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NATIONAL EXECUTIVE EDITION • FEBRUARY 19, 1973<br />

Including the Sectional News Pages of All Editions<br />

/he TuAe e^ im Motion. T


^Wi<br />

.mr%'^^'<br />

f*<br />

lice to be Uhderstodd.<br />

"!0, Box 5086. Dallas. Texas 75225,


1 lege<br />

—:<br />

THE NATIONAL FILM WEEKLY<br />

Publishtd In Nine Sectional Editions<br />

BEN SHLYEN<br />

Editor-in-Chief and Publisher<br />

ESSE SHLYEN Manijing Editor<br />

lYD CASSYD Western Editor<br />

(ORRIS SCHLOZMAN ..Business Mgr.<br />

'ubiication Offices: 825 Van Brunt Blvd..<br />

Kansas City, JIo. 64124. Ben ShljeD.<br />

'ubiisber: Jesse Sblyen. Managing Editor:<br />

ilorris Schlozraan. Business Manager.<br />

816) 241-77--.<br />

ditorial Offices: 1270 Avenue o( tbe<br />

imerlcas. Suite 2403, llocketeller Center.<br />

Jew York. N.Y. 10020. (212) 265-6370.<br />

Vestern Offices: 6425 Hollywood Blvd.<br />

lulte 211, Hollywood. Calif., 90028. Syd<br />

:ass.vd. (213) 465-1186.<br />

jjndon Office—.\nlhony Gruner, 1 Woodlerry<br />

Way. Fincliley, N. 12. Telepbone<br />

liilside 6733.<br />

THE MODEIIN THE.MItB Section Is<br />

ncluded in one issue each month.<br />

klbany: Theodore L. Molsldes, 290 Delavvure<br />

122U2.<br />

llbuquerque: Chuck Mlttlestadt, Bol<br />

8514. Station C.<br />

Uiahta: Genevieie Camp, 166 Lindbergh<br />

Drive, N.E. 30305.<br />

ialtimore: Ivale Savage, 3607 Spriogdale<br />

Ate., 21216.<br />

ioston: Ernest Wairen, 1 Colgate Road,<br />

Needhara, Mass. 02192.<br />

;harlutte: Blanche Carr, 912 E. Park Ave,<br />

bioago: Frances B. Qow, 920 N. Michigan<br />

Ave., 60611., (312) 787-3972.<br />

:incinnali: Frances Ilanford, 3433 CIUtoo<br />

Ave. 45220. Telepbone 221-8654.<br />

Meveland: Lois Baumoel, 15700 Van Aken<br />

Blvd., Shaker Heights, Ohio 44120.<br />

Columbus: Fred Oestreicher, 47 W. Tnlane<br />

ltd., 43202.<br />

)allas; Mable Guinan, 5927 WInton.<br />

lenver: Bruce Marshall, 2881 8. Cherry<br />

Way 80222.<br />

)es Moines: Josephine Korte, 3024 52nd<br />

St., 50310.<br />

Ictroit; Vera Phillips, 131 Elliott St.,<br />

West, Windsor, Ont. N8Y IN4. Telephone<br />

(1-519) 256-0891.<br />

lartford: Allen M. Widcm, 30 Pioneer<br />

lirlve, W. Hartford 06117 232-3101.<br />

1<br />

acksonville: liobert Cornivall, 3233 Col-<br />

St., 32205. Tele. (904) 396-<br />

4845.<br />

leniphls: Faye T. Adams. 3041 Kirkcaldy<br />

Road 38128. 357-4562.<br />

liami: Mariha Liimmiis. 622 N.E. 98 St.<br />

Illvraukee: Wally L. Meyer, 3453 North<br />

15th St., 63206. LOeust 2-6142.<br />

IIlTine:ipolls: Bill Diehl, St. Paul Dispatch.<br />

63 E. 4th St., St. Paul. Minn.<br />

few Orleans: Mary Greenbaum, 2303<br />

Mendez St. 70122.<br />

klahoma aty: Eddie L. Greggs. 1106<br />

N.W. 37th St., Oklahoma City, Okla.<br />

73118. Telepbone (405) 525-5734.<br />

imaha: Samuel H. Stern. 1223 Mavtleld<br />

Ave., 68132. Tele. (402) 553-4066.<br />

Ittsbiirgh; R. F. Kllngensmith, 516<br />

Jeanetle, Wllkhisburg 15221. Telephone<br />

412-241-2809.<br />

'ortland. Ore.: Arnold Marks, Journal<br />

t. Louis: Myra Stroud, 4950 Oleatba<br />

63139. VE 2-3494.<br />

«n Antonio: Gladys Candy, 619 Cincinnati<br />

Ave. 78201.<br />

an Francisco: Walt von naiiffe, 3360<br />

Geary Blvd., Suite 301, 387-8626.<br />

Washington: Virginia II. Collier, 6112<br />

Connecticut Ave., N.W. B»I 2-0892.<br />

IN CANADA<br />

Ugary: Maiine McBean, 3811 Edmonton<br />

Trail N.E.<br />

lontreal: Tom Cleary, Association Des<br />

Proprletalres Du Quebec, Ine., 3720<br />

Van Home, Suite 445, 249. Tele. 738-<br />

2715.<br />

Itaua: Wm. Gladlsh, 75 Belmont Ave.<br />

oronto: J. W. Agnew, 274 St. John's Rd.<br />

'ancouver: Jimmie Davie, 3245 W. 12th.<br />

rinnlpeg: Robert Uucal, 600-232 Portage<br />

Ave.<br />

Member Audit Bureau of Circulations<br />

'ublishcd weekly, except one issue at<br />

earend. by Associated Publications, Inc..<br />

15 Van Brunt Blvd., Kansas City, MIsliri<br />

64124. Subscription rates: Sectional<br />

lition. $10.00 per year; foreign $15.00.<br />

atlonal Executive Edition, $15.00: forgn<br />

$20.00. Single Copy 50c. Second<br />

ass postage paid at Kansas City, Mo.<br />

EBRUARY 19, 1973<br />

ol. 102 No. 19<br />

IT is<br />

OUT OF THE EDITOR'S MAILBAG<br />

interesting to compare two parallels<br />

and see where they have led<br />

us. TV and the movies. And TV and<br />

NFL Football. We all know the story<br />

of the first. Movies were sold to TV<br />

with caution in the 1950s. One company<br />

voluntarily gave a five-year<br />

clearance before it allowed anything<br />

to be sold to the tube. Then in the<br />

1960s, release time vs. TV premiere<br />

crept up. Now you better have played<br />

it six months after release, if you want<br />

to be sure of being ahead of TV. Who's<br />

going out to the movies, if they can<br />

see a fairly recent one on television<br />

FREE?<br />

I love to watch football games as<br />

well as the next guy. But consider the<br />

problem of an NFL team owner. He<br />

has something to sell. Yet, some legislators<br />

want to pass a law allowing the<br />

100-mile TV blackout to be lifted.<br />

Everyone could see "home games."<br />

Most owners feel this would be hard<br />

on their teams both financially and<br />

morale-wise. Who's going to go to the<br />

cold ball park when they can sit in the<br />

comfort of their own homes and watch<br />

a FREE game?<br />

Get the point? It all adds up to this<br />

Movies are for theatres. Football<br />

games are for stadiums. And television<br />

should be for education, news and specials.<br />

Let them produce their own<br />

thing.<br />

I consider myself fortunate to be<br />

associated with a pioneer exhibitor<br />

from a small town. I lease the theatre<br />

from him. Believe me, were it not for<br />

some love of the business, I would be<br />

long gone. For I couldn't make a living<br />

at the theatre only. It is just a sideline<br />

with us. All we do is try to survive from<br />

one week to the next. We keep it going<br />

just to keep it going. After all, what<br />

kind of town is it, if it doesn't have a<br />

theatre?<br />

If there is going to be a comeback of<br />

the industry, it is Hollywood that better<br />

get going. Give up your practice of<br />

selling top movies to TV. Make people<br />

go to the theatre to see them. Start<br />

selling pictures again. Give us some<br />

tools to work with. Stop your gouging<br />

and give theatres fair rental deals.<br />

Think of all the towns that could reopen<br />

if rental terms were fair.<br />

I remember going in to the exchanges<br />

in the good old days. They<br />

were a beehive of activity. I was exhilarated<br />

with the thought of making<br />

a deal and fighting for some early<br />

dates. Now, if you go into an exchange<br />

(if yours is still open) it's more like a<br />

morgue than anything else.<br />

Let's turn things around! I don't<br />

want to be in a dying industry!<br />

DAVID CHVATAL<br />

State Theatre<br />

Spring Valley, Minn.<br />

P.S. The theatre is owned by Joseph<br />

Milnar, who came here in 1925 and<br />

ran it about 40 years. It has 300 seats<br />

and the town population is 2,500.<br />

Find enclosed an alarming clipping!<br />

I have just built and opened the Bijou<br />

theatre in my hotel, thus putting me<br />

back in exhibition again. Welcome<br />

home brother! We are not showing<br />

free movies! (But the University of<br />

Colorado is). This is far more of a<br />

threat than lack of orderly release,<br />

TV, saturation, or what have you.<br />

Now the public can avoid commercials,<br />

go out some place, have a ball,<br />

and it is all FREE! My God! If you<br />

have ever done anything about anything.<br />

If you have ever pulled out the<br />

stops and really screamed. If you have<br />

ever editorialized. If you have ever<br />

used what remaining influence remains<br />

with a trade paper. If you have<br />

ever had nightmares. This would be<br />

it!<br />

DO SOMETHING!<br />

I have a little doll of a 50-seat luxury<br />

house with beautiful appointments,<br />

picture, sound, and all. I am trying for<br />

just the market that is now being<br />

shown free film. I am booking most of<br />

the film that is now being shown free!<br />

I have a program to get those 2,700<br />

college kids to my place for dinner, a<br />

show, and a nice package. What the<br />

hell is the use of it all?<br />

DON STOTT<br />

Grand Imperial Hotel<br />

Silverton, Colo.


—<br />

)SCAR NOMINATIONS ANNOUNCED<br />

HOLLYWOOD—"The Godfather" captured<br />

the most nominations in the 45th annual<br />

Oscar race of the Academy of Motion<br />

Picture Arts and Sciences, it was announced<br />

Monday (12) in Hollywood by Daniel Taradash,<br />

Academy president. The Paramount<br />

film about organized crime garnered 11<br />

nominations, scoring for its director Francis<br />

Ford Coppola, star Marlon Brando, three<br />

supporting actors, screenplay and music<br />

score writers, film editors, sound technicians<br />

and costume designers.<br />

"Cabaret," ABC Pictures production<br />

for Allied Artists release, was runnerup for<br />

best picture with ten nominations. Other<br />

film nominees were "Deliverance," "The<br />

Emigrants," both Warner Bros, and "Sounder,"<br />

20th Century-Fox. "The Poseidon<br />

Adventure" from 20th-Fox was in third<br />

place for nominations, scoring seven.<br />

Brando's nominations marked his sixth<br />

and his first after a long lapse. He won the<br />

Oscar in 1954 for "On the Waterfront." In<br />

this year's Oscar derby he competes for<br />

best actor of 1972 with Michael Caine and<br />

Laurence Olivier of "Sleuth," Peter O'Toole<br />

of "The Ruling Class" and Paul Winfield of<br />

"Sounder."<br />

Liza Minnelli was nominated as best actress<br />

for her role in "Cabaret," Diana Ross<br />

for "Lady Sings the Blues," Maggie Smith<br />

for "Travels With My Aunt," Cicely Tyson<br />

for "Sounder" and Liv Ullmann for "The<br />

Emigrants." In addition to Coppola, other<br />

directors nominated were Bob Fosse, "Cabaret";<br />

John Boorman, "Deliverance"; Jan<br />

Troell, "The Emigrants," and Joseph L.<br />

Mankiewicz, "Sleuth."<br />

Nominations in the best foreign-film category:<br />

"The Dawns Here Are Quiet," Russia;<br />

"The Discreet Charm of the Bourgeoisie,"<br />

France; "I Love You Rosa," Israel; "My<br />

Dearest Senorita," Spain, and "The New<br />

Land," Sweden.<br />

Nominations in the best song category<br />

will not be announced until Monday, March<br />

5. Musical scoring candidates are listed.<br />

Charlie Chaplin received a nomination<br />

20 years late. He was named for scoring of<br />

"Limelight." The 1953 film was not released<br />

in Los Angeles until 1972 and hence became<br />

eligible for Academy consideration.<br />

The Oscars will be presented Tuesday,<br />

Top Nominations by Pictures<br />

Pictures With Two or More Nominations<br />

(Includes Shorts and Documentaries)<br />

Picture<br />

Nominations<br />

How the Companies Rated<br />

Companies with Two or More Nominations<br />

(Includes Shorts and Documentaries)<br />

Company Pictures Nominations<br />

20th-Fox


PARAMOUNT<br />

PICTURES<br />

WISHES TO THANK<br />

THE ACADEMY<br />

OF MOTION PICTURE<br />

ARTS AND SCIENCES<br />

FOR


a • •<br />

• • •<br />

• • •<br />

I'M*<br />

• • •<br />

• • •<br />

f 5 ACADEMY<br />

AWARD NOMINATIONS<br />

Best Performance by an Actress-Diana Ross<br />

Best Art Direction<br />

Best Costume Design<br />

Best Scoring- adaptation and original song score<br />

Best Story and Screenplaybased<br />

on factual material not previously published or produced


11 ACADEMY AWARD<br />

NOMINATIONS<br />

(more than any other picture)<br />

Best Picture<br />

Best Performance by an Actor— Marlon Brando<br />

Best Performance by an Actor in a supporting role<br />

James Caan... Robert Duvall...AI Pacino<br />

Best Direction -Francis Ford Coppola<br />

Best Screenplay—<br />

based on material from another medium<br />

Best Costume Design<br />

Best Film Editing<br />

Best Original Dramatic Score<br />

Best Sound


yfD io Co-Produce 12<br />

Features in 2<br />

Years<br />

AURORA, COLO.—A $6,000,000 coproduction<br />

deal to produce 12 features over<br />

the ne.xt two years has been signed by CVD<br />

Studios. Charles E. Sellier jr., CVD president,<br />

announced that the 12-feature package<br />

has been set with Claude D. Fingar &<br />

Associates of New York and Colorado<br />

Springs.<br />

Financing for the 12-feature package will<br />

be supplied by the Fingar firm, with CVD<br />

providing production facilities. Aimed at<br />

family audiences, the 12 features will be<br />

shot at<br />

the CVD Studios here and on location<br />

in Colorado and the region. Sellier will<br />

produce the package, with Fingar acting as<br />

executive producer.<br />

Second Set of 12 Planned<br />

CVD and Fingar are in tentative agreement<br />

on what the 12 features will be and<br />

directors are being engaged.<br />

Fingar & Associates also have taken an<br />

option with CVD to produce a second set<br />

of 12 features. Sellier said the story department<br />

now is in the process of searching for<br />

and reading scripts. The CVD president also<br />

said that negotiations are under way for<br />

distribution of the features with a major<br />

distributor.<br />

Sellier said the negotiations with Fingar<br />

& Associates took about three months to<br />

complete. The Fingar firm is a diversified<br />

company that has been exploring the possibility<br />

of entering the motion picture production<br />

field for some time. Fingar is involved<br />

in real estate, land development and<br />

apartment house building. The legal aspects<br />

of the contract were conducted by the law<br />

firm of Goodbar. Goodbar & Fisher, Colorado<br />

Springs.<br />

For CVD Studios this contract is deemed<br />

a giant step in motion picture production<br />

within the state of Colorado and now places<br />

CVD among the major motion picture companies<br />

in the state.<br />

Upon learning about the 12-feature pact,<br />

Karol W. Smith, chairman of Gov. John<br />

Love's Motion Picture & Television Advisory<br />

Commission, said: "This production<br />

contract is not only a great step for CVD<br />

but it is an important asset to Colorado and<br />

the future of filmmaking in<br />

the state."<br />

First Release Due in Spring<br />

This past November CVD completed its<br />

first feature, a comedy western, under the<br />

working title of "The Brothers O'Toole,"<br />

which will be released this spring under the<br />

title "Eureka! It's Molly-Be-Damned." Shot<br />

entirely near and in Canon City, Colo., the<br />

film was brought in on a budget of $500,-<br />

000, with a good solid cast.<br />

The CVD Studio Center is located on a<br />

full city block of space and includes two<br />

sound stages. Studio No. 1 is a 2,000-<br />

square-foot structure used for specialized<br />

shooting. Studio No. 2, just completed, is a<br />

13,000-square-foot sound stage fully<br />

equipped for any type of indoor shooting<br />

and, not only is it the largest free-span<br />

building in the state, it also is the largest<br />

sound stage between New York and Hollywood.<br />

The building is constructed to screen<br />

out all outside noises, even that of airplanes.<br />

There also are two complete and modem<br />

screening rooms. One has a 7xl5-foot<br />

screen, is carpeted throughout and contains<br />

50 cushioned seats on a graduated ramp<br />

level. Orange and yellow fiber curtains surround<br />

the room. This screening room is<br />

served by a large projection booth with two<br />

35mm projectors featuring the latest interlock<br />

systems, as well as ample space for<br />

film storage and other film recording equipment.<br />

The second screening room, with 20 seats,<br />

is for 16mm viewing. This is located in the<br />

industrial-commercial building.<br />

Nearing completion and ready for occupancy<br />

soon is the Studio Plaza administrative<br />

offices—two three-story connecting<br />

buildings occupying 16,000 square feet.<br />

Besides the two sound stages and the new<br />

Studio Plaza offices, CVD Studio Center<br />

includes five other buildings. The film company<br />

owns a CECO-mobile, a complete<br />

studio on wheels, as well as a mobile fleet<br />

of station wagons, prop trucks, dispatch<br />

cars and Winnebago mobile homes for<br />

dressing rooms and makeup on location.<br />

Bernard Korban Will Head<br />

Brut Global Distribution<br />

NEW YORK—Bernard Korban has been<br />

named director of worldwide distribution<br />

for Brut Productions, it was announced by<br />

Martin Rackin. senior vice-president of the<br />

company. Korban will continue to function<br />

as director of marketing and promotion, a<br />

post he assumed when he joined Brut last<br />

November.<br />

Brut recently named Joseph E. Levine's<br />

Avco Embassy company to distribute its first<br />

two pictures. "Night Watch" and "A Touch<br />

of Class," and Korban will head the company's<br />

liaison with Levine's sales organization.<br />

CONGRATULATED — Crown International<br />

Pictures' President Newton<br />

P. "Red" Jacob.s congratulates actress<br />

Marlene Schmidt and Hlkmet Avedis,<br />

producer-director of "The Stepmother."<br />

The theme song from that film<br />

"Strange Are the Ways of I^ve," by<br />

Sammy Fain and Paul Francis Webster,<br />

is one of ten contenders for the<br />

five nominations for best song from the<br />

Academy of Motion Picture Arts and<br />

Sciences.<br />

20lh-Fox Sales Heads<br />

Talk Marketing Plans<br />

HOLLYWOOD—An innovative threeday<br />

marketing meeting, called by Peter S.<br />

Myers, vice president—domestic distribution,<br />

and Jonas Rosenfield jr., vice-president,<br />

advertising-publicity-promotion, for<br />

20th Century-Fox's key home office sales<br />

and advertising executives and division<br />

sales and advertising managers, was concluded<br />

here Thursday (8).<br />

In the course of the meetings, which<br />

were keynoted by 20th-Fox president Gordon<br />

Stulberg, marketing plans were finalized<br />

for the upcoming national releases of<br />

14 major 20th Century-Fox films.<br />

Five of them, proven boxoffice successes<br />

in their exclusive engagements, are: "The<br />

Poseidon Adventure." "Sounder," "Sleuth,"<br />

"The Heartbreak Kid," "The Effect of<br />

Man-In-The-Moon Mari-<br />

Gamma Rays on<br />

golds" and "The Discreet Charm of the<br />

Bourgeoisie."<br />

New releases include "The Emperor of<br />

the North Pole," "Ace Eli and Rodger of<br />

the Skies," "Battle for the Planet of the<br />

Apes," "The Neptune Factor," "Kid Blue,"<br />

"Hex," "The Last American Hero" and<br />

"The Gospel Road." Plans were also drawn<br />

for the re-release in 70mm of the all-time<br />

favorite, "The Sound of Music."<br />

Among the sales executives attending in<br />

addition to Myers were: James O'Gara, assistant<br />

general manager; Morris Stermer,<br />

sales manager, central and Canadian divisions;<br />

Ashley Boone, sales manager. Western<br />

division and Los Angeles; Al Levy,<br />

Atlantic division manager; John Peckos,<br />

Northeast division manager; Ray Russo,<br />

Central division manager; Bill Williams,<br />

Southern division manager, and Irving<br />

Cochin, Western division manager.<br />

Among the advertising-publicity people<br />

attending the meetings in addition to Rosenfield<br />

were: Ralph Buring, Southern division<br />

manager; Pat Dwyer, Southwestern division<br />

manager; Sol Gordon, Midwestern division<br />

manager; Nico Jacobellis, Eastern division<br />

manager; Hal Marshall, Western division<br />

manager, and Hal Sherman, national coordinator<br />

of promotion and field operations.<br />

Studio personnel included: John Friedkin,<br />

director of advertising, publicity and promotion;<br />

James Cullen. national director of promotion<br />

and field operations, and Steven<br />

Panama, creative advertising manager.<br />

Ward Pennington Named<br />

Vagar Films Sales Head<br />

HOLLYWOOD — Ward Pennington has<br />

been appointed general sales manager of<br />

Eric Bicdermann's Vagar Films. A veteran<br />

film sales executive, Pennington comes to<br />

Vagar from .'\llied .'Xrtists where he was<br />

western division sales manager. He held a<br />

similar puasition with Paramount.<br />

Vagar headquartered at 8730 Sunset<br />

Blvd., produces and distributes nationally.<br />

Pennington will announce the remainder<br />

of the 1973 product release schedule later<br />

this month.<br />

BOXOFFICE :: February 19, 1973


l'^?^^<br />

An Allied Artists • ABC Pictures Corp. Presentation<br />

NOMINATED FORa<br />

10 ACADEMY AWARDS<br />

BEST PICTURE<br />

BEST ACTRESS<br />

BEST SUPPORTING ACTOR<br />

NOMINATED IN MORE CATEGORIES<br />

THAN ANY OTHER FILM!


American Multi Cmemo Announces<br />

New National Film Buying Team<br />

American Multi Cinema's new national film buying team meets for the first time<br />

in Kansas City. Standing, left to right are: Jerry Esbin, AMC-Philadelphia; Richard<br />

M. Durwood, senior vice-president and director of the team; Stanley H. Durwood,<br />

AMC president; Gene Jacobs, AMC-Jacksonville and Arnold Shartin, AMC-Los<br />

Angeles. Seated, left to right: Joel Resnick, vice-president of research and development;<br />

Steve Caplan, AMC-Kansas City; Ed Kershaw, AMC-Kansas City; and Ixon<br />

Couch, AMC-Dallas.<br />

KANSAS CITY—American Multi<br />

Cinema,<br />

a coast-to-coast theatre circuit headquartered<br />

here has assembled an experienced<br />

film buying team of professional film<br />

men, according to Stanley H. Durwood.<br />

president. The unit was completed this<br />

week with the acquisition of two new men,<br />

Arnold Shartin and Jerry Esbin.<br />

This group is under the direction of<br />

Richard M. Durwood, senior vice-president.<br />

"These men were carefully selected to fit<br />

into the long-range plans of American<br />

Multi Cinema," Durwood said. "We now<br />

have experts in the field whose prime responsibility<br />

is to fill our screens with the<br />

best product available."<br />

Durwood continued, "In order to achieve<br />

our goal, these men are strategically located<br />

throughout the country."<br />

Steve Caplan, American Multi Cinema-<br />

Kansas City, was Paramount's Cincinnati-<br />

Cleveland exchange branch manager when<br />

he joined AMC in September 1971. He<br />

was formerly a<br />

branch manager for United<br />

Artists in Indianapolis and Cleveland.<br />

Leon Couch, American Multi Cinema-<br />

Dallas, has a full background in the motion<br />

picture industry that includes operations<br />

and booking. He was a booker and buyer<br />

for United Artists Theatres, Inc., Dallas,<br />

before joining AMC last April.<br />

Esbin, American Multi Cinema-Philadelphia,<br />

joined AMC this month from Columbia<br />

Pictures where he began his career<br />

at age 17. He progressed through the company<br />

to become its Eastern division sales<br />

manager in 1968.<br />

Gene Jacobs, American Multi Cinema-<br />

Jacksonville, was with Paramount for 25<br />

years before joining United Artists in 1960<br />

where he became the Southern division<br />

a!?er. He joined AMC in August 1971.<br />

Ed Kershaw, American Multi Cinema-<br />

Kansas City, was Paramount's Kansas City<br />

branch manager when he joined AMC last<br />

month. He has sales experience with Columbia<br />

Pictures and has worked as a booker<br />

for 20th Century-Fox.<br />

Shartin, American Multi Cinema-Los<br />

Angeles, joined AMC this month from<br />

Syufy Enterprises where he was vice-president.<br />

Once with Paramount, he joined<br />

MGM as the Los Angeles branch manager.<br />

He was promoted to Western division manager<br />

before he joined Syufy Enterprises in<br />

1970.<br />

In 1963, the parent company, Durwood<br />

Theatres, a long-established regional circuit,<br />

had a dozen theatres in Kansas City, St.<br />

Joseph and Jefferson City, Mo., and Leavenworth,<br />

Kas. Today, American Multi Cinema<br />

is operating or building 249 auditoriums in<br />

38 cities in 17 states.<br />

The multiple-theatre concept was originated<br />

by American Multi Cinema who<br />

opened the Parkway Theatres, the world's<br />

first twin theatre, in Kansas City in July<br />

1962. The Metro Plaza Theatres, also Kansas<br />

City, opened in December 1966, the<br />

world's first four-theatre complex. The first<br />

six-theatre complex. Six West, was opened<br />

in Omaha, Neb., in January 1969.<br />

Greg Harrison to Direct<br />

RSVP Rel. Corp. Sales<br />

SCOTTSDALE. ARIZ.—Vern P i<br />

e h 1,<br />

president of RSVP Releasing Corporation,<br />

announced the appointment of Greg Harrison<br />

as sales director, succeeding Marilyn<br />

Holcomb who recently announced her retirement<br />

due to ill health. Harrison will<br />

handle representation for domestic and Canadian<br />

exhibition of the company's product.<br />

J. Walter Thompson Named<br />

Ad Agency for AFT Series<br />

NEW YORK—J.<br />

Walter Thompson Co.<br />

has been appointed as the advertising agency<br />

for the American Film Theatre's premiere<br />

season, it was announced jointly here<br />

by Dan Seymour, chairman of the board of<br />

J. Walter Thompson, and Ely Landau,<br />

president of the American Film Theatre.<br />

Eight newly produced major features,<br />

adapted from outstanding theatre works by<br />

contemporary writers, will be presented to<br />

U.S. and Canadian audiences in Landau's<br />

unique "movie-of-the-month" concept,<br />

starting in October. The Ely Landau Organization,<br />

a subsidiary of the American Film<br />

Theatre, has five<br />

of these eight productions<br />

before the cameras or in post-production.<br />

The entire season of eight films, to be sold<br />

on a subscription basis, will be presented in<br />

association with American Express Films,<br />

Inc., a subsidiary of American Express Co.<br />

A $2.5 million advertising and promotional<br />

budget, unprecedented for legitimate<br />

theatre or motion pictures in any form, has<br />

been committed to the project. In addition<br />

to the appointment of J. Walter Thompson<br />

to handle all advertising, the Rowland Co.,<br />

a major public relations firm, has been assigned<br />

to supervise marketing, public relations<br />

and national publicity.<br />

Each of the eight monthly releases will be<br />

shown for two days only, with just two<br />

showings each day, in 500 selected theatres<br />

of the U.S. and Canada. The series will include<br />

Eugene O'Neill's "The Iceman Cometh,"<br />

Edward Albee's "A Delicate Balance,"<br />

John Osborne's "Luther," Eugene lonesco's<br />

"Rhinoceros," Harold Pinter's "The Homecoming,"<br />

Robert Shaw's "The Man in the<br />

Glass Booth," Ferenc Molnar's "Liliom"<br />

and Kurt Weil-Maxwell Anderson's "Lost in<br />

the Stars."<br />

General Film Corp. Moves<br />

Offices in Hollywood<br />

HOLLYWOOD—General Film Corp.,<br />

independent production and distribution<br />

company, has moved to expanded headquarters<br />

at 839 North Highland Ave. in<br />

Hollywood.<br />

According to<br />

Arthur Marks, GFC's president<br />

and production chief, the company will<br />

now have complete post-production facilities<br />

as well as fireproof film storage vaults<br />

all housed under one roof at its new offices.<br />

They formerly headquartered at General<br />

Service Studios.<br />

Upcoming General Film releases include<br />

"Wonder Women." starring Nancy Kwan<br />

and Ross Hagen, in March and "Candy<br />

Snatch." starring Tiffany Boiling, in .•\pril.<br />

Filming begins on Monday (26) on "The<br />

Holly Hill Caper" on location in Detroit.<br />

'Prison Girls' Correction<br />

"Prison Girls." reviewed in this issue, is<br />

a United Producer release, not Trans<br />

American Films.<br />

BOXCMTICE :: February 19, 1973


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Warner Shares Earn<br />

lecord $2.20 in 72<br />

NEW YORK—Record earnings of $2.20<br />

per share were achieved by Warner Communications,<br />

Inc., in fiscal 1972, WCI<br />

chairman Steven J. Ross announced Wednesday<br />

(13). This is an increase of 16 per cent<br />

over $1.89 per share before extraordinary<br />

income for 1971 (restated to reflect acquisitions<br />

treated as poolings of interests).<br />

Net income for the year was $50,118,000,<br />

up from $41,668,000 (before 1971's extraordinary<br />

income of $350,000) as revenues<br />

increased to $510,251,000 from $383,870,-<br />

000. On a fully diluted basis, 1972 earnings<br />

per share were $2.06 compared to<br />

$1.80 per share in 1971.<br />

In the quarter ending December 31,<br />

WCI's net was up to $12,298,000, or 53<br />

cents a share, from $10,660,000, or 48 cents<br />

a share (before an extraordinary charge of<br />

$450,000)in the corresponding quarter of<br />

1971. Revenues increased to $144,165,-<br />

000 from $111,877,000 for the 1971<br />

quarter.<br />

"Virtually all of our operations contributed<br />

to our continuing growth," Ross noted.<br />

"In the record and music business, earnings<br />

increased more than 25 per cent during the<br />

year. In the motion picture and television<br />

business, earning were up more than 40 per<br />

cent. In cable communications, net income<br />

more than doubled. Because of costs incurred<br />

in<br />

restructuring our paperback book division<br />

and in eliminating certain unprofitable<br />

European operations, we suffered an<br />

approximate 55 per cent decline in the earnings<br />

of our publishing business. We are confident<br />

we will achieve additional gains in<br />

all of our operations in 1973."<br />

Columbia Profits Up Over<br />

Comparable 72 Periods<br />

NEW YORK—Columbia Pictures Industries,<br />

Inc. reported net income of $1,234,-<br />

000, equivalent to 18 cents per share for<br />

its second quarter which ended Dec. 30,<br />

1972. This compares with a loss of $4,397.-<br />

000 or 69 cents per share in the comparable<br />

quarter of the prior fiscal year.<br />

The results of the first half of the current<br />

fiscal year reflect net income of $2,296,000<br />

or 34 cents per share, compared with a<br />

loss<br />

of $5,527,000 or 87 cents per share in the<br />

first half of the prior fiscal year.<br />

Hughes, Hack Named V-Ps<br />

Of Universal Pictures<br />

NEW YORK—Gareth R. Hughes and<br />

Charles H. Hack have been named vicepresidents<br />

of Universal Pictures, effective<br />

immediately, with Hughes continuing to<br />

supervise all of the company's industrial<br />

relations and Hack continuing to oversee<br />

personnel, it was announced by Albert A.<br />

Dorskind, MCA vice-president.<br />

At the same time, Len McNiel has been<br />

.lamed to the position of director of per-<br />

-oiaieij effective imraediatelj'.<br />

Dr Pepper Increases Board;<br />

Declares 173rd Dividend<br />

DALLAS—Dr Pepper Co. has increased<br />

its board of directors from 12 to 14 members<br />

and approved its 173rd consecutive<br />

quarterly dividend payable to shareowners<br />

in the company.<br />

The two new members named to the<br />

board are Lamar Hunt, prominent Dallas<br />

businessman and president and owner of the<br />

Kansas City Chiefs Football Club, and W.<br />

R. Roberson jr., president of Roberson's<br />

Beverages, which owns and operates Dr<br />

Pepper bottling plants in eastern North<br />

Carolina.<br />

Hunt holds numerous important positions<br />

with other leading firms including vicepresident,<br />

Hunt Oil Co.; vice-president and<br />

director of World Championship Tennis,<br />

Inc., which he founded; vice-president and<br />

director of the Dallas Tornado Soccer<br />

Club, Inc., and chairman and director of<br />

Mid-America Enterprises,<br />

Inc.<br />

Roberson is a member of a prominent<br />

North Carolina soft drink family engaged<br />

in the bottling business since 1917, and<br />

which has owned and operated Dr Pepper<br />

franchises since the early '30s. He grew up<br />

in<br />

the Dr Pepper business and has an extensive<br />

background in the beverage industry.<br />

The company has approved a March 1<br />

dividend of $.05425 per share, payable<br />

to stockholders of record as of February 15.<br />

Shares outstanding total 18,727,434 as<br />

a result of a two-for-one split which became<br />

effective October 27 last year. Shares<br />

outstanding at the same time last year (prior<br />

to the split) amounted to 9,282,580.<br />

Wometco Dividend Is Up;<br />

Executives Promoted<br />

MIAMI, FLA.—The Wometco Enterprises,<br />

Inc., board of directors declared an<br />

increase in the regular quarterly cash dividend<br />

to 12 cents on Class A stock and<br />

4.45 cents on Class B stock, payable March<br />

15, to stockholders of record March 1.<br />

The cash dividend is the 14th increase<br />

since the company became a pubhcly held<br />

corporation in 1959. Previously, the regular<br />

cash dividend was 11.4 cents on Class A<br />

stock and 4.2 cents on Class B. Shares<br />

outstanding as of December 31 totaled<br />

6,070,559.<br />

In other action, Mitchell Wolfson, president,<br />

was elected to the additional post of<br />

chairman of the board. The board also<br />

elected Richard F. Wolfson executive vicepresident.<br />

Wolfson joined Wometco in 1952<br />

as assistant to the president and house<br />

counsel. He was elected vice-president and<br />

director in 1959 and in 1962, was elected<br />

senior vice-president and general counsel.<br />

Other executive promotions included Marvin<br />

J. Krantz, vice-president in charge of<br />

personnel, and I. Bruce Irving, secretary of<br />

the corporation. Krantz joined Wometco<br />

in 1970 as director of employee relations.<br />

Irving joined Wometco in 1972 as assistant<br />

house counsel.<br />

The board also announced that the<br />

Wometco 1973 annual meeting will be held<br />

April 30 at the company's Byron-Carlyle<br />

Theatre on Miami Beach.<br />

ABC Splits Shares,<br />

Increases Dividends<br />

NEW YORK—A 2-for-l stock split and<br />

a 6.7 per cent increase in its dividend were<br />

announced by American Broadcasting Cos.<br />

chairman Leonard H. Goldenson and president<br />

Elton H. Rule. The executives also said<br />

that the company's 1972 operating earnings<br />

more than doubled from 1971<br />

levels.<br />

In 1971 .'VBC reported earnings of $14.9<br />

million, or $1.92 a share before a special<br />

charge of $1.7 million, which reduced net<br />

income to $13.2 million, or $1.72 a share,<br />

fully diluted. By contrast, 1972 operating<br />

earnings were estimated by Goldenson and<br />

Rule at $4.05 a share, fully diluted.<br />

The stock split will be effective around<br />

March 20, the date certificates are to be<br />

mailed to shareholders of record Monday<br />

(26). Since 30 million shares are authorized<br />

and only about 8.5 million are outstanding,<br />

the split will not necessitate securing authorization<br />

for additional common shares.<br />

The quarterly dividend will go up to 32<br />

cents from 30 cents and will be payable<br />

March 15 to stock of record Friday (23).<br />

ABC stated that the quarterly dividend on<br />

the split shares wiU be 16 cents a share.<br />

All Officers and Directors<br />

Of Disney Re-Elected<br />

BURBANK, CALIF.—Walt Disney Productions<br />

elected all incumbent directors at<br />

an annual stockholders meeting. The stockholders<br />

also voted in favor of Proposition 2,<br />

approval of the 1973 stock option plan. m<br />

The board of directors, at its organizational<br />

meeting, declared a quarterly cash dividend<br />

of three cents per share payable<br />

April 1 to stockholders of record March 5,<br />

1973. Annualized this amounts to a 12-cent<br />

yearly dividend which adjusted for the recent<br />

100 per cent stock dividend is the equivalent<br />

of a 20 per cent increase.<br />

The board re-elected all incumbent officers,<br />

and elected Robert P. Foster to the<br />

position of vice-president, real estate, and<br />

George A. Sullivan to the f>osition of vicepresident,<br />

tax administration.<br />

Foster joined the Disney organization in<br />

1956, and previously has served as president<br />

of the Buena Vista Land Co., a Disney<br />

subsidiary for real estate development, and<br />

as vice-president, legal, Florida project, of<br />

the parent company.<br />

Sullivan has been with Walt Disney Productions<br />

since 1964 and most recently held<br />

the title of director of taxation. He previously<br />

was associated with Price Waterhouse<br />

& Co. and the Internal Revenue Service.<br />

Two New Crown Distributors<br />

HOLLYWOOD—Newton P. Jacobs announced<br />

two new distributors for Crown<br />

International Pictures. Jeff Ruff of C. J.<br />

Ruff Film Distributor, Inc. has been appointed<br />

for the Cincinnati. Indianaf>olis and<br />

Detroit territories. S;ini Schultz of Selected<br />

Pictures Corp. was named Crown's distributor<br />

for the Cleveland territory. Both appointments<br />

are effective immediately.<br />

I<br />

BOXOFFICE :: February 19, 1973


Toronto Record Is Broken<br />

By 'Vanishing Wilderness'<br />

MEDFORD, ORE. — "The<br />

Vanishing<br />

Wilderness," playing five major-circuit theatres<br />

in Toronto, has recorded a three-day<br />

gross of $52,871, an average of $3,520 per<br />

day per theatre, according to Arthur R.<br />

Dubs, of Pacific International Enterprises.<br />

This figure is 20 to 30 per cent higher than<br />

that achieved by any previous four-wall engagement<br />

in the Canadian city, Dubs said.<br />

Playing three theatres in Buffalo, N.Y.,<br />

"The Vanishing Wilderness" grossed $18,-<br />

829 in three days, an average of $2,093 per<br />

day for each theatre.<br />

Pacific International Enterprises' "The<br />

Vanishing Wilderness," a 35mm color production,<br />

is the first 35mm film to play on a<br />

four-wall basis, according to Dubs.<br />

In Los Angeles, "The Vanishing Wilderness"<br />

had a $173,812 gross at ten theatres<br />

in one week, while the total first-week Los<br />

Angeles gross was $373,341. The film now<br />

is going into its seventh and eighth-week<br />

Southern California booking engagement by<br />

Cinema National Corp. Fred Briskin, CNC<br />

president, has reported booking dates into<br />

spring of 1973.<br />

Two New Regional Heads<br />

For Altec Corp. Division<br />

ANAHEIM, CALIF.—The appointment<br />

of two new regional managers to serve the<br />

company's commercial sound, intercom and<br />

musical sound product lines, and contractor<br />

relationships is announced by Robert "Bob"<br />

Rufkahr, director of sales for the Altec<br />

Division of Altec Corp.<br />

Charles Round will cover New York and<br />

the New England states, replacing Tom<br />

Ferrara who has been assigned to eastern<br />

Canada. Frank Donnelly, jr. will cover<br />

Michigan, Ohio, West Virginia and the<br />

western half of Pennsylvania. Both men<br />

have had extensive experience in the commercial<br />

sound field. Round formerly owned<br />

his own business and most recently worked<br />

for Audio Communications, Altec contractor<br />

in Kansas City, as sales engineer.<br />

Donnelly completed his Army service in<br />

1961 and has worked for the Taft Broadcasting<br />

Co., an Altec contractor in Houston,<br />

since then as a sales engineer.<br />

Cinemation's 9th Division<br />

Office Opens in Detroit<br />

NEW YORK—Murray Kaplan, Cinemation<br />

Industries' general sales manager, has<br />

announced the opening of the company's<br />

ninth division office, the Great Lakes division<br />

headquartered in Detroit. The division<br />

manager is Kal Bruss, who will be responsible<br />

for the Detroit, Pittsburgh and<br />

Cleveland territories. Before joining Cinemation,<br />

Bruss was executive assistant to the<br />

vice-president in charge of operations for<br />

United Detroit Theatres and then was Detroit<br />

branch manager for Cinerama.<br />

The new Cinemation Industries office<br />

is located at 23300 Greenfield, Oak Park,<br />

Mich. Cinemation currently is releasing<br />

"The Cheerleaders," "Fritz the Cat" and<br />

"Oh! Calcutta!"<br />

MOTION PICTURES RATED<br />

BY THE CODE & RATING<br />

ADMINISTRATION<br />

The following feature-length motion pictures<br />

have been reviewed and rated by the<br />

Code and Rating Administration pursuant<br />

to the Motion Picture Code and Rating Program.<br />

Title<br />

Diitrlbutor<br />

Bad Charleston Charlie<br />

(International Cinema)<br />

Badge 373 (Para)<br />

Breezy (Universal)<br />

The Harder They Come (New World)<br />

Lolly-Madonna w\ (formerly titled<br />

"The Lolly-Madonna War") C^)<br />

(MGM)<br />

The Man From Clover Grove<br />

(American Cinema)<br />

The Nelson Affair (Universal)<br />

The Single Girls (Dimension)<br />

(*) Supersedes R rating listed in Bulletin No. 221<br />

Rating<br />

PG<br />

[r|<br />

[r]<br />

[r]<br />

PG<br />

\g\<br />

PG<br />

Mrs. Gertrude Wehrenberg<br />

[r]<br />

Dies Feb. 13 in St. Louis<br />

ST. LOUIS—Mrs. Gertrude Foster Wehrenberg,<br />

wife of the late pioneer exhibitorleader<br />

Fred Wehrenberg. died in her sleep<br />

at St. Mary's Health Center of the infirmities<br />

of age Tuesday (13). She was 91.<br />

Mrs. Wehrenberg was a co-founder with<br />

her husband of the Wehrenberg circuit of<br />

theatres, which was established in a tent<br />

show in St. Louis and has developed in its<br />

67 years of continuous operation to a circuit<br />

of 12 theatres (16 screens) in metropolitan<br />

St. Louis, Fulton and DeSoto, Mo.,<br />

with three additional units under construction<br />

in St. Louis and in Alton, 111.<br />

She leaves a daughter, Mrs. Lillian D.<br />

Krueger; grandson, Ronald P. Krueger,<br />

third-generation president of the Wehrenberg<br />

circuit, and great-grandchildren Ronald<br />

P. Krueger II and Heather Marie Krueger.<br />

Shown at the reception<br />

preceding the world premiere<br />

of World Wide Pictures'<br />

"Time to Run" at<br />

GCC's Plaza Theatre, Memphis,<br />

January 23, are, left<br />

to right, front row, Randall<br />

Carver and Barbara Sigel,<br />

who star in the film; Bud<br />

Levy, Trans-Lux Corp.,<br />

New York, and Sy Evans,<br />

General Cinema Corp., Boston.<br />

Back row, Allen Dillon,<br />

United Artists Theatre Circuit,<br />

Dallas; William Gehring.<br />

Gulf States Theatres,<br />

and David Groskind, Maico<br />

Theatres.<br />

'Time to Run' Nationwide<br />

Openings Are Scheduled<br />

MINNEAPOLIS—World Wide Pictures'<br />

"Time to Run," following its world premiere<br />

showing January 23 in General Cinema<br />

Corp.'s Plaza Theatre in Memphis, began<br />

a well-attended ten-day run in Chicago<br />

and the Carolinas. Friday (2) marked the<br />

beginning of a successful saturation engagement<br />

covering the South Central states.<br />

The motion picture, filmed in Eastmancolor,<br />

opened Wednesday (7) in four Minncapolis-St.<br />

Paul area theatres, with 37,000<br />

advance admissions sold, as well as in selected<br />

houses in the Dakotas, where house<br />

records were reported broken. The film<br />

Wednesday (14) started runs in Dallas, Fort<br />

Worth and in 27 cities throughout Minnesota.<br />

"Time to Run" was held over in one Minneapolis<br />

theatre and will open in a new situation<br />

here Wednesday (21), in addition to<br />

starting playdates in<br />

northeast Texas, Philadelphia<br />

and Camden, N.J. Eastern Pennsylvania<br />

showings start Wednesday (28).<br />

Los Angeles and Orange County openings<br />

are set for March 14. with April playdates<br />

to include all of Southern California, 50<br />

cities throughout the South and theatres in<br />

the city of Pittsburgh and the western Pennsylvania<br />

area.<br />

'Time to Run" was filmed on location in<br />

the Southern California area and stars Ed<br />

Nelson, Randall Carver, Barbara Sigel, Joan<br />

Winmill and Gordon Rigsby.<br />

James F. Collier, who also directed "For<br />

Pete's Sake," "Two a Penny" and "His<br />

Land" for World Wide Pictures, the film<br />

arm of the Billy Graham organization, directed<br />

"Time to Run," with Frank R. Jacobson<br />

as e.xecutive producer. The screenplay<br />

was by Allan Sloane.<br />

Returning POWs to Receive<br />

Lifetime Theatre Passes<br />

BIRMINGHAM, ALA.— R. C. Cobb,<br />

president of Cobb Theatres, has announced<br />

that effective immediately, returning Vietnam<br />

POWs will receive permanent lifetime<br />

passes to all theatres in the company's circuit.<br />

The Birmingham-based company owns<br />

and operates indoor and drive-in theatres<br />

throughout Alabama, Florida and Tennessee.<br />

BOXOFHCE :: February 19, 1973 13


'oUcfUwtd defiant<br />

Lawrence Turman to<br />

Produce<br />

'A Couple of Swells' for Para.<br />

Lawrence Turman will<br />

produce "A Couple<br />

of Swells" for Paramount Pictures.<br />

This marks Turman's first personal film<br />

production since assuming the presidency<br />

of Wolper Pictures, Ltd. Jeffrey Bloom<br />

wrote the screenplay for the comedy- melodrama<br />

which is set in the 1930s. The film<br />

is scheduled to begin production the summer<br />

Dennis F. Stevens, producer<br />

of 1973 . . . of "The Harrad Experiment," which<br />

was directed by Ted Post, has a script<br />

which is being readied for production. Name<br />

of the new film will be "Kill Gangster Kill."<br />

First publishing runs of "Harrad Experiment"<br />

ran into over 2,200,000 copies with<br />

likelihood of another one, bringing the run<br />

up to over 3,000,000. The firm made the<br />

film under the name of Cinema Arts Production.<br />

Stevens is a former exhibitor from<br />

the Spokane, Wash, area . . . Filmways and<br />

Lillian Gallo Productions have joined forces<br />

with the acquisition of "Happiness Is No<br />

Laughing Matter," an original screenplay<br />

by Jerome Kass, to be produced by Mrs.<br />

Gallo as a theatrical motion picture, it was<br />

announced by Edward S. Feldman, Filmways'<br />

senior vice-president in charge of<br />

motion picture production . . . The second<br />

in a series of films scheduled for release<br />

this year, "Gator Bait," will be produced<br />

and directed by Ferd and Beverly Sebastian<br />

of Sebastian Films, Ltd. This will be an<br />

action adventure film, shot in the swamps of<br />

Louisiana and Texas. Scheduled release has<br />

been set for June 1.<br />

Lew Ayres Is Assigned Role<br />

In 'Planet of Apes' Sequel<br />

Lew Ayres will handle the co-starring<br />

role of Mandemus, custodian of the Ape<br />

City arsenal in Arthur P. Jacobs' production<br />

of "Battle for the Planet of the Apes,"<br />

currently in production at 20th-Fox. Not<br />

entirely by coincidence, Ayres, a pacifist,<br />

was chosen by Jacobs and director J. Lee<br />

Thompson because Mandemus is a pacifist<br />

who strives to keep the weapons in his care<br />

from being used. The APJAC International<br />

production stars Roddy McDowall, Claude<br />

Akins, Natalie Trundy, Severn Darden, Paul<br />

Williams and Sam Jaffe . . . Maximilian<br />

Schell has set the head of the Berlin Opera<br />

Co., Gustav Rudolf Sellner, to make his<br />

motion picture acting debut in the leading<br />

dramatic role of "The Pedestrian," which<br />

.Schell is producing and directing for his<br />

Alfa Productions from his own script.<br />

vSellner's casting reflects Schell's conviction<br />

that directors (Sellner is a top German<br />

director) "make the best stars, unused faces<br />

with thorough professional grounding."<br />

Schell cast playwright-director John Osborne<br />

for an acting debut in the first Schell di-<br />

-cctorial effort,<br />

"First Love," a best foreign<br />

;uage film Academy Award nominee . . .<br />

.By<br />

SYD CASSYD<br />

David Buchanan. Connie Strickland, Carol<br />

Speed and Joe E. Ross join the cast in<br />

"Bummer" an Apex Attractions film. William<br />

Castleman is producing and directing<br />

the film for release by Entertainment<br />

Ventures, Inc.<br />

Don Mitchell of Ironsides'<br />

To Co-Star in 'Blacula E'<br />

Don Mitchell, co-star of the highly successful<br />

NBC Television series "Ironsides,"<br />

has been set for the co-starring role of<br />

Justin in American International's "Blacula<br />

II." William Marshall again stars as the<br />

African prince cursed by the dread Count<br />

Dracula. The picture, currently before the<br />

cameras is being directed by Bob Kelljan<br />

from a script by Raymond Koenig, Joan<br />

Torres. Leon Capetanos and Maurice Jules<br />

. . . Billy Curtis, one of the best known<br />

midget actors in Hollywood, has been set<br />

to play the head of a midget crime gang in<br />

AIP's new action comedy, "Little Cigars,"<br />

now filming in and around Los Angeles.<br />

The picture stars Angel Tompkins and is<br />

being produced by Albert Band. Chris<br />

Christenberry is directing and Jim Elsegood<br />

handling the choreography . . Brock<br />

.<br />

Peters has been signed by producer Monroe<br />

Sachson for the key role of Captain Reynolds<br />

in AIP's "Slaughter II," Peters plays<br />

the police homicide officer who is on the<br />

trail of Slaughter, depicted by Jim Brown,<br />

throughout the picture.<br />

Diana Sands, Joanna Pettet<br />

Cathy-Lee Crosby Starred<br />

Diana Sands is being co-starred by director<br />

Gilbert Moses, with Roscoe Orman<br />

in the Zanuck/ Brown production for Universal<br />

of "Willie Dynamite." Ron Cutler<br />

wrote the screenplay and the picture is<br />

being produced by Richard D. Zanuck and<br />

David Brown. The actress will play Orman's<br />

adversary in the black action drama about<br />

organized prostitution. Interiors have been<br />

completed at the studio and shooting has<br />

now moved to New York City for final<br />

photography . . . Joanna Pettet has been<br />

set for one of the two female star roles<br />

in "Welcome to Arrow Beach," the new<br />

suspense drama, which Laurence Harvey<br />

will start filming this week for Arrow Beach<br />

Productions, in which he and Jack Cushingham<br />

are partnered. Harvey will direct<br />

and take one of five major roles, while<br />

Cushingham will be the producer. The film<br />

is being based on an original screenplay<br />

by Wallace Bennett and Jack Gross Jr. . . .<br />

Cathy-Lee Crosby will essay a top role in<br />

20th-Fox's production of producer-director<br />

Stuart Rosenberg's "The Laughing Policeman,"<br />

Walter Matthau starrer rolling this<br />

month. The actress portrays the lover of<br />

a slain policeman in the hardbitten crime<br />

drama to be filmed entirely on various<br />

locations in San Francisco. Rosenberg produces<br />

and directs from his and Tom Richman's<br />

screen adaptation of Per Wahloo's<br />

and Maj Sjowall's novel . . . Robert Preston's<br />

mother in "Mame," the musical production<br />

in which Lucille Ball stars in the<br />

title role, will be portrayed by Lucille Benson.<br />

A Robert Fryer-James Cresson production<br />

for Warner Bros., the picture is<br />

being directed by Gene Saks.<br />

The only female roles in Ely Landau's<br />

American Film Theatre production of "The<br />

Iceman Cometh," were given to Hildy<br />

Brooks, Nancy Dawson and Evan Evans,<br />

who will portray a trio of "ladies of the<br />

evening" frequenting the main locale of the<br />

Eugene O'Neill story. The film, which stars<br />

Lee Marvin, Fredric March, Robert Ryan<br />

and Jeff Bridges, is now in production at<br />

20th-Fox Studios in Los Angeles. Beginning<br />

in October, American Film Theatres will<br />

offer a series of motion pictures based on<br />

great contemporary plays directed and performed<br />

by the finest talents in the motion<br />

picture and theatre worlds.<br />

Additional Castings Made<br />

For Roles in 'Gordon's War'<br />

Nathan C. Heard, an ex-convict who<br />

served six years for armed robbery in New<br />

Jersey penitentiaries, becoming a best-selling<br />

author and college professor, will debut<br />

as an actor in "Gordon's War," a Palomar<br />

Pictures International production which<br />

Robert L. Schaffel is producing and Ossie<br />

Davis is directing on locations in New<br />

York for 20th-Fox. Edgar J. Scherick is<br />

executive producer. Heard, six-foot-four,<br />

portrays a Harlem drug pusher. It was while<br />

in prison that Heard wrote a novel, "Howard<br />

Street," and last June wrote his second<br />

novel, "To Reach a Dream," Carl Gordon,<br />

New York stage, movie and television actor<br />

has been set to portray the role of a pimp<br />

in "Gordon's War," starring Paul Winfield,<br />

Gordon appeared on Broadway last<br />

in a similar role. New York actors Chuck<br />

Bergansky, Lou Bedford, Maurice Woods,<br />

Warren Taurien and actress Danielle Harris<br />

have been cast for roles in "Gordon's War"<br />

. . . Robert Donner and Nancy Malone<br />

join the cast in MGM's "The Man Who<br />

Loved Cat Dancing," which stars Burt<br />

Reynolds, Sarah Miles, George Hamilton<br />

and Lee J. Cobb. Production, adapted from<br />

Marilyn Durham'c novel, is being directed<br />

by Richard C. Sarafian, and Martin Poll<br />

producing.<br />

Hal David, Henry Mancini Set<br />

For 'Oklahoma Crude' Music<br />

Stanley Kramer signed Academy Awardwinner<br />

Hal David to write the lyrics to the<br />

song written by Henry Mancini for his production<br />

of "Oklahoma Crude" for Columbia<br />

Pictures. Mancini also will compose the<br />

entire score for the film that stars George<br />

C. Scott, Fayc Dunaway, John Mills and<br />

Jack Palance. David's assignment marks the<br />

first time he has written lyrics for a Mancini<br />

song, and also the first time he has<br />

written for a composer other than Burt<br />

Bacharach in the past 16 years. The Bacharach-David<br />

collaboration recently has written<br />

the songs for Ross Hunter's production<br />

of "Lost Horizon" also for Columbia.<br />

BOXOFFICE :: February 19, 1973


—<br />

—<br />

—<br />

—<br />

—<br />

I<br />

—<br />

—<br />

—<br />

—<br />

I<br />

—<br />

—<br />

March 13 NY Debul 'Black Caesar' Composite 470 First<br />

For 'Lost Horizon<br />

NEW YORK—"Lost Horizon," Ross<br />

Hunter's production for Columbia Pictures,<br />

will have its gala invitational New York<br />

premiere March 13 at the Loews' State I<br />

Theatre. Stars from the production, as well<br />

as invited guests from the worlds of the arts.<br />

business and politics, are expected to attend<br />

the opening-night festivities, which will be<br />

co-hosted by producer Ross Hunter and<br />

Columbia Pictures. "Lost Horizon" begins<br />

its regular engagement the following day at<br />

Loews' State I, Loews' Tower East, UA<br />

Syosset on Long Island and the Totowa<br />

Cinema in New Jersey.<br />

The film, which has been selected for the<br />

1973 Royal Film performance in London<br />

March 26. will have its world premiere<br />

Tuesday, March 6, in Los Angeles at the<br />

National Theatre, Westwood, under the<br />

sponsorship of the Motion Picture and<br />

Television Fund.<br />

Featuring ten original songs by Burt<br />

Bacharach and Hal David. "Lost Horizon"<br />

stars an international cast headed by Peter<br />

Finch, Liv Ullmann, Sally Kellerman.<br />

George Kennedy, Michael York, Olivia<br />

Hussey. Bobby Van, James Shigeta, Charles<br />

Boyer and John Gielgud. Charles Jarrott<br />

directed from a screenplay by Larry Kramer.<br />

Jacque Mapes was associate producer.<br />

'Payday' Premieres Feb. 22<br />

At Three NY Theatres<br />

NEW YORK — "Payday," starring Rip<br />

Torn, will have its New York premiere<br />

Thursday (22) at the Murray Hill and Juliet<br />

II Theatres on the Eastside and at the<br />

Forum Theatre on Broadway. The film is<br />

distributed by Cinerama Releasing.<br />

Torn portrays Maury Dann. superstar,<br />

a country music entertainer who lives by<br />

the rule, "if you can't drink it. smoke it,<br />

love it or spend it. forget it." For Maury<br />

Dann everyday is payday.<br />

An award winner for his acting and<br />

directing on the New York stage. Torn has<br />

been seen in such films as "Baby Doll."<br />

"A Face in the Crowd," "TTie Cincinnati<br />

Kid" and "Tropic of Cancer."<br />

Shel Silverstein, who created Johnny<br />

Cash's "A Boy Named Sue," wrote four of<br />

the original songs. Music columnist, critic<br />

and teacher Ralph J. Gleason was executive<br />

producer.<br />

George C. Scott, Chayefsky<br />

Get British Nominations<br />

LONDON—George C. Scott and Paddy<br />

C hayefsky have been nominated for British<br />

Academy Awards for their contributions to<br />

"The Hospital," the internationally acclaimed<br />

United Artists release. Scott, winner<br />

of a Hollywood Best Actor Oscar, has<br />

been cited by the British for his performance<br />

as Dr. Bock, and Chayefsky for his screenplay.<br />

Author Chayefsky already has won<br />

the Hollywood screenplay Academy Award<br />

for the film.<br />

Week in NY; last Tango Up to 690<br />

NEW YORK—"Last Tango in Paris" retained<br />

its first-place stance with a 100-point<br />

leap to 690 in its second week at Trans-<br />

Lux East. Continuing in the second spot<br />

was "It Happened in Hollywood," 480 for<br />

its fourth Orleans week. Debuting "Black<br />

Caesar" captured third place with an average<br />

of 470 for its opening round at Cinerama<br />

(560), 59th Street Twin II (250) and<br />

RKO 86th Street Twin II (600).<br />

Fourth, "The Heartbreak Kid "<br />

held onto<br />

its spot with 350 for the eighth week at the<br />

Sutton. "Under Milk Wood" was down from<br />

No. 3 to No. 5, earning 305 for the third<br />

week at the Eastside Cinema. No. 6 was<br />

"Cries and Whispers," 290 for the eighth<br />

stanza at Cinema I.<br />

(Average Is 100)<br />

Baronet Pete 'n' Tillie (Univ), 8th wk 175<br />

245<br />

Beekman<br />

Cinema I<br />

Steelyard Blues (WB), 2nd wk<br />

Cries and Whispers [New World),<br />

8th wk<br />

Cinema 11 The Effect of Rays on<br />

Gamma<br />

290<br />

Man-in-the-Moon Marigolds [20th-Fox),<br />

8th wk 300<br />

Cinerama Black Coesor (AlP) 560<br />

Columbia Images (Col), 8th wk 90<br />

Columbia II Young Winston (Col), 17th wk 145<br />

Coronet Up the Sandbox (NGP), 8th wk 160<br />

DeMille Trick Baby (Univ), 2nd wk<br />

Eastside Cinema Under Milk Wood (Altura),<br />

120<br />

3rd wk 305<br />

55th Street Playhouse Bijou (Poolemar); Boys in<br />

the Sand (Poolemar), 17th wk 145<br />

59th Street Twin I Prison Girls (AlP), 3rd wk. ..120<br />

59th Street Twin II Black Caesar (AlP) 250<br />

First Avenue Screening Room Pulp (UA) 235<br />

Juliet II Trick Boby (Univ), 2nd wk<br />

Little Carnegie The Discreet Charm of the<br />

90<br />

Bourgeoisie<br />

New Embassy<br />

(20th-Fox), 16th wk<br />

The Harder They Come<br />

195<br />

(New World) 245<br />

Orleans It Happened in Hollywood (Screw),<br />

4th wk 480<br />

Orpheum The Getoway (NGP), 8th wk 85<br />

Paramount The Effect of Gamma Rays on<br />

Man-in-the-Moon Morigolds (20th-Fox), 8th wk. 65<br />

Paris Cesar and Rosalie (Cinema 5), 9th wk. ..130<br />

Penthouse Prison Girls (AlP), 3rd wk 140<br />

Plaza Trovels With My Aunt (MGM), 8th wk. . .145<br />

CONGRATULATORY K I S S—<br />

Mrs. Bernard Diamond of Rye, N.Y.,<br />

newly elected president of the 'Variety<br />

Club Women, receives a "congratulatory<br />

kiss" from Jack Albertson, while<br />

Sam Levene, left, looks on. The gentlemen<br />

are the stars of the Broadway hit<br />

"Sunshine Boys." Mrs. Diamond is the<br />

wife of the executive vice-president of<br />

Loews Theatres.<br />

Radio City Music Hall The World's Greatest<br />

Athlete (BV), 2nd wk 80<br />

Rivoli Man of La Moncho (UA), 9th wk 160<br />

RKO 86th Street Twin I Prison Girls (AlP),<br />

3rd wk 140<br />

RKO 86th Street Twin II Black Coesor (AlP) ..600<br />

68th Street Playhouse Troffic (Col), 9th wk. ..170<br />

state The Getoway (NGP), 8th wk 125<br />

Sutton The Heartbreak Kid (20th-Fox), 8th wk. 350<br />

34th Street East The Getaway (NGP), 8th wk. . .150<br />

Tower East Jeremioh Johnson (WB), 8th wk. ..175<br />

Trans-Lux East Last Tango in Paris (UA),<br />

2nd wk 690<br />

Trans-Lux 85th Street The Harder They Come<br />

(New World) 180<br />

Ziegfeld Sleuth (20th-Fox), 9th wk 1 50<br />

"Vanishing Wilderness' 300<br />

In First Buffalo Week<br />

BUFFALO— "Vanishing Wilderness" and<br />

"The Poseidon Adventure" were forerunners<br />

on the local first-run scene, grossing<br />

300 and 200, respectively. It was the first<br />

week at the Colvin for "Vanishuig Wilderness"<br />

and the eighth week for "The Poseidon<br />

Adventure" at Holiday 2. Another<br />

newcomer, "Cries and Whispers," emerged<br />

as the No. 3 grosser as it opened at Maple<br />

Forest I with 180—ten points ahead of No.<br />

4 "Black Gunn," second week, Buffalo.<br />

Amherst Fellini's Roma (UA) 130<br />

Buffalo Black Gunn (Col), 2nd wk 170<br />

Colvin Vanishing Wilderness (SR) 300<br />

Evans, Holiday 5—-The Heartbreak Kid<br />

(20th-Fox), 2nd wk 160<br />

Holiday 1 1776 (Col), 8th wk 100<br />

Holiday 2 The Poseidon Adventure (20th-Fox),<br />

8th wk 250<br />

Holiday 3 Avanti! (UA), 4th wk 130<br />

Maple Forest 1 Cries and Whispers (SR) 180<br />

Maple Forest 2 The Emigrants (WB), 8th wk. ..130<br />

Plaza North Train Robbers (WB) 160<br />

Teck—Ann and Eve (SR) 120<br />

'Sleuth' Starts Baltimore<br />

Run With Composite 205<br />

BALTIMORE—"Sleuth," rating 300 at<br />

the Towson but only 110 at Westview II,<br />

still made the best showing (composite 205)<br />

of any of the week's new features. Top<br />

business was turned in by "Avanti!", second<br />

week at the Paramount and Cinema II, with<br />

its composite 300 score, while "Fat City,"<br />

another holdover, performed at a 300 pace<br />

in its single-theatre engagement at 7 East.<br />

5 West The King of Marvin Gardens (Col),<br />

3rd wk 150<br />

Hillendale Jeremioh Johnson (WB), 3rd wk 60<br />

Met— Block Gunn (Col), 8th wk 200<br />

Northwood Deliverance (WB), 7th wk 40<br />

Paramount, Cinema II Avanti! (UA), 3rd wk. ..300<br />

Playhouse, Cinema I Child's Ploy (Para) 275<br />

7 East Fof City (Col), 2nd wk 300<br />

Westview I The Getaway (NGP), 8th wk 100<br />

Westview II, Towson Sleuth (20th-Fox), 205<br />

Westview III Pete 'n' Tillie (Univ), 8th wk 100<br />

Westview IV Innocent Bystanders (Para) 35<br />

Edward A. Romano Named<br />

Controller of Warners<br />

NEW YORK—Edward A. Romano, assistant<br />

treasurer of Warner Bros, since<br />

1970, has been given added responsibilities<br />

and now assumes the post of controller of<br />

the company, according to an announcement<br />

by Ralph Peterson, vice-president and<br />

treasurer.<br />

Romano, who first joined Warner Bros,<br />

in 1968, formerly was with the public accounting<br />

firm of Peat, Marwick, Mitchell &<br />

Co. in New York.<br />

BOXOFFICE :: February 19, 1973 E-1


if"!<br />

A<br />

. . Henry<br />

LT I M O R E<br />

QoJumbia City cinemas I and II in Columbia<br />

will be ready to open around mid-<br />

May. The owner is General Cinema Corp.<br />

of Boston .<br />

Dusman of J. F.<br />

Dusman Co. says that firm is equipping a<br />

"piggyback'" twin theatre in downtown Altoona.<br />

Pa., the Playhouse I and II, owned<br />

by Richard Neff. The Dusman firm is installing<br />

Century projectors and sound.<br />

Strong Lumex lamphouses and rectifiers<br />

and EPRAD's SWORD. The screen image<br />

will be transmitted to the upper auditorium<br />

by mirrors. Dusman reports these are to be<br />

"very posh theatres" in a downtown renewal<br />

center.<br />

George A. Brehm, Westview Investment<br />

Co. and owner of Westview cinemas I, II.<br />

Ill and IV, is very pleased with the installation<br />

of the Strong X-60-B, where he is<br />

transmitting xenon light on a 50-foot screen.<br />

Adolph J. Jarosik, 81, former professional<br />

musician who had played with theatre<br />

bands, died Monday (5) at the Bethesda<br />

Naval Hospital after a long illness. Jarosik<br />

retired from the Navy in 1947 as chief<br />

musician after a 20-year career with the<br />

Naval Academy Band. He was drum major<br />

for 15 years. He leaves his wife Elizabeth;<br />

a daughter, Mrs. Dudley W. Purdy sr., and<br />

three grandchildren, all of Edgewater.<br />

MGM Children's Matinees apparently<br />

are increasing in popularity here. "Tom<br />

Thumb" was shown at Saturday (10) and<br />

Sunday (11) matinees at these theatres:<br />

Joppatowne Cinema, Grand, Liberty II,<br />

Boulevard. Vilma, Cinema Harundale.<br />

Westway and Reisterstown Plaza.<br />

Judy Bachrach, well-known film, theatre<br />

and TV critic, was guest speaker at the<br />

annual "ladies' night" Tuesday (13) at<br />

8:30 p.m. at the Independent Order of Odd<br />

Fellows Jefferson Lodge 9 meeting, held in<br />

the social hall of the Ohel Yaakov Synagogue,<br />

corner of Glen and Winner avenues.<br />

The event was in honor of Valentine's Day.<br />

Otts Kiefaber, president of Arcade<br />

Press, and Mrs. Kiefaber, left for a vacation<br />

in Mexico Monday (5), to return Tuesday<br />

(20).<br />

Over 400 independent filmmakers and the<br />

film institutes of Russia, Poland, Sweden,<br />

Canada and the U.S. have been invited to<br />

submit entries to this year's fourth annual<br />

Baltimore Film Festival, sponsored by Towson<br />

State College. A wide range of styles<br />

will be seen at nine separate shows spread<br />

CINERAMA IS IN<br />

SHOW BUSINESS IN<br />

HAWAII TOO.<br />

When you come to Waikiki,<br />

^""'* "^'^^<br />

5lUfW *^^ famous<br />

iHAWAiil Don Ho Show. . . at<br />

^^^^ Cinerama's Reef Towers Hotel<br />

PN WAIKIKI: REEF REEF TOWERS EDGF.WATER<br />

over three consecutive weekends, starting<br />

March 16. Everything from films made by<br />

women and documentaries made by TV networks<br />

to the "expanded cinema" of the<br />

West Coast will be shown. Tickets will be<br />

$2 per person or $15 for the entire festival,<br />

with reduced rates available to students. AH<br />

shows will be held at Towson State's<br />

Stephens Hall Auditorium at 8:30 p.m. Fridays<br />

and Saturdays and at 4 p.m. on Sundays.<br />

"Nosferatu," the earliest Dracula-type<br />

film, was presented free at 8 p.m. Thursday<br />

(15) at Essex Community College in<br />

the lecture hall. Other pictures scheduled at<br />

Essex are: "Mondo Cane." March 1; "The<br />

Mouse That Roared." March 22: "To Die<br />

in Madrid," April 12, and "Three Penny<br />

Opera," May 3.<br />

A benefit performance of "Sounder,"<br />

sponsored by the Baltimore Environmental<br />

Center, will be presented Thursday (22) at<br />

JF's Tower Theatre. The public is<br />

cordially<br />

invited to attend this screening but all tickets<br />

must be purchased in advance. The price<br />

is $3 and tickets may be obtained from<br />

BEC. 112 East 25th St., or ordered by mail<br />

with check.<br />

Ritchie 3 cinemas, under ithe aegis of the<br />

Rappaport Theatres, will open at the end of<br />

June in the Korvette Shopping Center<br />

(known also as Governor's Plaza Shopping<br />

Center) in Glen Bumie, according to Robert<br />

Rappaport. He also said the Timonium<br />

Twin cinemas, across from the Timonium<br />

Fair Grounds on York Road, will open at<br />

approximately the same time . . . Wednesday<br />

(28) is the official opening date for<br />

F. H. Durkee's Harford Mall cinemas I and<br />

II, located in the Harford Mall, Belair, according<br />

to Sam Temple, supervisor at Durkee's.<br />

Greg Cannazzaro, a negative "stripper"<br />

for the past two and a half years at Arcade<br />

Press, left the firm Monday (5) to become<br />

the manager of the printing department at<br />

Loyola College . . . Chet Wilhelm. 18.<br />

pressman at Arcade Press for the past year<br />

and a half, passed all his physical tests for<br />

military acceptance and will leave for Parris<br />

Island, S.C., June 28. At that time he<br />

will go into training with the Marines.<br />

R. H. Gardner, Morning Sun film critic,<br />

says of "Man of La Mancha," on screen<br />

the Randallstown Plaza: "Peter O'Toole is<br />

one of the most brilliant actors of our time<br />

and his and Sophia Loren's performances<br />

make 'Man of La Mancha' . . . well worth<br />

seeing."<br />

Talented Helen Back, wife of Leon B.<br />

Back, general manager of Rome Theatres<br />

and president of NATO of Maryland, has<br />

three paintings on display on the Homewood<br />

campus of the Johns Hopkins University<br />

through March 2. This showing,<br />

along with other paintings and drawings by<br />

members of the local branch of the National<br />

League of American Pen Women, is being<br />

at<br />

sponsored by the university's office of special<br />

events. The exhibit is open to the public<br />

from 9 a.m. to 6 p.m. daily in the galleries<br />

of the Milton S. Eisenhower Library. Mrs.<br />

Back has been a member of this organization,<br />

devoted to various branches of the<br />

arts,<br />

for some time.<br />

Fabian Leases 5 Albany<br />

Area Airers to UATC<br />

ALBANY—Fabian Theatres, which has<br />

sold five area movie houses during the past<br />

few years, announced that it has concluded<br />

negotiations to lease, with options to buy,<br />

four drive-ins to United Artists Theatre<br />

Circuit. Properties included in the transaction<br />

are the Tri-City Twin, Menands; Mohawk,<br />

Colonic; Latham Drive-In, Latham,<br />

and the Riverview Drive-In. Rotterdam<br />

Junction, according to Adrian Ettelson. general<br />

manager of the Fabian Management Co.<br />

The lease agreement was approved by<br />

Salah Hassanein, president of Metropolitan<br />

Playhouses, the Eastern operating company<br />

of United Artists, according to Ettelson.<br />

No price was disclosed.<br />

Fabian formerly had operated the Palace<br />

in Albany, Proctor's and State in Schenectady,<br />

Proctor's in Troy and the Cohoes<br />

Theatre. Cohoes. N.Y. All have been sold<br />

in<br />

recent years.<br />

Morton Segal to Receive<br />

Special IFIDA Award<br />

NEW YORK—Martin E. Segal, president<br />

of the Film Society of Lincoln Center,<br />

will be honored by the International Film<br />

Importers & Distributors of America, it was<br />

announced by Michael F. Mayer, IFIDA<br />

dinner chairman. Segal will be cited by a<br />

special award in recognition of the services<br />

rendered by him to the Film Society of Lincoln<br />

Center and of his devotion and untiring<br />

efforts which have contributed to the<br />

acceptance of the motion picture as an art<br />

form.<br />

Segal, in addition to his responsibilities at<br />

Lincoln Center, is president of Wertheim<br />

Asset Management Services, a wholly owned<br />

affiliate of Wertheim & Co.; a trustee of<br />

the Institute for Advanced Study at Princeton;<br />

a trustee of the Helena Rubinstein<br />

Foundation, and chairman of the executive<br />

committee and treasurer of City Center of<br />

Music and Drama.<br />

The annual IFIDA dinner-dance will be<br />

held at the Hotel Americana. New York,<br />

March 30.<br />

Circle Twin Cinema Gives<br />

Gems on Valentine's Day<br />

BRICKTOWN. N.J.—The independent<br />

Circle Twin Cinema here, in cooperation<br />

with a local jewelry store, ran a jewelry<br />

giveaway contest for Valentine's Day (14).<br />

Entry blanks were filled out in the theatre<br />

by patrons several weeks prior to Wednesday<br />

(14) and the drawing was held on that<br />

date.<br />

The top three prizes were: a diamond<br />

ring, a pair of diamond earrings and a<br />

diamond pendant.<br />

BOXOFFICE :: February 19, 1973


HAILC^SAR<br />

Godfather ^--^ of Harlem!<br />

...The Cat<br />

^ththe<br />

.45 caliber<br />

Claws!<br />

A Larco Production<br />

An American International Release<br />

FRED WILLIAMSON starring m "BLACK CAESAR"<br />

• •<br />

co-starring MINNIE GENTRY JULIUS W. HARRIS D'URVILLE MARTIN<br />

• • •<br />

DON PEDRO COLLEY GLORIA HENDRY ART LUND VAL AVERY PHILIP ROYE<br />

•<br />

Written, Produced and Directed by LARRY COHEN A LARRY COHEN Film<br />

) 1973 American International Picturac. Inc.<br />

contQct your flfllOriCCin IlllemClliOAal exchange<br />

IRK<br />

ichvdrtz. Branch Mgr.<br />

4«th ».<br />

t, Nmr York 10036<br />

12) 4a9-l100<br />

PHILADELPHIA<br />

John Nunn<br />

1612 Morket Street<br />

Philadelphia, Pa. 19103<br />

Tele.: (215) 5«8-6684<br />

WASHINGTON, D.C.<br />

Jerome Sandy<br />

1217 H St., N.W.<br />

Washington, D.C. 2000S<br />

Tele.: (202) 347-2442<br />

PITTSBURGH<br />

Dave Silverman<br />

415 Van Broom St.<br />

Pittsburgh, Pa. 15219<br />

Tele.: (412) 2SI-1630<br />

BUFFALO-ALBANY<br />

Minna G, Zackem<br />

300 Deloware Ave.<br />

Buffalo, N.Y. 14202<br />

Tele.: 853-5150, 1, 2<br />

Showmanship<br />

Is Cur €nly<br />

Business


OADWAY<br />

pAUL LYNDE, the voice of Templeton<br />

the rat in the animated musical "Charlotte's<br />

Web," arrives in town Wednesday<br />

(21) for promotional activities on behalf<br />

of the film, which has its world premiere<br />

engagement as the next attraction at Radio<br />

City Music Hall. Based on E. B. White's<br />

contemporary classic, which has sold over<br />

2,400,000 copies in the last two decades,<br />

the film features nine new songs by Academy<br />

Award winners Richard M. and Robert<br />

B. Sherman. "Charlotte's Web" is a Hanna-<br />

Barbera and Sagittarius production for Paramount,<br />

featuring the voices of Debbie<br />

Reynolds, Agnes Moorehead and Henry<br />

Gibson.<br />

"Deep Throat," which continues to be<br />

llie most controversial— and successful —<br />

pornographic film around, had a brief taste<br />

of glory recently when it opened at the<br />

Trans-Lux 85th Street Theatre. The Madison<br />

Avenue house, a neighborhood theatre<br />

catering to patrons of current popular<br />

fare and definitely not a porno palace, was<br />

picketed and inundated with protests from<br />

local inhabitants and merchants. The film<br />

was pulled after a one-week showing, proving<br />

that some people still oppose pornography<br />

as a way of life.<br />

Liz Lisboa. veteran publicist, has left<br />

Harold Rand & Co. after five years there.<br />

She now is on the staff of Abby Hirsch<br />

Public Relations, 25 Central Park West,<br />

New York City 10023. Current clients<br />

handled by Hirsch are Alan Bates' Broadway<br />

smash "Butley," writer-poet-singer Rod<br />

McKuen and jazz singer Cleo Laine. Good<br />

luck,<br />

Liz!<br />

Belated congratulations to Jo-Ann Geffen<br />

and husband Bob Satz on the birth of their<br />

son. Word has just arrived of the appearance<br />

of Jeremy Donald, weighing six<br />

pounds, December 29. Jo-Ann, a publicist<br />

who started her own public relations firm,<br />

obviously was too busy to publicize her<br />

own newsworthy event.<br />

•<br />

Howard Goldfarb, vice-president of foreign<br />

sales for Cannon Releasing Corp.,<br />

left Monday (12) on a two-month sales<br />

trip to Latin America. He'll be conducting<br />

sales meetings and merchandising seminars<br />

on forthcoming releases with Cannon's subdistributors.<br />

The 12-country itinerary includes<br />

Mexico, Panama, Colombia, Peru,<br />

Chile, Argentina, Brazil, Venezuela, Trinidad,<br />

Puerto Rico, Santo Domingo and<br />

Jamaica.<br />

•<br />

Trinity Church at 74 Trinity PI. is concluding<br />

its "Salute to Preston Sturges, Filmmaker"<br />

with screenings of "The Great<br />

Moment" (1944), with Joel McCrea, Wednesday<br />

(21) and "Unfaithfully Yours"<br />

(1948), Rex Harrison and Linda Darnell,<br />

Wednesday (28). Showings are Wednesday<br />

evenings at 5:15 and 8 p.m.<br />

•<br />

Members of the Fortune Society recently<br />

attended a special screening of Cinerama's<br />

"Family Honor," starring Antony<br />

Page. Making the showing a unique experience<br />

was the fact that Page is a former<br />

prisoner (convicted of various crimes, including<br />

possession of drugs and armed robbery)<br />

and the society is an organization<br />

devoted to the rehabilitation of ex-convicts.<br />

Page stars in the film as an Italian-American<br />

policeman forced to avenge his father's<br />

murder. A Rocinante production, written<br />

and produced by Louis Pastore. "Family<br />

Honor" was shot entirely in New York and<br />

is the feature-film debut for director Clark<br />

Worswick, a documentary filmmaker who<br />

taught in Harvard's film department.<br />

•<br />

Marietta Tree has been elected a member<br />

of the board of directors of Columbia<br />

Broadcasting System, it has been announced<br />

by CBS chairman William S. Paley. The<br />

first U.S. woman ambassador to the United<br />

Nations. Mrs. Tree is a partner and cofounder<br />

of Llewelyn Davies Associates,<br />

city-planning, hospital and health-planning<br />

consultants. A daughter, Frances FitzGerald.<br />

is the author of "Fire in the Lake."<br />

•<br />

William October has been named controller<br />

of Screen Gems-Columbia Music,<br />

the music division of Columbia Pictures<br />

Industries. The announcement was made<br />

by Irwin Z. Robinson, vice-president and<br />

general manager of the division. October,<br />

who joined the division in the spring of<br />

1972, will report to Irwin Griggs, the<br />

newly appointed director of financial administration.<br />

•<br />

B. V. Sturdivant. president of NATO<br />

of Arizona in Yuma, has been named chairman<br />

of the membership committee of the<br />

Motion Picture Pioneers, according to Pioneers<br />

president Salah M. Hassanein. A nationwide<br />

membership campaign will begin<br />

shortly, under Sturdivant's leadership, to<br />

expand the organization's roster.<br />

•<br />

John Vidette, producer of "Wedding in<br />

White," and its director-screenwriter, William<br />

Fruet, arrived here from Toronto<br />

Thursday (15) for promotional work on<br />

behalf of the film. A Jo.seph E. Levine<br />

presentation for Avco Embassy Pictures,<br />

"Wedding in White" will have its American<br />

premiere here in March. The film stars<br />

Donald Pleasence and Carol Kane and won<br />

the 1972 Canadian Film Award for Best<br />

Picture.<br />

•<br />

Warner Bros.' "Jeremiah Johnson, "starring<br />

Robert Redjord. moved from Loews'<br />

Tower East to the larger Loews' State I<br />

Wednesday (14) as a result of its strong<br />

popular support. "Billy Jack," a nationwide<br />

hit, will return here Wednesday (28).<br />

when it begins an indefinite run at the<br />

Plaza.<br />

•<br />

Showcases for Wednesday (14): "Cabaret";<br />

"The Emigrants"; "The Blue Balloon";<br />

"Deliverance"; "Images"; "Diamonds Are<br />

Forever" and "On Her Majesty's Secret<br />

Service," and "Sounder." Friday (14)<br />

"1776" begins a showcase run, while "The<br />

Discreet Charm of the Bourgeoisie" starts<br />

a four-house mini-run.<br />

•<br />

Metro-Goldwyn-Mayer's "Lolly-Madonna<br />

XXX," a contemporary action drama starring<br />

Rod Steiger, Robert Ryan, Jeff Bridges<br />

and Scott Wilson, will begin its worldpremiere<br />

engagement Wednesday (21) at the<br />

East 59th Street I Theatre in Manhattan.<br />

NORTH JERSEY<br />

T ost Horizon" is slated to have an exclusive<br />

area opening March 4 at General<br />

Cinema's Totowa Cinema in Totowa.<br />

managed by Carl Kester.<br />

Lenas' Cinema 23 in Cedar Grove presented<br />

a special children's stageshow for the<br />

Saturday, Sunday and Monday matinees of<br />

Lincoln's Birthday weekend. On stage was<br />

Huckleberry Hound, the Jetsons and Johnny<br />

Quest.<br />

Plaza Theatre Shuttered;<br />

Last House in Englewood<br />

ENGLEWOOD. N.J .—The Plaza Theatre<br />

here, originally opened 46 years ago.<br />

has been closed by United Artists Eastern<br />

Theatres. Richard Sheffield, last manager<br />

of the 1,166-seat house, has been transferred<br />

to UA's Closter in Closter. N.J., as<br />

manager.<br />

Hanna Sayed. who formerly managed the<br />

Closter, now has moved to the circuit's<br />

Long Island zone.<br />

heav-<br />

The closing of the Plaza leaves the<br />

ily populated Bergen County town of Englewood<br />

without any motion picture theatre.<br />

Richard Murphy Retiring;<br />

Fabian Circuit Veteran<br />

MONTCLAIR. N.J.—Richard C. Murphy,<br />

district manager for Fabian Manage-<br />

has announced his<br />

ment Co., theatre circuit,<br />

retirement following the recent acquisition<br />

of the Fabian circuit by United Artists<br />

Eastern Theatres. A native of Schenectady,<br />

N.Y.. Murphy had been appointed district<br />

manager of Fabian's New Jersey and Statcn<br />

Island theatres in 1970.<br />

He had joined the company .38<br />

years ago<br />

and. prior to coming to the North Jersey<br />

BOXOFFICE :: Febniary 19, 1973


area, had been manager of Proctor's in<br />

Troy. N.Y., and the Plaza and Proctor's,<br />

both in Schenectady, N.Y.<br />

Murphy's first appointment in New Jersey<br />

was as manager of the Bellevue in Upper<br />

Montclair in 1960. a post he retained<br />

until his elevation to district manager. While<br />

residing in Montclair with his wife Mabel,<br />

Murphy has held membership in the Montclair<br />

Lodge 891, BPOE; the Montclair<br />

Lions Club; the Montclair Chamber of<br />

Commerce, and the One Hundred Club. He<br />

also is a member of St. Cassian's Church in<br />

Upper Montclair.<br />

Michael Kaplan Appointed<br />

WB Ad Mgr. in Europe<br />

BURBANK. CALIF.—Michael Kaplan<br />

has been appointed to the newly created<br />

position of advertising manager for Europe<br />

and the United Kingdom, it was announced<br />

by Richard Lederer, Warner Bros, vice-president<br />

of advertising and publicity. Kaplan<br />

was advertising and promotion coordinator<br />

for Stanley Kubrick's "A Clockwork<br />

Orange" and a vice-president of Polaris<br />

productions. Kubrick's American production<br />

company.<br />

Kaplan will make his headquarters in<br />

London, working under the jurisdiction of<br />

Michael Baumohl, Warner Bros, director of<br />

advertising, publicity and promotion for Europe<br />

and the U.K.. and in association with<br />

Julian Senior, deputy to Baumohl. Kaplan<br />

will fill a key post in implementing Warner<br />

Bros.' expanding advertising strategy for<br />

Europe that is being initiated and directed<br />

out of Burbank by Lederer and Andrew<br />

Fogelson, the company's director of advertising.<br />

20th-Fox Ups Dino Troni;<br />

Latin America Sales Mgr.<br />

HOLLYWOOD—Dino Troni has been<br />

appointed sales manager for Latin America,<br />

it has been announced by David Raphel,<br />

president of 20th Century-Fox International.<br />

Troni, who has been with 20th-Fox for<br />

nine years, will continue to work in Mexico<br />

City directly under Oscar Santos, vice-president<br />

of Fox Inter-Americana, with home<br />

office direction by Harold Mars, director of<br />

Latin American operations.<br />

Troni has held varying positions with<br />

20th-Fox in Chile, Italy. Argentina and<br />

Mexico, where he has been managing director<br />

for the past two years.<br />

In making the announcement, Raphel<br />

stated, "This is another of our continuing<br />

moves in Latin America which indicates the<br />

importance being placed on this area by<br />

20th-Fox."<br />

Glove Theatre Reopens<br />

GLOVERSVILLE, N.Y.—The Glove<br />

Theatre here has been reopened by Joseph<br />

A. Sherman of Fair Haven. Vt., owner of<br />

Sherman Theatre Enterprises, which currently<br />

operates five situations in Vermont.<br />

Sherman reportedly has taken a one-year<br />

lease, with option, from Schine Enterprises.<br />

BUFFALO<br />

The Variety Club lined up an ambitious<br />

program to celebrate Variety Week.<br />

Robert R. Mycek was chairman and Jerry<br />

Edelstein co-chairman. The program started<br />

Monday (12) wtih the crowning of the King<br />

(Raymond Ethridge) and Queen (Cheryl<br />

Kishbaugh) in the Children's Rehabilitation<br />

Center. 936 Delaware Ave. The king and<br />

queen will appear at several Tent 7 events<br />

during the year. Thursday (15) was the annual<br />

salute to the press, radio and TV<br />

luncheon in the clubrooms, when the various<br />

media were thanked for their assistance<br />

throughout the year and Harry Kodinsky,<br />

vice-president, Variety Clubs International,<br />

spoke. The annual "Man of the Year"<br />

award dinner was held Saturday night (17),<br />

also in the clubrooms, when past chief<br />

barker and former president of the Buffalo<br />

Common Council Elmer F. Lux was master<br />

of ceremonies and John J. Serfustini, manager<br />

of the local 20th Century-Fox branch<br />

and also a past chief barker, was named<br />

"Man of the Year." There were cocktails<br />

at 6:30 p.m., dinner at 7:30 and dancing to<br />

live music from 9:30 p.m. to the wee, small<br />

hours.<br />

Samuel Geffen, 1973 chief barker, and<br />

Mrs. Charles Bogges. president of Variety<br />

Club Women, were seated on the dais at all<br />

A. LaFlamme was pro-<br />

events and Clinton<br />

gram coordinator. During the week barkers<br />

took the Variety story to newspapers, radio<br />

and TV in the form of interviews. Here are<br />

some interesting notes about chairman Mycek.<br />

He has been a member of the Variety<br />

Club since 1968, is an account executive at<br />

WWOL and, being of Polish descent, hosts<br />

his own weekly "Polka Jamboree" radio<br />

program at the station and is a member of<br />

the Hertel Avenue Citizens & Taxpayers<br />

Ass'n, as well as the Ad Club, and is a<br />

parishioner of St. Florian's Parish. He resides<br />

with his wife and two children at 77<br />

Grove St. in this city.<br />

Loews Corp. in New York has sold a<br />

large piece of Main Street property north<br />

of Chippewa Street to Leon Lawrence Sidell,<br />

real estate investor. The property,<br />

which has approximately 100 feet frontage<br />

on the west side of Main and extends<br />

through to Pearl Street, runs from 622 to<br />

634 Main. The Buffalo Theatre, formerly<br />

Shea's Buffalo, flagship of the old Shea circuit,<br />

was sold by Loews to Sidell in 1964.<br />

Loews now leases the theatre from Sidell.<br />

The property he has just bought from<br />

Loews has been owned by that corporation<br />

for 20 to 25 years. A Loews spokesman<br />

said the property "doesn't fit in with our<br />

real estate portfolio." Sidell said he has no<br />

immediate plans for the package bought<br />

from Loews but that he has had some discussions<br />

with other property owners in the<br />

block relating to the possibility of a joint<br />

development venture.<br />

Doug Smith, Courier-Express drama editor,<br />

said in that newspaper Saturday (10):<br />

"Contrary to some public opinion and some<br />

popular demand, movie reviewers (or critics,<br />

if you must) do have families, do take<br />

them to the movies and are concerned with<br />

the fact that many times there's hardly a<br />

film in town that the entire family can go to<br />

as a group. Everybody has his own objections,<br />

based on sex, nudity, violence, rough<br />

language or what have you. Oddly enough,<br />

there is seldom an objection raised based<br />

on boredom. This weekend, it seems, the<br />

theatre owners are listening to the objections.<br />

Another of these, by the way, is cost.<br />

In some circumstances it can cost a family<br />

of four almost $10 for a session at the<br />

movies, a circumstance which almost all<br />

theatre owners are attempting to overcome<br />

these days with bargain matinees, usually at<br />

$1 per head." Smith then goes on to list<br />

what films he thinks are suitable for the<br />

family and what he'd recommend steering<br />

16-and-unders away from ... A number<br />

of new movies opened in local theatres as<br />

follows: "Sounder," Center and Boulevard<br />

and Seneca Mall cinemas; "Jeremiah Johnson,"<br />

Holiday and Eastern HiUs Cinema;<br />

"The World's Greatest Athlete," Colvin,<br />

Cinema I, Eastern Hills and Towne, and<br />

"Save the Tiger," Holiday 1.<br />

Bill Hebert, Frontier Amusement Corp.,<br />

advises that his company now is booking<br />

and buying for the Colonial Theatre in Norwich,<br />

operated by Peter Groeschel; Super<br />

87 Drive-In, Plattsburgh, operated by Alan<br />

Iselin, and the Castle Cinema in Olean,<br />

which has been taken over by Nino Bordonaro<br />

from Carrols Development Corp.<br />

A screening of two rare, black-produced<br />

silent motion pictures was held Friday (16)<br />

at 7 p.m. in the Woodlawn Junior High<br />

School. The films were "Scar of Shame," a<br />

1927 feature melodrama, and "Spying on<br />

the Spies," a 1910 comedy short about the<br />

Ku Klux Klan. The program was sponsored<br />

by the Community Communication Foundation,<br />

a not-for-profit film and video training<br />

and production center located at 651<br />

Masten Ave.<br />

The first long run for a silent film hereabouts<br />

in many moons opened at the Riviera<br />

Theatre in North Tonawanda, with Art<br />

Melgier at the console of the Mighty<br />

Wurlitzer and William Wellman's "Wings"<br />

on the screen. So, the Riviera may be riding<br />

in on the crest of a trend. Clara Bow. Richard<br />

Arlen and Buddy Rogers are the stars<br />

of "Wings." The silent film series at the<br />

Buffalo Museum of Science has been unusually<br />

well received this season, frequently<br />

with Melgier at the organ and the everyother-Wednesday<br />

organ-silent shows at the<br />

Riviera usually play to close to capacity. If<br />

the "Wings" run is a success, folks can expect<br />

more of that kind of show.<br />

Bob McGarth of "Sesame Street" is one<br />

of the first stars to be booked for the Variety<br />

Club telethon, to be telecast on<br />

WKBW-TV, Channel 7, from 10 p.m. Sat-<br />

(Continued on next page)<br />

BOXOFFICE :: February 19, 1973 E-5


BUFFALO<br />

(Continued from preceding page)<br />

urday, March 3, to 5 p.m. Sunday, March<br />

4. Jack Smith, host of the syndicated "You<br />

Asked for It" series on TV, has been signed<br />

for his sixth appearance on this Tent 7<br />

event, of which John J. Serfustini. past<br />

chief barker and manager of the local 20th-<br />

Fox branch, is general chairman.<br />

Mannie A. Brown, president of Frontier<br />

Amusement Corp.; Ike Ehrlichman, another<br />

FAC officer, and Dewey Michaels, owner<br />

and operator of the downtown Palace and<br />

Cinema theatres, all are basking in the sunshine<br />

of Jamaica, where they are attending<br />

a film convention Myron Gross, well<br />

. . .<br />

known in western New York film circles<br />

for a decade or so, has left the Batavia<br />

offices of Dipson Theatres and has opened<br />

his own booking and buying headquarters<br />

in the downtown Crosby Building, located<br />

at Franklin and Mohawk, in this city.<br />

Alfred E. Anscombe, past chief barker of<br />

the Variety Club and now president of<br />

Amherst CableVision. will be master of<br />

ceremonies at the third annual Our Town<br />

dinner Tuesday (20) in Rosary Hill College.<br />

Anscombe also is a member of the Millard<br />

Fillmore suburban board of directors of the<br />

Amherst-Clarence Hospital now under construction<br />

The Rev. Murray L. Hicks,<br />

. . .<br />

pastor of the Cazenovia Park Baptist<br />

Church, has written "Everybody's Column"<br />

in the Evening News as follows: "I write to<br />

you in behalf of concerned citizens who<br />

view with alarm the intention of network<br />

TV to air X-rated films. Because TV is<br />

such an effective means of communication<br />

and wields such a powerful influence in<br />

literally every community, it is hoped that<br />

persons in authority will exercise discretion<br />

commensurate with their trust. We are experiencing<br />

unparalleled rebellion, lawlessness<br />

and perversion in America today. Such<br />

irresponsible programing of X-rated films<br />

would only cater to the already inflamed<br />

passions of this element of society and be a<br />

means of standardizing the depraved activities<br />

of the minority. It is apparent that a<br />

major contradiction exists when a public<br />

media urges the control of some forms of<br />

pollution while at the same time becomes<br />

the vehicle for its introduction into the<br />

homes of our nation."<br />

Bill McKibben, president and general<br />

manager of WEBR Radio and WBCE-FM,<br />

has been elected to the radio board of directors<br />

of the National Ass'n of Broadcasters.<br />

Jerry Edelstein. an account executive at<br />

. . . Buses in this city<br />

that station, is a member of the Variety<br />

Club crew for 1973<br />

and environs are displaying 24-sheet-size<br />

telethon posters on their sides asking folks<br />

to watch Channel 7 March 3-4 and the 1 1th<br />

annual event to help handicapped children<br />

help themselves to independence. General<br />

chairman John J. Serfustini also has asked<br />

all restaurants and taverns to repeat their<br />

last ten years of cooperation and again play<br />

r.iaior role in the success of the telethon.<br />

Celeste Holm, star of the Studio Arena's<br />

production of "Butterflies Are Free," joined<br />

long-time friends Mr. and Mrs. Laddie Laky<br />

at a singalong in Johnnie's Old-Timer in<br />

Kenmore. "Don't you dare say for 30<br />

years." she said to an interviewer when<br />

asked how long she had known the Lakys<br />

... A four-feature "Gangsterama" is the<br />

way Sid Cohen advertised his show in Sheridan<br />

I the other evening. The program was<br />

"Crimson Mama," "Boxcar Bertha," "A<br />

Bullet for Pretty Boy" and "1.000 Convicts<br />

and a Woman." Cartoons started at 7:30<br />

p.m. Quite a show for a cool winter evening—but<br />

there were heaters!<br />

Ladies with escorts are admitted free<br />

Thursdays at the Flick Cinema on Gibbs<br />

Street, across from the Eastman Theatre in<br />

Rochester. The house also advertises anent<br />

its attractions: "These films contain explicitly<br />

adult scenes. You must be 18 years or<br />

older for admittance."<br />

Bill Laney, general manager, Jo-Mor<br />

Theatres, Rochester, put on the Kodak<br />

Town premiere of United Artists' "Man of<br />

La Mancha" Wednesday (7) at the Towne<br />

II and has been lining 'em up at the boxoffice<br />

ever since. Bill has been using large<br />

ads at the top of his combo to let the local<br />

folks know about the production that stars<br />

.Sophia Loren, Peter O'Toole, etc. . . . Larry<br />

Levite, general manager of WYSP and<br />

WPHD-FM, has been elected president of<br />

the Buffalo Radio Ass'n Group, a cooperative<br />

sales organization of ten local radio stations.<br />

Levite also has been chosen treasurer<br />

of BRAG.<br />

Michael F. Ellis jr., past chief barker.<br />

Variety Club, and head of Ellis Advertising<br />

and a member of the board of the Anti-<br />

Defamation League, spoke on "2.000 Years<br />

of Anti-Semitism" at a meeting of the Business<br />

& Professional Club of the Jewish<br />

Center Tuesday (13) in the center.<br />

Felicity Crawford, associated with local<br />

TV and radio stations for the past seven<br />

years, has been named assistant coordinator<br />

of the Channel 17 TV auction, the fourth<br />

annual fund-raiser for the public station,<br />

set for June 1-19 in the Peace Bridge Exhibition<br />

Center.<br />

'Godfather' Is Voted Best<br />

By Photoplay Readers<br />

NEW YORK—Paramount Pictures' "The<br />

Godfather" starring Marlon Brando has<br />

been named by the readers of Photoplay<br />

Magazine as the best picture of the year.<br />

The magazine is the world's oldest and largest-selling<br />

fan publication.<br />

"The Godfather." produced by Albert S.<br />

Ruddy for Alfran Productions and Paramount,<br />

was directed by Francis Ford Coppola<br />

and based on Mario Puzo's sensational<br />

best seller. A! Pacino. James Caan, Richard<br />

Castellano, Robert Duvall and Diane Keaton<br />

co-star in the film, which is one of the<br />

biggest hits of all time.<br />

Paramount to Release<br />

Bartlett's 'Seagull'<br />

NEW YORK—Paramount Pictures has<br />

acquired for worldwide distribution Hall<br />

Bartlett's film of "Jonathan Livingston Seagull."<br />

based on the best-seller by Richard<br />

Bach, it was announced by Frank Yablans,<br />

president of Paramount. Published by Macmillan<br />

in 1972. the book has broken all sales<br />

records since "The Godfather."<br />

Producer-director Bartlett acquired the<br />

film rights early in 1972 and envisioned<br />

making his movie with complete fidelity to<br />

the novel, using no animation and no people.<br />

He has used trained and wild seagulls as his<br />

"stars," preserving the essence and integrity<br />

of the story. Based on a screenplay by Bach.<br />

"Jonathan Livingston Seagull" was filmed<br />

in the High Sierras, Big Sur, Yosemite,<br />

Death Valley, the Mono Lake region and<br />

the Monterey-Carmel coast. Jack Couffer<br />

served as director of photography for the<br />

film.<br />

Columbia's N.Y. Branch<br />

Has $1,000,000 Week<br />

NEW YORK—More than $1,000,000<br />

was grossed by theatre's<br />

serviced in Columbia<br />

Pictures' New York Exchange for the<br />

week ending February 7.<br />

Paced by the spectacular opening week<br />

multiple theatre engagement of "Shamus,"<br />

the Robert M. Weitman Production, and<br />

the tremendously successful showcase run of<br />

"Black Gunn." the John Heyman Production,<br />

Columbia's exchange grossed $1,095.-<br />

983 for the week.<br />

Included in this figure are the strong performances<br />

by the company's first-run product<br />

headed by "Young Winston," the film<br />

by Carl Foreman and Richard Attenborough;<br />

Robert Altman's "Images;" Jacques<br />

Tati's "Traffic" and the special engagement<br />

of John Huston's "Fat City."<br />

Lloyd Ibert Joins Para.<br />

Publicity Department<br />

NEW YORK—^Lloyd Ibert has joined<br />

the Paramount Pictures publicity department<br />

as feature writer and trade press representative,<br />

it was announced by Charles O. Glenn,<br />

vice-president in charge of advertising, publicity<br />

and promotion.<br />

Prior to joining Paramount. Ibert was the<br />

associate editor of the Independent Film<br />

Journal and before that was with Harold<br />

Rand & Co., a public relations firm. A<br />

graduate of Queens College, Ibert first entered<br />

the industry working with the late<br />

Robert Rosscn's production staff on "The<br />

Hustler." Ibert will report directly to Gordon<br />

Weaver, who is executive publicity director.<br />

Seek to Preserve Theatre<br />

RED BANK, N. J. — The Monmouth<br />

County Arts Council is launching a campaign<br />

to acquire and preserve the Carlton<br />

Theatre here as a cultural center. The Monmouth<br />

Street landmark is owned by the<br />

Waller Rcade Organization.<br />

BOXOFFICE ;: February 19, 1973


. . Jonas<br />

J<br />

Joseph R. Kosco Is Dead;<br />

Veteran Pa. Exhibitor<br />

BROCKPORT, PA.—Joseph R. Kosco.<br />

74. former veteran exhibitor at Brockway,<br />

Pa., died recently in St. Agnes Hospital,<br />

Catonsville, Md. A World War I veteran, a<br />

military service was conducted at graveside<br />

by Parson-Marnatti Post 93 of Brockway<br />

after a funeral mass sung in St. Tobias<br />

Church, Brockway, with burial following in<br />

St. Marys Cemetery. St. Marys, Pa.<br />

Well-liked in the film and theatre trade,<br />

Joe Kosco is survived by his wife Julia<br />

Reagle Kosco; sons William, Rochester,<br />

Minn., and John. St. Marys; a daughter.<br />

Mrs. James (Judy) Mullaney, St. Mary"s; 13<br />

grandchildren, six sisters and a brother<br />

George F. Kosco, retired Navy captain,<br />

Harrisburg. He was preceded in death by a<br />

sister and a brother. Charlie Kosco, in years<br />

past a veteran at Pittsburgh with Fox Film<br />

Corp. and 20th-Fox, later serving this company<br />

in Buffalo, N.Y.<br />

Critic's Adverse Comment<br />

Is Answered by Circuit<br />

ROCHESTER, N.Y.—In a rare regional<br />

display of newspaper advertising space<br />

scoring adverse critical commentary. Jo-<br />

Mor Theatres, playing MGM's "The Great<br />

Waltz" at<br />

the Cinema, took Bernard Drew,<br />

Gannett News Service critic, to task.<br />

The circuit quoted a Rochester Democrat<br />

& Chronicle letter to the editor: "Please,<br />

Mr. Drew, review objectively! The readers<br />

of the D&C were not given a fair review of<br />

'The Great Waltz.' If readers want to see<br />

violence or an X-rated picture, they would<br />

be disappointed, but if they enjoy good entertainment,<br />

they should not miss it. I intend<br />

to see it again, as pictures of this type are<br />

few and far between."<br />

Richard Carlton Is Named<br />

API Special Consultant<br />

WASHINGTON, D.C. — Richard Carlton,<br />

former Trans-Lux Corp. vice-president,<br />

entertainment division, has been named special<br />

consultant to the American Film Institute.<br />

AFI director George Stevens jr. said<br />

Carlton's responsibility is to coordinate details<br />

pertaining to the new AFI Theatre under<br />

construction at the John F. Kennedy<br />

Center for the Performing Arts, such as<br />

construction, programing, staffing and operating<br />

policies.<br />

Carlton also will supervise the union,<br />

legal and budgetary aspects of the new theatre,<br />

which is scheduled to open in early<br />

April.<br />

Reuters Names 'Godfather'<br />

Worldwide Film Favorite<br />

NEW YORK—Marlon Brando has been<br />

named the Worldwide Film Favorite by a<br />

readers' poll conducted by Reuters, for his<br />

performance in the title role of Paramount<br />

Pictures' "The Godfather."<br />

"The Godfather" was produced by Albert<br />

S. Ruddy for Alfran Productions and Paramount.<br />

Based on Mario Puzo's sensational<br />

best-selling novel, the film was directed by<br />

Francis Ford Coppola.<br />

PITTSBURGH<br />

Rrother of the Wind," with dozens of prints<br />

in exhibition in the area, has been turning<br />

in top grosses . . The old Plaza Thea-<br />

.<br />

tre, Bloomfield, reopens March 9 with community<br />

players to be known as Camelot<br />

Productions. The initial show will be "The<br />

Vending machines are<br />

Fantasticks" . . .<br />

being retooled, as cigarets are being increased<br />

five cents per pack, making the cost 55<br />

cents now.<br />

Pete DeFazio no longer is associated with<br />

the Wheeler Film Co. here. Ross S. Wheeler<br />

announced that a new branch head will be<br />

named.<br />

"Mary Poppins" returns here in reissue<br />

July 11... "Limbo" was pulled out of the<br />

Forum and Encore and was replaced by<br />

"Slaughterhouse-Five," which had been<br />

. . Squirrel Hill Carnegie<br />

seen in the neighborhood and drive-in theatres<br />

in this area .<br />

Library continues its Sunday afternoon<br />

film series and has supplemented it with<br />

horror films on Wednesday evenings . . .<br />

"Save the Tiger" is at the Fiesta.<br />

Tom Bryant, Associated's downtown<br />

manager, and two employees of the Gateway<br />

Theatre Friday (2) were on their way<br />

to a nearby bank to deposit theatre receipts<br />

totaling $7,042 when they were stopped by<br />

two men, one with a gun, who took the<br />

money and fled on foot to a parking lot<br />

where an accomplice was waiting with a<br />

car (they got away).<br />

The Bizarre Art showed "Do it My Way"<br />

and "Sunday Suitor" . . . Monroeville Mall<br />

Cinema 2 has played "The French Connection"<br />

and "The Hospital" for six weeks . . .<br />

The Fulton offers James Bond movies,<br />

'Diamonds Are Forever" and "On Her<br />

Majesty's Secret Service" . . . Greensburg's<br />

WHJB Radio was denied a daytime power<br />

increase by the FCC . . . The Stanley held<br />

sneak previews.<br />

In area release are such films as "The<br />

Sensuous Teenager," "Lust Combo," "Curse<br />

of the Living Corpse," "The Cross and the<br />

Switchblade," "The Abductors," "The Seducers"<br />

and "Make Me a Woman."<br />

Harniar House was charged by<br />

the state<br />

liqour control board with presenting a<br />

"lewd and immoral show" last fall, with no<br />

ruling resulting at this time. Defense witnesses<br />

included George Anderson, drama<br />

editor of the Post Gazette, Joe Gearing of<br />

WJAS and Will Disney, WIIC-TV.<br />

Fayette Heritage, backing the proposed<br />

Great Meadows Amphitheatre on Route 40<br />

IN<br />

east of Uniontown, named as executive director<br />

Jay Christopher, formerly for eight<br />

years producer at the White Barn Theatre.<br />

The amphitheatre is expected to be constructed<br />

this summer and an outdoor drama,<br />

tentatively titled "The National Road," is<br />

to be offered starting in June 1974 . . .<br />

Pennsylvania's spending total for 1973-74,<br />

under the budget of Gov. Milton Shapp, is<br />

$6,630 billion, a 2.7 per cent increase over<br />

the current year's budget. Interesting figures<br />

projected for revenue include: $8.4 million<br />

from harness racing; $14.7 million from<br />

horse racing, and $146 million from the<br />

lottery.<br />

Old-time exhibitors again will turn out to<br />

greet Lillian Gish when she appears with<br />

scenes from some of her movies Saturday<br />

afternoon (24) at 2:30 p.m. in Heinz Hall.<br />

More, perhaps, than any other person, Lillian<br />

Gish is "The Movies."<br />

Monroeville, ever-expanding, will get<br />

CATV some time this year. Seeking the<br />

franchise are six CATV films: Adelphia<br />

Communications, which has a system in<br />

Bethel Park; Valley Cable TV, with<br />

Churchill, Wilkins Township and Turtle<br />

Creek among nine franchises; Westmoreland<br />

Cable Co., serving Oakmont and Verona;<br />

Eastern Telecom, operating in Mount<br />

Lebanon; Centre Video (linked with Telecommunications),<br />

with operations in Wilkinsburg.<br />

Forest Hills and Penn Hills, and<br />

Allegheny Cable . . . Suffolk Cable TV of<br />

North Braddock and Swissvale offers free<br />

CATV installations.<br />

The Fritz Lang free film exhibitions are<br />

continuing in the series showing at Carnegie<br />

Lecture Hall, the Friday (23) offering being<br />

his 1941 "Manhunt" and 1953 "The Big<br />

Heat" .<br />

Mekas, independent filmmaker,<br />

will discuss his movies Wednesday<br />

Pirates will<br />

(21) at the lecture hall . . . The<br />

offer senior citizens reduced baseball general<br />

admission rates at six Saturday games,<br />

May-September, at 65 cents ... A fiveweek<br />

art film series will be presented, starting<br />

Wednesday (21) in the Richland Township<br />

Municipal Building, Gibsonia.<br />

"Roundabouts" was popularly received at<br />

the Penthouse and was held over . . . The<br />

Garden offered on screen "Sexual Communication"<br />

and "Januarius" . . . The Liberty<br />

again held a second double bill for a<br />

fourth week and the Art Cinema, next door<br />

to the Liberty, used "For Single Swingers"<br />

with top feature "Beyond the Commission's<br />

Report on Pornography" (which the city<br />

(Continued on next page)<br />

PHILADELPHIA<br />

ALLIED Theatre Equipment Co., Inc.<br />

Everything for the Theatre •<br />

153-57 H. 12th St.<br />

Phllo., Pa. 19107<br />

(215) 567-2047<br />

;_______.___.___.--.........._..___-......»--......-.........<br />

BOXOFFICE :: February 19. 1973 E-7


. . . BV<br />

n ASHINGTON<br />

K


NEWS AND VIEWS OF THE PROPUCTION CENTER<br />

(Hollywood Office— 6425 Hollywood Blvd., 465-1186)<br />

Lowell Thomas Feted<br />

By Variety Tent 25<br />

LOS ANGELES—"In recognition of his<br />

invaluable contributions to the world of<br />

communications." commentator Lowell<br />

Thomas was honored Wednesday (14) by<br />

the Variety Club of Southern California<br />

Tent 25.<br />

"We of the Variety Club are indeed<br />

proud to recognize Lowell Thomas' great<br />

achievements in behalf of programs designed<br />

to create a better understanding of<br />

the world we live in," said Joseph Sinay,<br />

chief barker of Tent 25, in presenting the<br />

Variety Club award to Thomas.<br />

More Than 600 Attend<br />

Over 600 persons from all areas of the<br />

show business world, including many top<br />

industry figures and film stars who have<br />

known Thomas, now 80 years old. attended<br />

the luncheon in the Los Angeles Room at<br />

the Century-Plaza Hotel. Harry Von Zell<br />

served as master of ceremonies. Murray<br />

Propper and Jay Stewart were luncheon cochairmen.<br />

Thomas began his career when the century<br />

was new as a reporter and journalist.<br />

He taught at Kent College and Princeton<br />

University and was chief of a civilian mission<br />

sent to Europe by President Woodrow<br />

Wilson to prepare a historical record of<br />

World War L<br />

Radio Show Begin in 1930<br />

He became America's best known voice<br />

on the airwaves with his own radio show<br />

in 1930. His narration of Fox Movietone<br />

News gave dramatic highlights to the motion<br />

picture medium and he was TV's first<br />

commentator. He won many awards as foreign<br />

correspondent during World War IL<br />

Thomas also recorded on film for posterity<br />

many of the customs and cultures of faroff<br />

civilizations which he presented on the<br />

"High Adventure" TV series and in many<br />

best-selling books.<br />

This year also marks the 20th anniversary<br />

of the date of launching Cinerama,<br />

which Thomas once headed as president,<br />

chairman of the board and production chief.<br />

Dais guests included Congressman<br />

George E. Danielson; Jack Bailey; Edgar<br />

Bergen; Will Rogers jr.; Art Linkletter;<br />

George Nicholaw, vice-president and general<br />

manager of radio station KNX; Harfield<br />

Weedin, director of network programs,<br />

Hollywood-CBS Radio, and Thomas S.<br />

Murphy, chairman of the board of Capital<br />

Cities Broadcasting.<br />

Also, Sherrill C. Corwin, president of<br />

Variety Clubs International; Ed Bunker,<br />

president of radio station KFI and chairman<br />

of the board of Southern California Broadcasters;<br />

Michael Forman, vice-president of<br />

Cinerama; Mel Blanc; Ken Carpenter, and<br />

W. Russell Barry, vice-president and general<br />

manager of KNXT-TV.<br />

ABC Key Offices Moving<br />

To Century City Center<br />

LOS ANGELES—The Los Angeles corporate<br />

headquarters of the American Broadcasting<br />

Cos. and executive offices of several<br />

of its<br />

divisions will move to the ABC Entertainment<br />

Center in Century City, it was<br />

announced by Paul P. Levin, executive director<br />

of the center. In addition to corporate<br />

headquarters,<br />

the Los Angeles executive offices<br />

of ABC Television and the ABC-TV<br />

network, the Los Angeles offices of ABC<br />

Entertainment and all of its departments<br />

and the West Coast offices of ABC Theatres<br />

also will move to the new center in<br />

late summer. They will occupy more than a<br />

full floor of the 190,000 square feet of<br />

available office space.<br />

The ABC Entertainment Center is the<br />

only complex of its kind and scope in the<br />

world, offering both motion picture and<br />

legitimate theatre entertainment, outstanding<br />

office facilities and a wide range of retail,<br />

dining and entertainment establishments,<br />

providing activity and amusement<br />

both during the day and well into the latenight<br />

hours. Seven years in development, it<br />

represents an investment of more than<br />

$14,000,000.<br />

The center houses two ABC motion picture<br />

theatres seating 1,500 and 800, respectively,<br />

offering the finest in feature<br />

films. The Shubert Theatre, seating 1,850.<br />

also is located in the center and will be<br />

offering outstanding legitimate programs in<br />

the coming months.<br />

"We feel that the ABC Entertainment<br />

Center will set the standard for similar facilities<br />

across the nation." Levin stated. "We<br />

have designed and created the center to<br />

provide its visitors with the most exciting<br />

and varied shipping, dining and entertainment<br />

facilities in the city. We feel it will be<br />

a hub of activity throughout the day and<br />

Communion Breakfast<br />

Scheduled March 4<br />

HOLLYWOOD—The 22nd annual<br />

evening, unmatched in Southern California."<br />

Motion<br />

Picture, Television, Radio and Recording<br />

Industries Communion Breakfast will<br />

be held March 4 at 10:15 a.m. at the Beverly<br />

Hilton Hotel, it is announced by Al<br />

Simms, president of the Communion Breakfast<br />

Committee. Several performers will entertain,<br />

among them singers Karen Morrow<br />

and Anna Marie Biggs. A special mass will<br />

be celebrated at 9 a.m. at the Blessed Sacrament<br />

Church.<br />

Celebrities who will be on the dais at<br />

the breakfast include June Haver, Fred<br />

MacMurray, Ann Blyth, Joe Campanella,<br />

Tom Hawkins and Jack De Mavc. Others<br />

now are making reservations. Dom De Luise<br />

will be the master of ceremonies. Tickets<br />

are available at all studios and from Betty<br />

Hope at 876—4915.<br />

Simms is director of personnel and facilities<br />

for American International Pictures.<br />

Lionel Newman Continuing<br />

As 20th-Fox Music Chief<br />

HOLLYWOOD—Lionel Newman, general<br />

music director, 20th Century-Fox, has<br />

had his contract renewed. With 20th-Fox<br />

for the past 27 years, Newman is<br />

the recipient<br />

of one Academy Award ("Hello. Dolly!")<br />

and, under his aegis, the studio has<br />

received 1 1 Oscar nominations in the musical<br />

field.<br />

Newman succeeded his brother, the late<br />

Alfred Newman, as general music director.<br />

Blowitz, Cole Are Signed<br />

For Barrister Feature<br />

HOLLYWOOD — Mickey Blowitz and<br />

Albert Cole have been signed by executive<br />

producer Jordan M. Wank as associate<br />

producers on "People Toys" for Barrister<br />

Productions. Sean MacGregor will<br />

function as producer-director.<br />

The film rolls Friday (23) on location<br />

at Big Bear, Calif. The screenplay is by<br />

John Durren.<br />

Bradner Petersen Joins<br />

MGM Legal Department<br />

CULVER CITY, CALIF.— Bradner Petersen<br />

has become a member of the MGM<br />

legal department at its headquarters here,<br />

it was announced by Frank E. Rosen felt,<br />

vice-president and general counsel. Petersen<br />

formerly was a CBS general attorney at<br />

Studio Center.<br />

BOXOFFICE :: February 19, 1973 W-I


A5uckdta^e^^^^^^ W I<br />

£)RAMA WITHOUT BRUTALITY, without<br />

murders and rape or dope-pushing<br />

in the black community, is the type of film<br />

on the horizon for Brock Peters, producer.<br />

There is no question in his mind that the<br />

film community can lay claim to novels,<br />

scripts and projects already available.<br />

Watching the selection of films from the<br />

Black Artists Alliance shown at the American<br />

Film Institute here, one accepts his<br />

premise. The "Sounder" success strengthens<br />

his idea with the conviction that new content<br />

will be forthcoming. He will not debate<br />

what form will be necessary, for audience<br />

acceptance at theatres will free new writers<br />

from compromise and various forms and<br />

content will be tried.<br />

"You usually start with a dream," Peters<br />

suggested over at Warner Bros. Studios,<br />

where he is preparing for completion of<br />

feature as co-producer with Michael<br />

his first<br />

Tolan and writing his second one with<br />

Godfrey Cambridge.<br />

As he looks back at a Harlem junior<br />

high school which launched him in the<br />

1930s when English teacher Pearl Fisher<br />

saw the future of the young black man<br />

from the West Indies, Peters laughed, recalling<br />

that his music teacher, too, hounded<br />

him to "sawing away on the violin," resulting<br />

in acceptance in the New York High<br />

School of the Performing Arts.<br />

Recently he went back there as "Man of<br />

the Year" and was emotionally touched<br />

when, in his talk to the students, he looked<br />

around and saw Miss Fisher still<br />

there.<br />

This is the background of the man who<br />

is playing in AIP's "Slaughter II," in<br />

MGM"s "Soylent Green," in "Black Girl"<br />

and, after a Broadway stage success in<br />

"Lost in the Stars," is being considered for<br />

the top role in Ely Landau's American Film<br />

Theatre version of the Kurt Weill-Maxwell<br />

Anderson musical to be produced by Henry<br />

Weinstein.<br />

Peters is a giant in acting for films, TV<br />

and the theatre. When this writer watched<br />

him in the stage version of "The Great<br />

White Hope," playing the role of a heavyweight,<br />

our view was of a giant man. It<br />

was funny. We were waiting in the dining<br />

room at Warners and a voice said, "hello."<br />

The man sitting opposite us wore a mustache,<br />

had a full head of hair and spoke<br />

gently and, having a mental picture of bald,<br />

heavy Jack Jefferson of the play, we looked<br />

around for another man, then back at<br />

Peters and did a double take. The structure<br />

of the stage and of the story gave us a dis-<br />

CINERAMA IS IN<br />

SHOW BUSINESS IN<br />

HAWAII TOO.<br />

When you come to Waikiki,<br />

don't miss the famous<br />

Ihawaii]<br />

Don Ho Show. . . at<br />

(HOTTLSj Cinerama's Reef Towers Hotel.<br />

IN WAIKIKI. REEF RF.Ef TOWERS EDGEWATER<br />

TH SYD CASSYDi!<br />

torted image of the reality of what this man<br />

should look like.<br />

His story of producing is typical. For<br />

two years he and Tolan were with script<br />

and no backing. When they selected Charlie<br />

Russell's script, which Tolan had seen on<br />

Broadway, the typical answer from friends,<br />

agents, producers and studios was "we liked<br />

it, but . .<br />

."<br />

Knowing the demand for violence, yet,<br />

with a script about a Harlem family in the<br />

mainstream of a sibling family situation<br />

among other factors, they finally found an<br />

investor whose money had gone into stage<br />

plays. This man submitted the script and<br />

property to a firm of legal consultants who<br />

specialized in theatre and who advised a<br />

flyer in films. Arthur Krim, UA topper, a<br />

friend of Peters, read it and recommended<br />

it to David Chasman. Dave Picker's firm<br />

came up with the rest of the money and a<br />

distribution deal.<br />

One of two black films by new producers<br />

and directors to be distributed by United<br />

Artists, the title is "Five on the Black Hand<br />

Side." The other is "The Spook Who Sat<br />

by the Door," by Sam Greenlee, with Ivan<br />

Di.xon directing for Bookari Productions.<br />

Greenlee, a poet and author, told us Chicago<br />

authorities would not allow this picture<br />

of the black revolution to be made in that<br />

city. It was made here in Los Angeles.<br />

Mrs. Agnes Dill Appointed<br />

To NM Movie Commission<br />

ALBUQUERQUE—Gov. Bruce King has<br />

named Mrs. Agnes Dill, a New Mexico<br />

Indian leader, to the State Film Commission.<br />

She succeeds Mrs. Ruth Armstrong of<br />

Albuquerque, who recently resigned the<br />

board post to assume the directorship of the<br />

commission.<br />

Mrs. Dill, a native of the Isleta (Indian)<br />

Pueblo just south of Albuquerque, is state<br />

president of the North American Indian<br />

Women's Ass'n. She is a teacher by profession.<br />

Mrs. Dill attended her first meeting of<br />

the commission at the governor's office in<br />

Santa Fe Thursday (8).<br />

Other members of the board are: Lou<br />

Gasparini, Albuquerque; Cruz Naverez, Las<br />

Cruces; Merwin Campbell, Carlsbad; Scott<br />

McCullough, Santa Fe; Louis Gallegos,<br />

Tucumcari; Joe DiPomazio, Gallup; Ralph<br />

Loooney, Albuquerque, and Gov. King,<br />

who serves as chairman.<br />

NMTA Organizing Drive<br />

To Stop Proposed Laws<br />

ALBUQUERQUE—Paul West of Albuquerque,<br />

secretary of the New Mexico Theatre<br />

Ass'n, said that the board of the<br />

NMTA would meet in Santa Fe Tuesday<br />

(20) to organize a campaign to fight the<br />

onslaught of anti-obscenity bills currently<br />

being introduced in the current session of<br />

the state legislature.<br />

One bill,<br />

which would be an amendment<br />

to the state constitution if passed, was introduced<br />

by Democratic Rep. Bennie Aragon<br />

of Albuquerque. It already has been<br />

approved by the House of Representatives<br />

and now goes to the Senate. It would give<br />

local communities and the state legislature<br />

the power to enact anti-obscenity ordinances—something<br />

that they already have.<br />

Two more bills dealing with "pornography"<br />

also have been submitted to the lower<br />

house by another Albuquerque Democrat,<br />

Lenton Malry. One bill would prohibit open<br />

display of "explicit sexual material" on billboards,<br />

in display racks, window cases and<br />

other areas, with a fine of upwards of $100.<br />

Malry's second bill would ban the sale of<br />

"explicit sexual materials" to persons under<br />

age 18, with a fine of upwards of $1,000<br />

for violations.<br />

NM Is Reorganizing<br />

Film-Promotion Plan<br />

SANTA FE, N.M.—A strong reorganization<br />

of movie-promoting efforts in New<br />

Mexico has been okayed by the State Film<br />

Commission at its February meeting, held<br />

Thursday (8) at the governor's office in<br />

Santa Fe. The new three-point plan was<br />

outlined by Mrs. Ruth Armstrong, who assumed<br />

the directorship of the corrunission<br />

Thursday (1).<br />

Briefly, her plan is:<br />

• Nammg of regional advisory film committees<br />

in each of the six geographical districts<br />

of the state. These committees would<br />

be set up by commission members in each<br />

district.<br />

• Cooperative efforts by these new committees<br />

to show film production prospects<br />

location sites in their particular areas.<br />

• Bringing the state's West Coast representative,<br />

Fred Banker of Hollywood, to<br />

New Mexico to consult with each of the<br />

regional groups.<br />

Mrs. Armstrong said that her plan directly<br />

would involve each area of the state in<br />

the film-promoting activities, something that<br />

Gov. Bruce King has been urging since he<br />

took office in 1971.<br />

The regional groups would provide information<br />

and photos on their areas when<br />

asked by the state office. They also would<br />

give aid to production people in location<br />

scouting and also assist in the preparation<br />

of a producer's handbook on their areas.<br />

'Brother of the Wind' Gross<br />

Is Now Over $8,000,000<br />

HOLLYWOOD—Sun International Productions'<br />

G-rated family feature, "Brother<br />

of the Wind," closed a three-week run in<br />

the Los Angeles area with a gross of $625,-<br />

600, according to Sun president G. M.<br />

Ridges.<br />

The figure swells the national gross for<br />

the outdoor film to over $8,000,000 since<br />

release last November via Sun's unique<br />

marketing and distribution system.<br />

Ridges projects the ultimate gross for<br />

"Brother of the Wind" at $15-17,000,000.<br />

BOXOFHCE :: February 19, 1973


HAILCi^SAR<br />

Godfather a„i»x>f Harlem!<br />

...The Cat<br />

with the<br />

.45 caliber<br />

Claws!<br />

A Larco Production —<br />

An American International Release<br />

FRED WILLIAMSON<br />

Starring in "BLACK CAESAR"<br />

•<br />

co-starring MINNIE GENTRY JULIUS W. HARRIS D'URVILLE MARTIN<br />

DON PEDRO COLLEY GLORIA HENDRY ART LUND • • •<br />

VAL AVERY<br />

• PHILIP ROYE<br />

•<br />

Written, Produced and Directed by LARRY COHEN A LARRY COHEN Film<br />

) 1973 American International Picturea. Inc.<br />

RCSTRtCTCO<br />

Un


Hollywood<br />

J^OSS HUNTER, who was the principal<br />

speaker at the first weekly seminar<br />

conducted by the Center for Advanced Film<br />

Studios at the American Film Institute,<br />

discussed his activity in relation to such<br />

Hunter films as "Thoroughly Modern Millie,"<br />

"Airport" and the just-completed musical<br />

drama "Lost Horizon."<br />

•<br />

William Stark was named vice-president<br />

of Mark VII, effective immediately, it was<br />

announced by Jack Webb. Stark serves in<br />

a production supervisory capacity acting as<br />

liaison between Mark VII and its various<br />

production companies. Stark has been associated<br />

with Mark VII for seven years.<br />

•<br />

Edward A. Romano, assistant treasurer<br />

of Warner Bros, since 1970, has been given<br />

added responsibilities<br />

and now assumes the<br />

post of controller of the company, according<br />

to an announcement by Ralph Peterson,<br />

vice-president, treasurer.<br />

•<br />

Richard Winters assumed his duties as<br />

director of national advertising, publicity<br />

and promotion for Paramount Television.<br />

Winters will headquarter at the studio in<br />

Los Angeles.<br />

*<br />

Jim Brown was interviewed on the set<br />

of American International's "Slaughter 11"<br />

for NBC Radio Monitor News by John<br />

Cannon. Cannon is president of the National<br />

Academy of Television Arts and Sciences.<br />

•<br />

John L. Dales, retiring national executive<br />

secretary of the Screen Actors Guild, was<br />

honored Tuesday (13) by the Los Angeles<br />

City Council for playing "a significant role<br />

Happenings<br />

in building the SAG, headquartered in<br />

Hollywood, into one of the most influential<br />

and successful labor unions in the U.S."<br />

*<br />

Mark Spitz respectfully informed the<br />

Academy of Motion Picture Arts and Sciences<br />

that he was withdrawing from the<br />

honor of being a presenter at this year's<br />

awards because the honor, he believes,<br />

should be reserved for those who already<br />

have contributed something to movies.<br />

*<br />

Fred Williams, makeup man on "Mame"<br />

and an artist by avocation, has been commissioned<br />

by producers Robert Fryer and<br />

James Cresson to do large oil portraits of<br />

Robert Preston as Beauregard Bumside.<br />

•<br />

Jacqueline Page is being photographed<br />

by Playboy Magazine for a layout in connection<br />

with her role in Palomar Pictures'<br />

"Gordon's War."<br />

•<br />

Milton Deutsch, veteran entertainment<br />

industry executive, has dissolved his 25-<br />

year-old Coast Artists Agency and formed<br />

Milton Deutsch Enterprises exclusively as<br />

a personal management organization.<br />

•<br />

An hour-long "Sound on Film" radio<br />

broadcast, focusing on co-star Peter Boyle<br />

and co-producer Julia Phillips talking about<br />

their new Warner Bros, comedy "Steelyard<br />

Blues," is being syndicated to 200 stations<br />

throughout the U.S.<br />

•<br />

Dino Troni has been appointed 20th Century-Fox<br />

sales manager for Latin America.<br />

•<br />

Screen Gems stars Paul Lynde and David<br />

Birney have been declared winners in the<br />

52nd annual Photoplay Gold Medal<br />

Awards.<br />

•<br />

"Shaft" and "Shaft's Big Score!" currently<br />

is being promoted nationwide with radio<br />

contests. First-place winners get a "Shaft"<br />

wristwatch.<br />

•<br />

When Robin Clark. American International<br />

Pictures production manager, needed<br />

15 to 20 midgets and dwarfs for a scene<br />

in "Little Cigars." he called Gary Owens.<br />

KMPC Radio personality, who interviewed<br />

Maria Liebling, production secretary, and<br />

within minutes the station was deluged with<br />

calls from midgets and dwarfs throughout<br />

the city.<br />

•<br />

Evelyn F. Scott, story analyst for Metro-<br />

Goldwyn-Mayer's story department for the<br />

past 20 years, resigned to devote her full<br />

time to a creative writing career.<br />

•<br />

Mark S. Krause has joined the William<br />

Felber Agency to develop and administer<br />

the production personnel department.<br />

•<br />

Writer-director lb Melchior is making a<br />

five-city personal appearance tour to promote<br />

his Harper & Row best-seller, "Order<br />

of Battle."<br />

•<br />

The annual installation and awards banquet<br />

of Nosotros, an organization dedicated<br />

to improving the image of Spanish-speaking<br />

people in the entertainment industry, takes<br />

place March 2 at the Sportsmen's Lodge in<br />

Studio City. Francisco Ortega, educator and<br />

actor, will be installed as president; Al<br />

Tafoya, radio announcer, first vice-president;<br />

Alma L. Beltran, actress, second vicepresident;<br />

Karen Welch, actress, third vicepresident,<br />

and Anthony Cordova, banker<br />

and actor, treasurer.<br />

*<br />

Carol Burnett joins Michael Caine and<br />

Charlton Heston in doing the ceremonies<br />

for the Academy Awards presentation.<br />

Carol, currently drawing critical acclaim<br />

for her role in "Pete 'n' Tillie," is not the<br />

first woman selected as emcee. She follows<br />

in the footsteps of Claudette Colbert, Helen<br />

Hayes, Celeste Holm, Thelma Ritter and<br />

Rosalind Russell.<br />

•<br />

Kirk Douglas is back in town after starring<br />

in "Dr. Jekyll and Mr. Hyde" in London.<br />

•<br />

Paramount Pictures' "Hit" company returned<br />

from location shooting in France<br />

and now is in post-production at the studio.<br />

•<br />

Fifty students from the Charles Evans<br />

Hughes Junior High School in Woodland<br />

Hills were special guests on the location of<br />

AIP's "Little Cigars" in Agoura. Chris<br />

Christenberry, director, invited the students<br />

and their teacher Miss Barbara Grimes because<br />

he enjoys giving students a first-hand<br />

look at production in action.<br />

Shartin, LeRoy Are Named<br />

By American Multi Cinema<br />

LOS ANGELES—Richard M. Durwood,<br />

senior vice-president of American Multi<br />

Cinema, announced the expansion of<br />

Jim LeRoy<br />

Arnold Shartin<br />

AMC's Los Angeles office, effective Monday<br />

(19), with the addition of Arnold Shartin.<br />

Among Shartin's responsibilities will be<br />

buying film for the Western division. Jim<br />

LeRoy, Western division manager, will continue<br />

to supervise all theatre operations and<br />

still will be involved in film buying.<br />

American Multi Cinema opened its first<br />

West Coast operation in August 1969 with<br />

the Fashion Square 4 theatres in La Habra<br />

in the Greater Los Angeles area. Currently<br />

AMC's Western division has 36 screens in<br />

eight multiple-theatre complexes in California,<br />

Arizona and Colorado. This year<br />

AMC will add 14 screens with a sixplex in<br />

San Jose, a quadplex in Sacramento and a<br />

quadplex in San Bernardino.<br />

Durwood said. "Due to our rapid growth<br />

in the West, we are able to increase the<br />

size and responsibility of our Los Angelesbased<br />

staff."<br />

LeRoy was transferred from AMC's Six<br />

West Theatre, the world's first six-theatre<br />

complex, opened in Omaha in 1969, to head<br />

the Western division. Shartin comes to<br />

American Multi Cinema from Syufy Enterprises<br />

where he was vice-president of film.<br />

He was Metro-Goldwyn-Mayer's Western<br />

division manager before joining Syufy in<br />

1970.<br />

Richard Pryor is a special guest star in<br />

"Wattstax."<br />

BOXOFHCE :: February 19, 1973


—<br />

—<br />

—<br />

—<br />

——<br />

— —<br />

—<br />

—<br />

—<br />

—<br />

—<br />

.<br />

Coming Events Announced<br />

By Variety Club Tent 25<br />

LOS ANGELES—Declaring that "1973<br />

will be a most active and exciting year"<br />

for the members of the Variety Club of<br />

Southern California Tent 25, Joseph Sinay.<br />

chief barker, has listed some of the events<br />

scheduled in the coming months.<br />

Sunday, March 4—Luncheon honoring<br />

Carroll O'Connor, star of the CBS-TV show<br />

"All in the Family," at the Century Plaza<br />

Hotel. Members are urged to bring their<br />

family.<br />

Wednesday, March 21—Variety Ladies<br />

Auxiliary luncheon at Tent 25's principal<br />

charity, the Variety Boys Club, 2530 Cincinnati<br />

St.<br />

Wednesday, March 28—Luncheon honoring<br />

Frank Yablans, president of Paramount<br />

Pictures, at the Beverly Wilshire Hotel.<br />

Wednesday, April 18—Luncheon honoring<br />

Vin Scully, baseball broadcaster, along<br />

with a special salute to the Los Angeles<br />

Dodgers at the Beverly Hilton Hotel.<br />

May 5-12—Variety Clubs International<br />

convention in Dublin, Ireland.<br />

Other events planned include salutes to<br />

Disney Productions and Warner Bros. Pictures<br />

on their respective 50th anniversaries,<br />

a star-studded Celebrity Ball, a dinner honoring<br />

a distinguished international government<br />

figure and the annual William H.<br />

Thedford-Variety Club Golf Tournament.<br />

Tent 25<br />

Chief Says 'Your<br />

Heart Is the Clubroom'<br />

LOS ANGELES—In response to inquiries<br />

from many new members concerning the<br />

location of a clubroom of the Variety Club<br />

of Southern California Tent 25, Joseph<br />

Sinay, chief barker of the showmen's<br />

organization devoted to aiding needy children,<br />

remarks: "We have no clubroom.<br />

The only clubroom is really in your heart.<br />

All activities are voluntary and membership<br />

fees go toward aiding needy children.<br />

Our administration expense is about 1 per<br />

cent and this goes mostly toward printing<br />

notices and postage."<br />

Luncheon meetings and dinner events are<br />

held monthly at various hotels and locations<br />

accommodating from 500 to 1,000<br />

persons.<br />

Films Seized by Officers<br />

At 2 Pussycat Theatres<br />

SAN DIEGO, CALIF.—The district<br />

attorney's<br />

office announced January 23 that<br />

police in National City and Escondido had<br />

seized films at the Paris Pussycat Theatre,<br />

930 National Ave.. National City, and at<br />

the Pussycat Ritz Theatre, 390 East Grand<br />

Ave., Escondido, that were "believed to be<br />

pornographic." The authorization to seize<br />

the movies was based on search warrants<br />

issued by the municipal court. The films<br />

were thought to be identical.<br />

A spokesman for the district attorney's<br />

office said the films would be viewed and.<br />

if believed to be pornographic, arrest warrants<br />

would be issued for those responsible<br />

for showing the motion pictures.<br />

Jeremiah Johnson/ 'Heartbreak Kid<br />

Regain Spots in Los Angeles Top 4<br />

LOS ANGELES—Two former<br />

business<br />

leaders of the holiday period made astonishing<br />

comebacks here to climb back into the<br />

first four rankings. "Jeremiah Johnson,"<br />

which had tumbled to the 300 level in its<br />

sixth week at Avco Cinema Center 3,<br />

zoomed to 650 in its seventh—good enough<br />

to rank No. 2 on this week's barometer.<br />

Also reviving, from a drop to 380, was "The<br />

Heartbreak Kid." which climbed to 500 in<br />

its seventh week at the UA Westwood<br />

good for a third-place tie with "Vanishing<br />

Wilderness." fifth week. Campus Theatre.<br />

Leading all product once more, however,<br />

was "Cries and Whispers," although down<br />

to 660 from 700 as it played a third week<br />

at the Regent.<br />

(Average Is 100)<br />

ABC Century City 1, Pix Pete 'n' Tillie (Univ),<br />

7th wk 140<br />

ABC Century City 2 The Greot Waltz (MGM),<br />

Mth wl< 60<br />

Avco Cinema Center 1, Pacific— The Getaway<br />

(NGP), 7th wk<br />

Avco Cinema Center 2 The Effect of Gamma<br />

105<br />

Rays on Man-in-the-Moon Marigolds (20th-Fox),<br />

7th wk 1 50<br />

Avco Cinema Center 3 Jeremiah Johnson (WB),<br />

7th wk 650<br />

Beverly Young Winston (Col), 1 3th wk 100<br />

Bruin Sleuth (20th-Fox), 8th wk 1 90<br />

Campus<br />

Chinese,<br />

Vanishing<br />

Plaza<br />

Wilderness (SR),<br />

Up the Sandbox<br />

5th<br />

(NGP),<br />

wk<br />

7th wk.<br />

500<br />

105<br />

Cinema The Nurses (SR), I 2th wk 150<br />

Crest Cinema, Hollvwood Cinema The Life and<br />

of 130<br />

Egyptian, UA Cinema Center 2 The Poseidon<br />

Times Judge Roy Beon (NGP), 7th wk<br />

Adventure (20th-Fox), 8th wk 200<br />

Fairfax Brother of the Wind (SR), 3rcl wk 310<br />

Fine Arts ^Child's Ploy (Para) 160<br />

Fox Hollvwood, Los Angeles Hit Man (MGM),<br />

4th wk 95<br />

Fox Wilshire Man of La Mancha (UA), 8th wk. .170<br />

New View ^Dirty Little Billy (Col), 2nd wk 105<br />

Pacific Beverly Hills Travels With My Aunt<br />

(MGM), 7th wk 140<br />

Pontages Trick Baby (Univ), 2nd wk 70<br />

Regent Cries and Whispers (SR), 3rd wk<br />

UA Cinema Center The Discreet Charm of the<br />

660<br />

Bourgeoisie (20th-Fox), 1 1 th wk<br />

UA Westwood The Heortbreak Kid (20th-Fox),<br />

200<br />

7th wk 500<br />

Village Avanti! (UA), 7th wk 105<br />

"Last House on Left' at 225<br />

Is Denver's No. I Grosser<br />

DENVER—Percentages started from a<br />

low of 100 (normal business) and ranged up<br />

through the 225 achieved by "Last House<br />

on the Left," showing for a second week at<br />

n 1<br />

the Ogdcn Theatre. "Two English Girls,"<br />

one of the only three new films putting in<br />

an appearance during the report week, also<br />

reached the elite 200 level.<br />

Aladdin Mon of La Mancha (UA), 8th wk 185<br />

Center The Poseidon Adventure (20th-Fox),<br />

8th wk 190<br />

Century 21 Jeremiah Johnson (WB), 7th wk. ...190<br />

Cherry Creek, Villa Italia Avanti! (UA), 2nd wk. 180<br />

Continental The Sorrow and the Pity (SR),<br />

2nd wk 100<br />

Cooper Pete 'n' Tillie (Univ), 7th wk 150<br />

Crest Sounder (20th-Fox), 7th wk 125<br />

Denhom The Great Waltz (MGM), 7th wk 125<br />

Denver 1 , Lakeside, Plaza Shamus (Col) 1 50<br />

Denver 2— Black Girl (CRC) 150<br />

Esquire Young Winston (Col), 7th wk 100<br />

Two English Girls (SR) 200<br />

Flick 1<br />

Four Theatres Treasure Islond (NGP) 125<br />

Ogden Last House on the Left (SR),<br />

Paramount The Getaway (NGP), 7th<br />

2nd<br />

wk<br />

.225<br />

135<br />

wk. . .<br />

Susan Stafford Writing<br />

Weekly LA Times Colimin<br />

LOS ANGELES—A new show business<br />

feature by Susan Stafford, syndicated<br />

broadcast columnist, actress and model, will<br />

appear weekly in the Los Angeles Times.<br />

The column, which started Friday (16),<br />

will cover every phase of the entertainment<br />

industry, including motion pictures,<br />

TV, radio, nightclubs, music and legitimate<br />

theatre and is presented by radio stations<br />

X-TRA and KOST.<br />

Miss Stafford currently hosts a half-hour<br />

radio interview program with guest celebrities<br />

such as Glen Campbell, Jon Voight and<br />

Richard Harris, among others, which is<br />

aired over various radio stations in Los<br />

Angeles and across the nation.<br />

Prior to moving to Hollywood, Miss Stafford<br />

founded and owned a large part of<br />

one of Kansas City's most successful talent<br />

agencies.<br />

Movie Theatre in Complex<br />

GARDEN GROVE, CALIF. — Westbrook<br />

Development Co. has started construction<br />

of a complex here which will include<br />

a movie theatre, ice skating rink<br />

stores and offices, bank, restaurant and<br />

retirement<br />

residences.<br />

Start BOXOFFICE coming . .<br />

year for $10 D 2 years for $17 (Save $3)<br />

D PAYMENT ENCLOSED Q SEND INVOICE<br />

THEATRE<br />

STREET<br />

These rates for U.S., Conada, Pan-Americo only. Other countries: $15 a year.<br />

ADDRESS<br />

TOWN STATE ZIP NO<br />

NAME<br />

POSITION<br />

BoXOffice — THE NATIONAL FILM WEEKLY<br />

825 Van Brunt Blvd., Kansas City, Mo. 64124<br />

BOXOFFICE :: February 19, 1973 W-5


Get your drive-in<br />

screens ready for<br />

the<br />

CALL<br />

season.<br />

US FOR:<br />

* FULL LENGTH REFACING<br />

* REPAINTING<br />

* REPAIR<br />

COURTESY SERVICE<br />

Robert-<br />

Tuffing<br />

6350 W. Exposition<br />

Lakewood, Colorado 80226<br />

(303) 922-3040<br />

LOS ANGELES<br />

Producer Harvey Matofsky left for Stockholm<br />

for meetings with Jan Troell,<br />

who will direct "Taylor's Bride," Gene<br />

Hackman-Liv Ullmann starrer for Warner<br />

Bros.<br />

Harry Popkin, founder of the Southern<br />

California Theatre Owners Ass'n, long-time<br />

exhibitor-distributor-producer and member<br />

of the Israel Bonds cabinet, attended the<br />

Prime Minister's Israel Bond Conference in<br />

Jerusalem January 28 through Thursday (1)<br />

as the guest of Premier Golda Meir.<br />

Herbert G. Luft, a Getty Picture Corp.<br />

associate, left for Pinewood Studios in England<br />

to check on the picture "The Mutation."<br />

currently being completed there.<br />

Seymour Borde of Seymour Borde &<br />

Associates, film distributors, is on a twoweek<br />

swing to the East Coast to set bookings<br />

for the firm's current release, "Young<br />

Playthings." He will be in Atlanta, Florida<br />

and New York. Director Joe Sarno also<br />

directed the highly successful "Siv, Anne<br />

and Sven."<br />

Frank Capra was honored by the Society<br />

of Motion Picture & Television Engineers<br />

at a special luncheon Wednesday (21).<br />

"Walking Tall," starring Joe Don Baker<br />

as a modern sheriff who never stopped<br />

"walking tall" in his determination to give<br />

a corrupt town a sense of law and order,<br />

opens Friday (23) at the Pantages.<br />

Columbia Pictures' "Wattstax," screened<br />

Sunday (18) at the Preview House in a<br />

benefit for Direction Sports, a black charity<br />

organization for inner-city youths, opens<br />

citywide Wednesday (21) at the Baldwin,<br />

Pix, State, UA Cinema 1, Westwood and<br />

the Vermont Drive-In.<br />

The tradepress will be given a special<br />

screening of "The Thief Who Came to Dinner,"<br />

a Bud Yorkin-Norman Lear production,<br />

Tuesday (20) at Avco Cinema Center<br />

1 in Westwood.<br />

Harold Gast left CBS' series, "Cannon,"<br />

to concentrate on independent production<br />

of film for TV and theatrical distribution.<br />

Alfred Chamie, Ass'n of Motion Picture<br />

and Television Producers; Art Harvey, Metromedia<br />

Producers Corp.; Jack Sattinger,<br />

Motion Pictures International; Edwin Perlstein.<br />

Lucille Ball Productions; Milton W.<br />

Olsen, Affiliated Property Craftsmen Local<br />

44, lATSE; Ben Loveless, Studio Transportation<br />

Drivers Local 399, Teamsters; Marvin<br />

De Chellis, Scenic and Title Artists<br />

W^^W^^^!^^^<br />

SCREENS«>^Q£i»|<br />

IMMEDIATE<br />

DELIVERY<br />

^<br />

50c SQUARE FOOT joo'f'it V<br />

COMPLETE »ITH GROHMET HOLES »ltD EDOING<br />

Local 816, and John Coffey, Sound Technicians<br />

Local 695, lATSE, were named to<br />

the legal committee of the Motion Picture<br />

Health and Welfare Fund.<br />

Maurice Bessy, director of the XXVI<br />

Cannes Film Festival, announced Thursday<br />

(15) after a meeting with Ted Ashley, chairman<br />

of the board and chief executive officer<br />

of Warner Bros., that the film festival<br />

of a half-century of Warner Bros, films<br />

will devote the week of May 13-20 to a<br />

celebration of the 50th anniversary of Warner<br />

Bros. Included will be a mini-retrospective<br />

and an anniversary party. Ashley will lead<br />

the WB contingent to Cannes.<br />

HONOLULU<br />

getty Smyser's Sunday morning-beamed<br />

"Conversation," telecast on KHVH,<br />

Channel 4, highlighted a pre-Academy<br />

Awards nomination segment with a lively<br />

guest roster. Art Gordon, general manager<br />

of Consolidated Amusement Co.; Pierre<br />

Bowman, the afternoon Honolulu Star-Bulletin's<br />

movie critic; Phil Damon, who writes<br />

a special section in the Sunday Advertiser-<br />

Bulletin, and Tats Yoshiyama, a sometimes<br />

theatre manager and ad man for Royal Theatres,<br />

made up the foursome which attempted<br />

to name the winning films and performers.<br />

And, in the short period of a half-hour,<br />

they managed to discuss, among other<br />

things, the film ratings, sex vs. violence,<br />

movie art vs. movie boxoffice, movie audiences<br />

and, of course, this year's Academy<br />

Award nominations.<br />

Speaking of Phil Damon, who writes a<br />

column called "The Toy Department," the<br />

distributors of "Deep Throat" should pick<br />

up his review of the film—a funny commentary<br />

and an unusual approach in movie<br />

reviewing.<br />

Sunnyvale Officers Seize<br />

Films. Arrest Operators<br />

SUNNYVALE, CALIF.—Mr. and Mrs.<br />

Steven Rhodes, owners and operators of<br />

the Town and Country Cinema, 146 South<br />

Murphy Ave., pleaded not guilty in Sunnyvale-Cupertino<br />

Municipal Court on two<br />

counts of "showing obscene films." They<br />

recently were arrested at the theatre when<br />

public safety officers seized the fihns "All<br />

About Sex of All Nations" and "The<br />

Nurses." A jury trial was scheduled by the<br />

court.<br />

Having vowed to remain open despite<br />

official action, the Rhodeses continued to<br />

operate the Town and Country Cinema.<br />

The former family fare theatre was acquired<br />

by the couple in December 1972 and they<br />

initiated an adult film policy.<br />

Several city officials, including Mayor<br />

Etta Albert and Councilman Donald Logan,<br />

said they "didn't want sex films in Sunnyvale."<br />

BOXOFHCE :: February 19, 1973


4 Murdered in Torrance;<br />

Police Find Safe Empty<br />

TORRANCE. CALIF.—Apparently the<br />

victims of robbers, three men and a young<br />

woman were found murdered Monday (12)<br />

in the office of the Rolling Hills Theatre,<br />

the Rolling Hills Plaza, shopping<br />

located in<br />

center at Crenshaw Boulevard and Pacific<br />

Coast Highway. The victims appeared to<br />

range in age from 18 to 50, according to<br />

police, and all were believed to be theatre<br />

employees.<br />

TTie showhouse closed shortly after midnight<br />

Sunday (11). When a relative of a<br />

theatre employee, possibly one of the victims,<br />

telephoned police the next morning<br />

expressing concern, officers went to the<br />

Rolling Hills, finding the bodies. Torrance<br />

Police Lt. James Foster said a safe in the<br />

office had been opened and was empty.<br />

The immediate area was roped off by<br />

police and the theatre, which was featuring<br />

"The World's Greatest Athlete" and "Now<br />

You See Him, Now You Don't," remained<br />

closed throughout the Lincoln's Birthday<br />

holiday.<br />

Ghirardelli-Type Project<br />

Under Way in Campbell<br />

CAMPBELL, CALIF.—Ground was broken<br />

in late January for a new shopping,<br />

theatre and restaurant development called<br />

the Factory, to be constructed in downtown<br />

Campbell.<br />

Richard B. Millen of San Jose, Calif.,<br />

co-developer, said the project is patterned<br />

in concept after Ghirardelli Square in San<br />

Francisco and will cost an estimated $500.-<br />

000. He and his partner William H. Mac-<br />

Laughiin, Sacramento real estate broker,<br />

purchased the old Sunsweet prune packing,<br />

canning and drying building in Campbell<br />

for the project.<br />

The five-acre property is on Central Avenue<br />

near Campbell Avenue adjoining a proposed<br />

$1,000,000 downtown mall loop.<br />

Millen plans to remodel and refurbish<br />

approximately 80.000 square feet of space<br />

for shops and services, with a restauranttheatre,<br />

twin cinema and restaurants. Another<br />

80,000 square feet of structure will<br />

be razed.<br />

Frank Ricketson Sr. Was<br />

99 Years Old Feb. 18<br />

DENVER—Frank H. Ricketson sr. was<br />

99 years old Sunday (18). Readers should<br />

make a note of this, as many no doubt will<br />

want to send him a birthday card next year<br />

when he is 100. This reporter played golf<br />

with him approximately 30 years ago and<br />

one thing recalled about Frank is that he<br />

always hit the ball "right down the middle."<br />

His son Frank H. Ricketson jr. formerly<br />

was president of Fox Inter-Mountain Theatres,<br />

from the firm's formation until and<br />

after it merged with National General.<br />

For those who might wish to send Ricketson<br />

a birthday card this year, belatedly,<br />

his address is 2708 East 14th Ave., Denver,<br />

Colo. 80206.<br />

SAN FRANCISCO<br />

peter Boyle, star of two new motion pictures,<br />

Warner Bros.' "Steelyard Blues"<br />

and Metro-Goldwyn-Mayer's "Slither," was<br />

in town Monday (5) on behalf of "Steelyard<br />

Blues," which opened here at the Regency<br />

II Wednesday (14).<br />

Mildred McElhone of the central division<br />

accounting department at MGM Studios<br />

was in town working with local MGM<br />

office manager Lila Cjoodin . . . Also in<br />

town conferring with local NaV)nal Screen<br />

Service branch manager Ray Rahman was<br />

NSS home office executive Ben Goldstein,<br />

assistant to the vice-president of National<br />

Screen Service.<br />

Warner Bros, sneak-previewed the Ryan<br />

O'Neal starrer, "The Thief Who Came to<br />

Dinner," Thursday (15) at the Metro I Theatre.<br />

Current attraction at the Mike Nugentmanaged<br />

house is WB's "Jeremiah Johnson."<br />

After a stint with Cinerama Releasing<br />

Corp. in Seattle, Gene Jones is back in this<br />

. . .<br />

city with the company's local sales force<br />

With Lou Lencione's departure from<br />

the film department at United Artists Theatre<br />

Circuit to join General Cinema Corp.,<br />

Joe Crotty has been promoted as a film<br />

buyer, with a realignment of responsibilities<br />

taking place among the bookers.<br />

Robert Altman, director of Columbia's<br />

"Images," was in town for press rounds and<br />

other media activities on behalf of the film<br />

. . . Max Blumenfeld, director of advertising<br />

for Bluemenfeld Theatres, returned from<br />

a vacation in<br />

the Hawaiian Islands.<br />

Dave Baughn's Scope III has moved its<br />

base of operations here from Los Angeles.<br />

Scope Ill's office is located in Room 314 of<br />

the Warfield Building.<br />

A "packed house" of well-wishers attended<br />

a farewell luncheon held for Arnold<br />

Shartin. film buyer at Syufy Theatres, who<br />

announced his resignation to join, in the<br />

same capacity, American Multi Cinema in<br />

Los Angeles. The event was held January<br />

24 at Rocca's Restaurant.<br />

IMarch 8 has been set as the date for the<br />

northern California benefit premiere of<br />

Columbia's "Lost Horizon" at the Northpoint<br />

Theatre. The evening's proceeds will<br />

go to the Leukemia Society of America. Expected<br />

to attend are: Ross Hunter, producer;<br />

Charles Jarrott, director; Jacques Mapes,<br />

associate producer; Jean Louis, costume designer;<br />

Hal David, composer, and stars<br />

George Kennedy, Sally Kellerman, James<br />

Shigeta and Olivia Hussey.<br />

AI Hemingway, MGM assistant division<br />

manager, returned from a trip to Los Angeles,<br />

where he conferred with Anthony<br />

Myerberg, director of children's matinees,<br />

as well as with other key sales executives<br />

on upcoming product such as "Slither,"<br />

"Soylent Green" and "Lolly-Madonna<br />

XXX."<br />

"Cries and Whispers," the highly touted<br />

and critically acclaimed film by Ingmar<br />

Bergman, opened its exclusive northern California<br />

engagement at the Mel Novikoff-run<br />

Surf Theatre Thursday (8) ... Excelsior's<br />

Gordon Kershaw returned from a trip to<br />

Portland and Seattle in conjunction with<br />

setting "Cries and Whispers," which will be<br />

handled by Excelsior Film Distributors.<br />

George Schisnewski, ojjerator of the State<br />

Theatre, Coalinga, as well as other San<br />

Joaquin Valley houses, was in the city with<br />

his family booking and buying up)coming<br />

product.<br />

David Lackie to Retire<br />

From Fox Riverside Post<br />

RIVERSIDE, CALIF. — David Lackie,<br />

manager of the Fox Riverside Theatre,<br />

will retire March 1, ending a career in show<br />

business that has spanned nearly 44 years<br />

with National General Theatres and its<br />

predecessor companies. Lackie will be honored<br />

at a luncheon by his fellow managers<br />

and company executives, including Ernest<br />

Sturm, vice-president of merchandisinglabor<br />

relations; WiUiam Hertz, vice-president<br />

of the Southern Pacific division, and Bill<br />

Sorenson, district manager.<br />

In addition to a gift, plaque and congratulatory<br />

letters and messages, Lackie will<br />

be presented with a lifetime gold theatre<br />

pass.<br />

Starting in show business in 1929 as a<br />

doorman-marquee boy at the Bard's Adams<br />

Theatre, Adams and Crenshaw boulevards<br />

in Los Angeles, Lackie was promoted to<br />

theatre manager in 1938 in Pomona. From<br />

1944 to 1946 he served in the Navy and<br />

in 1948 assumed the managerial reins of<br />

the Fox Riverside Theatre.<br />

During his long theatre career, Jackie<br />

received numerous awards and prizes in<br />

recognition of his outstanding showmanship<br />

in theatre management, promotion,<br />

advertising and publicity.<br />

Lackie and his wife Doris reside in<br />

Riverside. They have two sons, Michael,<br />

2 1 , a student at San Bernardino Valley State<br />

College and part-time disc jockey at<br />

KPRO<br />

Radio, and Richard, 20, a student at Riverside<br />

City College.<br />

Armed Holdup Man Takes<br />

$400 at Yucca Drive-In<br />

SANTA FE, N.M.—Santa Fe police still<br />

are searching for a man who held up the<br />

Yucca Drive-In, taking approximately $400.<br />

Officers said the robber, wearing a bandana<br />

over his face and wielding a gun, entered<br />

the boxoffice and took the money from<br />

employee Francine Trujillo. They said he<br />

fired the gun into the floor once before<br />

getting the money.<br />

Miss Trujillo<br />

described the man as being<br />

in his early 20s, slender and wearing a<br />

brown coat.<br />

BOXOFFICE :: February 19, 1973 W-7


f^<br />

E N V E R<br />

_^i Fitter, vice-president of United Artists,<br />

was in town conferring with John Dobson<br />

and Ron Giseburt of the local branch.<br />

Frank Moreno, general sales manager of<br />

New World Pictures, and his assistant Frank<br />

Bruno were in the city working with Jay<br />

O'Malin of the O'Malin Organization on<br />

the distribution pattern for "Cries and Whispers."<br />

which will be released in the area<br />

soon.<br />

Dick Hill and Frank Rhodes of the local<br />

Warner Bros, exchange traveled to Los Angeles<br />

for a series of sales meetings.<br />

Funeral services were held here for Herman<br />

A. Reule. Reule had been an employee<br />

of the local Warner Bros, exchange for<br />

many years prior to the time of his retirement<br />

approximately a year ago. He leaves<br />

his wife Ruth, a brother and a sister.<br />

Ed Brinn of Brinn Distributing in Salt<br />

Lake City was in town along with Bob<br />

Kraus, general sales manager of Hemisphere<br />

Pictures, setting dates on "Assault" and<br />

other releases . . . Also here from Salt Lake<br />

City were Tony Rudman of Westates Theatres<br />

and exhibitor Roy Rope of Twin Falls,<br />

Ida., and both were seen huddling with Jack<br />

Felix of Favorite Films.<br />

In the exchanges to set dates were Don<br />

Swales, Playhouse Theatre, Aspen; Lyle<br />

Myers, Yuma Theatre, Yuma; Bruce<br />

Archer, Brighton Twin, Brighton; Mitchell<br />

Kelloff, Uptown Theatre, Pueblo, and<br />

Frank Piazza, Fox Theatre, Walsenburg . . .<br />

Herman Hallberg was here from Nebraska<br />

to set dates in the various Cooper theatres.<br />

Donald, the son of Columbia office manager<br />

Tom Robinson, now is a professor of<br />

music at Oral Roberts University in Tulsa,<br />

Okla. Don studied at Colorado State University<br />

and the University of Denver and<br />

was a teacher of music at the University of<br />

Northern Colorado prior to moving to Tulsa<br />

for his new assignment. Robinson and his<br />

credits are featured prominently in a brochure<br />

being mailed to prospective students<br />

throughout the U.S.<br />

$L500 Damage Is Caused<br />

By Bomb Blast at Airer<br />

DENVER—Approximately $1,500 damage<br />

was done to the concession stand at the<br />

East 88th Drive-In Sunday afternoon (11),<br />

when a bomb exploded inside the concession<br />

building. Michael Middleton, manager,<br />

said a 12-inch hole was blown in the wall<br />

and a 20-foot section of roof was a victim<br />

of the blast. The explosion also damaged<br />

the ticket offices, located more than 75 feet<br />

away.<br />

The ozoner has had a running fight with<br />

residents of the neighborhood and the law<br />

during most of 1972 because of its pwlicy<br />

of showing only X-rated films. At a recent<br />

meeting, some 200 people voiced criticisms<br />

against the owners of the theatre but no<br />

action was taken.<br />

Middleton has signed a complaint against<br />

a citizen of the community, claiming assault<br />

and battery. Middleton claims Bernard<br />

Younger choked and insulted him when the<br />

two men met in a grocery store. Police Lt.<br />

Jess Roe said that Yunger was jailed and<br />

released the same day on $100 bail.<br />

When the blast occurred, Middleton's<br />

three children were playing about 400 feet<br />

from the explosion site but were not injured.<br />

Middleton said he has received threatening<br />

phone calls from people protesting the airer's<br />

choice of films; however, no phoned<br />

bomb threats have been made.<br />

Closed for the season, the 88th Drive-In<br />

is slated to reopen March 2.<br />

Cinema III is Unveiled<br />

NISHAYUNA,<br />

N.Y. — Ribbon-cutting<br />

ceremonies marked the recent opening of<br />

Cinema III at the Mohawk Mall here, as the<br />

new 530-seat auditorium joined Cinema I<br />

and II to form a three-theatre complex.<br />

Vinson C. Smith is manager of the Mohawk<br />

Mall houses.<br />

NATO<br />

BE THERE!<br />

W-8 BOXOFFICE :: February 19, 1973


i<br />

"Black<br />

Box<br />

GIFT TO LA RABIDA—A highlight<br />

of the recent Varietj'<br />

Club installation<br />

of officers luncheon in Chicago<br />

was the presentation of checks totaling<br />

$27,500 to La Rabida Children's Hospital.<br />

Newly installed chief barker<br />

Bene Stein, left, general manager of<br />

the Golf Mill theatres, presents a check<br />

for $22,000. the amount resulting from<br />

recent theatre collections, while Mrs.<br />

Carl (Bea) Russo, women's president,<br />

turns over $5,500 to Burton Grossman,<br />

medical director of La Rabida.<br />

'Avanli!' Substantial<br />

400 in KC 1st Week<br />

KANSAS CITY—Jack Lemmon's "Avanti!"<br />

quadrupled normal boxoffice business<br />

at the Plaza Theatre by opening at 400 per<br />

cent, the report week's best figure, and<br />

"Dirty Little Billy," another opener (Glenwood<br />

I), started with a solid 300. Highest<br />

grossing percentages among holdovers were<br />

350 for the fourth week of "Brother of<br />

the Wind" at four theatres and 300 for<br />

"Jeremiah Johnson," seventh week, Ranch<br />

Mart 3 and Ranch Mart 4.<br />

(Average Is 100)<br />

Embassy I—Chifd's Play (Para), 2nd wk 100<br />

Fine Arts—Young Winston (Col), 8th wk 250<br />

Five theatres— Doctor in Trouble (SR) 50<br />

Five theatres—The Poseidon Adventure<br />

(20th-Fox), 7f h wk 250<br />

Four theatres— Brother of the Wind (SR),<br />

4th wk 350<br />

Four theatres—Limbo (Univ) 70<br />

Four Pete 'n' Tillie (Univ), 7th wk 145<br />

Glenwood I—Dirty Little Billy (Col) 300<br />

Metro 2—Sounder (20th-Fox), 7th wk 150<br />

Metro 3— Block Girl (CRC), 2nd wk 200<br />

Midland 1, Ranch Mart —The Getaway (NGP),<br />

1<br />

7th wk 210<br />

Midland 2—The New Centurions (Col), 18th wk. 100<br />

Plaza—Avonti (UA) 400<br />

Ranch Mart 3, 4—Jeremiah Johnson (WB),<br />

7th wk 300<br />

"Black Girl' Four Times<br />

Average at Chicago Loop<br />

CHICAGO — A combination of good<br />

winter weather and strong product resulted<br />

in posting of high figures on this report's<br />

business barometer. Leading all titles,<br />

Girl" broke in at the Loop Theatre<br />

with 400, followed by "Cries and Whispers"<br />

and "Black Mama. White Mama" with 275<br />

each. Everything else on the list grossed in<br />

the substantial 200 range.<br />

Carnegie— Fellini's Roma (UA), 4th wk 250<br />

Chicago—The Getowoy (NGP), 7th wk 225<br />

Cinema—The Emigrants (SR), 4th wk 225<br />

Esquire— Sleuth (20th-Fox), 7th wk 215<br />

Loop— Black Girl (CRC) 400<br />

Michael—Sounder (20th-Fox), 8th wk 225<br />

Oriental—Prison Girls (AlP), 3rd wk 200<br />

Roosevelt— Block Momo, White Mamo (AlP),<br />

2nd wk 275<br />

State Lake—The Poseidon Adventure (20th-Fox),<br />

7th wk 250<br />

Playboy—Cries and Whispers (SR) 275<br />

Woods—Across 11 0th Street (UA), 7th wk 200<br />

'Clockwork Orange'<br />

KC Critics' Choice<br />

KANSAS CIT Y—"A Clockwork<br />

Orange," Warner Bros, release, was voted<br />

as the best film in 1972 by the Kansas City<br />

Film Critics Circle, which met for its<br />

seventh annual luncheon in the Massman<br />

Hall at Rockhurst College Tuesday (13).<br />

"Murmur of the Heart" (Palomar Int'l)<br />

was honored as the best foreign-language<br />

film while "Marjoe" (Cinema V) won as the<br />

best documentary. For best actor award.<br />

Marlon Brando tied for his role in '"The<br />

Godfather" with Stacy Keach for his performance<br />

in "Fat City."<br />

Other awards were given to the following:<br />

Joel Grey for best supporting actor in<br />

"Cabaret" and Cloris Leachman as best<br />

supporting actress in "The Last Picture<br />

Show"; Francis Ford Coppola, best American<br />

director for "The Godfather" and Vittorio<br />

de Sica,<br />

credited with "The Garden of<br />

the Finzi-Continis" and many other Italian<br />

films, as the best foreign director, a new<br />

category decided by the local critics.<br />

The meeting was conducted by Dr. James<br />

K. Loutzenhiser, president of the group.<br />

Press, radio, television, faculty and student<br />

representatives of colleges attended, including<br />

Father Robert Lakas of Rockhurst College,<br />

Jerry Plantz of KMBC-TV, Al Zimmerman<br />

of WDAF, Walt Bodine of WHB,<br />

John Quinn of Variety and Jesse Shlyen of<br />

<strong>Boxoffice</strong>.<br />

The program was televised by KMBC for<br />

the evening newscast.<br />

Spring Bow Scheduled<br />

ELKHART, IND.—Work is progressing<br />

satisfactorily on the twin-theatre under construction<br />

at the Concord Mall south of here.<br />

The building will house two 300-seat auditoriums<br />

and is scheduled for completion in<br />

early spring. Owner and builder is Carrols<br />

Development Corp. of Syracuse, N.Y.<br />

Luciana Paluzzi is a guest star in Colum-<br />

"Black Gunn."<br />

bia's<br />

Parents Picket Homes<br />

Of X-Film Exhibitors<br />

.ST. LOUIS— .Members of the Shaw<br />

who met<br />

Neighborhood Improvement Ass"n<br />

Monday evening (5) under the sponsorship<br />

of the Better Films Council of Greater St.<br />

Louis were told by Seneca Nolan, police<br />

attorney and legal adviser to the St. Louis<br />

vice squad, that it is within their rights to<br />

picket the homes of theatre owners who<br />

show objectionable movies, saying that<br />

what has worked for civil rights organizations<br />

and labor unions may help the association<br />

rid its area of "questionable films"<br />

being shown at local movie theatres.<br />

Nolan spoke as a member of a panel presented<br />

by the Better Films Council, with the<br />

discussion arranged by Mrs. Elaine Burrus,<br />

president of BFC, with other panelists including<br />

Alderwoman Doris Bass. 15th<br />

Ward; Capt. Joseph A. Kuda, head of the<br />

vice squad, St. Louis police; Lorene Wadlow,<br />

president of the Shaw Improvement<br />

Ass'n, and Don Burrus. chairman of community<br />

relations for the association.<br />

Nolan suggested that members picket the<br />

homes with placards describing the types of<br />

movies shown by the theatre owner.<br />

"Hopefully he lives in a nice, quiet residential<br />

area," Nolan said. "Sixteen to 20<br />

people working in shifts could make a theatre<br />

owner very uncomfortable." He added<br />

that "this isn't the police department position<br />

but a personal suggestion." Picketing<br />

has worked in other areas such as civil<br />

rights and labor disputes, he said, but cautioned<br />

citizens to keep picketing orderly, to<br />

remain on sidewalks and not to obstruct<br />

anyone coming from or going to residences.<br />

First emphasized by Nolan was a positive<br />

approach, urging residents to support theatres<br />

in the area which show family-type<br />

movies and to boycott those theatres presenting<br />

"objectionable" films.<br />

One member complained specifically<br />

about the Ritz Theatre. 3147 South Grand<br />

Blvd. She stated that all three movies currently<br />

playing had objectionable titles and<br />

advertisements. "Blood this and blood that.<br />

Blood, blood, blood. There is no need for<br />

(Continued on next page)<br />

LOUIS<br />

ATTENTION:<br />

TERRITORY ST.<br />

EXHIBITORS<br />

^a^<br />

sound, and<br />

projection<br />

equipment.<br />

Contact<br />

TRI STATE THEATRE SUPPlY<br />

151 VANCE Memphis, Tenn. 38103<br />

525-8249<br />

CARBONS, INC. '— '<br />

K, Cedor Knolls, N. i<br />

'IJW ^ mane — ^e'd U


I'Epine, vice-president of IMS Internationj<br />

^<br />

LOUIS<br />

Washington University and the University<br />

of Missouri-St. Louis both opened film<br />

series in late January offering a varied selection<br />

of motion pictures, domestic and<br />

foreign. The UMSL series of 26 films will<br />

run on Mondays and Tuesdays through<br />

April 24. opening with "Potemkin" and<br />

-The Blue Angel. " Most films will be<br />

shown at the J. C. Penney Auditorium at<br />

2:40 and 8 p.m. on Mondays and at 3 and<br />

8 p.m. on Tuesdays'. There is no admission<br />

charge. A highlight was the showing of<br />

both^the 1936 and 1968 versions of "The<br />

Charge of the Light Brigade." The Washinston<br />

University series of six films will run<br />

on Fridays and Sundays at 8:15 p.m. and<br />

3:30 p.m., respectively, opening with "The<br />

Thief of Paris."<br />

St. Louis Parents Picket<br />

X-Film Exhibitors' Homes<br />

(Continued from preceding page)<br />

the kids to go inside. The worst scenes of<br />

the movie are on the outside of the theatre."<br />

she said in describing the display posters of<br />

the films.<br />

Herman M. Scissors, owner and operator<br />

of the Ritz. told a Globe-Democrat reporter<br />

Tuesday (6) it is not his intention to run<br />

movies with "restricted" and X ratings. He<br />

said. "We can't get only Walt Disney and<br />

similar films. They just aren't available."<br />

Scissors added. "This neighborhood<br />

doesn't support its theatres. Parents are just<br />

mad because they have no place to dump<br />

their kids. They just want some place to<br />

bring them and so the theatre winds up<br />

babysitting."<br />

The larger theatres manage to sew up the<br />

"big-name films so that the neighborhood<br />

theatres are forced to take what they can<br />

get," Scissors charged. He pointed out that<br />

his house currently is featuring three movies<br />

with "parental guidance suggested" ratings<br />

and added there are many more PG movies<br />

coming to the theatre.<br />

Kuda told association members that the<br />

vice squad runs continuous checks of theatres<br />

both for content of the films and the<br />

age limit of patrons. St. Louis ordinance<br />

prohibits persons under 18 from viewing<br />

films rated "adult" or "for mature audiences."<br />

In speaking of the application of the St.<br />

Louis ordinance. Nolan said, "St. Louis is<br />

one of the few cities where the situation is<br />

bearable. The extent of the law has gone<br />

far, far beyond our dreams."<br />

Leon P. Koch, 64, Dies;<br />

Well-Known Exhibitor<br />

CAPE GIRARDEAU, MO.—Leon P.<br />

Koch, 64,<br />

Come in and see<br />

HARRY<br />

associated for 30 years with Fox<br />

and Kerasotes theatres as a manager in<br />

various movie houses throughout the area,<br />

died Saturday morning (3) at his home.<br />

He had been in ill health a year.<br />

A native of this city, Koch attended<br />

SEMO State University. He was a veteran<br />

of World War II and served with the<br />

Marine Fifth Division. He was involved in<br />

the battle of Iwo Jima and witnessed thhistoric<br />

flag raising on that island. He was<br />

a member of the First Presbyterian Church.<br />

Koch most recently was manager of the<br />

Kerasotes Theatre at Mount Vernon. 111.,<br />

until his retirement several years ago.<br />

He leaves two brothers, Earl and Clarence,<br />

both of Cape Girardeau; six sisters.<br />

Mrs. Lillian Schwab. Mrs. Alma Harper.<br />

Mrs. Guy Martin, Miss Irene Koch and<br />

Miss Geraldine Koch, all of Cape Girardeau,<br />

and Mrs. Thomas Leyerle, Caseyville,<br />

111.; five nephews, and four nieces.<br />

for theatre equipment & supplies<br />

IMS Moviegoing Survey Is<br />

Under Way in St. Louis<br />

ST. LOUIS—This is the first city in<br />

the U.S. selected for an extensive threemonth<br />

survey of moviegoing habits and the<br />

scope and impact of motion picture advertising<br />

and promotion. The survey is being<br />

conducted by Intercontinental Marketing<br />

Services,<br />

a worldwide surveying organization<br />

with operations in 47 countries.<br />

IMS embraces the theory that there may<br />

be refinements in existing merchandising<br />

methods which will increase attendance and<br />

decrease costs by a certain percentage<br />

through traditional media, plus the use of<br />

unexplored media. The pilot study was<br />

initiated Thursday (15) and will be conducted<br />

through May 15 by Hubert de<br />

al, and a staff which will submit a question-<br />

1<br />

naire to 10,000 moviegoers who attend i<br />

various area theatres.<br />

In-depth interviews will be held with f<br />

'<br />

3,000 spectators contacted at an actual<br />

movie performance. The organization also<br />

will monitor and measure all paid motion<br />

picture advertising in the newspapers and<br />

on radio and TV.<br />

I<br />

A portion of the project is to assess the<br />

role of film advertising in influencing and<br />

determining the spectator's decision to see<br />

a particular film, as well as the time of<br />

showing and specific theatre.<br />

Cooperating in the study are four film<br />

distributors: United Artists, 20th Century-<br />

Fox, Metro-Goldwyn-Mayer and Paramount.<br />

Exhibitors endorsing the survey are St.<br />

Louis Amusement Co. -Arthur Enterprises,<br />

Mid-America Theatres, General Cinema<br />

Corp. and Wehrenberg Theatres.<br />

Patrons will be furnished a form to fill<br />

out relating to education, income, sex. age,<br />

religion, color, profession, etc., and a list<br />

of films to check off as to whether they<br />

have been viewed. Patrons' comments will<br />

be solicited on the film rating system devised<br />

by the Motion Picture Ass'n of<br />

America.<br />

The survey has the approval of the National<br />

Ass'n of Theatre Owners, the Radio<br />

Advertising Bureau and the Television<br />

Bureau of Advertising.<br />

HOT<br />

DOGS!<br />

^<br />

Harry Hoff<br />

Ringold Cinema Equipment Corp.<br />

8421 Gravois Si. Louis, Mo. 63123 Phone (314) 352-2020<br />

Supplies • Equipment • Condiments<br />

C. R. FRANK POPCORN<br />

AND SUPPLY COMPANY<br />

2219 Delmor St. Louis, Mo. 63103<br />

(314) 436-7700<br />

;l$lll!il9!ffiWIIHi'JIIBIII<br />

BOXOFFICE ;: February 19. 1973


i<br />

HAIL<br />

odfather<br />

f Harlem!<br />

><br />

...The Cat<br />

^ththe<br />

•45 caliber<br />

Claws!<br />

Music composed and<br />

performed by<br />

JAMES BROWN<br />

Sound Track Album<br />

available on<br />

Polydor Records<br />

iiA.<br />

#^<br />

:?' %.<br />

'j&'^'<br />

?*i<br />

H^.<br />

,;;%l^*::<br />

1'<br />

A Larco Production —<br />

An American International Release<br />

FRED WILLIAMSON<br />

Under 17 R«Qusr><br />

Color by DE LUXE*<br />

R<br />

RC9TRICTEO<br />

Starring in "BLACK CAESAR"<br />

• •<br />

co-starring MINNIE GENTRY JULIUS W. HARRIS D'URVILLE MARTIN<br />

• • • •<br />

DON PEDRO COLLEY GLORIA HENDRY ART LUND VAL AVERY PHILIP ROYE<br />

Written, Produced and Directed by LARRY COHEN A LARRY COHEN Film<br />

) 1973 American International Pictures, Inc<br />

contact your AfflCliCCIA lAlcmaliollCli exchange<br />

IGO<br />

rnstcin<br />

itt Randolph St.<br />

n 6-720<br />

|«, IIHnols 60601<br />

INDIANAPOLIS<br />

Tom Goodman<br />

411 Illinois BIdg.<br />

Indionopolis, Indiana 46204<br />

Tale.: (317) 634-4952<br />

KANSAS CITY<br />

John Wangberg<br />

1703 Wyandotte St.<br />

Kansas City, Missouri 64108<br />

Tele.: (816) 421-2324<br />

ST. LOUIS<br />

Georga Phillips<br />

Humboldt Building<br />

539 N. Grand Bird.<br />

St. U>ui>, Missouri 63103<br />

Showmanship<br />

Is Cur Only<br />

business


.<br />

H<br />

N S AS<br />

''^^ridwest Films offices have been moved<br />

'*<br />

from 114 West 18th St. to 3859 West<br />

95th St. (P.O. Box 6346). Overland Park.<br />

Kas. The new telephone number is (913)<br />

381-2058. Besides the new offices, which<br />

are located in the lower level of the Ranchmart<br />

Shopping Center, the company also<br />

has a screening room available for private<br />

screenings and tradeshowings. Ralph<br />

.A,macher is manager and Elaine Palmer<br />

office manager and booker. Bill Rice is<br />

sales representative. Dick Conley. head of<br />

the company, also moved his Petite Amusement<br />

Corp. from 9635 Perry Lane. Shawnee<br />

Mission, Kas., to the same address as<br />

Midwest Films. New telephone number is<br />

(913) 381-8228. Don Ireland is vice-president<br />

and Darrell Shelton handles buying and<br />

booking.<br />

Elias "Louie" Sutter, retired theatre owner,<br />

has returned to the business. He is now<br />

doing the buying and booking for Chuck<br />

Fisher's Central Cinema Co., which operates<br />

the Valley View twin cinemas at 95th<br />

and Antioch.<br />

Bob Walter, Commonwealth Theatres<br />

city manager for Columbia, has come up<br />

During the past three years we<br />

have moved from No. 5 to No. 2<br />

in the carbon industry. WE ARE<br />

NO. 2 (second only to Union Carbide)<br />

BECAUSE OUR<br />

QUALITY IS NO. t<br />

l^oMi<br />

DOUBLE EAQLE carbons<br />

P.O. BOX 7893 NASHVILLE, TENN. 37209<br />

CITY<br />

with a unique promotional stunt to publicize<br />

his theatre's engagement of the new Warner<br />

Bros., John Wayne vehicle, "The Train<br />

Robbers." Under his direction, a plywood<br />

jail, complete with an old iron door, is being<br />

constructed for the lobby of the Missouri<br />

Theatre. Wanted posters, stills and copy<br />

advertising the forthcoming engagement will<br />

be placed on the structure which will be set<br />

up in the lobby at least two weeks prior<br />

to the opening of the film. When the film<br />

begins its run March 2, the theatre doorman<br />

will be inside the jail and patrons will<br />

have to hand their tickets to him through<br />

the bars before they can proceed into the<br />

theatre. Walter feels the "jail" will be a<br />

real<br />

attention-getter.<br />

When Dennis Stack of the Kansas City<br />

Star motion picture staff viewed Warner<br />

Bros.' "Steelyard Blues" recently, he remarked<br />

that he could not recall when he<br />

had heard so much laughter from a movie<br />

audience. In the presence of a WB representative.<br />

Stack wondered just how many<br />

big laughs he had heard. Michelle Sands,<br />

secretary to Don Walker, Warner publicity<br />

man, obliged by attending a subsequent<br />

screening of the comedy, armed with her<br />

notebook. Every time the audience laughed<br />

uproariously, Michelle wrote an X in her<br />

notebook. Following the showing, Michelle<br />

reported she had counted 120 big laughs.<br />

She did not attempt to keep track of the<br />

dozens of snorts, giggles, titters and guffaws<br />

also heard during the screening.<br />

Richard Resch, Buena Vista branch manager,<br />

returned from a ski vacation is Aspen,<br />

Colo., with his wife Barbara and their two<br />

children. Dick reports that his four-year-old<br />

daughter Susan made her first solo on<br />

skis.<br />

Screenings at Commonwealth: "Wattstax"<br />

(Col). Monday (12): "Born Black" (AIP),<br />

Tuesday (13): "When the Line Goes<br />

Through" (Jud-Lee Productions), Wednesday<br />

(14); "Fear Is the Key" (Para), Thurs-<br />

Start BOXOFFICE coming . .<br />

D 1 year for $10 D 2 years for $17 (Save $3)<br />

n PAYMENT ENCLOSED D SEND INVOICE<br />

These rotas for U.S., Coaodo, Pon-Anenca only. Oeber eounlries: $15 a year.<br />

day (15); "Drag Racers" (Kemp Films),<br />

Thursday (15); "Lady Caroline Lamb"<br />

(UA). Thursday (15), and "Badman's River"<br />

(Scotia Int'l). distributed by Midwest Films,<br />

Friday (16).<br />

Applications as patients to be admitted<br />

to the Will Rogers Hospital and Research<br />

Center. Saranac Lake, N.Y., will receive<br />

attention by calling either Chuc Barnes at<br />

the United Motion Picture Ass'n office.<br />

421-5981, or Herman S. Gould, 642-6325.<br />

This applies to industry members in this<br />

area who need care for asthma, emphysema,<br />

tuberculosis, acute bronchial disorders and<br />

heart diseases.<br />

Julia Phillips, who co-produced "Steelyard<br />

Blues" with her husband Michael Phillips<br />

and Tony Bill, was in Kansas City<br />

Tuesday (13) for radio, television and newspaper<br />

promotion of the Warner Bros, release.<br />

She was interviewed by Dennis Stack,<br />

motion picture reviewer of the Kansas City<br />

Star.<br />

Linda Lawrence is the new girl in the<br />

Commonwealth accounting department. She<br />

is secretary to David Krause. Commonwealth<br />

treasurer . . . Jackie<br />

Shobe of the<br />

Commonwealth booking department resigned<br />

and has moved back to Dallas, Tex.<br />

Carrie Fleming, retired WOMPI, was<br />

hospitalized in the Independence Medical<br />

Center, 23d and R.D. Mize Road. She is<br />

in Room 300.<br />

Universal exchange staffers report that<br />

they recently heard from former Filmrowite<br />

Margaret Tidwell. who is in Phoenix, Ariz.<br />

Seen on Filmrow: Scott Fleener, exhibitor<br />

from Gravois Mills.<br />

Forty years ago, according to the column<br />

of that name in the Kansas City Times<br />

Monday (12), the Newman Theatre played<br />

"The Sign of the Cross," with Fredric<br />

March, Claudette Colbert, Elissa Landi and<br />

Charles Laughton. "The Past of Mary<br />

Holmes," starring Helen Mackellar, Eric<br />

Linden and Jean Arthur, was the Mainstreet's<br />

feature attraction, while the Isis<br />

Theatre offered George Raft in "Undercover<br />

Man." Russ Columbo and his Jolly<br />

Bandsmen entertained on the Mainstreefs<br />

stage. "Cat and the Fiddle" by Jerome Kern<br />

and Otto Harbach was on the Shubert<br />

stage.<br />

Celebrity Ball March 23<br />

CHICAGO—Variety Club Tent 26 will<br />

hold its sixth Celebrity Ball Friday, March<br />

23. The annual event will take place in<br />

the Guildhall, Ambassador West Hotel.<br />

THEATRE<br />

STREET ADDRESS<br />

TOWN<br />

NAME<br />

.... STATE ZIP NO.<br />

POSITION<br />

BOXOFFICE - THE NATIONAL FILM WEEKLY<br />

825 VoB Bnart Bhd., taum Otr, Mo. 64124<br />

CINERAMA IS IN<br />

SHOW BUSINESS IN<br />

HAWAII TOO.<br />

When you come to Waikiki.<br />

don't miss the famous<br />

Don Ho Show. . . at<br />

HAWAII<br />

[HOTELS<br />

Cinerama's Reef Towers Hotel.<br />

IN WAIKIKI REFF RFtFTOWIKS FDGFWATI<br />

BOXOFFICE :: February 19, 1973


J. M. G. FILM COMPANY<br />

Suite 1014, Civic Tower<br />

32 W. Randolph St.<br />

Chicago, Illinois 60601<br />

Phone: (312) 346-6916<br />

PROUDLY ANNOUNCES THE OPENING OF OUR NEW OFFICE,<br />

SERVING EXHIBITORS IN THE CHICAGO AND MILWAUKEE<br />

TERRITORIES.<br />

DIVISION MANAGER: Virgil<br />

Jones<br />

BOOKER: Anna Senkowski<br />

BOOKKEEPER: Kathleen<br />

Kalina<br />

EXCLUSIVE DISTRIBUTORS OF NEW WORLD PICTURES PLUS<br />

ROBERT SAXTON FILMS, SEQUOIA PICTURES, DALIA PRO-<br />

DUCTIONS AND OTHER LEADING PRODUCERS.<br />

ALSO WATCH FOR GENERAL FILMS' EXCITING NEW FILM,<br />

"THE SUGAR MAN."<br />

WE PLEDGE YOU, OUR EXHIBITOR FRIENDS, THE UTMOST<br />

IN SERVICE AND BOXOFFICE ATTRACTIONS AND WE WEL-<br />

COME YOUR SUPPORT AND FRIENDSHIP.<br />

^at^ M, QavdLe^<br />

PRESIDENT<br />

BOXOFFICE :: February 19, 1973 C-5


. . According<br />

. . When<br />

. . The<br />

H I<br />

C AG O<br />

S tnerican International's "Slaughter Hotel"<br />

is set for its first multiple outlying<br />

break. This includes 20 theatres which<br />

started the run Friday (16). The film initi-<br />

. .<br />

ally opened at the Oriental Theatre in the<br />

Loop . Nat Nathanson, Central division<br />

manager for Allied Artists, set up a 20-<br />

theatre opening of "Cabaret" to coincide<br />

with<br />

the Academy Award nominations.<br />

Sherrill Corwin, president of Variety<br />

Clubs International, flew in from Los Angeles<br />

to attend a luncheon honoring Wally<br />

Phillips. Phillips was recognized as the Variety<br />

Club's "Man of the Year" for his dedication<br />

to the club's children's charities.<br />

Sol Gordon, 20th Century-Fox publicist,<br />

was on the West Coast for company meetings<br />

dealing with upcoming product. "The<br />

Heartbreak Kid," one of the newer films,<br />

opens for the first time in this area at the<br />

Brotman & Sherman Carnegie and Hillside<br />

theatres. Post-screening comments should<br />

put it in the same league with "Sounder" and<br />

"The Poseidon Adventure." Both have been<br />

WATCH FOR THE<br />

BLOCKBUSTERS!<br />

RUSS MEYER'S<br />

"BLACKSNAKE"<br />

"ROOMMATES"<br />

''SINGLE GIRLS"<br />

"Love Me Deadly"<br />

''SUPER<br />

from<br />

GIRL"<br />

Gilbreth Film Co.<br />

Jack Gilbreth — Sid Kaplan<br />

32 W. Randolph St.<br />

Chicago, Illinois 60601<br />

Phone: 726-1558<br />

Our "24th" Year<br />

CANDY-POPCORN<br />

SEASO N I NG—BOXES—BAGS<br />

For Theatres and Drive-ins<br />

—SEND FOR NEW—<br />

COMPLETE PRICE LIST<br />

Distributors For<br />

ORANGE CRUSH and<br />

FULL LINE SYRUPS<br />

POPCORN BUTTER CUPS<br />

We Carrr Full Line Hot & Cold Cups<br />

Freight Paid on Orden of $150.00 ar Mora<br />

KAYL1NE<br />

CANDY COMPANY<br />

WE 9^4643<br />

a|»(»;^JMlehi9qn Are. CMcogo S, III.<br />

among the leaders in the recent crop of releases<br />

... Ed Ustic has been scheduling<br />

screenings of another new 20th-Fo.\ film.<br />

"The Effect of Gamma Rays on Man-inthe-Moon<br />

Marigolds," which first was<br />

shown to some 150 members of the National<br />

Ass'n of Media Educators, an organization<br />

of teachers approving of the use of<br />

films as a teaching implement.<br />

Crown Internationars "Blue Money,"<br />

which has just concluded a successful multiple<br />

in this area, is moving into downstate<br />

theatres, it was announced by Sid Kaplan,<br />

sales manager for Gilbreth Film Co. . . .<br />

Jack Gilbreth. president of Gilbreth Film<br />

Co., set up an invitational screening of "The<br />

Family," starring Charles Bronson, Telly<br />

Savalas and Jill Ireland. There has been top<br />

reaction to this thriller, which is due to<br />

have its Midwest premiere in a downstate<br />

Dan Stone, film buyer for the<br />

theatre . . .<br />

Kerasotes circuit, came up with a real booking<br />

coup in Peoria. In noting that Gilbreth<br />

Film Co.'s "Erotic Adventures of Zorro"<br />

(an EV release) had been doing exceptional<br />

business in Wisconsin and Illinois towns.<br />

Stone booked it for the Varsity Theatre in<br />

Peoria. The result was more-than-satisfac-<br />

two weeks. The en-<br />

tory grosses for the first<br />

gagement is set for four to six weeks and it<br />

seems Stone now is rechecking on other<br />

downstate situations so he can come up with<br />

more playdates for this film.<br />

Sam Kaplan, head of Kaplan Continental<br />

Pictures, is vacationing at Montego Bay and<br />

Kingston, Jamaica.<br />

Condolences to Michael J. Kutza, head<br />

of the Chicago International Film Festival,<br />

on the death of his father Dr. Michael<br />

Kutza.<br />

Jack Greenberg, National Screen Service<br />

branch manager, has been appointed chairman<br />

of the 1973 La Rabida theatre collections<br />

drive.<br />

Two members of Local 1 10 died in late<br />

January, Arthur Webster and Alex Stonis.<br />

Sam Isaacson died early this month.<br />

M&R Amusement Co. has scheduled the<br />

opening this month of "Wattstax" (called<br />

"A Black Woodstock") at the Oriental Theatre<br />

in the Loop. It was shot in the Los<br />

Angeles Coliseum last August with 100.000<br />

participants. Operation PUSH sponsored<br />

"Wattstax" as a benefit Wednesday (14).<br />

John Roberts, Buena Vista branch manager,<br />

attended company meetings on the<br />

West Coast . Jan-Michael Vincent<br />

was in town for publicity sessions in connection<br />

with "The World's Greatest Athlete."<br />

he headed a question-and-answer session<br />

with some 40 Chicagoland high school<br />

editors. The film opens multiple in this<br />

area . to reports, the Aledo<br />

Theatre. Aledo, which had been operated by<br />

Mr. and Mrs. Harry Haines, closed soon<br />

after the first of the year . Jerry<br />

Lewis Cinema, Justice, which had been<br />

closed for a short time, reopened as the<br />

Cork, with George McKenna as manager,<br />

Delia Gallo was appointed to do the Cork<br />

booking.<br />

"Black Caesar" is set for the Roosevelt<br />

Theatre following the current run of "Black<br />

Mama, White Mama." The film's soundtrack<br />

features the music composed and performed<br />

by James Brown. "Black Mama,<br />

White Mama" is among the current top<br />

grossers.<br />

Exhibitors from the local and Milwaukee<br />

areas, as well as newspaper columnists, attended<br />

the first tradescreening of Russ Meyer's<br />

"Blacksnake." Jack Gilbreth, president<br />

of Gilbreth Film Co., appointed to distribute<br />

the movie in the Chicago-Milwaukee<br />

territories, hosted the screening with Meyer<br />

at the Carnegie Theatre, Meyer's appearance<br />

here marked the first of a series of<br />

promotional visits in behalf of "Blacksnake."<br />

As has been indicated, the film is<br />

different from the movies Meyer has produced<br />

up to now. It can be classified as<br />

something of a spoof on the days when<br />

cruel colonial rule dominated the islands.<br />

Meyer's interpretation of history fills the<br />

story content throughout and it definitely is<br />

entertaining.<br />

There was considerable interest here in<br />

the news that Charles Hacker, who once<br />

was a theatre manager in Milwaukee, had<br />

been appointed executive vice-president and<br />

chief operating officer in charge of Radio<br />

City Music Hall. He was an usher at the<br />

age of 15 and a manager at 19. After serving<br />

in World War II as an Air Force navigator<br />

in England, he joined the Music Hall<br />

in 1948.<br />

Belle Mack, wife of Irving Mack, is<br />

hospitalized<br />

at Michael Reese,<br />

liarly word says that Charlton Heston<br />

will be in town April 10-11 to promote<br />

Metro-Goldwyn-Mayer's "Soylent Green."<br />

He will be accompanied by the "furniture<br />

girls." There is a possibility that this science-fiction<br />

story set in the next century<br />

(the year 2022) will have its world premiere<br />

here . . . Film producer Bert Tenzer, the<br />

creator of an innovative merger of stage<br />

and screen rock entertainment, is to be here<br />

shortly to negotiate the Midwest premiere<br />

of his Cin-A-Rock. He plans to tour the<br />

show from city to city . . . "Lady Sings the<br />

(Continued on page C-8)<br />

theSstre equipment<br />

"Everything for the Theatre"<br />

339 No. CAPITOL AVE., INDIANAPOLIS, IND.<br />

BOXOFFICE :: lehruarv 19, 1973


Ever been a little short on<br />

cash?<br />

Well, it happens to America,<br />

too, though not quite the same<br />

way. Managing the public debt<br />

can be a hassle, when too much<br />

of it is short-term and concentrated<br />

in the banking system.<br />

That's why the sale of U.S.<br />

Savings Bonds is so important.<br />

It puts more of the debt into<br />

the hands of savers—currently,<br />

23''? of the privately-held portion—and<br />

helps to stabilize the<br />

whole debt structure.<br />

America needs your help in<br />

Our cup runneth under.<br />

furthering that process.<br />

All you have to do is install<br />

the Payroll Savings Plan in<br />

your company.<br />

Then show your employees<br />

the benefits of buying Savings<br />

Bonds the systematic way . . .<br />

through easy payday allotments.<br />

You see, Savings Bonds are<br />

not only a cornerstone of federal<br />

debt financing, but one of<br />

the least inflationary ways<br />

America can borrow money.<br />

They're also a proven patriotic<br />

way for your employees to<br />

tuck away a few dollars for retirement,<br />

their kids' educations,<br />

or whatever.<br />

Do your country, your people,<br />

and yourself a favor.<br />

Get the whole story by writing<br />

Director of Marketing, The<br />

Department of the Treasury,<br />

Savings Bond Division, Washington,<br />

D.C. 20226.<br />

America's cup need never<br />

run low.<br />

Help fill it up.<br />

fC\ Take stock in America.<br />

K^^r U.S. Savings Bonds<br />

® ©i The U.S. Government does not pay for this aJveriiietnetil. Ji is presented as a pub/ic service in cooperation with The Department of The Treasury and The Advertising Council.<br />

BOXOFFICE :: February 19, 1973 C-7


ICAGO<br />

(Continued from preceding page)<br />

Blues," which had a long and popular run<br />

at the Chicago Theatre, returned for an outlying<br />

run Friday (16).<br />

Rick Rice transferred from Paramount<br />

Pictures in Philadelphia to this city to become<br />

branch manager for the Milwaukee-<br />

Indianapolis territories.<br />

During the month of January the censor<br />

board reviewed 36 films and rejected one.<br />

Ten Greek movies, six Spanish, one Italian,<br />

one Polish and one Swedish made up the<br />

group of 19 foreign films.<br />

Vop'in<br />

Blevins


—<br />

—<br />

—<br />

—<br />

Jacksonville Film<br />

Law Constitutional<br />

JACKSONVILLE—Circuit Judge Major<br />

B. Harding entered a final ruling that declares<br />

a Jacksonville municipal ordinance<br />

is constitutional in that it prohibits drivein<br />

theatres from showing movies containing<br />

pictures of bare human buttocks, breasts<br />

or pubic area if the movie screen is visible<br />

from any public place or street.<br />

Richard Erznoznik, manager of Eastern<br />

Federal's University Drive-In, was charged<br />

with violating the ordinance March 13 when<br />

the drive-in was showing "Class of '73"<br />

and his attorney William H. Maness filed<br />

a suit attacking the ordinance's constitutionality.<br />

Punishment of Erznoznik for<br />

violating the ordinance was stayed pending<br />

Judge Harding's ruling.<br />

Judge Harding stated that the ordinance<br />

does not violate any protection to Erznoznik<br />

under provisions of the U.S. and Florida<br />

constitutions and that the ordinance is a<br />

\alid e.xercise of the city's police power.<br />

"A municipality's right to declare and<br />

abate public nuisances is well grounded in<br />

the law." wrote Judge Harding. "A legislative<br />

finding by the city that a certain matter<br />

is a public nuisance is entitled to great<br />

deference by the courts and the plaintiff<br />

herein has the burden of demonstrating its<br />

invalidity. Plaintiff has not carried the<br />

burden."<br />

Judge Harding said the ordinance is not<br />

an obscenity law and "it would be in error<br />

to judge such law by established legal<br />

standards<br />

of obscenity."<br />

However, wrote Judge Harding, the<br />

Supreme Court has recognized even in obscenity<br />

prosecutions, that there are special<br />

considerations which are applicable when<br />

concern for juveniles is involved. "The<br />

court takes notice of the fact that children<br />

as well as adults make up the public,"<br />

Judge Harding ruled.<br />

He quoted from a Supreme Court decision:<br />

"The Constitution's protection of<br />

property rights does not make a state or<br />

city impotent to guard its citizens against<br />

the annoyances of life because the regulations<br />

may restrict the manner of doing a<br />

legitimate<br />

business."<br />

Marietta Grants Permits<br />

For Sunday Film Shows<br />

MARIETTA, GA.—When it became apparent<br />

to members of the city commission<br />

that Cobb County district attorney George<br />

Darden's threat to close this city's four film<br />

theatres under an archaic blue law on Sunday<br />

was for real, they acted fast.<br />

A special meeting was held before the<br />

Thursday ( 1 ) deadline set by Darden and<br />

the commissioners voted unanimously to<br />

grant permits to the four local theatres to<br />

allow them to open and operate on Sundays.<br />

Georgia's blue laws allow theatres to<br />

open on Sundays only if granted a permit<br />

by their local government.<br />

Darden knew of this law and had advised<br />

the city he would take action to<br />

Young Miami Exhibitor Ira Grabow<br />

Successful With Special' Films<br />

MIAMI—Ira Grabow, 27, owner-manager<br />

of the independent Kendall and Skylake<br />

Twin cinemas, is making a neat niche for<br />

himself while competing with larger area<br />

film e.vhibitors. His theatres cater to a specialized<br />

youth audience by virtue of unusual<br />

fare that can't be found anywhere else in<br />

Miami.<br />

There's good reason why, Candice Russell.<br />

Miami Herald entertainment writer,<br />

pointed out. She says the bulk of studio releases<br />

naturally fall to Wometco, Florida<br />

State Theatres and General Cinema Corp.,<br />

which play features statewide and garner<br />

profitable sums from commercially popular<br />

fare, so the need for screen experimentation<br />

doesn't exist with these big circuits. Rather<br />

than offend their clientele, these exhibitors<br />

tend to avoid films that are controversial or<br />

avant-garde.<br />

Unable to play feature films on an exclusive<br />

basis, Grabow, therefore, has cashed<br />

in on the large exhibitors' temerity. Running<br />

perhaps the only independent movie theatres<br />

in the Miami area playing brand-new films,<br />

he has managed to corner the market on<br />

such films as Andy Warhol's "Trash" and<br />

shutter the theatres on Sundays if permits<br />

were not granted by the Thursday ( 1 ) deadline<br />

in compliance with the law.<br />

When the theatre operators found out<br />

that the prosecutor meant exactly what he<br />

said, they were quick to toe the line and<br />

demanded the city take action. The commissioners<br />

came through for them and now<br />

Mariettans, who have been attending movies<br />

on Sundays for years, may do so legally.<br />

Marietta city manager Eugene Miller said<br />

the fact that Marietta never had licensed<br />

its theatre owners and operators to operate<br />

on Sunday simply was an oversight.<br />

Film Company Organized<br />

By Atlanta Psychiatrist<br />

ATLANTA—Dr. J. Dennis Jackson, an<br />

Atlanta psychiatrist, physician and author<br />

of a controversial novel titled "The Black<br />

Commandos," has announced formation of<br />

a company to make a motion picture from<br />

his literary work. He is being assisted in<br />

the project by Curtis Stokes.<br />

In disclosing his filming plans. Doctor<br />

Jackson recounted the problems he had<br />

getting "Black Commandos" published.<br />

"In 1967, when I was trying to find a<br />

publisher, I even had the Federal Bureau<br />

of Investigation investigating me because<br />

of its content," he recalled.<br />

The book was published eventually by<br />

Doctor Jackson himself. According to him,<br />

the image of the black man in "Commandos"<br />

would be an image of discipline and<br />

education. Doctor Jackson said he objected<br />

to the image of the black man as projected<br />

in recent films, where dope-pushing and<br />

similar criminal activities have been glorified.<br />

"Lonesome Cowboys," Joe Avildsen's<br />

"Cry<br />

Uncle" and "Guess What We Learned in<br />

and Alex-<br />

School Today?", "Oh, Calcutta!"<br />

ander Jodorowsky's "El Tojx)" for exclusive<br />

runs.<br />

He says his bids for other films are often<br />

refused and he is not told anything definite<br />

as to why. Some companies, it was pointed<br />

out—Paramount. Columbia, and Cinerama<br />

—play ball with him because he is on the<br />

up-and-up. He says he pays a substantial<br />

amount in film rentals. It is pointed out that<br />

films sometimes go to Grabow when major<br />

exhibitors are booked tight or when they<br />

are not aware of certain films. His theatres<br />

sometimes share a first-run movie with the<br />

larger exhibitors. His weekend midnight<br />

shows have often been wildly successful.<br />

In addition to midnight showings, Grabow<br />

is thinking of running a film festival,<br />

perhaps with films from Robert Downey<br />

("Putney Swope" and "Greaser's Palace"),<br />

which have yet to play Miami. Another<br />

Grabow plan is to work with the University<br />

of Miami Film Society, giving students a<br />

break in price.<br />

'Prison Girls'<br />

Huge<br />

900 in New Orleans<br />

NEW ORLEANS—"Prison Girls," opening<br />

at the Orpheum. crashed the city's firstrun<br />

film lineup with a roaring 900—nine<br />

times average business at that theatre<br />

thereby deadlocking "The Poseidon Adventure,"<br />

sixth week at the Robert E. Lee<br />

Theatre, for the No. 1 place on the business<br />

barometer.<br />

(Average Is 100)<br />

Cine Royole Sounder (20th-Fox), 6th wk 350<br />

Joy Limbo (Univ) 1 50<br />

Orpheum Prison Girls (AlP) 900<br />

Robert E. Lee The Poseidon Adventure<br />

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Trans-Lux Troycis With My Aunt (MGM),<br />

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BOXOFFICE :: February 19, 1973


ATLANTA<br />

TJonn Davison, president of Lion Dog Enterprises<br />

and its production division,<br />

Lion Dog Films, announced that shooting of<br />

Ride Again" has been postponed until<br />

approximately" March 15, when star Valerie<br />

Lipsey, mending from injuries<br />

received<br />

in rehearsal prior to the start of location<br />

shooting in the Grand Bahamas, is expected<br />

to be able to carry on her role. Davison will<br />

produce and direct the picture; Don Friedman<br />

is the executive director. "Ride Again"<br />

will be distributed nationally by Jet Set<br />

Productions, which is based in Atlanta.<br />

Meanwhile, Davison has not been idle, having<br />

returned from a promotion junket with<br />

Lee Jones, president of the Atlanta-based<br />

film company bearing his name, to Char-<br />

Tampa and Louisville.<br />

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Recent trade and press screenings in Columbia's<br />

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Harnell Independent Productions.<br />

New officers of the Women of Variety<br />

were in charge of the Thursday (14) meeting<br />

in a private dining room at the Diplomat<br />

Hotel. Recently installed, the new slate includes<br />

Louise Bramblett, president; Dorris<br />

Bello, vice-president: Mrs. Charles Lester,<br />

treasurer, and Sharron Harnell, secretarytreasurer.<br />

. .<br />

Lamar McGarity, Columbia exchange<br />

manager, was host at an invitational screening<br />

of 'Love and Pain and the Whole Damn<br />

Thing" in the company's Filmrow Playhouse<br />

. Betty Jo Murphy, employed in<br />

United Artists' accounting department for<br />

the last seven years, has resigned to accept<br />

a similar position with Paramount Pictures.<br />

Terry Wallter, painfully injured when<br />

struck by an auto while she was crossing a<br />

street to her bus on the way to work, faces<br />

oral surgery before she can return to her<br />

desk in the Atlanta Film Building. She is<br />

secretary to Terry Morrison of Southeastern<br />

Management and Buying Co. Miss Walker<br />

recently was installed as a new member of<br />

the Atlanta WOMPI Club.<br />

Cliildren of Gordon and Marilyn Craddock<br />

of Craddock Films wired flowers and<br />

ordered breakfast in bed January 26 for<br />

their parents, who were celebrating their<br />

27th wedding anniversary in Mexico City at<br />

the Camino Real Hotel. Their trip was a<br />

Christmas present from Marilyn's parents<br />

Mr. and Mrs. William Heineman of New<br />

York City. While in Mexico City, the Craddocks<br />

were surprised to come face-to-face<br />

with the Alex Smiths, their neighbors on<br />

Wesley Road in Atlanta, who were stopping<br />

over in the Mexican capital after attending<br />

a convention in Acapulco. "We got out of<br />

Mexico just in time to miss the earthquake<br />

that shook the country and the subsequent<br />

bomb scare that shook up airline passengers<br />

on a flight that followed ours to the States,"<br />

Mrs. Craddock reported.<br />

ABC Soutlieastem's Fox interrupted the<br />

run of 'Alice's Adventures in Wonderland"<br />

Thursday (8) to present afternoon and night<br />

performances of Andre de la Varre jr.'s<br />

'Grand Rhine-Alpine Tour of Holland-<br />

France-Germany-Austria." A special performance<br />

(at a special price) was given in<br />

the morning for students.<br />

Marquee clianges: Lenox Square I.<br />

"Across 110th Street"; Town and Country,<br />

"Alice's Adventures in Wonderland": Baronet,<br />

"Alabama's Ghost"; Loews' Grand,<br />

'Last House on the Left"; Loews' Tara,<br />

Dirty Little Billy"; Ben Hill II, "The Mechanic";<br />

Toco Hill, "Play It Again, Sam";<br />

Candler II and Weslgatc II, "Gone With the<br />

Wind"; Lakewood, "Lady Sings the Blues":<br />

Georgia Cinerama and Belmont, "Women<br />

in Limbo"; Rialto, "Keep on Rockin' ";<br />

Doraville, 'The Snowball Express"; Peachtree<br />

Battle, "The Emigrants."<br />

Local F49, lATSE. has elected delegates<br />

to the Seventh District convention to be held<br />

here June 24-26. Chosen to represent the<br />

local were Virginia Clifton, Columbia booker,<br />

and Bill Lively, MGM toooker.<br />

hear<br />

Atlanta WOMPIs were delighted to<br />

that Jacksonville WOMPIs have regrouped<br />

under the leadership of Wendy Hendrickson<br />

of Universal Pictures and weathered a crisis<br />

brought on by the closing of exchanges and<br />

the transfer of Filmrow folks to other locations.<br />

The Atlanta WOMPIs and members<br />

from other U.S. exchange centers bombarded<br />

the Floridians with offers of help and<br />

urged the Jacksonville club to carry on,<br />

which it decided to do after a meeting late<br />

last month.<br />

Joe Harper, managing director of R.C. I<br />

Cobb Theatres' booking headquarters in P<br />

Atlanta, has been undergoing tests in South<br />

Fulton Hospital . . . Recent Filmrow visitors:<br />

Milton Brackett, son of Mary Brackett.<br />

formerly with the Crescent Amusement<br />

Co. of Nashville, which now is part of<br />

Columbus-based Martin Theatres: C.H.<br />

Roebuck, a retiree from the United Artists<br />

exchange in Jacksonville, Fla., who has<br />

many friends along Filmrow, paused to chat<br />

with the UA staff; Gene Nash, Masco Theatres.<br />

Nashville.<br />

Mrs. Edith Carmichael presided at the<br />

January meeting of the Metropolitan Atlanta<br />

Better Films Council Thursday (25) at<br />

Stouffer's Top of the Mart Restaurant. Featured<br />

on the program was the Rev. Kirk<br />

Hammond, an ordained minister of the<br />

Presbyterian Church U.S., who is rector of<br />

the church's film, radio and television division.<br />

Fiona Fullerton, young British actress<br />

who has the title role in "Alice's Adventures<br />

in Wonderland," made personal appearance<br />

Friday (2) when the film opened at the Fox<br />

Theatre. She was backed up by the Mad<br />

Hatter, the Queen, the White Rabbit and<br />

the Duchess, to the delight of hundreds of<br />

children in the audience at both shows. This<br />

(Continued on page SE-4)<br />

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T L AN T A<br />

(Continued from page SE-2)<br />

is Miss FuUerton's third picture, the other<br />

two being "Run Wild, Run Free" and<br />

"Nicholas and Alexandra" (she had the role<br />

of Anastasia in the latter). Miss Fullerton.<br />

now 16, visited in Atlanta over a period of<br />

three years while her parents Lt. Col. Bernard<br />

Fullerton and Mrs. Fullerton resided<br />

at nearby Ft. McPherson. where he was a<br />

member of a British military exchange mission.<br />

When her parents came to Georgia.<br />

Fiona, then 9, stayed in England and entered<br />

the Elmhurst Ballet School in Surrey.<br />

During school vacations, she came here to<br />

visit her parents and became well acquainted<br />

around Atlanta. Fiona was born in Africa<br />

during one of her father's military tours<br />

and she took her first step toward a career<br />

Bob Moscows Encounter<br />

Real Life Drama at Home<br />

ATLANTA — Bob Moscow, a veteran<br />

showman now engaged in industrial land<br />

development, and his wife Estelle returned<br />

to their home after a late dinner recently<br />

to face four masked robbers, armed with<br />

pistols and a sawed-off shotgun. The Moscows<br />

were bound, hand and ankles with<br />

cord, and kept at gunpoint while the marauders,<br />

who threatened to kill them, ransacked<br />

the house.<br />

Even so, Moscow described them as<br />

"gentlemen."<br />

"I would like to meet those guys under<br />

different<br />

circumstances," he told a reporter.<br />

"They were nice—real human people. Isn't<br />

that ridiculous?"' he said as he chafed his<br />

wrists, still red from the tight cord that<br />

bound him.<br />

Although the robbers took $125 in cash,<br />

jewelry, a mink coat, a mink jacket, two<br />

watches, silverware and other items totaling<br />

$14,000 in value, they came because<br />

"they thought we keep a lot of money or<br />

valuables in a safe here at the house,"<br />

Moscow said. "They didn't believe us when<br />

I told them we didn't have a hidden safe.<br />

They ransacked the whole house—the bedrooms<br />

and closets. They even went into the<br />

attic."<br />

There is a safe in the Moscow home<br />

but it belongs to their son Billy, a student<br />

at the University of Georgia. "It was empty<br />

and not even locked," Moscow said.<br />

"I kidded them a little bit. I told them<br />

if they found some money I'd split it with<br />

them. They kind of laughed at that."<br />

in films when she started taking ballet lessons<br />

in Singapore at the age of 4. She was<br />

"discovered" five years later when a Columbia<br />

Pictures talent agent happened to be in<br />

the audience when she was making her acting<br />

debut at Elmhurst and remembered her<br />

a year later when his company was seeking<br />

a young girl for "Run Wild, Run Free." It is<br />

her intention now to concentrate on her film<br />

career and she intends to become a "great,<br />

young actress" but will continue her training<br />

in drama, dance and voice "because they're<br />

necessary for my career."<br />

Marfin Managerial Changes: Beaulah<br />

Easterly, Marbro Drive-In. Eastport, Tenn.;<br />

Mike Patrick, city manager, Columbus;<br />

James Lowery, Park Theatre, Kinston, N.C.<br />

There were two telephone calls during<br />

the bizarre episode, one of them authorized<br />

by the courteous robbers.<br />

When the intruders had completed ransacking<br />

the house around midnight, one<br />

brought a pink telephone with a long cord<br />

to Moscow's side as he lay on the livingroom<br />

floor, his wrists and ankles bound<br />

behind him and secured to a piano.<br />

"You want to call somebody to come<br />

and untie you after we leave?" the gunman<br />

asked. Moscow said, "Yes."<br />

Moscow said he has a plastic vocal cord<br />

and sometimes gets choked up and can't<br />

talk. One of the robbers brought him a<br />

glass of water and held his head up from<br />

the floor so he could drink.<br />

Moscow said: "I told him he was a nice<br />

guy and 'it seems a shame you're mixed<br />

up in this.' "<br />

"You ain't kidding. I wish I wasn't, too,"<br />

the robber replied.<br />

"I gave him the' number of my business<br />

partner, Arthur Barnett," said Moscow,<br />

"and he dialed the number and got Art<br />

on the phone. When Art came on, I said,<br />

"Come on over here. Don't ask any questions;<br />

just come over right now.' "<br />

Then the thieves drove off in one of<br />

Moscow's Cadillacs.<br />

There followed a second phone call,<br />

engineered solo by Moscow as he still lay<br />

bound on the floor by the pink telephone.<br />

He tipped the receiver off the phone cradle<br />

and with his chin sought to dial "O" to<br />

get the operator. After some 20 attempts,<br />

he finally got the operator and asked her<br />

to get the police for him.<br />

She said: "You can dial direct."<br />

" "No, lady,' I told her. 'I'm being robbed.<br />

I need the police,' and then she got the Atlanta<br />

Police Department for me."<br />

Barnett got there first however, and released<br />

the Moscows.<br />

Moscow, 50, has been in all facets of<br />

the film business. He's the son of the late<br />

Sam Moscow, who was associated with the<br />

Cohn brothers in the formation of Columbia<br />

Pictures. The elder Moscow was assigned<br />

to Atlanta as Columbia's Southern division<br />

manager and Bob was indoctrinated early<br />

in basics of the business. At one time he<br />

operated the Rialto, Central and (now<br />

defunct) Cameo theatres in downtown Atlanta,<br />

as well as theatres in Memphis, New<br />

Orleans and Florida. Recently his Atlantabased<br />

company, Robert-Arthur Development<br />

Corp., of which he is president and coowner,<br />

sold the circuit.<br />

Nathan Morgan Saluted<br />

In 50th Martin Year<br />

COLUMBUS, GA.—Martin Theatres<br />

dedicated its February issue of the Tipster,<br />

circuit news organ, to Nathan Morgan,<br />

manager of the Campus Theatre in Milledgeville<br />

and now celebrating his 50th<br />

year with Martin Theatres.<br />

His career in exhibition dates from 1913.<br />

when he became a doorman at the Elton<br />

Theatre in LaGrange. This became the first<br />

step toward advancing to manager of the<br />

Strand, another LaGrange theatre, where he<br />

demonstrated outstanding film showmanship.<br />

Morgan's potential in this field was<br />

brought to the attention of R. E. Martin sr.<br />

in 1923 by two Atlanta film salesmen, according<br />

to the Tipster, and in February of<br />

that year Martin brought him into the circuit's<br />

operation and assigned him to manage<br />

the Columbus Martin Theatre, later renamed<br />

the Pastime. After purchase of the<br />

Rialto Theatre, another Columbus situation,<br />

Morgan was moved downtown to manage it<br />

until the completion of the Royal Theatre.<br />

At the Royal, then the second largest theatre<br />

in the state, he proved himself as a<br />

superior showman.<br />

In ensuing years he managed theatres<br />

throughout the Martin circuit and also<br />

served as the film booker and buyer until<br />

the circuit's growth demanded a full-time<br />

booker. After one was installed, Morgan<br />

was promoted to district manager.<br />

When asked by the Tipster for the highlight<br />

of his career. Morgan replied, "During<br />

the time that I managed the Rialto Theatre<br />

in Columbus, Mr. Martin and I went to<br />

Filmrow in Atlanta to book pictures every<br />

Friday. On one trip, while the Royal was<br />

under construction, I was introduced to Sol<br />

Samulcs. The next time I saw Mr. Samules<br />

was on a Sunday morning at the Rialto<br />

Theatre, here in Columbus. Mr. Martin<br />

walked up to me and said, 'Nathan, give<br />

your keys to Mr. Samules, the new manager<br />

of the Rialto Theatre—You're going to<br />

the Royal.'<br />

"We opened the Royal Theatre in<br />

the true<br />

tradition of pomp and splendor. The opening<br />

feature was a silent picture starring<br />

(Continued on page SE-7)<br />

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£W ORLEANS<br />

Vbe carnival season is here and the balls<br />

preceding the big day of Mardi Gras<br />

were in full swing when this column was<br />

written. Irene Mexic. Gulf States Theatres<br />

advertising, and her husband Joe attended<br />

the Ball of Choctaw as guests of the King<br />

of Choctaw. Another industry guest was Eva<br />

Ansardi of Blue Ribbon Pictures.<br />

Notes from Gulf States Theatres: Ruth<br />

Roll of the advertising department was surprised<br />

with a party for her Monday. Janu-<br />

. . Billy<br />

Richard Jack of<br />

ary 29. at the Rowntowner Hotel .<br />

Gay of the advertising department visited<br />

with his family in Texas the last weekend<br />

in January . . . Among members of the GST<br />

staff attending the NATO of Texas convention<br />

in Dallas January 30-February 1 were<br />

James Hightower. Jack Dobbs. Bill Gehring<br />

and T. G. Solomon<br />

Houston, owner of<br />

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old friend Billy Gay. Jack is the former<br />

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GST booker for Texas, visited circuit theatres<br />

in Beaumont and Port Arthur.<br />

The Royal Theatre at Waynesboro. Miss.,<br />

has been closed temporarily for repairs . . .<br />

Mrs. Edgar Hands has advised film industry<br />

firms here that the Rex in Minden was<br />

closed permanently Saturday (17).<br />

"Deadly Honeymoon," filmed in and<br />

around New Orleans last summer has been<br />

booked for its world premiere March 28 at<br />

the Orpheum Theatre.<br />

Victoria Principal, from the cast of "The<br />

Life and Times of Judge Roy Bean," came<br />

here the week of Friday (9) to promote the<br />

film directed by John Huston and starring<br />

Paul Newman. The feature is to open Friday<br />

(23) at Lakeside I and Westside I.<br />

Harry Williams in Show<br />

Business for 65 Years<br />

PARIS. ARK.—Harry Williams, who<br />

celebrated his 89th birthday December 21,<br />

retired from motion picture exhibition June<br />

1, 196S, but still keeps up with all the film<br />

industry news through <strong>Boxoffice</strong>, which is<br />

published in Kansas City, Mo., where Williams<br />

spent the early years of his career that<br />

spanned 65 years in show business.<br />

On January 1 this year, the Paris Progress<br />

ran a front page feature about the<br />

veteran showman and printed a photo of<br />

him. a rare event since he was always reluctant<br />

to permit his picture to appear in<br />

print, joking that "someone might recognize<br />

me and come to pick me up for something!"<br />

"Harry Williams was born in Gentry<br />

County, Mo.." the article began, "and covered<br />

much of the U.S. in show business<br />

before he settled down in Paris to operate<br />

his own theatre business . . . His coming to<br />

Paris in 1943 was largely the result of a<br />

suggestion from K. Lee, a brother in show<br />

business. K. Lee had hollered for Harry to<br />

come to Wilburton. Okla.. from Minneapolis.<br />

Minn., in the early days of World<br />

War II. when help was hard to get. Because<br />

K. Lee had in earlier years been favorably<br />

impressed with the beauty and climate of<br />

the Paris area, he thought it would be an<br />

ideal place for brother Harry to settle at<br />

such time as he could leave Wilburton. K.<br />

Lee had organized a circuit of 11 towns,<br />

including Paris."<br />

"Mrs. Williams grew up within 15 miles<br />

of Harry's home town." the Paris Progress<br />

article noted. "They spent 20 years in Kansas<br />

City, then he he!p)ed K. Lee engineer<br />

the filming of 'Days of the Buffalo' on the<br />

143.000-acre 101 Ranch near Ponca City.<br />

Okla. Only one professional actor was<br />

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\<br />

Progress<br />

I<br />

Harry<br />

I<br />

Truman<br />

used; other cast members were cowboys and<br />

cowgirls from the ranch, which had its own<br />

herd of buffalo and its rodeo arena. The<br />

film featured a roundup and life on the 101<br />

Ranch. Excursion trains brought people<br />

from Dallas and other cities to the 101<br />

rodeos. Harry lived in a tent during the<br />

week of the rodeo. He recalls having seen<br />

Will Rogers call a square dance at the<br />

ranch.<br />

"The western movie was taken on the<br />

road and Harry found himself meeting interesting<br />

people in Florida and along the<br />

Eastern seaboard. It was in a crowded cafe<br />

in Jacksonville, Fla., that Annie Oakley<br />

happened to take a seat beside Harry. With<br />

no connection to his meeting Miss Oakley,<br />

he later rode in a parade in Philadelphia<br />

with Buffalo Bill. Jacksonville had only one<br />

theatre at the time he showed there.<br />

"Harry used a bear to advertise his film<br />

and to attract crowds when he went into a<br />

city. The bear knew no particular tricks but<br />

just having a live bear was enough to attract<br />

a lot of attention. He had hoped to<br />

ride a steamboat from Charlston, S.C., to<br />

Philadelphia but was told that he could not<br />

bring the bear on board.<br />

"The bear got sick in Tracy City, Tenn.,<br />

and died. Making arrangements for the<br />

burial of the bear took a bit of doing and<br />

caused the showman to miss the train to<br />

Jacksonville.<br />

"A bear cub was found in Kansas City to<br />

replace the deceased bear and it proved to<br />

be quite a pet, even if it was temperamental<br />

at times. A traveling salesman's trunk was<br />

adapted as a cage by replacing one side with<br />

bars and could be transported in baggage<br />

cars.<br />

"The movie sometimes ran for a week in<br />

one place. He showed in Waldron in 1912<br />

and in Hartford, then at the Joy Theatre in<br />

Fort Smith . . . There were other shows in<br />

those early years. Harry recalls one film<br />

that featured a fire truck and was shown in<br />

a black tent. When the fire truck appeared<br />

on the screen, he would bang on some<br />

crowbars to give a bell sound . . .<br />

"Williams is a good conversationalist and<br />

appears to enjoy his many interesting days<br />

of show business ... He served three years<br />

as president of the Paris Chamber of Commerce<br />

and also was president of Kiwanis<br />

and served as treasurer for 13 years. While<br />

president of Kiwanis, he took the lead in<br />

soliciting funds so that the present location<br />

of the State Highway yard could be bought.<br />

He was also Boy Scout institutional representative<br />

while a member of Kiwanis."<br />

The picture of Williams in the Paris<br />

showed him on the day of Pres.<br />

S. Truman's funeral checking a letter<br />

had sent him in appreciation of the<br />

Parts For Weaver, Zipper, Neumade,<br />

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ROY SMITH CO.<br />

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JACKSONVILLE<br />

nalph Piickhaber, home office advertising<br />

director for ABC Florida State Theatres,<br />

has been elected parliamentarian of<br />

the Jacksonville chapter of Parents Without<br />

Partners.<br />

Andre de la Varre, producer-director of<br />

the color travel film, "The Rhine-Alpine<br />

Tour," playing at ABC FST's Regency,<br />

visited at the home of John and Mary<br />

Hart when he came here to give a stage<br />

narration for his film. The Harts visited<br />

De la Varre at his home in Europe in<br />

September during a European vacation tour.<br />

Charles Brock, entertainment editor of<br />

the Florida Times-Union, launched "Cinema<br />

Festival 73" at ABC FST's San Marco Theatre<br />

with a generously large Sunday feature<br />

story which gave the complete list of<br />

38 screen classics to be shown over a period<br />

of 13 weeks and included scene stills from<br />

"Citizen Kane," "Mondo Kane," "Casablanca,"<br />

"You Can't Cheat an Honest Man"<br />

and "The Seventh Seal." The films were<br />

selected by the festival sponsors, ABC EST<br />

and radio station WITY, after consultation<br />

with educators, cultural groups and community<br />

leaders who have expressed a deshowman's<br />

giving a copy of "Addresses and<br />

Statements of Harry S. Truman—A Topical<br />

Record from January 1935 to April 1945,"<br />

to the Harry S. Truman Library in Independence,<br />

Mo. Williams once bought his<br />

hats at Truman's haberdashery in Kansas<br />

City in the days before Truman entered<br />

politics.<br />

"The little circuit of K. Lee Williams<br />

Theatres in Arkansas, Oklahoma and Texas<br />

is broken up," Williams wrote in a recent<br />

letter to <strong>Boxoffice</strong>. "The Logan (which<br />

Harry Williams operated in Paris) was closed<br />

Sept. 30. 1969, and still is closed because<br />

the owner of the building could not be<br />

dealt with, either by us or other parties interested<br />

in coming to Paris. This is a good<br />

town of 3,500 population and should have<br />

a hardtop theatre."<br />

Nathan Morgan Saluted<br />

In 50th Martin Year<br />

(Continued from page SE-4)<br />

George O'Brien in 'Sharpshooter.' I can still<br />

feel the opening night excitement as the<br />

orchestra was silenced and the emcee introduced<br />

me as the manager of the Royal Theatre.<br />

That was my greatest moment.<br />

"During the time I was manager of the<br />

Royal, sound came in. In the early days,<br />

we split the week with four days playing<br />

talkies and three days vaudeville. I stayed<br />

at the Royal for many years and enjoyed<br />

every minute of it.<br />

"My wife and I celebrated our Golden<br />

Anniversary, Nov. 5, 1971. and I am happy<br />

to say she is also very much a part of<br />

Martin Theatres. I sincerely hope that each<br />

of you will have as many happy years with<br />

the company as I have."<br />

sire for a greater variety of sophisticated<br />

screen entertainment than is usually made<br />

available by commercial films.<br />

New marquee titles included "Jeremiali<br />

Johnson" at Sheldon Mandell's Five Points,<br />

which received a fine review from Charles<br />

Brock; "Innocent Bystander" at Kent Theatres'<br />

St. Johns and Neptune, indoorers, and<br />

the Southside Drive-In; "Alabama's Ghost"<br />

at ABC FST's Florida, a film being distributed<br />

in Florida by local Horizon Films;<br />

"Jango" at Kent's Main Street and Blanding<br />

drive-ins. and the world premiere of "Assault,"<br />

also at the Main Street and Blanding.<br />

Richard Boone, motion picture<br />

and television<br />

star who has become a civic leader in<br />

nearby St. Augustine, says he has passed<br />

up two film roles in order to devote his<br />

time to the work of planning St. Augustine's<br />

part in the U.S. Bicentennial celebration in<br />

1976. A 36-page proposal of St. Augustine's<br />

place in the observances calls for a $3,-<br />

300,000 outlay for dramatic productions,<br />

most of which Boone will direct, and expansion<br />

of the city's amphitheatre.<br />

Adorno Testing 'Bargain'<br />

MIDDLETOWN, CONN.—Sal<br />

Adorno<br />

jr., owner-operator of the Middletown<br />

Drive-In, is continuing to experiment with<br />

occasional "Bargain Nights," offering admission-per-carload<br />

(regardless of number of<br />

passengers) for $2 with presentation at the<br />

boxoffice of the airer's newspaper ad announcing<br />

a "Bargain Night."<br />

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BOXOFFICE :: February 19, 1973 SE-7


. .<br />

I<br />

16<br />

I<br />

A M I<br />

por the 14th consecutive year, comedian<br />

Bob Hope was guest of honor when<br />

the National Parkinson Foundation staged<br />

its annual fund-raising dinner Sunday (18)<br />

at the Fontainebleau Hotel. Miami Beach.<br />

With Hope at the $50-a-plate affair were<br />

stars from the entertainment world. Proceeds<br />

from the dinner will go toward increasing<br />

the present Parkinson Institute at<br />

1501 Northwest Ninth Ave. to four times<br />

its present size so it can treat 20 in-patients<br />

and add space for laboratory and therapy<br />

work.<br />

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Victoria Principal, former Miami beauty<br />

queen, is to get more film roles after her<br />

success in "The Life and Times of Judge<br />

Roy Bean," according to Herb Rau's column<br />

in the Miami News. The film was<br />

shown Thursday (15) at a preview sponsored<br />

by the Asthmatic Children's Foundation<br />

of Florida at Wometco's Carlyle Theatre,<br />

Miami. The regular engagement of the<br />

picture starts<br />

theatres.<br />

Friday (23) at seven Wometco<br />

MaHene Dietrich appeared in a onewoman<br />

show two nights early this month at<br />

the Dade County Auditorium. Miami .<br />

Francois Truffaut's latest film. "Two English<br />

Girls," had its Southern U.S. premiere<br />

at the Sunset Theatre. South Dixie Highway,<br />

in a Wometco and Film Society cosponsored<br />

benefit, proceeds going to the<br />

Film Society. Wometco opened the film for<br />

a commercial run Friday (16).<br />

The University of Miami Film Society<br />

announced its spring semester lineup of<br />

movies, which was launched during the<br />

Saturday (3) weekend. Besides Dennis Hopper's<br />

controversial "The Last Movie" and<br />

Woody Allen's first romp as a director,<br />

other special plums include films from directors<br />

Fellini. Roger Corman and Orson<br />

Welles and the first Miami showing of a<br />

recent Truffaut film. Made up of seven<br />

films in the classical series and seven in the<br />

contemporary series, the society programs<br />

sell for $5 per series or $10 for the two<br />

series. Bill Kelley, president of the film<br />

society, said it plans to schedule retrospectives<br />

during the week and occasional midnight<br />

movies, depending on demand.<br />

Bernice (Mrs. Edvvard) Melniker was<br />

crowned Queen of Hearts at a Monday (5)<br />

luncheon in the Gigi Room of the Fontainebleau<br />

Hotel. Miami Beach. Mrs. Ivah Miller<br />

was chairman for the luncheon, which was<br />

sponsored by the Women's Committee. Variety<br />

Children's Hospital. Mrs. Marie Mc-<br />

Dermott served as chairman of the reservations<br />

committee.<br />

City Judge Jason Barliman delayed a<br />

hearing on whether the made-in-Miami<br />

"Deep Throat" film should be seized and<br />

Arthur Sommer, its exhibitor here, arrested.<br />

Sommer leases the Sheridan TTieatre on<br />

Arthur Godfrey Road, Miami Beach, where<br />

the most financially successful pornographic<br />

film of all time is played. Sommer's lawyer.<br />

Joseph Pardo, had the Thursday (8) hearing<br />

delayed because he said he had not received<br />

a copy of the right statute under which the<br />

case was brought. Temporarily frustrated<br />

was Miami Beach Sgt. Dave Richards, who<br />

was waiting to give evidence for the city.<br />

Richards went to the 7:45 p.m. performance<br />

of the film January 26 and wrote into<br />

evidence 850 "vivid" words describing the<br />

film. The star of the show, Linda Lovelace,<br />

was not in court. A former resident of<br />

Miami, she has left town since the film<br />

began to be hailed into court practically<br />

everywhere it appeared. Nevertheless, the<br />

$25,000 budget picture is said to have<br />

grossed more than $4 million in some 70<br />

cities. Judge Berkman said he himself<br />

would view the film over the weekend and<br />

decide whether Sommer could continue to<br />

exhibit it. First, though, the judge made<br />

Sommer surrender one of the two prints he<br />

had of the picture, saying that Sommer<br />

could have the print back if the judge decides<br />

the picture can continue in the Sheridan.<br />

Otherwise, Sommer would have to surrender<br />

the second print to Judge Berkman.<br />

Castle hopping will be the summer vacation<br />

"in" thing this year. Some lucky Miamians,<br />

who plan to attend the Variety<br />

International meeting in Dublin May 6-12<br />

will "castle guest" afterward with Col. and<br />

Mrs. Robert Pentland of Hollywood, Fla.,<br />

at Ballynahinch in the Connemara Highlands.<br />

For years Colonel Pentland has been<br />

a Lord of the Manor, along with Ed Ball of<br />

Jacksonville, who has a house near the<br />

castle, and others. Colonel Pentland says<br />

the fishing and grouse-shooting on the estate<br />

are the greatest. Planning to make the<br />

Dublin trip, in addition to the Pentlands.<br />

are Mr. and Mrs. Ed Melniker, Mr. and<br />

Mrs. Frank O'Loughlin. Mrs. Neil Miller,<br />

Mrs. William Hayden. Variety International<br />

executive director George Hoover and Mrs.<br />

Hoover, chief barker C3ordon Spradley of<br />

Tent 33 (Miami) and Mrs. Spradley, Mr.<br />

and Mrs. Roscoe Brunstetter and Mr. and<br />

Mrs. K. Gordon Murray.<br />

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BOXOFFICE :: February 19, 1973


Manuel Avilla Again<br />

President oi TESLF<br />

DALLAS—Manuel Avilla of the Stevens<br />

Theatre, Dallas, was re-elected president of<br />

the Texas Exhibitors of Spanish Language<br />

Films at a meeting held at the Fairmont<br />

Hotel during the NATO of Texas TEXPO<br />

"73 convention January 30-February L<br />

Albert Zarzana, Granada Theatres Corp.<br />

of Houston, was re-elected secretary-treasurer<br />

by the approximately 25 exhibitors attending<br />

this special session, which was devoted<br />

to discussion of available product and<br />

various aspects of the business pertinent to<br />

this particular film product.<br />

The organization's next meeting will be<br />

held May 8 at the Gunter Hotel in San<br />

Antonio.<br />

The following were reported to be present<br />

for the special meeting: Sewel Cox. Timpson;<br />

Richard Garman, George Grube and<br />

Farris Shanbour. Oklahoma City; John<br />

Flache, Fiesta, Austin; Hector Munoz, Iris,<br />

Eagle Pass; David Singleterry and Ken<br />

Huggins, Santikos Theatres, San Antonio;<br />

Ray Hugger and Carlos Salinas, Hon-Ha-<br />

Ray Enterprises, Houston; Gilbert Vela,<br />

Pioneer Theatre, Falfurrias; S. K. Barry,<br />

El Capitan, San Antonio; H. C. Gunter,<br />

Buckhorn Drive-In, Alice; Lester Dollison,<br />

North Loop Drive-In, El Paso; J. W. Maxwell.<br />

Seguin Theatres. Seguin; Eddie Reyna,<br />

Frels Theatres, Victoria; J. G. Long, Judy<br />

Stewart, George Jolly, Ken Perkins and<br />

Thor Braun of the J. G. Long Theatres.<br />

Distributors of Spanish films in town for<br />

the convention included Arnuelfo Arias,<br />

Azteca Films, San Antonio, and Roberto<br />

Gallegos, Espana Films, San Antonio.<br />

BoxoFFiCE apologies in advance to anyone<br />

attending the meeting who may have<br />

been omitted from the above list. Since<br />

there was no registration list available, it<br />

was difficult to round up names of those<br />

attending but all who discussed the session<br />

praised it as a most beneficial and worthwhile<br />

gathering.<br />

Retired Theatre Organist<br />

Earl Abel Dies in Texas<br />

SAN ANTONIO—^Funeral services were<br />

held here for Earl Abel sr. 73, well-known<br />

San Antonio restaurateur and organist,<br />

who<br />

died Friday (9) in a local hospital. He had<br />

been in the Methodist Hospital's intensive<br />

care ward with heart trouble and pneumonia.<br />

He got his start in 1920 in the Tivoli<br />

Theatre, Oakland, Calif., playing the organ.<br />

He later played in theatres throughout the<br />

country, during intermissions and as background,<br />

for silent pictures. He was organist<br />

for the Texas Theatre in San Antonio from<br />

1926 to 1931.<br />

Abel performed with many of the great<br />

names of show business from 1918 to 1932.<br />

included were Rudy Vallee. Jack Oakie,<br />

Ethel Merman. Bing Crosby, George Burns,<br />

Gloria Swanson and Paul Whitcman.<br />

Abel was a headliner on the Paramount<br />

Publix Movie Circuit and originated community<br />

singing in movie theatres, the bouncing<br />

ball idea, and wrote about 20 songs during<br />

his professional music career.<br />

In 1969 Abel returned to the organ after<br />

40 years of retirement to accompany the<br />

showing of "The Sheik" at Incarnate Word<br />

College.<br />

He is survived by his wife, a daughter<br />

and two sons.<br />

'Beyond Fanfare' Mirrors<br />

True Life of Southwest<br />

FORT WORTH—Fort Worth Star-Telegram<br />

readers were warned to stay away<br />

from the Will Rogers Coliseum January 26-<br />

February 5 if they were camera shy. The<br />

reason: Lyn Jank, script writer and director<br />

of "Beyond Fanfare," was shooting footage<br />

throughout the Southwest Exposition and<br />

Fat Stock Show of the crowds and rodeo<br />

scenes to use in her picture.<br />

Miss Jank, who has been working in films<br />

the last 18 years in Europe, told Stewart<br />

that "there's a tremendous interest in this<br />

area (Fort Worth and the Southwest) all<br />

over Western Europe." The Italians especially,<br />

she went on to Stewart, want to believe<br />

that the U.S. Western way still exists,<br />

"that the handshake and the word of honor<br />

still hold up in business dealings."<br />

To tell this story. Miss Jank's film, underwritten<br />

by Lariat Productions and Media<br />

Productions, two Fort Worth-based companies,<br />

is tracing the career of a quarter<br />

horse named Lancet. Lancet is a real horse<br />

and his owner Jim Pierce of Denton will<br />

ride him in the film.<br />

"Even though 'Beyond Fanfare' is a commercial<br />

venture," said Miss Jank, who is a<br />

native of Laredo, "it is based on a real<br />

belief in the people in this part of the<br />

country. My desire to depict Fort Worth<br />

and the Southwest on film was the origin<br />

of this whole project."<br />

Local 802 Charter Member<br />

Joe Pletzer Dies at 66<br />

BRYAN, TEX.—Joe Pletzer, 66, a charter<br />

member of Local 802, lATSE, died<br />

December 5 following a heart attack.<br />

Pletzer was the oldest employee and projectionist<br />

of the Bryan Amusement Co. and<br />

Schulman Theatres. He had been with the<br />

company for 43 years.<br />

Arlington Carrousel<br />

To Have 4<br />

Theatres<br />

ARLINGTON, TEX.—A family will<br />

have a choice of four theatres and seven<br />

restaurants, all under one roof, in the Carrousel,<br />

an entertainment complex for which<br />

ground was broken early this month on a<br />

five-acre site at Collins Avenue and Highway<br />

303.<br />

J. C. Fish, president of Trans-World Enterprises<br />

of Dallas, said that the Arlington<br />

Carrousel is the first of many in the planning<br />

stage. It's scheduled for an August 1<br />

opening, to be followed by an October debut<br />

for a Carrousel in Coffeyville, Kas.<br />

The Arlington family entertainment center<br />

is to have a restaurant seating capacity<br />

of 600, with a total area of 12.500 square<br />

feet in the restaurants and 10,800 more<br />

square feet in the theatres.<br />

Individual restaurants will offer Italian,<br />

Mexican, Western, chicken, seafood and<br />

barbeque menus. No. 7 restaurant will have<br />

a special counter scaled to the size of kiddies,<br />

featuring those delicacies that kiddies<br />

enjoy. Across the mall will be the four<br />

theatres, each with a capacity of 250 patrons<br />

and each showing a different movie.<br />

Construction of the Carrousel is being<br />

performed by Trans-World Contractors.<br />

Jurow Makes Arrangements<br />

For Next Texas Filmings<br />

DALLAS—Producer Martin Jurow, now<br />

headquartered here, completed several steps<br />

in Los Angeles early this month concerning<br />

features to be filmed in Texas, according to<br />

the Dallas Times Herald.<br />

The Times Herald said that Jurow commissioned<br />

Jimmy Banks, author of "Money,<br />

Marbles and Chalk" to write the story of<br />

J. Edgar Hoover, to be titled "A Span of<br />

Presidents," for either a theatrical film or a<br />

TV series. Jurow also optioned "Haunting<br />

of Clifton Court" by Dana Ross, which will<br />

be the pilot film in a series of Gothic tales<br />

for TV. The first is set in Jefferson in this<br />

state.<br />

In Los Angeles, Jurow was looking for a<br />

director and cast for a film based on the<br />

life of Freddie Steinmark and a book by<br />

Blackie Sherrod. Frank Waldman has completed<br />

the script for this picture, which is to<br />

begin filming in April in Austin.<br />

Also for Jurow, the Times Herald said,<br />

Jim Byrnes has completed a script for<br />

"Houston's Man," a western to be filmed at<br />

Brackettville and starring Walt Garrison.<br />

Left-hand pitching star Vida Blue has<br />

his first screen role in "Black Gunn."<br />

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BOXOFFICE :: February 19, 1973 SW-1


—<br />

A L L A S<br />

price and Naomi Holland were missed at<br />

the NATO of Texas convention this<br />

year. They had planned to attend but found<br />

themselves in San Francisco at convention<br />

time. So they wrote to industry friends here<br />

that they will be in Dallas during the year<br />

and promised to drop by to call on Filmrow.<br />

Congratulations to Dutch Cammer, retired<br />

film salesman. "Dutch" is, as all his<br />

industry friends are aware, active in Shrine<br />

work, long having been a member of that<br />

organization's Marching Patrol. Now he has<br />

been made colonel of the Marching Patrol<br />

and is really e.xcited over his new honor.<br />

While he has found retirement a happy experience,<br />

he says he misses his friends on<br />

the Row and finds it too difficult trying to<br />

keep up with them through casual conversations.<br />

Now he has subscribed to <strong>Boxoffice</strong><br />

so he can keep up with the film business<br />

and with his Filmrow buddies. He said he<br />

enjoyed attending the NATO of Texas con-<br />

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vention and the chance to visit with so<br />

many out-of-town exhibitors.<br />

Sympathy is extended to Edra Longhorne<br />

of Variety Films. Her mother died last week<br />

in Garland.<br />

Filmrow friends learned that Sam Kellogg<br />

of Corpus Christi is in Memorial Hospital<br />

in that Texas city, following a severe heart<br />

attack. We hope that Sam already has<br />

started showing improvement.<br />

We understand that Jimmie Prichard jr.,<br />

branch manager for Cinerama Releasing, is<br />

resigning this post to become affiliated with<br />

his father at Starline Pictures . . . Burl Lovelace<br />

of Starline is at home recuperating<br />

nicely following surgery . . . Mary Crump,<br />

Starline cashier, has been making frequent<br />

trips to Fort Worth, where her father is in<br />

the hospital.<br />

Jerri Erickson of Commonwealth Theatres<br />

is what one might call "the mystery<br />

girl," coming up with problems unrelated to<br />

anything she can think of that might have<br />

caused them. Recently she kept finding<br />

small pieces of bone protruding in her<br />

gums; it was discovered she had a fractured<br />

jawbone. She underwent oral surgery to<br />

correct the problem and now is doing nicely.<br />

Congratulations to Pearl Morrison of<br />

Paramount Pictures! She and her husband<br />

were honored on their 50th wedding anniversary<br />

Sunday (18) by their children.<br />

Mable Guinan, your <strong>Boxoffice</strong> correspondent,<br />

would like to take this means of<br />

a note in the Dallas column to thank her<br />

many friends in the film industry who sent<br />

cards and other expressions of sympathy to<br />

her on the death of her brother. He died in<br />

California January 26 after an extended illness.<br />

WOMPIs are reminding exhibitors and<br />

distributors of the their new Filmrow Directory,<br />

copies of which were given out at<br />

the WOMPI booth at TEXPO '73. If you<br />

didn't get a copy, please drop by Ind-Ex<br />

Booking Office, 609-A, 500 South Ervay,<br />

Dallas, or ask a WOMPI the next time<br />

you're in Dallas for directions on how to<br />

obtain a copy. The directory was made to<br />

be of help to everyone in the film industry<br />

here and in the Southwest who have occasion<br />

to deal with Dallas industry firms.<br />

WOMPIs put the directory together and are<br />

distributing it free as part of the club's industry<br />

service program.<br />

Lillian Gish came here Wednesday evening,<br />

January 31, to present her program,<br />

"Lillian Gish and the Movies" at McFarlin<br />

Auditorium under the sponsorship of the<br />

Community Course. She included in her<br />

presentation film clips from her silent films.<br />

She had been scheduled to appear on the<br />

Community Course series January 15 but a<br />

broken hip she suffered several months ago<br />

forced her to schedule a new Dallas date.<br />

Miss Gish has presented her program in<br />

Moscow, Paris, London and at the Edinburgh<br />

Festival. In Moscow an audience of<br />

6,000 gave her a standing ovation.<br />

Judith Crist, who reviews films for the<br />

New Yorker Magazine and NBC's "Today"<br />

TV show, has accepted an invitation to be<br />

a panel member at the third annual USA<br />

Film Festival at the Bob Hope Theatre at<br />

Southern Methodist University April 9-15.<br />

Miss Crist has started viewing features,<br />

shorts and documentary films scheduled for<br />

Easter release and will choose selections to<br />

be shown during the first two days of the<br />

festival. She will be present to interview the<br />

films' directors and star on stage following<br />

screening of each selection those two days<br />

at the festival.<br />

'Horizon' World Premiere<br />

Co-Chairmen Announced<br />

From Western Edition<br />

HOLLYWOOD—Rosalind Russell and<br />

Mrs. Deane Johnson will serve as co-chairmen<br />

of world premiere festivities for "Lost<br />

Horizon," Ross Hunter's musical drama for<br />

Columbia Pictures, it was announced by<br />

premiere chairman Mrs. Sybil Brand. Proceeds<br />

from the premiere and Shangri-La<br />

Ball, to follow at the Century Plaza Hotel,<br />

will go to the Motion Picture and Television<br />

Fund.<br />

The benefit opening has been set for<br />

March 6 at the National Theatre, Westwood.<br />

"Lost Horizon" also has been selected as<br />

England's Royal Film Performance March<br />

Mount Vernon, Tex„ Joy<br />

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MOUNT VERNON, TEX.—The Joy<br />

Theatre, recently purchased by Robert Rice<br />

of Hugo, Okla., has been given a thorough<br />

Acoustical drapes have been installed on<br />

the walls, new carpets brighten the floors, a<br />

new concessions stand has been built and all<br />

seats in the theatre refurbished. .'\lso installed<br />

by Rice was central heating and airconditioning<br />

equipment.<br />

BOXOFFICE :: February 19, 1973


HAILG^SAR<br />

Godfather'of Harlem!<br />

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A Larco Production —<br />

An American International Release<br />

FRED WILLIAMSON starring in "BLACK CAESAR"<br />

•<br />

co-starring MINNIE GENTRY JULIUS W. HARRIS<br />

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DON PEDRO COLLEY GLORIA HENDRY ART LUND • • •<br />

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Written, Produced and Directed by LARRY COHEN A LARRY COHEN Film<br />

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Get your drive-in<br />

screens ready for<br />

the season.<br />

FORT WORTH<br />

jyjovie, stage and TV star Eddie Bracken,<br />

who is appearing nightly in the Windmill<br />

Theatre's "Arsenic and Old Lace,"<br />

arose early one morning after a night performance<br />

to appear at a 9:45 assembly at<br />

Eastern Hills High School. Bracken spoke<br />

to the students about the practical side of<br />

the acting profession, then illustrated the<br />

artistic side with a pantomime sketch.<br />

Bracken is certainly doing all he can to<br />

demonstrate the better side of the life he<br />

enjoys as an actor by being a good allaround<br />

performer and humanitarian, as well<br />

as a wonderful ambassador of good showmanship.<br />

Woodall do now? "I do without." he told<br />

Elston Brooks, Fort Worth Star-Telegram<br />

amusements writer.<br />

Speaking of the closing of the Hollywood,<br />

latest Fort Worth downtown theatre to<br />

turn<br />

off its lights permanently, Tom Rainone, 9.<br />

of Arlington, wrote to Jack Gordon of the<br />

Fort Worth Press that the young set does,<br />

too, care about the closing of the Hollywood<br />

Theatre. Tom wrote to Jack: "Let's<br />

save the Hollywood. The new movie theatres<br />

all have crummy low ceilings." The<br />

youngster added that he likes the high, cathedral-like<br />

ceilings of the old movie palaces.<br />

Low ceilings . . . bah!<br />

Fred Williamson, star of the new version<br />

of Little Ceasar titled "Black Caesar," came<br />

here to promote the film in advance of its<br />

Valentine's Day (14) debut in Fort Worth.<br />

Williamson, who used to play cornerback<br />

for the Kansas City Chiefs, said he quit<br />

football because it bored him—he was tired<br />

of the physicalness of the pro game. Since<br />

he had a master's degree in architecture, he<br />

moved to Canada and entered that profession<br />

but again became bored. While watching<br />

TV one evening, he told friends he could<br />

act as well as some of the people in the<br />

programs on the tube and the next day<br />

headed for Hollywood. He got a spot on<br />

"Laugh-In," then a regular role as Diahann<br />

Carroll's boyfriend on the "Julia" weekly<br />

series. Next came "The Legend of Nigger<br />

Charley." with Williamson in the title role<br />

and to date his films have put $20 million<br />

dollars in boxoffice tills. Next he starred in<br />

"Hammer," a title inspired by his nickname<br />

as a Kansas City Chief. Williamson is of the<br />

opinion that "Black Caesar" is his best acting<br />

to date.<br />

ABC Interstate brought in capacity<br />

crowds over the weekend when it showed<br />

the 1936 moralizer, "Reefer Madness," at<br />

midnight shows at the Seventh Street Theatre.<br />

The Saturday (3) audience spilled out<br />

into the lobby and many would-be patrons<br />

had to be turned away. Most of them were<br />

young longhairs, who were amused at 1936<br />

attitudes about marijuana, according to Perry<br />

Stewart of the Fort Worth Star Telegram.<br />

Critic Elston Brooks commented that<br />

while "Young Winston" marked the advance<br />

to fame of Simon Ward, "he's already<br />

gone over 'to the other side,' " since<br />

he has been signed to play one of Hitler's<br />

aides in the forthcoming 'Hitler: The Last<br />

10 Days.' During his visit here in November<br />

ahead of "Young Winston," Ward revealed<br />

that he was one of 400 actors who<br />

auditioned for the Churchill role. Seeing the<br />

result in "Young Winston," it's difficult to<br />

imagine how any of the 399 had a chance<br />

after Ward tried out.<br />

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Tlie passing of both the Worth and Hollywood<br />

theatres has ended a familiar scene,<br />

a nightly occurrence on downtown's Show<br />

Row. It was a ritual for the managers of<br />

the Worth. Hollywood and Palace theatres<br />

to gather for coffee at a downtown restaurant<br />

at 8 p.m. and peruse the first edition<br />

of the morning paper. Now few coffee spots<br />

are open and only one manager remains.<br />

What does Palace Theatre manager R. L.<br />

CINERAMA IS IN<br />

SHOW BUSINESS IN<br />

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When you come to Waikiki<br />

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IN WAIKIKI REFF REEF TOWERS EDGEWATER<br />

Actor Chill Wills, in town late last month<br />

to ride in another Stock Show parade, revealed<br />

that he had just finished his first<br />

"dirty movie": "In my first line of dialog,<br />

1 speak a four-letter word. Mr. Clean is now<br />

Dirty Wills." The movie is "Pat Garrett and<br />

Billy the Kid," directed by Sam Peckinpah,<br />

with James Cobum as Garrett and Kris<br />

Kristofferson as Billy the Kid. "I call it a<br />

bawdy western" Wills told Jack Gordon of<br />

the Fort Worth Press. "The world has<br />

changed and so have the movie.s—even<br />

westerns."<br />

SOUTHWESTERN<br />

The Texas-born actor and widower also<br />

revealed that he soon will be married to<br />

Novadeen Googe. "She's a friend of my<br />

daughter," said Wills seriously to Gordon.<br />

"The family has known her for 20 years.<br />

She told me I was drinking too much and<br />

(Continued on page SW-7)<br />

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BOXOFFICE :; February 19, 1973


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BOXOFFICE :: February 19, 1973


. . Anthony<br />

. . "Cabaret"<br />

!^^<br />

AN ANTONIO<br />

.<br />

aSvin Krueger, manager of the suburban<br />

Woodlawn Theatre, and his wife are<br />

ardent bowling fans. With their two daughters<br />

and son-in-law. they participate at the<br />

Oakhill Bowling Lanes Burgess,<br />

author of "A Clockwork Orange."<br />

upon which the Stanley Kubrick film was<br />

based, had to cancel his scheduled Wednesday<br />

(21) lecture at Incarnate Word College<br />

because he is near a breakdown due to demands<br />

of lecturing and teaching commitments.<br />

The Harlequin Imagination Theatre is to<br />

begin presenting Nostalgia Time Theatre<br />

for Children at the Music Theatre in HemisFair<br />

Plaza. The intent of the program is to<br />

show today's youngsters how their mothers<br />

and fathers spent their Saturdays at the<br />

local movie house. A W. C. Fields or Laurel<br />

and Hardy comedy, a chapter from a serial<br />

and a feature film will comprise the first<br />

bill of fare. Admission will be 50 cents for<br />

youngsters and adults, with popcorn and<br />

FOR ALL YOUR THEATRE NEEDS & REPAIRS<br />

THE BEST PLACE TO BUY IS<br />

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drinks sold for 5 cents and candy for a<br />

penny.<br />

Maury Maverick, local lawyer was invited<br />

to play a courageous American Civil Liberties<br />

Union lawyer in "Sugarland Express."<br />

now being filmed here. Maverick has represented<br />

the ACLU countless times during his<br />

legal career. However, the casting director<br />

said he did not look the part but did look<br />

like "Trash." one of the characters in the<br />

film, and has been cast in that role. The<br />

film stars Goldie Hawn. William Atherton.<br />

Michael Sacks and Ben Johnson and is directed<br />

by Steven Spielberg.<br />

Frank M. Kliear, who filmed "Lands of<br />

the Southern Cross." appeared at the Alamo<br />

.<br />

Heights High School auditorium to narrate<br />

the film's showing has returned<br />

to the Woodlawn . . . The Bandera<br />

Road Drive-In. recently taken over by Santikos<br />

Theatres, is closed for fire repairs.<br />

New Marquee Titles: "The Devil's Widow."<br />

Te.xas; "Avanti!" Wonder: "Black<br />

Rodeo" and "Black Girl." Majestic: "Innocent<br />

Bystanders," Century South; "The<br />

Great Waltz." Colonies North; "The Heartbreak<br />

Kid," Century South; "Last House on<br />

the<br />

Left," Josephine.<br />

Monash Acquires Rights<br />

For 'Front Page' Remcdce<br />

From Western Edition<br />

HOLLYWOOD—Paul Monash has acquired<br />

the rights to a remake of "The Front<br />

Page," the Ben Hecht-Charles MacArthur<br />

opus that has become a classic on both the<br />

stage and screen, and will film it in a new<br />

up-to-date and timely version under the<br />

banner of his Paul Monash Productions.<br />

Monash secured the film rights to the property<br />

from Helen Hayes, wife of the late<br />

MacArthur. and the estate of Ben Hecht.<br />

"The Front Page" recently was revived<br />

on the stage in both New York and London<br />

and Monash became interested in the property<br />

when he saw the National Company<br />

perform it at the Old 'Vic in London.<br />

Monash, who produced "Butch Cassidy<br />

and the Sundance Kid" and "Slaughterhouse-Five,"<br />

currently is doing post-production<br />

work on his latest film for Paramount,<br />

"The Friends of Eddie Coyle."<br />

Eugene Schaber Purchases<br />

Gladstone. Ore.. Theatre<br />

From Western Edition<br />

OREGON CITY, ORE.—Eugene Schaber.<br />

local businessman, recently purchased<br />

the Televue Theatre in Gladstone, Ore..<br />

from Harold Fix. The theatre will continue<br />

to operate under the previous policy according<br />

to Schaber, who has installed a<br />

transistorized sound system in<br />

the house.<br />

Fix, who operated the Televue for 21<br />

years,<br />

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BOXOFFICE :: I'chruarv U). 1^>7.^


.<br />

HOUSTON<br />

Cue Edwards, for many years publicity and<br />

advertising director for ABC Interstate<br />

Theatres, will rejoin Art Katzan and the<br />

local city office. Recently Sue has been sales<br />

. . Mont-<br />

representative for KVRL-TV .<br />

gomery Ward is offering to Ward's Charg-<br />

All Customers a special admission price of<br />

$1 every Thursday at the Airline. Cullen,<br />

Sharpstown and Town & Country Drive-In<br />

theatres. There is a maximum of two persons<br />

per charge-all card.<br />

The Rice Media Center, in cooperation<br />

with the German consulate, will present a<br />

of new German films begin-<br />

five-day series<br />

ning Sunday. The screenings at the Media<br />

Center will start at 8 p.m. with admission<br />

free. The films include "Fata Morgana,"<br />

"How I Became a Negro" and "Mathias<br />

Knessel" . . . Houston writer William Shelton<br />

has signed a three-part contract with<br />

20th Century-Fox for the television and<br />

motion picture version of his novel "The<br />

Camelot Odyssey."<br />

Lynn Wyatt is going all out on ticket<br />

sales for the world premiere of "The Thief<br />

Who Came to Dinner." filmed here by Bud<br />

Yorkin. It starts Friday (23) at the Windsor<br />

and benefits Children's Mental Health<br />

Services. Yorkin and the stars will attend.<br />

Top ticket price is $50 and those who purchase<br />

tickets at that price will be invited to<br />

a champagne reception at the River Oaks<br />

home of Liz and Bob Lanier, whose home<br />

was featured in the film.<br />

Libra Pictures' Morris Washington has<br />

two motion pictures set for production in<br />

this area. One he has written. "One Bag,"<br />

will be filmed at Chaparral Farms in Tomball<br />

and is the story of two medical students.<br />

Shooting will begin in June on this<br />

one but preproduction is starting now on<br />

"Nightmare Mountain," which will star<br />

Robyn Hilton.<br />

New Houston titles: "Shamus," Loews'<br />

Twin, Gulfgate, Northline and Meyerland<br />

cinemas; "Innocent Bystander," also a multiple<br />

debut.<br />

The concrete building, which will feature<br />

an all-glass lobby area, fountains, a "rain<br />

curtain" and electronic seating, is valued at<br />

$350,000.<br />

Ferver Engineering Co. has been designated<br />

as structural engineers on the twostory<br />

building, while RJM Associates will<br />

be responsible for mechanical engineering.<br />

Film Theatre Is Included<br />

In Tucson Development<br />

TUCSON, ARIZ.—La Placita Development<br />

Co., composed of a five-man partnership—Dohn<br />

Buchanan, Willis Dees, Alberto<br />

P. Moore, Louis W. Barassi and Edward<br />

Vetter—is building a $6,300,000 complex<br />

of shops, offices, restaurants and recreational<br />

facilities in downtown Tucson's urban<br />

renewal area. The 2.6-acre site is bounded<br />

by Broadway and Church streets and the<br />

new Community Center, with its convention<br />

hotel still under construction.<br />

Designed to recapture the atmosphere of<br />

the late 1800s, La Placita Village is being<br />

built around the bandstand that has stood<br />

for many years at the center of small La<br />

Placita Park. General contractor for the<br />

project is M. M. Sundt Construction Co.<br />

Among other facilities. La Placita Village<br />

will offer Cinema 4 for film entertainment:<br />

four restaurants;<br />

a 425-parking garage; special<br />

artistry shops, and Mexican-style shops,<br />

cafes, offices and diverse entertainment<br />

spots.<br />

Archer, Schaefer Acquire<br />

Twin in Brighton, Colo.<br />

DENVER — Bruce Archer, theatre<br />

manager<br />

for several years, and George Schaefer,<br />

projectionist, have added the Brighton,<br />

Colo., twin to their Golden Theatre, Golden,<br />

Colo., which they have operated for several<br />

months. They took over the Brighton twin<br />

from John Kilpatrick, who has been operating<br />

the theatre and who still owns the<br />

building.<br />

Archer and Schaefer plan a number of<br />

improvements at both their theatres and<br />

they are negotiating for other showhouses<br />

in<br />

the Denver area.<br />

FORT WORTH<br />

(Continued from page SW-4)<br />

needed someone to take care of me. I<br />

stopped drinking." They are to be married<br />

soon and will reside on Wills" three acres at<br />

Encino. Calif.<br />

Assaf Dayan turned up in Fort Worth for<br />

lunch Monday, January 22, as he toured<br />

the country on his secret itinerary for<br />

"Death of a Jew," which opened January<br />

31 at the TCU Theatre. Dayan, son of<br />

Israel's defense minister Moshe Dayan, explained<br />

to Fort Worth critics who met him<br />

at the luncheon that "Death of a Jew" was<br />

made in Israel in 1970 but just now is being<br />

released around the U.S. His role, he said,<br />

was that of a young Israeli caught behind<br />

Arab lines prior to the Six Day War in<br />

1967. Actor Akim Tamiroff, now dead,<br />

played the role of the old Arab inspector<br />

who questions him and who develops a<br />

father-son relationship with the young Jew<br />

in the film. "It's a hopeful, understanding<br />

approach to an old conflict." Dayan commented<br />

to his Fort Worth listeners. He<br />

travels with bodyguards and follows the unpublished<br />

itinerary, "just to be safe," as<br />

Perry Stewart of the Star-Telegram put it.<br />

Now 26, Assaf Dayan, a native of the<br />

Israeli seaport of Haifa, and his wife have<br />

one child, daughter Amalia.<br />

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•<br />

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KLAHOMA CITY<br />

The Variety barkers already are up to 56<br />

per cent of the membership goal they<br />

desire to attain by March 15. Any Oklahoma<br />

City area industry reader who hasn't<br />

sent in an application to join this progressive<br />

and busy organization, which works<br />

for many worthwhile charitable projects,<br />

should do so now. There will be a Victory<br />

Party March 15 to celebrate the increase<br />

in membership.<br />

Coming meetings or events on the Variety<br />

calendar: March 15. Women of Variety<br />

First Anniversary Dance (tentative); May 1,<br />

Variety Charity Western Jamboree. Civic<br />

Center Auditorium and Zebra Room: June<br />

5. Variety Charity Golf Tournament (tentative<br />

date).<br />

"Lorelei," starring Carol Channing, will<br />

have its world premiere in Oklahoma City.<br />

Miss Channing will be an honored guest at<br />

a Variety Club luncheon Wednesday (28)<br />

at the Whitehall Club in the Fidelity National<br />

Bank.<br />

American Automated Theatres announced<br />

it will open the Oak Crest Cinema<br />

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'The Heartbreak Kid'<br />

400 in Minneapolis<br />

MINNEAPOLIS — "The<br />

Heartbreak<br />

Kid" whipped up plenty of excitement during<br />

its debut week at the World Theatre,<br />

rocketing to a rousing 400, by far the<br />

strongest of a field of six newcomers. "Kid"<br />

was filmed in part on locations here, in<br />

neighboring St. Paul and in the suburbs.<br />

Such filming always seems to hone interest<br />

among fans in this area, where location<br />

lensing still is relatively a novelty. An<br />

added plus was the opening-week visit of<br />

leading man Charles Grodin, accompanied<br />

by Eric Lee Preminger, associate producer<br />

who also appears in the picture. "Avanti!"<br />

was satisfactory in a 200 opening-week<br />

stanza at the Mann but other fresh faces<br />

fell short. "The Ruling Class" was a listless<br />

110 at the Southdale Cinema II; "Heat" got<br />

by with a 120 at the Campus; "The Secretary"<br />

posted a dull 100 at the State and<br />

"Child's Play" was bypassed and ended up<br />

with a short 90 at the Park. "Jeremiah<br />

Johnson" still was pulling 'em into the<br />

Cooper, where grosses held at a firm 415<br />

in a seventh round. And "The Poseidon<br />

Adventure" cruised along with a fat and<br />

sassy 400 in a seventh week at the Skyway.<br />

(Average Is 100)<br />

Academy—Man of Lo Mancha (UA), 8th wk 110<br />

Campus—Heat (5R) 1 20<br />

Cooper—Jeremiah Johnson (WB), 7th wk 415<br />

Gopher—The Getaway (NGP), 7th wk 200<br />

Mann— Avonti! (UA) 200<br />

Orpheum—Troubfe Man (20th-Fox), 2nd wk 100<br />

Park—Child's Ploy (Para) 90<br />

Skyway I—The Poseidon Adventure (20th-Fox),<br />

7th wk 400<br />

Skyway II—Pete 'n' Tillie (Univ), 7th wk 275<br />

Southdale Cinema II—The Ruling Class (Emb) . . .110<br />

State—The Secretary (SR) 100<br />

Uptown— Rainbow Bridge (SR), 2nd wk 90<br />

World—The Heartbreak Kid (20th-Fox) 400<br />

'Extremes' in Nebraska's<br />

LBS Noted by Chas. Huff<br />

LINCOLN— Charles Huff, legal counsel<br />

for Nebraska NATO, says some midway<br />

position has to be found if current obscenity<br />

legislation before the Nebraska Unicameral<br />

is not to be strongly protested. The Lincoln<br />

attorney describes the obscenity sections in<br />

LBS, the governor's long criminal code bill,<br />

as "one extreme—that advocated by the<br />

Citizens for Decent Literature."<br />

At the other extreme, observes Huff, are<br />

suggested laws proposed in the report of the<br />

President's Commission on Obscenity and<br />

Pornography.<br />

Huff said a censorship that could take<br />

over the state would be effected if LBS<br />

should be adopted with its poorly drawnup<br />

sections affecting theatres.<br />

Like others. Huff believes there is little<br />

(Continued on next page)<br />

Algoma<br />

Successful 16mm Theatre in<br />

(Pop. 4,010) Is Converted to 35mm<br />

By WALLY L.<br />

MEYER<br />

ALGOMA. WIS. — Ron Viste has just<br />

changed over his Towne Movie House in<br />

Algoma from a 16mm to a 35mm theatre.<br />

During the recent holidays he and his<br />

manager-projectionist installed both new<br />

and used 35mm equipment and enlarged the<br />

booth, with the resultant loss of a few seats.<br />

But, says Ron enthusiastically, "it means we<br />

now can obtain the more recent releases<br />

and already have pictures such as 'Fiddler<br />

on the Roof and 'Skyjacked' coming along<br />

with such popular releases as 'Gone With<br />

the Wind,' 'Doctor Zhivago' and '2001: A<br />

Space Odyssey.' "<br />

Ron now lives in the larger city of Eau<br />

Claire but formerly was from Algoma. He<br />

had previous experiences at theatres in<br />

Minneapolis and in the Army. So, he made<br />

the citizens of Algoma (population 4,010)<br />

quite happy last summer when he decided<br />

to remodel the former Knipfer Warehouse<br />

on Second Street into a 150-seat movie<br />

house. The project was made into a family<br />

enterprise, with his father and brother<br />

helping.<br />

The building first had to be totally gutted,<br />

Ron reminisces, and plank decking as well<br />

as concrete supports were removed along<br />

with a complete cooler (the building had<br />

been used as a beer distributor's warehouse).<br />

The interior now is "old-time" with electric<br />

(gaslight-appearing) fixtures on the walls<br />

that dim for showtime. Small white footlights<br />

are along the stage below the screen<br />

and also dim for the show.<br />

The wall lights are backed with red patterned<br />

wallpaper and the walls have a white<br />

covering. A plum-colored carpeting which<br />

covers the entire floor adds color and<br />

warmth to the auditorium. Seats are done<br />

in deep blue. There are two aisles and the<br />

screen covers more than half the front wall.<br />

To provide for the enlarged projection<br />

booth, 14 seats had to be removed, reducing<br />

the total capacity to 136, but Ron comments:<br />

"It's still a nice size for our community.<br />

Some of our patrons say the place<br />

looks like a large living room. It has a nice<br />

open feeling, yet comfortable."<br />

Ron has his own logo design "to continue<br />

on it<br />

the old-time style" and it appears in local<br />

newspaper advertising and on his business<br />

cards. The sign over the front door, which<br />

also employs the logo, was painted by Ron's<br />

sister. A brick column with an old-style light<br />

stands beside each doorway. The outside<br />

color scheme is brown and orange.<br />

"A good combo for a theatre but not<br />

for the home," grins Ron.<br />

He told BoxoFFiCE that he does not regret<br />

having started off with 16mm equipment<br />

— "only a small booth was needed,<br />

plus the operator (and manager) had time<br />

to help in concessions and watch the auditorium.<br />

In fact, I had the operation designed<br />

to be run by one man. It would have<br />

worked, too, if we had gotten our long-play<br />

system in operation so the whole movie<br />

could have been put on one reel."<br />

"However," continued Ron, "I found<br />

that 16mm rental rates were high. The<br />

product did seem to be available but limited.<br />

Now, though, with the 35mm we have improved<br />

the picture quality tremendously.<br />

Also, there is the added advantage of getting<br />

pictures earlier and with less shipping<br />

and booking problems."<br />

Ron also works with film daily as part of<br />

his duties at WEAU-TV in Eau Claire.<br />

Mihalich Named by Crown<br />

Int'l for Mill City Area<br />

BEVERLY HILLS, CALIF.—Mike Mihalich<br />

of Midwest Entertainment has been<br />

appointed to be the Crown International<br />

Pictures distributor for the Minneapolis territory,<br />

effective immediately, according to<br />

Crown president Newton P. Jacobs. Mihalich<br />

succeeds McCulloch Film Distributing.<br />

Midwest Entertainment will represent the<br />

current list of Crown product, including<br />

"Blue Money," "The Naked Countess" and<br />

the upcoming "Little Laura and Big John,"<br />

starring Karen Black and Fabian Forte, plus<br />

"Supergirl," currently before the cameras.<br />

THIS SUMMERJT'S BUMMER'<br />

THE Drive In Picture For '73<br />

A FAR OUT TRIP THRU<br />

A HARD ROCK TUNNEL.<br />

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From Entertainment Ventures, Inc.<br />

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BOXOFHCE :: February 19, 1973 NC-1


1<br />

INNEAPOLIS<br />

_^BC Theatres of North Central States has<br />

moved from its temporary quarters in<br />

the Lincoln Bank Building at 15 North<br />

Eighth St. to just-completed permanent<br />

offices in the circuit's Skyway Building, 71<br />

Hennepin Ave. The ABC offices are on the<br />

third floor of the six-story structure . . .<br />

Peter Grafft, film buyer and booker for the<br />

ABC circuit, is one of those freshly ensconced<br />

in the new offices and his office<br />

has three windows! He'll still spend most<br />

of his time looking at screens—and not the<br />

type that go on windows.<br />

Bonnie Lynch, Paramount branch office<br />

manager and head booker, underwent medical<br />

tests at Deaconess Hospital Saturday<br />

and Sunday (3, 4).<br />

To kick off the opening week of "The<br />

Great Waltz," the Johann Strauss jr. musical<br />

filmed in Austria, Marvin Mann's<br />

Grandview Fine Arts Theatre in St. Paul<br />

featured complimentary strudel along with<br />

free coffee in the lobby. The young lady<br />

in charge of these refreshments (and all<br />

togged out in Austrian-style attire) was<br />

Penny Mann, Marvin's daughter. The theatre<br />

intends to maintain the free-coffee<br />

policy as<br />

a continuing feature.<br />

NATO of North Central States, through<br />

president Ray Vonderhaar, again is making<br />

a plea for funds to battle pay TV. Each<br />

theatre is asked to pledge $50 for the year<br />

Oct. 1, 1972, through s'eptember 1973. Already<br />

listed on the honor roll of paid<br />

pledges: R. L. Buckley, Redwood Falls, one<br />

theatre, and Gene Grengs, Eau Claire, Wis.,<br />

three<br />

theatres.<br />

Chuck Bliss, Universal branch office<br />

manager, continues his hospital stint— and<br />

a special fund is b^irg rais.d to alleviate the<br />

financial strain. The fund already has<br />

topped the $1,500 mark but it is hoped<br />

that as much as three tmes that amount has<br />

topped the $1,500 msrk but it is hoped that<br />

as much as three times that amount can be<br />

raised. "It's a case of dire need," declared<br />

NATO presdint Ray Vordirhaar. Donations<br />

should be mailed to Chuck Bliss Fund,<br />

c/o NATO, 704 Hennepin Ave., Minneapolis,<br />

Minn. 55403.<br />

[FINER PROJECTION-SUPER ECONOMY]


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iJFf I LW A U K E E<br />

^amie Van Doren, who has made more<br />

than 50 films (including "Teacher's<br />

Pet," with Clark Gable, and "The All<br />

American," with Tony Curtis), was in town<br />

as the feature attraction in the Crown Room<br />

of the Pfister Hotel & Tower Monday (5)<br />

through Saturday (10). Her nightclub act<br />

was taped in its entirety before a live audience,<br />

along with the stage front presence of<br />

Mayor Henry Maier, Mr. and Mrs. Ben<br />

Marcus and son Steve and members of the<br />

press, including Wally L. Meyer of <strong>Boxoffice</strong>.<br />

The occasion was the premiere of<br />

a new locally produced TV program, "The<br />

Crown Room Tonight." over WTMJ-TV,<br />

believed to be an innovation in the U.S.<br />

The format includes interviews and conversations<br />

with the star and local celebrities in<br />

attendance.<br />

For its regular meeting, the Better Films<br />

Council of Milwaukee Area Monday (5)<br />

was treated to a special screening at the<br />

Fox-Bay Theatre. 334 East Silver Spring<br />

Dr. The film. "The Effects of Gamma Rays<br />

on Man-in-the-Moon Marigolds," directed<br />

by Paul Newman, was provided through<br />

the courtesy of Gerry Franzen, Cinema.<br />

Inc. The PG-rated movie immediately was<br />

discussed by the council members and the<br />

general verdict was: "Very good for mature<br />

young people and adults." Total attendance<br />

was 167. of which 49 were guests of the<br />

council. Another screening to which the<br />

council already is looking forward takes<br />

place April 2 at the Tosa Theatre. Meanwhile,<br />

the regular March meeting—March 5<br />

—^will see the council back in its regular<br />

meeting quarters in the Bricklayer's Union<br />

Building, 5900 West Center St. Main program<br />

feature will be an auction to which<br />

the public is to be invited.<br />

The Marcus Corp., which owns and operates<br />

a circuit of 50 movie theatres as well<br />

as restaurants and motor inns, brought<br />

jubilation to city hall and the business com-<br />

THIS SUMMERJT'S 'BUMMER'<br />

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A HARD ROCK TUNNEL...<br />

"-' ->om Enterlainment Vemures.lnc. COLOR<br />

munity with its announcement Tuesday (6)<br />

of plans to build a 400-room hotel tower<br />

next to a completely renovated Marc Plaza.<br />

Ben and Steve Marcus, president and executive<br />

vice-president, respectively, of the Marcus<br />

Corp., held a news conference at the<br />

Marcus Plaza (formerly the Schroeder<br />

Hotel, which the Marcus Corp. purchased<br />

in 1972) and revealed that the new hotel<br />

facilities (29-story hotel tower, plus a 400-<br />

car parking structure) will cost $17,000,000.<br />

It is due for completion early in 1974 (to<br />

make way for the new hotel tower, the<br />

long-popular Palace Theatre, which belongs<br />

to the Marcus circuit, will have to be<br />

razed). Mayor Henry Maier also was present<br />

at the news conference and praised the<br />

Marcus plans. John B. McCabe, executive<br />

director of the Downtown Ass'n, described<br />

the Marcus project as a "shot in the arm"<br />

and said it "is the answer to my prayer in<br />

terms of what downtown needs to get other<br />

things rolling." City aldermen said the new<br />

hotel accommodations will be a "tremendous<br />

asset to the success of the new exposition<br />

and convention hall (MECCA), which is<br />

costing the city $15,000,000." The Marc<br />

Plaza is located within one block of<br />

MECCA.<br />

Actress Jan Sterling, who has appeared in<br />

more than 40 movies and hundreds of TV<br />

shows, starred in "Butterflies Are Free. "<br />

which was the first dramatic production promoted<br />

at the J. Pellmann Theatre, 284^<br />

North Oakland Ave., during the week of<br />

Monday (5). Miss Sterling had just finished<br />

a six-week run of the same play at Scottsdale,<br />

Ariz., before flying to our town. Only<br />

recently converted into a sports arena, the<br />

theatre was known in the silent-movie days<br />

as the Miramar and later was changed to<br />

the Oakland. Movie actor Robert Horton<br />

appears here next, for a week, in "There's<br />

a Girl in My Soup," followed by "Dames<br />

at Sea," the star of which will be Bernadette<br />

Peters. Other Hollywood stars are included<br />

in plans for future productions at the J.<br />

Pellmann.<br />

ERRATA: Reference is made in the<br />

"UATC Leaders at Milwaukee" story in<br />

BoxoFFiCE (Feb. 5, 1973). pages NC-1 and<br />

NC-4) to UATC being a subsidiary of the<br />

Taubman Co. The error was one of misinterpretation<br />

from the original source<br />

statement, which stated in part: "The total<br />

entertainment center concept developed by<br />

United Artists Theatre Circuit, Inc., and<br />

Taubman Theatres, Inc., a subsidiary of<br />

Taubman Co." The error which appeared<br />

in the story's opening paragraph in which<br />

the two new triplexes were referred to as<br />

"Southgate and Northridge," instead of<br />

Southridge and Northridge, was a typographical<br />

mishap, not the fault of your reporter.<br />

A German Messerschmitt airplane of<br />

World War II vintage which has winged its<br />

way through several movies (including<br />

"Patton," "Von Ryan's Express," "Battle<br />

of Britain" and "633 Squadron") was spotted<br />

by movie actor Cliff Robertson while<br />

overseas making a film—and he promptly<br />

bought it. Robertson is a flying enthusiast<br />

and collector of rare aircraft and in this<br />

case had his purchase marked for shipment<br />

to Burlington. The relic of the German Air<br />

Force was piloted here by Gene Soucy,<br />

U.S. National Unlimited Acrobatic champion,<br />

who delivered it to the Experimental<br />

Aircraft Flight Test Center located at the<br />

Burlington municipal airport. The plan is<br />

for "a meticulous paint job on the<br />

plane in<br />

its authentic, original colors," which is to<br />

be done at Fort Wayne, Ind., in April.<br />

Meanwhile, however, the plane is to be<br />

kept at the EAA (Burlington) hangar.<br />

There is a good possibility that Robertson<br />

will come to Burlington personally to take<br />

possession of the Messerschmitt—but this<br />

depends on the busy actor's schedule.<br />

Latest promotional gimmick at the (Marcus)<br />

Villa Theatre, 36th and Villard, as<br />

stated in the newspaper advertising, is<br />

"Bring a Homemade Funny Valentine for a<br />

Free Bag of Popcorn . . . Five Most Unusual<br />

Wins Candy Surprise!" More on this<br />

later . . . The Better Films and TV Council<br />

of Milwaukee Area has issued its film evaluation<br />

for February as follows: Family<br />

"Brother of the Wind" (outstanding); "The<br />

Great Waltz," "1776," "Snowball Express,"<br />

"Sounder," "The Magic of Walt Disney<br />

World" and the reissued "The Sword in the<br />

Stone" (excellent), and "Jeremiah Johnson"<br />

and "Man of La Mancha" (very good).<br />

Adults and Young People—"The Poseidon<br />

Adventure" and "Young Winston" (excellent).<br />

Adults and Mature Young People—<br />

"Pete 'n' Tillie," "Lady Sings the Blues"<br />

and "Reefer Madness" (very good), and<br />

"Child's Play," "The Getaway," "Black<br />

Gunn" and "Up the Sandbox" (good).<br />

Adults—"Green Wall" and "Savage Messiah"<br />

(very good) and "Deliverance"<br />

(good). Chairman of the film evaluation<br />

committee is Mrs. Robert Hunholz, former<br />

council<br />

president.<br />

"The Sorrow and the Pity," four-and-ahalf-hour<br />

film which tells of the German<br />

occupation of France during World War II<br />

(and which was considered so controversial<br />

in France that it was barred from French<br />

TV), is booked to open Wednesday (21)<br />

at the Mill Road triplex. However, its local<br />

premiere took place at the University of<br />

Wisconsin-Milwaukee Union Cinema, 2200<br />

East Kenwood Blvd., Wednesday (7). It<br />

was shown four more times—once Thursday<br />

(8). once Friday (9) and twice Saturday<br />

(10). Tickets were $1.50 for UW-M<br />

students and $2 for the generad public.<br />

BOXOFFICE :: Februar>' 19, 1973


J. M. G. FILM COMPANY<br />

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Chicago, Illinois 60601<br />

Phone: (312) 346-6916<br />

PROUDLY ANNOUNCES THE OPENING OF OUR NEW OFFICE,<br />

SERVING EXHIBITORS IN THE CHICAGO AND MILWAUKEE<br />

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BOXOFFICE :: February 19, 1973 NC-5


N C O L N<br />

Tim Piepenberg of Des Moines. Iowa, was a<br />

recent weekend guest of Mr. and Mrs.<br />

Al Schulter. That meant a reunion, for Piepenberg<br />

was assistant manager to Schulter<br />

when Al was manager of the Cooper Cinerama<br />

in Minneapolis. Both now work for<br />

Dubinsky Brothers—Al here, of course, as<br />

manager of the Stuart, and Piepenberg in<br />

the new Dubinsky offices in Des Moines as<br />

group sales and promotion representative<br />

serving the increasing number of Dubinsky<br />

houses in Iowa. Piepenberg was in town to<br />

Pop-in<br />

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We offer quality products<br />

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Profits for you.<br />

Popcorn and Concession<br />

Supply Company<br />

confer with Dubinsky home office personnel.<br />

Charles Kroll, Cooper vice-president and<br />

assistant theatre operating manager for<br />

Cooper Theatres, was in Colorado on theatre<br />

business during the week ending Saturday<br />

(3).<br />

"The Poseidon Adventure" may go into a<br />

ninth week before its run ends at the Stuart,<br />

it was reported by manager Al Schulter. He<br />

said reactions of the sneak-preview audience<br />

were good when "The Heartbreak Kid" was<br />

shown between "Poseidon" performances<br />

Friday night (2) . . . Dennis Garrison, assistant<br />

manager at Cinema 1 and 2. describes<br />

the two screens' current attractions<br />

as capacity-drawers. "Deliverance" began<br />

its seventh week Wednesday (7) and "Jeremiah<br />

Johnson" was strong as the second<br />

week ended ... A slow start on the musical<br />

"1776" at the Cooper/ Lincoln changed<br />

some with the Friday (2) weekend crowds,<br />

reports assistant manager Gary Myers. He<br />

observed the increase seemed to be strong in<br />

family groups for the musical. Manager<br />

Duke Smith and his assistant report all the<br />

bows for the special red, white and blue<br />

promotional efforts accompanying "1776"<br />

should go to the young staff, particularly<br />

John Slama.<br />

The last truckload of projectors and other<br />

equipment from the closed-down Varsity<br />

left this city Sunday (4) en route to Colorado,<br />

where it will be used in Westland<br />

circuit theatres. Gene Buhrdorf. Nebraska<br />

Theatres city manager, said the seats being<br />

sold to a Denver firm left Friday (2) on<br />

another truck. The final free attraction at<br />

the Varsity will be its razing to make room<br />

for the new National Bank of Commerce<br />

office building, to occupy the entire block.<br />

The demolition performance is scheduled<br />

for mid-March or late March.<br />

Recent visitors to the local industry included<br />

distributor representatives from Dallas.<br />

New York City and Des Moines. Don<br />

Bloxham of United Artists' branch office in<br />

Des Moines was accompanied by Carl<br />

Olson of New York, Midwest sales manager,<br />

and Walter Armbruster of Dallas,<br />

Tex., division manager for Universal, came<br />

with Ralph Olson, Des Moines branch manager<br />

for<br />

Universal.<br />

President Irwin Dubinsky of Nebraska<br />

NATO reports that the exhibitor organization<br />

will join other big employers of parttime<br />

young f)eople in opposing a $1.60-anhour<br />

minimum-wage bill before the 1973<br />

Unicameral. The proposed measure was<br />

introduced by Sen. Ernie Chambers of<br />

Omaha. In its present across-the-board version.<br />

Dubinsky said that NATO's opposition<br />

will be conveyed by counsel Charles Huff<br />

of this city. It covers all part-time workers<br />

such as drive-in eating places where carhops<br />

are used, hotel bellboys and theatre ushers,<br />

concession workers, etc.. who frequently<br />

may be high school seniors. As far as<br />

Dubinsky is aware, the $1.60 an hour<br />

might even prevail for babysitters, as the<br />

bill now reads.<br />

Duke Smith, Cooper/ Lincoln Theatre<br />

manager here, and Dave Etmund of Greeley,<br />

Colo., manager of the Cooper Twin in<br />

that city, have been informed they will<br />

represent Cooper Theatres at the 1973<br />

Show-A-Rama, starting March 12, in Kansas<br />

City. Irwin Dubinsky and his son Sarge<br />

also plan to go south for the three-day<br />

gathering. The former isn't going to plan<br />

to join his wife previously in Miami, Fla.,<br />

this year, though. Mrs. Dubinsky left to<br />

visit her daughter and family in Miami<br />

Thursday (8) and probably will be gone a<br />

month. Dubinsky said new theatres in the<br />

circuit and the series of tax deadlines makes<br />

such a late-winter excursion impossible this<br />

year.<br />

The Sertoma Club, observing its annual<br />

Freedom Week in cooperation with Cooper<br />

Theatres, purchased 100 tickets to "1776"<br />

at the Cooper/ Lincoln and distributed them<br />

free to Irving Junior High students.<br />

Walt Jancke, who was hospitalized<br />

Thursday (1) at St. Elizabeth Community<br />

Health Center, was dismissed Wednesday<br />

(7). His doctors more or less indicated the<br />

problems he had been having with his legs<br />

might have been linked to a short bout with<br />

a flu-like illness. Now Walt is engaged in a<br />

fight<br />

against the high cost of living—mostly<br />

steaks. He is installing the Varsity's old ice<br />

cream freezer unit in his garage, where he's<br />

going to store a half-carcass of beef. That<br />

will give him steak at less than $3.50 or $4<br />

a meal, he believes.<br />

Updating Dedham Theatre<br />

From New England Edition<br />

DEDHAM, MASS. — The Community<br />

Theatre has been closed for extensive renovations.<br />

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BOXOFFICE :: February 19, 1973


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£ S MOINES<br />

'ij^arner Bros. Thursday (1) tradescreened<br />

"Train Robbers," starring John Wayne<br />

and Ann-Margret. WB also sneak-previewed<br />

the Ryan O'Neal-Jacqueline Bisset starrer.<br />

"The Thief Who Came to Dinner," at the<br />

Riviera Thursday (15).<br />

Carl OJson, United Artists division manager.<br />

New York, was in town January 26-<br />

He and Don Bloxham, UA branch manager,<br />

traveled to Lincoln. Neb., to call on the<br />

Dubinsky, Douglas and Cooper circuits.<br />

They stopped in Omaha to visit with Ralph<br />

Blank, then returned here to call on the circuits<br />

and several independent theatres in<br />

the<br />

area.<br />

Jeannine Conlin, 20th Century-Fox<br />

branch manager's secretary, recently vacationed<br />

for a week . . . Kathy Homey, clerk<br />

at 20th-Fox. and her husband have moved<br />

into their newly purchased home in Altoona.<br />

Ralph Olson, Universal branch manager,<br />

IN-PLANT PRODUCTION MEANS<br />

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(41S) 673-9162 Garold Karski, Prai.<br />

along with division manager Walter Armbruster<br />

of Dallas, Tex., called on circuits<br />

Lincoln and Omaha, Neb.<br />

has been learned that Iowa Parcel and<br />

It<br />

Iowa Film Delivery is enlarging the company's<br />

quarters. A new dock is included<br />

and the building will have 1.200 square<br />

feet<br />

more room.<br />

Mike Weldon of Producers Enterprise<br />

Co. reports that "Ginger in the Morning"<br />

was screened for a group of Drake University<br />

students. The picture was well received<br />

by all attending. Mike also reports "Office<br />

Girls" is pulling exceptionally good grosses<br />

in the entire territory.<br />

Filmrow visitors:<br />

Carl Schwanebeck. Village<br />

Theatre, Knoxville. and Clarinda and<br />

Atlantic theatres; Nick Yiannis, Orpheum/<br />

Cinema 1 and 2 theatres. Dubuque; Art<br />

Downard, Webster and drive-in theatres.<br />

Webster City, and Dick Kuhl, Grand Theatre,<br />

Greenfield.<br />

Central States news: Mr. and Mrs. Myron<br />

Blank left January 31 for Acapulco, Mexico,<br />

on a winter vacation. Blank is president<br />

of Central States Theatres . . . Visiting the<br />

local office recently were John Nargang,<br />

manager of the Twin Drive-In, Cedar<br />

Rapids, and Dean Tutor, manager at Fort<br />

Dodge . . District manager M. E. Mc-<br />

Clain<br />

.<br />

of Fremont, who earlier had plan-<br />

in<br />

ned an Arizona vacation, now is on that<br />

. .<br />

trip. His first plans were sidetracked by his<br />

recent hospital stay . . . Coming along well<br />

is George Mart, manager of the Cinema<br />

Theatre, Grinnell. George had a light stroke<br />

but now is out of the hospital and recuper-<br />

An old picture but still<br />

ating at home .<br />

good is "On Any Sunday," providing the<br />

theatre has a local cycle dealer that will cooperate<br />

on a promotion. Jim Maus at Burlington<br />

recently bad a Sunday opening that<br />

was almost unbelievable ... A Movie Film<br />

Festival (seven different films in seven days)<br />

is being given a second try at the Ames Theatre<br />

in Ames, getting under way Thursday<br />

(15). This had good results in a recent trial<br />

in Iowa City.<br />

Condolences to Maynard Nelson. Central<br />

States district manager for the northern part<br />

of the state, on the recent death of his<br />

father . . . Also condolences to Glen and<br />

John Nargang, whose mother recently died<br />

after a lengthy illness.<br />

Red Doff Joins RC&B<br />

From Western Edition<br />

HOLLYWOOD—Red Doff, veteran industry<br />

executive who has worked in various<br />

capacities in the motion picture, TV and<br />

recording industries, has joined the international<br />

public relations firm of Rogers,<br />

Cowan & Brenner as an account executive.<br />

Doff most recently was the personal manager<br />

and partner of Mickey Rooney. He has<br />

also been a film producer and public relations<br />

executive.<br />

Tie cry of the wolf changed his life.<br />

It may change yours.<br />

SUN INTERNATIONAL PRODUCTIONS<br />

^^^^^<br />

Pr»««nts<br />

Brother<br />

ofUie<br />

Marcus Film Distributing is<br />

now handling this picture<br />

in the Minneapolis, Des Moines,<br />

Omaha and Kansas City area<br />

for Sun International.<br />

It is doing fantastic business EVERYWHERE! The repeat<br />

run business is tremendous—people who have seen the<br />

picture talk about it! Theatre owners report many<br />

people see the picture several times.<br />

PRINTS<br />

ARE AVAILABLE NOW<br />

Book it first run or repeat run. Terms are percentage,<br />

if you contact us at once, we can give you early playdates.<br />

TOKLAT'<br />

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percentage. This is another<br />

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p. 0. Box 6183 3773 West 95th Overland Park, Kansas 66206 (913) 381-6222, 23<br />

Prints will be shipped in the normal way by your local film delivery service<br />

BOXOFFICE :: February 19, 1973


—<br />

—<br />

—<br />

—<br />

——<br />

I<br />

'Sounder' Strong 430<br />

In Cleveland Eighth<br />

CLEVELAND — •'Sounder.'" eighth week<br />

at the Cedar-Lee. ran away with scoring<br />

honors in the report week with a 430 percentage.<br />

This figure's closest challenger was<br />

the 295 earned by sixth-week "The Poseidon<br />

Adventure" at five theatres. Also in<br />

the 200 class were "The Getaway," sixth<br />

week at five theatres, and newcomer "Up<br />

the Sandbox" in a three-theatre debut.<br />

(Average Is 100)<br />

Berea Village— Pe»e 'n' Tillie (Univ), 6th wk. ..150<br />

Cedar-Lee Sounder (20th-Fox), 8th wk 430<br />

Colony Man of La Mancho (UA), 7th wk 180<br />

Vampire Circus (20th-Fox};<br />

Embassy, Variety<br />

Countess Oracula (20th-Fox) 100<br />

Five theatres The Getaway (NGP), 6th wk 275<br />

Five theatres The Poseidon Adventure<br />

(20th-Fox), 6th wk 295<br />

Four theatres Innocent Bystanders (Para) 75<br />

Four theatres Wilderness Journey ;SR) Not Available<br />

Fox Cedar-Center Young Winston (Col),<br />

7th wk 150<br />

Heights, Westwood The Discreet Charm of the<br />

Bourgeoisie (20th-Fox) 1 00<br />

Hippodrome, Shaker Black Girl (CRC) 175<br />

Three theatres Up the Sandbox (NGP) 200<br />

Willow 1776 (Col), 6th wk 100<br />

World East, World West Child's Ploy (Para) .... 125<br />

'Poseidon' 650, "Getaway' 575<br />

Rank One-Two in Cincinnati<br />

CINCINNATI—"The Poseidon Adventure"<br />

grossed in the 600 range in its sixth<br />

week at the Ambassador, well out in front<br />

of newcomer "Avanti!" at the Carouse!<br />

(550) and sixth-week "The Getaway" at<br />

the Times Towne Cinema (575). Rounding<br />

out the top quartet. "Jeremiah Johnson"<br />

earned a strong 400 in its sixth week at the<br />

Studio cinemas.<br />

Ambassador The Poseidon Adventure (20th-Fox),<br />

6th wk 650<br />

Beacon Hill Tomorrow (SR), 2nd wk 100<br />

Corousel 1—1776 (Col), 6th wk 350<br />

Carousel 2 Avanti! (UA) 550<br />

Grand Block Gunn (Col), 2nd wk 250<br />

Kenwood The Great Wolti (MGM), 6th wk 125<br />

Place Up the Sandbox (NGP), 6th wk 250<br />

Studio Cinemas Jeremiah Johnson (WB), 6th wk. 400<br />

Times Towne Cinema The Getaway (NGP),<br />

6th wk 575<br />

20th Century Sounder (20th-Fox), 6th wk 225<br />

Valley Mon of La Mancho (UA), 7th wk 300<br />

"La Mancha,' 'Poseidon' Gain<br />

In Sixth Week in Detroit<br />

DETROIT— "Man of La Mancha," leader<br />

here for six consecutive weeks, stepped<br />

up its business gross at the Northland to<br />

295. Also showing a gain in a sixth week.<br />

"Young Winston" posted a score of 210 at<br />

Towne I. ten points ahead of third-place<br />

"The Poseidon Adventure." Most films held<br />

well for the fifth or sixth week running,<br />

doing business well-above-average.<br />

Adams— Hit Man (MGM), 5th wk 125<br />

Americana 1776 (Col), 5th wk 150<br />

Eight theatres The Getaway (NGP), 5th wk. ...115<br />

Five theatres Jeremiah Johnson (WB), 5th wk. 130<br />

Five theatres Across 110th Street (UA), 5th wk. 90<br />

Fox—Trick Baby (Univ), 5th wk 150<br />

Madison Lady Sings the Blues (Pora), 12th wk. 120<br />

Northland Man of La Mancho (UA), 6th wk. ..295<br />

Seven theatres The Poseidon Adventure<br />

(20th-Fox), 5th wk 200<br />

Six theotres Up the Sondbox (NGP), 5th wk. . . 90<br />

Ten theatres Pete 'n' Tillie (Univ), 5th wk 175<br />

Towne I Young Winston (Col), 6th wk 210<br />

Early Reservations Urged<br />

For Mich. NATO Conclave<br />

DETROIT— Milton H. London. NATO<br />

ot Michigan president, reminds members<br />

that the 54th annual convention of the exhibiter<br />

organization is less than two months<br />

away. The conclave is being held at the<br />

Troy Hilton Inn April 11-12 and the $30<br />

registration fee includes admission to the<br />

cocktail party and dinner-dance as well<br />

as all sessions, luncheons, events, parties<br />

and screenings. Additional tickets to the<br />

Showmanship and Celebrity luncheons are<br />

$7.50. while those for the cocktail party<br />

and dinner-dance are $15.<br />

London reminds, however, that "procrastinators<br />

may find some of the convention<br />

affairs sold out and the Troy Hilton<br />

Inn may not be able to accommodate all<br />

who would like to stay there during the<br />

convention." Rooms at the inn are completely<br />

booked in advance, he says, and dining<br />

at the Haymarket Restaurant requires advance<br />

reservations.<br />

Urging that reservations be made immediately,<br />

London said, "The Troy Hilton<br />

Inn has informed me that they already are<br />

completely booked up during the week of<br />

our convention except for our block of<br />

rooms. When these are taken, no one else<br />

can be accommodated."<br />

University of Michigan<br />

Salute to Frank Capra<br />

ANN ARBOR, MICH.—The University<br />

of Michigan staged a weeklong Frank Capra<br />

film seminar, starting Monday (12) at the<br />

,\nn Arbor campus. The three-time Academy<br />

Award-wiiming director's films screened<br />

included: "You Cant Take It With You."<br />

"Lost Horizon," "Mr. Deeds Goes to<br />

Town," "It Happened One Night" and "Mr.<br />

Smith Goes to Washington," among others.<br />

Capra was guest of honor on the campus<br />

Friday (16) at a special "Frank Capra<br />

Tribute" event honoring him for his "distinguished<br />

contributions to the cinematic<br />

arts."<br />

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CLEVELAND<br />

Rruce Stem of Nelson Stern & Associates<br />

was busy Friday (2). Saturday (3) and<br />

Sunday (4) introducing three tall and very<br />

handsome young men of movie and TV<br />

fame who were on hand for the seventh<br />

annual Auto-Rama at Convention Center<br />

in the Public Hall. They were James Brolin.<br />

co-star of "Skyjacked." and Kent McCord<br />

and Martin Milner. the cops in "Adam 12."<br />

In place of the usual ribbon cutting. Martin<br />

Milner, dressed in a tan glen plaid suit with<br />

a hunting-style jacket, opened the occasion<br />

by driving the featured Michael Cole "Mod<br />

Rod" through the ribbon.<br />

Apologies to<br />

John Goodwin, manager of<br />

the General Cinema Mayland Theatre, for<br />

referring to him in our January 22 issue as<br />

Charles Goodwin, guest speaker at the Motion<br />

Picture Council's January 18 meeting.<br />

This reporter realized the error when she<br />

was greeted by Goodwin with "Hi. Sam!"<br />

at a recent sneak preview of Buena Vista's<br />

"The World's Greatest Athlete" at the Mayland<br />

Theatre. Sorry, John! (Sorry, Charley<br />

sounds better!)<br />

Norman Barr, General Theatres, not only<br />

is learning the film business but now is<br />

brushing up on hotel operations. He is<br />

spending time at the Baker's Motel in<br />

Zanesville while checking out the General<br />

Theatres drive-in in Cambridge.<br />

Herb Gillis, Regency, was in town visiting<br />

with Jack Kaufman, Cinepix head . . .<br />

Bill Andrews. American International Pictures<br />

branch manager, was in Houston,<br />

Tex.. Saturday (10) for a company sales<br />

meeting . . . Harold Henderson, retired<br />

(Continued on page ME-4)<br />

THIS SUMMERJT'S BUMMER'<br />

THE Drive In Picture For '73<br />

A FAR OUT TRIP THRU<br />

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In Ohio—Ohio Theotre Supply Co., Cleveland, (216) 771-6545<br />

BOXOFFICE :: February 19, 1973 ME-1


E T RO I<br />

T<br />

Jlowntown movie houses continue to find<br />

a gold mine in black-oriented films.<br />

while the suburbs continue to open up more<br />

and more mini-theatres. Many larger houses<br />

(^onaratulatlond<br />

are being converted to multitheatre facilities<br />

The Fisher Theatre, only commercial<br />

. . . legitimate house in the area, last year<br />

offered a full season with many sellouts.<br />

The best-attended attraction was "Jesus<br />

Christ Superstar." The management expects<br />

1973 to be a banner year.<br />

One of the hottest bidding battles in recent<br />

years now is under way for the distribution<br />

rights for the United Artists release<br />

starring Marlon Brando. "Last Tango in<br />

Paris." Dick Sloan of Suburban Detroit<br />

Theatres and Ed Schuman of the Studio<br />

Theatres are the forerunners at this time.<br />

Farmington Cinemas L IL III, IV<br />

Farmington.<br />

to<br />

Michigan<br />

Opened December 22^ 1972<br />

Another KRIM Family Enterprise<br />

amid ^Itanh Ujo wu<br />

RINGOLD<br />

THEATRE EQUIPMENT CO<br />

. . Joe Nederlander of the<br />

The film likely will open in this city in<br />

April or May .<br />

Fisher Theatre family intends to concentrate<br />

on weeklong runs at his 11-acre entertainment<br />

spwt. Pine Knob. He would like<br />

to eliminate any "dark nights." The best<br />

week reported was when "Chicago" was<br />

completely presold (10.000 seats) for a<br />

five-night session.<br />

The local Bil-Ko office closed effective<br />

Friday (2). All bookings, etc.. will be handled<br />

out of the Cincinnati office. Don Fill<br />

will return to his independent operation for<br />

Capricorn Films in this area.<br />

Larry Wolf, in three months, has taken<br />

the Krim Theatre out of the loser category<br />

and has established the highest-grossing<br />

erotic film house in this part of the country.<br />

He believes a $1,000,000 gross is possible<br />

for 1973 and feels that, regardless of what<br />

people say, most want to see at least "one"<br />

pornographic film. Wolf decided to create<br />

an atmosphere where a man might take his<br />

date or wife. The facilities which he inspected<br />

fell short of that goal, so he and<br />

his partner Charles Cobb spent $25,000 in<br />

renovations, converting most of the massive<br />

lobby into a 75-seat theatre now called<br />

Krim II. Plans are in the offing to subdivide<br />

the 900-seat main theatre into two<br />

small auditoriums. Wolf also intends to open<br />

an "adult" theatre in Miami. "Quality is<br />

the most important factor of any film and.<br />

when quality is good and the storyline is<br />

good, in this tyjje of film it really shows,"<br />

Wolf avers. "When there is to be some<br />

legislation it should not be antipomography<br />

but antigarbage. If you want to talk about<br />

damage to the public, turn on your TV."<br />

Columbia's "Head" is the first film from<br />

Bob Rafelson, highly acclaimed director of<br />

"Five Easy Pieces" and "The King of<br />

.Marvin Gardens."<br />

[FINER PROJECTION-SUPER ECONOMY 1<br />

^^ Serving the Midwest<br />

STOCK IN BOTH LOCATIONS<br />

PAUL J. VOUDOURiS<br />

952 Ottawa, N. W.<br />

Grand Rapids, Michigan 49503<br />

(6!6) 454-8852<br />

JOHN KENNY<br />

32647 Ford Road<br />

Garden City, Michigan 48135<br />

(313) 522-4650, 4651


HAILG^SISAR<br />

Godfather ^^^ of Harlem!<br />

...The Cat<br />

\vith the<br />

.45 caliber<br />

Claws!<br />

Music composed and<br />

performed by<br />

JAMES BROWN<br />

Sound Track Album<br />

available on<br />

Polydor Records<br />

A Larco Production —<br />

An Annerican International Release<br />

FRED WILLIAMSON starring in "BLACK CAESAR"<br />

• •<br />

co-starring MINNIE GENTRY JULIUS W. HARRIS D'URVILLE MARTIN<br />

• • • •<br />

DON PEDRO COLLEY GLORIA HENDRY ART LUND VAL AVERY PHILIP ROYE<br />

•<br />

Written, Produced and Directed by LARRY COHEN A LARRY COHEN Film<br />

1973 American International Pictures, inc<br />

contact your AlllCfiCCIA InlOCAC^Iioiial exchange<br />

DETROIT<br />

Marty Zide<br />

23300 Greenfield Rd.<br />

Oak Park, Mich. 48237<br />

/91 9\ 900 QTTT<br />

CLEVELAND<br />

Bill Andrews<br />

2108 Payne Avenue<br />

Cleveland, Ohio 44114<br />

CINCINNATI<br />

Milt Gurian<br />

Executive Building<br />

35 East 7th Street<br />

Cincinnati. Ohio 45202<br />

Shcwmanshii]<br />

Is Cur Only


CLEVELAND<br />

(Continued from page ME-1)<br />

Cinerama branch manager, recently underwent<br />

surgery at Lakewood Hospital.<br />

Jack Zide, Imperial president, and Dick<br />

Graff, American International Pictures general<br />

sales manager, were in the city . .<br />

.<br />

Jim Ryan, Universal branch manager, spent<br />

a week in Buffalo, N.Y. . . . Peter Bellamy,<br />

drama critic and entertainment editor of<br />

the Plain Dealer, was the guest speaker at<br />

the Friends of the Public Library annual<br />

Vop'in<br />

Ble^^s


ToU-Free Reservations<br />

At SBC Hartford Unit<br />

Hartford—In a regional exhibition<br />

"first," SBC Management Corp., operator<br />

of the Cinerama Theatre, is offering<br />

toll-free phone reservations from<br />

throughout Connecticut for the Hartford<br />

showplace.<br />

Residents of towns far beyond<br />

metropolitan Hartford may now call<br />

1-800-842-4323 on a free basis.<br />

Art Friedman Forms<br />

Cinema Film Buying<br />

BOSTON—Arthur Friedman announced<br />

his resignation as United Artists exchange<br />

manager here effective Friday (2) and the<br />

formation of a new company. Cinema Film<br />

Buying, Inc., which began operation Monday<br />

(5).<br />

As president of Cinema Film Buying.<br />

Friedman will represent independent theatres,<br />

as well as circuits, as film buyer and<br />

consultant. Among his clients is Pittsburghbased<br />

Cinemette Corp. of America, which<br />

operates 20 screens in New England and<br />

plans to expand.<br />

Friedman, 33, started in film distribution<br />

with United Artists in 1964. His career began<br />

in New York but he went on to Cincinnati<br />

as a sales trainee. In the summer of<br />

1964, he was transferred to Boston as a<br />

salesman. A year later, he became UA"s<br />

salesman for New Haven, working out of<br />

the Boston exchange. In 1967 he was advanced<br />

to sales manager of the Washington<br />

exchange and in seven months promoted<br />

to exchange manager in Boston, UA's third<br />

largest exchange.<br />

"I have had a wonderful association with<br />

United Artists through the years," Friedman<br />

commented. "When I saw Jim Velde, Al<br />

Fitter and Burt Topal in New York to tell<br />

them I would be leaving to form Cinema<br />

Film Buying, they were most understanding,<br />

gave me their blessing and wished me well.<br />

These are three of the finest gentlemen in<br />

the business and it has been a pleasure<br />

working with them and everyone here at<br />

United Artists for the past nine years."<br />

Friedman continued: "Cinema Film Buying<br />

will be a major league company. I look<br />

forward to dealing with exhibitors who have<br />

as forward and bright a vision for the future<br />

of this business as I do."<br />

Cinema Film Buying is at 430 Park<br />

Square BIdg., Boston, 02116, telephone<br />

(617) 482-9717.<br />

Norwell Theatre Attacks<br />

Arouse Stout Defender<br />

NORWELL, M ASS.—P e t e r Smellie,<br />

chairman of the city's finance committee<br />

and one of only two persons to speak up in<br />

defense of the Norwell Cinema at an angry<br />

town meeting Thursday evening, January<br />

25, told the more than 300 townspeople<br />

packing the hall that "if they don't like the<br />

theatre, they shouldn't go to it. The only<br />

way for them to change the fare is to buy<br />

the theatre."<br />

Occasion of the townspeople irritation<br />

was consideration by the selectmen ot relicensing<br />

of the theatre, which has provoked<br />

bitter opposition here by showing X films<br />

for more than a year. Selectman Richard<br />

Leahy explained that a new license is required<br />

because the theatre changed ownership<br />

during the year. Daniel Shea, manager<br />

of South Shore, Inc., had owned the theatre<br />

privately when the preceding license v^as issued<br />

but during the year a corporation took<br />

over ownership.<br />

Smellie had considerable to say about the<br />

overwhelming local opposition to the theatre<br />

during the days immediately following<br />

the town meeting, while the theatre remained<br />

dark pending the selectmen's decision.<br />

"You know, it just irritates me," he told<br />

Tony Chamberlain, Boston Globe correspondent,<br />

"when someone assumes he can<br />

make a moral choice for me. TTiese people<br />

are trying to determine how this man (Shea)<br />

should make a living and that itself is immoral.<br />

If someone is to blame for such<br />

films, it must be the public who wants to<br />

see them."<br />

Smellie told Chamberlain he had observed<br />

the crowd entering the theatre 40 or 50<br />

times and had no reason to believe that<br />

theatre operators were admitting underaged<br />

persons to X-rated films, as it has been<br />

alleged.<br />

Townspeople are insulting his sense of<br />

"fair trade and fair play" by trying to prohibit<br />

the theatre from showing films that<br />

bring in a profit, Smellie said.<br />

Cinema Centers Plans<br />

Seekonk Three-Plex<br />

SEEKONK, MASS.—Cinema Centers<br />

Corp., which has home offices at 39 Church<br />

St. in Boston, has announced plans to build<br />

a luxury triplex motion picture theatre here<br />

on Route 6. The site is within ten minutes<br />

of downtown Providence, R. 1.<br />

Each of the auditoriums is to be equipped<br />

with 500 de luxe rocking chairs. The three<br />

units are to share a concessions area outfitted<br />

with the latest refreshment equipment;<br />

the common parking facility will have<br />

places for more than 600 cars.<br />

Cinema Centers Corp. recently purchased<br />

land in front of the Seekonk Twin Drive-In<br />

for the purpose of building this indoor<br />

theatre and plans to make the site "the most<br />

modern entertainment complex in New<br />

England."<br />

The new triplex will be managed by Theatre<br />

Management Service, which also operates<br />

the Seekonk Twin Drive-In and many<br />

other New England theatres.<br />

'Valachi Papers' in Second Month<br />

BRISTOL, CONN.—Columbia's "The<br />

Valachi Papers" went into a record-shattering<br />

second month's stay in Cinema II of the<br />

Irwin A. Cohen Centre Mall cinemas I-II<br />

complex.<br />

Col. Sam Goldstein;<br />

Pioneer Circuitman<br />

SPRINGFIELD. MASS.—Industry pioneer<br />

Col. Samuel Goldstein, 89, co-founder<br />

with his late brother Nathan of Western<br />

Massachusetts Theatres, died January 28 in<br />

the Springfield Hospital Medical Center.<br />

Colonel Goldstein first worked in the advertising<br />

department of the Springfield Republican,<br />

local morning daily. In 1906, he<br />

opened the first of what was to be a chain<br />

of penny arcades here.<br />

With Nathan, he built the 2,700-seat<br />

Paramount Theatre, Springfield, the brothers<br />

later expanding their interests to some<br />

20 theatres in western New England and<br />

southern Vermont.<br />

Just several months ago. Colonel Goldstein<br />

leased the WMT units, with exception<br />

of the Paramount, to Western Massachusetts<br />

Theatre Associates, headed by Nelson<br />

M. Wright.<br />

The Paramount is leased to Wally Beach<br />

and Sam Scheckter.<br />

Goldstein was a Marine Corps veteran of<br />

World War I<br />

and served with the Office of<br />

Price Administration during World War II.<br />

He was born in Manitoba, Canada, and<br />

lived in metropolitan Springfield for 60<br />

years.<br />

Survivors include his wife Marie; his son<br />

Ronald; two daughters. Mrs. Elma Preston<br />

and Mrs. Ruth Malvin, and his sister Mrs.<br />

Elizabeth Aronson.<br />

Memorial contributions may be made to<br />

the Jewish Nursing Home of western Massachusetts<br />

or the Clarke School for the<br />

Deaf, Northampton.<br />

SPRINGFIELD<br />

Jjugene LaFleur has resigned as manager of<br />

the Calvin Theatre, Northampton,<br />

operated by Western Massachusetts Theatre<br />

Associates, to join Redstone Theatres as a<br />

management trainee, initially based at the<br />

Showcase five-plex. West Springfield. Replacing<br />

LaFleur in Northampton is Dan<br />

Dromgoole.<br />

THIS SUMMERJT'S 'BUMMER'<br />

THE Drive In Picture For '73<br />

A FAR OUT TRIP THRU<br />

A HARD ROCK TUNNEL.<br />

R<br />

Frum COL.QR<br />

Entertainment Ventures.Inc.<br />

BOXOFFICE February 19, 1973 NE-1


S T O N<br />

,<br />

;ari Goldman, executive secretary of<br />

Theatre Owners of New England and<br />

ihe industry's watchman up on Beacon Hill<br />

(at the State House), says that the 1973<br />

Massachusetts Legislature has 7,500 bills<br />

for deliberation and among them are 15<br />

related to the motion picture business. The<br />

majority of these 15 bills, according to<br />

Goldman, are concerned with obscenity.<br />

Meanwhile, other New England states are<br />

going easier on the film industry. New<br />

Hampshire and Vermont do not have any<br />

bills of this type before their legislatures,<br />

Rhode Island has two and Maine just one.<br />

Romance seems to be budding over the<br />

Esquire Theatres office on Boylston Street.<br />

Who is calling whom "Pretty Eyes?"<br />

Joe Rossie, National Screen Service<br />

branch manager and his wife Ann flew<br />

away to Mexico on a 747 jet for their winter<br />

vacation (how come everyone is vacationing<br />

in Mexico this winter?). The Rossies<br />

flew directly to Mexico City, where they<br />

spent a few days before going on to Acapulco<br />

for a week of beach activity and side<br />

trips to the mountains. P.S. Everyone on<br />

Filmrow is waiting for beach scene postcards<br />

from Joe and Ann.<br />

One of the busiest spots in the film district<br />

is 39 Church St., where the building is<br />

undergoing a complete renovation, newly<br />

painted walls on all floors, offices of executives<br />

entirely redecorated and the general<br />

office also getting new equipment and a<br />

complete going over. Tenants at the popular<br />

address include Theatre Management Services,<br />

Ro-Mar Security System and Theatre<br />

Owners of New England.<br />

Steve Minasian, Esquire Theatres executive,<br />

announced that the circuit has acquired<br />

the Jerry Lewis Twin cinemas at Middletown,<br />

R.L, a suburb of Newport. This acquisition<br />

gives Esquire all the theatres in the<br />

Newport area with the exception of the<br />

Opera House in Newport. The latter theatre<br />

still is operated by the Horgan family, now<br />

in the third generation.<br />

Peter Fleisher, 20th Century-Fox sales<br />

representative here, has been promoted to<br />

manager of the company's Pittsburgh, Pa.,<br />

exchange. He has been at the Boston office<br />

for the last three years, starting here as a<br />

trainee, then being made assistant booker,<br />

booking manager, then early in 1972 he<br />

was moved up to the sales department. His<br />

father is well-known Ted Fleisher of Interstate<br />

Theatres, now retired and wintering in<br />

Florida, and his brother is Michael Fleisher,<br />

a partner at Ellis Gordon Films here in<br />

Boston.<br />

Business Up 10 Per Cent<br />

At Redstone Five-Plex<br />

WEST SPRINGFIELD, MASS.—Business<br />

is up 10 per cent over last year at<br />

Redstone Theatres' Showcase cinemas I-II-<br />

III-IV-V complex, John P. Lowe, New<br />

England division manager for the independent<br />

circuit, noted in a metropolitan<br />

Springfield business survey conducted by<br />

Springfield Newspapers.<br />

But, he continued, business was down<br />

during 1972 and has been relatively level<br />

for the past five years.<br />

"Redstone's confidence in the Springfield<br />

area, however, is proven by the existence of<br />

the theatres, the first five-theatre 'package'<br />

in the nation," Lowe said.<br />

"The movie business now is good for<br />

good pictures," he remarked. "This means<br />

that good films, like "The Godfather,' are<br />

profitable enough to carry the others."<br />

A recent top grosser at the complex has<br />

been 20th Century-Fox's "Sounder," according<br />

to Lowe.<br />

Film Buff Charles French<br />

Plans Silent Era Museum<br />

WESTON, MASS.—Charles W. French,<br />

58, who has maintained a life-long fondness<br />

for silent motion pictures, has cleared land<br />

on a site adjacent to his home in this Boston<br />

suburb for a silent era museum and<br />

theatre. Zoning board approval has been<br />

obtained.<br />

"The only thing that stands in our way<br />

INEMA


HAILC^SAR<br />

Godfather «iJBDf Harlem!<br />

) 1973<br />

•••The Cat<br />

v(dththe<br />

•45 caliber<br />

Claws!<br />

A Larco Production —<br />

An American International Release<br />

FRED WILLIAMSON starring in "BLACK CAESAR"<br />

•<br />

co-starring MINNIE GENTRY JULIUS W. HARRIS D'URVILLE MARTIN<br />

•<br />

• • • •<br />

DON PEDRO COLLEY GLORIA HENDRY ART LUND VAL AVERY PHILIP ROYE<br />

•<br />

Written, Produced and Directed by LARRY COHEN A LARRY COHEN Film<br />

American Intwnational Picturvs, Inc.<br />

>#(<br />

contact your AillCfICCIII lAlOfAClliOACll exchange<br />

• c<br />

HARVEY APPELL, Branch Monager<br />

f J** t\^^^ no -_ ^O I Shcwmanshi<br />

IsCurCnIy<br />

Win acinj^cc<br />

46 CHURCH STREET, BOSTON, MASS. 02116


—<br />

—<br />

—<br />

—<br />

—<br />

1 nnient<br />

——<br />

—<br />

.<br />

—<br />

Failini's Roma' 250<br />

In New Haven Debut<br />

NEW HAVEN—An even dozen first-run<br />

programs were sei<br />

before New Haven theatregoers<br />

and nine of the screen offerings<br />

grossed in the 115 to 250 range, substantially<br />

above normal business. A newcomer,<br />

"Fellini's Roma" at the York Square Cinema,<br />

carried off the top 250 percentage.<br />

(Average Is 100)<br />

Cinemart Pete 'n' Tillie (Univ), 3rd wk 150<br />

College Across HOth Street (UA), 2nd wk 135<br />

College Street Cinema The Emigrants (WB) ... 175<br />

Crown ^Deep Sleep (SR); Sexual Communication<br />

(SR), 2nd wk 90<br />

Four theatres—Up Your Alley (SR) 125<br />

Lincoln Curious Teenager (SR) How to Succeed<br />

With Sex 75<br />

Milford Cinema II Travels With My Aunt<br />

(MGM), 3rd wk 65<br />

Roger Sherman Forewell, Uncle Tom (SR) 115<br />

Showcase Cinema I The Getoway (NGP),<br />

6th wk 160<br />

Showcase Cinema II The Poseidon Adventure<br />

(20th-Fox), 7th wk 135<br />

Showcase Cinemo III Sounder (20th-Fox),<br />

2nd wk 150<br />

York Square Cinema ^Fellini's Roma (UA) 250<br />

"Across 110th Street' 150<br />

First Week in Hartford<br />

H A R T F O R D—Two new features,<br />

"Across 110th Street" and "The Emigrants."<br />

ranked one-two on the barometer listing as<br />

holiday-introduced films practically faded<br />

away, boxofficewise. "Across 110th Street"<br />

gave the UA Theatre East and the Webster<br />

a composite 150 percentage, while "The<br />

Emigrants" grossed 135 at Paris Cinema I.<br />

Berlin Cine I, Vernon Cine I Travels With My<br />

Aunt (MGM), 2nd wk 75<br />

Burnside. Cinema I The Getaway (NGP), 7th wk. 125<br />

Cinema II, Mall Cinema, Vernon Cine II ^Pete 'n'<br />

Tillie (Univ), 7th wk 80<br />

Cinerama The Great Wolti (MGM), 7th wk. ... 75<br />

East Hartford Cinema I, Elm The Poseidon<br />

Adventure (20th-Fox), 7th wk 115<br />

Newmgton 1776 (Col), 7th wk 125<br />

Paris Cinema I The Emigrants (WB) 135<br />

UA Theatre East, Webster Across 110th Street<br />

(UA) 150<br />

NEW BRITAIN<br />

^he city council passed a resolution citing<br />

"outstanding public and private contributions<br />

to the community" by industry<br />

pioneer Peter G. Perakos sr.. who died recently.<br />

"Popi," United Artists" 1969 release star-<br />

THIS SUMMERJT'S 'BUMMER'<br />

THE Drive In Picture mFor '73<br />


THE ANSWER TO EXHIBITORS' DREAMS!<br />

GUARANTEED RENTALS PLUS RECORD-<br />

BREAKING CONCESSIONS PROFITS WITH<br />

BOX-OFFICE BONANZAS FROM<br />

International<br />

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K~\ /'-^


ROUNDABOUT NEW ENGLAND<br />

By ALLEN M. WIDEM-<br />

Qrime-in-the-streets, a problem plaguing<br />

every sizable U.S. community, is not<br />

something about to be phased out with implementation<br />

of better law-enforcement<br />

practices and principles. And, to a man,<br />

big city exhibitors are worried.<br />

The print media and, in its way, broadcasting<br />

(both radio and television) have reported<br />

on city muggings, holdups, rapes<br />

and the like. It's their business and for the<br />

general business community, including exhibition,<br />

to plead for a lessening of crime<br />

reportage is wishful thinking. Communications<br />

do their jobs as best as they can, ever<br />

wary of the fast-moving clock and constantly<br />

cognizant of manpower elements.<br />

What can exhibition do right now to help<br />

build a new image?<br />

Norman Pader, the astute, alert public<br />

relations director for the National Ass'n of<br />

Theatre Owners, discoursed on this and<br />

other matters with us the other day by<br />

New York-to-Hartford phone.<br />

He cited, for one thing, the newly formed<br />

community involvement committee of<br />

NATO, its prime objective an escalation of<br />

exhibition-community relations.<br />

"Nobody in NATO or anywhere else, for<br />

that matter," Pader said, "can expect miracles<br />

to emanate from this community involvement<br />

committee, as earnest and dedicated<br />

as its membership may be. There are<br />

a lot of problems confronting the big cities<br />

and all exhibition, on a local level, can do<br />

at this stage of the game is to evaluate the<br />

hometown situation and proceed with dedication<br />

and earnestness."<br />

Pader is pleased to note that, increasingly,<br />

more exhibitors are volunteering their<br />

services to address chambers of commerce,<br />

Rotary, Kiwanis. Exchange and Lions<br />

clubs on the merits of the motion picture<br />

community, applicable, most significantly,<br />

to the hometown, its population, its very<br />

economy.<br />

What have these volunteer speakers<br />

talked about? The Motion Picture Ass'n of<br />

America rating system, among pertinent<br />

topics.<br />

"Not everybody in the general public understands<br />

the very workings of the rating<br />

system, and if one exhibitor in Hartford or<br />

Chicago or wherever can help explain the<br />

system, why, that's one thing to the good<br />

SOLARC<br />

Brighter<br />

Burning<br />

Independent Theofre Supply<br />

27S0 E. Houston<br />

Son Antonio, Texas<br />

7s—8s—9s— 1 Os— 1 1 s—<br />

for our industry," Pader noted.<br />

What can the hometown exhibitor do<br />

today, not next year, about coping with<br />

crime-in-the-streets?<br />

Pader feels that funding, perhaps by<br />

local, state or even federal sources, could<br />

provide the incentive for a motion picture<br />

featurette, outlining hometown problems<br />

and what's been done and what will be done<br />

to cof>e with them.<br />

"I'm not talking about a larger-scale<br />

project here," Pader continued. "I'm talking<br />

about a locally produced film, perhaps with<br />

the chamber of commerce as the focal ingredient,<br />

geared to<br />

local concepts, local outlook.<br />

It would provide an outlet for the<br />

more concerned population and because it<br />

would be in the film milieu, would be<br />

shown in a motion picture theatre."<br />

Moreover, Pader said, not enough exhibitors<br />

are pulling their weight in confronting<br />

the downbeat commentary about<br />

this business. "Radio City Music Hall, the<br />

showplace of the biggest city in the country,<br />

is quoted in the papers as considering<br />

a shut-down and, whammo! It's on page one<br />

in the biggest newspapers. Then, Radio City<br />

Music Hall turns around and says it's all not<br />

so, the theatre will stay open, and the followup<br />

story appears back in the classified<br />

advertising section."<br />

"I'm wondering," Pader continued, "how<br />

many hometown exhibitors made it their<br />

business to approach the local newspapers<br />

when the stories about the Music Hall<br />

broke on the wires and asked for some<br />

kind of local-angle to accompany the hall<br />

developments? Local angle to the effect<br />

that top-quality<br />

attractions are drawing bigger<br />

audiences and more money than ever.<br />

Local angle to the effect that more new<br />

auditoriums are going up than ever before<br />

at one time in recent industry history."<br />

Pader noted that Columbia's release of<br />

Jack L. Warner's "1776" easily has smashed<br />

boxoffice records at Radio City Music<br />

Hall and he wondered if, indeed, the hometown<br />

exhibitor made a jxsint of reminding<br />

amusements editors of this development?<br />

And amid all the tumult and shouting<br />

about downgrade industry commentary,<br />

Pader wanted to know, what ever happened<br />

to the very imagination of exhibitors who<br />

1<br />

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WEST COAST THEATRE SERVICE National Distributor<br />

90« N.W. 1«th St. Phon* 227-2*12 Portland, Oregon 97209<br />

Inquiries Invited Conctrnln« Diitrlkutlon RIghti<br />

should have known better?<br />

Case-in-point: "What's wrong with exhibitors<br />

in a city's downtown district approaching<br />

restaurants and retail establishments,<br />

sitting down and coming up with a<br />

series of institutional ads geared to the<br />

theme, 'Come Back Downtown—It's a Lot<br />

of Fun!'<br />

"I can hear the pundits ranting—they'll<br />

smirk, 'Sure, lot of fun— get mugged!' and,<br />

in the harsh realistics of the matter, the<br />

downtown community has a lot to offer,<br />

always has had; but there comes a time<br />

like now when the general public has to<br />

be reminded, through institutional pitches,<br />

encompassing the entire downtown community."<br />

Pader believes that not enough eating<br />

establishments have been made to realize<br />

that it's the motion picture theatre that<br />

keeps a street lively at night. Not enough<br />

gasoline-service stations and supplementary<br />

services have been made to realize that it's<br />

the motion picture theatre that indeed<br />

brings people out at night.<br />

The trouble is that exhibition has wallowed<br />

in self-pity for far too long, fearful<br />

of the printed media and broadcasting stress<br />

on crime-in-the-streets, and simply has not<br />

gone to other concerned businessmen in the<br />

community to attack such thinking with a<br />

concerted promotion campaign.<br />

And what's wrong, after all, with hometown<br />

exhibitor approaching the pacesetters<br />

of the community—the men who, in effect,<br />

call the shots on the chamber of commerce<br />

level—and urging a stepf>ed-up drive to<br />

emphasize the good of downtown on a yearround<br />

basis?<br />

"If you want to find fault with a particular<br />

phase of the economy—say, the film<br />

industry—you will come up with a flock<br />

of disturbing factors," Pader continued.<br />

"But it's true for any other growth industry.<br />

We've got to acquaint the business<br />

community and, in turn, the hometown<br />

population, with the quality entertainment<br />

to be seen at the motion picture theatre.<br />

"The motion picture theatre, by tradition,<br />

has been a center of community activity. It<br />

brings people out, it gets people to spend.<br />

Fittingly, the rest of the local economy<br />

should be admonished to aid and abet the<br />

theatre.<br />

"The ideal situation,<br />

of course, would be<br />

a concerted effort by banks, financial situations,<br />

elements tied to the local economy,<br />

to bolster trade, including the motion picture<br />

theatre. One key factor is institutional<br />

advertising. Another is speech-making, both<br />

before chambers of commerce and service<br />

organizations, plus schools.<br />

"We've got to reach 'em to sell 'em. It's<br />

an old axiom. But it's still true, strikingly<br />

true today."<br />

Our conversation reminded Pader of the<br />

elderly Southern preacher who, when<br />

asked how he looked at the marked growth<br />

of his congregation, said succinctly: "First,<br />

I tell them what they want to hear. Then I<br />

tell them what they heard. Finally, I tell<br />

them what I wanted to say."<br />

Communication—it's important, ever<br />

important— in reaching out for audiencebuilding.<br />

Today, not next week!<br />

BOXOFFICE ;; February 19, 1973


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1654 CORDOVA STREET • LOS ANGELES, CALIF. 90007 / U.S.A. • AREA CODE (213) 731-7236


ARTFORD<br />

The Perakos Enfield Cinema, which recently<br />

launched a sexploitation film<br />

policy, has added daily matinees (except<br />

Mondays and Tuesdays) to its schedule.<br />

The Tolls Capitol, Meriden, another skinflick<br />

situation, is now running matinees on<br />

Thursdays and Fridays.<br />

Tom Alquist, with the Warner Bros.<br />

Theatres in Hartford many years ago, figured<br />

in a humanitarian gesture. In memory<br />

of a dog set on fire with gasoline on a Hartford<br />

street, Alquist presented a $100 donation<br />

to Camp Courant, which serves underprivileged<br />

children. The dog, a 1-year-old<br />

mongrel, was found alive with its hindquarters<br />

badly burned. It was destroyed because<br />

of the injuries. Several persons, including<br />

Alquist, offered rewards for apprehension<br />

of the guilty parties. Two boys,<br />

aged 13 and 14, were later picked up for<br />

the offense. Because police investigators are<br />

ineligible for such awards, Alquist chose the<br />

occasion to give to Camp Courant.<br />

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With Providence Ties<br />

PROVIDENCE—Not unlike<br />

many metropolitan<br />

areas in the New England states.<br />

Providence finds itself with more theatres<br />

operating in suburban regions than in the<br />

central city itself, a situation attributable to<br />

redevelopment and the continuing exodus of<br />

city residents to outlying towns.<br />

The Strand is the sole remaining downtown<br />

theatre with ties to yesteryear's Providence<br />

exhibition. Elsewhere in the city today<br />

are the Paris I-II, Avon, Cinerama.<br />

Elmwood. Columbus, Art Cinema and<br />

Castle.<br />

NEW HAVEN<br />

The Connecticut Post Shopping Center,<br />

Milford, sponsored a free showing of<br />

"The Prime of Miss Jean Brodie," 20th<br />

Century-Fox 1969 release, at GCC's Milford<br />

Cinema, as part of a Tuesday Ladies'<br />

Day celebration in the complex. The film<br />

was screened at 10 a.m. There were free<br />

drawings for prizes donated by merchants,<br />

plus a fashion show.<br />

Metropolitan New Haven exhibition<br />

had<br />

occasion for nostalgic thoughts in reading a<br />

sentimental column about yesteryear's entertainment<br />

scene, appearing on the editorial<br />

page of the New Haven Register. The column<br />

mentioned the old Hyperion Theatre<br />

site on College Street, later to become the<br />

Loew's College.<br />

New London Permit<br />

For New Theaire<br />

NEW LONDON. CONN.—The New<br />

London Building Department has issued a<br />

construction permit to A. Secchiaroli for a<br />

small theatre, marking the first motion picture<br />

theatre project within New London<br />

city limits in 40 years.<br />

Most recent new cinema project in the<br />

area was the Cinema I-II complex. Groton,<br />

developed by Sampson & Spodick Theatres<br />

of New Haven and Bill Rosen.<br />

Mark Cease-Fire Start<br />

HARTFORD—Numerous theatres in<br />

Connecticut interrupted performances at<br />

7 p.m., January 27, to observe a moment's<br />

silence at the time the Vietnam cease-fire<br />

agreement became effective, according to<br />

Bernie Menschell. president. Connecticut<br />

Ass'n of Theatre Owners.<br />

Petitions for New Name<br />

HARTFORD—Richmond Land & Development<br />

Corp.. care/ of Edward Buroloff.<br />

30 Buxton Farm Rd.. Stamford, filed a request<br />

with the Connecticut Secretary of<br />

State's office to change its name to American<br />

Leisure Corp.<br />

"Mother Harlem." a sequel to "Across<br />

110th Street" will go into production early<br />

this<br />

year.<br />

Translation for Paleface:<br />

"Don't waste time with old-fashioned<br />

way sending message.<br />

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Please insert the following ad timn in the CLEARING HOUSE<br />

(Eitelesad if check or money order for S „ Hind ads 50< per iiiKrtion extra)<br />

BOXOFFICE :: February 19. 1973


Annual BC Powwow<br />

Ont. Bill Would Make Canadian Films<br />

¥inf" y^""'^'i ,<br />

'Must' Bookings 8 Weeks in 2 Years<br />

VANCOIIVFR—The VANCOUVER—The nnniia annual meeting mcetine of<br />

'<br />

the Motion Picture Theatre Ass'n of British<br />

Columbia, organized by secretary-treasurer<br />

Vi Hosford, was held January 28-29. Activities<br />

Sunday, January 28. consisted of the<br />

registration of almost 100 delegates and<br />

guests at<br />

the Denman Place Theatre, where<br />

they were the guests of Famous Players.<br />

Hosted by manager Cliff Gallant, a program<br />

consisting of a screening of product<br />

reels of forthcoming attractions of all major<br />

companies was followed by a preview of<br />

Paramount's "Save the Tiger." The day<br />

wound up with a cocktail party in the theatre<br />

lounge before the house opened for the<br />

regular Sunday showing.<br />

January 29 started with a breakfast in the<br />

Cat's Whiskers Room of the Hotel Devonshire,<br />

followed by a screening of 20th Century-Fox's<br />

"The Heartbreak Kid" at the<br />

Odeon circuit's Vogue. This was followed<br />

by a luncheon, also in the Cat's Whiskers<br />

Room, presided over by British Columbia<br />

Motion Picture Theatre Ass'n president<br />

Norm Reay.<br />

Head table guests included Frank Marshall,<br />

president. Vancouver branch, Canadian<br />

Picture Pioneers; Jack Marshall, president.<br />

Saskatchewan Theatre Ass'n: Ray Mc-<br />

Donald, classifier of motion pictures for<br />

British Columbia; Owen Bird, past president.<br />

British Columbia Motion Picture Theatre<br />

Ass'n; Don Menzies, president. Alberta<br />

Motion Picture Theatres Ass'n; Doug Gow,<br />

vice-president, Famous Players Theatres; Al<br />

Miller, fire marshal, and Bryan Rudston-<br />

Brown. president. Vancouver Distributors<br />

Ass'n.<br />

Guest speaker was veteran D. J. "Jack"<br />

Cullen, who played tapes from "ancient<br />

sound films" and regaled the audience with<br />

tales of promotions in which he had been<br />

involved, such as "Little Orpheum Ackery."<br />

"Charlie Doctor," etc. His recorded bits of<br />

off-the-cuff tapings included local celebrities<br />

such as radioteer Jack Webster and<br />

gossip columnist Jack Wasserman. These<br />

brought down the house!<br />

This was followed by the general meeting,<br />

highlighted by the president's report presented<br />

by Norm Reay; the secretary-treasurer's<br />

report by Vi Hosford; a report on the<br />

annual national meeting in Toronto by president<br />

Norm Reay, and a report on the activities<br />

of Western Poster Exchange by W.<br />

McDonald. A radio advertising illustration<br />

was presented by Famous Players art and<br />

advertising director Mike Murphy. There<br />

also was a short talk on maintenance of<br />

(Continued on next page)<br />

I<br />

FRED STINSON<br />

"-..!!!--<br />

MERCHANDISING '<br />

THROUGH THEATRE<br />

MOTION PICTURE<br />

ADVERTISING<br />

I lu


—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

I<br />

—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

Very<br />

.<br />

.<br />

. .<br />

—<br />

——<br />

ckey Er Boggs/ Sounder Attract<br />

Strong Public Support in<br />

WINNIPEG—<strong>Boxoffice</strong> returns continued<br />

to boom along at record highs for January<br />

business. Adding to the "excellent"<br />

grosses of several holdover situations were<br />

smashing opening weeks for "Hickey &<br />

Boggs" and "Sounder." "Wedding in White"<br />

still was "very good." as were the last weeks<br />

of a day-and-date booking of reissued<br />

"Oliver!"<br />

Capitol The Getaway (NGP), 6fh wk Excellent<br />

Downtown Night Call Nurses (C-P); The Big<br />

Bird Cage (C-P) Excellent<br />

Gaiety Wedding in White (C-P), 2nd wk. .Very Good<br />

Gorrick Hickey & Boggs |UA) Excellent<br />

Garrick Pete 'n' Tillie (Univ), 6th wk. ..Excellent<br />

Grant<br />

II<br />

Pork The Great Waltz (MGM),<br />

6th wk Excellent<br />

Kings Young Winston (Col), 6th wk Average<br />

Metropolitan The Poseidon Adventure (BVFD),<br />

6th wk Excellent<br />

North Star<br />

(MGM)<br />

They Only Kill Their Masters<br />

Average<br />

I<br />

North Star II Sounder (20th-Fox) excellent<br />

Odeon The Mechanic (UA), 6th wk Good<br />

Polo Park Deliverance (WB), 6th wk Excellent<br />

'Little Mother,' 'Wilderness'<br />

Among Edmonton 'Excellents'<br />

EDMONTON—Nine "excellent" gross<br />

totals out of 1 1 possibles made this report<br />

week the best of young 1973. Moreover,<br />

the two films that failed to qualify for<br />

"excellent" did have "good" business, so<br />

pleasure over boxoffice results was evident<br />

at all Edmonton theatres. Two of the "excellent"<br />

ratings were snared by first-week<br />

films: "Little Mother" at the Klondike and<br />

"Vanishing Wilderness" at Plaza 2 and<br />

Studio 82.<br />

Avenue Young Winston (Col), 5th wk Good<br />

Copilano, Londonderry A Snowball Express<br />

(BV), 5th wk Excellent<br />

Klondike Little Mother (IFD) Excellent<br />

Odeon Pete 'n' Tillie (Univ), 5th wk Excellent<br />

Plaza 2, Studio 82 Vanishing Wilderness<br />

(SR)<br />

Excellent<br />

Rialto You'll Like My Mother (Univ) Good<br />

Roxy Sounder (BVFD), 5th wk Excellent<br />

Towne Cinema Where Does It Hurt? (IFD),<br />

1 6th wk Excellent<br />

Varscona Fiddler on the Root (UA),<br />

49th wk Excellent<br />

Westmount A Deliverance (WB), 5th wk. .Excellent<br />

Westmount B The Great Woltz (MGM),<br />

5th wk Excellent<br />

Six 'Excellent' Ratings<br />

Reported in Calgary<br />

CALGARY—First-run business flourished<br />

as newcomer "Vanishing Wilderness"<br />

and five holdovers grossed at an "excellent"<br />

pace and "Snowball Express." fifth week at<br />

the Chinook Theatre, reported "very good"<br />

returns. Also on the report barometer were<br />

a pair of "good" marks and a single "fair."<br />

Colgary Ploce 2 Pete 'n' Tillie (Univ),<br />

5th wk Excellent<br />

Chinook Snowball Express (BV), 5th wk. .Very Good<br />

Grond One Young Winston (Col), 5th wk Good<br />

Grand Two The Mechanic (UA), 5th wk Good<br />

North Hill Cinerama Deliverance (Vv'B),<br />

5th wk Excellent<br />

Pa Miser Square 1 The Poseidon Adventure<br />

(BVFD), 5th wk Excellent<br />

Winnipeg<br />

Palliser Square 2 The Greot Waltz (MGM),<br />

5th wk Excellent<br />

Plaza, Tivoli Vanishing Wilderness (5R) ...Excellent<br />

Towne Cinema Bluebeard (IFD), 4th wk Fair<br />

Uptown Sounder (BVFD), 5th wk Excellent<br />

'Poseidon Adventure/ 'The Getaway'<br />

'Excellent' in Vancouver<br />

VANCOUVER—With most programs on<br />

the mainstem in a sixth week of local playing<br />

time, there was a natural slackening of<br />

the grossing pace for the average films.<br />

However, "The Poseidon Adventure," No. 1<br />

in Vancouver during the report week, and<br />

"The Getaway," No. 2, were proving that<br />

they are not "average" pictures, each still<br />

. .<br />

grossing "excellent" despite their lengthy exposure<br />

before Vancouver patrons.<br />

Capitol The Getaway (NGP), 6th wk Excellent<br />

Coronet The Mechanic (UA), 6th wk Average<br />

Downtown Deliverance (WB), 6th wk Good<br />

Fine Arts Travels With My Aunt (NGP),<br />

6th wk Average<br />

Hyland Young Winston (Col), 14th wk Fair<br />

Orpheum The Poseidon Adventure (BVFD),<br />

6th wk '.Excellent<br />

Park Man of La Mancha (UA), 7th wk Fair<br />

Ridge The Great Waltz (MGM),<br />

1 2th wk Above Average<br />

Stanley Up the Sandbox (NGP), 6th wk. .Average<br />

Strand The Night Evelyn Came Out of the<br />

Grave (Astrol); Werewolves on Wheels<br />

(Astral)<br />

Averoge<br />

Varsity Fellini's Roma (UA), 6th wk Good<br />

Vogue Pete 'n' Tillie (Univ), 6th wk Good<br />

'Good,'<br />

"Very Good' Grosses<br />

Prevail at Toronto Theatres<br />

TORONTO—While no new bookings entered<br />

the list, eight holdover attractions<br />

continued to do strong business. Among<br />

these were "The Poseidon Adventure" at<br />

the Carlton. "Judge Roy Bean" at the Uptown,<br />

each in a fifth week, and "Sounder."<br />

16th week at the Hollywood.<br />

Carlton The Poseidon Adventure (BVFD),<br />

5th wk Very Good<br />

Fairlawn Young Winston (Col), 16th wk.<br />

.Fair<br />

Glendale The Great Waltz (MGM),<br />

12th wk Very Good<br />

Hollywood (North) Sounder (BVFD)<br />

16th wk Very Good<br />

Hollywood (South) Deliverance (WB)<br />

16th wk Very Good<br />

Hyland 1 Pete 'n' Tillie (Univ), 5th wk Good<br />

Hyland 2 Across 110th Street (UA), 5th wk. . Good<br />

International Cinema The Emigrants (WB)<br />

5th wk<br />

Good<br />

Towne Cinema Up the Sandbox (NGP)<br />

5th wk<br />

Good<br />

University Mon of La Mancha (UA), 6th wk. . Good<br />

Uptown 1 The Life and Times of Judge Roy<br />

Bean (NGP), 5th wk Very Good<br />

Uptown 2 Jeremiah Johnson (WB),<br />

5th wk Very Good<br />

Uptown 3 Trovels With My Aunt (MGM),<br />

5th wk<br />

Good<br />

Uptown Backstage 1 Decameron (UA), 5th wk. Good<br />

Uptown Backstage 2 Lady Sings the Blues<br />

(WB), 1 1th wk Very Good<br />

Yonge The Getaway (NGP), 5th wk<br />

Good<br />

York I Carry On 'Round the Bend (Astral) . .Fair<br />

York 2 Fellini's Roma (UA), 5th wk<br />

. Poor<br />

'Pete 'n' Tillie,' 'Poseidon Adventure'<br />

'Excellent' Grossers in Montreal<br />

MONTREAL—"Pete n' Tillie" and<br />

"The Poseidon Adventure" grossed "excellent"<br />

and there was considerable "good"<br />

and "very good" boxoffice business around<br />

the metropolitan area as holdovers continued<br />

to occupy most screens.<br />

Avenue Pete 'n' Tillie (Univ), 2nd wk. ...Excellent<br />

Capitol The Getaway (NGP), 6th wk Good<br />

Cinema WS Up the Sandbox (NGP),<br />

6th wk. -<br />

Good<br />

CDN 1 Dirty Little Billy (Col) Very Good<br />

Kent The Trojan Women (IFD) Good<br />

Loews' The Mechanic (UA), 4th wk Good<br />

Palace The Poseidon Adventure (BVFD),<br />

6th wk Excellent<br />

Sounder (BVFD), 6th wk Very Good<br />

The Emigrants (WB), 6th wk. ...Very Good<br />

PVM 1<br />

PVM 2<br />

Seville The Greot Woltz (MGM),<br />

1 2th wk Very Good<br />

Snowdon Little Mother (BVFD)<br />

Westmount Travels With My Aunt (MGM),<br />

Good<br />

6th wk Good<br />

York Psych-Out for Murder (IFD) Good<br />

French<br />

Alouette Insotiables (FP); Alexandre Aime (FP),<br />

3rd wk<br />

Arlequin Nevada Smith (Para); Ligne Rouge<br />

Good<br />

(Para) Very<br />

Chateau Dossier Valochi (Col), 12th wk<br />

Good<br />

Good<br />

Granada Tout Ce Que Tu Veux (C-P) Trop Bon<br />

(C-P)<br />

Good<br />

Papineau Oiseau Plumoge (IFD); Cicatrice<br />

(IFD), 2nd wk Good<br />

Pigalle Filles Couvent (C-P); J'Etais Pucelle<br />

(C-P), 6th wk<br />

Rivole Alerte a la<br />

Very Good<br />

Bombe (MGM); Operation<br />

Clan (MGM), 6th wk Very Good<br />

Astral io Take Over<br />

Montrears Arlequin<br />

TORONTO—Astral Communications will<br />

take over management of Montreal's Arlequin<br />

motion picture theatre March 2, as<br />

the company's first major venture into exhibition<br />

activities in that city. Astral already<br />

is owner and/ or operator of a number of<br />

other theatres in smaller cities in Quebec.<br />

"Astral will select the motion pictures<br />

shown in the theatre, arrange the scheduling,<br />

advertise the films and handle all<br />

motion picture aspects of operations," reports<br />

company president B. Martin Bockner.<br />

"Acquisition of this lease is very important<br />

to our company's French-language<br />

operations," he continued. "When a film<br />

opens in Montreal and receives a good<br />

reception, this public acceptance is carried<br />

over into other theatres throughout the<br />

province. Because of this, it is important<br />

to have a top-quality theatre through which<br />

we can introduce films for Quebec distribution."<br />

The Arlequin is located on St. Catherine<br />

Street East in the heart of Montreal's<br />

French-language theatre district.<br />

Astral Communications is a Canadian<br />

public company listed on the Montreal<br />

Stock Exchange. It is engaged in the production<br />

and distribution of films for theatres<br />

and TV and in the operation of indoor<br />

and drive-in motion picture theatres.<br />

Annual BC Powwow Held<br />

At Vancouver Theatre<br />

(Continued from preceding page)<br />

drink dispensers and up-selling of drinks by<br />

T. Malyash, Pepsi-Cola, and a demonstration<br />

of methods of inventory controls, yields<br />

from bulk items and equipment maintenance<br />

by Jack Senior, Harlan Fairbanks Co.<br />

The newly elected slate of officers for<br />

1973 is: president. Jim Dudley, Famous<br />

Players district manager; vice-president,<br />

Cece Steele, Vanderhoof; secretary-treasurer,<br />

Vi Hosford, and directors Owen Bird,<br />

Myron McLeod, Don Barnes, Barney Simmons,<br />

Randy Archibald and Rick Thom.<br />

Airer Offers Free Gas<br />

MEDFORD. MASS.—The Meadow-Glen<br />

Twin Drive-In, as a cold weather inducement,<br />

has been offering a free gallon of gas<br />

for each car, available at a nearby service<br />

station.<br />

BOXOFFICE :: February 19, 1973


HAIL CAESAR<br />

Godfather fly^f Harlem!<br />

...The Cat<br />

^ththe<br />

.45 caliber<br />

Claws!<br />

A Larco Production —<br />

An American International Release<br />

FRED WILLIAMSON starring in "BLACK CAESAR"<br />

• •<br />

co-starring MINNIE GENTRY JULIUS W. HARRIS D'URVILLE MARTIN<br />

• • •<br />

DON PEDRO COLLEY GLORIA HENDRY ART LUND VAL AVERY PHILIP ROYE<br />

•<br />

Written, Produced and Directed by LARRY COHEN A LARRY COHEN Film<br />

1973 American International Pictures, Inc.<br />

contact your AfflCfiCC^A InlomoliOACll exchange<br />

BRIAN BINGHAM<br />

Astral<br />

Building<br />

224 Davenport Rd.<br />

TORONTO<br />

CLAUDE CHENE<br />

SSOO MonMofld Av*.<br />

MONTREAL<br />

FLORENT BOULET<br />

435 Berry Street<br />

WINNIPEG<br />

GORDON GUIRY<br />

381] Edmonton Trail<br />

CALGARY<br />

DARYL MAOIU.<br />

Royal Hotel BIdg.<br />

Germain & King St.<br />

ST. JOHN, N.B.<br />

Sticwmanshii<br />

Is Cur Only


.<br />

LG A RY<br />

.^y'oody Allen's "Everything You Always<br />

Wanted to Know About Sex But Were<br />

Afraid to Ask" opened to instantaneous<br />

success at the Grand One Theatre here. The<br />

comedy film set a new record in the 561-<br />

seat house in the first five days of its<br />

engagement. The feature had turn-away<br />

crowds on the weekend at Pierre Gauthier's<br />

twin and both Odeon Theatres and United<br />

Artists, distributor of the picture, are looking<br />

for an extended run on this very funny<br />

production.<br />

John Carradine, well-known movie actor,<br />

was in Edmonton briefly while en route<br />

to Peace River. Seen at the Chateau Lacombe<br />

he visited with Sean Mulcahy, late<br />

director of Edmonton's Citadel, and reported<br />

that his most recent work has been<br />

in a production of the Fantasticks, portraying<br />

the Old Actor. John has been playing<br />

stock in various centers across the line<br />

but will be remembered by movie buffs<br />

for his performance in such dramas as "The<br />

Grapes of Wrath." "Stagecoach," "Les<br />

Miserables," "Captains Courageous" and<br />

many other pictures.<br />

Barbara Rowley, daughter of Astral Films'<br />

Joan Rowley, has just completed an accounting<br />

course with honors, her lowest<br />

mark being 92. However, she garnered<br />

several 100s. Barbara will be a welcome<br />

addition to this city's work force, where<br />

just new office help seems to be at a premium.<br />

Congratulations, Barbara!<br />

National Film Theatre in Edmonton presented<br />

"Isle of the Dead" in its continuing<br />

series of horror films. Produced in 1945<br />

and starring Simone Simon and Tom Conway,<br />

the feature was shown in the Edmonton<br />

Art Gallery Theatre. Also on the program<br />

was "The Sawmill," a film produced<br />

in 1921. The double bill was screened Sunday<br />

(4), with admission by membership<br />

only, plus $1 for the evening. Memberships<br />

were available at the theatre.<br />

The latest victims of the flu around the<br />

exchange were Vern Haraldson, branch<br />

manager for United Artists, and Jim Mc-<br />

Laughlin, manager of Victoria Shipping<br />

Services. Although both really were "under<br />

the weather" for several days, they now are<br />

back at work.<br />

The Edmonton Film Society presented<br />

"Shoot the Pianist" in its Classics Series at<br />

the Tory Lecture Theatre on the University<br />

of Alberta campus. Produced in 1960 by<br />

Francois Truffaut, the picture was shown<br />

with "Queen Christina," produced in 1933<br />

and starring Greta Garbo. Admission was<br />

by membership only.<br />

Chris Steinbninner, author and film manager,<br />

presented his "Cinema of the Fantastic"<br />

at the Centennial Planetarium here<br />

Thursday (1). Steinbrunner is editor-inchief<br />

of McGraw-Hill's Encyclopedia of<br />

Mystery and Detection and also is film<br />

manager for a major TV station in New<br />

York . . . Edmonton's French film club,<br />

Toutimage, screened "Tendre Voyou" January<br />

28 at College Universitaire St. Jean<br />

Auditorium. Stars of the picture are Jean-<br />

Paul Belmondo and Mylene Demongeot.<br />

Producer is Jean Becker. Members' admission<br />

was 50 cents, while nonmembers were<br />

charged $1.50 . . . The Calgary Film Society<br />

Thursday (l) presented for its members<br />

the film "The Castle." Starring Maximilian<br />

Schell. the feature was produced in<br />

West Germany in 1969 by Rudolph Noelte.<br />

This picture was shown as part of the society's<br />

International Film Series and was<br />

at the Jubilee Auditorium.<br />

Ken McBean, branch manager of International<br />

Film Distributors, reports that<br />

"Where Does It Hurt?", playing in the<br />

Towne Cinema, Edmonton, continues a<br />

record-breaking engagement and shows no<br />

signs of weakening. The 17th Saturday of<br />

the engagement the theatre enjoyed capacity<br />

business. Continued use of TV coverage for<br />

the extended run has resulted in recordbreaking<br />

grosses in smaller towns receiving<br />

the Edmonton stations, as the picture<br />

is playing in these situations.<br />

Marlene Warfield, who plays a part in<br />

United Artists' "Across 110th Street," was<br />

with Edmonton's Citadel Theatre for some<br />

time. Edmontonians will have a chance to<br />

see Marlene, as the film currently is playing<br />

in the Rialto Theatre.<br />

Curtis Mayfield, well-known in musical<br />

fields, presented a concert in Edmonton's<br />

Jubilee Auditorium January 31. He is best<br />

known for the soundtrack of "Super Fly"<br />

and his scoring of "Lilies of the Field."<br />

Curtis wrote his first hit, "Gypsy Woman,"<br />

at the age of 12 but it was not recorded<br />

for six years. He worked with several bands<br />

before joining the Roosters, who later<br />

changed their name to the Impressions.<br />

This group reformed several times and put<br />

together a string of hits in the '60s. In 1970<br />

he went on his own as a producer and<br />

songwriter and formed a new band called<br />

the Curtis Mayfield Experience. It has released<br />

four successful albums— "Curtis,"<br />

"Grassroots," "Curtis Mayfield Live" and<br />

"Super Fly." Mayfield is a Grammy Award<br />

nominee.<br />

IFD branch<br />

manager Ken McBean flew<br />

to Vancouver January 28 to attend the annual<br />

meeting of the Motion Picture Theatre<br />

Association of British Columbia. He took<br />

in a cocktail party that day at the Denman<br />

Place Theatre, breakfast the next day at<br />

8:30 a.m. and a noon luncheon. Ken reports<br />

a very enjoyable and informative<br />

visit. Other theatremen in attendance from<br />

this area were Don Menzies of Famous<br />

Players here and Randy Archibald from<br />

the Armond Theatre, Cranbrook, B C.<br />

An association of Christians active in film<br />

and drama in Edmonton, who call their<br />

group Pulse, sponsored a presentation of<br />

"The Garden of the Finzi-Continis" in<br />

Room PI 26 at the Physics Building, University<br />

of Alberta. Screened January 27,<br />

admission was by donation, with all proceeds<br />

going to further the work of the group.<br />

Start BOXOFFICE coming .<br />

n 1 year for $10 D 2 years for $17 (Save $3)<br />

D PAYMENT ENCLOSED D SEND INVOICE<br />

THEATRE<br />

STREET<br />

These rates for U.S., Canada, Pan-Americo only. Other countries: S15 a year.<br />

ADDRESS<br />

TOWN STATE ZIP NO. .<br />

NAME<br />

POSITION<br />

BoXOffice — THE NATIONAL FILM WEEKLY<br />

825 Von Brunt B'vd., Kon^os City, Mo. 64124<br />

Leonard Rinsky, a very personable young<br />

man who is very enthusiastic about his<br />

work, is show host for Pacific International's<br />

"The Vanishing Wilderness." which<br />

currently is playing day and date at the<br />

Plaza, Tivoli and Studio 82. Holding over<br />

into its second week, the film was drawing<br />

capacity crowds. Rinsky, a Calgarian who<br />

was in construction work before joining<br />

Pacific International, will be traveling<br />

throughout Canada with the feature.<br />

Odeon Theatre here had a special midnight<br />

stereo rock show Friday, January 19.<br />

The doors opened at 11:30 p.m. for Mick<br />

Jagger and his Rolling Stones in "Gimme<br />

Shelter," for one performance only. All<br />

the sights, with sounds in the full dimension<br />

of four-track stereo, was the drawing card<br />

for rock-conscious Calgarians . . . Gordon<br />

Guiry, Astral Films branch manager, flew<br />

to Vancouver on company business.<br />

BOXOFFICE :: February 19, 1973


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Gteat Gulf Between 1913 Censors<br />

And 1973 Film Classifiers Cited<br />

VANCOUVER—Ray McDonald, director<br />

of film classification in British Columbia<br />

for 20 years, recently made a presentation<br />

to a special provincial legislative committee<br />

investigating censorship. He pointed<br />

out that British Columbia's present Motion<br />

Pictures Act (Bill 12 of 1970) underscores<br />

dramatically the ""great gulf" that e.\ists between<br />

the morally oriented public of 1913<br />

and the morally emancipated public of the<br />

1970s.<br />

McDonald's remarks to the committee<br />

follow, in part: '"In 1913 censorship was an<br />

acceptable and an efficient method of dealing<br />

with real or fancied problems of communication,<br />

including motion picture entertainment.<br />

Today it is neither acceptable nor<br />

efficient. It is not acceptable because the<br />

public concept of morality has changed<br />

from an ail-inclusive generality that covered<br />

human acts like a tent and consequently .set<br />

up a standard based on the public image<br />

. . . Censorship is simply no longer practical.<br />

"All our efforts now are directed to communicating<br />

specific information to the public.<br />

We do this primarily by the classification<br />

of motion pictures. The categories of<br />

classification are in reality labels to tell you<br />

something about motion pictures and might<br />

indeed be described as a kind of disinterested<br />

advertising. Everything we do is directed<br />

to the purpose of supplying the public<br />

with adequate information about motion<br />

pictures.<br />

"I venture to say that in this field British<br />

Columbia has pioneered a number of projects<br />

designed to augment the basic function<br />

of classification ... We are most certainly<br />

the first to use warning captions in the<br />

advertising of certain pictures and, I may<br />

add, in the face of great opposition within<br />

and without the motion picture industry.<br />

We also are the first classification office to<br />

produce a booklet to explain our work to<br />

?<br />

J. M. RICE and CO. LTD.<br />

"EVERYTHING FOR<br />

THE DRIVE-IN and INDOOR<br />

THEATRE"<br />

EXPERT REPAIR DEPARTMENT<br />

LOANERS FREE OF CHARGE<br />

430 Kensington St.<br />

Winnipeg 21, Man.<br />

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415 Revillon BIdg.<br />

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. . Suddenly<br />

—<br />

tures to influence human conduct. A producer<br />

always examines his subject in the<br />

light of current custom, of modes of expression<br />

and anything on the present scene that<br />

could make his picture generally acceptable.<br />

He must do this in the interest of good<br />

business. The result is always the opposite<br />

of what many people think. Far from instituting<br />

trends in ideas, in fashions and in<br />

moral conduct, the producer imitates the<br />

current trends because he feels that these<br />

are uppermost in people's minds.<br />

"The result is that motion pictures do not<br />

create the mores of society but act as mirrors<br />

and show us just what kind of society<br />

we have. If people do not like the image of<br />

society that they see, then it is reasonable to<br />

expect them to blame society and not motion<br />

pictures.<br />

"There is a direct connection between the<br />

pictures produced today and the events that<br />

shape the developments in modern communications.<br />

Now there is no denying that<br />

the motion picture industry is experiencing<br />

perhaps the most difficult period in its brief<br />

and fascinating history. In fact, it is no exaggeration<br />

to say that the industry is fighting<br />

for survival.<br />

"For the greater part of its life it has<br />

supplied generations of motion picture fans<br />

with family entertainment . TV<br />

arrived on the scene to snatch away this<br />

lucrative trade by bringing it into the living<br />

room so that not many cared to leave the<br />

home for something they could see without<br />

any bother or expense. Since people would<br />

not come to see family pictures the industry<br />

had to come up with some type of picture<br />

that would lure them back to the theatre.<br />

"The industry is most certainly concerned<br />

over the reaction of people to efforts made<br />

to increase the popularity of motion picture<br />

entertainment. Pictures are produced<br />

primarily to make a profit and this alone<br />

will inspire it to make the maximum effort.<br />

I feel confident that we may look forward<br />

to a reversal in the trend toward the erotic<br />

and the sensational."<br />

NFB Premieres 'Taureau'<br />

In Montreal's St. Denis<br />

MONTREAL — "Taureau," a new<br />

French-language feature produced by the<br />

National Film Board and starring many top<br />

Quebec actors, premiered Thursday (1) at<br />

Montreal's St. Denis Theatre. Written and<br />

directed by Clement Perron, who wrote the<br />

award-winning screenplay for the NFB's<br />

highly acclaimed "Mon Oncle Antoine,"<br />

"Taureau" is a love story starring Monique<br />

Lepage, Andre Melancon and Michele<br />

Magny.<br />

"Taureau" was filmed by George Dufaux<br />

and produced by Marc Beaudet. The music<br />

was composed by Jean Cousineau.<br />

According to Beaudet, "Taureau" now is<br />

being versioned in English and will be ready<br />

for release within a month and a half.<br />

Set in a small village in Quebec, the story<br />

involves a young man named Taureau<br />

(Andre Melancon), whose family represents,<br />

for the villagers, all that is evil in their<br />

midst.<br />

VANCOUVER<br />

fl n old friend of the Canadian Picture Pioneers<br />

is back in town to stay! Bill Myers,<br />

79 his next birthday, is at the Veterans<br />

Highrise, 204 New Vista PL, 7210 May<br />

Ave., Burnaby. His phone number is 524-<br />

5701. Give him a call. He'll appreciate it.<br />

The Courchines—Lucille and Lionel<br />

arrived back in town from a Mexico holiday<br />

in time to attend the British Columbia Motion<br />

Picture Theatre Ass'n convention. They<br />

reported an accident en route, when they<br />

were sideswiped by another car, but no injuries.<br />

Out-of-town exhibitors attending the convention<br />

included: Mr. and Mrs. Mike Radulovich.<br />

Trail; Harold Warren, Port Albcrni;<br />

Mr. and Mrs. Luke Lesmeister, Oliver; Bob<br />

Hayter, Starlite, Salmon Arm; Ralph<br />

Clarke, Chilliwack Drive-In; Sid Bidwcll,<br />

Salmar, Salmon Arm; Mr. and Mrs. Art<br />

Buchanan, Smithers; Mr. and Mrs. Cliff<br />

Degerness, Kitimat; Bob Trotter, Taylor;<br />

Leo Prescott, Haney; Randy Archibald,<br />

Cranbrook; Ken Thom, Duncan Drivc-In;<br />

Terry Wein, Chemainus; Myron McLeod,<br />

Powell River; Mr. and Mrs. A. Schaap,<br />

Golden; Leo Reault; Elka and George<br />

Peter, Merritt; Mr. and Mrs. Barney Simmons,<br />

Fox, Victoria; Jack Armstrong.<br />

Odeon, Victoria, and Chris Snellenberg. Jim<br />

McLachlan, who came the farthest, left<br />

Faro, Y.T., in a relatively balmy 37 below,<br />

only to swelter in our chilly 40 above.<br />

OTTAWA<br />

fractious members of the Canadian Union<br />

of Postal Employees have been causing<br />

no end of inconvenience for theatre managers<br />

because of a series of rotating strikes<br />

and so-called study sessions here and there,<br />

thus causing cessation of postal service. The<br />

latest for this city was a walkout of truck<br />

drivers, which brought a halt to the handling<br />

of parcels, books and publications, including<br />

posters and still photos for theatre use.<br />

Little more than a ripple of excitement<br />

was aroused by the announcement of a<br />

committee's report to the Ontario government,<br />

which recommended a quota system<br />

of Canadian features for all theatres, the<br />

dropping of the Ontario hoard of film censors<br />

and the adoption of a classification<br />

plan. It quickly was pointed out that national<br />

film quotas to encourage local production<br />

already had been tried, while the<br />

grading of pictures for audience guidance<br />

largely had replaced actual censorship.<br />

Some support was evident for a movie to<br />

avoid the use of scissors on X pictures.<br />

Well, he got away at last—meaning the<br />

departure for his last year's vacation by<br />

E. G. Warren, long-time manager of the<br />

Elgin twins. After a lapse of some months,<br />

he flew to Florida in his own plane to get<br />

away from this city's wintry blasts for a<br />

Second-generation showmen are beginning<br />

to appear in the ranks, namely, Bob<br />

Hirtle, Fraser. Vancouver; Dave Brewer,<br />

Hillcrest, Surrey, and Bob Hayter, Starlite,<br />

Salmon Arm, who reports his parents Kelly<br />

and Nan have been hopping all over the<br />

western hemisphere, this winter from Palm<br />

Springs, Calif., to Hawaii. They've finally<br />

arranged to meet him in Reno, Nev. He<br />

says this has been the mildest winter ever<br />

in Salmon Arm. Golf was played Christmas<br />

Day on links bare of snow.<br />

Jack Armstrong was playing the proud<br />

grandfather bit with pictures of his 16-<br />

month-old grandson, proudly displayed by<br />

Grandma Edna.<br />

The best story of the convention was told<br />

by Bob Kelly of the Odeon, New Westminster.<br />

It seems this manager had the night<br />

off when a change was due. He left a message<br />

for the man who made up the readograph<br />

and also the maintenance man. The<br />

readograph man picked up the wrong one<br />

and the next day, when the manager arrived<br />

for work, he lifted up his eyes and was<br />

greeted by: "Now Playing. Fix the Toilet<br />

in the Ladies' Room."<br />

The Monday luncheon in the Devonshire<br />

Hotel was a felicitous time for reunion,<br />

when retired Famous Players district manager<br />

Maynard Joyner. ex-Columbia representative<br />

Nat Levant and Cece and Mrs.<br />

Steele joined the convention as guests.<br />

complete change. Warren will return later<br />

this month.<br />

Global Communications, in which the<br />

Canadian Rank Organization has a substantial<br />

financial interest, is working toward<br />

a TV network with six interconnected transmitters<br />

to serve an estimated 7,000,000<br />

viewers when completed.<br />

The National Film Theatre conducted a<br />

free show Thursday (8) in the government's<br />

National Library Theatre for club members<br />

and the general public with the screening of<br />

a French double bill consisting of "Mauritanie"<br />

and "The Passion of Joan of Arc."<br />

Shown between the two features was a film<br />

demonstrating the work of Charles Hofmann,<br />

noted musician for picture productions.<br />

Principal Photography Is<br />

Done on 'The Last Detail'<br />

HOLLYWOOD—"The Last Detail," the<br />

Acrobat Film for Columbia Pictures, has<br />

completed its principal photography. The<br />

film, which was produced by Gerald Ayres<br />

and directed by Hal Ashby. concerns two<br />

veteran sailors who escort a young recruit<br />

from the Norfolk Naval Base to the Portsmouth<br />

Naval Prison.<br />

"The Last Detail." which stars Jack<br />

Nicholson, Randy Quaid and Otis 'Young,<br />

was filmed this winter in Toronto, Canada,<br />

and on the Eastern Seaboard.<br />

BOXOFFICE :: February 19, 1973 K-7


'<br />

.<br />

. . NFB<br />

RO N T O<br />

.yfon Oncle Antoine," Claude Jutra's prizewinning<br />

Canadian film, has been given<br />

an award by the National Society of Film<br />

Critics in New York City. Yves Garneau,<br />

manager of Gendon Films, the movie's coproducer<br />

with the National Film Board, reported<br />

to the press that the film cost $450.-<br />

000 to make and has grossed $750,000 to<br />

date.<br />

Paul Newman and Michael Caine were<br />

vi.sitors here Friday 26. clima.xing a busy<br />

week for Jerry Collins, publicity director<br />

for Bellevue Films, now Canadian distributors<br />

for 20th Century-Fox product. Newman<br />

made the rounds to radio and TV<br />

studios throughout the day to promote "The<br />

Effect of Gamma Rays on Man-in-the-<br />

Moon Marigolds." Newman directed this<br />

film, which stars his wife Joanne Woodward.<br />

Michael Caine was here to promote<br />

his latest motion picture ""Sleuth." Earlier<br />

in the week Collins had a busy day escorting<br />

Jeannie Berlin from place to place.<br />

Jeannie is Elaine May's daughter and a leading<br />

player in her new comedy ""The Heartbreak<br />

Kid."<br />

The Italian consulate spwnsored a TV<br />

film festival Tuesday (13) through Sunday<br />

(18) at the Revue Cinema. A French film<br />

festival was held at the Ontario Film Theatre<br />

and a festival of German operatic films<br />

is to be held at the St. Lawrence Arts Centre<br />

in March.<br />

An estimated 1,500 persons were turned<br />

away from a preview of ""Sleuth"" at the<br />

Ontario Film Theatre Saturday evening,<br />

January 27, which was attended by actor<br />

Michael Caine ... A preview of Paramount's<br />

""Save the Tiger" was held here<br />

Monday (12).<br />

(<br />

The entire Canadian industry was saddened<br />

by the death of John S. Kurk. executive<br />

of the 20th Century circuit. Sincere<br />

sympathy is extended to his wife and family.<br />

WRITE—<br />

The Exhibitor Has His Say<br />

TO:<br />

BOXOFFICE. 82S Van Brunt Blvd.,<br />

Title<br />

comment<br />

Dots d Week Played<br />

'"vhibitor..<br />

Kansas City, Mo. 64124<br />

Many of the attractions brought in<br />

during<br />

the holiday season continue to do strong<br />

business. New bookings included ""Limbo"'<br />

at the York Two: ""The Deadly Trap" at the<br />

Capitol Fine Art; ""To Kill a Clown" at the<br />

Capri and two drive-ins; "Images" at the<br />

Cinecity. and a multiple opening of ""The<br />

Sword in the Stone" at the Towne and<br />

Countrye. Willow. Mount Dennis. Cedarbrae,<br />

Willow and others . bookings<br />

included ""Winds of Fogo"" at the Park; ""Big<br />

Horn" at the Biltmore; ""Angus"' at the<br />

Uptown Three; ""Ride for Your Life" at the<br />

Yonge, and ""Cold Rodders" at the Yorkdale.<br />

Pierre Trolle Is Manager<br />

Of UT French Publicity<br />

MONTREAL—Pierre Trolle,<br />

who joined<br />

United Theatres in Montreal in 1968 as a<br />

trainee manager, in 1972, following a number<br />

of managerial posts, was promoted to<br />

succeed Jacques Champagne as manager of<br />

French publicity and public relations.<br />

Born in France, Trolle received his high<br />

school and college education in Paris. He<br />

came to Canada in 1965 and spent considerable<br />

time traveling across the country<br />

before returning to Toronto, where he completed<br />

his course in commerce in 1967.<br />

Trolle presently is attending night courses<br />

in accountancy at McGill University, leading<br />

to an RIA degree. He is 31 and married.<br />

John S. Kurk, 54, Dies<br />

Jan. 25 of Heart Attack<br />

TORONTO—John S.<br />

YODH REPORT OF THE PICTURE YOU<br />

HAVE lUST PLAYED FOR THE<br />

GUIDANCE OF FELLOW EXHIBITORS.<br />

Kurk. manager of<br />

theatre operations for the 20th Century<br />

Theatres circuit, died of a heart attack in<br />

Toronto General Hospital Thursday evening,<br />

January 25. He was 54.<br />

The popular veteran showman was born<br />

in Winnipeg and became connected with<br />

the motion picture industry in distribution<br />

of foreign films and theatre management<br />

in the Winnipeg area while still in his teens.<br />

He joined Nat Taylor's 20th Century The-<br />

Company..<br />

Theatre..<br />

Weothar..<br />

— Right Now<br />

atres circuit in 1942 as assistant manager<br />

of the Regent Theatre in Sudbury and for<br />

the next seven years managed theatres in<br />

North Bay, Sudbury, Ottawa, London and<br />

Toronto.<br />

In 1949 Kurk was appointed district<br />

manager for the circuit and in 1963 became<br />

manager of theatre operations. During<br />

the past 24 years he worked in close<br />

association with vice-president Myer Axler<br />

in the circuit's expansion into the drivein<br />

theatre field, becoming a recognized<br />

authority on drive-in<br />

construction and operations.<br />

Kurk was held in<br />

high esteem by business<br />

associates, by fellow members of Variety<br />

Club Tent 28 and the Canadian Picture<br />

Pioneers and will be missed by all members<br />

of the motion picture industry.<br />

He leaves his wife Ida; a daughter. Candice;<br />

his mother, and two sisters.<br />

72 Jimmy Fund Drive<br />

Set 25-Year Record<br />

BOSTON—Contributions amounting to<br />

$980,634 in 1972 to the Jimmy Fund set<br />

a record for a single year, according to<br />

William S. Koster, executive director of<br />

the New England Variety Club and vicepresident<br />

of the Children's Cancer Research<br />

Foundation for which the fund has been<br />

raised in annual drives for the last 25<br />

years.<br />

James Mahoney, Interstate Theatres;<br />

Arthur Friedman, United Artists, and Michael<br />

Fleisher, independent distributor,<br />

served as 1972 co-chairmen for the New<br />

England theatre industry, which continues<br />

to be the backbone of support for the Jimmy<br />

Fund. Once again more than 600 New<br />

England theatres took audience collections<br />

for the fund to fight cancer in children.<br />

The teamwork of the Variety Club, New<br />

England law enforcement agencies and the<br />

Boston Red Sox baseball team, was given<br />

a lift again in 1972 by benefits organized<br />

by golfing, ice hockey and airline sponsors,<br />

all money raised being funneled into the<br />

Children's Cancer Research Foundation.<br />

The foundation was the first such organization<br />

in the world devoted to care and research<br />

in the field of cancer in children and<br />

now is an internationally famous institution.<br />

Thousands of children from birth to<br />

adult life have received total care as part<br />

of the clinical investigation for new methods<br />

of treatment. Large numbers of children,<br />

who had siiffered from several different<br />

forms of cancer, are still alive only<br />

because of the new treatments developed<br />

in the foundation, which has facilities here<br />

for caring at one time for about 650 children<br />

with leukemia and all other forms of<br />

cancer.<br />

Ihe Jimmy Fund, synonymous in New<br />

England with the Children's Cancer Research<br />

Foundation, has made it possible for<br />

the foundation to be a private institution<br />

and to accept further support from federal<br />

and private sources. The construction of<br />

the foundation's Charles A. Dana Adult<br />

Cancer Center is on schedule and should<br />

be completed in 20 months.<br />

BOXOFFICE :: February 19, 1973


CottAi^iid&Ofo • CauUtMofit' • CeftcedicBftd. • maudlnaAUic<br />

FEBRUARY 19, 1973<br />

Collapsible screen timers are hut one of sc\eriil unique jealures presently in ojieraliou<br />

at McLendon's new Texas Stadium Drive-ln, a three-screen facility in Irving, Texas.<br />

featuring<br />

Drive-ln<br />

Operation


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Introduced in 1946 and still the world's<br />

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drive-in use and found in drive-ins<br />

throughout the v^orld.<br />

— f B<br />

also starring THE<br />

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featuring the Pro-35 Projector and the Model VII Soundhead<br />

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Book the M-X Sound System and the Pro-35 Projection<br />

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For more information, contact your nearest Ballantyne Selected<br />

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BALLANTYNE^<br />

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The MODERN THEATRE SECTION


FEBRUARY 19, 197 3<br />

con I e n I s<br />

^<br />

B. (ASED ON THE EDITORIAL THEME,<br />

Drive-In Operation, this month's Modem<br />

Theatre takes a close-up look at a pair of<br />

highly unique and rather fascinating openair<br />

operations.<br />

McLendon's new Texas Stadium Drive-In<br />

in Irving, Texas, originally conceived<br />

through the idea that athletic facilities could<br />

bring in extra revenue through the use of<br />

parking areas that remain vacant most nights<br />

of the year, adjoins the beautiful home of<br />

the Dallas Cowboys of the National Football<br />

League. Featuring three collapsible<br />

screen towers, a new concept in screen design,<br />

this unique drive-in complex can be<br />

easily converted back into a parking facility<br />

capable of serving the thousands of Cowboy<br />

fans that pack into the Stadium for<br />

each home game.<br />

Abraham Lincoln once said: ".<br />

. . You<br />

can't satisfy all the people all the time . .<br />

But this never stopped anyone from trying,<br />

and officials at the Cineparc Dollard Drive-<br />

In on the Island of Montreal are doing their<br />

best to try and overcome this. The Canadian<br />

airer is completely bi-lingual in screen fare,<br />

featuring an English language film on one<br />

of the screens, while a French attraction is<br />

appearing on the other.<br />

George Tice, president of NATO of Westem<br />

Pennsylvania, has experienced nearly a<br />

decade of success with his swap shop. Flea<br />

market operation at the Woodland Drive-<br />

In in West Mifflin, Pa. Until recently, he<br />

had not been bothered by the state revenue<br />

people on the question of sales tax. This<br />

month's issue reveals how Tice handled the<br />

situation, keeping his patrons in mind at all<br />

times.<br />

National General has opened the first<br />

new four-wall complex in New York City's<br />

Times Square in over 30 years. The Modern<br />

Theatre sheds a spotlight on this new 1,445-<br />

seat show palace beginning on page 16.<br />

The Projection and Sound department<br />

features articles by Wesley Trout on steps<br />

to take and things to look for in preparing<br />

your drive-in booth for optimum performance<br />

in the coming season, and the first of<br />

a series of articles written by Veryl D. Johnson<br />

of Union Carbide Corp. on the elements<br />

of good projection.<br />

Harold Ashe explains how exhibitors can<br />

look forward to smaller tax bills this year<br />

as a result of changes made in 1971, some<br />

becoming effective for the first time.<br />

The Refreshment Service takes a look at<br />

the new concession facilities at the Texas<br />

Stadium Drive-In, which serves hungry<br />

patrons in conjunction with two different<br />

forms of entertainment.<br />

."<br />

Parking Lot by Day; Drive-In by Night Mable Guinan 4<br />

Swap Operation Encounters Tax Problem 8<br />

Language No Barrier at Montreal Airer 12<br />

Tax Changes Should Benefit Exhibitor Harold Ashe 14<br />

First New Theatre in Times Square in Three Decades 16<br />

Time to Look at Drive-In Equipment Wesley Trout 19<br />

Lamp Brightness Test on llS-ft. Screen at Lubbock D-l 23<br />

Safeguarding <strong>Boxoffice</strong> Receipts Could Prevent Successful Holdup 24<br />

Good Projection Means the Elimination of all<br />

Errors Veryl D. Johnson 25<br />

New Facility Has Split Personality 27<br />

Popcorn Profits 28<br />

Higher Popcorn Prices Expected as Early Winter Delays Harvest .... 30<br />

Committee Chairmen Announced by NAC 31<br />

DEPARTMENTS:<br />

^<br />

Projection and Sound 19 New Equipment, Developments 35<br />

Refreshment Service 27 Literature 38<br />

ON THE COVER<br />

About People and Product 38<br />

The lead story this month features a new development in<br />

drive-in<br />

theatre operation. Texas Stadium Drive-In. located just outside of<br />

Dallas in Irving, Texas, utilizes collapsible screen towers which are<br />

hydraulically lowered at night's end, as pictured on the cover, to<br />

protect them against high winds. The screens are lowered until<br />

they become parallel to the ground in a horizontal resting position.<br />

CHARLES F. ROUSE Ml, Managing Editor<br />

The MODERN THEATRE is a bound-in section published each month in BOXOFFICE. Editorial<br />

or genera! business correspondence should be addressed to Associated Publications, Inc., 825<br />

Van Brunt Blvd., Kansas City, Mo. 64124. Wesley Trout, Technical Editor; Eastern Representative:<br />

James Young, 1270 Sixth Ave., Rockefeller Center, New York, N. Y. 10020; V^'estern<br />

Representative: 5yd Cassyd, 6425 Hollywood Blvd., Hollywood, Calif. 90028.


Pictured above, at left, is (iiic of lliicc colUipsil^le screens tit the new<br />

Texas Stadium Drive-In in its upright operational position. Each<br />

night, the screens are lowered to a horizontal position, at right.<br />

wliere tliey come to rest on a series of pillars positioned in front of<br />

the screen towers. The screens are lowered to protect them against<br />

high winds. This month's cover shows screen being lowered.<br />

PARKING LOT BY DAY; DRIVE-IN<br />

BY NIGHT<br />

Texas Stadium Drive-In serves Dallas Cowboy fans<br />

during games and outdoor patrons after dark.<br />

By<br />

MABLE GUINAN<br />

Athletic complex parking facility or<br />

drive-in theatre? Why not both? This unique<br />

functional concept was officially unveiled<br />

to the populous of Irving, Texas, recently<br />

in the operational form of the Texas Stadium<br />

Drive-In, a three-screen theatre.<br />

The new 1 8-acre drive-in complex is<br />

actually located in the stadium parking lot<br />

adjoining the massive football structure that<br />

houses the Dallas Cowboys during the professional<br />

football season.<br />

It all started two and one-half years ago<br />

when Clint Murchison, chairman of the<br />

board of the CEBE Corp., met with Gordon<br />

McLendon, president of the McLendon<br />

Corp., and Bob Hartgrove, president of<br />

McLendon Theatres, to discuss an idea<br />

Murchison hoped would bring in some extra<br />

revenue to the city of Irving, a suburb of<br />

Dallas. Murchison felt that baseball, football<br />

and racing facilities could bring in<br />

extra revenue through the use of parking<br />

areas that remain vacant most nights of<br />

the year.<br />

Designed by Harvey Jordon of the Steel<br />

Crete Structures, Inc., in Arlington, the new<br />

drive-in theatre facility is constructed in<br />

such a manner that it can be readily converted<br />

and used for stadium parking during<br />

athletic events, enabling year-round use<br />

of the grounds.<br />

Jordon obtained the services of a top<br />

hydraulic engineer to help him design the<br />

screen system, so the three steel structures<br />

could be raised each evening, and lowered<br />

at night's end to protect them from high<br />

winds. This idea could have applications<br />

in other situations, particularly in coastal<br />

areas where high winds are often a serious<br />

problem for the towering drive-in screens.<br />

Even though the Texas Stadium screens<br />

are built to withstand 125 mile-an-hour<br />

winds, Jordon does not recommend that<br />

they be used upright in a wind of more<br />

than 40 miles per hour.<br />

Removable speaker posts, also developed<br />

by Jordon, are another interesting feature<br />

of this new drive-in complex. The entire<br />

unit— 1,800 in number—can be lifted out<br />

of the ground and stored during a sporting<br />

event. Each unit is built so it can be<br />

Continued on page 6<br />

One of the features that makes this drivein<br />

operation so unique is the development<br />

and use of collapsible steel screen towers.<br />

The screens, engineered by Jordon, measure<br />

40 X 80 feet. Each night, the theatre manager<br />

pushes a button that lowers the .'icreens<br />


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unmatched color consistency. If you have a drive-in, check our Model 6000;<br />

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For more information, contact your local theatre equipment dealer or write:<br />

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INTERMITTENT<br />

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Good pictures are vital to<br />

good business, so smoothly<br />

operating projectors are<br />

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projector is the Intermittent.<br />

These kits include<br />

items needed to quickly<br />

repair an intermittent —<br />

matched, fitted, ready for<br />

the repair man to install.<br />

A pair of Ballantyne Pro-35 projectors<br />

serves each of three screens at the new<br />

Texas Stadium Drive-In. One set, middle<br />

and right, is pictured above. To the left,<br />

another set (one projector out of picture)<br />

faces in a different direction; two more<br />

(out of picture lo the right) project<br />

in stilt another direction.<br />

Continued from page 4<br />

plugged into a socket embedded in the<br />

ground. Specially-built, screw-on caps are<br />

used to protect the sockets from water,<br />

mud and other debris which can accumulate<br />

during a ball game. The caps are locked on<br />

to protect against theft, vandalism or damage<br />

to the electrical wiring.<br />

The concession stand is completely air<br />

conditioned and heated for year-round use.<br />

Equipped with large, spacious booths, a<br />

family can dine out before viewing one of<br />

three performances shown every night. The<br />

refreshment service also will be open during<br />

football games. (For details See Refreshment<br />

Service)<br />

The projection booth (44 feet x 30 feet)<br />

was equipped by Southwestern Theatre<br />

Equipment Co. of Houston, and includes:<br />

Drive-In Theatre Mfg Co. sound equipment;<br />

Ballantyne Pro-35 projectors; ORC<br />

xenon lamps; Altec sound amplifiers; Kollmorgen<br />

lenses; Neumade rewind equipment,<br />

and Koropp drive-in speakers.<br />

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The MODERN THEATRE SECTION


SWAP OPERATION ENCOUNTERS TAX PROBLEMS<br />

"Cowboy" George Tice obtains state sales tax licenses for patrons<br />

The liability of exhibition to<br />

report and pay state sales tax at drive-in<br />

theatres where swap<br />

and shop centers are<br />

operated has come up<br />

of the Woodland Drive-In Swap and Shop Center<br />

for attention in at<br />

least one situation and<br />

could be a cause of<br />

exhibitor concern in<br />

other states that have<br />

sales tax laws.<br />

This point was<br />

emphasized in 1972<br />

through an experience<br />

George Tice<br />

by George Tice. longstanding<br />

president of NATO of Western<br />

Pennsylvania, and was compounded by the<br />

emergence of garage sales, lawn and patio<br />

sales, and other profit-making schemes<br />

which circumvented sales taxes.<br />

When Tice began his swap shop operation<br />

at the Woodland Drive-In in West<br />

Mifflin, Pa., a decade ago, the question on<br />

whether or not state sales tax should be<br />

charged was of primary concern.<br />

Tice went to the State Revenue Bureau<br />

in 1962 and explained that a swap center<br />

was a place where people brought things<br />

they no longer had a use for and exchanged<br />

them for items brought by other people.<br />

At that time, he was told there was no<br />

sales tax involved since the articles were not<br />

sold for profit.<br />

When the drive-in first opened, it was<br />

all alone in its location, Tice recalls. But<br />

in about five years, there were theatres all<br />

around, and he was forced to find some<br />

way to promote the theatre and "help pay<br />

the bills." It was at this point that he decided<br />

to try out the Sunday swapping center<br />

concept. He charged 50 cents for each<br />

car entering the drive-in, making it re-<br />

On a good Sunday, The H'oodUind Drivc-ln in IVcst Mifflin, t'ci.. hu\ hccii known to<br />

pack in as many as 1 ,600-1 .700 cars as swap and shop entlnisiasts come from all<br />

around to sell, exchange and barter for any number of desirable goods.<br />

fundable when the swapper returned to see<br />

a show and brought along one paid admission.<br />

The swap shop itself was, and still is,<br />

sold as a community service, and everything<br />

went along just fine with the state<br />

tax people until last year— 1972.<br />

Then, one Sunday a state inspector showed<br />

up. Word got around among the swappers,<br />

and many of them packed up ready<br />

to go home, Tice said.<br />

Over the years, other swap and sale<br />

techniques have been devised—swap shops<br />

in shopping marts on Sundays, garage and<br />

yard sales, etc.—and the state revenue department<br />

found that many of these were<br />

being conducted for a profit, Tice explained.<br />

As a matter of fact, many of the<br />

Eager patrons start lining up as early as 6 a.m. to set up shop for the day's activities.<br />

Normal hours of operation are from 9 a.m. to 5 p.m., March through December. The<br />

concession area is open during swapping hours and there is a playground available for<br />

drive-in swappers came back Sunday after<br />

Sunday, and they, also, were making a<br />

profit in selling merchandise.<br />

As a result, the revenue department<br />

ruled that sellers must have a valid license,<br />

and that they must collect the state's 6<br />

per cent sales tax on any profit they make.<br />

(The licenses are free in the State of Pennsylvania;<br />

however, this may not necessarily<br />

be the case elsewhere.)<br />

When his customers started to show<br />

signs of panic that Sunday, Tice announced,<br />

"No one is going to bother you, unless<br />

you are making a business out of the swap<br />

shop." In that case, he told them, they<br />

would have to collect the state's 6 per cent<br />

sales tax on their profits.<br />

Tice further explained that the licenses<br />

required by the state were free and told<br />

his patrons that in order to save them a<br />

trip to Pittsburgh, he would take care<br />

of it for them if they would give him their<br />

names and addresses. He explained he could<br />

obtain 90-day renewable temporary licenses,<br />

or permanent licenses good for one year.<br />

About 180 people signed up with Tice<br />

and, true to his promise, he went to Pittsburgh<br />

and obtained the licenses for them.<br />

"This is more satisfactory to me," Tice<br />

said. "I'm not involved. As far as I'm concerned,<br />

I just operate the parking lot. It's<br />

up to them as to whether they make a<br />

profit or not, or pay the tax." However,<br />

he added, "I can ask people to leave, and<br />

I can tell them where to park."<br />

As an indication of the success of his<br />

swap shop, Tice said the concession stand<br />

business is tremendous, often doing as<br />

much on a Sunday as it does throughout<br />

a normal week.<br />

As for his customers, Tice said that one<br />

rainy Sunday a gentleman called and asked<br />

if the swap shop was open. Tice told him<br />

there were a few people on hand. Later,<br />

Continued on page 11<br />

The MODERN THEATRE SECTION


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WOODLAND SWAP SHOP<br />

Continued from page 8<br />

when the caller himself showed up, he<br />

told Tice, "'Holy Smoke, I damned near<br />

went to church. Another customer told<br />

him: "Some people are hooked on drugs:<br />

some on booze. I'm hooked on this."<br />

The flea market, swapping center idea<br />

first came into prominence in the early<br />

'60s with its use by West Coast drive-in<br />

exhibitors as a source of supplemental<br />

revenue and as a business booster; the<br />

lure of bartering or swapping brought on<br />

the<br />

people.<br />

Tice had heard about the West Coast<br />

operation and wanted to go out and have<br />

a look-see for himself. For the most part,<br />

he liked what he saw, but decided to make<br />

a few modifications before adopting the<br />

idea for his own purpose. Tice found that<br />

the West Coast exhibitors who sponsored<br />

swapping centers charged as much as $15<br />

per day for stands and levied a 35-cent admission<br />

price per person. He disagreed with<br />

this procedure, however, seeing the swap<br />

shop idea as a community service providing<br />

an exchange center. He did not see fit<br />

to charge for stands and does not charge<br />

admission, but instead charges 50 cents for<br />

parking.<br />

When Tice's Woodland swapping center<br />

first opened its gates, only 28 cars were in<br />

attendance. Now the Woodland Drive-In<br />

Theatre Flea Market and Swapping Center,<br />

as it is officially called, draws as many as<br />

1.600-1.700 cars on a Sunday with the<br />

most eager patrons lining up as early as<br />

6 a.m.<br />

Swapping hours are from 9 a.m. to 5<br />

p.m.. beginning in March and continuing<br />

through December. Tice reports that<br />

almost<br />

everything imaginable, ranging from such<br />

items as antiques to puppies, are exchanged<br />

or purchased during the eight hours of<br />

operation.<br />

The buyers and sellers drive their car<br />

into a straight position in their parking place<br />

fthe speakers are even with the front window),<br />

and the "show" begins. Refreshments<br />

are sold during the swapping hours, and<br />

there is<br />

a playground available for the children.<br />

At 5 p.m., the swap center closes up<br />

shop so the theatre can get ready for the<br />

evening's movie, and the patrons either stay<br />

for the performance or slowly begin to<br />

file home. In either case, they'll be ready<br />

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)<br />

While one of the screens at the Cineparc Dollard Drivein<br />

is featuring a French language film, the other is<br />

showing an English attraction. Cinema 1, upper left, has<br />

a capacity of 700 vehicles, while Cinema 2 is capable<br />

of handling 900 cars. A centrally located concession building,<br />

upper right, serves patrons from both units.<br />

LANGUAGE NO BARRIER AT MONTREAL AIRER<br />

Cineparc Dollard Drive-In^ the only one in existence on the<br />

island, offers bi-lingual entertainment bill<br />

Language is the least of exhibition worries<br />

at the Cineparc Dollard Twin Drive-In in<br />

Montreal, Que., where patrons are offered<br />

a bi-lingual choice of entertainment.<br />

This unusual drive-in operation, owned<br />

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suburban Dollard-des-Ormeau, not only<br />

represents a one-of-a-kind for the area, but<br />

also holds the distinction of being the only<br />

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of Montreal.<br />

Completely bi-lingual in billing fare, the<br />

twin complex features two 5 3x1 20-foot<br />

curved screens that face each other at<br />

opposite ends of the site, providing two<br />

separate showcases, each having its own<br />

parking facility and ultramodern electronic<br />

equipment.<br />

While one of the screens (Cinema 1<br />

is presenting a French language film, the<br />

other (Cinema 2) is showing an English<br />

attraction.<br />

The 50-acre, open-air facility can accommodate<br />

as many as 1,600 cars, with<br />

room for expansion to 2,000. Cinema 1<br />

has a capacity of 700 and Cinema 2 can<br />

handle 900 cars.<br />

An extra wide entrance leads to two<br />

spacious boxoffices, capable of handling<br />

four lanes of traffic. The access to each<br />

screen is plainly marked with large numerals<br />

and directional signs.<br />

A centrally located concession building<br />

serves patrons from both the Cinema 1<br />

and 2 units. Constructed of concrete, the<br />

main floor of the building houses the<br />

kitchen, storage room, refreshment center,<br />

washrooms and electric room. A second<br />

story, located on one end, contains the projection<br />

booth, manager's office and staff<br />

dressing rooms.<br />

The refreshment area offers cafeteriastyle<br />

service with four aisles that can be<br />

serviced by two or four cashiers, depending<br />

on the volume of business. There are<br />

two condiment tables, one on each side<br />

of the service area.<br />

Bi-lingual signs adorn one wall of the<br />

concession area for the convenience of those<br />

patrons desiring to check the cost of each<br />

item. Bright-colored walls, tile floors and<br />

attractive lighting round out the decorative<br />

interior theme.<br />

Foster refrigerators and freezers and<br />

Moffat griddles and fryers are used in the<br />

kitchen, while the service area is equipped<br />

with Coca-Cola drink machines; top-counter<br />

food warmers by Ideal; Toastmaster undercounter<br />

warmers; Supurdisplay butter dispensers;<br />

Cretors' popcorn machines; Bardeau<br />

coffee-makers, and convection ovens<br />

by Bakers Pride.<br />

The projection room was equipped by<br />

General Sound and Theatre Equipment Ltd.<br />

and includes Century double-shutter projectors,<br />

soundheads and pedestals; Ashcraft<br />

multi-purpose rectifiers and water-recircu-<br />

Continued on page 14<br />

The concession area, left, offers four aisles of cafclciia-siyle<br />

service. The projection booth, fully automated, is located on the<br />

second floor at one end of the concession buii unci uo.v<br />

equipped by General Sound and Theatre Equipment Ltd.<br />

The MODERN THEATRE SECTION


OSRAM XENON BULBS<br />

More theater owners use<br />

Osram Xenon bulbs<br />

than any other kind.<br />

No wonder.<br />

The first commercially available<br />

Xenon bulb was introduced<br />

by Osram over 1<br />

8 years ago.<br />

And today, ours are still<br />

the<br />

most advanced units<br />

you can buy.<br />

For color reproduction,<br />

they put out the best light<br />

on the screen. Yet, they cost<br />

less than just about<br />

any competitive bulbs.<br />

And best of all, they last.<br />

To be on the safe side,<br />

we guarantee Osram<br />

movie bulbs for between<br />

1000 and 2000 hours.<br />

depending on the bulb.<br />

But you can<br />

count on them to lost<br />

a lot longer.<br />

There's an Osram Xenon bulb<br />

to fit every housing. So<br />

whether you're converting to<br />

Xenon from carbon arc,<br />

or installing a brand new<br />

automated operation, or just<br />

replacing your old bulb,<br />

think about Osram.<br />

We were the first in Xenon.<br />

And we still are.<br />

Contoct your local theater<br />

equipment dealer or<br />

Macbeth Soles Corporation,<br />

P. O. Box C,<br />

Newburgh, New York 1 2550.<br />

Telephone (914) 561-7300<br />

Macbeth<br />

Sales Corparatiitn<br />

Subsidiary oi Kollmorgen Corporolion<br />

U.S.A. Distributor for Osrom lamps.


.ANGUAGE...<br />

Continued from page 12<br />

Tax Changes Should Benefit Exhibitor;<br />

Lead to Smaller Tax Bill This Year<br />

lators; Kollmorgen four-inch (diameter)<br />

anamorphic lenses (the first drive-in in<br />

Quebec to be equipped with these new<br />

lenses). The sound systems are dual-channel,<br />

250-watt Ballantyne tube-type power<br />

amplifiers and transistor pre-amplifiers.<br />

Since the booth is fully automated, all<br />

the projection machines are equipped with<br />

magazines 26 inches in diameter. By use<br />

of these large magazines, it cuts down on<br />

the number of change-overs. The projectionist<br />

programs the automation unit. Changeovers,<br />

music and striking of arc are all<br />

automatic. The projectionist only has to<br />

load the projectors with film. No other<br />

manual operation is necessary. An automated<br />

record player and paging system was<br />

supplied by Seeburg. All speakers and speaker<br />

junction boxes are by General Sound.<br />

Even though the Cineparc Dollard Drivein<br />

is closed between December and March,<br />

in-car electric heaters have been installed<br />

at no extra cost to the patron in the event<br />

of periodic cold spells during the open<br />

months of operation. There are<br />

325 heaters<br />

serving Cinema 1 and 450 in Cinema 2.<br />

By HAROLD J. ASHE<br />

An exhibitor can look ahead to<br />

having a smaller tax bill to pay this year<br />

because of the tax changes passed in 1971,<br />

some of them becoming effective for the<br />

first time. He will have a higher personal<br />

exemption, higher personal deductions,<br />

more liberal depreciation choices, a 7 per<br />

cent investment credit, a 50 per cent tax<br />

rate ceiling on earned income and other<br />

liberalizations that will reduce his income<br />

tax payment.<br />

However, an exhibitor will still pay a<br />

higher tax than need be ('/ he does not take<br />

the time to nail down all the deductions<br />

to which he is entitled. A more intelligent<br />

choice can be made for depreciation and<br />

whether or not to claim the standard deduction,<br />

if all deductions are accurately<br />

listed.<br />

It will pay an exhibitor to carefully<br />

choose a time when he can undistractedly<br />

check all business, non-business incomeproducing<br />

and personal records, supporting<br />

evidence where necessary, and so forth, for<br />

complete accuracy. It is obvious what an<br />

overlooked large deduction will do in the<br />

way of increasing his tax bill, but if several<br />

or more comparatively small deductions are<br />

missing, they could add up to a sizeable<br />

sum. The savings he makes by including<br />

all deductions and taking the most favorable<br />

alternative choices, will be tax-free. Considering<br />

this, the time spent may be more<br />

productive than some other activities.<br />

How does a taxpayer make sure he has<br />

all deductions to which he is entitled? It<br />

is suggested that they be methodically<br />

searched out by category. Following are<br />

some suggestions that can be helpful for<br />

reminders and considering some of the<br />

principal tax changes.<br />

Business Expense<br />

Most exhibitors may have excellent business<br />

accounting records that need little or<br />

no checking, as all expenses have been<br />

faithfully recorded. However, if accounting<br />

records leave something to be desired, a<br />

more complete search for any missing deductions<br />

may be productive.<br />

A careful check on every type of expense<br />

that is allowable for a business deduction<br />

could be made and may turn up some outlays<br />

made that have not been reflected in<br />

accounting records. Most likely to be over-<br />

Continued on page 31<br />

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The MODERN THEATRE SECTION


k .1<br />

Gl>\R/^^TEES ^^PFY ENQNGS,<br />

MIDDLES AND BEQNNINGS<br />

WITH THE NEW H-40.<br />

Remember the end of the picture: the hero kissed his horse, shook hands with the<br />

schoolmarm, and rode off into the sunset. If your hero fades into the horizon<br />

in the middle of your picture, you need a lamphouse strong enough to compete<br />

with the surrounding light.<br />

Christie proudly introduces the H-40, the brightest light to hit the screen since<br />

Garbo. It lights up the night because it's the first Xenolite® lamphouse<br />

designed specifically for the drive-In theatre. The H-40 gives you the most light on<br />

the screen and keeps it there night after night after night.<br />

Christie teamed up a powerful 4000 watt horizontal xenon bulb with a deep-dish<br />

metal mirror to project up to 80% of the light consistently. As a result,<br />

the picture is brighter and sharper, with better color resolution.<br />

Also available in console model.<br />

Write for further information today.<br />

You can depend on us.<br />

H-40


National<br />

Theatre<br />

FIRST<br />

NEW THEATRE<br />

IN<br />

IN<br />

TIMES SQUARE<br />

THREE DECADES<br />

Clockwise, from upper left: View of marquee and its interesting<br />

front lighting effect at the new National Theatre. The lobby<br />

and foyers of the building are visible from outside through glass<br />

walls allowing an exciting vista of the colorful and unusual<br />

interior design. Concession areas are located at the orchestra<br />

level and in the mezzanine. The spacious auditorium seats<br />

932 patrons on the orchestra floor and 513 on the loge and<br />

mezzanine level.<br />

National General's new National Theatre<br />

on Broadway in New York is the first new<br />

four-wall complex to be built in Times<br />

Square in over 30 years.<br />

Incorporated into the ground floors of<br />

a new 34-story office building, the 1,445<br />

seat deluxe show palace embodies luxurious<br />

design and comfort features for its patrons,<br />

and the latest innovations in motion picture<br />

presentation.<br />

The plush new theatre was designed by<br />

architect Drew Eberson, A. I. A., who has<br />

over 800 theatres to his credit throughout<br />

the world.<br />

Dramatically designed, the lobby and<br />

foyers of the theatre are viewed from Broadway<br />

through glass walls allowirig an exciting<br />

vista of the unusual lighting fixtures<br />

and the movement of patrons in the lounge<br />

and foyer areas. A covered arcade stretches<br />

along Broadway in front of and leading to<br />

ihe entrance of the theatre.<br />

The treatment of the ceiling of the arcade<br />

aarquee is continuous, providing the<br />

theatregoer with a sense of flow and direction,<br />

leading him smoothly from the<br />

sidewalk arcade level directly into the upper<br />

theatre lobby, which has a ceiling 14<br />

feet<br />

high.<br />

Designed by Ben Mayer Design, Inc.,<br />

of Los Angeles, Calif., and built by Artcraft-<br />

Straus Sign Corp. of New York City, the<br />

marquee faces in three directions, spans an<br />

overall length of 72 feet, and measures 9<br />

feet in height. All visible metal surfaces<br />

are fabricated of Duranodic aluminum to<br />

match the facade of the building. Much of<br />

the sign consists of a series of triangularshaped<br />

prisms mounted vertically, side by<br />

side, connected to a timing device that<br />

rotates them automatically and presents a<br />

sweeping effect.<br />

Ben Mayer also has given the theatre a<br />

spectacular lighting creation, whose graceful<br />

whorls form chandelier-like displays at<br />

each end of the upper theatre lobby. This<br />

beautifully curved progression of lamps<br />

penetrates the sheer glass facade of the<br />

building to swoop playfully over the marquee<br />

itself. Each of the 280 lamps comprising<br />

this unique design is placed at the<br />

end of its own bronze anodized tube.<br />

Patrons enter through doors immediately<br />

to the left of an interior boxoffice located<br />

in the arcade, and may ride an escalator or<br />

use wide-entrance stairs to reach the second<br />

floor theatre lobby.<br />

The lobby walls are of Alabama white<br />

marble with carpeting of brilliant green.<br />

General tone of the entire theatre is white,<br />

green and bronze.<br />

Concession areas are located at the<br />

orchestra level and in the mezzanine for<br />

the convenience of patrons.<br />

The foyers contain settees and other<br />

furniture for patrons. The walls are of<br />

vinyl in an off-white color, and all doors<br />

are of teak Formica, continuing the harmony<br />

of green, white and bronze colors.<br />

Continued on page 17<br />

The MODERN THEATRE SECTION


. . couldn't<br />

NEW NATIONAL GENERAL THEATRE<br />

Continued from preceding page<br />

The seats, built by the American Seating<br />

Co. of Battle Creek, Mich., were constructed<br />

according to scientific principles of posture<br />

control that assure the moviegoer complete<br />

comfort throughout the show. Wideaisle<br />

spacious seating is provided by plush<br />

upholstered chairs, with backs and seat<br />

pans in white so as to be easily identified<br />

by patrons. The seat covering is burnt<br />

orange. Sight lines for the seating were designed<br />

to assure moviegoers a perfect viewing<br />

of the picture on the screen.<br />

The auditorium has 932 seats on the<br />

orchestra floor and 513 seats in the loge<br />

and mezzanine level. The interior design<br />

of the auditorium features a treatment ot<br />

continuity with the walls and ceiling flowing<br />

in such a manner as to focus all attention<br />

directly to the screen.<br />

Side walls in the auditorium are treated<br />

with draperies of variegated muted stripes<br />

in copper, burnt orange and olive to tiein<br />

with the overall color scheme of the<br />

theatre.<br />

The theatre was completely engineered<br />

for acoustical treatment, including the installation<br />

of loudspeakers manufactured by<br />

the Bose Corp. of Framingham, Mass. The<br />

speakers completely surround the auditorium.<br />

A thoroughly modern, scientifically controlled<br />

air conditioning and heating system<br />

will maintain comfortable temperatures<br />

throughout the year.<br />

Booth equipment was provided through<br />

National Theatre Supply of New York<br />

and was installed by the RCA Service Corp.<br />

under the direct supervision of National<br />

General's own technical personnel. The<br />

projectors are Norelco 35/ 70mm, with<br />

sound equipment furnished by Electro<br />

Sound. The power amplifiers are capable<br />

of delivering 200 watts of continuous power<br />

to each channel.<br />

Goodenor Construction Co., Inc., of New<br />

York was the general contractor for the<br />

project. Richard G. Preble, director of<br />

construction and engineering for National<br />

General, assisted by Jack Richard and<br />

George Weiss, supervised the operation.<br />

Henry Burger, vice-president of the Eastern<br />

Division for the circuit, is in charge<br />

of operations for the theatre, assisted by<br />

Harold Guyett, district manager.<br />

National General Theatres, Inc., operates<br />

some 270 theatres in 29 states and Canada,<br />

the most noted of which is Grauman's<br />

Chinese Theatre in Hollywood, Calif.<br />

NEW<br />

A COMPACT COIN COUNTER<br />

AND PACKAGER<br />

Read what satisfied users say about<br />

KNEISLEY Xenon Conversions in<br />

ENARC and Peerless IViagnarc Lamphouses<br />

BRENKERT<br />

"Brenkert Xenon Conversion now 6 months old .<br />

be happier with our<br />

purchase. Nowhere could we find anything that come close to your equipment in price<br />

and light capacity. Our picture is absolutely brilliant . . . operational costs are down<br />

nearly 40%."<br />

Gordon Bennett<br />

Ye Olde Strand Theatre, Hastings, Mich.<br />

NADEX QUICKCOUNT<br />

With Instont Count Verifier<br />

only $29.95<br />

COUNT AND WRAP COINS<br />

WITH SPEED, EASE, ACCURACY<br />

iNQUIRE ABOUT FREE TRIAL OFFER<br />

NADEX Industries Inc.<br />

Dept. 1414, 220 Detawore<br />

Buffalo, N. Y. 14202<br />

. . patrons wanted to know if pictures had<br />

. . we have never put a better image on the screen . . . hove<br />

Ot Peerless Wagnarc Conversion "... had these in service since July 1972. Re-played<br />

^ "Dr. Zhivago" and "Gone With the Wind" .<br />

been re-made<br />

been in business over 40 years."<br />

W. L. Bruboker<br />

Lyric Theatre, Wooster, Ohio<br />

. . . clean, trouble-free, and not too expensive."<br />

"... greatly pleased with your Xenon Conversion Equipment. It is operating beautifully<br />

and screen coverage is excellent . . . surpassed all my expectations ... a booth<br />

as<br />

man of many years (forty), I heartily recommend it to anyone looking for screen illumination<br />

improvement<br />

Details without obligation. Write<br />

L E. Stafford, Manager<br />

Avon Theatre, Lenoir, North Carolina<br />

THE KNEISLEY ELECTRIC COMPANY P.O. Box 3537 TOLEDO, OHIO 43608<br />

BOXOFFICE :: February 19, 1973 17


. . that<br />

. . there<br />

Simplex^<br />

A tsNO minute briefing on<br />

some advances in<br />

bootfi equipment tfiatyou really<br />

should know about.<br />

First, there's the projector pedestal . rugged<br />

cast iron base that nobody considered outdated<br />

until we took a new lool< at it. The result .<br />

Simplex compact projector pedestal.<br />

that fits under the projector instead of behind it,<br />

and saves up to three or more feet of tight booth<br />

space.<br />

And sound systems. For years, amplifiers<br />

and monitors were separated from the projector<br />

and used more of that precious<br />

booth while complicating the installation.<br />

Again, we tackled the problem and developed<br />

the Simplex PAS 1000 Sound<br />

System. Now a solid-state<br />

amplifier, DC exciter lamp<br />

supply and monitor/amplifier<br />

are in one compact unit that<br />

mounts directly on the wall or<br />

pedestal. Simpler. Better. Less<br />

expensive.<br />

Then there's all the advances<br />

in automation that have come<br />

from Simplex. The PEC 1000 full<br />

automation system that does<br />

. . the<br />

A pedestal<br />

everything. The MINI-PEC control system that's<br />

also mini-priced. The SABRE automatic film rewind<br />

system that literally lets a booth run by itself.<br />

And the Simplex Auto-turret and Aperture Changer<br />

—the final step to total automation.<br />

Yet, there is one piece of equipment<br />

which we proudly admit has not<br />

outwardly changed in years—the<br />

legendary Simplex 35 projector.<br />

Yes . have been, and<br />

always will be, internal design<br />

changes to help us continue<br />

to improve on perfection. But,<br />

suffice it to say—there is no<br />

finer projection mechanism in<br />

the world than the Simplex 35.<br />

One other unique ingredient in<br />

Simplex equipment should also be<br />

mentioned. And that's people. National<br />

Theatre Supply people. The<br />

people you can depend on to<br />

deliver complete satisfaction with<br />

everything you buy. Isn't that what<br />

you're really most interested in?<br />

•Hjs<br />

Simplex equipment is distributed by<br />

National Theatre Supply Division of<br />

National Screen Service Corporation<br />

The MODERN THEATRE SECTION


New Season<br />

TIME TO LOOK<br />

AT DRIVE-IN<br />

EQUIPMENT<br />

lermitteni movement and a rock-steady projected<br />

picture will depend on how well you<br />

keep this unit in good repair. The cam and<br />

starwheel must be carefully adjusted and<br />

properly lubricated. There should be just<br />

enough play in the cam and star to allow<br />

for expansion when they become warm from<br />

the spot from lamp on the aperture. There<br />

should be no end-play in sprocket as this<br />

will cause sidesway of the picture. However,<br />

just barely enough to "feel" it with<br />

your fingers is okay for a little heat expansion.<br />

If you repair movement at some<br />

time, turn the flywheel by hand to make<br />

sure there is no bind (you should be able<br />

to spin flywheel when in proper adjustment).<br />

Worn parts, lack of sufficient lubrication,<br />

and cam pin too loose in slots will<br />

cause excess noise in an intermittent movement.<br />

When rebuilding an intermittent, one<br />

should install new bearings, cam, starwheel<br />

and gears for perfect operation. In most<br />

all makes of theatre projectors, the intermittent<br />

movement is the same in principal<br />

and in general type of construction. (Most<br />

employ the geneva type of movement).<br />

To make the intermittent movement<br />

function with extreme accuracy all vital<br />

parts (cam, star and sprocket) are fitted<br />

together with less than 1/ 10,000th of an<br />

Continued on page 20<br />

By<br />

WESLEY TROUT<br />

Here it is time again to ready<br />

your drive-in projection and sound equipment<br />

for the new season.<br />

Many drive-ins<br />

close during the winter<br />

and wrap up their<br />

projectors and projection<br />

lamps. A successful<br />

opening depends<br />

on carefully examining<br />

every piece of<br />

equipment in the<br />

projection room and<br />

checking every speaker<br />

Wesley Trout<br />

and ramp. First,<br />

check mechanisms, projection lamps, amplifiers,<br />

rectifiers or motor generator set to<br />

see if they need repair. Of course the projectors<br />

should be unwrapped and the mechanisms,<br />

sound heads and projection lamps<br />

should be thoroughly cleaned before you<br />

make any repairs or adjustments. Check<br />

unit by unit so that every piece of equipment<br />

is systematically checked over. Make<br />

a list of things you check as you go along.<br />

Mechanisms: On the film side of mechanism,<br />

check all the sprockets for wear,<br />

check film gate, guide rollers, tension shoes,<br />

and shoes that hold film on intermittent<br />

sprocket for wear and cleanliness. Gate<br />

should be removed for installing new shoes<br />

or tension springs. Make sure tension is<br />

properly adjusted so that there will be just<br />

enough tension on shoes to project a steady<br />

picture. Make sure take-up and feed<br />

sprockets are okay, and pad rollers in good<br />

condition and adjusted the correct height<br />

from sprocket face (thickness of two films).<br />

If the gears in your mechanism run in a<br />

bath of oil, drain out completely and refill<br />

with fresh lubricant to add to the life of<br />

the gears. It does not pay to mix new oil<br />

with old because oil does wear out and<br />

lose much of its lubricating power. This<br />

should also be done with the intermittent<br />

movement case. In most mechanisms, there<br />

is a pet-cock in the base of the oil reservoir<br />

for draining oil. If gears do not run in oil<br />

bath,<br />

they should be cleaned with a lintless<br />

rag, and all accumulated dirt and oil removed.<br />

The "heart" of your projector is the in-<br />

BOXOFFICE :: February 19, 1973 19


.<br />

O*^:<br />

AT EQUIPMENT<br />

Continued from page 19<br />

inch tolerance of error. This accuracy is<br />

absolutely necessary for the projector to<br />

project a rock-steady picture on the screen<br />

at very high speed.<br />

You should also examine the intermittent<br />

sprocket teeth at least once every 60 to 90<br />

days for wear, as worn or "under-cut" teeth<br />

will cause picture to jump, and will damage<br />

sprocket holes in film. You can get a better<br />

look at the sprocket teeth with a magnifying<br />

glass to discover flaws that cannot be seen<br />

by the naked eye. Of course, the projectionists<br />

should clean the sprockets every day<br />

with a stiff-bristle tooth brush. Sprockets<br />

now will give longer service, since they are<br />

specially hardened.<br />

Upper and Lower Magazines:<br />

Make sure<br />

the magazines are in alignment and tight<br />

on bases. The spindle in the upper magazine<br />

should have sufficient tension so that film<br />

will come down smoothly to the top feed<br />

sprocket and it should be kept properly<br />

lubricated. If there is insufficient tension<br />

on the spindle the reel may "race" and<br />

this can cause trouble.<br />

The takeup mechanism in the lower<br />

magazine should be kept clean and carefully<br />

adjusted. There should be just enough<br />

tension to turn a full reel of film and no<br />

more. Excessive tension will cause too much<br />

pull on the takeup sprocket, and can cause<br />

unnecessary wear on the sprocket teeth and<br />

may damage film sprocket holes.<br />

Projector Drives:<br />

Projector drives should<br />

be kept properly aligned, particularly if the<br />

motor shaft and drive unit are coupled together.<br />

The couplings must be kept tight<br />

and perfectly aligned. Some manufacturers<br />

use chain, belt and gears to drive their projector<br />

and sound head. If gear box is used<br />

and attached as part of the sound head, be<br />

sure and keep gear box oil at the right level<br />

as indicated on the oil mark on the box.<br />

One should always use a special oil for this<br />

type of drive, available from your theatre<br />

Attention!. .. Drive-In lUanagers.<br />

You keep them warm when it's cold . .<br />

Why not let them see when it<br />

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Precision Workmanship<br />

and Quality Products Are Demanded in<br />

CARBON ARC TO XENON CONVERSIONS<br />

REBUILT CARBON A RC LAMPS<br />

WATER CIRCULATORS with STAINLESS STEEL TANKS<br />

REPLACEMENT PARTS<br />

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PROJECTION ARC LAMPS, RECTIFIERS, ETC.<br />

SPECIALISTS IN REBUILDING<br />

iinnniTHEATRE<br />

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PROJECTION ARC LAMPS,<br />

LAMPHOUSE BURNERS, ^ETC.<br />

PRODUCTS INC.<br />

(516)2493745<br />

51-C Heisser Lane—Farmingdale, N.Y. 11735<br />

supply dealer. Always keep a supply of<br />

extra belts on hand in the parts cabinet.<br />

Projector drive motors are of the synchronous<br />

type so that a constant speed is<br />

maintained even if the current fluctuates a<br />

little. The sound head and mechanism must<br />

be driven at a constant speed without any<br />

variations which could cause ."wows" and<br />

poor sound quality. The synchronous motor<br />

has been found the most suitable for projector<br />

operation. Older types of motors have<br />

to be oiled but newer ones have sealed-in<br />

lubrication and need no hand oiling.<br />

Sound Heads: The soimd heads play a<br />

very important part in delivering highquality<br />

sound output to the amplifier. Sound<br />

heads are equipped with a stabilizer device<br />

so the sound track will move past the scanning<br />

beam from the exciter lamp smoothly<br />

without any variations. There is usually a<br />

free-running auxiliary padded roller to hold<br />

the film against the drum, and associated<br />

with this roller are adjustable lateral guide<br />

rollers to guide the sound track past the<br />

scanning beam and hold the film snug as<br />

it passes the beam. These rollers must hold<br />

the film in line and adjusted so that<br />

sprocket holes will not get in the light beam<br />

and to prevent any side motion which could<br />

mar sound output and cause distortion. The<br />

stabilizer drum must run easily and smoothly,<br />

and not have any binds or side-play. The<br />

stabilizer should coast at least 20 or 30<br />

seconds after the end of the film.<br />

The whole assembly of the stabilizer device,<br />

the drum and guide rollers, is rotated<br />

by the film itself, thus no mechanical connections<br />

to the moving parts of the sound<br />

head except by way of film. The absence of<br />

direct mechanical connection effectively<br />

isolates the rotation of the film-carrying<br />

drum from any disturbances originating in<br />

the other mechanical parts of the sound<br />

head and prevents it from being picked up<br />

in the sound system. This type of filtering<br />

device assures very even travel of the sound<br />

track past the scanning beam. Keep drum<br />

and lateral guide rollers clean and free of<br />

excess oil or dirt accumulation.<br />

The only other parts in the sound head<br />

which need occasional checking are the<br />

exciter lamp and sound lens. The exciter<br />

lamp must be properly focused so that a<br />

bright, round spot will be projected. Check<br />

filament for sagging as it ages and replace<br />

MINIATURE<br />

GO<br />

flDf<br />

INOOORS<br />

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OUTDOORS<br />

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MAXIMUM PROFIT!<br />

WRITE TO<br />

fflJ]<br />

ENTERPRISES ^ INC.<br />

Lomma Building, Dept. 7, Scronfon, Po. 18503<br />

The MODERN THEATRE SECTION


with new bulb. In order to have plenty of<br />

volume, correct voltage must be used. The<br />

sound lens must be kept clean, because a<br />

dirty lens surface will cause loss of volume<br />

and full coverage of frequencies, marring<br />

sound quality. The lens must be in perfect<br />

focus and should be checked once in awhile<br />

with a 7,000-9,000 frequency loop for focus<br />

and sound output. Keep a check on the<br />

sprockets in sound head for wear and dirt.<br />

Clean sprockets every day.<br />

Projection Lenses: In the past few years<br />

many improvements have been made in<br />

lenses. The drive-in theatre has a different<br />

type of theatre geometry, which makes different<br />

demands on the lens designer. Top<br />

quality lenses must be installed in order to<br />

obtain a sharply focused picture over a<br />

large screen area, and the design should<br />

produce more light while still providing<br />

good focus.<br />

For CinemaScope presentation at very<br />

long throws the use of a reversed anamorphic<br />

helps the screen brightness problem<br />

wonderfully in most cases. This tyf>e<br />

of anamorphic adapter allows the use of a<br />

shorter focal length lens of a lower f/<br />

number and helps screen brightness.<br />

There are several makes of lenses which<br />

will give excellent screen results when the<br />

right combination of lens speed and reflector<br />

speed is used. Be sure to clean your<br />

lenses every day if you want good focus<br />

and more light. The finest of projection<br />

lenses will not help you overcome inferior<br />

projection due to dirty lenses and reflectors.<br />

Moreover, be sure lens barrel fits tight in<br />

holder so there will be no vibration, since<br />

this could cause an unsteady picture.<br />

Projectionists who set extra projection<br />

lenses on the floor where they might attract<br />

oil or dust should cover both ends of lens<br />

with dust caps to keep them fairly clean.<br />

FLASH!<br />

FIREWORKS<br />

io<br />

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for your drive-in!<br />

LIBERTY<br />

Display Fireworks Co.<br />

p. 0. Box 683 Danville, III. 61832<br />

Phone (217) 442-2559<br />

Lenses should be cleaned with lens tissue<br />

until every speck of dust or oil is removed.<br />

Even a finger mark on lens glass can cause<br />

poor focus.<br />

Projection Lamps: To get the projection<br />

lamps ready for operation carefully check<br />

all the electrical connections, carbon holders,<br />

reflectors, carbon feed mechanism and<br />

way rods. In order to operate smoothly and<br />

feed carbons properly, the ways rods and<br />

feed mechanism must be clean and free<br />

of dust or carbon particles. The proper<br />

lubrication of any type of carbon lamps is<br />

of the utmost importance, using the type<br />

of lubrication recommended by the manufacturer.<br />

All moving parts must be kept<br />

lubricated so that they work freely and<br />

perfectly in order to maintain a good light<br />

on the screen. The feed mechanism motor<br />

should be checked and brushes replaced if<br />

they are getting very short. The commutator<br />

should be cleaned and make sure brushes<br />

"fit" the commutator and make good electrical<br />

contact, otherwise the motor will cease<br />

to run and not feed carbons as it should.<br />

Do not use just any type of brushes but<br />

buy the right brand and type from your<br />

supply dealer. Check over electrical connections<br />

to make sure they are making<br />

good contact.<br />

Reflectors often are neglected and not<br />

kept thoroughly clean. If scum from carbon<br />

dust is allowed to accumulate on the surface,<br />

it will really cut down on light output.<br />

Reflectors should be cleaned with a<br />

clean rag, slightly moistened with water,<br />

sprinkled with a little Bon Ami, then<br />

thoroughly polished every day. They should<br />

be removed for easier cleaning.<br />

Due to very large screens, drive-ins need<br />

all the light possible, so the optical system<br />

must be kept in perfect alignment and the<br />

reflector the correct distance from the<br />

aperture plate or film plane. With presentday<br />

fine projection lamps, lenses and screen<br />

finishes, there is no excuse for poor illumination.<br />

Keep vour screen finish in good<br />

condition and, if of the painted type, it<br />

should be refinished at least once every<br />

two years.<br />

Motor Generators and Rectifiers: A<br />

motor generator set used to furnish dc for<br />

projection arc lamps should be checked for<br />

proper lubrication, and the brushes for correct<br />

length. Keep the commutator clean to<br />

insure perfect contact between the brushes<br />

and the commutator. Dirty commutator<br />

surface will cause sparking and heating. Use<br />

00 sandpaper if surface is rough, then polish<br />

up the surface with a clean cloth or small<br />

piece of canvas. Make sure the brushes<br />

make good contact and pigtails are making<br />

good electrical contact. Newer types of<br />

generator sets have ball bearings and sealedin<br />

lubrication, but older types have to be<br />

hand oiled at least every week. Before<br />

putting generator set in operation, thoroughly<br />

clean it and use a small hand-bellows<br />

for blowing out accumulated dust and dirt.<br />

When rectifiers are used to supply dc<br />

lor the projection arcs, they should be<br />

thoroughly checked over before being put<br />

Continued on page 22<br />

From<br />

Sound of tho<br />

70'S<br />

Other models available.<br />

$3.98<br />

Model NVP-K<br />

Unpainted 4"<br />

Weathermax<br />

Cone w/1 .47<br />

oz. magnet,<br />

carbon control<br />

and vinyl cord.<br />

$4.27<br />

Model NVPG<br />

Unpainted 4"<br />

Weathermax<br />

Cone w/1. 47<br />

oz. magnet,<br />

wire wound<br />

control, vinyl<br />

cord, cone<br />

guard. Add 10


:0i<<br />

AT EQUIPMENT<br />

Continued from page 21<br />

in operation again, particularly the electrical<br />

connections and the switches. If rectifiers<br />

are of the older types using tungar bulbs<br />

for rectification, bulbs should always be<br />

taken out and the bases and sockets cleaned<br />

so that good contact will be made for<br />

trouble-free operation. If bulbs do not make<br />

good contact in sockets, they will soon burn<br />

out. Other new types of arc rectifiers need<br />

very little maintenance except checking<br />

over the electrical contacts and motor that<br />

circulates air in the stacks. Fan should be<br />

ova 42<br />

checked to see if it runs okay. Make sure<br />

relay works okay and switches are in good<br />

condition and fuses are all in good condition.<br />

Always keep a supply of extra fuses<br />

on hand. Keep in mind that rectifiers must<br />

have ample ventilation and not set too<br />

close to walls. Never, never let dust and<br />

dirt accumulate in rectifiers if you want to<br />

keep down trouble.<br />

Be sure and examine the asbestos wires<br />

inside of the lamphouse. If they feel stiff<br />

and springy they are okay. If they do not<br />

slit the insulation, pry strands apart and<br />

examine them. If the interior of the wires<br />

is brown instead of copper colored, replace<br />

immediately with new as they are offering<br />

too much resistance to current flow and<br />

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cutting down dc supply to carbons. If wires<br />

are plenty long, you can cut off several<br />

inches and make new connections, of<br />

course.<br />

Sound System: Pre-amplifiers and power<br />

amplifiers should be given a very thorough<br />

check before they are turned on. Good<br />

sound in drive-ins is just as important as<br />

having high-quality projection. If the amplifiers<br />

have not been covered during the time<br />

theatre has not been in operation, then you<br />

should first clean the cabinets and interior<br />

with clean rags and fairly large paint brush.<br />

Equipment in drive-ins is more subject to<br />

dust and dirt getting inside of the cabinets.<br />

Also, clean out any carbon soot as this<br />

will, sometimes, seep into amplifier and may<br />

cause trouble.<br />

Sound system should be checked for<br />

power gain, frequency response and distortion.<br />

If you don't have a test reel of film,<br />

use a reel of known high-quality music and<br />

male and female voices for a checkup on<br />

quality of reproduction. Sound lenses can<br />

be checked with a 7,000-9,000 cps test loop<br />

for checking focus of lenses and frequency<br />

response, using an output meter for accurate<br />

check.<br />

Patrons come to your drive-in for enjoyment<br />

and relaxation. If the sound output<br />

is too low, distorted or hard to understand,<br />

because system is not properly adjusted<br />

for peak performance, you can rest<br />

assured they will stay away until you do<br />

make changes to bring your equipment up<br />

to par. There is no excuse for bad sound<br />

reproduction in any theatre today.<br />

In amplifiers employing vacuum tubes,<br />

tubes should be frequently checked for<br />

quality and emission. One defective tube can<br />

mar sound output or cause distortion. Low<br />

volume can be caused by defective tube(s),<br />

defective capacitor or resistor. Loss of<br />

volume or high frequencies can be due to<br />

dirty sound lenses or lens out of focus.<br />

When making replacement of a resistor<br />

or capacitor, use an exact duplicate of the<br />

right capacity as designated by the manufacturer,<br />

so as not to upset the circuit or<br />

operation of your amplifier, if it was delivering,<br />

before some component became defective,<br />

satisfactory sound output.<br />

All wiring connections must be electrically<br />

tight and not corroded. Check wiring<br />

to speakers and those from the sound<br />

heads to the pre-amplifiers. Bad connection<br />

can really cause trouble.<br />

Speaker Maintenance: High-quality speakers<br />

in drive-ins are of paramount importance.<br />

You cannot secure satisfactory sound<br />

reproduction from cheap or small speakers.<br />

We have always found a four-inch speaker<br />

the best for high fidelity sound output.<br />

Speakers should have a complete checkup<br />

every several days, including condition of<br />

the cone, connections and the volume control.<br />

If you take a little time out each<br />

day for inspection, you will find it will<br />

require less time each day to make repairs,<br />

because you have kept speakers in good<br />

condition. Be sure and inspect your speaker<br />

cords; the best type of speaker cord is the<br />

coil type for longer service. The electric.il<br />

connections on the terminal board on speak-<br />

The MODERN THEATRE SECTION


er post should be frequently checked, since<br />

a poor connection can cut sound off or<br />

make noise.<br />

If a newly installed speaker fails to function,<br />

check your connections, so you are<br />

sure they are making good contact, and also<br />

check the wires and connections from the<br />

secondary side of matching transformer.<br />

You can trace down "shorts" with a multimeter,<br />

using the ohms setup for checking<br />

for opens and shorts. The ramp wiring is<br />

often cause of trouble if any of the wires<br />

touch due to bare insulation, particularly so<br />

if someone has knocked over a post, or did<br />

not remove speaker from car and jerked<br />

it off of post. In time, insulation will deteriorate<br />

and wires will have to be replaced<br />

or you will continue to have trouble.<br />

Lamp Brightness<br />

On 115-Ft.<br />

Screen<br />

Test<br />

At Lubbock D-l<br />

A side-by-side comparative test of carbon<br />

arc and xenon lamphouse brightness on a<br />

115-foot-wide drive-in screen was conducted<br />

at W.O. Bearden's Golden Horseshoe<br />

Drive-In in Lubbock, Tex., according<br />

to the Carbon Products Division of Union<br />

Carbide Corp.<br />

Bearden's supply dealer suggested and set<br />

up the test in which a new 18-inch reflector,<br />

13.6mm carbon arc lamp was installed beside<br />

a new 6,000-watt xenon lamp. New<br />

power sources were provided also for each<br />

lamphouse and both lighting systems were<br />

optically aligned by experts in each system.<br />

The current was set at 150 amperes for<br />

each light source, the company reported.<br />

At intermission, light readings were taken<br />

by three different authorities in their fields:<br />

a dealer engineer using a Kollmorgen light<br />

meter; a technical engineer from the lamp<br />

manufacturer using a Spectra brightness<br />

meter, and a representative of Union Carbide's<br />

Carbon Products Division using a<br />

Minolta one-degree spot brightness meter<br />

calibrated from 1 to 30 foot-lamberts.<br />

The test conditions. Union Carbide said,<br />

were carefully controlled for a completely<br />

unbiased comparison:<br />

1. There were no variables. Both projectors<br />

and lenses were identical.<br />

2. Each system was new in all respects.<br />

with resultant maximum efficiency of<br />

lamps, reflectors and power supplies.<br />

3. Each system was installed for maximum<br />

brightness output.<br />

4. Each system projected on the same<br />

screen through the same aspect ratio.<br />

"The results of the three brightness meter<br />

readings were extremely close." the company<br />

said, "with less than 0.5 foot-lambcrt<br />

difference among them. Thus, Bearden's<br />

decision to purchase new carbon arc equipment<br />

was not based wholly on screen<br />

brightness, but also on his observation of<br />

the motion picture presentation on the<br />

screen."<br />

I<br />

THEATRE CONSTRUCTION CO., INC.<br />

Fairfield Drive-In Theatre<br />

Fairfield, III. 62837<br />

Phone A/C 618-847-7636<br />

Specializing in Drive-In Theatre<br />

Construction for 26 Years<br />

* Plans and layout for complete drive-in<br />

* Steel screen tower - All sizes<br />

* Earth moving equipment<br />

* Hoist trucks for painting towers<br />

* Speaker posts<br />

* Metal ticket booths<br />

* Metal attraction signs<br />

For FREE Estimates Call HARRY R. JONES, Owner<br />

D&D not only makes the<br />

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YOUR PICTURE) but<br />

a D&D screen<br />

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When It<br />

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For more information, write to: we ":::"," really make ""LI V" a showing. k "^i^^<br />

GENE TAYLOR<br />

r\0 r\ THEATRE SCREENS, INC. P.O. Box 4042<br />

L^CxL^ Overland Park, Kansas 66204 (913) 649-7116<br />

BOXOFFICE :: February 19, 1973 23


SAFEGUARDING BOXOFFICE RECEIPTS<br />

COULD PREVENT SUCCESSFUL HOLDUP<br />

IVlANV Theatremen are well<br />

aware that their business—drive-in or fourwall—is<br />

the most likely place in the commercial<br />

community for the staging of a<br />

successful holdup, but frequently they fail<br />

to understand the reasons why this dubious<br />

"honor" should fall to them, or how to go<br />

about protecting their financial interests.<br />

Recently Famous Players Canadian in<br />

its "What's New?" house organ printed an<br />

article, titled "Safeguarding <strong>Boxoffice</strong><br />

Cash." in which it gave some tips on precautions<br />

theatremen might take to prevent<br />

holdups.<br />

Warning that theatremen are "creatures<br />

of habit," the article pointed out: "They<br />

open their theatres at a precise time, start<br />

their shows at an exact time, start taking<br />

money into their cash drawers and periodically<br />

removing it at regular times, and,<br />

finally, take the receipts to the bank at<br />

approximately exact times." This, the FPC<br />

story cautioned, is a real "set-up" for a<br />

potential holdup man.<br />

The first thing to do, it continued, is to<br />

quit being so dependably regular in removing<br />

money from the boxoffice or theatre<br />

at such exact times. "Vary your schedule as<br />

to when, how and where you handle or store<br />

cash and especially as to your depositing<br />

visits to the bank."<br />

Money should never be permitted to accumulate<br />

in the boxoffice. Excess should<br />

be removed promptly. "A good rule," the<br />

article said, "is to train cashiers to band<br />

miscellaneous bills in $100 packs." Thus,<br />

as soon as $100 is accumulated in the boxoffice<br />

till, it should be banded and placed<br />

out of sight—in the boxoffice's locked safe,<br />

or concealed under the counter. But even<br />

then, the manager should remove cash as<br />

promptly as possible, out and away from<br />

the boxoffice and deposit it in the bank.<br />

Theatremen are warned of feeling secure<br />

about a safe "in-theatre" spot to keep cash<br />

and are told, "The important thing is to<br />

get boxoffice cash deposited in your bank<br />

as soon as enough has accumulated. This<br />

will mean several deposit visits to the bank<br />

on busy days. This extra effort, however,<br />

is a small price to pay for the safer conduct<br />

of your business. Remember, the less<br />

money you carry to the bank at any one<br />

time, the less you are of interest to the<br />

would-be stick-up man.<br />

Bank deposits should be assembled in<br />

the<br />

privacy of the theatre office, or at least<br />

out of the sight of any spectator. If the<br />

cash has been bundled previously into $100<br />

packs, it is then a simple matter to tally<br />

the money and rush it to the bank.<br />

"<strong>Boxoffice</strong> check-out time," the article<br />

continues, "is the most crucial time for a<br />

possible holdup. Make it as unprofitable<br />

as possible for any would-be crook, by<br />

keeping the actual cash about the boxoffice<br />

to a minimum!"<br />

Another extremely critical time is when<br />

theatres "drop" their money—usually at<br />

one time nightly—in the bank's night depository.<br />

"Since there is a regularity of<br />

boxoffice closing time, it is quite a simple<br />

matter to program the theatre management's<br />

movements in the disposal of cash receipts.<br />

In situations where a considerable amount<br />

of cash is taken in during a day's business,<br />

a number of deposits usually are made.<br />

While the multiple depositing of a particular<br />

day's receipts is quite proper, here again,<br />

no regular time-pattern should be established<br />

by those making the deposits."<br />

Having a local policeman, or a theatre<br />

employee, accompany the manager to the<br />

bank also is a good idea, and the article<br />

told of one department store, where two<br />

employees' cars drive to the bank depository<br />

each night; one contains a driver and the<br />

person to make the deposit, the other a<br />

Continued on page 29<br />

Over the years, Selby<br />

screen towers have weathered<br />

some horrible things.<br />

Selby builds every screen tower<br />

to withstand high winds, driving<br />

rains, snowstorms, lightning and the<br />

Frankenstein monster. Over 600 Selby<br />

screen towers are in service today in<br />

drive-ins throughout the U.S., Canada,<br />

Puerto Rico, Jamaica and Venezuela.<br />

All of Selby's screens are engineered,<br />

fabricated and constructed to<br />

meet AISC and ACI code standards.<br />

If your plans call for a new screen<br />

tower, call for a Selby screen tower<br />

specialist. He could save you from<br />

making some horrible mistakes.<br />

>e^^<br />

Industries, Inc>^<br />

3920 Congress Parkway<br />

Richfield, Ohio 44286<br />

216-659-6631<br />

(On 24-hour call)<br />

The MODERN THEATRE SECTION


—<br />

GOOD PROJECTION<br />

MEANS THE<br />

ELIMINATION OF ALL ERRORS<br />

By VERYL D. JOHNSON<br />

A good motion picture presentation is a<br />

flawless flow of film information through<br />

a mechanical system, operated by electronic<br />

devices and controlled by humans— presented<br />

in such a fashion as to be pleasing to the<br />

patrons seated in a comfortable surrounding.<br />

It starts with the overture and ends<br />

with the closing of the curtain. It is a thing<br />

of beauty, or it should be.<br />

It has been said that the perfect theatre<br />

is yet to be built, and although theatre design<br />

and construction is beyond the scope<br />

of this discussion, something that happened<br />

a few years ago is germane. A new theatre<br />

had lost almost 75 per cent of its screen<br />

brightness after it had been operating less<br />

than a year. After careful examination of<br />

the entire projection system, we could find<br />

absolutely nothing wrong. We did discover,<br />

however, that an unenclosed popcorn machine<br />

backstage was discharging coconut<br />

oil vapors and causing a buildup on the<br />

screen surface. The popcorn machine was<br />

enclosed and ventilated in a separate room,<br />

the screen was replaced and the trouble did<br />

not recur.<br />

In golf, a player will win if he eliminates<br />

the majority of his mistakes, and so it is<br />

with the motion picture theatre. Good projection<br />

is the elimination of all errors,<br />

human or mechanical. For the purjxsses of<br />

this discussion, v/e will deal only with the<br />

"heart of the theatre"—the booth equipment<br />

and the projected screen image. We<br />

will attempt to point out some of the most<br />

common problems that occur, and show,<br />

simply, what equipment is necessary to<br />

correct those problems.<br />

Screen Proportions<br />

Let us begin with the very thing your<br />

patrons see—the screen, and the information<br />

it receives from the projector. Screen<br />

information should include all the information<br />

printed on the film. Each frame of<br />

film has a height and a width, and the relationship<br />

between these two dimensions is<br />

called the aspect ratio. In the U.S., the<br />

standard aspect ratio for "flat" picture<br />

screen projection is 1.85:1, which simply<br />

means that the width of the frame is 1.85<br />

times that of the height. CinemaScope has<br />

an aspect ratio of 2.35:1 because the width<br />

of the projected is 2.35 times that of the<br />

height. Thus, the dimensions of a properly<br />

designed theatre screen should be in the<br />

same proportion as the aspect ratio in order<br />

for the audience to see all the picture it has<br />

paid to see.<br />

In the construction of new theatres, too<br />

many architects previously were unaware<br />

Very! D. Johnson is a representative of Union<br />

Carbide Corp.'s Carbon Product Division, headquartering<br />

in Dallas, Tex. This is the first of a series of<br />

articles prepared by Johnson on the "Elements of<br />

Good Projection."<br />

of these standards. All too often, they would<br />

design a building and install a screen with<br />

no thought to its proper proportions. It can<br />

be seen that the screen should be the determining<br />

factor, and the building should be<br />

designed around the screen size. There are<br />

naturally limiting factors in the design of a<br />

new theatre, or the remodeling of an existing<br />

building. Suppose that screen height is<br />

limited to 20 feet. The width, then, of a<br />

properly dimensioned screen should be 2.35<br />

times 20, or 47 feet, in order to accommodate<br />

all the information on a CinemaScope<br />

film, which is the widest film available,<br />

disregarding 70mm, D-150, and Cinerama<br />

processes which require special<br />

attention.<br />

If the width of the 20-foot-high screen<br />

is less than 47 feet, say only 40 feet, then<br />

7 feet—or 3.5 feet on each side of the film<br />

—will not be seen by the audience. Such<br />

"cropping" can occur to either the height<br />

or width and is caused by improper selection<br />

of either screen or lens size. Cropping<br />

of screen height often chops off the heads<br />

of the performers and is most irritating to<br />

the public.<br />

It has now been determined that the<br />

CinemaScope picture on the screen will be<br />

20x47 feet. Because flat screen presentation<br />

has a different aspect ratio— 1.85 to 1<br />

width of a properly dimensioned flat picture<br />

should be 20 times 1.85. or 37 feet. In projecting<br />

a flat screen presentation on a CinemaScope-size<br />

screen, it may be desirable<br />

to provide black masking on each side to<br />

sharply frame the picture on the screen<br />

surface. Because the height is constant, only<br />

«U riMPOK riKUKIDI AllGNMtNI HUM<br />

U * «<br />

"»'<br />

*^ AU PUHKa ROIKKll iUIGNM«T FXM<br />

FIG.l<br />

the side masking must be designed in a<br />

movable fashion. The movement of the<br />

masking can be accomplished by electric<br />

motors or mechanically. If the changing<br />

of the masking is difficult, care should be<br />

taken in booking double features that both<br />

films are of the same format, either flat<br />

or CinemaScope.<br />

Projector Location<br />

Once there is a properly dimensioned<br />

screen, it becomes a simple task to locate<br />

the projectors so that an exact focal length<br />

lens can be selected to produce a sharp,<br />

clear image of the proper dimension. In<br />

using a scale available from the Kollmorgen<br />

Corp.. it can be determined that if the<br />

projection lens were located exactly 100<br />

feet from the screen, a 3.5-inch effective<br />

focal length lens mounted behind a good<br />

anamorphic lens would be needed to produce<br />

a sharp, clear CinemaScope picture<br />

on a 47-foot-wide screen. A 2.25-inch<br />

effective focal length lens would be needed<br />

to project a sharp, clear flat picture 37 feet<br />

wide.<br />

Just as masking provides a screen frame,<br />

aperture plates provide a film information<br />

frame in the film gate of the projector. For<br />

our purposes, we have selected picture dimensions<br />

that allow full width aperture<br />

plates—0.715 x 0.839 inches and 0.446 x<br />

0.825 inches for CinemaScope and flat<br />

screen projection, respectively. This combination<br />

should present to the public nearly<br />

all the film information available.<br />

When dimensions and distances of a projection<br />

system are arbitrarily chosen to fit<br />

the situation, lenses may not be available<br />

to those specifications. Cropping may appear,<br />

and unorthodox throw distances may<br />

result in the lack of a sharp, clear screen<br />

focus.<br />

The projectors should be located at the<br />

exact distance from the screen as stated on<br />

the lens manufacturer's scales (available at<br />

any supply dealer), and should be evenly<br />

spaced on either side of a line drawn from<br />

the booth exactly perpendicular to the<br />

screen<br />

center.<br />

Projector Alignment<br />

Proper alignment of both projectors with<br />

respect to the screen is critical in order to<br />

keep the screen image from jumping horizontally<br />

when a changeover is made. This<br />

can be accomplished with a test film available<br />

from the Society of Motion Picture &<br />

Television Engineers. (See Fig. 1)<br />

Loops about 12 feet long can be properly<br />

spliced for each projector. The center of<br />

the screen is then measured and temporarily<br />

marked, and the alignment loop projected.<br />

When the center line of the projected<br />

image is aligned with the predetermined<br />

center of the screen, by movement of the<br />

projector base, the picture is said to be<br />

"center screen<br />

aligned."<br />

The film can be projected in both flat<br />

and CinemaScope, but the flat projection<br />

process should be aligned first because the<br />

edges of the flat projected picture are more<br />

critical than the edges of a CinemaScope<br />

image. Jumping, or horizontal movement<br />

of the screen image at changeovers, is more<br />

noticeable in the flat process. When both<br />

projectors have been center screen aligned,<br />

and the test films are projected simultaneously,<br />

the center lines should superimpose<br />

on each other if there is no projection<br />

angle, either positive or negative. It is then.<br />

Continued on page 26<br />

BOXOFFICE :: February 19, 1973 25


5)^<br />

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GOOD PROJECTION<br />

Continued from page 25<br />

Chairs too. like new, with Theatre<br />

Chair "RE-DU '. . .<br />

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SPATZ PAINT INDUSTRIES, INC.<br />

1601 N. Broadway . St. Louis, Mo. 63102<br />

At theatre supply houses everywhere.<br />

FOR MORE INFORMATION about products described in this<br />

issue, use postage-paid Readers' Service Bureau coupon<br />

on page 37 of this issue of MODERN THEATRE.<br />

"DRIVE-IN'S" SPEAKERS<br />

designed and<br />

developed by<br />

COMPARE<br />

prices and quality, before you respond<br />

to so called specials. Drivein's<br />

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'round . . . and none can compare<br />

to the quality and flawless performance<br />

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AUTOMATIC<br />

Sound Cuiof SpwKfiis<br />

Sound automatically cuts off as<br />

speaker is replaced in junction<br />

box. Exclusive design prevents<br />

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no conversion.<br />

• 6 ft. neoprene speaker cord<br />

• No mechanical parts to maintain<br />

• Knurled shaft volume control<br />

• Replacement kits available for all<br />

makes of speakers to convert<br />

them to automatic sound cut-off.<br />

FIG. 2<br />

and only then, that the exact picture size<br />

can be determined. It is also at this point<br />

that the screen masking should be positioned<br />

for flat and CinemaScope formats,<br />

and the aperture plates fitted exactly to the<br />

projected flat and CinemaScope picture<br />

images. Either APAL or the RP all-purpose<br />

test film can be used not only for location<br />

and alignment, but for focus evaluation<br />

through the use of art work in the matrix<br />

of the film information. They can also be<br />

used to determine lens size and aperture<br />

plate size for an arbitrarily dimensioned<br />

screen.<br />

Probably the second most irritating<br />

thing<br />

to a theatre customer is a scratch in the film<br />

emulsion that bobs and weaves all over<br />

the screen. Such scratches in the emulsion<br />

are caused either by dirt particles or worn<br />

projector parts in the film path. It is therefore<br />

necessary for the projectionist to examine<br />

and clean the film path frequently.<br />

Frozen bearings on film roller guides are<br />

the principal source of this trouble, particularly<br />

those located at the exit from the top<br />

reel magazine (Fig. 2). These should be examined<br />

daily, and if frozen, freed and lubricated,<br />

or replaced. Spare rollers should be<br />

stocked by every theatre. Film rewinds are<br />

another major cause of film damage, as is<br />

allowing the film to touch a dirty floor.<br />

Undercutting of film drive sprockets and<br />

misaligned gates in a projector may damage<br />

film sprocket holes, or cut into film information.<br />

These problems should be corrected<br />

immediately.<br />

(Ed. Note: The second article in this series will deal<br />

with further problems of alignment, screen light,<br />

arc lamps, generators, etc., and will appear in the<br />

March issue of The Modern Theatre.)<br />

Patent No. 3484552<br />

Exclusively Matiufactured By<br />

DRIVE-IN'2^e2?^<br />

Mfg. Co., Inc.<br />

709 North Sixth -St. • Karisas City, Kansas 66101 • (913) 321-3978


. . even<br />

NEW FACILITY DISPLAYS SPLIT PERSONALITY<br />

Standing in the shadow of $250 milHon<br />

Texas Stadium in Irving, Texas, the concession<br />

stand operation at McLendon's new<br />

drive-in theatre has the unique distinction<br />

of serving Dallas Cowboy fans during the<br />

extended National Football League season<br />

and drive-in patrons—on a year-round basis<br />

— at night.<br />

Dine Before, After Football<br />

Hungry football fans and drive-in patrons enjoy wide menu<br />

Located at the rear of the three-screen<br />

drive-in theatre, against the stadium, Dallas<br />

fans can have lunch or dinner at the concession<br />

stand as early as two hours before<br />

game time. They also can patronize the<br />

stand during halftime and after the game,<br />

while waiting for the traffic to leave the<br />

stadium area.<br />

At night, the facilities are used to serve<br />

drive-in patrons who have come to view<br />

one of three theatre attractions. This concession<br />

facility is separate and apart from<br />

the one within the stadium proper.<br />

In addition to such standard concession<br />

staples as popcorn, candy and beverage, The<br />

Texas Stadium concession facility offers a<br />

dinner menu from which a patron can<br />

choose from such things as hot dogs, hamburgers,<br />

pizza . fried chicken. Then,<br />

if one so desires, he can remain in the<br />

concession area to eat at one of the 16<br />

comfortable booths instead of taking the<br />

food back to the car.<br />

Features 16 Large Booths<br />

Constructed in masonry by the Kass<br />

Construction Co., the stand measures 126 x<br />

44 feet in area, and is completely air-conditioned<br />

and heated for year-round use. The<br />

interior features 16 large, spacious booths<br />

covered in white Naugahyde, with table and<br />

counter tops of walnut Formica.<br />

The stand was equipped by Watson Food<br />

Service, with fryer, griddle and popcorn<br />

poppers provided by Star Metal Mfg.; Jordon<br />

Refrigeration freezers; Scotsman ice<br />

machine, and Jet Spray Juice dispensers.<br />

Ideally, the situation exists that an individual<br />

or group of spectators can spend an<br />

enjoyable Sunday afternoon at a Cowboy<br />

football game, avoid the inevitable traffic<br />

confusion and mass human chaos by dining<br />

selection at all new Texas Stadium service.<br />

The rc'frvsliiiuni \cnicc iit the /;< u I cxus Stiiditiiii Diivi'-In provides patrons with the<br />

regular concession staples such as hot dogs, popcorn and candy, but also offers a dinner<br />

menu for those who might desire to dine at the theatre before the evening performance.<br />

at the drive-in concession facility following<br />

the game, and remain at the stadium Pictured above is a view of the kitchen or concession work area at McLendon's new<br />

to take in one of three movie attractions on open-air facility, equipped by IVatson Food Service, with fryers, griddle and popcorn<br />

the bill for that evening. poppers provided by Star Metal Mfg., and Jordan Refrigeration freezers.<br />

BOXOmCE :: February 19, 1973 27


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Popcorn Profits<br />

The Weaver Popcorn Co., Van<br />

Buren, Ind., has published a handout<br />

titled, "Your Guide to Better Popcorn<br />

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of expansion on the dollar return on<br />

popcorn sold in 15-cent boxes and 15-<br />

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Expansion is measured by the weight<br />

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SAFEGUARDING<br />

Continued from page 24<br />

solitary employee. At the bank, the cars<br />

are parked facing in opposite directions, so<br />

that should a holdup attempt be staged,<br />

one car is headed in the right direction<br />

for pursuit. "Few potential thieves would<br />

tackle such preparedness," the article said.<br />

Nearly every theatre, at some time or<br />

another, has been "cased" for a stickup or<br />

robbery. "Some theatres have been cased<br />

many times; usually nothing develops." But,<br />

being "cased," the article states, is "having<br />

your theatre analyzed by a would-be crook<br />

—learning the physical layout of your theatre<br />

and boxoffice, the entrances and exits<br />

(both of doors and streets or roads adjacent<br />

to the theatre). And even the comings and<br />

goings of the theatreman and employees."<br />

Thieves, unfortunately, are not "typed."<br />

They can be well dressed, polite, friendly<br />

fellows, or they might look suspicious and<br />

shifty, but actions speak loudly, and the<br />

alert theatreman should be on guard against<br />

any stranger persistently hanging around<br />

observing the theatre or boxoffice, becoming<br />

"friendly" and asking personal questions.<br />

Drive-ins should be on guard against cars<br />

that park around the theatre entrance with<br />

lights extinguished. "The occupants could<br />

be waiting for friends, or they could be<br />

deciding whether to rob the boxoffice, or<br />

even whether to come see the show. When<br />

a car is parked too long or the situation<br />

seems overly suspicious, the theatreman<br />

should call the police and have the car's<br />

occupants checked.<br />

All theatre employees connected with the<br />

handling of money should be "conditioned"<br />

to the possibility of a holdup at some time<br />

or another and know how to react. The<br />

article suggests these instructions:<br />

Keep a minimum amount of money in<br />

the boxoffice at all times. Especially keep<br />

money on the counter or in the till to an<br />

absolute minimum. Keep the boxoffice door<br />

inside-locked as much of the time as possible.<br />

Should an armed holdup occur, don't<br />

be a hero—turn over the obvious money.<br />

But, keep eyes and ears open. Observe and<br />

remember as much as possible, especially<br />

the escape car's license number, if seen.<br />

CREIORS DIFlJOM^<br />

the gieatest way eve<br />

thought of to make<br />

$60 an hour.<br />

Nobody ever made<br />

anybody unhappy by<br />

handing them a 15


iiGHER POPCORN PRICES EXPECTED<br />

AS EARLY WINTER DELAYS HARVEST<br />

Exhibition can expect higher<br />

popcorn prices during 1973. the result not<br />

only of the inflationary trend in all grain<br />

crop prices, but also because of slow harvest<br />

occasioned by wet fields, early winter<br />

storms and bitter cold temperatures over<br />

most of the major corn-producing states.<br />

The bulk of the popcorn harvested in the<br />

U.S. comes from the states of Iowa, Indiana,<br />

Nebraska, Ohio, and Illinois, which have<br />

All metal 200 Series. All metal. Stainless steel on top<br />

and front. Any piece of Manley equipment goes with it.<br />

Use moist heat or dry heat units. Or, a combination of both.<br />

been plagued since almost the start of<br />

harvest (at least since early October) by<br />

continuing bad weather. Heavy rains, which<br />

prevented farmers from getting harvesting<br />

equipment into soggy fields, was followed<br />

by snow and ice, further hampering the<br />

harvest, and, in fact, culminating in the<br />

deterioration of that part of the crop which<br />

remained (and, in some instances, still remains)<br />

to be gathered.<br />

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You choose either coiorful Formica or satin stainless<br />

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You'll soon discover that the new line of Manley<br />

Serv-0-Ramic equipment is so flexible that it fits<br />

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For example, the Model 220 Heavy Duty Food<br />

Warmer can be quickly, easily placed in either the<br />

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Is almost endless.<br />

If<br />

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Installed. Everything we have learned In this<br />

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TEAR OUT THIS AD NOW AS REMINDER...<br />

THEN WRITE FOR COMPLETE DETAILS!<br />

MANLEY, INC.<br />

P.O. Box 1006, 1920 Wyandotte, Kansas City, Mo. 64141<br />

PHONE: 816-421-6155<br />

The U.S. Department of Agriculture<br />

has released the following production<br />

figures on the 1972 popcorn crop:<br />

STATE PRODUCTION (lbs.)<br />

Iowa<br />

Indiana<br />

Nebraska<br />

Ohio<br />

Illinois<br />

Kansas<br />

Kentucky<br />

Missouri<br />

Michigan<br />

136.500,000<br />

114,000,000<br />

68,250,000<br />

52,800,000<br />

46,400,000<br />

43,050,000<br />

23,085,000<br />

19,800,000<br />

7,590,000<br />

Total U.S. ProducHon 519,741,000 lbs.<br />

Average U.S. Price $3.07/100 lbs<br />

U.S. Abandonment 8.6%<br />

Welcome Weaver, head of the Weaver<br />

Popcorn Co. of Van Buren, Ind., and an<br />

expert on this particular "fun food," which<br />

has become a staple in the theatre industry<br />

snack bar, said the 1972 harvest was delayed<br />

by the weather "longer than any<br />

time I can recall in the last 30 years."<br />

Further, Weaver said: "Unfavorable fall<br />

weather resulted in reduced yield per acre<br />

and increased the number of acres eventually<br />

abandoned."<br />

In his own state, Indiana, Weaver reported<br />

that 5-10 per cent of the 1972 crop<br />

had to be abandoned as a result of extremely<br />

unfavorable weather conditions that<br />

have been plaguing the state since midfall.<br />

"This is the highest we've ever experienced<br />

in lost acreage," Weaver said.<br />

Even though the early arrival of winterlike<br />

weather left acre upon acre of crop<br />

damage and deterioration in its wake, the<br />

early harvest did produce a crop of generally<br />

high quality and good yield, which slowly<br />

deteriorated as time went on, Weaver<br />

explained.<br />

The corn harvested early— "prime corn"<br />

—is of good quality which will definitely<br />

enhance its popability. However, as wet,<br />

cold weather set in, water damage became<br />

widespread and the moisture content of<br />

the corn caused gradual deterioration in<br />

the crop, which in all probability will sharply<br />

reduce the quality and popability of the<br />

late<br />

harvested product.<br />

Based on the general upward trend in<br />

grain crop prices, as well as other major<br />

farm crops, and the fundamental economic<br />

law of supply and demand, exhibitors can<br />

expect the price on popcorn to increase<br />

during the 1973 calendar year. The onlv<br />

question now is: Just how much?<br />

r<br />

PRODUCTS<br />

8108 CAPITOLA AVENUE<br />

FAIR OAKS, CALIF. 95628<br />

CARBON<br />

SAVERS<br />

Contact Your<br />

Theatrical<br />

Supply House<br />

The MODERN THEATRE SECTION


.<br />

Committee<br />

Chairmen<br />

Announced by NAC<br />

Committee chairmen for 1973 have been<br />

named by Harold F. Chesler, president of<br />

the National Ass'n of Concessionaires.<br />

The committees and their respective<br />

chairmen for 1973 are:<br />

Executive: Harold F. Chesler, Theatre<br />

Candy Distributing Co., Salt Lake City,<br />

Utah; Finance: Welcome I. Weaver, Weaver<br />

Popcorn Co., Van Buren, Ind.; Long Range<br />

Planning: Andrew S. Berwick jr., Wright<br />

Popcorn & Nut Co., San Francisco, Calif.;<br />

1973 General Convention: Al Lapidus, Lapidus<br />

Popcorn, Inc., Los Angeles, Calif.;<br />

and Milton C. Zemanek, Volume Service<br />

Co. of Calif., Inc., Oakland, Calif.; 1937<br />

Exhibit: S. Charles Bennett jr., The Macke<br />

Co., Cheverly, Md.; Public Relations and<br />

Related Industry Associations: Frank M.<br />

O'Brien, Coca-Cola Co., Atlanta, Ga., and<br />

Nello V. Ferrara, Ferrara Pan Candy Co.,<br />

Forest Park, III.; Trade Show Negotiating:<br />

Harold F. Chesler.<br />

By-Laws and Parliamentary: H. E. Chrisman,<br />

Chrisman Popcorn Co., Murray, Ky.:<br />

Personnel Training: Stanley S. Briggs, Lagoon<br />

Corporation, Salt Lake City, Utah;<br />

Regional Meetings: Virgil Odell, Odell Concession<br />

Specialties Co., Caldwell, Ida.;<br />

Special Services: Ron Hodgkinson, A&R<br />

Food Services Ltd, London, Ont., and Warren<br />

W. Young, Sweetheart Cup, Division<br />

Maryland Cup Corp., Owings Mills, Md.;<br />

Special Projects: Clifford D. Lorbeck, Superdisplay/<br />

Server Sales, Inc., Milwaukee, Wis.;<br />

Membership and Retention: I. C. Evans,<br />

Gold Medal Products Co., Cincinnati, Ohio.<br />

|BIII<br />

S<br />

A<br />

GGI<br />

G<br />

N<br />

PROFITS<br />

AT<br />

THE<br />

SNACK<br />

BAR?<br />

T THEM WITH<br />

s<br />

O TSA Snack Bar<br />

o<br />

B intermission Films<br />

Films in mouth-watering color so<br />

realistic your customers will head<br />

for the snack bar!<br />

Call or Write<br />

THEATRE SCREEN<br />

ADVERTISING<br />

Bob<br />

Tankersley<br />

lllg<br />

TAX CHANGES<br />

Continued from page 14<br />

looked may be one-of-a-kind expenses, such<br />

as for consulting lonsuitmg with a business busmess expert,<br />

buying 'ine business related hnnks books nr or othpr other<br />

literature.<br />

This year, if workers have been hired<br />

under the rules of the Work Incentive Program,<br />

or on-the-job training after participation<br />

in the program, there will be a tax<br />

credit of 20 per cent of the wages so paid<br />

in the first 12 months.<br />

Non-Business Income—<br />

Producing Expenses<br />

Accounting records for non-business income-producing<br />

sources may not be adequate<br />

enough to reflect all expenses, such<br />

as for rentals or investments.<br />

It may be necessary to search out cancelled<br />

checks and receipts. Often overlooked<br />

expenses may include car expanses,<br />

rental advertising, agents' commissions,<br />

casual labor paid by cash, minor repairs<br />

and maintenance expenses.<br />

If an exhibitor has capital gains and/ or<br />

losses, he needs to offset them to arrive at<br />

the gain or loss to be reported for the year.<br />

In doing so, be sure and claim any expenses<br />

Continued on page 32<br />

The Biggest Profit-Maker t<br />

In<br />

Your Concessions Linet<br />

SNOW<br />

The Year-Around Confection<br />

ForlndoorandOrive-lnTheatres<br />

Echols Improved Ice ihover will handle<br />

your peak crowdi. A single shoving operation<br />

molces enough snow to till cose and<br />

serve over 400 snow cones. Polished aluminum,<br />

stainless steel blodes, fluorescent<br />

light in case.<br />

Special offer, improved<br />

S^IOuQ<br />

ice sharer and deluxe ^1% III<br />

cose, OS shown. ^ | \j<br />

Get In Now On This Bigtime Moneymaker<br />

See Your Local Dealer or Write<br />

S. T. ECHOLS, Inc.<br />

Box 612 Bismarck, Mo.<br />

THEREAL THING...not a substitute!<br />

|H % PURE original anhydrous'^<br />

M^^<br />

.05 BunER<br />

assurespopcorn concessionaires<br />

greater volume-profitper serving<br />

• No water — No soggy popcorn<br />

• No waste — No rancidity — No curd<br />

• Does not need refrigeration<br />

• 20% more volume per pound<br />

• 34.54% more usable cc's per pound<br />

• Excellent spreading quality<br />

• Makes advance buttering possible<br />

• Saves time — Speeds service<br />

• Increases sales — Profits per pound<br />

ordernow/ OdeWs Anhydrous BUTTERfat<br />

is available from authorized distributors . .<br />

Coast to Coast — write for name of<br />

distributor that is serving your territory.<br />

4| MAIN OFFICE:<br />

ODELL CONCESSION SPECIALTIES CO.<br />

2100 Stout St. Denver, Colo. 80205<br />

(303) 534-7611<br />

liiifl


TAX CHANGES<br />

Continued from page 31<br />

paid in connection with them. Also, remember<br />

to see if there is any carryover loss from<br />

last year to apply to this year's return. If<br />

he has established worthlessness of a personal<br />

debt for tax purposes during 1972,<br />

this will be reported as a short-term capital<br />

loss.<br />

Divisible<br />

Expenses<br />

An exhibitor may use his home in part<br />

for conducting some business. He may have<br />

a part of his home set aside for an office<br />

either to conduct business, non-business or<br />

income-producing activities or both. He may<br />

use his car for part income-producing use,<br />

part personal use. The same may apply to<br />

his home telephone.<br />

These expenses may need more careful<br />

attention than other income-producing expenses.<br />

Not only must actual outlays be<br />

checked, but the proper allocation of them<br />

needs careful consideration.<br />

For purposes of preparing an income tax<br />

return, it is suggested that all divisible expenses<br />

regardless of their nature be set<br />

down on full work sheets. These could be<br />

headed business, non-business income-producing<br />

and personal, or whatever applies in<br />

an individual situation.<br />

Depreciation, Investment Credit<br />

get<br />

the<br />

message.<br />

Join the Nation's<br />

most prosperous<br />

concessionaires.<br />

Tiiey're all<br />

selling<br />

?<br />

New VITA-GLAZE<br />

BUTTERCUPS in<br />

4 money-making sizes.<br />

Order yours now.<br />

1109 NORTH MAYFAIR ROAD<br />

MILWAUKEE, WlSC. 53226<br />

After all deductions are known, business,<br />

non-business income-producing and personal,<br />

the tax bracket rate for the year can be<br />

determined, without depreciation charges.<br />

What depreciation choices will be made<br />

may to a large extent be determined by<br />

this tax bracket rate, especially for an owner<br />

who has invested a large amount in<br />

depreciable assets this year.<br />

No set rules can be made as to the best<br />

choice for an individual business situation.<br />

Much depends on the financial condition<br />

and the future plans an exhibitor has, as<br />

well as what may theoretically be the most<br />

logical choice.<br />

However, generally it is the best idea<br />

to postpone a large amount of depreciation<br />

if the tax bracket rate for the year is low,<br />

and apply the deductions to years when the<br />

tax bracket rate is expected to be higher.<br />

When the tax bracket rate for the year is<br />

high or unusually high, it may be better to<br />

use accelerated methods and claim additional<br />

first-year depreciation on some or all<br />

assets.<br />

Use of the funds an owner will have by<br />

claiming rapid depreciation on some or all<br />

assets may be of great importance for some<br />

businesses.<br />

Before the depreciation choice is made,<br />

it is advisable to figure the amount of the<br />

seven per cent investment credit that can<br />

be claimed. This may add enough to deductions<br />

that it will have an effect on<br />

depreciation choices. Furthermore, if the<br />

class life asset depreciation range method<br />

is used, investment credit must be claimed<br />

The MODERN THEATRE SECTION


on the useful life that is used with this<br />

method, which can be a 20 per cent shorter<br />

or longer useful life than the guideline life<br />

of an asset. This can reduce or increase the<br />

jjercentage of the investment credit that can<br />

be claimed according to useful life.<br />

Also, accelerated depreciation on real<br />

property is "tax preference" income and<br />

may be subject to the minimum tax of 10<br />

per cent if all preference income exceeds<br />

the exclusion. This may be of importance<br />

in depreciation choices for some of you.<br />

It is important to have an accurate inventory<br />

and records of cost or basis of assets<br />

to be depreciated. Be sure to take into consideration<br />

any carryover depreciation deductions<br />

from former years.<br />

Casualty Losses<br />

All casualty losses for the year can be<br />

reviewed and the loss for tax purposes be<br />

determined, if this has not been done before.<br />

Income Averaging<br />

If an exhibitor has a great deal more income<br />

than usual for the year, he may be<br />

qualified to average his income for a tax<br />

saving. Almost all types of income now<br />

qualify for averaging. Exceptions are income<br />

from trust accumulation distribution<br />

subject to the new throw-back rule, and<br />

premature distribution under a pension plan<br />

for owner-employees which is subject to a<br />

penalty tax.<br />

Averageable income must be over $3,000.<br />

In general, to find the amount of averageable<br />

income, take 120 per cent of the average<br />

annual income of the four preceding<br />

years. If the excess of income this year<br />

over this average is $3,000 or less, it does<br />

not qualify. If it is over $3,000, it qualifies<br />

for averaging. Other rules also apply.<br />

Sale<br />

of Residence<br />

An exhibitor may have sold his<br />

residence<br />

during the year. He should be sure all outlays<br />

that would cut any gain on the sale<br />

of the home are recorded, whether or not<br />

the tax on the gain is deferred by meeting<br />

the tax rules for this deferral.<br />

If a taxpayer Is 65 years of age or older<br />

this year, he may not remember that if he<br />

sells his home for more than he paid for<br />

it, he does not have to pay any tax on the<br />

gain of the adjusted sale price up to $20,-<br />

000 or less, if all the rules have been met.<br />

Exemptions<br />

An exhibitor should be careful to claim<br />

all exemptions to which he is entitled. Failure<br />

to list or substantiate dependents is<br />

high on the list of mistakes made by taxpayers,<br />

according to IRS. Each exemption<br />

is worth at least $750 this year. If either<br />

a taxpayer or his wife, or both, reached<br />

age 65 during this year this entitles him or<br />

his wife, or both, to an additional exemption.<br />

This could be overlooked. Blindness which<br />

has developed during the year also rates an<br />

exemption of $1,500 and may be overlooked.<br />

If support records show that the more<br />

than one-half rule is not met for a dependent<br />

that he expects to claim, a taxpayer<br />

may salvage the exemption if he examines<br />

support records carefully again and refigures<br />

the amount of support. Some expenses<br />

paid may be uncovered that had<br />

been overlooked, or he may discover that<br />

his first calculations were in error.<br />

Personal<br />

Deductions<br />

A taxpayer may have been claiming<br />

deductions<br />

that are close to the new percentage<br />

deduction of 15 per cent or the<br />

maximum allowed of $2,000 ($1,000 married,<br />

filing a separate return). However,<br />

only by carefully recording and adding all<br />

deductions, then comparing the result with<br />

what the standard deduction will be, can<br />

he be sure which method will be the tax<br />

saver for him.<br />

Some personal deductions could be increased<br />

and others be less than the usual<br />

sum. There may be deductible expenses<br />

made this year that have never been claimed<br />

before. If accurate records have not been<br />

regularly kept, it may be necessary to consult<br />

with family members to reconstruct<br />

some of them.<br />

Those with income of less than $10,000<br />

can use the tax tables that include the low<br />

Continued on page 34<br />

isiori. Worth building ^<br />

leatre around. ^<br />

the ne*v perfecfPpicture presentalioA syst^i,<br />

d^dw)ed exclusively by WiT-Kin,^/yianta<br />

BOXOFHCE :: February 19, 1973 33


CHANGES<br />

Continued from page 33<br />

income allowance of $1,300 ($650 married,<br />

filing a separate return), or itemize deductions<br />

and use the tax rate tables.<br />

Final<br />

Check<br />

Finally, it is wise to set aside your income<br />

tax return for a few days after it is<br />

completed. Then check carefully for these<br />

most common errors reported by IRS. If<br />

these errors are made, they will cost you<br />

a lot of time and trouble in correcting.<br />

DESIGN EXPERTS...<br />

. NEW THEATRE DESIGN<br />

. REMODELING THEATRES<br />

. SNACK BAR LAYOUT<br />

. COLOR COORDINATION AND DECOR<br />

Over 30 years experience and more than 300 projects in<br />

the past seven years<br />

Our know-how, experience and economies more than pay the<br />

cost of our services.<br />

COMPLETE DESIGN AND ENGINEERING SERVICE<br />

OR<br />

CONSULTANTS TO YOUR ARCHITECTS<br />

They are: Check to be sure the return<br />

is signed; that the check for payment is<br />

signed and attached; that your address is<br />

complete; that all required schedules and<br />

statements are attached; that the correct<br />

Social Security number is on the return; that<br />

all blocks and blanks on every line of the<br />

forms are filled in, such as for filing status;<br />

that itemized deductions are completely<br />

listed.<br />

Then, look and see if the correct table,<br />

rate, line or column has been used and see<br />

if there are any mathematical errors.<br />

AND ASSOCIATES<br />

1550 Dover St., Suite 5 • Lakewood, Colorado 80215<br />

Telephone: (303) 238-6415<br />

Coming March 12:<br />

Concessions, Food Serving, Equipment<br />

in MODERN THEATRE<br />

Leaders in Changeable Plastic Letters<br />

^ian f'^rouuctd<br />

(J<br />

1319 W. 12th Place-Los Angeles, Calif. 90015<br />

Phone (213) 747-6546<br />

SIZES: 6", 8", 10", 17", 24"<br />

COLORS: RED,<br />

BLACK, GREEN, BLUE<br />

CLIPPED FOR STANDARD 7" O.C.<br />

ALL STAINLESS STEEL CLIPS<br />

FREIGHT ALLOWANCE<br />

TRACK<br />

Samples on<br />

Request<br />

East Coast Distributor—CROWN MOTION PICTURE SUPPLY CO., Phone (212) 635-2564<br />

CARBONS, Inc. 10 Saddle Road, Cedar Knolls, N. J. 07927.<br />

See your<br />

Theatre<br />

Equipment<br />

Dealer<br />

for details<br />

COMPLETE<br />

AUTOMAT/ON LINE OF<br />

l^ini-Mult EQUIPMENT<br />

'J2^Mve-l„ Theat. res<br />

The MODERN THEATRE SECTION


!<br />

Compact Coin Counter, Packager<br />

Verifies Cash Register Change<br />

The Nadex Quickcount with Instant<br />

Count Verifier, a fast, reliable device for<br />

counting cash register change and wrapping<br />

coins, has been made available by Nadex<br />

Industries, Buffalo, N.Y.<br />

The new compact coin counter and packager<br />

comes in a plastic tray approximately<br />

12 inches square by 2 inches deep, and<br />

consists of four non-jamming feeders leading<br />

to four automatic stacking tubes—one<br />

for each common coin denomination. The<br />

stacking tubes are calibrated to indicate<br />

dollar value of stacked coins, and each tube<br />

is formed so that roll-size units are clearly<br />

marked for easy removal. The center section<br />

contains the Instant Count Verifier to<br />

assure complete accuracy of counts, and a<br />

coin roller to make roll-wrapping easy.<br />

Coins poured into the appropriate feeder<br />

stack automatically in calibrated tubes with<br />

the dollar values indicated by graduations.<br />

If graduations and coins that are of equal<br />

width line up fully, counts will be accurate,<br />

and the coins can be returned immediately<br />

to the cash drawer or placed on the coin<br />

roller for wrapping. If coins do not line<br />

up fully with graduations, as is possible<br />

with bent or badly worn coins, the count<br />

can be verified with the Instant Count Verifier.<br />

This new coin counter and packager<br />

makes it possible for coins to be taken from<br />

cash drawers, counted and replaced at the<br />

rate of 150 to 200 per minute. Coins can<br />

be stacked, counted and wrapped at the<br />

rate of two to three rolls per minute.<br />

Optical Radiation Corp. Announces<br />

Availability of Projector Pedestal<br />

Optical Radiation Corp. has introduced<br />

a projector pedestal designed for mounting<br />

any 35/ 70mm projector and an ORCON<br />

lamphouse.<br />

The moderately priced pedestal offers a<br />

sturdy support for all makes of 35/70mm<br />

projectors and is designed to provide adequate<br />

space in the column to conceal the<br />

lamphouse power supply, the sound system<br />

amplifiers and the automation system.<br />

The pedestal plate is adjustable from 15<br />

degrees down to 5 degrees up, so that it<br />

may be used equally well in drive-in or fourwall<br />

operations. Leveling screws are also<br />

incorporated in the pedestal, and an electrical<br />

port is provided for installing a standard<br />

two-outlet 115 VAC receptacle.<br />

The unit, which weighs only 125 pounds.<br />

is shipped disassembled in a flat carton for<br />

easy handling and installation in the booth.<br />

NOW THAT YOU'VE TRIED<br />

TALK FACTS<br />

THE CHEAPIES,<br />

LET'S<br />

No mafter how cheap you buy a cord speaker— if it's stolen or needs continuous repair—<br />

YOU LOSE!<br />

FINALLY ITS HERE—the new "permanent all metal<br />

"<br />

THEFT-PROOF, MAINTENANCE FREE Speaker Units for back rows, high<br />

vandalism areas and overflow sections.<br />

GUARANTEEDJjyLL^EARS<br />

• All Heavy Steel and Aluminum Construction<br />

• 2.15 oz Magnet, Maintenance Free Aluminum Cone Speakers<br />

• Butyl Rubber Coated and Sealed Against Weather<br />

• Specially Designed Theftproof Hardware and Post Locking Device<br />

(Special Tool Included)<br />

IN<br />

QUANTITY<br />

REPLACES 2 CORD SPEAKERS<br />

AND 1 JUNCTION BOX!<br />

Write for complete information or send $13.95 for prepaid sample unit.<br />

Limit ONE only per theatre. Check must accompany order.<br />

PERMANENT" DRIVE-IN<br />

p. 0. Box 269 Delphos, Ohio 45833<br />

Telephone (419) 692-4061<br />

PRODUCTS<br />

BOXOFFICE :: February 19, 1973 35


:W EQUIPMENT AND DEVELOPMENTS<br />

New 8-oz. Plastic Dixie Cup<br />

Available From American Can<br />

A new translucent, S-oz. plastic Dixie<br />

cup— the only translucent plastic cup available<br />

in that size—has been introduced by<br />

the Service Products Division of American<br />

Can Co.<br />

The new cup. which shows full color and<br />

flavor appeal of drinks, features the same<br />

lop diameter as that of a 9-oz. cup, thus<br />

minimizing cup dispenser and machine adjustments<br />

for vending. The new product will<br />

be available in vending machines as well<br />

as manually.<br />

Colorful New Rock Poster Kits<br />

Provided by Popcorn Institute<br />

Three bright four-color, see-through posters<br />

have been made available to the concession<br />

trade in kit form by the Popcorn<br />

Institute. The kit, called "A Popcorn Rock<br />

Fest," features two streamer-style. 5x 15-<br />

inch posters, and a diamond-shaped one,<br />

measuring 10x10 inches.<br />

The posters, made of see-through acetate,<br />

have adhesive backing for easy application,<br />

and are ideal for back-bar mirrors or decoration<br />

for popping or warming equipment.<br />

The cost is 65 cents per kit, plus shipping,<br />

with a minimum order of six kits required.<br />

Heywood's<br />

new Action Line<br />

Rockers. Relax<br />

... in the<br />

minimidimaxL<br />

rocking choifs<br />

FREE<br />

worting<br />

SAMPLE!<br />

OurTC 2107.<br />

The nev/<br />

MAXI-Rocker<br />

The TC 2105.<br />

One of the new<br />

MIDI-Rockers<br />

will bring<br />

more profit<br />

to the most<br />

profitable<br />

concession<br />

in your<br />

theatre!<br />

ppsR<br />

^ yjusi<br />

C F SlW-,.,,-.<br />

The TC 2103.<br />

One of the new<br />

MINl-Rockers<br />

PROVE IT NOW!<br />

America's finest popcorn seasoning imparts<br />

rich butter-like flavor.. .and color!<br />

Heywood-Wakefield I^A<br />

GARDNER, MASSACHUSEHS<br />

We'll send you a working sample, free for the asking!<br />

SIMONIN • PHILADELPHIA, PA. 19134 popping specialists to the nation<br />

The MODERN THEATRE SECTION


CONDENSED INDEX OF PRODUCTS<br />

ACOUSTICAL WALL COVERING<br />

Soundfold. Inc<br />

ATTBACTION BOAHDS & LETTERS<br />

Bevelite Mfg. Co<br />

Sign Products<br />

Adler Silhouette Letter Co<br />

BOXOFTICE ADMISSIONS SIGNS<br />

Page<br />

11<br />

34<br />

22<br />

Dura Engraving Corp 29<br />

BOXOFFICES<br />

Selby Industries, Inc. 24<br />

BUTTER CUPS FOR POPCORN<br />

Supurdisplay, Inc. /Server Sales. Inc. 32<br />

BUTTER oa FOR POPCORN<br />

Odell Concession Specialties Co.. Inc. 31<br />

BUTTER SERVERS<br />

Supurdisplay Inc. /Server Sales. Inc. 32<br />

CARBONS<br />

Lorraine Arc Carbons Div., Carbons. Inc 31<br />

CARBON SAVERS<br />

Cali Products _ „ _ 30<br />

COIN COUNTERS & PACKAGES<br />

Nadex Industries, Inc. __ _ 17<br />

CONCESSION STANDS<br />

Manley, Inc 30<br />

DRIVE-IN CAR COUNTER<br />

Drive-In Theatre Mig. Co 26<br />

EPRAD. Inc 9. 10<br />

DRIVE-IN THEATRE DESIGN<br />

Drive-In Theatre Mfg. Co 26<br />

Selby Industries, Inc - 24<br />

Theatre Construction Co 23<br />

DRIVE-IN THEATRE EQUIPMENT<br />

Ballantyne of Omaha. Inc 2<br />

DiD Theatre Screens. Inc 23<br />

Dri-View Mlg. Co. _ 20<br />

Drive-In Theatre Mfg. Co 26<br />

EPRAD, Inc. _ S. 10<br />

Projected Sound, Inc 21<br />

"Permanent" Drive-In Products 35<br />

Selby Industries 24<br />

Thermolator Corp 28<br />

HLM TRAILERS<br />

Theatre Screen Advertising 31<br />

FILM CABINETS<br />

Goldberg Bros. 19<br />

FOOD SERVICE EQUIPMENT<br />

Manlev. Inc. 30<br />

Star Metal Corp 28<br />

HEATERS. IN-CAR<br />

Thermolator Corp 28<br />

JUNCTION BOXES<br />

Drive-In Theatre Mfg. Co 26<br />

EPRAD, Inc 9, 10<br />

Projected Sound, Inc. 21<br />

LIGHTING, DRIVE-IN THEATRE<br />

Drive-In Theatre Mig. Co. 26<br />

MINIATURE GOLF COURSES<br />

Lomma Enterprises, Inc 20<br />

MOSQUITO REPELLENT<br />

Pic Corp 14<br />

PAINT FOR DRIVE-IN SCREENS<br />

Drive-In Theatre Mfg. Co 26<br />

Spatz Paint Industries. Inc. 26<br />

PAINT FOR SEATS<br />

Spatz Paint Industries. Inc 26<br />

POPCORN EQUIPMENT S SUPPLIES<br />

Cretors & Co. _ 29<br />

Odell Concession Specialties Corp 31<br />

Simonin & Sons 6<br />

Supurdisplay. Inc. /Server Sales. Inc. 32<br />

PROJECnON LAMPS<br />

Christie Electric Corp 15<br />

Macbeth Sales _ 13<br />

Optical Radiation Corp 5<br />

Strong Electric Corp 7<br />

PROJECTOR PARTS<br />

La Vezzi Machine Works 6<br />

PROJECTORS<br />

Ballantyne of Omaha. Inc. 2<br />

RECTIFIERS<br />

Christie Electric Corp 15<br />

Kneisley Electric Co 17<br />

Strong Electric Corp 7<br />

REELS, PROJECTOR<br />

Goldberg Bros 19<br />

REFLECTORS<br />

Strong Electric Corp 7<br />

REWINDS, AUTOMATIC<br />

Christie Electric Corp 15<br />

Goldberg Bros. 19<br />

SCREEN TOWERS, BOXOFFICES, CANOPIES,<br />

WINGS, FENCE, SPEAKER POSTS<br />

DSD Theatre Screens 23<br />

Drive-In Theatre Mig. Co 26<br />

Selby Industries, Inc 24<br />

Theatre Construction Co 23<br />

BOXOFHCE :: February 19, 1973<br />

I<br />

Page<br />

SEATING, HARDTOPS<br />

Heywood- Wakefield 36<br />

Massey Seating Co 6<br />

National Theatre Supply 18<br />

SNACK BARS<br />

Manley- Inc. - 30<br />

Star Metal Corp 28<br />

SNOW CONES<br />

S. T. Echols Co.. Inc „ 31<br />

SPEAKERS. m-CAR<br />

Drive-In Theatre Mfg. Co 26<br />

EPRAD, INC 9, 10<br />

National Theatre Supply Co 18<br />

"Permanent" Drive-In Products 35<br />

Projected Sound, Inc. 21<br />

THEATRE DESIGN CONSULTANTS<br />

Mel Glatz & Associates 34<br />

Theatre Construction Co. ..._ 23<br />

Wil-Kin. Inc 33<br />

Page<br />

THEATRE EQUIPMENT & SUPPLIES<br />

National Theatre Supply Co 18<br />

Universal Theatre Supply 1'<br />

TICKET MACHINES<br />

General Register Co 17<br />

TICKETS<br />

Globe Ticket Co 26<br />

Weldon, Williams & Lick _ 6<br />

WALL COVERING, ACOUSTICAL.<br />

DECORATIVE<br />

Soundfold, Inc — 14<br />

XENON LAMPS & POWER SUPPLIES<br />

Christie Electric Corp .-<br />

Kneisley Electric Co -.<br />

Sales<br />

Macbeth<br />

Optical Radiation Corp —<br />

Strong Electric Corp „<br />

XeTRON Div., Carbons, Inc<br />

Clip and Mail This Postage-Free Coupon Today<br />

FOR MORE INFORMATION<br />

This form is designed to help you get more infomration on products and services advertised in<br />

this issue of The Modern Theotre Section or described in the "New Equipment and Developments" and<br />

"Literature" and news pages. Check: The advertisements or the items on which you wont more information.<br />

Then: Fill in your name, address, etc., in the space provided on the reverse side, fold as indicated,<br />

staple or tape closed, ond moil. No postage stamp needed.<br />

ALPHABETICAL INDEX OF ADVERTISERS, Issue of February 19, 1973<br />

Page<br />

n Adler Silhouette Letter Co 22<br />

n Area! Theatre Products 20<br />

n Ballantyne of Omaha, Inc 2<br />

n Bevelite Mfg. Co 11<br />

n Cali Products 30<br />

Christie Electric Corp 15<br />

n Cretors & Co 29<br />

n Dr Pepper Co Inside front cover<br />

D D&D Theatre Screens 23<br />

Dri-View Mfg. Co 20<br />

n Drive-In Theatre Mfg. Co 26<br />

n Dura Engraving 29<br />

D S. T. Echols Co., Inc 31<br />

n EPRAD, Inc 9, 10<br />

n General Register Co 17<br />

D Mel Glatz & Associates 34<br />

n Globe Ticket Co 26<br />

n Goldberg Bros 19<br />

D Heywood-Wokefield 36<br />

D Kneisley Electric 17<br />

n LaVezzi Machine Works 6<br />

n Liberty Disploy Fireworks 21<br />

Lomma Enterprises, Inc 20<br />

D Macbeth Soles 13<br />

NEW EQUIPMENT and DEVELOPMENTS<br />

Page<br />

IS<br />

17<br />

13<br />

5<br />

7<br />

34<br />

Page<br />

n Manley, Inc 30<br />

n Massey Seating Co 6<br />

n Nadex Industries, Inc 17<br />

National Theatre Supply 18<br />

n Odell Concession Specialties 31<br />

n Optical Radiation Corp 5<br />

n "Permanent" Drive-In Products 35<br />

D Pic Corp 14<br />

n Projected Sound, Inc 21<br />

n Selby Industries 24<br />

D Sign Products 34<br />

D Simonin & Sons 6<br />

n Soundfold, Inc 14<br />

n Spatz Point Industries, Inc 26<br />

D Star Metal Corp 28<br />

n Strong Electric Co 7<br />

Supurdisplay, Inc./ Server Sales, Inc 32<br />

n<br />

n Theatre Construction Co 23<br />

n Theatre Screen Advertising 31<br />

n Thermolator Corp 28<br />

D Weldon, Williams & Lick 6<br />

n Wil-Kin, Inc 33<br />

n Universal Theatre Supply 11<br />

n XeTRON Products Div., Carbons, Inc 34<br />

D Compact Coin Counter From Nadex 35 D New 8-oz. Plastic Dixie Cup 36<br />

n Projector Pedestal From Optical Radiation .. 35 D Rock Poster Kits 36<br />

LITERATURE<br />

Poge<br />

D EPRAD Catalogs 38<br />

Page


ui PEOPLE<br />

1<br />

Edwin E. Stuart, vice-president and<br />

assistant to Nat D. Fellman, president of<br />

National General Theatres, has been promoted<br />

to vice-president of operations for<br />

the circuit. Stuart began his career with<br />

NGT in 1956 as a doorman while attending<br />

college. He subsequently served in various<br />

managerial positions in the Midwest<br />

division and. in 1965. was promoted to the<br />

real estate department in the Los Angeles<br />

home office, concerning himself with acquisitions<br />

of new theatres.<br />

Richard S. Ostertag has been apjxjinted<br />

BOXOFFICE-MODERN THEATRE<br />

and PRODUCT<br />

director of personnel and industrial relations<br />

of the Sylvania Light Products Group<br />

in Seneca Falls, N.Y., and will be located<br />

in Danvers, Mass. James F. Proud of Chili<br />

has been named manager of marketing,<br />

manpower development and training for the<br />

entertainment products group of the company<br />

in Batavia, succeeding J. A. Henricks.<br />

who has resigned.<br />

The Rochester film division of Bell &<br />

Howell Co. has been purchased by Anken<br />

Industries, a Morristown, N.J.. manufacturer,<br />

headed by R. M. Verburg. The Anken<br />

Send me more information about the products and articles checked on<br />

the reverse side of this coupon.<br />

Nome<br />

Theatre or Circuit..<br />

Seating or Car Capacity..<br />

Street<br />

Number..<br />

Position<br />

City.. State Zip Code..<br />

Fold along this line with BOXOFFICE address out. Stople or tape closed.<br />

SEND US NEWS ABOUT YOUR THEATRE, YOUR IDEAS<br />

We'd like to know about them and so would your fellow exhibitors.<br />

If you've installed new equipment or made other improvements in your<br />

ineatre, send us the details—with photos, if possible. Or if you have<br />

any tips on how to handle some phase of theatre operations, concessions<br />

sales, etc.—faster, easier or better—let other showmen in on them. Send<br />

this material to:<br />

The Editor<br />

MODERN THEATRE<br />

j^ Fold along this line with BOXOFFICE address out. Staple or tope closed.<br />

BUSINESS REPLY ENVELOPE<br />

First Class Permit No. 874 - Section 34.9 PL&R - Kansas City, Mo.<br />

BOXOFFICE-MODERN THEATRE<br />

president said the operation would continue<br />

as the Rochester Film Co., a division<br />

of Anken. Franklin T. Sweet continues to<br />

head operations as president of the company,<br />

which has been and is a manufacturer<br />

of high-quality microfilm and lithographic<br />

photographic products.<br />

Ara-Serv, a subdivision of Araservices,<br />

now holds a five-year contract to handle<br />

concessions at the Three Rivers Stadium in<br />

the Pittsburgh area. This formerly was<br />

handled by an inside firm, Recreational<br />

.Services.<br />

A Special Plaque was presented to G.<br />

Carleton Hunt, retiring chairman of the<br />

board of DeLu.xe General, Inc., motion<br />

picture laboratories, at ceremonies in Hollywood<br />

recently. Wilton R. Holm, president<br />

of the Society of Motion Picture & Television<br />

Engineers, presented the plaque from<br />

the organization, which was inscribed:<br />

"The Society of Motion Picture & Television<br />

Engineers has awarded G. Carleton<br />

Hunt this special commendation for his<br />

initiative, dedication and leadership in the<br />

SMPTE and in the motion picture industry<br />

—Dec. 22, 1972—Wilton R. Holm, president,<br />

SMPTE."<br />

Robert T. Kreiman, president of DeLuxe<br />

General, presented a scroll containing the<br />

names of all laboratory employees and<br />

reading: "In recognition and sincere appreciation<br />

of the many years G. Carleton<br />

Hunt dedicated to providing leadership for<br />

DeLuxe General, Inc., we, the employees<br />

who benefited so richly from his guidance<br />

and friendship, wish to say thanks."<br />

Dr Pepper has announced five executive<br />

promotions in its national organization<br />

following approval by the company's board<br />

of directors.<br />

Frederick F. Avery and Joe K. Hughes<br />

each were elected executive vice-presidents;<br />

C. W. Reeves was promoted to vice-president,<br />

general manager, corporate bottling<br />

plants; Hal Stockstill was appointed vicepresident,<br />

franchise, and Jerry Corbin, vicepresident<br />

of sales. All have been key members<br />

of the company's executive and marketing<br />

organization.<br />

The following concerns have recently<br />

filed copies of interesting descriptive literature<br />

with the Modern Theatre Information<br />

Bureau. Readers who wish copies may obtain<br />

them promptly by using the Readers'<br />

Service Bureau coupon in this issue of The<br />

Modern Theatre.<br />

EPRAD. Inc.. has announced the publication<br />

of its new 197.'? catalogs on Sword<br />

Units and Systems, Automation, and Booth<br />

Equipment, and other drive-in equipment.<br />

The company claims price reductions of<br />

better than 20 per cent in sword and automation<br />

product lines and increases of to<br />

less than 2', 2 per cent in almost all other<br />

lines.<br />

The catalogs come in pre-punched supplemental<br />

form for ea.sy insertion into a<br />

loose leaf binder.<br />

i!DE OUT<br />

825 Van Brunt Blvd.<br />

KANSAS CITY. MO. 64124<br />

The MODERN THEATRE SECTION


• ADLINES & EXPLOITIPS<br />

• ALPHABETICAL<br />

INDEX<br />

• EXHIBITOR HAS HIS SAY<br />

• FEATURE RELEASE CHART<br />

• FEATURE REVIEW DIGEST<br />

• SHORTS RELEASE CHART<br />

• SHORT SUBJECT REVIEWS<br />

• REVIEWS OF FEATURES<br />

• SHCWMANDISING IDEAS<br />

THE GUIDE TOiBETTER BOOKING AND B U S I N E S S - B U I L D I N G<br />

WINSTON' INSPIRES NEW FASHION LOOK<br />

Columbia Pictures' far-reaching promotion-merchandising<br />

campaign for "Young<br />

Winston" is moving at high speed for the<br />

new Year, coinciding with a wave of majorcity<br />

openings scheduled throughout the<br />

country over the first three months of the<br />

year. Major promotion emphasis falls into<br />

three main areas — fashion, music and<br />

books.<br />

Fashion tie-ins covering a wide range of<br />

styles and accessories for men, women and<br />

children have been inspired by the film<br />

wardrobles of Simon Ward in the title<br />

role, Robert Shaw as Lord Randolph<br />

Churchill, and Anne Bancroft as Lady<br />

Jennie Churchill. Some of the nation's top<br />

designers and manufacturers have created<br />

exciting lines of dashing menswear and<br />

opulent women's fashions.<br />

Men's fashions are characterized by a<br />

return to "The Look of Elegance," and a<br />

campaign was launched on this theme late<br />

last year at Bloomingdale's department store<br />

in New York City. Full-page newspaper<br />

ads, a widely publicized fashion show and a<br />

store-wide promotion highlighted the cam-<br />

The "Young Winston" look for men is marked by the return of the three-piece<br />

vested suit with bow tie and wide-necked shirt, as shown on the left, in this<br />

display at Bloomingdales's department store in New York City. The new fashion<br />

look also features a military side, at right, with an adaption of Churchill's Boer<br />

War campaign jacket.<br />

Jilt jashionable look of Lady Jennie<br />

Churchill, portrayed by Anne Bancroft,<br />

right, has been created by an<br />

exclusive group of fashion designers<br />

who have captured the glamour and<br />

color of the Victorian era using the<br />

fabrics of the day, taffetas, satins,<br />

velvets, fur and feathers.<br />

paign. Similar plans have been instituted<br />

in stores across the country, and still others<br />

are being timed to upcoming openings of<br />

"Young Winston."<br />

"The Look of Elegance" is marked by<br />

the return of the three-piece vested suit<br />

with bow tie and wide-necked shirt, ascot<br />

ties and rich formal tails, and dinner<br />

jackets in elegant velvets and satins.<br />

The "Young Winston" look for men also<br />

features a military side with an adaption<br />

of Churchill's Boer War campaign jacket.<br />

The concept is carried over into sport shirts,<br />

host pajamas, raincoats and top coats. "The<br />

Harrow Look," inspired by Churchill's<br />

school years, represents an entire line of<br />

young men's suits.<br />

"The Jennie Fashion Look" has been<br />

created by an exclusive group of fashion<br />

designers who have captured the glamour<br />

and color of the Victorian era using the<br />

fabrics of the day, taffetas, satins, velvets,<br />

fur and feathers. Emphasis is on the sleeves,<br />

high-banded necklines, delicate lace ruffles,<br />

and free-flowing skirts.<br />

Alfred Ralston's score for "Young Winston"<br />

has received much praise in the press<br />

and is available on the prestigious Angel<br />

label. A prime contender for an Academy<br />

Award nomination, the score is highlighted<br />

by the beautiful "Jennie's Theme," a single<br />

recording of which has been serviced to<br />

some 4,000 radio stations nationwide. Two<br />

other single recordings of the theme— by<br />

Ronnie Aldrich (London Records) and Lee<br />

Holdridge (Paramount)—are reaching a<br />

growing audience via "easy listening" stations.<br />

Carl Foreman's screenplay for "Young<br />

Winston" is now available in paperback<br />

from Ballantine Books. A special movie<br />

tie-in cover features stills from the film<br />

and credits. In addition to book and retail<br />

store outlets, the book is receiving major<br />

attention in schools throughout the country<br />

in conjunction with Columbia's speciallyprepared<br />

study guide.<br />

Give 'Freedom Collection'<br />

Packs at "1776" Debut<br />

"The Freedom Collection" — a package<br />

of historical documents—was presented to<br />

each person attending the benefit premiere<br />

of the film "1776" at the North Star Cinema<br />

in San Antonio.<br />

The premiere was sponsored by the San<br />

Antonio Bicentennial committee. Proceeds<br />

are to be used for San Antonio's participation<br />

in the nation's bicentennial celebration<br />

in 1976.<br />

BOXOFFICE Showmandiser :: Feb. 12, 1973 23 — 1


—<br />

"<br />

/ay' Evening<br />

P 118 For Couple<br />

Getaway Evening for<br />

Two" was the<br />

.'ared prize in a promotion staged by<br />

'<br />

^'.erican Multi Cinema and radio station<br />

IvUDL in connection with the premiere<br />

showing of "The Getaway" at the Midland<br />

Theatre in Kansas City, Mo.<br />

TTie contest was geared around the Top<br />

30 playlist published weekly by the station.<br />

During the week of the contest, the survey<br />

sheet featured a picture puzzle on the cover<br />

consisting of partial faces of four KUDL<br />

air personalities. Spaces were provided on<br />

the back of the surveys to name the four<br />

disc jockeys pictured in part on the cover.<br />

The contest rules called for the entries to be<br />

mailed to the radio station, with the earliest<br />

postmark determining the winner in case of<br />

a tie.<br />

The winner received the following: A<br />

"Getaway Evening for Two." which consisted<br />

of a chauffeur-driven limousine picking<br />

the winner and his or her date or spouse<br />

up at the winner's home. Along with this,<br />

the winner got to choose his or her favorite<br />

KUDL air personality to go along with<br />

them. The group went to dinner at a local<br />

restaurant, and then on to the premiere<br />

showing.<br />

The radio station furnished a corsage,<br />

picked up the cost of the dinner, and ran<br />

spot announcements the week of the contest<br />

to encourage participation.<br />

Usher Dressed As Snoopy<br />

Poses in Patron Photos<br />

Brotman & Sherman's Parthenon Theatre<br />

in Hammond, Ind., staged a kiddie matinee<br />

playing "A Boy Named Charlie Brown,"<br />

and the promotion arranged by manager<br />

Robert Storey brought excellent crowds to<br />

the 2,100-seat house.<br />

Usher Tim Heath was dressed as Snoopy<br />

to pose with the children and their parents<br />

for special pictures, and both the kids and<br />

their folks were delighted with the idea.<br />

Additionally, Storey gave away free gifts<br />

to the first 300 hundred kids each day of<br />

the two-day weekend playdate. The gifts<br />

included shrunken heads, rings and lepustooth<br />

necklaces.<br />

Usher Tim Heath of the Parthenon<br />

Theatre, Hammond, Ind., dressed as<br />

Snoopy, poses with a family for a photograph<br />

during the run of "A Boy<br />

i'^'amed Charlie Brown."<br />

Owner-manager Dick Klein turned the<br />

absence of his new carpeting into a<br />

promotion stunt by laying a sample in<br />

the lobby over which patrons must walk<br />

and labeling it. "Our Next A ttraction—<br />

Plush New Carpeting."<br />

Carpet Sample Attracts<br />

Attention of Public<br />

The fact that new carpeting for Dick<br />

Klein's plush new 600-seat Parkway Theatre<br />

in Longmont. Colo., did not arrive in<br />

time for the grand opening of the theatre<br />

caused some inconvenience, but showman<br />

Klein turned it into a prime publicity stunt.<br />

The Parkway, Longmont's first roadshowtype<br />

operation, was totally remodeled, with<br />

everything ready for the opening except the<br />

missing carpeting. A sample of the new<br />

carpet was placed in the lobby with ropes<br />

directing patron traffic across the sample<br />

and a sign reading "Our Next Attraction<br />

Plush New Carpet." The stunt resulted in<br />

considerable publicity for the theatre.<br />

Klein, a veteran in<br />

Rocky Mountain area<br />

exhibition, also operates the Trojan Theatre<br />

and the Star Vue Drive-In in Longmont.<br />

Book, Shave Lotion Tie-Ins<br />

Set for Paramount Film<br />

Paramount Pictures has set tie-ins with<br />

Bantam Books and Hai Karate shave lotion<br />

and cologne for its new release, "Innocent<br />

Bystanders." The Bantam paperback edition<br />

of the James Munro novel features a fullcolor<br />

front cover using the film's advertising<br />

art, with the back cover highlighted by<br />

a<br />

selection of scene stills.<br />

An international promotional campaign<br />

highlighting the Hai Karate products, as<br />

used by experts in the art of Oriental selfdefense,<br />

is now under way. Hai Karate<br />

cologne and after shave lotion gift sets will<br />

be awarded as prizes in local radio and<br />

television contests when "Innocent Bystanders"<br />

opens in key cities around the<br />

country.<br />

Toy For Local Child<br />

Price of Admission<br />

A new or useable toy was the sole price<br />

of admission for a special Christmas showing<br />

of "The Poseidon Adventure" at the<br />

Eastwood Mall Theatre in Birmingham, "s.<br />

Ala. Co-sponsored by the Birmingham<br />

News and Cobb Theatres, the promotion<br />

was provided as a public service designed to<br />

bring a smile to a Birmingham child on<br />

Christmas and at the same time, publicize<br />

the movie.<br />

Over L200 toys were collected and distributed<br />

by the Fraternal Order of Police to<br />

homes in Birmingham where Santa Claus is<br />

more a dream than a reality.<br />

The Birmingham News and Birmingham<br />

Post Herald ran two full pages on the<br />

project, plus eight front page breaks and<br />

photos. The News also ran extra color<br />

breaks on the movie itself. The "Toys for<br />

Tots" project, as it was called, also received<br />

considerable attention on area radio<br />

and television stations.<br />

"We feel that public relations with our<br />

communities is a must in our business,"<br />

Norm Levinson, executive vice-president<br />

for Cobb Theatres, said.<br />

Both Cobb Theatres and the Birmingham<br />

News received a considerable amount of<br />

mail from citizens within the community<br />

praising their effort.<br />

"Aside from the goodwill created, we<br />

could not buy the space and coverage received<br />

for 'The Poseidon Adventure.'<br />

Levinson said. "We plan to make this an<br />

annual event."<br />

Free Ticket Contest Staged<br />

With 'Steelyard Blues'<br />

A saturation campaign involving 25,000<br />

heralds, 50 trailers, an area-wide free ticket<br />

contest and a giant paint<br />

board was staged<br />

for Warner Bros.' opening of "Steelyard<br />

Blues" at the Village Theatre in Los Angeles,<br />

Calif.<br />

Fifteen thousand fold-over heralds, imprinted<br />

with copy and art on the film, were<br />

handed out at a Rolling Stones concert,<br />

while 10,000 more were distributed to<br />

record stores, boutiques, health food restaurants,<br />

organic retail shops, singles bars,<br />

book stores, college hangouts, student<br />

unions, college libraries, college film classes<br />

and barber shops.<br />

In conjunction with National General<br />

Theatres, 100.000 contest entries will be distributed<br />

by 50 NG theatres, with the lucky<br />

numbers printed in the palm of the nosethumbing<br />

logo of "Steelyard." Two hundred<br />

lucky winners will win pairs of tickets and<br />

winning numbers will be posted in all 50<br />

National General houses.<br />

In addition, trailers were used to promote<br />

the film at each of the 50 National General<br />

Theatres in the area, and a huge. 24-foot<br />

paint board, featuring the logo of the film,<br />

was erected on the tower of the Village<br />

Theatre.<br />

1-<br />

— 24 BOXOFFICE Showmandiser :: Feb. 12. 1973


—<br />

The Poseidon Adventure' (20th-Fox)<br />

Wins Blue Ribbon A word for December<br />

By MARY JO GORMAN<br />

iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimimiiiiiiiiiiiiiiiiimiiniiniimiiiiiiiiiiiiiiitiiiiiii<br />

^ITH ITS EXCITING STORYLINE and star-laden cast—many of them former<br />

Oscar winners— "The Poseidon Adventure" was a natural choice for NSC members<br />

as the Blue Ribbon Award winner for December. The 20th-Fox release—rated PG<br />

by the MPAA and A3 by the NCO—received an astounding 558 per cent of average<br />

business in its premiere engagements in<br />

primarily—to a strong ad campaign and<br />

BoxoFFiCE reviewed "The Poseidon Adventure"<br />

in its issue of January 1. stating<br />

in part: "'The Poseidon Adventure,' produced<br />

by Irwin Allen, pulls off enough<br />

interesting moments to qualify as a rousing<br />

good entertainment picture in the tradition<br />

of 'Airport.' The story concerns the<br />

luxury liner S.S. Poseidon, which is hit by<br />

a tidal<br />

wave on New Year's eve while at<br />

sea. Only a few of the ship's hundreds of<br />

passengers survive, and a good deal of the<br />

fun of the movie is trying to figure which<br />

ones do and which ones don't. Characters<br />

are introduced quickly and their backgrounds<br />

are made clear. There's Gene<br />

Hackman as an evangelical minister with<br />

a will to live and a determination to lead<br />

the small band of survivors to safety. And<br />

Ernest Borgnine, a cop whose ex-prostitute<br />

wife, Stella Stevens, is afraid to sit<br />

at the captain's table because she thinks<br />

she might be recognized by former customers.<br />

Red Buttons plays a hard-working,<br />

lonely haberdasher who befriends<br />

Carol Lynley, an insecure rock singer<br />

whose brother is killed in the disaster.<br />

Shelley Winters and Jack Albertson play<br />

a devoted Jewish couple on their way to<br />

Israel. Director Ronald Neame stages<br />

some exciting scenes, especially the disaster<br />

when the ship topples over and turns<br />

upside down. The film may prove to be<br />

a big boxoffice winner<br />

."<br />

. .<br />

On their ballots, National Screen Council<br />

members made the following remarks:<br />

Pure Action and Excitement<br />

What a list! Several really good ones.<br />

I'll pick "Poseidon Adventure" because<br />

key cities throughout the country, due<br />

extensive word-of-mouth reports.<br />

it"s such great family entertainment!<br />

James L. Limbacher, Dearborn Press . . .<br />

This is pure action and excitement, and<br />

isn't this what movies are all about?<br />

Emery Wister, Charlotte News . . . The<br />

year's most exciting film—with a cast of<br />

five Oscar winners. Shelley Winters could<br />

win her third supporting Oscar for this.<br />

Dr. James K. Loutzenhiser, Mo. Council<br />

on Arts, Kansas City . . . This has to be<br />

the year's big one. Great action and family<br />

entertainment.—Larry Thomas, exhibitor,<br />

Fayetteville, W. Va.<br />

Corking action-adventure. What movies<br />

were meant to be.—David Mclntyre, San<br />

Diego Tribune . . . This one keeps you<br />

on the edge of your seat. Too bad we<br />

can't have more shows like this!—Charles<br />

Smith, Clarion-Ledger, Jackson, Miss. . . .<br />

Everyone's talking about the excitement<br />

. . .<br />

in "The Poseidon Adventure."—Frank R.<br />

Weirich, News-Sentinel, Knoxville<br />

Tough choice this month, but "Poseidon"<br />

is breaking too many attendance records<br />

around the country. It's great boxoffice.<br />

Shelley Winter's best since "A Patch of<br />

Blue."—Walt Reno. KORK Radio. Las<br />

Vegas.<br />

The action is so realistic in this tense<br />

drama, one is exposed to a tremendous<br />

emotional experience. Since the film is<br />

concerned with just a handful of people,<br />

there is an excellent opportunity for character<br />

development and director Ronald<br />

Neame makes the most of it!— Lois Baumoel,<br />

Cleveland MPC . . . It's "Airport"<br />

all over again—this time under water. But<br />

still good screen fare for the family trade.<br />

—John Anthony, WITI-TV, Milwaukee.<br />

The<br />

Reverend Scott Gene Hackman<br />

Rogo<br />

Ernest Borgnine<br />

Martin<br />

Red Buttons<br />

Nonnie<br />

Caroi- Lynley<br />

Acres<br />

Roddy McDowall<br />

Linda Rogo Stella Stevens<br />

Belle Rosen Shelley Winters<br />

Manny Rosen<br />

Jack Albertson<br />

Susan Pamela Sue Martin<br />

Chaplain<br />

Arthur O'Connell<br />

Cast<br />

The Captain Leslie Nielsen<br />

Robin<br />

Eric Shea<br />

Linarcos<br />

Fred Sadoff<br />

Nurse Sheila Mathews<br />

Doctor<br />

Jan Aryan<br />

Purser<br />

Byron Webster<br />

Chief Engineer<br />

John Crawford<br />

M. C Bob H.\stings<br />

Tinkham Erik Nelson<br />

Produced by<br />

Production Staff<br />

Irwin Allen<br />

Directed by Ronald Neame<br />

Screenplay by .... Stirling Silliphant,<br />

Wendell Mayes<br />

From the Novel by Paul Gallico<br />

Director of<br />

Photography Harold E. Stine<br />

Special Photographic<br />

Effects L. B. Abbott<br />

Filmed in<br />

Panavision<br />

Color by<br />

DeLuxe


BOXOFFICE<br />

BAROMETER<br />

This chart records the performance of current attractions in the opening week of their first nuu in<br />

the 20 key cities checked. Pictures with fewer than fire engagements are nat listed. As new runs<br />

are reported, ratings are added and averages revised. Computation is in terms of percentage in<br />

relation to normal grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />

the figures show the gross ratings above or below that mark. (Asterisk * denotes combinotion bills.)<br />

m^


B O X o r F I C E B K IN G U I D E<br />

An interpretive anolysis of lay ond tradepress reviews. Running time is in parentheses. The plus and minus<br />

signs indicate degree of merit. Listings cover current reviews regulorly.


. Hollywood<br />

REVIEW DIGEST<br />

AN ) ALPHABETICAL INDEX V^ry Good; - Good; ± Fair; - Poor; = Very Poor. In the summary H is rated 2 pluses, — as 2 minuses.<br />

a at<br />

CI. I- e I- a ec— E z<br />

Late Spring (Banshun)<br />

(107) Melo (b&w) .<br />

New Yorker 9-4-72 Al<br />

Legend of Horror<br />

(SO) Ho (b&w) Ellman 9-11-72 m<br />

4545 Life and of Judge Times Roy Bean,<br />

Tlie (120) ® Ac NGP 12-11-72 PG A3<br />

4541 Limbo (112) D Univ 11-20-72 PG A3<br />

4549 Limit, The<br />

(90) ® D Cannon-New Era 12-18-72 PG A3<br />

4515 Little Mother (90) D Audubon S-21-72 H<br />

Love (Szerelem)<br />

(92) D (b&w) George Gund 10-16-72<br />

4522 Love Me Deadly<br />

(92) Ho Cinema National 9-11-72 gj<br />

455S Love Minus One<br />

(94) D Multi-Pix Ud. 1-22-73 |1<br />

—M—<br />

Mad Love (252) D New Yorker 11-27-72<br />

4514 Magnificent Seven Ride!, The<br />

(100) W UA S- 14-72 PG A3<br />

4555 Man of La Mancha<br />

(135) ® M UA 1-15-73 PG A3<br />

Marison (S4) Doc Merrick Int'l. 12-11-72<br />

OMarjoe (88) Doc Cinema 5 S- 7-72 PG A3<br />

4543 Mechanic, The (95) Ac UA 11-27-72 PG A3<br />

451SMelinda (109) My MGM g-2S-72 H C<br />

4555 Molly and Lawless John<br />

(98) W Producers 1-15-73 PG<br />

Money Talks (87) Doc-C UA 8-21-72 PG A2<br />

Moonwalk One<br />

(96) Doc Peretj W. Johannes 12- 4-72 D<br />

Morning After, The<br />

(78) Sex My Mature 9-18-72<br />

Muthers, The<br />

(74) Sex Melo .<br />

Cinema 10- 2-72<br />

—N—<br />

4504 Napoleon and Samantha (92) Ad BV 7-10-72 (g) Al<br />

4533 Necromancy (82) Ho CRC 10-23-72 PG A3<br />

4511 New Centurions, The<br />

(103) (g Cr Col 8- 7-72 H A4<br />

4512 Night Call Nurses<br />

(80) CD New World 8- 7-72 H C<br />

Night Evelyn Came Out of the Grave,<br />

The (100) (|) Sus-Ho ..Phase One 8- 7-72 H) C<br />

4517 Night of the Cobra Woman<br />

(85) Ho New World 8-28-72 gl<br />

4507 Night of the Lepus<br />

(89) SF-Ho MGM 7-24-72 PG A2<br />

—0—<br />

Oh! Calcutta!<br />

(105) Sex Satire .... Cinemation 11-13-72 C<br />

4527 Outside In (90) D ..Harold Robbins 10- 2-72 Bl<br />

—P—<br />

4559 Payday (103) D Cinerama 1-29-73 U<br />

4551 Pete 'n' Tillie (112) ® C Univ 1- 1-73 PG A4<br />

4546 Pigkcepcr's Daughter, The<br />

(93) Sex Farce . . <strong>Boxoffice</strong> Int'l 12- 4-72<br />

4506 Place Called Today, A (103) D Emb 7-17-72 ® C<br />

4531 Play It as It Lays (101) D ..Univ 10-16-72 B) A4<br />

Please Stand By<br />

(102) (F) Milton Prod. 12- 4-72<br />

4543 Poor Albert & Little Annie<br />

(88) Sus Europix 11-27-72 (g)<br />

4518 Pope Joan (132) ® D Col 8-28-72 PG A4<br />

4552 Poseidon Adventure, Tlie<br />

(117)


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Ma»<br />

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.<br />

.<br />

.<br />

ACE<br />

IMicKNATIONAL<br />

Rel.<br />

Date<br />

OStocv "ar Racing With Joy<br />

(?0) Ac. Sep 72<br />

Joe V'Ukcrson, Tddj- Cardoza<br />

Beasi i/f Yucca Flats Ho.<br />

Tor Johnson<br />

Nisht Train to Monde-Fine ..Ac.<br />

John Carradlne<br />

©Outlaw Riders (86) Cycle..<br />

Bryan "Sonny" West, Lindsay<br />

Crosty<br />

ORace Drivin' Woman<br />

(90) Ac. May 73<br />

Joe Wilkerson. Mike Mosley<br />

MISCELLANEOUS<br />

Rel. Date<br />

GOLDSTONE FILMS<br />

©War Devils (99) Jan 73<br />

Guy Madison. Van Tenney<br />

GROUP 1 FILMS, LTD.<br />

.<br />

©The Depraved ( . ) D .<br />

Gerard Moulet. (}a£sandra French<br />

©Room of Chains ( . . ) . . . . Dec 72<br />

Allison Taylor, Frank Martin, ICaren<br />

Thomas<br />

©Up Your Alley (..) ..C. Dec 72<br />

Frank O)rsentino, Haj!<br />

©Pepper & His Wacky Taxi<br />

(..) C..Jan73<br />

John Astin, Frank Sinatra jr..<br />

Jackie Gayle. Alan Sherman<br />

. Dec 72<br />

Rel.<br />

Date<br />

NEW YORKER FILMS<br />

The Flavor of Green Tea Over<br />

Rice (115) C. Feb 73<br />

(Japanese-language)<br />

Shin Shaburi<br />

-lOR'WEST PROD.<br />

©Alaska, America's Last Frontier<br />

(110) Doc. Oct 72<br />

PACIFIC INT'L<br />

©Vanishing Wilderness<br />

(90)<br />

Doc. -Jan 73<br />

PARAGON PICTURES<br />

AQUARIUS RELEASING<br />

©The Asphyx (98) ® ..Sus..0ct72<br />

©Belinda (S3) ..Sex Melo..Sep72<br />

liobert Stephens, Robert Powell<br />

MeUndi Forrest. Paul Tobors HALLMARK RELEASING<br />

©Kill Me With Kisses<br />

©Lady Zazu's Dauohter<br />

©The Last House on the Left<br />

(100) C. Nov 72<br />

(73) C. Sep 72 (91) Mclo..Nov72 Nino Manfredl, Ugo Tognazzl<br />

D«lly Slmrp, Fred Zotts<br />

na\1d Hess. Lucy Grantham<br />

(Selected Engagements)<br />

©Born Black D. ©When Women Played Ding Dong<br />

.<br />

(95)<br />

AUDUBON FILMS<br />

C. Nov 72<br />

Nadia Cassinl,<br />

©Little Motlier (90) ..D..Auo72 HEMISPHERE<br />

HovTard<br />

PICTURES<br />

Ron<br />

Christine Kniger, Siegfried Ranch ©The ©Terror in<br />

Swingin'<br />

2-A<br />

Pussycats<br />

(91) ..Sus..Jan73<br />

Kaf Vallone.<br />

(8S)<br />

Angelo Infant!<br />

Sex.. Jul 72<br />

©Tessa ©She'll Follow<br />

(90)<br />

You Anywhere<br />

Jul<br />

CHARLES 72<br />

F. BAILEY FILMS<br />

Suzy Kendall, (92)<br />

Frank Finlay<br />

C. Mar 73<br />

©Cruel and Unusual Punishment ©Revenge<br />

( (90)<br />

.) b&w Sep 72<br />

Jan 73 Joan PREMIER<br />

Oillins, James<br />

PRODUCTIONS<br />

Booth<br />

©Devil's<br />

©Private Parts<br />

Nightmare (90) Ho<br />

(86) Ho. .<br />

Dec 72<br />

BRUT PRODUCTIONS<br />

Erik Blanc, Ayn Ruymen, Lucille<br />

Jean Benson<br />

Scrvals<br />

©The Last Tomorrow (..)<br />

©Doctor in Trouble<br />

Cliff Potts<br />

()<br />

HAROLD ROBBINS<br />

C<br />

INT'L<br />

Dec 72 ©Outside In (90)<br />

Leslie D..<br />

Phillips, Sep 72<br />

liobert Morley<br />

Darrel<br />

CAMBIST<br />

Larson, FILMS<br />

Heather Menzies<br />

©The Crazies (103) .Ho. .Mar 73 JACK H. HARRIS<br />

ROBERT SAXTON FILMS<br />

©House of Missing Girls<br />

©The Halfbreed (90) ..W.. Nov 72<br />

CAPITAL<br />

(85) Sex.. Le.\ Barker, Ursula Glas<br />

©George! (86)<br />

Ann (5ael<br />

C. Sep 72<br />

©How Did a Nice Girl Like You<br />

Marshall Thompson.<br />

©Ride in<br />

Jack<br />

the<br />

Mullaney<br />

Whirlwind (S3)..W.. (88) C .<br />

72<br />

Jack Nicholson<br />

Barbi Benton, H.impton Fimcher<br />

©The Shooting<br />

CINEMA<br />

(82) 5<br />

W. ©Naked Evil (SO) Ho. .Jan 73<br />

.lack Nicholson<br />

OQMarioc Anthony Alnley,<br />

(92) Doc..Auj72<br />

Suzanne Neve<br />

©Bone<br />

©The (95)<br />

Policeman D.. Jul 72 ©Island of Lost Girls<br />

(87) C Yaphet Kotto.<br />

Shay<br />

Andrew Duggan<br />

K.<br />

(85)<br />

(Iphlr. Zaharia Ac. Mar Harif.ii<br />

73<br />

©Cesar Brad<br />

and Rosalie<br />

Harris<br />

(UO)<br />

C..Dec72 IMPACT FILMS<br />

©Silently I Scream (86) Ho Mar 73<br />

(French-language)<br />

©Black Fantasy Sally<br />

(78) ..D. Nov<br />

Mar<br />

72<br />

Tres Montand, Romy Schneider Jim Collier. ElUe Fiscallnl<br />

SCA DISTRIBUTORS<br />

©Class Reunion<br />

DONALD DAVIS PRODUCTIONS INDEPENDENT-INT'L<br />

(85)<br />

©Here Comes That<br />

©Angels'<br />

Sex Melo<br />

Wild<br />

Nashville<br />

Women<br />

.0ct72<br />

Marsha Jordan, Sandy Cary<br />

Sound (84) CM.<br />

f85)<br />

Oct 72<br />

Sex.Ac..Jul72 ©The Snow Bunnies<br />

Bandy Boone,<br />

Ross<br />

Sheb Wooley<br />

Hagcn. Reglna Carol<br />

(85) Sex Melo.<br />

©Dracula Oct 72<br />

vs. Frankenstein<br />

Marsha Jord,in. Sandv Cary<br />

DISTRIBPIX<br />

(^) • Ho..Jul72<br />

J. Carrol Naish. Russ Tamblyn SCOTIA<br />

©Dynamite (75) Sex C Aug 72 ©Gang INTERNATIONAL<br />

Girls (84) Ac. Aug 72 ©Crucible of<br />

Monica<br />

Terror (s)<br />

Rivers. Steve Gould<br />

Ho..<br />

Coo\ CMck<br />

May 72<br />

Morgan<br />

Mike Raven. Mary<br />

©Women Maude<br />

for Sale<br />

3Thc Fifth Day of Peace<br />

ELLMAN ENTERPRISES<br />

'S2) Sex. Aug 72 ® ••- D. .May<br />

©Diabolic<br />

72<br />

Wedding (84) Ho.. Jul 72<br />

Hlchard Jnhnson. Franco Nero<br />

Margaret O'Brien<br />

INDEPIX RELEASING<br />

"JPancho Villa ® .. Hi-Ad. . May 72<br />

(In combination with)<br />

©Scream Bloody Murder<br />

Telly Savalas. Clint Walker<br />

Legend of Horror<br />

(93) Sus..Jan73 ©Psychomania<br />

(80) (b&w) Ho. Jul 72 Ired Holbert.<br />

® . .<br />

72<br />

Leigh Mitchell<br />

(reorge Sanders, Beryl Reld<br />

Karin Field<br />

©World's Greatest Lover<br />

©Horror Express<br />

©The Mad Butcher (..) Ho .Jul 72 (87) C..Mar73 (••'„®,^, Ho..<br />

Victor<br />

Jun<br />

Buono,<br />

72<br />

Karln Field<br />

Slan Ross. Marvin Jliller<br />

Peter Cu.shlng. CTiristnpber Lee<br />

©Annabelle Lee (90) . Aug 72<br />

Margaret O'Brien<br />

INT'L PRODUCERS CORP. SOUTHERN STAR<br />

©The Contract<br />

PRODUCTIONS<br />

ENTERTAINMENT VENTURES (85) Sex Melo..Sep72 3Dear, Dead Delilah<br />

©The Big Snatch (77) ..D..Jun72 Bnmo Pradel, (Varies Southwood ,'95) Bus.. Jun 72<br />

Rita Book. Tracv Handfuss<br />

©Exchange Student<br />

Agnes Moorehead, WIU Gen<br />

©The Suckers (83) ....D..Jun72 (90)<br />

Barbara Mills.<br />

® C. ©A<br />

Oct 72<br />

Day at the White House<br />

Richard Smedley<br />

Lfluis l)e Funes, Marline Kelly<br />

(92) .. Sex C. Aug 72<br />

©The Adult Version of Jekyll<br />

Lnri Saunders, Robert Rldgely<br />

* "»1e.(S5) D ..Jul 72 J-CINEMAX ©Black<br />

©The INT'L<br />

Trap (90) . . . .Ac. .Oct 72<br />

Erotic Adventures of<br />

Terry<br />

©Rip-Off Carter, (5wen<br />

(90)<br />

Zorro CD.. Sep<br />

(104)<br />

72<br />

Mitchell<br />

Sex C. Aug 72 Don Scardlno. Ralph<br />

Douglas<br />

Endersby<br />

Frey, Robyn Wliltting<br />

SUN INT'L<br />

©Trap on Cougar<br />

FILM VENTURES LEISURE INT'L<br />

MEDIA<br />

Mountain<br />

(94)<br />

©Boot Hill (92) ®<br />

©I Love You OD-M<br />

Rosa ...W. (90)<br />

Jul 72<br />

.,D..Feb73 Keith Larsen. &lc Larsen<br />

Terence Hill, Woody<br />

(Hebrew<br />

Strode<br />

-language)<br />

©Brother of the Wind<br />

©The Warriors Miclial<br />

Ac. Nov 72<br />

Bat-Adam<br />

(87) Doc. Jan 73<br />

Mark Damon. Barbara O'Nell<br />

LEVITT-PICKMAN<br />

TRANSVUE<br />

FUTURAMA INrL<br />

©Heat ©Johnny<br />

(100)<br />

Hamlet<br />

Satire..<br />

®The Cat<br />

Svlila<br />

That Miles.<br />

Ate<br />

Joe<br />

the DaUesandro<br />

(?1> © W..<br />

Parakeet<br />

SHoffman Jun 72<br />

(111) o (02)<br />

Jyj, ^2<br />

MmlrljT, Keen. Phillip Pine<br />

©P'dn't You Hear? (82) ..Jun72<br />

Dramh Christopher. Jolm Kauffman<br />

(94)<br />

Jyp y2<br />

SIraonc Orlffetb, Bcveriy Powers<br />

GAMALEX ASSOCIATES, LTD<br />

SHouse of Terror (90) Sus..0ec72<br />

Jennifer Bishop, Arcll Blanton<br />

GATEWAY FILMS<br />

ilConfessions of Tom Harris<br />

(90) Bio<br />

3ENENI FILMS<br />

^ChlWren Shouldn't Play With<br />

Things (101) ..Ho.. May 72<br />

Valeric Manohp'i<br />

"liav f! the She-Devils<br />

Ho.. Jan 73<br />

..'re<br />

i ;.V.r 73<br />

LION DOG ENTERPRISES<br />

©Shantytown Honeymoon<br />

(85) •... CD. Jun72<br />

Ashley Brooke, George Ellis<br />

MAGUS FILMS<br />

©Festival of the Undcad<br />

(. .) Ho<br />

The Senator (90)<br />

©The Corrupter<br />

Sex<br />

„„(.) Ac-Ad.<br />

©Virgin Planet . .<br />

SF-Sex.<br />

Jun 72<br />

Aug 72<br />

. Oct 72<br />

Dec 72<br />

MANSON DISTRIBUTING<br />

©Sex and the Office Girl<br />

,(80),,, Sex. Oct 72<br />

Mary Worthlngton. I*e KnrI<br />

MARON<br />

©Toys Are Not for Children<br />

.(^) D.. Jun 72<br />

Marcia Forbes. Pran Warren<br />

MULTI-PIX, LTD.<br />

©Love Minus One (94) . D<br />

Jill Jan.


Opinions on Current Productions<br />

^EATURi REVIEWS<br />

Symbol O<br />

denotes color; © CinemoScope; (g) Ponavision; ® Techniramo; (§) other onomorphic processes. For story synopsis on each picture, se« r«v«rs« tld*.<br />

STEELYARD BLUES p(J Comedy<br />

©<br />

Warner Bros. (203) 92 Minutes Rel. Feb. '73<br />

Set for release last year, "Steelyard Blues" was recalled<br />

by Warner Bros, so that the proper exploitation campaign<br />

could be devised when preview reactions indicated that<br />

the film was a special item. What this means is that<br />

the Bill/ Phillips production is going to be a hard sell.<br />

Audiences wUl find the comedy either ridiculously zany<br />

or unbelievably dull. Actually, in the right frame of mind,<br />

the David S. Ward script is quite funny. Jane Fonaa.<br />

Donald Sutherland and Peter Boyle make the most of<br />

their off-beat characters and extract a maximum amount<br />

of laughs. Miss Fonda, playing it more or less straight,<br />

is highly effective in a variation of her award-winning<br />

"Klute" characterization. The leads are from the F.T.A.<br />

troupe, the anti-war group which has been toui'ing military<br />

bases. "Blues" is not violently anti-establishment<br />

and it might be wise to so advise patrons that this is<br />

first and foremost a way-out comedy. Boyle is hilarious,<br />

playing each scene with a different disguise or accent.<br />

Sutherland, also executive producer, is fine as the loser<br />

who loves life and freedom. Tony Bill and Michael and<br />

Julia Phillips produced and Alan Myerson directed. Nick<br />

Gravenites and Michael Bloomfield provided the songs.<br />

Technicolor.<br />

Jane Fonda, Donald Sutherland, Peter Boyle, Garry<br />

Goodrow, Howard Hesseman, John Savage.<br />

BARON BLOOD<br />

pr; Horror Drama<br />

©<br />

AIP (7216) 90 Minutes Rel. Oct. '72<br />

Combining the talents of noted actor Joseph Gotten,<br />

luscious Elke Sommer and top horror film director Mario<br />

Bava, the German-Italian co-production of "Baron<br />

Blood" is a good shocker for the general market. Doublebilling<br />

this with another AIP thriller-chiller should bring<br />

in the best results. Bava, who directed from a script by<br />

Vincent G. Potre, has a stunning visual style which<br />

makes his films a cut above the ordinary. His use of<br />

sunlight and fog here, all in brilliant Technicolor, is an<br />

artistic asset to the gory doings. Miss Sommer wears a<br />

different outfit in each sequence, an array of smart<br />

fashions including minis and hot pants, which add to<br />

her natural appeal. On top of that, she does a fine job<br />

as the victimized heroine. Young Antonio Cantafora is<br />

really the hero, Gotten having a lesser role as the mysterious<br />

smiling stranger who proves to be Baron Blood<br />

resurrected, to no one's surprise. Music by Les Baxter<br />

suitably sustains the mood for the Leone International<br />

Pi-oduction, made in association with Ginevision, Ltd. Alfred<br />

Leone was producer. The ads carry a disclaimer on<br />

the part of the management for any adverse reaction<br />

to the film on the part of patrons; it's an amusing gimmick<br />

which can help sell the pictui'e in its market.<br />

Joseph Gotten, Elke Sommer, Massimo Girotti, Antonio<br />

Cantafora, Alan Collins, Rada Rassimov.<br />

IT'S<br />

A PLEASURE!<br />

TO BOXOFFICE:<br />

Will you please change the name of our subscription<br />

to your magazine to:<br />

R. B. Gitchell<br />

P.O. Box E<br />

Meeker, Colo. 81641<br />

We are no longer doing business under the<br />

Rio Theatre. However, we are building a new<br />

theatre and may change the theatre name.<br />

Thanks to your industry reports, we enjoy the<br />

new innovations and are plaiming on using<br />

several of them.<br />

Keep up the good work!<br />

Sincerely,<br />

(Mrs.) Judith Gitchell<br />

lA-<br />

0,00.<br />

Uto,<br />

old.<br />

Writ<br />

BLACK CAESAR H<br />

Action-Melodrama<br />

O<br />

AIP (7230) 92 Minutes Rel. Feb. '73<br />

Black power vs. the Mafia, this Larco production, written,<br />

produced and directed by Larry Cohen, combines<br />

ALEI some of the best and worst elements of the geme. On the<br />

jioimi plus side are Fred Williamson's forceful title-role per-<br />

'' "<br />

formance, generally good work by a well-picked supporting<br />

cast and some exceptionally well-handled dramatic<br />

moments. Minuses include the blood-spattered violence<br />

and sadism as well as a ridiculous ending: a mortally<br />

wounded Williamson staggering all over Manhattan as<br />

scores of passersby look diiectly at the camera. Climax<br />

in which he's beaten to death by black teenagers has<br />

been cut to a more abrupt finale. Art Lund sacrifices a<br />

long-standing image as a singer of note to enact a particularly<br />

corrupt police official. Val Avery, William Wellman<br />

jr. and Myrna Hansen also figm-e prominently. Williamson's<br />

buddies from "The Legend of Nigger Charley,"<br />

D'Urville Martin and Don Pedro Colley, are featui-ed<br />

among the black contingent, which includes such polished<br />

performers as Minnie Gentry ("Come Back Charleston<br />

Blues") and Julius W. Harris ("Super Fly"). Phillip Roye<br />

and Gloria Hendry are promising newcomers. Latter has<br />

the obligatory nude love scene with Williamson. Filmed<br />

in New York and Los Angeles in DeLuxe Color.<br />

Fred Williamson, Phillip Roye, Art Lund, Gloria Hendry,<br />

Julius W. Harris, Val Avery, Minnie Gentry.<br />

PRISON GIRLS<br />

Sex Drama in 3-D<br />

©<br />

AIP-Trans American (7227) 84 Minutes Rel. Jan. '73<br />

Billed as "the first really adult film in 3-D" (for those<br />

who've forgotten the success of "The Stewardesses"),<br />

this is a poorly done sexer in the softcore vein. "Pi-ison<br />

Girls" features plenty of sex and should have no trouble<br />

pleasing the followers of such fare. Screenplay by Lee<br />

Walters is a loosely related series of encounters experienced<br />

by female prisoners on a weekend pass. Dialog<br />

and acting are laughable, for those who pay attention<br />

to these things. Little time is lost in getting down to the<br />

buff (only one of the males keeps his pants on), starting<br />

right from the credits with a shower fight. Funniest<br />

sequence concerns the girl visiting her rich beau, who<br />

prefers to body paint voluptuous gals. None of the performers<br />

are credited for their roles, except for "guest<br />

star" Lisa Ashbury as Phyllis. Thomas De Simone directed<br />

and Buiton C. Gershfeld and Nicholas J. Grippo<br />

were producers. Christopher Huston did the rock score<br />

and Pacific Film Industries supplied the color and the<br />

Optovision 3-Dimension technology. The titles are<br />

superimposed over tinted sequences from old women's<br />

prison films. For the record, one-shot shows Anne Shirley<br />

in "Condemned Women" (1938). The 3-D effects, with<br />

glasses, are reasonably well done.<br />

Robin Whitting, Maria Arnold, Angle Monet, Tracy<br />

Handfuss, Ushie Digard, Claire Bow.<br />

Write—<br />

®<br />

YOUH REPORT OF THE PICTURE<br />

YOU<br />

HAVE JUST PLAYED FOR THE<br />

GUIDANCE OF FELLOW EXHIBITORS.<br />

— Right Now<br />

USE THE BLANK ON REVERSE SIDE<br />

lust Paste It on a Gf Government Postcard and Mail.<br />

The reviews on these pages may be filed for future reference in any of the following ways (1) in any standard three-ring<br />

loose-leaf binder; (2) individually, by company. In any standord 3x5 cord index file; or (3) in the BOXOFFICE PICTURE<br />

GUIDE three-ring, pocket-size binder. The latter. Including o year's supply of booking ond daily record theets,<br />

may be obtoined from Associated Publieotlons, 825 Von Brunt Blvd., Kansas City, Mo. 64124 for $1.50 postage paid.<br />

4566 BOXOFFICE BookinGuide Feb. 19, 197.^ 4565


!<br />

. . . The<br />

BOXOFFICE BookinGuide :: Feb. 19, 1973<br />

JURE REVIEWS Story Synopsis; Exploifips; Adlines for Newspapers and Programs<br />

THE STORY: "Black Caesar" lAIP)<br />

In 1953, shoe shine boy Omer Jeffrey, 13, assists in the<br />

killing of hoodlum Andrew Duggan and then gives payoff<br />

monev to crooked cop Ai't Lund. Cheated, Lund beats<br />

the boy viciously. In 1965, the boy (now Fred Williamson)<br />

eliminates Patrick McAllister in a barber shop and<br />

then tells Mafia boss Val Avery he wants one block in P/Cti<br />

Harlem. Eventually, Williamson takes over all of Avery's<br />

territory. With white lawyer William Wellman jr., Williamson<br />

deals with Lund, now a police captain. Williamson's<br />

mother Minnie Gentry, a maid; mistress Gloria<br />

Hendry, a singer; and father Julius W. Harris each in<br />

tm-n decline his favors. Hendry weds Williamson's boyhood<br />

pal and accountant Phillip Roye. She is forced by<br />

Lund to make love to Williamson in a plan to retrieve the<br />

ledgers which the black hood had stolen. After disposing<br />

of Williamson's loyal henchmen, Lund has Williamson<br />

shot. Lund then kills Wellman and Roye before being<br />

beaten to death by Williamson. Badly wounded, the black<br />

Caesar staggers to his old neighborhood and dies.<br />

EXPLOITIPS:<br />

Play up the James Brown score, composed and performed<br />

by the soul singer and available on Polydor Records.<br />

Use stills from Edward G. Robinson's "Little<br />

Caesar" (1930) to promote the new film, not a remake.<br />

CATCHLINES:<br />

Hail Caesar—Godfather of Harlem ! Cat With<br />

Caliber Claws<br />

the .45<br />

THE STORY: 'Prison Girls" (United Producers)<br />

Following a shower fight, six girls from Santa Helena<br />

Women's Correctional Institute are allowed weekend<br />

passes. The prison psychiatrist feels that this will be a<br />

good way to rehabilitate them. Each has a different sex<br />

encounter. Kay visits the man who tm'ned her into a<br />

prostitute and finds he has other girls in his employ;<br />

they make love. A frigid girl is finally able to enjoy sex<br />

with her husband. Joyce, who killed her husband, is forced<br />

to make love to her ex-brother-in-law, by a motorcycle<br />

gang. Toni looks up her rich lover, as he paints the nude<br />

bodies of well-shaped girls for kicks. When another inmate,<br />

Gertie, arrives, the three engage in a menage-atrois.<br />

Cindy, a redhead with an accent, finds her boy<br />

friend Johnny hiding out after a bank robbery. As they<br />

make love, the police sm'romid the house and both die.<br />

Back at the prison, the girls blame the psychiatrist for<br />

causing Cindy's death by sending the police after her.<br />

EXPLOITIPS:<br />

Play up the 3-Dimension effects and place bars at<br />

appropriate places in the theatre, e. g., the cashier's<br />

cage.<br />

CATCHLINES:<br />

Guaranteed to Be the Most Controversial Movie Ever<br />

Made—Based on Confidential Prison Sex Reports . . .<br />

The First Really Adult Film in 3-D . . . Starring the Prison<br />

Girls, and Their Men.<br />

Oc><br />

.May<br />

THE STORY: "Steelyard Blues" (WB)<br />

Jailbird Donald Sutherland is a demolition derby driver<br />

and thief who's released after serving his third prison<br />

term. Brother Howard Hesseman, an ambitious district<br />

attorney, gets Sutherland a menial job cleaning animal<br />

cages at the zoo. Yearning to be free from the system,<br />

Sutherland joins forces with other friends in fixing up<br />

an old bomber to fly to some distant place. Helping are<br />

Jane Fonda, high-priced hooker; Peter Boyle, a master<br />

of odd dress and dialect and outpatient from an insane<br />

asylum; Garry Goodrow, a larcenous mechanic, and John<br />

Savage, Sutherland's kid brother. Boyle, Goodrow and<br />

Savage pick pockets to support the plan, while Hesseman<br />

makes things tough for the group. Fonda loses her business<br />

and faces jail. With Boyle's friends, the five rob a<br />

Navy base of an important console for the plane. Police<br />

led by Hesseman arrive as the plane prepares for takeoff,<br />

but Boyle rescues the others with horses and a helicopter.<br />

EXPLOITIPS:<br />

Promote the film via the Bantam Books paperback<br />

edition of the novel and the Warner Bros. Records album<br />

of the soundtrack. Have a tie-in with cooperative steel<br />

yards and or with musicians who feature blues numbers.<br />

CATCHLINES:<br />

If You Can't Beat 'Em—Drive 'Em Crazy . . . Take a<br />

Hooker, a Demolition Derby Driver, a Nut, a Hippie and a<br />

Crazy Mechanic and You've Got Steelyard Blues.<br />

THE STORY: "Baron Blood" (AIP)<br />

In Vienna, young Antonio Cantafora is greeted by Dr.<br />

Massimo Girotti, his micle. Both are descendants of the<br />

notorious Baron Otto Von Kleist, a 16th Centmy sadist<br />

known as Baron Blood. With the aid of Elke Sommer,<br />

who is working to restore the Von Kleist castle as a tom--<br />

ist attraction, Cantafora Invokes an ancient incantation<br />

to revive the Baron. A doctor and a laborer are killed<br />

by the Baron, who also murders Dieter Ti-essler, head<br />

of the restoration project, and caretaker Alan Collins.<br />

The castle is sold at auction to a stranger, wheelchair-<br />

work for him,<br />

ridden Joseph Cotten. He asks Sommer to<br />

but she's frightened off by the Baron. Student of the<br />

occult Rada Rassimov conjm'es up the spirit of a woman<br />

burned by the Baron and says that he can be destroyed<br />

only by those he himself has destroyed. Girotti's little<br />

daughter Nicoletta Elmi suggests that an amulet may<br />

be the means of reviving the victims, when Rassimov is<br />

murdered. Cotten proves to be Baron Blood and is killed<br />

by Collins and other victims. Sommer, Cantafora and<br />

Girotti escape.<br />

EXPLOITIPS:<br />

Use AIP's Special Disclaimer for victims of strokes,<br />

cerebral hemorrhages, cardiac seizures and fainting<br />

spells, as a come-on. Rig up a torture chamber.<br />

CATCHLINES:<br />

He Sought the Ultimate in Human Agony—With Instruments<br />

of Tortm'e Ghastly Beyond Belief!<br />

To:<br />

The Exhibitor Has His Say<br />

BOXOFFICE, 825 Vom Brunt Blvd.. Kansas City, Mo. 64124<br />

Title<br />

Company<br />

TO BOXOFFICE:<br />

I look forward to getting BOXOFFICE every<br />

week. It really helped me in booking and buying.<br />

I<br />

want to take this means of thanking you<br />

Conunent<br />

people for<br />

the good work and service you do.<br />

John M. Danyluk<br />

Audien Theatre,<br />

Theatre<br />

Typo Patronage<br />

City; Slate _.Zip Code.<br />

Wetaskiwin, Alberta,<br />

CANADA<br />

.arbarA<br />

Apr 7


Write<br />

BATES: 30* per word, minimum S3.00. CASH WITH COPY. Foxir consecutive insertions lor price<br />

of three. When using a Boxofiice No., figure 2 additional words and include 50< additional, to<br />

cover cost of handling replies. Display Classified, $25.00 per Column Inch. CLOSING DATE: Monday<br />

noon preceding publication date. Send copy and answers to Box Numbers to BOXOFFICE.<br />

B25 Van Brunt Blvd., Kansas City, Mo. 64124.<br />

cuemne<br />

HELP WANTED<br />

MANAGER FOR NEW THEATRE m college<br />

situation, Southeast. Must hove<br />

knowledge of advertising and projection.<br />

Good position tor capable man. Send<br />

resume and references to <strong>Boxoffice</strong>, 2875.<br />

THEATRE MANAGERS and manager<br />

trainees v/anted. Excellent opportunity for<br />

odvancement. Apply Armstrong Theatres,<br />

Inc., P.O. Box 337, Bowling Green, Ohio<br />

43402. Phone: 419-352-5195.<br />

THEATRE MANAGERS. Metropolitan<br />

D.C. area. Send resume to P.O. Box 1023,<br />

Langley Park, Md. 20787.<br />

PROJECTIONISTS: Metropolitan D. C.<br />

Area. Experienced in operation and repairs.<br />

Simplex. Send resume to P. O. Box<br />

1023, Langley Park, Md. 20787.<br />

WANTED: Retired theatre men to manage<br />

drive-in in Illinois. Small town. $3,000<br />

salary or commission and a modern home<br />

furnished. Send resume to <strong>Boxoffice</strong>, 2881<br />

POSITIONS WANTED<br />

WORKING GENERAL MANAGER, all<br />

phases, 25 years experience, coUege,<br />

lamily. Employed L. A. <strong>Boxoffice</strong>, 2873.<br />

EXPERIENCED, VERSATILE ADVERTIS-<br />

ING promotional roadman. Excellent references.<br />

Resume on request. Doug Hobart,<br />

<strong>Boxoffice</strong> 2876.<br />

POPCORN MACHINES<br />

ALL MAKES OF POPPERS, caramel corn<br />

equipment, floss machines, sno-ball macines.<br />

Krispy Korn, 120 So. Hoisted, Chicago,<br />

111. 60606.<br />

EQUIPMENT WANTED<br />

USED EQUIPMENT bought and sold.<br />

Best prices. Texas Theatre Supply. 915<br />

So. Alamo, San Antonio, Texas /8205.<br />

BUSINESS STIMULATORS<br />

BINGO CARDS, $5.75M, 1-75. Other<br />

gomes available. Off-On screen. Novelty<br />

Gomes, 1263 Prospect Avenue. Brooklyn,<br />

New York. (212) 871-1460.<br />

Build attendance with real Hawaiian<br />

orchids. Few cents each. Write Flowers of<br />

Howoii, 670 S. Lafayette Place, Los Angeles,<br />

Colli. 90005.<br />

BINGO CARDS DIE CUT. 1-75. 1500<br />

Combinotion. Different color, 500 in each<br />

package. $5.75 per thousand. Premium<br />

Products, 339 West 44th St., New York,<br />

N. Y., 10036. Phone: (212) CI 6-4972.<br />

FILMS<br />

FOR SALE<br />

IBrnm FILMS. Postcard brings borgoin<br />

list. Ingo Films, P.O. Box 143, Scranton,<br />

Pa. 18504.<br />

16mm FAMOUS CLASSICS. State theatrical<br />

or private use. Illustrated catalog<br />

25c. Manbeck Pictures, 3621-B Wakondo<br />

Drive, Des Moines, Iowa 50321.<br />

LENS<br />

REPAIR<br />

We repair all Cinemascope and prime<br />

lenses. Low prices on request. <strong>Boxoffice</strong>,<br />

2883.<br />

BOXOFHCE :: February 19, 1973<br />

EQUIPMENT FOR SALE<br />

BERNZ-O-MATIC IN-CAR HEATERS. Exclusive<br />

factory authorized soles, service<br />

and parts. STANFORD INDUSTRIES, 311<br />

Woukegon Ave., Highwood, 111. 60040.<br />

(312) 432-0444.<br />

HURRY ON THIS ONEl 1100 pushback<br />

seat€, all equipment and miscellaneous<br />

items. Contact immediately for real buy<br />

on lot. All in good condition. Theatre just<br />

closed. Slipper Theatre Supply, Inc., 1502<br />

Davenport, Omaha, Nebraska 68102. Phone<br />

(402) 341-5715.<br />

AUTOMATICKET MACHINE, good Brenkert<br />

booth, RCA sound, rectifiers. 800<br />

good cushioned seats. All or separately.<br />

(606) 293-2942. 808 Wheotcroft, Lexington,<br />

Kentucky.<br />

BRAND NEW NORELCO DP-75 35/70MM<br />

projector complete but less lamphouse<br />

$5,000.00. Contact Don Iwerks, Walt Disney<br />

Prod., Burbonk, Calif. 91505 (213)<br />

845-3141.<br />

REBUILT . . . Simplex XL, Century<br />

booth, al! mokes, models. <strong>Boxoffice</strong>, 2857.<br />

HAVE PAIR BEAUTIFUL Brenkert BX-lOO<br />

projectors. Will swap for Century or Simplex<br />

E7. STAR CINEMA SUPPLY, 217 West<br />

21st Street, New York 10011.<br />

16mm & 35mm PROJECTION EQUIP-<br />

MENT FOR SALE. Also professional production<br />

equipment. Write for free listing<br />

S. K. CineVision Film Equipment Company,<br />

205 14th St., NW, Atlanta, Go.<br />

30318.<br />

THEATRE SPECIAL-Inventory reduction.<br />

Two 16mm JANS, changeover, 30 watt<br />

amplifier, dousers, excellent, $696.50.<br />

Send for free listing. HECHT, Box 443,<br />

EUenville, NY. 12489.<br />

3.5 F1.5 PROJECTION OPTICS. 4 75 F2<br />

Projection optics. Bell Howell anamorphics.<br />

Weaver changeover. Pair upper/lower<br />

24" magazines. Notional Cosh<br />

Register rings up to $5.00. Dyna Fog Jr.,<br />

best offer FOB. Murray Theatre, Sloyton,<br />

Miruiesoto 56172.<br />

HAHWALD 16mm INSPECTION MA-<br />

CHINE. Excellent condition. Mark 4 model,<br />

J895 00, Cinevision, P O, Box 457, Avondale<br />

Estates, Ga. 30002. (404) 874-2952.<br />

CANDY MACHINE, ten column, 15c. Top<br />

condition, $125.00. All types projection<br />

equipment. E-7 supers, E. Ct. Want print<br />

of Hindenburg explodes, 35mm nitrate<br />

OK. Robert M. Dominic, 1219 Scenic Way,<br />

Hayword, California 94541, (415) 537- 1887,<br />

DRIVE-IN<br />

THEATRE CONSTRUaiON<br />

SCREEN TOWERS INTERNATIONAL—<br />

Drive-in construction, repoirs. 10 doy<br />

screen installotion. (817) 642-3591. Drawer<br />

P, Rogers, Texos 76569.<br />

THEATRE REMODELING<br />

CINEMA DESIGNERS, INC., builders of<br />

contemporary theatres, con remodel your<br />

old theatre or build you o new one. (Jomplete<br />

turnkey project. Write for free brochure:<br />

1245 Adams St., Boston, Moss,<br />

02124. (617) 298-5900.<br />

MISCELLANEOUS<br />

FIREWORKS: Commercial and Display.<br />

Catalogs $1.00. Buckeye Fireworks, Box<br />

2705, Akron, Ohio 44301.<br />

COMPLETE THEATRE UST of the entire<br />

United States including Alaska ond Howoii.<br />

Comes complete in hard cover with<br />

theotre name, address, city and state, zip<br />

code, owner or affiliate, and number of<br />

seots. Also hove same information for<br />

Conoda. List for United States, $200 00.<br />

List for Canada, $175.00. Send check or<br />

money order to Theatre Informotion, Box<br />

606, Leodville, Colorado 80461.<br />

THEATRES<br />

HOUSE<br />

FOR SALE<br />

WE SELL THEATRES. Joe Joseph, Theatre<br />

Broker, P.O. Box 31405, Dallas 75231.<br />

Phone (214) 363-2724.<br />

FOR SALEl Excellent adult theatre building<br />

in Moline, 111. Terrific value at $75,-<br />

000.00. Write Midwest Theatres, 8816 Sunset<br />

Blvd., Los Angeles, Co. 90059 for information.<br />

FOR SALE—Greeley Drive-in Theotre,<br />

Hillside Theatre, Greeley, Colorado. Excellent<br />

condition. Terms. E. W. Sovord,<br />

2522 Sunset Lane, Greeley, Colo.<br />

NEW MILFORD, CONN. 550 seats with<br />

two retail stores, brick building in center<br />

of smoU town. Price $55,000. Contact Connecticut<br />

Notional Bonk Trust Dept., 888<br />

Main St., Bridgeport, Conn.<br />

TWO TWIN theatres, locations in New<br />

Mexico. Both hove lease and construction<br />

commitments. P.O. Box 147()4, Albuquerque,<br />

New Mexico 87111. Phone (505) 296-<br />

3249.<br />

300 SEAT THEATRE FULLY EQUIPPED:<br />

Located in good eastern Oregon farming<br />

community. County seat with 5,000 population<br />

trading oreo. Lots of kids. $14,000.00<br />

— $4,500.00 down, easy terms on balance.<br />

Write for free brochure. Grigg Realty and<br />

Tax Service, P. O. Box D, Vale, Oregon<br />

97918. Phone 473-2993.<br />

DRIVE-INS AVAILABLE. Required. Bovilsky,<br />

34 Botson Street, Glosgow, Scotlond.<br />

TUSCAN DRIVE-IN, ELKHART, KANSAS.<br />

250 cars. Will sell equipment only, or include<br />

lond and all. P. O. Box 831, Hooker,<br />

Oklohomo 73945.<br />

FAMILY MINI THEATRE on Florida's<br />

Southwest coast. 150 seats. Fully<br />

equipped. Two years old. Excellent two<br />

person operation. Cosh price $25,000<br />

Terms possible. Coll (313) 474-2400 ofter<br />

7:00 p.m.<br />

FOR SALE: Lincoln Drive-In theatre,<br />

Tyler, Minn. 200-250 cars, good condition.<br />

Asking price $20,000. 1/3 down and terms.<br />

Mrs. E. Uloft, Tyler, Minn. Phone: 247-<br />

5424<br />

FOX THEATRE. Colifornio, 40,000 population,<br />

nearest competitor 25 miles. $30,-<br />

000 plus lease, minimum down it quolitied-<br />

<strong>Boxoffice</strong>, 2877.<br />

UNITED GENERAL THEATRES TWIN LI-<br />

CENSE for sole at considerable reduction.<br />

Must sell due to breach of controct. Write<br />

<strong>Boxoffice</strong>, 2878.<br />

INDOOR AND DRIVE-IN. First closs operations.<br />

Near Texas' Panhandle. $30,000<br />

down, JOE JOSEPH, Bex 31406, Dallas.<br />

Texas 75231,<br />

NEAR DALLAS. NOW CLOSED. Only<br />

theatre, town of 16,000. 500 seots, fully<br />

equipped. New roof ond air-conditioner.<br />

Needs reopening by good showman, $55,-<br />

000, terms. JOE JOSEPH, Box 31406, Dallos,<br />

Texas 75231.<br />

TWO TWIN THEATRES, large fast growing<br />

Florida city. Procticqlly new. Consider<br />

sale or lease with proper finonciol stotement.<br />

Enjoy sound investment with top<br />

Florida living. Not ovailable for "X" rated<br />

operation. <strong>Boxoffice</strong>, 2879.<br />

FOR SALE, twin screen indoor theatre.<br />

225 seats each auditorium. Growing community,<br />

25 miles of Fort Worth-Dallas<br />

metropiex area. <strong>Boxoffice</strong>, 2880.<br />

JOHNSTOWN, PA.—Leasehold 800 seot<br />

automated quod. Reasonable. Terms.<br />

(412) 458-6540.<br />

THEATRES<br />

FOR LEASE<br />

TWIN THEATRE FOR LEASE. Located in<br />

Murroy, Kentucky adjoining Murroy State<br />

University. Equipped except for seats and<br />

projectors. Copocity 350 each side. Two<br />

years old. Located in centrol shopping<br />

center. Write Robert E. Humphreys. P. O.<br />

Box 165, Owensboro, Kentucky. Phone<br />

(502) 684-5255. Night (502) 683-8166.<br />

THEATRES WANTED<br />

DRl'VE-IN THEATRES WANTED! Boston<br />

based theatre circuit seeks to acquire<br />

drive-in theatres anywhere in U. S. TOP<br />

DOLLAR PAID I <strong>Boxoffice</strong>, 2750.<br />

WANTED TO BUY OR LEASE: Indoor or<br />

outdoor. Contact Mike Kutler, 2108 Poyne<br />

Avenue, Room 212, Clevelond, Ohio 44114.<br />

(216) 696-4110,<br />

WANTED TO BUY: Outdoor and Indoor<br />

theatres in Illinois, Indiano, Missouri,<br />

Kentucky, Arkansos. Write <strong>Boxoffice</strong>, 2852.<br />

THEATRES WANTED: Drive-ins ond indoor.<br />

North Carolina and Virginia. Buy<br />

or lease. Write <strong>Boxoffice</strong> 2865.<br />

THEATRE LISTINGS NEEDED, Atlanta<br />

trode area. Phoris Edwards, Theatre<br />

Broker, Charleston, Tennessee.<br />

WANTED TO BUY OR LEASE: Indoor or<br />

outdoor, anywhere in US Write <strong>Boxoffice</strong>,<br />

2882.<br />

THEATRE SEATING<br />

THEATRE CHAIR UPHOLSTERING! Any<br />

where, finest materials, LOW prices. Custom<br />

seat covers mode to fit. CHICAGO<br />

USED CHAIR MABT, 1320 So. Wobosh,<br />

Chicago, 60505. Phone: 939-4518.<br />

SPECIALISTS IN REBUILDING CHAIRS.<br />

New and rebuilt theatre chairs for sale.<br />

We buy and sell old chairs. Trovel onywhere.<br />

Seoting Corporation of New York,<br />

247 Woter Street, Brooklyn, N.Y., 11201.<br />

Tel. (212) 875-5433. (Reve rse charges).<br />

FIRST CLASS REBUILDING since 1934.<br />

Arthur Judge, 2100 E, Newton Ave., Milwoukee,<br />

Wisconsin<br />

620 AMERICAN BODIFORM CHAIRS.<br />

Good condition. Contact Howard Mc-<br />

Gowan, Chief Theotre, Greeley, Colorado<br />

or Harry Melcher, (414) 442-5020.<br />

Handy Subscription<br />

Order<br />

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A BOXOffICE BREAKTHROUGH<br />

foryou!<br />

occoccocooooooooc<br />

THE<br />

SHOWMEN'S<br />

CONVENTION 73<br />

FOUR UNFORGETTABLE DAYS<br />

MARCH 12-15<br />

KANSAS CITY, MISSOURI<br />

LEAf\N FROM THE EXPERTS HOW TO<br />

MAKE AND SAVE MORE MONEY!<br />

_STARS*DIREC_TORS*PRODUCERS_<br />

»^ \^' ^^ • fc» *» * W \^ WW a MAIL REGISTRATION TO: UNITEO MOTION PICTURE ASSOC, 114 W. IBth ST., KANSAS CITY. MO. 64108<br />

fRiPfilQTFI? NC^ytfl<br />

REGISTRATION FORM<br />

Enclosed registration for<br />

Theatre, Firm Name<br />

MR<br />

MISS/MRS.<br />

ADDRESS<br />

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'R^ n FILM D TRADE SHOW D<br />

Arrival Date<br />

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SINGLE D<br />

TWIN D<br />

DOUBLE D<br />

SUITE D<br />

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SEND DETAILS D<br />

REDUCED ADVANCE REGISTRATION FEE!<br />

MEN $40.00 — WOMEN $35.00<br />

REGISTRATION FEE<br />

$50.00 & $45.00 AFTER FEB. 26<br />

YOUR REGISTRATION FEE INCLUDES TICKETS<br />

FOR ALL SCHEDULED CONVENTION EVENTS<br />

INCLUDING BREAKFAST, LUNCHEON AND DIN-<br />

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