Vol. VI No. 1 - Modernist Magazines Project
Vol. VI No. 1 - Modernist Magazines Project
Vol. VI No. 1 - Modernist Magazines Project
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THE BERMONDSEY BOOK<br />
can give him is to publish three of his poems in this number of the<br />
BERMONDSEY BOOK.]<br />
As yours is one of the friendliest magazines that I have ever come across,<br />
I thought that you might be kind enough to give me a little friendly advice.<br />
If you can I will really be most grateful; if you can't, I won't be in any way<br />
offended.<br />
The position is this. I am seventeen and a half and have been doing my<br />
best to write poetry for the last two years—not quite as a hobby or just an<br />
amusement, but because I honestly hope to be able to write it well in the<br />
future, and also it seems to me to be the most natural way of "letting off<br />
steam" on any subject. I suppose thousands of people have felt the same,<br />
carried on writing for a while, and then dropped it as they would golf or<br />
tennis or any other game or hobby; but I feel that I can't and I really want<br />
to make some progress in it.<br />
But progress is impossible without criticism and it's criticism that I've so<br />
far failed to get. One or two friends, of course, and the English masters at<br />
school have helped me, and it has been very good of them to do so, but on<br />
the whole they've simply said: "Oh, how nice," and left it at that.<br />
Mr. Garrod, the Professor of Poetry at Oxford, showed one of my poems<br />
to Humbert Wolfe when he lectured at Merton about a year ago; but he<br />
gave no criticism except for writing me a small note (I thought it ripping<br />
of him to take the trouble) saying that the technique of the piece was<br />
quite good.<br />
I have also sent pieces to magazines such as the Observer, Spectator and<br />
Argosy, partly to try to get them into print, but mainly in the hope of getting<br />
some criticism. They have all come back, of course, with varying swiftness,<br />
but what is worse they have come back uncriticised, and I am still left in<br />
the dark.<br />
All this is probably the most self-centred trash that you've ever seen<br />
written, and I'm sorry; but I'm going to impose on you still further. I have<br />
enclosed a few of my short poems; do you think you could give me some<br />
criticism of them? it would be a tremendous help to me and I should be most<br />
sincerely grateful to you. If not, could you give me any suggestion of where<br />
I could obtain such criticism?<br />
To ask for a lot and give not a scrap in return must seem unfair to you;<br />
but, as I said, I rely upon your friendliness.<br />
Yours,<br />
R. GITTINGS.<br />
* * *<br />
"HOUSES FOR NOTHING"<br />
In these days of industrial depression and severe economic pressure, to<br />
speak of getting a brand new house, with up-to-date bath-room, and electric<br />
light, free of charge, sounds somewhat ridiculous, does it not?