The Nervous System - Department of English and Comparative ...
The Nervous System - Department of English and Comparative ...
The Nervous System - Department of English and Comparative ...
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<strong>The</strong> <strong>Nervous</strong> <strong>System</strong><br />
Homesickness & Dada<br />
difficult delivery the 'soul 1 <strong>of</strong> the uterus has led astray all the 'souls' belonging<br />
to other parts <strong>of</strong> the body. Once these souls are liberated, the soul <strong>of</strong> the<br />
uterus can <strong>and</strong> must resume cooperation.<br />
Can <strong>and</strong> must!<br />
This metaphysic <strong>of</strong> order is pursued with relentless vigor. Where he<br />
introduces the argument that the laboring woman becomes incorporated<br />
into what he calls the myth <strong>of</strong> the shaman's song, for instance, Levi-Strauss<br />
characterises the Cuna world as one in which the spirits <strong>and</strong> the monsters<br />
<strong>and</strong> the magic "are all part <strong>of</strong> a coherent system on which the native<br />
conception <strong>of</strong> the universe is founded."<br />
Given the ethnography available<br />
this is pure supposition, dogma, with immense consequences, allowing Levi-<br />
Strauss to come down pretty hard on what he calls incoherence identified<br />
no less than as alien, the enemy <strong>of</strong> meaning, <strong>and</strong> the sign <strong>of</strong> pain. It's as if<br />
some Natural Law has been transgressed, bringing into natural reaction the<br />
soothing harmonies <strong>of</strong> the (Holy) Whole. He assures us that whereas the<br />
sick woman accepts (or at least has never questioned) the existence <strong>of</strong> the<br />
mythical beings that make up this "coherent system," what she does not<br />
accept "are the incoherent <strong>and</strong> arbitrary pains, which are an alien element<br />
in her system but which the shaman, calling upon the myth will re-integrate<br />
within a whole where everything is meaningful."<br />
Structure itself becomes<br />
a magical operator, not for the Indians but for their analyst restructuring<br />
the disordered body <strong>of</strong> Woman, as where he writes:<br />
<strong>The</strong> shaman provides the sick woman with a language by means <strong>of</strong> which<br />
unexpressed, <strong>and</strong> otherwise inexpressible, psychic states can be immediately<br />
expressed. And it is the transition to this verbal expression-—at the<br />
same time making it possible to undergo in an ordered <strong>and</strong> intelligible<br />
form a real experience that would otherwise be chaotic <strong>and</strong> inexpressible—which<br />
induces the release <strong>of</strong> the physiological process, that is, the<br />
reorganization, in a favorable direction, <strong>of</strong> the process to which the sick<br />
woman is subjected.<br />
Everything hinges on this question <strong>of</strong> order. And what's really crucial is<br />
that the order <strong>of</strong> meaning has to hook up with the wisdom <strong>of</strong> the body, its<br />
spontaneous <strong>and</strong> unconscious physical order. "Here too it is a matter <strong>of</strong><br />
provoking an experience," writes Levi-Strauss. "As this experience becomes<br />
structured, regulatory mechanisms beyond the subject's control are set into<br />
motion <strong>and</strong> lead to an orderly functioning."<br />
This naturalizing <strong>of</strong> "structure" pin-points the target <strong>of</strong> the analysis; the<br />
demonstration that it is this ordering <strong>of</strong> order by Saussurian Structure which<br />
transmutes myth into physiologic health. This not only explains the (alleged)<br />
efficacy <strong>of</strong> the song, but effectively universalizes Structuralism <strong>and</strong> the<br />
metaphysics <strong>of</strong> Order. Comparing the Cuna shaman's chant with psychoanalysis,<br />
Levi-Strauss writes:<br />
It would be a matter, either way, <strong>of</strong> stimulating an organic transformation<br />
which would consist essentially in a structural reorganization, by inducing<br />
the patient intensively to live out a myth—cither received or created by<br />
him—whose structure would be, at the unconscious level, analogous to<br />
the structure whose genesis is sought on the organic level. <strong>The</strong> effectiveness<br />
<strong>of</strong> symbols would consist in this "inductive property," by which formally<br />
homologous structures, built out <strong>of</strong> different materials at different levels<br />
<strong>of</strong> life—organic processes, unconscious mind, rational thought arc re-<br />
1 V "48<br />
lated to one another.<br />
Here, then, is the transcendant claim for the supremacy <strong>of</strong> a metaphysic<br />
<strong>of</strong> Order. By a process surely no less mysterious than the magic it purports<br />
to explain, all <strong>of</strong> life is encompassed by "inductive properties" cascading<br />
through "homologous structures" in the body as much as in mind <strong>and</strong><br />
culture.<br />
What makes this Cuna analysis so important is not that it successfully<br />
demonstrates the role <strong>of</strong> a purported "structuralism" in the cure <strong>of</strong> a bodily<br />
problem, but that the demonstration itself reveals a lust for order as the<br />
movement <strong>of</strong> the phallus in its shamanic Hightpath along the vagina to the<br />
womb as telos. Akin to Turner's mimetic recruitment <strong>of</strong> the dead hunter's<br />
incisor's tooth to prove the underlying existence <strong>of</strong> British social structure in<br />
Africa, so here Levi-Strauss piggy-backs on Indian magic to prove the<br />
underlying existence <strong>of</strong> French structuralism in the New World.<br />
<strong>The</strong> Representational Bleed<br />
What I am concerned to argue here is not only the important point <strong>of</strong><br />
rhetoric, that the vaginal staging grants dramatic power to Levi-Strauss s<br />
demonstration, <strong>and</strong> that this demonstration becomes in turn an almost<br />
wilfully iconic performance <strong>of</strong> Western phallologoccntrism, but that we have<br />
to radically rethink what it means to take an example or use some concrete<br />
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