />
"She's a reporter. She keeps the manager<br />
informed of conversations she hears about<br />
whether the patrons like or don't like the<br />
picture. She reports complaints about the<br />
auditorium being too hot or too cold, or that<br />
the restrooms need attention.<br />
"She tells the manager about complaints<br />
of prices, parking conditions and hundreds<br />
of other little items that collectively help the<br />
manager operate a better theatre—because<br />
he is informed."<br />
Finally, what is a cashier?<br />
"She's many, many things, but, most important<br />
of all, she's the theatre's personality.<br />
Remember, you never get a second chance<br />
to make a good first impression!"<br />
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and is located in the Palmetto Plaza<br />
Shopping Center. Its dimensions are<br />
148 feet long by 50 feet wide. Since metal<br />
buildings can be built interior-column free,<br />
utilizing a clear-span system, they lend<br />
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BOXOmCE :: November 13, 1972 47
Special Ceremonies Are Held<br />
SMPTE Board of Governors Presents<br />
Fellow Member Awards at<br />
The Board of Governors of the<br />
Society of Motion Picture and Television<br />
Engineers, upon the recommendation of the<br />
Fellow Membership Award Committee,<br />
under the chairmanship of Deane R. White,<br />
E. I. du Pont de Nemours, Inc., has conferred<br />
the distinguished grade of Fellow<br />
Member upon the following individuals.<br />
Conference<br />
The Fellow Awards were presented by<br />
SMPTE president Wilton R. Holm at special<br />
ceremonies on Monday, October 23, beginning<br />
the Society's 1 1 2th Technical Conference<br />
and Equipment Exhibit at the Century<br />
Plaza Hotel in Los Angeles.<br />
A Fellow of the Society is one who is no<br />
less than 30 years of age and who has, by his<br />
proficiency and contributions, attained an<br />
outstanding rank among engineers or executives<br />
of the motion picture, television or related<br />
industries. Those upon whom this honor<br />
has been conferred are:<br />
Hugo A. Bondy, chief engineer, WAGA-<br />
FAST SERVICE!<br />
TV, Atlanta, was educated at Pace Institute,<br />
Columbia University and Capitol Radio Engineering<br />
Institute. He served as senior field<br />
engineer in North Africa and Italy during<br />
World War II and has been with Storer<br />
Broadcasting Co. since 1951, where he has<br />
done distinguished work in the design, construction<br />
and installation of complete audio,<br />
video distribution amplifiers and switchers,<br />
projection/ VTR control systems and VTR<br />
slaving and dubbing facilities. Bondy was<br />
Program Chairman of the 1970 Winter TV<br />
Conference in Atlanta and has long been active<br />
in the management of the Atlanta Section.<br />
He has achieved general recognition<br />
in the broadcasting industry for progressive<br />
leadership in station engineering.<br />
Frank L. Flemming, vice-president, engineering,<br />
NBC Television Network, was<br />
graduated in electrical engineering from the<br />
University of Buffalo. Moving from Sylvania<br />
to CBS in 1954 he became director,<br />
plant systems engineering and was responsible<br />
for engineering of many new TV equipments<br />
and systems. He was chief engineer,<br />
Visual Electronics Corp., from 1967-1969.<br />
At NBC he has responsibility for design,<br />
specification, installation and costs of technical<br />
equipments and systems plus architectural<br />
design for NBC Television Network<br />
and NBC Radio Network. Because of his<br />
stature and the important and responsible<br />
position now held by Flemming at NBC, he<br />
brought to bear a significant influence in<br />
the broadcasting engineering field.<br />
Vernon G. Frith, president, Hollywood<br />
Valley Film Laboratory and vice-president<br />
and director, Dymat International Corp.,<br />
founded the Hollywood Valley Film Laboratory<br />
in 1952. The laboratory specialized<br />
in the use of 8mm and he was one of the<br />
first to use Eastman color small format film.<br />
Frith built and used reduction and blow-up<br />
printers for 8mm, adapted many other<br />
pieces of laboratory equipment, and developed<br />
economical techniques for the processing<br />
of 8mm black-and-white and color films.<br />
He has been an active participant in many<br />
of the courses sponsored by the Society at<br />
the University of Southern California and in<br />
1971 was a delegate to the International<br />
Standards Organization in London.<br />
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Calvin M. Hotchkiss, coordinator, engineering<br />
services, for the Eastman Kodak<br />
Company's MP&EM Div., New York, graduated<br />
from Princeton in 1943 and obtained<br />
his M.A. from the University of Rochester<br />
in 1949. As engineering service representative<br />
for Eastman Kodak 1950 to 1971, he<br />
directly assisted many motion picture laboratories<br />
and television stations on the East<br />
coast in setting up black-and-white and color<br />
motion-picture processes. With Walter I.<br />
Kisncr, he was active in setting up the<br />
Tutorial Papers Sub-Committee to encourage<br />
the preparation and publication of tutorial<br />
papers in the Journal. Hotchkiss has been<br />
active in the management of the New York<br />
Section and has held a number of committee<br />
positions at SMPTE technical conferences<br />
in New York, including that of program<br />
chairman for the II 1th Conference.<br />
R. A. Isberg, consulting communications<br />
engineer, received his degree in Physical<br />
48 The MODERN THEATRE SECTION
j<br />
j<br />
Science from the University of Northern<br />
Colorado. Positions Isberg has held during<br />
his distinguished career include chief engineer.<br />
KRON-TV KRON-FM San Francisco:<br />
^enior engineer in professional products divivion,<br />
Ampex Corporation; chief engineer,<br />
television office. University of California at<br />
Berkeley; and director. Bay Area Radio<br />
Telephone Service, Inc. His present consulting<br />
activity specializes in communications<br />
systems programs and specifications for<br />
medical, educational and business buildings.<br />
also FCC and PUC matters. Isberg has been<br />
active for many years in the management of<br />
the San Francisco Section and at the 1971<br />
Winter TV Conference in San Francisco.<br />
He has contributed many papers to professional<br />
journals and is a Fellow of the IEEE<br />
and the AES.<br />
Claude L. M. Mercier, assistant to the<br />
director of engineering.<br />
Office de Radiodiffusion-Television<br />
Francaise, received his education<br />
at the Ecole Polytechnique, Paris.<br />
In 1956 he became director of operational<br />
services and since 1964 has been director of<br />
equipment and operational services. In these<br />
capacities, Mercier has organized the equipment<br />
and operation of the ORTF Television<br />
Services (live productions, recording and<br />
transmissional) over the past 15 years. Mercier<br />
was a member of the French Delegation<br />
at the International Telecommunication<br />
Union's conferences at Atlantic City, 1947<br />
and Stockholm, 1952. He has been a member<br />
of the Technical Committee of the European<br />
Broadcasting Union since 1952, vicechairman<br />
since 1957 and chairman since<br />
1971. He contributed a paper to the February<br />
1968 issue of Spectrum and presented<br />
a paper entitled "The Problems Posed By<br />
the Use of Film in Television Operations"<br />
before the EBU Technical Committee,<br />
Lugano, 1965.<br />
Don Norwood, internationally known for<br />
his development of exposure meters, was<br />
educated at Cal Tech and at engineering and<br />
flying schools in the Air Force. He has been<br />
granted 26 U.S. patents and several foreign<br />
patents in the field of light measurement for<br />
photographic exposure control. Norwood<br />
has contributed several technical papers to<br />
the Journal, including formulation of the<br />
basic creations for three-dimensional-incident-light<br />
meters. He is also the author of<br />
numerous other professional papers and a<br />
book "A New Approach to Exposure Control."<br />
He invented and developed the 3-D<br />
incident light meter which has been copied<br />
by every meter using the well known "golf<br />
ball" photosphere. He also invented and<br />
developed the "binary" type meter which<br />
compensates for the important center of the<br />
picture so that excellent exposures can be<br />
had with special meters built into the cameras.<br />
In 1969 Norwood received an Academy<br />
Award for his exposure meters.<br />
Royce L. Pointer has been director of<br />
products engineering. American Broadcasting<br />
Company, since 1963. He has a B.S.<br />
degree in electrical engineering. From 1959<br />
to 1963 he was assistant director of engineering<br />
for ABC, where he assisted in the<br />
development of the first all-solid-state video<br />
Continued on following page<br />
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power supply with infinite current adjustment<br />
possible within an operating range of 40 to<br />
75 amperes. Controls for the power supply,<br />
which operates on 115 volts, are on the<br />
lamphouse.<br />
The lamphouse is designed to fit any standard<br />
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The lamphouse measures 22% " long, by<br />
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BOXomCE :: November 13, 1972<br />
49
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switcher in<br />
Continued from preceding page<br />
1958 and designed and built the<br />
first all-solid-state TV broadcasting studio in<br />
1962. In his present position he is responsible<br />
for the planning and design of all<br />
ABC radio and television technical facilities,<br />
including networks and owned stations.<br />
Pointer is<br />
a member of the NAB Engineering<br />
Advisory Committee, the NAB Engineering<br />
Conference Committee, and the<br />
JCIC Ad Hoc Committee on Color Television<br />
Study. His contributions to the Society<br />
include serving as topic chairman for the<br />
11 1th Conference and membership on the<br />
David Sarnoff Gold Medal Award Committee.<br />
Findlay J. Quinn, president, Quinn Laboratories,<br />
Ltd., graduated from St. Patrick's<br />
College, Ottawa. He has had a distinguished<br />
career in the motion picture industry in<br />
Canada, starting at the National Film Board,<br />
where he became Laboratory Manager in<br />
1955. In 1957 he moved to Trans World<br />
Laboratory in Montreal as general manager<br />
and in 1964 to Film House in Toronto as<br />
vice-president and general manager. He<br />
opened his own laboratory in 1969. He has<br />
contributed papers to the Journal and has<br />
served actively in the management of the<br />
Toronto Section for a number of years.<br />
Quinn has been a director of the Ass'n of<br />
Motion Picture Producers and Laboratories<br />
of Canada from 1968 to date and is currently<br />
a director of the Ass'n of Cinema<br />
Laboratories and co-chairman of the program<br />
committee.<br />
Richard K. Schafer, product planning<br />
specialist, Eastman Kodak Company, Rochester,<br />
graduated with a B.A. in physics<br />
from the University of Pennsylvania. As ;i<br />
photographic engineer for Eastman Kodak,<br />
he has participated in the design and performance<br />
evaluation of motion picture film,<br />
particularly those of the Eastman Color<br />
System. He had devised duplicating techniques<br />
and worked to maximize photographic<br />
quality for the various color motion picture<br />
films. He was directly involved in the creation<br />
of Eastman Color Reversal Intermediate<br />
Film. Schafer has contributed several papers<br />
to the Journal and a paper on quality of<br />
8mm prints published in the Proceedings of<br />
the Symposium on Super 8 Production<br />
Techniques. He has served the Society as<br />
topic chairman for the 11 1th Conference<br />
and has been active in the management of<br />
the Rochester Section, of which he is at<br />
present chairman.<br />
Hans Schmid, senior engineering lab<br />
supervisor, American Broadcasting Company,<br />
received his education in electrical<br />
engineering from Polytechnikum Fricdberg.<br />
Germany. He has devoted his career to<br />
furthering the state of the art of television<br />
measurements. The ABC Open Loop Remote<br />
Sync Lock System was developed by<br />
Schmid and he was awarded the 1971<br />
Emmy Award of the National Academy of<br />
Television Arts and Sciences for outstanding<br />
achievement in engineering development.<br />
Before going to ABC, Schmid was chief en-<br />
50 The MODERN THEATRE SECTION
gineer of Telechrome Manufacturing Company<br />
and McCurdy Radio Industries. He<br />
has pablished a number of technical papers,<br />
including one in the Journal, on television<br />
transmission and locking systems. His present<br />
work at ABC is concerned with evaluation<br />
of broadcast equipment and the formulation<br />
of measurement standards. Schmid is<br />
a Senior Member of IEEE.<br />
Richard Theile, director of the Institut<br />
fur Rundfunktechnik Munich, was educated<br />
at the University of Marburg. Throughout<br />
his long career he has conducted research<br />
and development in the electronic television<br />
field, especially on electro-optical problems.<br />
His present work at the IRT and as a lecturer<br />
at the Technical University Munich is<br />
concerned with research and development<br />
for the broadcast organizations in the Federal<br />
Republic of Germany. Dr. Theile is a<br />
member of several national and international<br />
societies, including the Femsehtechnische<br />
Gesellschaft (of which he is president) and<br />
the Deutsche Kinotechnische Gesellschaft<br />
fur Film and Femsehen. He is chairman of<br />
the Ad Hoc Group on Color Television of<br />
the EBU. Dr. Theile has been the recipient<br />
of several industry awards and is a Fellow<br />
of the Royal Television Society.<br />
Boris Townsend, deputy head of engineering<br />
information service, Independent<br />
Broadcasting Authority, England, received<br />
his education at the London Polytechnic<br />
and the University of London, from which<br />
he has a Ph.D. Dr. Townsend has devoted<br />
a distinguished career to research and development<br />
in the field of television. He was<br />
chairman of the Council of the Television<br />
Society 1963-1965 and chairman of the<br />
Engineering Steering Committee of the<br />
BKSTS 1968 to 1971. In 1967, 1970 and<br />
1972 he served on the Technical Papers<br />
Committee of the International Broadcasting<br />
Convention. Dr. Townsend has served<br />
on the Broadcasting Division Board of the<br />
Electronic Engineering Ass'n and in 1969<br />
was Foreign Office Delegate to the Asian<br />
States Broadcasting Union Congress in<br />
Sudan. He is the author of many technical<br />
publications related to color and tone reproduction<br />
for television. Dr. Townsead is a<br />
Fellow of the Royal Television Society, the<br />
Institute Electrical Engineers and the<br />
BKSTS.<br />
Ralph Westfall, sales and engineering<br />
representative, Eastman Kodak Company,<br />
Hollywood, was educated at RIT. As an<br />
engineer, Westfall has served the motion<br />
picture industry for over 25 years. He is<br />
widely recognized as an expert in the physical<br />
properties of motion picture film and<br />
their relation to defects caused in laboratory<br />
handling, projection, etc. His advice and<br />
consultation is frequently sought by major<br />
laboratories and production companies.<br />
Westfall has lectured at several courses<br />
sponsored by the Society at the University<br />
of Southern California and has contributed<br />
as topic chairman for laboratory practice at<br />
several SMPTE technical conferences. He<br />
has been a member of the SMPTE Laboratory<br />
Practice Committee for several years<br />
and is also a member of the Standards Committee.<br />
Continued on following page<br />
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Call or Write<br />
zSi^[lD CORPORATION<br />
250WEST 54th STREET, NEW YORK, N.Y. 10019 (212)757-0552<br />
BOXOFHCE :: November 13. 1972 51
SMPTE FELLOW MEMBERS<br />
Continued from preceding page<br />
Valley Cinema I & II West Lebanon, N. H.<br />
Owner: Cinema Systems ot America, Inc.<br />
Valley Cinema I & II Concession Stand,<br />
Designed and Equipped by Manley, Inc.,<br />
Doubles Sales Average per Person!<br />
Cinema I & II with a seating capacity of 550 persons<br />
each sells twice as much per person as theaters of<br />
similar size. This entire stand is designed for appearance<br />
and fast operation that produces extra sales.<br />
Look what Manley put into 12^/2 ft. of space!<br />
Manley Elevator Popcorn Warmer designed<br />
for speedy operation. Has reserve<br />
storage space for big crowds.<br />
Manley Butter Up dispenser controls<br />
butter costs by quicldy dispensing the<br />
proper amount of butter for peal< profit.<br />
Candy Case provides maximum display<br />
In minimum space. Available with or<br />
without refrigeration.<br />
Manley lce-0-Bar drinic dispenser with<br />
electric heads provides properly mixed<br />
drinks at the right temperature. Dispenses<br />
fasti<br />
SELL<br />
YOUR POSTERS!<br />
MOUNT THEM IN<br />
POBLOCKI<br />
POSTER CASES<br />
MODERN ANODIZED EXTRUDED<br />
ALUMINUM-ALL SIZES<br />
FIT<br />
ANY BUDGET.<br />
TO<br />
DIRECT FACTORY SALES<br />
WRITE OR PHONB<br />
POBLOCKI AND SONSMM'l!:.""'w?J"»aM<br />
Phont 273-3333 Am Cod« 4M<br />
Entire stand is<br />
designed for eye appeal<br />
. . . buy appeal thereby increasing sales.<br />
Let Manley, Inc. improve your concession<br />
profit picture. To find out how call<br />
or write today.<br />
MANLEY, INC.<br />
P.O. Box 1006<br />
1920 Wyandotte Street<br />
Kansas City, Mo. 64141<br />
Ptione: 816-421-6155<br />
Moving?<br />
Be sure to send the label from<br />
your BOXOFFICE cover as<br />
soon as your new address is<br />
available.<br />
BOXOFFICE<br />
825 Vcm Brunt Blvd.<br />
Kansas City. Mo. 64124<br />
Ralph D. Whitmore jr., technical director,<br />
Hollywood Film Company, has a B.S. in<br />
engineering. Whitmore designed and installed<br />
the first commercial spray processing<br />
equipment as well as portable processes for<br />
CBS News. He worked on the development<br />
of practical wet printing for step printers<br />
and continuous printers and directed the<br />
design and construction of high-speed step<br />
printers. Whitmore was the designer of the<br />
Cue Analog System and designed and built<br />
step printers for 35mm and 75mm blow-up.<br />
additive, wet. He also designed and built a<br />
processor for color reversal intermediate in<br />
35mm and 65mm and invented the magnetic<br />
drive seal-less pump. Whitmore has<br />
contributed several papers to the Journal<br />
and is the chairman of the SMPTE Sub-<br />
Committee on Book Publications.<br />
Michael Z. Wysotsky, deputy chief engineer,<br />
head of engineering research, Mosfilm<br />
Studios, received his doctorate from the<br />
Moscow Electro Technical Communication<br />
Institute. One of the first to experiment in<br />
the USSR with two-dimensional stereophonic<br />
sound in the thirties. Dr. Wysotsky<br />
has had a distinguished career in motionpicture<br />
sound engineering, chiefly, since<br />
1946, at the Mosfilm Studios. As chief project<br />
engineer, he directed the studio's reconstruction<br />
program, increasing capacity to 40<br />
and more features per year. Dr. Wysotsky<br />
developed special equipment for production<br />
of various release prints from 35mm anamorphic<br />
and 70mm negatives. He has been<br />
the author of several books on sound engineering<br />
and about 100 articles in Russian<br />
and foreign professional journals. He is a<br />
member of the Editorial Board of Technika<br />
Kino y Televideniya.<br />
Indian<br />
Visits<br />
Exhibitor<br />
Atlanta<br />
"TV has regular daily programs, and we<br />
think it will soon affect our business!" So<br />
said D. C. Kaushish of New Delhi, India.<br />
This conclusion, familiar to thousands of<br />
U. S. exhibitors, is important in India, and<br />
to the proprietor of the Sheila Theatre at<br />
New Delhi. The Sheila, named for Mrs.<br />
Kaushish, is the first 35/70 de luxe theatre<br />
in India, opened in 1961. It has a giant<br />
screen of 28x62 feet, and Mr. and Mrs.<br />
Kaushish are in quest of a curved screen<br />
installation. During visits in the U. S. they<br />
were advised "to go to Atlanta, they have<br />
the facts." In a full-day visit, including a<br />
private screening, the curved screen Ultra-<br />
Vision (> installation at the spectacular<br />
Phipps Plaza Theatre (ABC) was demonstrated.<br />
E. H. Geissler was a temporary<br />
ambassador and goodwill agent during the<br />
visit of Mr. and Mrs. Kaushish.<br />
52 The MODERN THEATRE SECTION
To Be Unveiled at Tradeshow<br />
BALLANTYNE<br />
PACKAGED'<br />
SYSTEM<br />
IN<br />
PRODUCTION<br />
Save Time!<br />
We can save you money,<br />
too. We carry Everything<br />
for theatres (hardtop and<br />
drive-ins) except films and<br />
A New, Completely packaged<br />
projection system—the VIP-35—designed to<br />
bring soaring installation and operational<br />
costs back down to earth, is in production<br />
at Ballantyne of Omaha, Inc., with 36<br />
booths already equipped and running in<br />
mid-October.<br />
The "VIP" was displayed and demonstrated<br />
to Ballantyne dealers at a national<br />
sales meeting in Omaha in late September<br />
and will be unveiled to exhibitors at the<br />
NATO Show. Nov. 18-21.<br />
people. So give us a call<br />
when you need something<br />
for your theatre.<br />
Write or Phone<br />
TRANS-WORLD THEATRE<br />
SUPPLY CO.. INC.<br />
2931 Lime Street<br />
Metoirief Louisiona 70002<br />
(504) 8SS-49M<br />
Customers — and friends —<br />
all over the World.<br />
Cable Address 'TRANSWORLD"<br />
Manko Fabrics Co., Inc.<br />
SEATING PROBLEMS SOLVED<br />
Theatre upholstery fabric specialists for over<br />
30 years. Featuring sewed covers, pre-cut<br />
squores. Large selection of upholstery fabrics<br />
—corduroy, nylon, mohair, vinyl leatherette,<br />
upholstery supplies, also drapery and wall<br />
covering<br />
fabrics.<br />
Write for free samples and price list.<br />
Manko Fabrics Co., Inc.<br />
11 West 37th St., N. Y., N. Y. 10018<br />
Phone (212) 695-7470, 1, 2<br />
Operating side of VIP-35 system with<br />
Ballantyne's PRO-35 projector and Model<br />
VII soundhead. Automation panel with<br />
override manual controls is in pedestal base.<br />
All Pre-Wired, Pre-Tested<br />
Pre-wiring, pre-assembly and pre-testing<br />
are the keys to the VIP-35's performance<br />
in cutting installation time as much as twothirds.<br />
All components in the VIP-35 are<br />
pre-wired and tested at the Ballan-<br />
installed,<br />
tyne factory instead of the theatre, drastically<br />
reducing costs of conduit, wiring, expensive<br />
electrician's labor and installation<br />
labor.<br />
So that equipment can be installed the<br />
day it arrives at the theatre, Ballantyne ships<br />
Continued on following page<br />
First surface Dichroic Reflectors with two<br />
year coating guarantee, project more light<br />
because it is reflected from the front surface,<br />
without passing through the glass.<br />
Aperture and lens heat is reduced 50%/<br />
eliminating film buckling.<br />
STRONG ALSO PRODUCES<br />
SILVERED REFLECTORS FOR<br />
ALL MAKES OF LAMPS<br />
THE
BALLANTYNE PACKAGED SYSTEM<br />
Continued from preceding page<br />
a 6-foot wiring channel to the theatre. The<br />
channel contains receptacles for contractor<br />
wiring of speaker, curtain control, masking<br />
control, and dimmer control wires. When<br />
connected, the booth is ready to accept the<br />
VIP-35 system.<br />
Shipped in Moving Van<br />
The system, shipped to the theatre in a<br />
moving van, requires no unpacking and<br />
assembly at the site, saving many hours.<br />
Movers simply carry the projectors to the<br />
projection booth, placing them at the portholes<br />
in the same manner as delicate, priceless<br />
furniture is moved into a home and<br />
put in place. The only work left to do is to<br />
level the base, plug in the VIP, install the<br />
lens, focus the lamps and file apertures.<br />
Exhibitors who have purchased the VIP-<br />
35 say it is the most easily installed system<br />
they have ever seen.<br />
"Master" and "Steve"<br />
The VIP-35 system, consisting of a "master"<br />
and a "slave" unit, incorporates projectors,<br />
soundheads, amplification and<br />
complete automation. The VIP base is a<br />
precision-engineered combination of lower<br />
take-up, power supply, exciter lamp supply,<br />
power amplifier, monitor and the Ballantyne<br />
Automation System.<br />
For flexibility, lamp and associated power<br />
supply can be selected from any xenon<br />
manufacturer and shipped to Ballantyne<br />
where they are installed and tested with the<br />
entire system.<br />
The VIP-35 is fully automated with the<br />
new Ballantyne Automation System. There<br />
is also a manual back-up system with override<br />
controls for sjjecial functions or change<br />
of program. Two control panels provide for<br />
manual and automated operation of the<br />
ALTEC<br />
Servicing the needs of theatre owners<br />
since sound systems were invented.<br />
Southern<br />
Division<br />
Call (404)261-8930<br />
Central<br />
Division<br />
Coll (314) 533-7206<br />
Western<br />
Division<br />
Coll (714) 639-7220<br />
Eostern & New England Division<br />
Call (201) 483-5011<br />
Visit our booth No. 125 at the NATO Convention<br />
SHOCKING<br />
BUT TRUE !<br />
Our Xenon Igniters<br />
Guarantee Satistaction<br />
Or Your Money Back.<br />
LtHYibcwcUy<br />
ELECTRIC COMPANY<br />
1061 N. St. Andrews Place<br />
Hollywood, Calif. 90038<br />
Phone: 213-462-4609<br />
DEALER INQUIRIES WELCOME<br />
3000-5000 Watt
, dealers<br />
For simplicity and easy handling of the<br />
film, there is a choice of reel arms, 7,000<br />
feet, including double clutch reversing or<br />
the double clutch arm and control for rewinding<br />
externally on the machine.<br />
Audio amplifier is Ballantyne's T-25-R,<br />
a 25-watt power amplifier. It also contains<br />
a three-watt amplifier to drive the monitor<br />
speaker.<br />
Although the VIP-35 will not be shown<br />
to the general trade until the NATO Show.<br />
Ballantyne reports a great many orders for<br />
the new system have been received as a<br />
result of word-of-mouth that has traveled<br />
throughout the industry from the 36 screens<br />
now operating.<br />
"Nothing Like<br />
It"<br />
The tremendous reception given the VIP-<br />
35 without benefit of national advertising<br />
or publicity prompted Ballantyne board<br />
chairman, J. Robert Hoff, to comment,<br />
"We've never seen anything like it in all the<br />
39 years we've been in business. Obviously,<br />
the VIP-35 has filled a pressing industry<br />
need for an easily installed, automated, dependable<br />
projection system."<br />
Ballantyne president, Edward Nelson, who<br />
had charge of the development of the VIP-<br />
35, said, "Our overriding purpose in bringing<br />
this equipment to the market was to<br />
build a projection system that not only was<br />
totally innovative, but extremely practical<br />
and economical from every standpoint."<br />
Both Hoff and Nelson noted that the 20<br />
attending Ballantyne's national sales<br />
meeting were unanimous in their praise of<br />
i<br />
1 the new equipment and "obviously anxious<br />
for its introduction to the exhibitor trade at<br />
the NATO Show."<br />
Dr Pepper Reports<br />
Record<br />
Earnings<br />
Dr Pepper reports a new all-time high<br />
in both sales and earnings for the ninemonth<br />
jjeriod ending September 30. Net<br />
sales climbed to $60,348,759 from $49,020,-<br />
371—an increase of more than 23 per cent,<br />
and net income after taxes rose better than<br />
20 per cent to $6,319,939 and 68 cents per<br />
share compared with $5,246,519 and 57<br />
cents per share in the same period last year.<br />
September produced a 21 per cent gain<br />
in national gallonage and became the company's<br />
137th consecutive monthly increase.<br />
W. W. Clements, president and chief<br />
executive officer, continues to credit the<br />
company's 500-member bottler organization<br />
for their consistent effort. Along with board<br />
chairman H. S. Billingsley, he expressed<br />
confidence that 1972 would exceed all previous<br />
records in sales and earnings and<br />
both view 1973 with optimism.<br />
The company has just concluded its annual<br />
bottler meeting in Las Vegas where<br />
more than 1.300 Dr Pepper plant owners<br />
and managers got a preview of Dr Pepper<br />
advertising and marketing programs for<br />
1972. "It is evident that Dr Pepper's growing<br />
strength is generating enthusiasm and<br />
presenting unusual opportunities to our<br />
bottlers," stated Clements.<br />
Dr Pepper will expand its national advertising<br />
and promotions in 1973 as it does<br />
each year. Stepped-up effort will also be<br />
made to further develop sales on Sugar Free<br />
Dr Pepper which now ranks as the leading<br />
diet soft drink in many areas with sales<br />
running better than 60 per cent ahead of<br />
last year.<br />
Royal Crown Cola Stock<br />
Transaction Disclosed<br />
Royal Crown Cola Co. has issued 759,-<br />
174 of its common shares in exchange for<br />
all of the shares of Nehi Royal Crown<br />
Corp. of Chicago and four companies with<br />
headquarters in Athens, Tenn., RC President<br />
William C. Durkee has disclosed.<br />
Whete The Finest<br />
Nehi is a franchised soft drink bottler<br />
serving markets from Chicago to Springfield,<br />
111., and St. Louis to Memphis. Last<br />
year it improved its earnings 34 per cent<br />
to $1,075,500 with sales of $36,100,000.<br />
Between January and June its three major<br />
bottling plants and nine warehouses earned<br />
$627,515 on revenues of $19,100,000.<br />
These Athens companies earned $595,-<br />
909 in their most recent fiscal year by<br />
having sold $9,900,000 in home decorative<br />
accessories. Durkee said that present management<br />
of the acquisitions will be continued.<br />
Royal Crown revealed new high earnings<br />
of $5,061,518 on record sales of<br />
$71,394,683 for the first six months of<br />
1972.<br />
Precision Workmanship<br />
and Quality Products Are Demanded in<br />
CARBON ARC TO XENON CONVERSIONS<br />
REBUILT CARBON ARC LAMPS<br />
WATER CIRCULATORS with STAINLESS STEEL TANKS<br />
NOW .<br />
REPLACEMENT PARTS<br />
for<br />
PROJECTION ARC LAMPS, RECTIFIERS, ETC.<br />
SPECIALISTS IN REBUILDING<br />
|I1L||I|THEATRE<br />
iiimiB<br />
PROJECTION ARC LAMPS,<br />
LAMPHOUSE BURNERS, ^ETC<br />
PRODUCTS INC.<br />
(516)2*9-3745<br />
51 -C Heisser Lane—Farmingdale, N.Y. ii735<br />
. . THREE STYLES TO CHOOSE FROM<br />
*^''m^^am-i^<br />
"SWINbEK"<br />
One-way or two-way turnstile<br />
counts up to 99,999.<br />
Automattcolly returns to 0.<br />
"AMERICA"<br />
One or two-way turnstile,<br />
counts up to 999,999. Automatically<br />
returns to 0.<br />
Token Operated "SWINGER"<br />
Two-way turnstile counts up<br />
to 99,999 and automatically<br />
returns to 0. Token box<br />
holds as many as 3,000<br />
tokens.<br />
Three different Autotrac turnstiles to let you choose the style that best fits your<br />
theatre's needs. Let these turnstiles count your patrons, control admissions automatically<br />
and eliminate ticket collections. All machines are ruggedly built and guaranteed.<br />
Autotrac offers immediate delivery on all three models.<br />
For additional information, write or coll . . .<br />
Autotrac Equipment Co., Inc.<br />
P.O. Box 73785, 225 North Meadow St., Metairie, La. 70003<br />
Phone: a/c 504-722-1391<br />
BOXOmCE :: November 13, 1972 55
SUBSCRIPTION<br />
ORDER FORM<br />
BOXOFFICE:<br />
825 Van Brunt Blvd., Konsas City, Mo. 641/4<br />
Please enter my subscription to BOXOFFICE.<br />
D $10.00 FOR 1 YEAR<br />
n $17.00 FOR 2 YEARS<br />
Outside U. S.,<br />
Canada and Pan American Union,<br />
$15.00 per year.<br />
D Remittance<br />
Enclosed<br />
D Sand<br />
Invoice<br />
THEATRE .„...
WHAT'S IN IT FOR YOU?<br />
SQMEWIDEOPEN<br />
Inside our new<br />
Automaticket Electric Printer<br />
is a roll<br />
of blank space.<br />
Actually, unprinted tickets ready to<br />
carry any message to<br />
And because you use only<br />
blank tickets, you need to<br />
stock far less.<br />
Running low or being<br />
overstocked<br />
is a concern of the past.<br />
your patrons.<br />
^idjT^p^'r^ml<br />
A machine no larger than a<br />
standard unit, that prints any<br />
message that you program,<br />
eliminates many of your<br />
problems, gives you foolproof,<br />
ticket storage<br />
on-line accounting.<br />
That's a General Register<br />
machine.<br />
Products with SERVICE<br />
built in!<br />
GENERAL REGISTER<br />
271 Schilling Circle/Hunt Valley, Maryland 21031/301 666-1100<br />
See the complete line of General Register ticket systems at Booth 69/NATO Show.<br />
xenon bulb too much, while others say if<br />
you want proper life, don't cool it too much.<br />
Every lamphouse manufacturer has his own<br />
explanation, but not all agree. Those with<br />
horizontal bulbs talk about rotating every<br />
200 hours, or 600 hours, or more. Some say<br />
rotate every day; some say forget it. Written<br />
recommendations indicate a single half turn<br />
in mid-life is desirable.<br />
Strange? Til say! Some use 1,600-watt<br />
units on 19-foot screens, and some use<br />
2,500-watt units on 27-foot screens, and<br />
4,000-watt units on 40-foot screens; others<br />
use 1,600-watt units on 45-foot screens,<br />
1,000-watt units on 29-foot screens. One<br />
'Scope Screen<br />
Width<br />
Fht<br />
or<br />
Curved<br />
man summed it simply. "We always use the<br />
2,500-watt units when we use 750 seats."<br />
We're wondering who is lighting up what?<br />
That is like saying you need premium gasoline<br />
when you use G70-14 tires. Strange??<br />
Xenon is with us! Not because it's cute, or<br />
mod. Not progress for the sake of progress,<br />
but economics. You need self-strike xenon<br />
for automation, and in many cases it is less<br />
expensive to light up the screen than nonxenon.<br />
Below is a list of some typical installations<br />
we have made in 1972. What are you<br />
doing? Drop us a post card at P. O. Box<br />
54245, Atlanta, Georgia 30308, and we'll<br />
make a summary for <strong>Boxoffice</strong>.<br />
Vertical or<br />
Amps Bulb Wattage Horizontal Bulb Warranty<br />
Improve Com<br />
weather Grosses!<br />
New<br />
Instant<br />
Start"<br />
Radiant<br />
45 feet<br />
24 feet<br />
48 feet<br />
43 feet<br />
50 feet<br />
100 feet (D-I)<br />
80 feet (D-I)<br />
C<br />
F<br />
F<br />
C<br />
C<br />
62<br />
40<br />
90<br />
60<br />
90<br />
125<br />
125<br />
1.600 W<br />
1,000 W<br />
3.000 W<br />
1,600 W<br />
2,200 W<br />
4,000 W<br />
4,000 W<br />
Hor.<br />
Hor.<br />
Hor.<br />
Hor.<br />
Hor.<br />
Hor.<br />
Hor.<br />
1,500 hrs.<br />
1,500 hrs.<br />
1.500 hrs.<br />
1.500 hrs.<br />
1,250 hrs.<br />
1,000 hrs.<br />
1,000 hrs.<br />
In CoA Hcflfew<br />
The only U.L. approved<br />
non -electric gives warmest<br />
iieat . . . costs less to own,<br />
less to operate ... and<br />
needs NO wiring or any<br />
other installation!<br />
ourtTfti<br />
vear<br />
Stanford indtfstri-<br />
311 Waukegan Ave.<br />
Highwood, Illinois 6OO40<br />
(312) 432-0444<br />
BOXOmCE :: November 13, 1972 57
Fourth Split in Eight Years<br />
Two'for-One Stock Split Is Approved<br />
By Dr Pepper Stockholders in Dallas<br />
Dr Pepper stockholders meeting in<br />
Dallas approved a two-for-one split in outstanding<br />
stock shares of record at the close<br />
of business October 27, 1972 and increased<br />
the authorized common shares of stock to<br />
25 million. As a result of the split, shares<br />
K!<br />
^SVR Omaha<br />
vo^ '9t^ \ > A, I'fjf'l<br />
I<br />
-fe<br />
M % 'o/i<br />
m<br />
%^
\<br />
at<br />
Camera, Arriflex Company of America;<br />
Nextel Simulated Blood, 3M Company;<br />
Anamorphic Focusing System, Todd-AO;<br />
On-Line Computerized Light Value Monitor<br />
System, Consolidated Film Industries;<br />
The Ultra-Vision Picture Presentation System,<br />
Wil-Kin Inc.; Panaflex Camera, Panavision<br />
Incorporated; Super-Grip, Gordon<br />
Enterprises, and Samcine Limpet Mount,<br />
Samuelson Film Service Ltd.<br />
ODELL'S<br />
•original<br />
ANHYDROUS<br />
BUTTER[F^<br />
(99.5% pure)<br />
(approved for use on buttered popcorn by U.S.F.DA)<br />
New Ashcraft<br />
To Be Exhibited<br />
Line<br />
|he First Public showing of<br />
rhe advance line of Ashcraft Xe-Lite xenon<br />
lamphouses and rectifiers will be in Booth<br />
No. 93 at the NATO-NAC-TEA Convention<br />
and Tradeshow at the Americana<br />
Hotel, Bal Harbour, Fla., November 18-21.<br />
According to C. S. (Bud) Ashcraft jr.,<br />
president of the C. S. Ashcraft Mfg. Co.,<br />
Inc., the xenon lamphouses will have many<br />
new and useful features, many of them exclusive<br />
to Ashcraft. Notable among these<br />
features is the Roto-Bulb device, which<br />
upon manual or automated pulse signal<br />
rotates the bulb a few degrees prior to<br />
xenon bulb ignition and while the bulb is<br />
cold. This eliminates the blackening process<br />
the top of the bulb, improves distribution<br />
and screenlight quality. It is designed to<br />
[extend useful bulb life as much as 25 per<br />
jcent. The device will operate with a special<br />
i xenon bulb under development for Ashcraft<br />
to maintain its optical and mechanical<br />
measurements under extreme operating heat<br />
conditions. Xe-Lite lamphouses are instantly<br />
convertible to use standard xenon bulbs<br />
of comparable mechanical measurements<br />
and electrical characteristics, and it is expected<br />
that sales wiU be made to use<br />
standard bulbs until the Ashcraft special<br />
Roto-Bulb is ready for marketing.<br />
Other lamphouse features include a<br />
swing-out modular for quick and simple<br />
xenon bulb replacement; a new optical<br />
aligning device to put the bulb, reflector,<br />
and projection lens on a perfect optical<br />
axis; a high capacity centrifugal fan for<br />
cooling the reflector, xenon bulb and other<br />
components; a volt meter, ammeter, hourly<br />
metering device, automatic and manual start<br />
controls on a single panel; all bulb focusing<br />
controls externally mounted and many<br />
other functional advantages.<br />
Two models of the lamphouse will be<br />
presented ... the 1,600/2,500 watt Xe-<br />
Lite for small to medium size theatres and<br />
the 3,000/4,200 watt Super Xe-Lite for<br />
larger indoor and drive-in theatres.<br />
Two models of the Ashcraft Xe-Lite rectifier<br />
and power supplies will round out the<br />
present line of Ashcraft xenon screen lighting<br />
systems. The 1,600/2,500 watt power<br />
supply is designed to drive the 1,600/2,500<br />
watt Xe-Lite xenon lamphouse (which will<br />
be shown at the tradeshow) and the 3,000/<br />
4,200 watt power supply which will be<br />
introduced in December 1972 is designed<br />
to power the Super Xe-Lite xenon lamphouse<br />
in large indoor and drive-in theatres.<br />
H^><br />
y<br />
ORDER NOW! Write us for the<br />
name and address of the distributor<br />
serving your area.<br />
more volume per pound...<br />
greater profit per serving<br />
• 99.5% pure butter concentrate<br />
• No water— No soggy popcorn<br />
• No waste — No rancidity — No curd<br />
• Needs no refrigeration<br />
• Wonderful spreading qualities<br />
• Popcorn tastes better<br />
• Increases repeat sales<br />
• Saves time — Speeds service<br />
• Profits — Profits — Profits<br />
ODELL CONCESSION SPECIALIIES CO.<br />
MAIN OmCE:<br />
P.O. BOX m<br />
CALOWOl, lOANO 83805<br />
IE: 208-4S9-8S22<br />
MILWAUKEE OFTICE:<br />
1109 N. MAYFAll! ROAO<br />
MILWAUKEE, WISCONSIN 5322t<br />
TEL 414-77W467<br />
FOR MORE INFORMATION about products described in this<br />
issue, use postage-paid Readers' Service Bureau coupon<br />
on page 61 of this issue of MODERN THEATRE.<br />
KNEISLEY<br />
has,<br />
at prices you can afford:<br />
• The NEW "XENEX" LAMPHOUSE. Acc
]mttr®dli(BDBO<br />
$1.46 EA.<br />
CASE LOTS 50<br />
wealhermax<br />
40V<br />
Loudspeaker<br />
WITH 1.47 OZ. MAG. AND THE<br />
ffiifte<br />
CHOICE OF TERMINALS<br />
STANDARD<br />
#3<br />
I<br />
» #2<br />
Manufactured solely by Projected<br />
Sound, the 40V Is stiarp and clear<br />
and exactly the same as supplied In<br />
Projected Sound In-a-car speakers.<br />
All weather construction to last and<br />
last; backed by a 2 year minimum<br />
warranty. Weathermax Is also available<br />
In 3V2", 5" and 6" with<br />
#2 terminal only.<br />
To order the 40V with a #2 or #3<br />
terminal, merely add desired terminal<br />
number to 40V (I.e. 40V-3 Is equipped<br />
with a #3 terminal).<br />
For complete catalog and prices<br />
write to:<br />
^^y^'} - )<br />
PROJECTED SOUND, INC.<br />
P.O. BOX 112<br />
PLAINFIELD, INDIANA 46168<br />
(317)839-4111<br />
Underwriters Listing<br />
For Christie Xenon<br />
Christie Electric Corp. has recently<br />
announced that it has received Underwriter's<br />
Laboratory Listing on its xenon<br />
lamphouses, rectifiers and xenon bulbs.<br />
This marks the first time the U.L. label<br />
has been awarded for xenon theatre equipment<br />
by the Underwriter's Laboratory, the<br />
only nationally recognized safety testing<br />
authority in the United States.<br />
Christie's president, Tom Christie, expressed<br />
particular satisfaction with this accomplishment,<br />
since it culminates 2Vi<br />
years of intensive work with Underwriter's<br />
Laboratory to establish standards.<br />
The Christie xenon bulb provides an<br />
extremely bright source of light. According<br />
to the manufacturer, its quality is almost<br />
indistinguishable from natural daylight,<br />
providing the truest color spectrum of any<br />
artificial light. Employing tungsten electrodes<br />
which are completely encased in<br />
quartz, operation is completely clean, can<br />
be fully automated and lamp life is typically<br />
1,000 to 2,000 hours.<br />
Christie says its xenon bulb, when used<br />
as a light source for motion picture projection<br />
purposes, offers many distinct advantages<br />
over conventional light sources.<br />
More color brilliance. Sharper images.<br />
Greater depth of focus. No warm-up<br />
period. Clean and automatic operation.<br />
The Christie Xenolite Conversion Kit,<br />
which is now available for most carbonarc<br />
brands of lamps, makes the transition<br />
from carbon to the xenon bulb as painless<br />
and inexpensive as possible. It features<br />
completely assembled components ready to<br />
install in an exhibitor's carbon-arc lamphouse.<br />
The following concerns have recently<br />
filed copies of interesting descriptive literature<br />
with the Modern Theatre Information<br />
Bureau. Readers who wish copies may obtain<br />
them promptly by using the Readers'<br />
Service Bureau coupon in this issue of The<br />
Modern Theatre.<br />
A new four-page color brochure describing<br />
Optical Radiation Corp.'s new portable<br />
Xenographic 500 High Intensity Slide Projector<br />
has recently been released. The brochure<br />
describes a new type of projection<br />
system for 35mm slides, capable of projections<br />
six times brighter than conventional<br />
500-watt tungsten units. The brochure provides<br />
complete description and specifications<br />
for the system which operates from<br />
conventional 115 VAC power.<br />
Literature is available from Optical Radiation<br />
Corp., 6352 N. Irwindale Avenue,<br />
Azusa, California 91702.<br />
v.<br />
SEATS LIKE NEW<br />
with Spatz<br />
CHAIR<br />
REDHTHEATRE<br />
ENAMEL<br />
NO BRUSH! EASY DO!<br />
No brush to clean ... no thinner to spill . .<br />
just use the metal "Dispos-a-Brush" that<br />
spreads RE-DU Enamel smooth as silk, dries<br />
in minutes. One gallon does about 60 chair<br />
backs.<br />
FREE Complete Painting Kit<br />
With Each Gallon RE-DU @ $9.95<br />
Plastic "Bib" for can to prevent drips<br />
Metal "Dispos-a-Brush" Handle<br />
6 Throw-Away Foam "Spreaders"<br />
6 Pieces of Sandpaper<br />
All in a plastic bag<br />
Just send swatch of chair color (or<br />
chair manufacturer's color name/<br />
number). Maintenance personnel can<br />
do a professional job of repainting,<br />
saving you money. Photo shows RE-<br />
DUing after surface is wiped clean<br />
of smears and popcorn oil.<br />
RE-DU ... by the makers of Spatz Highlight<br />
Texture White Drive-ln Screen Paint<br />
Order from your Theatre Supply or<br />
sp4rz<br />
PAINT INDUSTRIES<br />
Incorporated<br />
1601 North Broadway<br />
St. Louis, Missouri 63102<br />
FOR MORE<br />
INFORMATION<br />
Use Readers' Service<br />
Bureau Coupon on Page 61<br />
60 The MODERN THEATRE SECTION
CONDENSED INDEX OF PRODUCTS<br />
ACOUSTICAL WALL COVEHING<br />
Soundlold<br />
ADMISSION CONTHOL SYSTEMS, DHIVE-INS<br />
EPRAD, Inc.<br />
ATTBACTION BOARDS d LETTERS<br />
Adler Silhouette Letter Co.<br />
Beveli'e MIg. Co. —<br />
Sign Products<br />
Wagner Sign Service* Inc.<br />
BARBECUED MEATS<br />
SmithHeld Ham cS Products Co., Inc. .<br />
BOXOFFICE ADMISSION SIGNS<br />
Dura Engraving Corp —<br />
BOXOFFICES<br />
Poblocki
aboui PEOPLE<br />
I<br />
and PRODUCT<br />
Joseph J. Kelly, head of United Artists<br />
Eastern Theatres Construction and Maintenance<br />
Department<br />
was appointed vice-<br />
Joseph J.<br />
Kelly<br />
Kelly began his<br />
president by the corporation's<br />
board members<br />
at a recent meeting.<br />
career<br />
in the motion picture<br />
industry over 30<br />
years ago as a roadshow<br />
projectionist at<br />
resort areas in New<br />
York State.<br />
BOXOFFICE-MODERN THEATRE<br />
During his enlistment period in the U.S.<br />
Navy, Kelly studied electrical engineering.<br />
In 1946, after his discharge, this education<br />
coupled with practical technological experience<br />
permitted him to enter into his<br />
own business where he operated a repair<br />
facility<br />
for 35mm equipment for a number<br />
of theatres in the New York area.<br />
Eight years later he retired from his own<br />
business and joined American Broadcasting<br />
Co. where he worked as a television projection<br />
engineer until he accepted the position<br />
as supervisor of projection and sound for<br />
Skouras Theatres Corp. in 1961.<br />
While working with the United Artists<br />
Send me more information about the products and articles checked on<br />
the reverse side of this coupon.<br />
Name<br />
Position..<br />
Theatres organization and its predecessors,<br />
Kelly has been responsible for numerous alterations<br />
and innovations in projection and<br />
sound systems. His technological achievements<br />
included the designing of an inexpensive<br />
modification kit to channel 35mra<br />
optical sound through magnetic sound systems;<br />
development of special switching and<br />
control systems for curtain and masking<br />
drives, auditorium lighting systems, etc.; development<br />
of the D-150 All-Purpose Projection<br />
System; and designing of the "light<br />
curtain."<br />
As vice-president in charge of construction<br />
and maintenance for UA Eastern Theatres,<br />
Kelly will continue to supervise the<br />
projection and sound operations for the circuit.<br />
an active member of the SMPTE<br />
Kelly is<br />
and a member of its Film Projection Practice<br />
Committee.<br />
Altec has opened a<br />
new 20,000-squar6-<br />
foot building to house its warranty and repair<br />
service facilities and overflow warehouse<br />
according to Don Palmquist, vicepresident<br />
of marketing for the Anaheim<br />
based audio products manufacturer.<br />
Theatre or Circuit..<br />
Seotins or Car Capacity..<br />
Street Number..<br />
aty.. State Zip Code..<br />
Fold olong this line with BOXOFFICE address out. Staple or tape closed.<br />
SEND US NEWS ABOUT YOUR THEATRE, YOUR IDEAS<br />
We'd like to know about them and so would your fellow exhibitors.<br />
If you've installed new equipment or made other improvements in your<br />
theatre, send us the details—with photos, if possible. Or if you have<br />
any tips on how to handle some phase of theatre operations, concessions<br />
sales, etc.—faster, easier or better—let other showmen in on them. Send<br />
The Altec Service Center is under the<br />
of Ray Tomko as national service<br />
direction<br />
manager and Les Davies, service manager.<br />
The staff of 17 includes trained engineers<br />
and technicians who are specialists in the<br />
various product lines.<br />
"With the establishment of this new,<br />
modern service center, Altec will provide<br />
the fastest possible service to its customers<br />
and contractors in our many markets,"<br />
Palmquist stated. "We believe this is one of<br />
the finest equipped service centers of its<br />
kind in our industry."<br />
this material to:<br />
The Editor<br />
MODERN THEATRE<br />
^<br />
Fold alons this line wi»h BOXOFFICE address out. Staple or tape closed.<br />
BUSINESS REPLY ENVELOPE<br />
First Closs Permit No. 874 - Section 34.9 PL&R - Kansos City, Mo.<br />
BOXOFFICE-MODERN THEATRE<br />
825 Van Brunt Blvd.<br />
KANSAS CITY, MO. 64124<br />
Located at 131 Katella Avenue in Anaheim,<br />
Calif., this modern facility will speed<br />
service and repairs on all equipment lines<br />
produced by Altec. These include Altec<br />
commercial sound and high fidelity products,<br />
the musical sound line, Altecom intercommunications<br />
equipment, telephone products,<br />
and University Sound products. The<br />
new facility will also service the requirements<br />
of 86 national authorized Altec wa^<br />
ranty repair stations.<br />
The MODERN THEATRE SECTION
%9 A %M t r I m SUOKIN&UiUC<br />
All interpretive analysis of loy and trodepress reviews. Running time is in parentheses. The plus ond minus<br />
signs indicate degree of merit. Listings cover current reviews regularly. ^ is for CinemaScope; (g) Panavision;<br />
j; Techniromo; t Other Anamorphie processes. Symbol U denotes BOXOfFICE Blue Ribbon Aword; All<br />
films ore in color except those indieoted by (b&w) for black & white. Motion Picture Ass'n (MPAA) ratings:<br />
S— General Audiences; PG—All ages admitted (parental guidance suggested); [g— Restricted, with<br />
persons under 17 not admitted unless accompanied by parent or adult guardian; (X—Persons under 17 not<br />
admrtted. Notional Catholic Office for Motion Pictures (NCOMP) ratings; Al— Unobiectionable for General<br />
Potronoge; Aa— Unobjectionoble for Adults or Adolescents; A3— Unobjectionable for Adults; A*—Morally<br />
Unobiectionoble for Adults, with Reservations; B—Objectionoble in Part for All; C—Condemned. Brood-<br />
"" Commission, National Council of Churches (BFC). For listings by company, see<br />
''hapT FEATURE<br />
^i<br />
BVIEW DIGEST<br />
AND ALPHABETICAL INDEX<br />
- Very Good; + Good; - Foir; - Poor; = Very Poor. In the summary ^ is rated 2 pluses, — os 2 minuses.<br />
«k5<br />
o. H- cc t- a ocj; s z<br />
—A—<br />
4531 Alf "n- Family (100) C Sherpix 10-16-72 PG A3<br />
4518 And Now for Something Completely<br />
Different (88) F Col 8-28-72 PG A4<br />
Another Nice Mess<br />
(66) Satire Fine Films 10-23-72 PG<br />
4528 Asphyx, The (98) ® Sus ..Parajon 10- 2-72<br />
Asylum (95) Doc Robinson 10-23-72 PG<br />
+ i<br />
i;<br />
+ +<br />
- +<br />
3+<br />
+- 4+2-<br />
4528 Bad Company (93) W Para 10- 2-72 PG A4<br />
Belinda (S3) Melo Aquarius 9-18-72<br />
4504 Ben (93) Sus-Ho CRC 7-10-72 PG A2<br />
4501 Bi( Bu4 Ca««. TiM<br />
(92) D New World 7- 3-72 H<br />
4511 Black Belly of the Tarantula, The<br />
(88) My-Ho MGH 8- 7-72 ig C<br />
Blacli Rodeo (87) Doc CRC 6-26-72 S Al<br />
4512 Blacula (92) Ho AlP 8- 7-72 PG A2<br />
4493 Blood From the Mummy's Tonb<br />
(94) H* AlP 6- 5-72 PG A2<br />
4519 Bluebeard (123) Sex CD CRC 9- 4-72 @ C<br />
4529 Blue Money (93) Sex Crown 10- 9-72<br />
4513 Bonnies Kids (105) Cr GFC S-14-72 H C<br />
4519 Boot Hill (92) ® W Film Ventures 9- 4-72 PG<br />
4495 Boxcar Bertha (92) Cr AlP 6-12-72 IS C<br />
Bronco Bullfrog (86) D New Yorker 8- 7-72 A3<br />
4523 Brother Carl (97)<br />
D (b&w) New Yorker 9-18-72 A4<br />
4499 Burglars, The (117) ® Melo ...Col 6-26-72 PG A3<br />
4506 UButterflies Are Free<br />
(109) C CoL 7-17-72 PG A3<br />
4527 Cancel My Reservation (99) C . .WB 10- 2-72 ga A2 ±<br />
4504 Candidate, The (UO) CD WB 7-10-72 PG A3 H<br />
4538 Carry On Doctor (95) C AlP 11- 6-72 PG +<br />
4479 Carry 0> Henry VIII (90) C ..AlP 4-17-72 PG B :t<br />
4527 Case of the Naves Brothers, The<br />
(97) Hi (b&w) Europix 10- 2-72 -r<br />
Charles— Dead or Alive<br />
(93) D New Yorker 9-11-72 A3 +<br />
4494 Chato's Land (100) W UA 6- 5-72 PG A3 +<br />
4488 Children Shouldn't Play With<br />
Dead Things (101) Ho Gcncni 5-15-72 PG<br />
4532Chloe in the Afternoon (97) C ..Col 10-16-72 E<br />
Class Reunion (85) Sex Melo . .SCA 9- 4-72<br />
4505 Come Back Charleston Blut<br />
(100) C-Ac WB 7-17-72 PG<br />
4482 Cumaneros (107) W ....CRC-GSF 4-24-72 IB<br />
4503 Conquest of the Planet of tbc Apes<br />
(86) ® SF 20th-Fox 7-10-72 PG<br />
4523 Contract, The (85)<br />
Melo Int'l Producers Corp. 9-18-72 @<br />
Corpse Grinders, The<br />
(72) Ho Geneni 10- 9-72 S<br />
4534 Countess Dracula (93) Ho . .20th-Fox 10-23-72 PG<br />
Country Girl<br />
(65) Sex Melo . . Hollywood Cinema 10- 2-72 (g)<br />
4537 Crescendo (S3) Melo WB 11- 6-72
REVIEW DIGEST<br />
AND ALPHABETICAL INDEX ^ very Good, + Good, ± Foir, - Poor; = Very Poor. In the summary ++ is rated 2 pluses, — as 2 minuses.<br />
La Camara Del Terror (90) H0..CDI 10-16-72 +<br />
4492 Udy Liberty (95) C UA 5-29-72 PG A4 =: i H<br />
4536 Udy Sinss the Blues (144) M ..Para 10-30-72 H A4 + -<br />
Lady Zazu's Daughter<br />
(73) C Aquarius 9-18-72 +<br />
4529 Last House on the Left, The<br />
(91) Melo ..Hallmarii Releasing 10- 9-72 IS ±<br />
449S Last of thi Rid Hot<br />
Lovers (98) C Para 6-19-72 PG A3 tt +<br />
Lale Spring (Banshun)<br />
(107) Melo (b&w) .. New Yorker 9-4-72 Al -f +<br />
Legend of Horror<br />
(80) Ho (b&w) Ellman 9-11-72 H ±<br />
4489 Legend of Niggir Charley, Tlii<br />
(100) W Pan 5-22-72 PG A4 ± -f<br />
4500 Little Ark, The (101) D NGP 6-26-72 S A2 ff -f<br />
4515 Little Mother (90) ....Audubon 8-a-72 e -f +<br />
4493ULiving Free (88) Ad Cel 6- 5-72 a Al + +<br />
Lizards. The (100) Melo Galitti 7- 3-72 ±<br />
4522 Love Me Deadly<br />
(92) Ho Cinema National 9-11-72 IB<br />
—<br />
Love (Szerelem)<br />
(92) D George Guml 10-16-72 -f<br />
—H—<br />
4514 Magnificent Seven Ride!, Thi<br />
(100) W UA 8-14-72 PG A3 + —<br />
Malcolm X (92) Doc WB 5-22-72 PG A2 + ++<br />
4506 Man. The (93) Para 7-17-72 IS A2 -)- -|-<br />
4491 Man With 2 Heads, The<br />
(80) Ho Hishkin 5-29-72 PG -^<br />
WMarjoe (88) Doc Cinema 5 8- 7-72 PG A3 ff +<br />
4518 Melinda (109) My MGM 8-28-72 H) C ± ±<br />
Money Talks (87) Doc-C UA 8-21-72 PG A2 -f f<br />
Morning After, The<br />
(78) Sex My Mature 9-18-72 ±<br />
Muthers, The<br />
(74) Sex Melo . . Hollywood Cinema 10- 2-72 ±<br />
—N—<br />
4504 Napoleon and Samantha (92) Ad BV 7-10-72 IS Al -f +<br />
Nashville Story, The (70) . . Doc Davis 5-22-72 Bl H<br />
4533 Necromancy (82) Ho ORG 10-23-72 PG A3 ± —<br />
4511 New Centurions, The<br />
(103) (g) Cr Col 8- 7-72 Bl A4 -f ±l<br />
4512 Night Call Nuriet<br />
(80) CD New World 8- 7-72 m +<br />
Night Evelyn Came Out of the Grave,<br />
The (100) ® Sus-Ho Phase One 8- 7-72 e C ± -<br />
4517 Night of the Cobra Woman<br />
(85) Ho New World 8-28-72 e ±<br />
4507 Night of the Lepus<br />
(89) SF-Ho MGM<br />
4502 Now You Sn Him, Now Y«i Doa't<br />
7-24-72 PG A2 -f<br />
-<br />
(88) C BV 7- 3-72 BB Al -f +<br />
4497 Other, The (IN) (g) Sut . .Mth-Fox 6-19-72 PG A3 +f<br />
4527 Outside In (90) D ..Harold Robbins 10- 2-72 E +<br />
—P—<br />
4497 Parades (95) D CRC-GSF 6-19-72 H A3 ±<br />
4505PickuD on 101 (93) Melo AlP 7-17-72 PG A3 +<br />
4499 Pied Piper, The (90) Hi Para 6-26-72 BB A2 ±<br />
4506 Place Called Today, A (103) D Emb 7-17-72 (» C ±<br />
4531 Play It as It Lays (101) D Univ 10-16-72 H A4 -f<br />
44»iOPIay It Again, Sam (86) C ..Para 5- 8-72 PG A3 +<br />
4487 Please Doa't Eat My Motherl<br />
(98) Sex C Boxoffici Infl 5-15-72 ++<br />
4518 Pope Joan (132) (J) D Col 8-28-72 PG A4 +<br />
4502 Portnoy's Complaint (101) (g) CD WB 7- 3-72 Bl C -|-<br />
4492 PoHession of Joel Dllaney, The<br />
(105) Sut Para 5-29-72 051 A4 -f<br />
4497 Prime Cut (91) (g) Ac NGP 6-19-72 Bj C ±<br />
Princess Yang Kwei Fci<br />
(91) D New Yorker 8-14-72 A2 +<br />
4529 Private Parts<br />
(86) Ho Prtmiir Prod. 10- 9-72 JH ± —<br />
4508 Public Eye. The (90) (8 C Univ 7-24-72 H A2 -f -(-<br />
4535 Pulp (96) Ac-Salire UA 10-30-72 PG A3 ff ±<br />
—B—<br />
4535 Rats Are Coming I The<br />
The Werewolves Are Here!<br />
(92) Ho William Mishkin 10-30-72 -f<br />
Red Ditachmtnt of Worn*<br />
(100) Ballet SR 7- 3-72 -|-<br />
4494 Rid Sun (112) W NGP 6- 5-72<br />
4524 Return of Sabata (106) ® W . . . UA 9-18-72<br />
PG A3<br />
PG A3<br />
H<br />
±<br />
-f-<br />
4495 Revengers, The (105) (» W .<br />
2<br />
. NGP 6-12-72 PG AS -h ±
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AQUARIUS RELEASING<br />
©Belinda (83) ..Sex Melo..Sep72<br />
Mellnda Forrest, Paul Tobors<br />
'<br />
@Lady Zazu's Daughter<br />
i (73) C. Sep 72<br />
; Dolly Sharp, Fred Zotts<br />
. AUDUBON FILMS<br />
©Little Mother (90) ..D..Aug72<br />
Christine Kruger, Siegfried Ranch<br />
.<br />
JOSEPH BRENNER & ASSOC.<br />
'<br />
©The Virgin Witch<br />
• (91) D..Jun72<br />
Ann Michelle, Patricia Haines<br />
CAPITAL<br />
©George! (86) C. Sep 72<br />
' Marshall Thompson, Jack Mullaney<br />
CINEMA 5<br />
; ©The Trial of the<br />
Catonsville Nine (85) D.. May 72<br />
0«en Arner. Ed Flanders<br />
I ©SiMarjoe (92) Doc. Aug 72<br />
< ©The Policeman (87) C.<br />
; Shay K. Ophir, Zaharia Harifai<br />
DONALD DAVIS PRODUCTIONS<br />
Nashville Story<br />
' (70) Doc. May 72<br />
Roy Acuff<br />
Comes That Nashville<br />
Sound (84) CM.. Oct 72<br />
3 Randy Boone, Sheb Wooley<br />
3 DIMENSION PICTURES<br />
' Sweet Sugar (..) Sus..May72<br />
•;<br />
Phyllis Davis, Ella Edwards<br />
J<br />
©Doberman Gang (87) ..Ac..Jun72<br />
• Byron Mabe, Julie Parrlsh<br />
Group Marriage (..) ...D.. Jul 72<br />
Aimee Eccles, Victoria Vetrl<br />
,<br />
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DISTRIBPIX<br />
! ©Space Love (73) Jun 72<br />
^ ©Dynamite (75) Sex C. Aug 72<br />
.< Monica Rivers, Steve Gould<br />
] ELLMAN ENTERPRISES<br />
^ ©The Werewolf vs.<br />
; the Vampire Woman<br />
; (82) Ho.. May 72<br />
i Paul Naschy, Gaby Fuchs<br />
3 ©Illusions<br />
i<br />
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(104)<br />
©Tarzana,<br />
Compilation<br />
the Wild Girl<br />
c .(•) A. Jun 72<br />
Ken<br />
.; Clark. Franca Polesello<br />
t ©Diabolic Wedding (84) Ho. Jul 72<br />
.S Margaret O'Brien<br />
(In combination with)<br />
1<br />
- Legend of Horror<br />
• (80) (b&w) Ho.. Jul 72<br />
c Karin Field<br />
©The Mad Butcher (..) Ho. Jul 72<br />
J Victor Buono, Karln Field<br />
. ©Annabelle Lee (90) ..Ho.. Aug 72<br />
1 Margaret O'Brien<br />
• Rita Book, Tracy nandfu.ss<br />
c ©The Suckers (83) D.. Jun 72<br />
Barbara Mills, J<br />
Richard Smedley<br />
- ©The Adult Version of Jekyll<br />
c & Hyde (85) D.. Jul 72<br />
©The Erotic Adventures of<br />
I<br />
•<br />
Zorro (104)<br />
Douglas Krey,<br />
Sex C . . Aug 72<br />
Robyn Wliltting<br />
jf<br />
FILM VENTURES INT'L<br />
©Boot Hill (92) ® ...W.. Jul 72<br />
Terence Hill, Woody Strode<br />
©The Warriors Ac. . Nov 72<br />
Mark Damon, Barbara O'Nell<br />
FUTURAMA INrL<br />
©The Dolls Head (89) .... May 72<br />
Boy Jensen, Bve Joselo<br />
©House of Pleasure (92) . . May 72<br />
Margaret Lee, Terry Torday<br />
Cat That Ate the Parakeet<br />
Jun 72<br />
Madelyn Keen, Phillip Pine<br />
©Didn't You Hear? (82) ..Jun 72<br />
Dennis Christopher, John Kauffman<br />
©Like a Crmr on a June Bug<br />
(94) Jun 72<br />
Sliiiore (a-lffeth. Beterly Powers<br />
GAMALEX ASSOC.<br />
Off My Grass<br />
(90) CD..May72<br />
Mickey Doleni, Oary Wood<br />
MISCELLANEOUS<br />
Rel. Date<br />
Rel. Date<br />
ACE INTERNATIONAL<br />
GENENI FILMS<br />
OStock Car Racing With Joy<br />
©Children Shouldn't Play With<br />
(90) Ac. Sep 72 Dead Things (101) ..Ho. May 72<br />
Jo; Wilkerson, Tony Cardoza<br />
Alan Orinsby, Valerie Mauches<br />
Beast of Yucca Flats Ho.<br />
Tor Johnson<br />
GENERAL FILM CORP.<br />
Night Train to Monde-Fine ..Ac. ©Bonnie's Kids (105) ..Cr .Sep72<br />
John C&rradine<br />
Tiffany Boiling. Steve Sandor<br />
OOutiaw Riders (86) Cycle.. ©Sugar Cookies D .<br />
Bryan "Sonny" West, Lindsay<br />
Monique Van Vooren. George<br />
Crunljj<br />
Shannon<br />
GROUP 1 FILMS, LTD.<br />
©The Depraved (..) D.. Dec 72<br />
Gerard Moulet, Cassandra French<br />
©The Runaway (95) ..Sex. May 72<br />
Gilda Texter, William Smith<br />
©Room of Chains ( . . ) . . D . . Dec 72<br />
Allison Taylor, Frank Martin, Karen<br />
Thomas<br />
©Up Your Alley (..) ..C. Dec 72<br />
Frank COrsentino, Haji<br />
©Pepper & His Wacky Taxi<br />
(..) C. Jan 73<br />
John Astln, Frank Sinatra jr.,<br />
Jackie Gayle, Alan Sherman<br />
HALLMARK RELEASING<br />
©Mark of the Devil (90) Ho. .Apr 72<br />
Herbert Lom, Olivcra Vuco<br />
©The Last House on the Left<br />
(91) Melo..Nov72<br />
David Hess, Lucy Grantham<br />
HEMISPHERE PICTURES<br />
©The Swingin' Pussycats<br />
(..) Sex.. Jul 72<br />
©Tessa (90) Jul 72<br />
Suzy Kendall, Frank Flnlay<br />
©Revenge (90) Sep 72<br />
Joan Collins, James Booth<br />
HOLLYWOOD CINEMA ASSOC.<br />
©Country Girl<br />
(65) Sex Melo..Apr72<br />
Marie Campbell, Jean Wilson<br />
©The Muthers<br />
(74) Sex Melo..Apr72<br />
Marsha Jordan, Kathy Williams<br />
HOWCO INT'L<br />
Dirty Dan's Women<br />
(90) My,. June 72<br />
Micky Dolenz, Chuck Patterson<br />
JACK H. HARRIS<br />
©Son of Blob (reviewed as<br />
"Beware! The Blob")<br />
(87) Ho.. June 72<br />
Robert Walker, (Jodfrey Cambridge<br />
©House of Missing Girls<br />
(85) Sex..<br />
Ann Gael<br />
©Ride in the Whirlwind (83).. W..<br />
Jack Nicholson<br />
©The Shooting (82) W.<br />
Jack Nicholson<br />
©Bone (95)<br />
D..<br />
Yaphet Kotto, Andrew Duggan<br />
INDEPENDENT-INT'L<br />
©Angels' Wild Women<br />
(85) Sex-Ac .Jul72<br />
Ross Hagen, Regina Carol<br />
©Dracula vs. Frankenstein<br />
(90) Ho.. Jul 72<br />
J. Carrol Naish, Russ Tamblyn<br />
©Gang Girls (84) Ac. Aug 72<br />
(l)oI (3iick Morgan<br />
©Women for Sale<br />
(82) Sex.. Aug 72<br />
1 ENTERTAINMENT VENTURES<br />
2 ©The HitchHikers (93) D. Apr 72<br />
t Misty Rowe, Norman Klar<br />
c ©Red, White & Blue!<br />
(90) Sex Doc. Apr 72<br />
i ©Dirty Lovers (80) D.. May 72 ©Exchange Student<br />
c ©The Big Snatch (77) ..D.. Jun 72<br />
INT'L PRODUCERS CORP.<br />
©The Contract<br />
(85) Sex Melo..Sep72<br />
Bruno Pradel, CJiarles Southwood<br />
(90) ® C. Oct 72<br />
Louis De Funes, Martlne Kelly<br />
J-CINEMAX INrL<br />
©Rip-Off (90) CD.. Sep 72<br />
Don Scardlno, Ralph Endersby<br />
LEVITT-PICKMAN<br />
©Ten Days' Wonder<br />
(100) My.. May 72<br />
Orson Welles, Anthony Perkins<br />
©Heat (100) Satire..<br />
SyMa Miles. Joe Dallesandro<br />
©Hoffman (111) D.<br />
LION DOG ENTERPRISES<br />
©Shantytown Honeymoon<br />
(85) CD.. Jun 72<br />
Ashley Brooke, Oorge Ellis<br />
MAGUS FILAAS<br />
©Prince of Peace (135) D. May 72<br />
©Festival of the Undead<br />
() Ho. Jun 72<br />
The Senator (90) .. .Sex. .Aug 72<br />
©The Corruptor<br />
(..) Ac-Ad. .0ct72<br />
©Virgin Planet SF-$ex..DK72<br />
MANSON DISTRIBUTING<br />
©Sex and the Office Girl<br />
(80) Sex.. Oct 72<br />
Mary Worthlngton, Lee Korl<br />
MARON<br />
©Toys Are Not for Children<br />
Rel.<br />
Date<br />
(85) D.. Jun 72<br />
Mareia Forbes, Fran Warren<br />
MATURE PICTURES<br />
©The Morning After<br />
(78) Sex.. Jun 72<br />
Sammy Cole, Jean Parker<br />
WILLIAM MISHKIN<br />
©The Man With 2<br />
Heads<br />
(80) Ho.. May 72<br />
Denis De.Marne, Julia Stratton<br />
NOR'WEST PROD.<br />
©Alaska, America's Last Frontier<br />
(110) Doc. Oct 72<br />
PARAGON PICTURES<br />
©The Asphyx (98) ® ..Sus..0ct72<br />
Robert Stephens, Robert Powell<br />
©Kill Me With Kisses<br />
(100) C.Nov 72<br />
Nino Manfredl, Ugo Tognazzi<br />
(Selected Engagements)<br />
©When Women Played Ding Dong<br />
(95) C. Nov 72<br />
Nadia Cassinl, Howard Ross<br />
©Terror in 2-A (91) ..Sus..Jan72<br />
Raf Vallone, Angelo Infant!<br />
PREMIER PRODUCTIONS<br />
©Private Parts (86) Ho..<br />
Ayn Ruymcn, Lucille Benson<br />
HAROLD ROBBINS INT'L<br />
©Outside In (90) D.. Sep 72<br />
Darrel Larson, Heather Menzies<br />
ROBERT SAXTON FILMS<br />
©The Halfhreed (90) ..W.. Nov 72<br />
Lex Barker, Ursula Glas<br />
©How Did a Nice Girl Like You<br />
(88) C. Dec 72<br />
Ba. hi Benton, Hampton Fancher<br />
©Naked Evil (SO) . . . Ho. .Jan . 72<br />
Anthony Ainley, Suzanne Neve<br />
©The Cheerleaders ( .<br />
. ) D .<br />
SCA DISTRIBUTORS<br />
©Class Reunion<br />
(85) Sex Melo..0ct72<br />
Marsha Jordan, Sandy Cary<br />
©The Snow Bunnies<br />
(85) Sex Melo..0cf72<br />
.Marsha Jordan, Sandy Cary<br />
SCOTIA<br />
©Bad Man's River<br />
INTERNATIONAL<br />
() C-W..Apr72<br />
Lee Van Cleef. Gina Lollobrlgida<br />
©Crucible of Terror ® Ho.. May 72<br />
.Mike Raven, Mary Maude<br />
©The Fifth Day of Peace<br />
® D.. May 72<br />
Richard Jotinson. Franco Nero<br />
©Pancho Villa ® .. Hi-Ad. . May 72<br />
Telly Savalas, Clint Walker<br />
©Psychomania ® . . Ho-Ad. .<br />
George Sanders, Beryl Reid<br />
May 72<br />
©Suburban Wives (87) Sex.. May 72<br />
Bia Whl.slaw, Barry Llnehan<br />
©Horror Express<br />
() ® Ho..Jun72<br />
Peter Cushing, Christopher Lee<br />
SOUTHERN STAR<br />
PRODUCTIONS<br />
©Dear, Dead Delilah<br />
(95) Sus..Jun72<br />
Agnes Moorehead, Will Geer<br />
©A Day at the White House<br />
(92) Sex C. Aug 72<br />
Lorl Saunders, Robert Ridgely<br />
©Black Trap (90) Ac. Oct 72<br />
Terry Carter, Gwen Mitchell<br />
SUN INT'L<br />
©Trap on Cougar Mountain<br />
(94) oO-Ad<br />
Keith Larsen, Eric Larsen<br />
TRANSVUE<br />
©Johnny Hamlet<br />
(91) ® W. .Jun 72<br />
Chip Corman, Gilbert Roland<br />
©The Incredible Challenge<br />
(95) D..Sep72<br />
Michael Craig, Eva Renzl<br />
©Premonition (90) . . .Sus. .Sep 72<br />
Carl Crow, Tim Ray<br />
©Rainbow Bridge (108) M.. Sep 72<br />
Jiml Ilcndrlx, Pat Hartley<br />
TWI NATIONAL<br />
©Voodoo Heartbeat (85) Ho. Jul 72<br />
Ray Molina, Philip .Mm<br />
©Women of Stalag 13<br />
(92) Ad. Oct 72<br />
Sally Mar, Perry Page<br />
UNITED FILM ORG.<br />
©The Secretary (85) ..Sex.. Apr 72<br />
Josh Gamble, Angela Gale<br />
UPI-UNITED PICTURES<br />
©Long Way From Home<br />
Ian Scott, Barbara Grace<br />
(..) D..Apr72<br />
WESTERN INT'L<br />
©The Galling Gun<br />
(93) ® D.. Jun 72<br />
Woody Strode, Robert Fuller<br />
FOREIGN LANGUAGE<br />
FEATURE REVIEWS<br />
Fist of Fury<br />
Mandarin dialogue Melodrama<br />
English and Chinese ® ©<br />
titles<br />
Pagoda Films 103 Minutes Rel. Nov. '72<br />
Kung-fu, the Cantonese art of self-defense in<br />
which all parts of the body are used, is demonstrated<br />
to a remarkable degree by Bruce Lee, 1972<br />
World's Black Belt Hall of Fame, in this actionfilled<br />
film. Dialog is in Mandarin, with both Chinese<br />
and often illiterate English titles. Dubbing for the<br />
action market could result in a lot of added revenue<br />
for the U.S. distributor, New York's Pagoda Films.<br />
Directed and written by Lo Wei, the film describes<br />
the events following the death of Ho Yun Chia,<br />
teacher of a Chinese school of self-defense, in 1908.<br />
Star pupil Lee successfully battles the Japanese<br />
villains who poisoned his leader, then has to pay<br />
when the authorities threaten retaliation. Set in<br />
Shanghai's International Settlement, the film is<br />
played in modern dress. Lee's acting ihe has appeared<br />
on TV here, notably on "The Green Hornet")<br />
is overly intense but his athletic prowess is<br />
something to behold. Among the attractions are a<br />
Chinese inspector who resembles an American cop,<br />
an English-speaking Russian boxer, a nude dancer<br />
and a ballad for the hero. Raymond Chow produced<br />
the Golden Harvest production in Hong Kong, in<br />
Dyaliscope and Eastman Color. Since Warner Bros.<br />
will release Lee's next film, "Blood and Steel," in<br />
English, interest in "Fist of Fuiy" may be aroused.<br />
Bruce Lee, Miao Ker Hsiu, James Tien,<br />
Robert Baker, Maria Yi.<br />
SEXPLOITATION FEATURE REVIEW<br />
Oh! Calcutta!<br />
® ^t<br />
Cinemation Industries 105 Minutes Rel. Oct. '72<br />
A filmed perfoiTnance of this sensational Broadway<br />
play is now available for popular runs. It is<br />
basically a series of skits, a theatrical revue, that<br />
satirizes sex and mores in contemporary society.<br />
This play opened off-Broadway June 17, 1969, and<br />
moved to Broadway Feb. 25, 1971. Devised by Kenneth<br />
Tynan, many people have been listed as contributors<br />
for the numerous skits: Samuel Beckett,<br />
Jules Feiffer, Dan Greenburg, John Lennon, Jacques<br />
Levy, Leonard Melfi, David Newman, Robert Benton,<br />
Sam Shepard, Clovis Trouille, Kennth Tynan<br />
and Sherman Yellen. A couple of skits have been<br />
deleted from the film version, but otherwise it is<br />
intact. Everyone has heard of the nudity in it, which<br />
begins immediately with a complete disrobing of<br />
the cast. Once past this gimmick, which doesn't<br />
take long, the viewer can get down to evaluating<br />
the content of the skits, many of which have some<br />
redeeming socio-cultural values. Sex is never explicit,<br />
but implications of it are frequently humorous.<br />
Some skits are loaded with four-letter words.<br />
Everything about sex is satirized from young people<br />
to their elders, from swapping couples to Masters<br />
& Johnson. A highlight is a dance sequence done<br />
by a nude male and female, which is extremely<br />
artistic and graceful. Natm'ally, some people will<br />
be shocked by this film and will look on it as tasteless<br />
and dirty. It is only for adults and broad-minded<br />
ones. So know your audience well and advertise<br />
accordingly. This is much better than the usual run<br />
of sexploitation and X-rated films around.<br />
SEMI-DOCUMENTARY FILM REVIEW<br />
nter-racial Drama<br />
©<br />
Impact Films 78 Minutes Rel. Nov. '72<br />
Filmmaker Lionel Rogosin, whose innovative<br />
track-record has stirred deservedly considerable<br />
critical comment over the years, now tui'ns to the<br />
topical theme of inter-racial marriage, using as<br />
central story line the life of one Jim Collier, whose<br />
longings for emotional ties to white women evolved<br />
into marriage and fatherhood. Where such dramatic<br />
projections have brought out audiences, this should<br />
prove of strikingly strong boxoffice strength.<br />
There's some nudity, true, but the overall effect is<br />
Black Fantasy<br />
one of a man's striving for identification. Rogosin<br />
produced and directed, J. Robert Wagoner was responsible<br />
for the camera. In Eastman Color.<br />
Jim Collier, EUie Fiscalini, Elena Hall,<br />
Hollis Hanson, Denise Hogan-Bey.<br />
BOXOFTICE BookinGuido :: Nov. 13, 1972,
Opinions on Current Productions<br />
^EATUkE REVIEWS<br />
Symbol O tfMota color; © CImtmUfpm; f fnmt Mu m; 3) TockairanM; C othor anamorphtc pracMMt. Fo» itory SYMpote ea OMb pM«ra, ••• imtm M*.<br />
ILZAyrS RAID m<br />
Western<br />
©<br />
Universal (7214) 103 Minutes Rel. Nov. '72<br />
In American history, the Chiraeahua Apache called<br />
Ulzana was a savage whose exploits equalled those of<br />
the more famous Cochise and Geronimo. He is remembered<br />
chiefly for a raid in which he brutally murdered<br />
white settlers. This brutality is explored to a degree in<br />
the Carter De Haven-Robert Aldrich production, directed<br />
by Aldrich and produced by De Haven. Only two scenes<br />
qualify for the R: the shot in which Apaches cut open<br />
dead trooper Dean Smith to use his intestines as a ball<br />
and closeups of Karl Swenson's burned body. Unfortunately,<br />
the rest of the film is fairly routine Cavalry vs.<br />
Indians fare. A general audience rating could very likely<br />
be obtained by removing the explicit violence. Alan<br />
Sharp's screenplay has the ring of authenticity in the<br />
dialogue, but there is no indication that Ulzana really<br />
existed. Burt Lancaster as the old scout has another fine<br />
character role which he handles with ease, although the<br />
actor may be concentrating too much on oaters of late.<br />
Bruce Davison, Richard Jaeckel and Jorge Luke are good<br />
in co-starring parts, while Joaquin Martinez is largely<br />
off-screen as Ulzana. Frank DeVol's music is in the John<br />
Ford-cavalry movie tradition. Joseph Biroc's Technicolor<br />
lensing in Nogales, Ariz., and Nevada adds interest.<br />
Burt Lancaster, Bruce Davison, Richard Jaeckel, Jorge<br />
Luke, Joaquin Martinez, Lloyd Bochner.<br />
TREASURE ISLAISD<br />
°"""<br />
H *''«"'"S<br />
National General ( ) 93 Minutes Rel. Nov. '72<br />
The classic Robert Louis Stevenson tale, which has<br />
been filmed several times before, now bears the personal<br />
stamp of Orson Welles. Starring as Long John Silver<br />
and collaborating with Wolf Mankowitz on the screenplay<br />
c under the name G.BiC. Jeeves i, Welles has attempted<br />
a more adult version of a tale basically for<br />
children. Together with the direction of TV-trained John<br />
Hough, who shows a fondness for throwing objects into<br />
camera range for effect and using many closeups, the<br />
result is still a children's film with little appeal to adults.<br />
While performing in a full-blown manner, Welles tends<br />
to swallow much of his dialog. Most of the supporting<br />
cast is dubbed and some of them are unintelligible also. I ing\<br />
I<br />
Kim Burfield, an 11 -year-old actor, replaced Mark Lester<br />
in the role of Jim Hawkins, a part with which any adolescent<br />
can easily identify. Walter Slezak occasionally<br />
loses his British accent as an amusing Squire Trelawney,<br />
while Lionel Stander adds his gravel voice to the role<br />
of Billy Bones. Filming in Eastman Color for the Harry<br />
Alan Towers production was accomplished in Puerto Rey,<br />
southern Spain, and in Madrid and Rome and off the<br />
coast of Cornwall. Seeing Welles as Long John may intrigue<br />
some adult patrons. Music is by Natal Massara.<br />
Orson 'Welles, Kim Burfield, Walter Slezak, Lionel<br />
Stander, Paul Muller, Maria Rohm.<br />
006'<br />
DIRTY LITTLE BILLY [R<br />
Columbia (015) 93 Minutes<br />
Western<br />
©<br />
Rel. Nov. '72<br />
The famed outlaw Billy the Kid lives again in a very<br />
modern western which is notable in several respects.<br />
^:.% The film is Jack L. Warner's first independent producu\r-<br />
tion, preceding "1776," and is the first movie to be produced<br />
by the Wells, Rich and Greene advertising agency<br />
and directed by TV commercial creator Stan Dragoti.<br />
The Charles Moss-Dragoti screenplay literally makes William<br />
Bonney a dirty character, but then nearly everyone<br />
is grimy throughout the picture. With Michael J. Pollard<br />
in the title role, the result is by far the most authentic<br />
version of the usually glamorized picture of the young<br />
killer. The real Billy was said to be an ugly, nearly demented<br />
youth who muidered 21 men before being killed<br />
at the age of 21. Pollard's interpretation is that of an<br />
oafish misfit whose loyalty to a half-crazed saloon owner<br />
leads to a career of crime. Billy's first killings (three<br />
mountain mem occur at the climax, creating some suspense<br />
in that his Initial victim could be almost anyone.<br />
Pollard and Richard Evans portray awkwardness and<br />
madness effectively while Lee Purcell and Charles Aidman<br />
deliver solidly professional performances. Color<br />
filmed near Benson, Ariz., the Columbia release is an<br />
interesting try: its appeal, however, may be limited.<br />
Michael J. Pollard, Lee Purcell, Richard Evans, Charles<br />
Aidman, Dran Hamilton, Willard Sage.<br />
DAUGHTERS OF SATAN<br />
[p] Horror Drama<br />
United Artists (7219) 90 Minutes Rel. Oct. '72<br />
A new horror combination from United Artists shows<br />
that the Philippines offers possibilities for film production.<br />
Coupled with the lesser half of the bill, "Superbeast,"<br />
the far superior is 'Daughters of Satan." The<br />
tale of reincarnation, written by John C. Higgins from<br />
a story by John Bushelman, has been solidly directed by<br />
Hollingsworth Morse. Except for some deficiences on the<br />
part of the actors, the film is engrossing and well done.<br />
Audiences for these thrillers should find "Satan" quite<br />
entertaining and won't be distm-bed by the lack of polished<br />
thesping, which makes some of the dialogue unin-<br />
. c^ tentionally fimny. Actually, the native Filipino talent<br />
me, I especially Paraluman and Vic Silayan—steals acting<br />
» M> honors. Tom Selleck is acceptable as the hero, menaced<br />
by his owTi wife. Pi-etty Barra Grant is the possessed<br />
spouse, haunted by the spirit of a witch ancestor seeking<br />
revenge. Tani Phelps Guthrie has the third lead, her<br />
skull-like features being an asset for the role of devil's<br />
advocate. All three of the stars have had TV experience.<br />
The horror touches are very effective for such a lowbudget<br />
effort, reflecting what a bit of ingenuity can do.<br />
Some topless bits account for the R. Produced by Aubrey<br />
Schenck. De Luxe Color.<br />
Tom Selleck, Barra Grant, Tani Phelps Guthrie,<br />
Paraluman, Vic Silayan, Vic Diaz, Paquito Salcedo.<br />
WiyTER COMES EARLY PG Drama<br />
©<br />
Cannon Release 112 Minutes Rel. Mar. '72<br />
Hockey serves as the background for this romantic<br />
drama about two young people, who fight hard to stay in<br />
love. Their backgroimds and value systems are entirely<br />
different, so their affair is ill-starred from the beginning.<br />
In the world of hockey a wife must imderstand her husband's<br />
devotion to the game, be supportive to him. and<br />
blend into the atmosphere. Art Hindle and Trudy Young<br />
are the two young performers in this Argincourt International<br />
presentation. Art is rough, aggressive and competitive.<br />
Miss Young is a singer, a bit on the hippie side, and<br />
very sensitive. She is appalled, when on a visit to his<br />
family in rural Canada, to see Hindle order his dog to attack<br />
a helpless rabbit. This is a key scene that clearly<br />
spells out their differences. The film carries enough love<br />
interest and hockey scenes to hold an audience's attention.<br />
Many National League hockey teams are seen in<br />
action. George McCowan dii'ected the film for producer<br />
John P. Bassett. The screenplay of George Robertson<br />
gradually builds up interest. Frank Moore wrote the<br />
songs and plays Miss Young's manager. The perfonnances<br />
are generally good. John 'Vernon and Vivian Reis stand<br />
out as the coach and his wife. Color photography is an<br />
added asset to this Canadian film.<br />
.^rt Hindle, Trudy Young, Frank Moore, John Vernon,<br />
Vivian Reis, Kate Hawtrey, Steve Pernie.<br />
Dn<br />
(2i<br />
SUPERBEAST [1<br />
"•""q"^'""''<br />
United Artists (7220) 93 Minutes Rel. Oct. '72<br />
A new horror package from United Artists consists of<br />
a pair of Pliilippine-made films by the father and son<br />
team of Aubrey and George Schenck. Top half of the<br />
bill is George William Schenck's "Superbeast," which is<br />
less than effective. Co-featm-ed is the senior Schenck's<br />
more interesting "Daughters of Satan." Producer-director-writer<br />
George Schenck obviously had a good premise<br />
in his original story concerning the after-effects of a<br />
treatment intended to cui-b anti-social behavior in hardened<br />
criminals. Except for the opening, there is almost<br />
no action at all as the plot settles into a variation on<br />
"The Most Dangerous Game," wherein great white himter<br />
Harry Lauter stalks the beastly creatures whom Dr.<br />
Ci-aig Littler has failed to ciue. The R-rating really seems<br />
extreme in view of the mild tone of most of the film.<br />
A totally irrelevant topless woman is seen during the<br />
credits while the only real shock touches are non-horror:<br />
exposing a man's intestines on the operating table and<br />
cutting off a live chicken's head. 'While acting is not<br />
necessarily essential in this type of horror film, it becomes<br />
almost non-existent here. Only veteran Harry Lauter,<br />
star of some of the last serials made in this country,<br />
^^^ manages to impress. Music by Richard LaSalle. De Luxe<br />
Ang Color.<br />
'3'-<br />
Antoinette Bower, Craig Littler, Harry Lauter, Vic Diaz,<br />
Jose Romulo, John Garwood, Nanita.<br />
The reviews on these pages may be filed for future reference in any of the following ways (1) in ony standard three-ring<br />
looseleaf binder; (2) individually, by company, in any standard 3x5 card index file; or (3) in the BOXOFFICE PICTURE<br />
GUIDE three-ring, pocket-sixe binder. The latter, including a year's supply of booking ond doily record sheets,<br />
may be obtained from Associoted Publications. 825 Van Brunt Blvd., Kansas City, Mo. 64124 for $1.50 postage paid.<br />
4540 BOXOmCE BookinGuide Nov. 13, 1972 4539
FEATURE REVIEWS Story Synopsis; Exploitips; Adiines for Newspapers and Progranf:<br />
THE STORY: "Dirty Little Billy" (Col)<br />
Michael J. Pollard as Billy Bonney arrives in Coffeyville,<br />
Kas., from New York City with mother Di-an Hamilton<br />
and stepfather Willard Sage. A hard-working farmer,<br />
Sage is at odds with Pollard. The youth, unsuccessful at .<br />
farming, leaves the rimdown ranch. He meets saloon MSHK<br />
owner Richard Evans and his girl Lee Purcell. Evans, " '<br />
half-insane, has Purcell hire out as a prostitute. Bartender<br />
Josip Elic and crazy old Ronnie Graham are Evans'<br />
only other friends. Fighting for her man, Puicell cuts<br />
off the ear of buffalo girl Rosary Nix. Pollard makes<br />
love to Purcell with Evans' blessing, earning her respect.<br />
After Sage dies, Hamilton takes up with wealthy land<br />
owner Charles Aidman. The latter arranges for Evans<br />
to leave town, but Evans is wounded and Purcell killed.<br />
Pollard, helping Evans, shoots mountain man Severn<br />
Darden and two henchmen—Billy the Kid's first killings.<br />
EXPLOITIPS:<br />
Tie in with other Billy the Kid films, emphasizing<br />
that this is the real story. Play up Sascha Burland's<br />
catchy score, via a special 45 rpm soundtrack recording<br />
which Columbia is distributing. Arrange special promotionals<br />
with leading ad agencies.<br />
Mention the presentation<br />
at the San Francisco Film Festival.<br />
CATCHLINES:<br />
The Real Billy the Kid ... A Dirty Little Kid in a<br />
Rotten Little Town, When Killing Was the Best Way to<br />
Survive.
1 <strong>Boxoffice</strong>.<br />
'.<br />
"<br />
. .<br />
I0< per word, minimum S3.00. CASH WITH COPY. Four consecutive insertions for price<br />
2 additional words and include 50< additional, to<br />
When using a BoxoHice No., figure<br />
ccl of handling repUes. Display Classified, S25.00 per Column Inch. CLOSING DATE: Monloc<br />
preceding publication date. Send copy and answers to Box Numbers to BOXOFFICE,<br />
'orBrunt Blvd., Kansas City, Mo. 64124.<br />
CUflRinG<br />
HELP WANTED EQUIPMENT FOR SALE<br />
THEATBE CIBCUIT has manopen<br />
for experienced person,<br />
aiiable in western New York<br />
plies conlidential. Apply with<br />
Resume to <strong>Boxoffice</strong>, 2814.<br />
t AND INDOOH THEATHE MANnotion<br />
oriented aggressive in-<br />
I have a promising future with<br />
lonsion minded circuit. Thea-<br />
;u in a medium sized resort<br />
B, in Wisconsin, close to Minne-<br />
Bi St. Paul. Call or write Carisch<br />
1611 E, Lake St., Wayzata, Minn.<br />
ne (612) 473-1269.<br />
^ — Good managers, indoor and<br />
. (ealres, Louisville, Kentucky, Cin-<br />
[ihio and Midwest area. Top salpo<br />
insurance, retirement, excellerit<br />
Bent ooportunilies. RepUes confi-<br />
2815.<br />
ATION—Willing to become expert<br />
{automation unit available. New<br />
» company needs you part time.<br />
become consultation expert as<br />
.nstall and service. No sales in-<br />
/rite giving brief description of<br />
iiilications. We will send you delional<br />
Automation Services, Box<br />
bfins, Minn. 55343.<br />
NG DIHECTOR. Must be heavy<br />
ng, promotion and group sales.<br />
_ knowledge of reserved seat<br />
Midwest area. RepUes conlidenresume<br />
to <strong>Boxoffice</strong>, 2817.<br />
MP ERS OH QUALIHED ASSISTANTS<br />
ipvig Maryland and Virginia circuit,<br />
^etme and photo to Theatres, 14504<br />
^c: Rd., aiver Spring, Md. 20904.<br />
f ,-E<br />
::2.<br />
MANAGERS WANTED. Growexcelient<br />
opportunities. Box-<br />
iTNG MANAGER. Opening for experson<br />
in multiple theatre comneast.<br />
Experience will ideally<br />
projection room and theatre mainzperience<br />
as well as managerial<br />
a. Salary to $12,000.00 depending<br />
ications. Advancement opporluconlidential.<br />
<strong>Boxoffice</strong>, 2821.<br />
SERVICES<br />
COMMUNICATIONS<br />
services<br />
theatre sound and projection<br />
Airway Communications for<br />
^curity systems, touchtone or<br />
telephone systems, intercoms,<br />
systems. For the best, call or<br />
/way Commxinications, lOOI LoucDrive,<br />
Kansas City, Mo. 54116.<br />
4-7666, 7667.<br />
i);<br />
SOUND PROJECTION<br />
WINTENANCE MANUAL &<br />
KOrHLY SERVICE BULLETINS<br />
TO BETTER SOUND REPRODUC-<br />
D PROJECTION—For exhibitors,<br />
:i7cuits, projectionists. Simplified<br />
IS on "how to repair projectors<br />
i ecjuipment." Automation Equip-<br />
Brenkert,<br />
W AND OLD Simplex,<br />
Ballcmlyne, Motiograph, .<br />
id Arc Lamps<br />
etc.<br />
. . . Generators<br />
. .<br />
tiers . . "Step-By-Step" service<br />
.<br />
/acuum Tube and Transistor ara-<br />
Speolcer Systems . . S:;reens<br />
3 . . . Optics, etc. . . . SCHE-<br />
SD DRAWINGS ... We keep<br />
>date on NEW developments in<br />
t every month ALSO,<br />
'<br />
SERVICE BULLETINS AND NEW<br />
OR YOUR LOOSE-LEAF MANUAL<br />
3th ior one year. Over 150 pages<br />
Locse-Leai Practical Manual<br />
^<br />
ONLY S9.95 in U.S.A., Conada.<br />
:cible and Authentic. Edited bv<br />
A".th 35 years of Exoerience; \h<br />
rhnical Editor the MODERN THEash.<br />
Check, or P.O. No CODs.)<br />
TROUT. EDITOR. Bass Bldg.. Box<br />
Oklahoma 73701.<br />
'ACE :: November 13, 1972<br />
MINI THEATHE PROJECTION SYSTEM.—<br />
Two 16mm JAN projectors, chcmgeovers,<br />
30 watt amplifier, lenses, reconditioned.<br />
List $2,795.00 a pair, now $995.00 pair.<br />
Why not buy the best? SK Film Equipment<br />
Co., Inc., 6340 SW 62nd Terrace, Miami,<br />
Fla. 33143.<br />
SIMPLEX XL's. SH lOOO's, LL3 bases,<br />
Magnarcs, etc. Factory fresh as new. The<br />
finest for your booth now. Write for our<br />
low quotes. Complete booths from $1,500 00<br />
up. SK Film Equipment Co., Inc., 6340 SW<br />
62nd Terrace, Miami, Fla. 33143.<br />
JUMPY PICTUHE. poor sound, noise,<br />
noise, noise. Get it fixed in a hurry. Dial<br />
(305) 661-9490. SK Film Equipment Co.,<br />
Inc.<br />
BEHNZ-O-MATIC IN-CAH HEATEHS. Exelusive<br />
factory authorized sales, service<br />
and parts. STANFORD INDUSTRIES, 311<br />
Waukegan Ave., Highwood, III. 60040.<br />
(312) 432-0444.<br />
THEATHE SPECIAL—Inventory reduction.<br />
Two I5mm lANs, changeover, 30 watt amplifier,<br />
dousers, excellent, $696.50. Send for<br />
free listing. HECHT, Box 443, Ellenville,<br />
N.Y. 12428.<br />
LIKE BRAND NEWl 16mm Victor Kalart,<br />
Model 70-15 projectors, $275.00 each,<br />
$495.00 pair. Independent Theatre Supply,<br />
2750 East Houston, San Antonio, Texas<br />
78202. Phone (512) 226-3508.<br />
DRIVE-IN SPEAKER CORDS. Heavy duty.<br />
Send for price Ust. Box 433, Oriska, North<br />
Dakota 580B3.<br />
EQUIPMENT WANTED<br />
USED EQUIPMENT bought and sold.<br />
Best prices. Texas Theatre Supply. 915<br />
So. Alamo, San Antonio, Texas 78205.<br />
3Smm PORTABLE PROJECTORS, USED.<br />
Bob Goodrich, 80 Market, Grand Rapids,<br />
Michigan 49502.<br />
ONE OR TWO used 16mm projectors for<br />
use in mini-theatre. Call betweet 7 & 10<br />
p.m. (517) 739-8188 or write Mini-Art Theatre,<br />
P. O. Box 463, Oscoda, Michigan<br />
48750.<br />
BUSINESS<br />
STIMULATORS<br />
BINGO CARDS, S5.75M, 1-75. Other<br />
aames available. Off-On screen. Novelty<br />
(3ames, 1263 Prospect Avenue. Brooklyn,<br />
New York. (212) 871-1460.<br />
Build attendance with real Hawaiian<br />
orchids. Few cents each. Write Flowers ol<br />
Hawaii, 670 S. Lafayette Place, Los Angeles,<br />
Calii. 90005^<br />
BINGO CARDS DIE CUT. 1-75, 1500<br />
Combination. Dillerent color, 500 in each<br />
package. $5.75 per thousand. Premium<br />
Products, 339 West 44th St., New York,<br />
N. Y., 10035. Phone: (212) CI B-4972.<br />
MARQUEES, SIGNS<br />
Designed, Engineered, Built, Erected,<br />
Maintained on Lease or purchase plan.<br />
BUX-MONT, Leasing and Maintenance.<br />
Horsham, Pa. (215) 675-1040.<br />
THEATRE REMODELING<br />
CINEMA DESIGNERS, INC., builders of<br />
contemporary theatres, can remodel your<br />
old theatre or build you a new one. C,omplete<br />
turnkey project. Write for free brochure;<br />
1245 Adams St., Boston, Mass.<br />
02124. (617) 298-5800.<br />
MISCELLANEOUS<br />
DON'T THROW ANYTHING AWAY .<br />
We buy movie posters, uncut pressbooks,<br />
stills, trailers, etc. Old—Current—Any<br />
Quantity. Also want set of door panels<br />
from "HELP." Cinema Attic, Box 7772, Philadelphia,<br />
Pa. 19101.<br />
HOUSE<br />
THEATRES WANTED<br />
Wanted to buy or lease: Indoor theatre<br />
in Metropolitan areas, population at least<br />
75,000. Contact; William Berger, Belle Plaza<br />
209, 20 Island Avenue, Miami Beach,<br />
na.<br />
WANTED TO BUY OR LEASE: Indoor or<br />
outdoor. Contact Mike Kutler, 1221 W. 6th<br />
St., Cleveland, Ohio 44113. (216) 621-4579.<br />
DRIVE-IN THEATRES WANTED! Boston<br />
based theatre circuit seeks to acquire<br />
drive-in theatres anywhere in U. S. TOP<br />
DOLLAR PAIDI Write <strong>Boxoffice</strong>. 2750.<br />
AMERICAN DRIVE-INS required. Bovilsky,<br />
34 Batson St., Glasgow, Scotland.<br />
WANTED: ADULT THEATRES! Drawing<br />
area of 250,000 or more. Anywhere. Top<br />
dollar paid. Write <strong>Boxoffice</strong>, 2818 or call<br />
(203) 229-2846.<br />
WANTED TO LEASE: Indoor in or<br />
around Pittsburgh, Pa. area. Top showman,<br />
best references. P. O. Box 185, Harrison<br />
City, Pa. 15636.<br />
THEATRES FOR SALE<br />
WE SELL THEATRES. Joe Joseph, Theatre<br />
Broker, P.O. Box 31406, Dallas 75231.<br />
Phone (214) 353-2724.<br />
BEAUTIFUL TWIN, each seating 300, located<br />
in the heart ol the fastest growing<br />
community in Kansas City. Simplex booth<br />
with automation. Excellent long term lease<br />
with renewal options. Both theatres completely<br />
equipped. Owner selling due to<br />
health. Coll or write: Bud Yates, 8447 West<br />
95th St., Overland Park, Kansas 66212.<br />
(913) 649-5588.<br />
INDOOR THEATRE downtown. For lease<br />
or sale. Luverne, Minnesota. Write NECOM<br />
Inc., Box 239, Northfield, Minnesota 55057.<br />
FOR SALEl Excellent adult theatre building<br />
in Moline, 111. Terrific value at $75,-<br />
000.00. Write Midwest Theatres, 8815 Sunset<br />
Blvd., Los Angeles, Ca. 90069 lor information.<br />
WEST TEXAS—600 seat indoor theatre.<br />
Dry climate, county seat, population 5500.<br />
Refrigerated air building and equipment,<br />
$20,000.00. <strong>Boxoffice</strong>, 2820.<br />
JUST REMODELED 560 seat theatre, plus<br />
five rental apartments, restaurant and real<br />
estate-insurance offices (all luUy occufjied)<br />
included in this choice Northern<br />
llinois county seat property located five<br />
miles from tmiversity (over 20,000 students).<br />
First run policy. $225,000.00 includes<br />
real estate. Principals only. CaU<br />
(312) 426-3112 a.m. only or write P. O.<br />
Box 56, Dundee, lU. 60118.<br />
500 SEAT FAMILY INDOOR for sale.<br />
Good condition. Currently profitable operation.<br />
Small Ohio town 50 miles from<br />
Cincinnati. County population 35,000.<br />
Realistic price and terms to suit buyer.<br />
Phone (513) 421-3474. Mr. Rehme.<br />
FILMS<br />
FOR SALE<br />
16inm FILMS. Postcard brings bargain<br />
list, ingo Films. P.O. Box 143. Scranton,<br />
Pa. 18504.<br />
FOR SALE: Full length, widescreen. color<br />
prints. Country Western features: TEN-<br />
ME?^SEE lAM'OREE
The Janus Films Collection,<br />
The hit of the New York Film Festival and now booking<br />
in<br />
major markets throughout the country.<br />
In the tradition of "Jules and Jim"<br />
"a gem from Truffaut" - New York Times.<br />
GmSl.<br />
a film V^in color by Fran9ois Truffaui'<br />
Two future film classics coming this winter.<br />
FROM ONE OF THE<br />
GREATEST FILMMAKERS,<br />
A MAJOR WORK OF ART<br />
Akira Kurosawa's Masterpiece<br />
The most honored Canadian film ever.<br />
"BEST PICTURE!<br />
BEST DIRECTOR!<br />
BEST SCREENPLAY!"<br />
—Canadian film Awards<br />
"BEST PICTURE!<br />
BEST SCREENPLAY!"<br />
-Chicago /nternational<br />
film Festival<br />
iwy.uNcU antoIne"<br />
A NATIONAL f IIM BOARD OF CANADA PRODUCTION OFCUUDE lUIRA'S FILM "MY UNCLE AN It<br />
Now available following Lincoln Center command performance<br />
eCCI^SE BERNARD SHAWS<br />
pyeMALiON<br />
The film on which MY FAIR LADY is based<br />
LESLIE LICWARC<br />
AND<br />
Vivien Lei^ and<br />
WCNEiy tilLLEK<br />
Claude Rains<br />
^^-^v,*. - ^<br />
Geotge Bernard 5hatA/&<br />
CAES^Rand<br />
CLEOIWRA<br />
Lauranea Olivar'a film of<br />
^^>^ William Shakaapaara'a<br />
-^'a<br />
III<br />
And a catalog of film classics that includes: "CITIZEN KANE," "THE RED SHOES,"<br />
"BLACK ORPHEUS," "KING KONG," "THE 39 STEPS," "JULES AND JIM,"<br />
"WILD STRAWBERRIES," and many others.