25.11.2014 Views

Rensil D'Silva: How to Make it in Bollywood Education in the Gulf ...

Rensil D'Silva: How to Make it in Bollywood Education in the Gulf ...

Rensil D'Silva: How to Make it in Bollywood Education in the Gulf ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

DIASPORA<br />

Indians <strong>in</strong> UK are a common sight, many<br />

reta<strong>in</strong> <strong>the</strong>ir cus<strong>to</strong>ms and hab<strong>it</strong>s just like<br />

<strong>in</strong> India. Pho<strong>to</strong> cred<strong>it</strong>: Nishi Sharma,<br />

Interserve & South Asian Concern.<br />

would happily open <strong>the</strong>ir s<strong>to</strong>re and<br />

serve <strong>the</strong>m w<strong>it</strong>h a smile.<br />

Indian-owned corner shops were<br />

an <strong>in</strong>st<strong>it</strong>ution as <strong>the</strong>y were open all<br />

hours and attracted ma<strong>in</strong>ly Indian<br />

cus<strong>to</strong>mers and also some English.<br />

The major <strong>to</strong>p name super-s<strong>to</strong>res<br />

were watch<strong>in</strong>g <strong>the</strong>m <strong>in</strong> awe as<br />

<strong>the</strong>y attracted bus<strong>in</strong>ess. Even <strong>the</strong>y<br />

decided <strong>to</strong> jo<strong>in</strong> <strong>in</strong> <strong>the</strong> compet<strong>it</strong>ion<br />

by keep<strong>in</strong>g <strong>the</strong>irs open all hours.<br />

Pr<strong>in</strong>ce Charles, <strong>the</strong> Pr<strong>in</strong>ce of<br />

Wales, paid a tribute <strong>to</strong> <strong>the</strong> Indianowned<br />

corner shops by say<strong>in</strong>g<br />

<strong>the</strong>y had revolutionised Br<strong>it</strong>a<strong>in</strong>’s<br />

shopp<strong>in</strong>g system.<br />

By us<strong>in</strong>g <strong>the</strong>ir clout for bulkbuy<strong>in</strong>g<br />

and lower prices <strong>to</strong><br />

<strong>the</strong>ir cus<strong>to</strong>mers <strong>the</strong> super s<strong>to</strong>res<br />

succeeded <strong>in</strong> rout<strong>in</strong>g <strong>the</strong> small<br />

corner shops which have been<br />

clos<strong>in</strong>g <strong>in</strong> <strong>the</strong> current economic downturn. But his<strong>to</strong>ry is a<br />

w<strong>it</strong>ness <strong>to</strong> how <strong>the</strong>se small Indian shopkeepers taught <strong>the</strong><br />

giants that qual<strong>it</strong>y service attracts cus<strong>to</strong>mers.<br />

Today Indian shops s<strong>to</strong>ck virtually everyth<strong>in</strong>g<br />

produced <strong>in</strong> India complete w<strong>it</strong>h labels <strong>in</strong> H<strong>in</strong>di, Urdu,<br />

Punjabi, Bengali, Gujarati and o<strong>the</strong>r Indian languages.<br />

While shopp<strong>in</strong>g <strong>in</strong> <strong>the</strong>se s<strong>to</strong>res sometimes one virtually<br />

forgets that <strong>the</strong>y are shopp<strong>in</strong>g <strong>in</strong> a s<strong>to</strong>re on Br<strong>it</strong>ish soil<br />

and not <strong>in</strong> Mumbai. Every summer mangoes imported<br />

from India and Pakistan are <strong>in</strong> popular demand as are<br />

o<strong>the</strong>r fru<strong>it</strong>s and vegetables flown from <strong>the</strong>re.<br />

As <strong>the</strong> commun<strong>it</strong>y settled, <strong>the</strong>ir social needs also<br />

grew. London lacked a radio station offer<strong>in</strong>g Indian<br />

music.<br />

It was a great day when London Broadcast<strong>in</strong>g<br />

Corporation (LBC) teamed up w<strong>it</strong>h Indian broadcasters<br />

<strong>to</strong> launch Geetmala, a weekly enterta<strong>in</strong>ment<br />

programme. It was presented by Chaman Lal Chaman,<br />

a well known Indian broadcaster from Kenya and produced by Suresh<br />

Joshi. LBC’s Ke<strong>it</strong>h Belcher was cred<strong>it</strong>ed w<strong>it</strong>h allow<strong>in</strong>g Geetmala <strong>to</strong><br />

come <strong>to</strong> fru<strong>it</strong>ion. That programme became a firm fixture w<strong>it</strong>h thousands<br />

of Indian listeners.<br />

Geetmala ended <strong>it</strong>s run a few years later, but this proved <strong>the</strong>re was<br />

a need for radio stations offer<strong>in</strong>g Indian programmes. O<strong>the</strong>r radio<br />

stations followed.<br />

There were several pirate radio stations run by various ethnic<br />

commun<strong>it</strong>ies, which were raided and closed down by <strong>the</strong> Home Office,<br />

<strong>the</strong> Government author<strong>it</strong>y. They rose aga<strong>in</strong> until <strong>the</strong> author<strong>it</strong>ies realised<br />

<strong>the</strong>y had <strong>to</strong> cater for Br<strong>it</strong>a<strong>in</strong>’s<br />

ethnic m<strong>in</strong>or<strong>it</strong>y commun<strong>it</strong>ies and<br />

<strong>the</strong> best way <strong>to</strong> regulate <strong>the</strong>m was<br />

<strong>to</strong> licence <strong>the</strong>m.<br />

Sunrise Radio was born out of<br />

such a creation. It has prospered<br />

w<strong>it</strong>h <strong>the</strong> creation of several radio<br />

stations and a small slice of<br />

satell<strong>it</strong>e broadcast<strong>in</strong>g.<br />

It is now very easy <strong>to</strong> set<br />

up a commercial Asian radio<br />

station. All you need is money<br />

and a set of very sound reasons <strong>to</strong><br />

conv<strong>in</strong>ce <strong>the</strong> Home office <strong>to</strong> grant<br />

a broadcast<strong>in</strong>g licence.<br />

Meanwhile, BBC TV’s<br />

erstwhile Nayi Z<strong>in</strong>dagi Naya<br />

Jeevan was also on <strong>it</strong>s last legs.<br />

It had served <strong>it</strong>s purpose (and<br />

bored <strong>it</strong>s audiences thoroughly).<br />

BBC TV <strong>in</strong> Birm<strong>in</strong>gham started<br />

Indian cus<strong>to</strong>mers are often attracted <strong>to</strong> <strong>the</strong> paan shop<br />

where <strong>the</strong>y not only enjoy this favour<strong>it</strong>e <strong>it</strong>em but also<br />

congegrate socially and exchange gossip.<br />

revamp<strong>in</strong>g <strong>it</strong>self and <strong>it</strong>s Asian<br />

Un<strong>it</strong> looked at different ways<br />

<strong>to</strong> develop programmes for <strong>the</strong><br />

grow<strong>in</strong>g Indian, Pakistani and<br />

o<strong>the</strong>r Asian commun<strong>it</strong>ies. ITV<br />

also jumped on <strong>the</strong> bandwagon<br />

w<strong>it</strong>h <strong>it</strong>s own programmes for<br />

Asian and Black viewers.<br />

For Asian viewers, Eastern Eye<br />

was broadcast under <strong>the</strong> watch of<br />

Indian broadcaster Samir Shah<br />

and a team that once <strong>in</strong>cluded <strong>the</strong><br />

famous Karan Thapar, Narendra<br />

Morar, Ziaudd<strong>in</strong> Sardar, Shyama<br />

Perera and Aziz Kurtha. I worked<br />

for Samir Shah on a series of<br />

programmes.<br />

For Afro-Caribbean viewers,<br />

<strong>the</strong>re was Black on Black under<br />

<strong>the</strong> watchful eye of <strong>the</strong> highly<br />

respected broadcaster, Trevor<br />

Philips, who is <strong>to</strong>day <strong>the</strong> chairman<br />

of Br<strong>it</strong>a<strong>in</strong>’s Commission for<br />

Racial Equal<strong>it</strong>y.<br />

These programmes ended<br />

<strong>the</strong>ir run after a few years.<br />

While BBC and ITV<br />

controlled <strong>the</strong> terrestrial airwaves<br />

for many years, <strong>the</strong>re was ample<br />

market for cable and satell<strong>it</strong>e TV.<br />

The arrival of Zee TV and<br />

Sony TV revolutionised <strong>the</strong><br />

entire Indian media scene.<br />

Now, viewers <strong>in</strong> <strong>the</strong> UK enjoy<br />

whatever is be<strong>in</strong>g shown on <strong>the</strong>se<br />

channels <strong>in</strong> India. W<strong>it</strong>h a wide<br />

array of programmes <strong>to</strong> choose<br />

from, <strong>the</strong>se TV networks have<br />

actually brought India <strong>in</strong><strong>to</strong> <strong>the</strong><br />

liv<strong>in</strong>g rooms of Br<strong>it</strong>ish Asians.<br />

Apart from <strong>the</strong>se two networks,<br />

Star TV, Star Plus, BFU, Zee<br />

Music and a wide array of o<strong>the</strong>r<br />

channels such as Vectrone, Alpha<br />

Punjabi, Zee Gujarati, have set<br />

<strong>the</strong> media scene ablaze <strong>in</strong> Br<strong>it</strong>a<strong>in</strong>.<br />

In many Asian households,<br />

terrestrial TV channels such as<br />

<strong>the</strong> BBC and ITV have long<br />

been ignored as <strong>the</strong>re is great<br />

enthusiasm <strong>to</strong> watch Indian soaps<br />

and films every day.<br />

Added <strong>to</strong> this is <strong>the</strong><br />

plethora c<strong>in</strong>ema houses such<br />

as C<strong>in</strong>eworld, Himalaya and<br />

various o<strong>the</strong>r <strong>the</strong>atres offer<strong>in</strong>g<br />

latest Indian film releases.<br />

So, far away from home,<br />

people still feel at home <strong>in</strong> Br<strong>it</strong>a<strong>in</strong><br />

th<br />

16<br />

ANNI V ERSARY<br />

w<strong>it</strong>h a wide variety of choice.<br />

Alas, <strong>the</strong> same cannot be said of newspapers for <strong>the</strong> Asian<br />

commun<strong>it</strong>y.<br />

The pr<strong>in</strong>t media, which first started revolutionis<strong>in</strong>g coverage of<br />

Indian events has long been left beh<strong>in</strong>d.<br />

There have been household names, as India Weekly (where I worked<br />

as an assistant edi<strong>to</strong>r <strong>in</strong> <strong>the</strong> 1970s), Eastern Eye, Asian Voice, Garavi<br />

Gujarat, Gujarat Samachar, Asian Trader, Des Pardes, Nav<strong>in</strong> Weekly<br />

and a variety of o<strong>the</strong>r language newspapers and magaz<strong>in</strong>es offer<strong>in</strong>g a<br />

regular diet of news from back home.<br />

The newspapers and magaz<strong>in</strong>es used <strong>to</strong> have a good readership<br />

base at one time but nowadays, apart from first generation Indians who<br />

enjoyed a good read, a lot of <strong>the</strong>se have now crossed <strong>the</strong> floor <strong>to</strong> Indian<br />

TV and radio channels.<br />

The late Chottu Karadia, edi<strong>to</strong>r of <strong>the</strong> weekly current affairs<br />

magaz<strong>in</strong>e, Asian Post, once said sardonically: “Asians simply do not<br />

read! Why don’t our Asians read newspapers?”<br />

The magaz<strong>in</strong>e was los<strong>in</strong>g sales and consequently, advertis<strong>in</strong>g<br />

revenue. Asian newspapers have depended very strongly on local<br />

government advertis<strong>in</strong>g<br />

and a band of loyal<br />

readers. Both of <strong>the</strong>se<br />

have been dw<strong>in</strong>dl<strong>in</strong>g<br />

<strong>in</strong> recent years, mak<strong>in</strong>g<br />

enterpris<strong>in</strong>g Indian<br />

publishers live on<br />

precarious budgets.<br />

The future for <strong>the</strong><br />

Indian owned pr<strong>in</strong>t<br />

media is not very strong.<br />

Radio and TV have a<br />

future here, though,<br />

<strong>the</strong> Chief Executive<br />

of Sunrise Radio once<br />

lamented on air, that<br />

while Indian traders s<strong>to</strong>cked Coca Cola <strong>in</strong> <strong>the</strong>ir shops and s<strong>to</strong>res, <strong>the</strong><br />

mult<strong>in</strong>ational did not see <strong>it</strong> f<strong>it</strong> <strong>to</strong> advertise <strong>it</strong>s brands on his radio station.<br />

Ugandan Asians head<strong>in</strong>g <strong>in</strong><strong>to</strong> force exile by Idi Am<strong>in</strong><br />

That perhaps, says a lot about <strong>the</strong> bus<strong>in</strong>ess of publish<strong>in</strong>g for <strong>the</strong><br />

Indian commun<strong>it</strong>y <strong>in</strong> <strong>the</strong> Un<strong>it</strong>ed K<strong>in</strong>gdom.<br />

Shamlal Puri is a veteran Br<strong>it</strong>ish journalist, broadcaster, author<br />

and press pho<strong>to</strong>grapher. He has worked w<strong>it</strong>h <strong>the</strong> media <strong>in</strong> Europe,<br />

Africa, Asia and <strong>the</strong> Middle East. His latest novel ‘Salik or No<br />

Salik? Welcome <strong>to</strong> Dubai! Tales of Taxi Drivers’ will be released<br />

around <strong>the</strong> world, <strong>in</strong>clud<strong>in</strong>g Dubai, <strong>in</strong> 2010.<br />

He has travelled <strong>to</strong> more than 100 countries <strong>in</strong> an illustrious<br />

journalistic career spann<strong>in</strong>g 30 years. His work has been published <strong>in</strong><br />

more than 250 magaz<strong>in</strong>es, newspapers and journals around <strong>the</strong> world.<br />

60<br />

The International Indian<br />

The International Indian 61

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!