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Fall 2007 - United States Lipizzan Federation

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By Judith Tarr, Vail, AZ<br />

<strong>Lipizzan</strong> owners are always looking<br />

for tack and training equipment that will<br />

fit their Baroque “masterpieces.” Recently<br />

on the Yahoo! <strong>Lipizzan</strong>er group, members<br />

engaged in a lively discussion of longeing<br />

cavessons, and specifically the type used by<br />

the Spanish Riding School.<br />

Most cavessons sold in the <strong>United</strong><br />

<strong>States</strong> are either a “longeing halter” made<br />

of nylon webbing, or a leather or nylon<br />

headstall with a jointed metal piece over the<br />

nose. Usually the halter has three dee rings<br />

attached to the lightly padded noseband.<br />

It is not designed to fit snugly and there is<br />

no significant amount of control. It doesn’t<br />

do much but allow the horse to run around<br />

with the longeline attached to the top of his<br />

nose rather than underneath.<br />

The more elaborate version offers<br />

considerably more control, thanks to the<br />

metal nosepiece (padded with leather<br />

or nylon to prevent damage to the skin),<br />

but it can be difficult to find one that fits<br />

properly. In my experience, most of these<br />

cavessons are designed for a long, narrow<br />

head. Our <strong>Lipizzan</strong>s, with their deep, wide,<br />

relatively short heads and convex noses,<br />

just don’t fit the template. The cheek straps<br />

end up sliding into the horse’s eye, and the<br />

nosepiece rotates excessively, which makes<br />

precise longeing difficult to say the least.<br />

The Spanish Riding School uses a<br />

different kind of cavesson. The nosepiece is<br />

an open V of solid metal covered with light<br />

leather padding. There is no browband,<br />

although there is a jaw strap that keeps<br />

the cheek pieces from slipping up into the<br />

horse’s eyes. The new Spanish Riding School<br />

line from Albion, sold also by Dover Saddlery,<br />

offers this cavesson for a not-inconsiderable<br />

price, complete with imprimatur from the<br />

SRS itself.<br />

There are numerous other sources of<br />

this style of cavesson, most manufactured<br />

in Spain and Portugal. Sites recommended<br />

by list members include The Iberian<br />

Connection, http://www.iberianconnection.<br />

com/spanish-harness.html#halters and<br />

Ruitersport, http://www.animoruitersport.<br />

nl/portserretadetail.htm. Their products<br />

may be referred to as “training halters” or<br />

“serretas,” and are the same design as that<br />

of the SRS, with the solid nosepiece and<br />

the three rings over the nose. Most have a<br />

browband, but this can be removed. A few<br />

have attachments for the bit.<br />

The solid nosepiece offers superior<br />

precision and control, without being<br />

actively coercive. It is a powerful and precise<br />

piece of equipment, designed for controlling<br />

26 - USLR News <strong>Fall</strong>, <strong>2007</strong><br />

A Cavesson for All Seasons<br />

Pluto Carrma III (aka “Pooka”), models his cavesson.<br />

stallions. It is also lighter and easier to fit<br />

than the usual design of leather cavesson.<br />

The problem I ran into personally<br />

was that the standard size is still too<br />

long or large for two of my <strong>Lipizzan</strong>s<br />

who have exceptionally short, wide, deep<br />

heads. For that reason I went looking<br />

for a custom version, preferably for an<br />

affordable price, and found one offered<br />

by a lady from Portugal: http://www.<br />

enlightenedequitation.com/public/<br />

featured_maria.html .<br />

Maria Manuel Bringel works with a<br />

saddler to make tack and equipment for<br />

the Baroque horse. Her prices are extremely<br />

reasonable, and most important for me, her<br />

products can be made to measure for no<br />

additional cost.<br />

Like other list members who purchased<br />

this cavesson, I found it quite nice for the<br />

price (low enough that if you have several<br />

different horses of widely varied sizes, you<br />

can get several for the price of one Albion/<br />

SRS model), very functional, and of course<br />

made to measure. Like many other Spanish<br />

and Portuguese bridles and halters, the<br />

cavesson has large, square buckles that<br />

some members found “annoying” or difficult<br />

to manipulate. They recommend taking<br />

the cavesson to a saddler and having the<br />

buckles replaced – my preference, when I<br />

do this, will be for roller buckles. But since<br />

I have a custom-fitted, nicely designed<br />

cavesson for under $100 including shipping, I<br />

don’t find this to be too much of a problem.<br />

The last word of course goes to the<br />

horses. My mares find the cavesson a little<br />

bit strong – they slightly prefer the jointed<br />

metal nosepiece of the old Cottage Craft.<br />

One of them, who is much larger than the<br />

others, has too long a head for the custom<br />

cavesson, which I had made to measure for<br />

the stallion and his full sister, but it does<br />

fit her over the nose. (Some list members<br />

remarked that very wide-nosed <strong>Lipizzan</strong>s<br />

may need another model, or recommended<br />

taking the nosepiece to a blacksmith or<br />

metalworker and having it reshaped.)<br />

My stallion, however, loves this<br />

cavesson. The jointed nosepiece of the more<br />

familiar style of cavesson makes him fussy,<br />

and the Cottage Craft was slightly too large<br />

for him all around, except for the browband<br />

–he’s very wide across the forehead. He<br />

clearly likes the quiet control of the serreta,<br />

responds softly to it and does not pull or<br />

fight when I apply pressure. He respects<br />

it without feeling the need to challenge it<br />

– not a trivial issue for a stallion. So for him<br />

it’s a win, and we are happy.<br />

Judith Tarr breeds and trains <strong>Lipizzan</strong><br />

horses at her Dancing Horse Farm near<br />

Tucson, AZ.<br />

She writes, avidly and eloquently, about<br />

what she loves – her white horses! She can<br />

be contacted at capriole@gmail.com

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