Boxoffice-August.07.1978
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veryooay R^oves<br />
• AUGUST 7, 1978<br />
NATIONAL EXECUTIVE EDITION<br />
Including lh« StclioMl Nm Pa«ts o( All Editions<br />
C?\\(7^(f^<br />
.^CMW<br />
i-OUIS<br />
«imbus<br />
Indianapolis<br />
inneapolis<br />
'amazoo<br />
md Rapids<br />
Opening multiple engagements<br />
New York City, July 28<br />
Chicago, August 18<br />
Los Angeles, August 23<br />
7,962««<br />
•6.777«»<br />
7.378«»<br />
'6.45800<br />
•6.17200<br />
'6.16300<br />
'5.99900<br />
•6.35100<br />
•5.76500<br />
•6.05800<br />
•5.40300<br />
•5.81400<br />
•5.22100<br />
•5.23300<br />
•5.02000<br />
Capitol, Vancouver<br />
Sjafari, Moorhead<br />
Hollywood, Sioux Falls<br />
Capitol, Winnipeg<br />
Piaza, Grand Forks<br />
Troliey # 2 Salt Lake City<br />
Karcher, Napa<br />
University, Prove<br />
U.A. Cinema, Idaho Falls<br />
IN TWO SECTIONS—SECTION ONE<br />
'38 371^^<br />
'24 474^0<br />
'22!587^°<br />
*28 934^^<br />
'19,288^^<br />
*\ 7*978^^<br />
'15*416^^<br />
'21,865^^<br />
'16!9880^<br />
Orpheum, Ogden *\ 7155500<br />
Oak Park, Minot *\<br />
QJ 9000<br />
Famijy Center, Salt Lake City *1<br />
4 28600<br />
Plaza, Boise<br />
'12.'99400<br />
College Mall,Lethbridge '14*12800<br />
Cinema, Rochester<br />
^ g 25800<br />
South Twin, St. Louis<br />
'11*85600<br />
Valley, Raleigh '9 *84800<br />
Babcock, Billings<br />
^ 85900<br />
Miracle, Flint<br />
>y j '46700<br />
Csfoitol, Saskatoon<br />
'16*86600<br />
lema, Logan sf f '28400<br />
I'ley Fair, Salt Lake City ^\ \ 21800<br />
ky Twin, Minneapolis *\ \ J 5200<br />
Ihgate, Durham<br />
'16*87900<br />
ite, Great Falls ><br />
j f 'l 2700<br />
dway, Regina<br />
'9,44300<br />
^*ark, Kansas City *g 87800<br />
J5**-0"'S<br />
'9*33100<br />
Metro north, Kansas City sg QQOOO<br />
?M®» Topeka<br />
'8*78800<br />
Indian Springs, Kansas City '7,82800<br />
Loughheed, Vancouver<br />
'7,79800<br />
s^<br />
CROWN INTERNATIONAL PICTURES<br />
292 S. La Cienega Blvd., Beverly Hills, Ca. 90211 Tel: (213) 657-6700<br />
NEWTON .P. JACOBS<br />
Chairman of the Board<br />
MARK TENSER<br />
President<br />
GEORGE M. JOSEPHS<br />
Vice President/<br />
Generai Sales Manager
' I \AS<br />
5 BIG ADULT HIT5 AVAILABLE<br />
OF 4 EROTIC FILM AWARDS!<br />
(THE ACADEMY AWARDS OF X-RATED MOVIES!)<br />
BEST PICTURE!<br />
BEST ACTRESS!<br />
(GEORGINA SPELVIN!)<br />
BEST SCREENPLAY!<br />
BEST PRODUCTION<br />
VALUE!<br />
le<br />
THE EROTIC TALES OF "ABROAD^!<br />
Mt:<br />
Wi<br />
New Scandinavian Sensation<br />
OLINKA JONSSON<br />
4iAPPY "ft:<br />
tiEJLlDAY^i<br />
ted by JON SANOflSON<br />
CJ. LAING HAS SOME<br />
UNUSUAL WAYS TO<br />
PLAY...<br />
Carnal<br />
^!^^r^^^ SHARON MITCHELL r^K\<br />
*^***J^_^WiJ^ -'••- JOHN LESIIE CLIA CAtSON ^^P^^^ H<br />
She was young...m<br />
But not too youn^<br />
to become a<br />
slaye €f uleasun<br />
iilmabowt^ the Violence of Lov!<br />
GEORGINA SPELVIN • ANNEXE HAVEN • CLAIR DL\<br />
wHk JOHN LESLIE • JOHN SEEMAN • JOAN DEVLON<br />
ABIGAIL CLAYTON • BONNIE HOLIDAY • PAUL THOMAS<br />
STACY EVANS mm* SABRINA<br />
^RAMSEY KARSON<br />
writtnky RAMSEY KARSON U HAROLD LIME<br />
Wf Cr C0A;,T TtF^RITO(^Y<br />
FILMMAKERS COMPANY<br />
8560 SUNSET BLVD. SUITE 705<br />
LOS ANGELES, CALIF. 90069<br />
(213)667 /791<br />
SHE CAN HANDLE HIS<br />
PROBLEM HE WAS...<br />
ALSO AVAILABLl WM<br />
J&0(f\<br />
Erect<br />
CRISTINE ROBERTS ERIC BRAU<br />
, VICKI WEST PETER STRAUS<br />
MONIKA METZGER BARBRA PETERSC<br />
ilrd by JON SANDItSON<br />
CONTACT:<br />
LEISURE TIME BOOKING<br />
no WEST 40 STREET/ROOM 1()01 NEW YOIU
I Lake<br />
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lished in Nine Sectional Editions<br />
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IS SCHLOZMAN ...Business Mgr.<br />
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"'^'"-<br />
n KAMINSKY .Western Editor<br />
unt Blvd.<br />
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B MODEnx THEATRE Section Is<br />
led in one issue each month,<br />
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as. J. Leonard sr., 319 Queens Rd..<br />
204. Tele: (704) 333-0444.<br />
land- Elatae Fried. 3255 Grenvvay<br />
44122. Tele. (216) 991-3797.<br />
ibus; Jim Pearce, 230 Graceland<br />
ti, 43214. Tele. (614) 885-2610.<br />
s: Mable Guinan, 5927 Winton.<br />
er- Brace Marshall, 2881 S. Cherry<br />
a, 80222.<br />
Moines: Cindy Viers. 4024 E. Maple.<br />
1317. Tele. 266-9811.<br />
)it: Vera Phillips. 131 Eliot St.<br />
at, Windsor, Ont. N9A SYS.<br />
fotd: Allen M. Widem. 30 Pioneer<br />
In, W. Hartford 06117. Tele. 232-<br />
mapolis: Robert V. Junes. 6385 N.<br />
„k, 46220. Tele. (317) 253-15.36;<br />
iomiUe: Robert Cornwall. 3233 Colse<br />
St.. 32205. Tele. (904) 389-<br />
iphis: Bill Minkus. 5855 Poplar Pike<br />
0. 3, 38138. Tele. (901) 683-8182.<br />
gl: Martha Uimmus, 622 N.E. 98 St.<br />
aukee: Wally L. Meyer, 301 Heather<br />
me, Fredonia. Wis. 53021. Tele:<br />
114) 692-2753.<br />
leapolL?: BiU Diehl. St. Paul Disitch,<br />
63 E. 4th St.. St. Pawl. Minn-<br />
Orleans: Mary Greenbaum. 2303<br />
endez St. 70122.<br />
homa City: Eddie L. Greggs. 410<br />
luth Bldg., 2000 Classen Center.<br />
!10«.<br />
Beach<br />
Lois Baumoel. 2860 S.<br />
;ean Blvd., No. 316. 33480, Tele.<br />
305) 588-6786.<br />
adelphia: Jlaurie H. Orodenker. 312<br />
r Park Towne Place, 19130. Tele.<br />
215) 567-4748.<br />
Bburgh: B. F. Klingcnsmith, 516<br />
Snette. Wllkinsburg 15221. Tele.<br />
112) 241-2809.<br />
.land. Ore.: Jane Ctimefuril. 2365 NW<br />
(orlhmp. 97210.<br />
Louis: Fan R. Kiause. 818A Longtre<br />
Drive, 63132. Tele. (314) 991-<br />
m.<br />
City: Keith Perry. 264 E. 1st<br />
buth, 84111. Tele. (801) 328-1641.<br />
I Antonio: Gladys Candy. 519 Cin-<br />
'onati Ave. Tele. (512) 734-5527.<br />
; Francisco: David Van, UATC. 172<br />
Gate Ave., 94102. Tele: 928-<br />
illden<br />
!0O.<br />
tie: Stu Goldman. Apt. 404. 101 N.<br />
ith St., 98103. Tele. 782-5833.<br />
Ido: Anna Kline, 4330 Willys Pkwy.,<br />
B612.<br />
',ion: Gib Clark. 433 N. Grande. Apt.<br />
', 85705.<br />
Wngton: Virginia R. Collier. 5112<br />
onneclicut Ave.. NW. 20008. Tele.<br />
P02) 362-0892.<br />
IN CANADA<br />
J<br />
lary: Maxinc McBcin, 420 40th St..<br />
>.. F3C IWl. Tele. (403) 249-<br />
D39.<br />
iitreal: Tom Cleary. Association des<br />
!rtipriet aires de Cinema du Quebec.<br />
,720 Van Home, Suite 4-5, H3S 1R8.<br />
in: Garfield •WUlle" Wilson. 758<br />
lainsford Ave., KJK 2K1. Tele. 746-<br />
seo.<br />
IVnto: J W. Agnew, 274 St. John's<br />
Id., MOP 1V5.<br />
/,zou\eT. Jimmy Davie, 3245 W. 12.<br />
;6K 2R8.<br />
'nlpeg: Robert Hucal. 500-232 Porige<br />
Ave., R3C OBI.<br />
ember Audit Bureau of Circulation<br />
^lished weekly, except one issue at<br />
rend, by Associated Publications. Inc..<br />
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MonaJ Executive Edition: $25.00. fort<br />
. $30.00. Single copy, 75c. Second<br />
cs postage paid at Kans.is Cily, Mo.<br />
Mlcatlon No. 062260.<br />
/J G U S T<br />
V. 113<br />
1 978<br />
No. 18<br />
liliiiiiliB'^ 'Meo^-ik Me&^ T^c^ JL^<br />
1H\S IS<br />
ALONG-TIME INDUSTRY EXECU-<br />
TIVE recently said to us, "Isn't this<br />
a wonderful business that can make so<br />
many mistakes and still come out on<br />
top?"<br />
That question and its obvious answer<br />
has remained with us through the years,<br />
surfacing now and then, especially when<br />
there is occasion to take a doleful look at<br />
happenings that, momentarily, cast a<br />
cloud across the horizon. During the past<br />
few decades, there have been numerous<br />
cloudy periods for our industry, but each<br />
time it has passed through them and<br />
emerged stronger and with the outlook<br />
brighter than ever before.<br />
Pioneers of this business recall a lot of<br />
things about the early days of the film<br />
industry, as it coursed through the years<br />
from its small beginnings as a peep-show<br />
curiosity to its peaks of magnificence;<br />
from its infancy to its maturity; from the<br />
limited sphere of its operations to its<br />
globe-encircling strides. None of these<br />
steps of progress was attained or held<br />
onto easily, without some faltering here<br />
and there, without mistakes that were<br />
costly or that caused temporary setbacks.<br />
Successes were many, but often fleeting.<br />
Always there was a new obstacle to overcome.<br />
Always it was necessary to blaze<br />
new trails to discover new means for successful<br />
adventures. And always the need<br />
was met with the effort that led to a<br />
new turning point in the road—and to<br />
new horizons.<br />
That is one of the great compensating<br />
factors of this indi:;stry, in addition to the<br />
profits it may bring. It is adventuresome,<br />
stimulating and inspiring. Nothmg goes<br />
on for long with tranquility and quietude<br />
It ever is a business that keeps one<br />
on his toes and that, in turn, is what<br />
keeps one alert and in the running.<br />
It must be remembered that an enterprise<br />
which is undergoing no transition<br />
at all cannot be described as "stable";<br />
rather, it has stagnated or, to put it<br />
bluntly, it is on the decline and must be<br />
considered "terminal."<br />
Not only veterans, but those who have<br />
been in the film industry a comparatively<br />
short time, are held to it by its fascination.<br />
That is why so many put up with<br />
trials and tribulations that they would<br />
not long countenance in any other endeavor.<br />
They want to remain a part of<br />
this business as long as possible.<br />
What about the future? What course<br />
is there left to take? What new trends<br />
will develop or be developed? Will present<br />
trends, particularly those that have been<br />
unsatisfying or considered inimical to the<br />
A WONDERFUL BUSINESS!<br />
industry's well-being, continue? Will the<br />
old orders and patterns of operations be<br />
restored? Each of these questions has an<br />
answer and, whether or not it is what<br />
each individual or group wants it to be,<br />
the collective industry will continue far<br />
into the future with new marks of progress,<br />
new avenues of profits. Some signs<br />
of what is to come already are beginning<br />
to take shape. Some plans, long in the<br />
blueprint stage, are scheduled for early<br />
development and implementation.<br />
Looking forward, we find that producers<br />
and distributors of theatrical product<br />
have far-reaching plans for progress<br />
which exude confidence. And, conjidence<br />
was the key to the success of the industry's<br />
pioneers and builders that enabled<br />
the motion picture to grow into the<br />
world's greatest mass entertainment<br />
form To be sure, many obstacles were encountered,<br />
including new forms of competition.<br />
But, with courage, foresight,<br />
imagination, initiative and a venturesome<br />
spirit, they built this business from<br />
a handful of storeroom nickelodeons to<br />
thousands of edifices of beauty and magnitude.<br />
Scanning letters received daily, the enthusiasm<br />
with which exhibitors are promoting<br />
motion pictures m order to<br />
achieve the highest possible boxoffice<br />
grosses certainly attests to the fact that<br />
the "retail" end of the business is meeting<br />
the challenges of the '70s. including<br />
inflation and high energy costs, with a<br />
vigor that signifies the highest caliber of<br />
deliication ever demonstrated in the history<br />
of showmanship. As house record<br />
after house record is broken by new feature<br />
releases, even the avowed pessimist<br />
hardly could resist being swept away by<br />
the tide of promotional fervor that has<br />
developed as theatre owners compete to<br />
lure patrons into their auditoriums revivino-<br />
every approach to "show and tell<br />
advertising ever devised—and ingeniously<br />
inventing new techniques every day!<br />
So a great feeling of confidence prevails<br />
in this business as we near the enci<br />
of a decade, instilling the feeling that<br />
there are no limits to the film industry s<br />
opportunities or to its progress potential.<br />
This is especially true if all segments^<br />
production, distribution and exhibitionwill<br />
extend themselves in working together<br />
and through increasing evidences<br />
of understanding cooperation.<br />
\Jix^ /OIUyM/lyi^^
Cine-Fi Demonstrates<br />
'PTA' Gross in Midwest<br />
Bilingual Soundtrack Goes Over $1 Million<br />
HOLL^WCJOD— Que la Uicrzj ic<br />
Kansas C it\— "Harper \ alli><br />
aconipane."<br />
With those words, Mark Hamill went off<br />
to do battle in "Star Wars"—and the<br />
screening of motion pictures vaulted to a<br />
new plateau, a technical advance that<br />
promises to serve a vast, untapped audience.<br />
The Spanish version of "may the force<br />
be with you" was on the soundtrack of a<br />
complete translation of the "Star Wars"<br />
dialog and was available to drive-in patrons<br />
simultaneously with the original English<br />
words.<br />
The bilingual soundtrack bowed publicly<br />
for the first time July 21, when Cine-Fi<br />
International introduced its system wherein<br />
soundtrack signals are transmitted from the<br />
projection room over wires which are attached<br />
to auto radio antennae via a simpleto-use<br />
clip.<br />
The first use of the bilingual transmission<br />
was demonstrated at the Fiesta Drive-In,<br />
operated by Pacific Theatres, in the Pico<br />
Riviera suburb of Los Angeles.<br />
Cine-Fi used the screening as an opportunity<br />
to obtain widespread press coverage<br />
that described the system. Media representatives<br />
attending included men and women<br />
representing news outlets in Japan, Canada,<br />
Australia and South Africa. Also attending<br />
were staff members of Reuters News Agency,<br />
the Associated Press. United Press International,<br />
the New York Times, the Los<br />
Angeles Times and members of the Spanish<br />
press, radio and TV.<br />
Also present were individual exhibitors as<br />
well as representatives of Pacific Theatres,<br />
Metropolitan Theatres and Mann Theatres.<br />
Technical e-xperts from the Academy of<br />
Motion Picture Arts and Sciences were<br />
among those attending the screening<br />
Don King Ncanes Cohen<br />
Special Events Director<br />
M.W YORK— lllis A. ( ohcn has been<br />
n;imod tlircctor of special events lor Don<br />
King Productions, it was announced by Don<br />
King, chairman and chief executive officer.<br />
Cohen, who will relocate from Los Angeles,<br />
previously was based here as director<br />
of worldwide publicity for the William Morris<br />
Agency. He moved to the West Coast<br />
where he developed an unpublished story for<br />
a TV film which will be produced by Henry<br />
Jaffe Lnlerprises in associatit)n with Cohen.<br />
Among the first assignments on his new<br />
agenda will be the coordination of global<br />
appearances for the newly crowned WBC<br />
heavyweight champion Larry Holmes. He<br />
also will supervise all personal appearances<br />
for Don King and other personalities imder<br />
the company's promotional banner. In addition,<br />
his responsibilities include the development<br />
of a TV and motion picture division.<br />
The 32-year-old Cohen, born in Baltimore,<br />
holds degrees in communications<br />
from Baltimore Junior College and the University<br />
ol South Carolina.<br />
ri.\"<br />
boxoffice grosses during ten-weeks'<br />
plaving lime In the St. Louis. I>es<br />
.Moines and Kansas Cil\ terrilories totaled<br />
SI. 109.269, it v*as distlosed Wednesday<br />
(2) b\ John Shipp, president of<br />
Thomas & Shipp Films, distributor of<br />
the pleture in (his area.<br />
Additionally , 287 more .-August bookings<br />
have been set for "Harper Valley<br />
PTA" in this region, .Shipp said.<br />
Starring Barbara F.den, Konny Cox,<br />
Nanette Fabray, Louis Nye, .Susan<br />
Swift and Pat Paulsen, "Harper \ alley<br />
PTA" is an April Fools production directed<br />
by Richard Bennett. Phil Boraek<br />
was executive producer and<br />
George Edwards producer. .Music was<br />
by Nelson Riddle, with the song "Harper<br />
Valley PTA" sung by Jeannie C.<br />
Rilev; words and music by Tom T.<br />
Hall.<br />
Invitational Screenings<br />
Launch 'Animal House'<br />
UNIVERSAL CITY — The American<br />
premiere of "National Lampoon's Animal<br />
House" was held July 27 at the Astor<br />
Plaza Theatre in New York, with a party<br />
at the Village Gate in Greenwich Village<br />
following the showing. Both events were<br />
sponsored by the National Lampoon.<br />
Many of the stars of the Universal release,<br />
including John Belushi, Tim Matheson,<br />
Thomas Hulce, Bruce McGill, Stephen<br />
Furst, Jam:s Widdocs and Peter Riegert, attended<br />
the festivities, along with producers<br />
Matty Simmons and Ivan Reitman, director<br />
John Landis and writers Harold Ramis,<br />
Douglas Kenney and Chris Miller.<br />
On the West Coast, there was an invitational<br />
screening hosted by National<br />
Lampoon Tuesday (1) at the Samuel Goldwyn<br />
Theatre of the Academy of Motion<br />
Picture Arts and Sciences in Beverly Hills.<br />
There also was a special showing and party<br />
Fr day (4) in Eugene, Ore.<br />
The film is described as "an outrageous<br />
comedv."<br />
Robert M. Sherman Exits<br />
MGM Production V-P Post<br />
C Ul.VLR CITY—MGM Wednesday (2)<br />
announced the resignation of Robert NL<br />
Sherman as vicc-presidenl/production mo<br />
lion picture division. His resignation will<br />
become effective Monday (14).<br />
Richard Shepherd. MtiM senior vice<br />
president and worldwide head of theatrical<br />
production, slated: "I regret Bob Sherman's<br />
decision to leave MGM and wish him well<br />
in his future endeavors. During his lime<br />
here ihe company h.is increased ils production<br />
activity vastly and his contribuliim in<br />
the areas of motion picture supervision and<br />
project acquisition has been most evident<br />
and appreciated. A successor will he announced<br />
shonlv."<br />
'Panther' Patronage<br />
Excellent in London<br />
MU ^()RK I o, lowing :is aala royal<br />
premiere in London Jul> 13. Blake Edwards'<br />
"Revenge of the Pink Panther" opened to<br />
smash business at the 1 ,983-scat Odeon Leicester<br />
Square Theatre, grossing 562,810 in<br />
its first three days, it was announced by<br />
Norbert T. Auerbach. United Artists senior<br />
vice-president and foreign manager.<br />
The premiere, one of the most exciting<br />
receni entertainment events of London's<br />
West End. took as its inspiration the film's<br />
Oriental setting. The 98-piecc Hong Kong<br />
police band marched into Leicester Square<br />
led by a fleet of rickshaws. The Odeon Theatre<br />
was decorated by a giant head of the<br />
Pink Panther which overlooked the enormous<br />
crowd present to greet the stars.<br />
HRH Prince Charles entered on a red<br />
carpet that was strewn with Pink Panther<br />
paw prints. The film's stars. Peter Sellers.<br />
Herbert Lom. Dyan Cannon and Bert<br />
Kwouk. along with producer-director coauthor<br />
Blake Edwards and executive producer<br />
Tony Adams, were among those presented<br />
to the Prince of Wales.<br />
"Revenge of the Pink Panther" was filmed<br />
from a screenplay by Frank Waldman,<br />
Ron Clark and Edwards from a story by<br />
Edwards. Robert WebK'r also stars in the<br />
film with Robert Loggia and Paul Stewart.<br />
The film is released worldwide by United<br />
.Artists.<br />
Niagara Falls Locations<br />
Used for UA's 'Embrace'<br />
NEW YORK— Siars Roy Scheider and<br />
Janet Margolin, along with the "Last Embrace"<br />
company, moved to Niagara Falls<br />
the week of July 24 for nine days of filming.<br />
They then returned to New York City before<br />
heading for Los Angeles to shoot film<br />
interiors at the MGM Studios in Culver<br />
City.<br />
En route to Niagara Falls, several train<br />
sequences were shot on Amtrak's Rainbow<br />
line, through the cooperation of the New<br />
York State Film Commission.<br />
Michael Taylor and Dan Wigutow 3K<br />
producing the film, with Jonathan Demme<br />
directing. United .-Xrlists. a Tran.sainerica<br />
company, will release "Last Embrace," for<br />
which David Shaber adapted the scivenplay<br />
b.iscd on .1 novel by Murray Teigh Bloom.<br />
'Seniors' Tops $1 Million<br />
For Cinema Shares Int'l<br />
M W >()KK C iiuiu.i Sh.ues Inlernalion.il's<br />
suninici lele.ise ol "Seniors" has<br />
grossed $1.01 1,22.' m ils first monih, it was<br />
announced by Mel Maron. president of the<br />
iheatrical division of CSID. Lhe cumulative<br />
,eii>ss represents 226 engagements for the<br />
R-i,iied comedy.<br />
Maron says the film is working on its<br />
second million, with a second month of<br />
playdales set for some of the biggest grossinj;<br />
territories, including Chicagi>, Boston,<br />
n.ili.is .Mid Philadelphia,<br />
BoxorricE Aug. si 7. 97S
I<br />
I<br />
and<br />
L<br />
Seigenfeld, Cooper Named<br />
To UA Ad-Pub Positions<br />
NEW YORK—Edward P. Seigenfeld ha-,<br />
been appointed vice-president of advertising<br />
Edward Seigenfeld Saul Cooper<br />
and publicity for United Artists, effective<br />
Monday (7), and Saul Cooper was named<br />
director of international advertising and<br />
publicity, effective July 31. it was announced<br />
by Hy Smith. UA vice-president in<br />
charge of worldwide advertising, publicity<br />
and promotion.<br />
Seigenfeld comes to UA from Allied<br />
Artists Pictures, where he has been vicepresident<br />
of advertising and publicity since<br />
1971. From 1968 to 1971. he was vicepresident<br />
and account supervisor of the<br />
Charles Schlaifer Advertising Agency,<br />
where he supervised campaigns for Columbia<br />
Pictures. Loews Theatres and United<br />
Artists Theatres.<br />
Seigenfeld's broad experience in the entertainment<br />
field also includes executive<br />
posts with Paramount Pictures as advertising<br />
manager and as national advertising<br />
manager and West Coast advertising manager<br />
for NBC.<br />
Cooper takes over the UA International<br />
advertising-publicity reins after moving over<br />
from the soon-to-start James Bond thriller.<br />
"Moonraker." Cooper previously had been<br />
project manager on "The Spy Who Loved<br />
Me," the most recent and successful of the<br />
007 adventures.<br />
In his new assignment, he will be reunited<br />
with UA. having served as head of<br />
UA production in France (1969-73) and before<br />
that as UA supervisor of production<br />
publicity for Great Britain and continental<br />
Europe (1967-69). As an independent pub-<br />
Heist, he recently has worked on "The Wiz"<br />
"King of the Gypsies" and earlier on<br />
many major films.<br />
Hefty 'Norseman' Grosses<br />
In Cities Across Nation<br />
BEVERLY HILLS—American International<br />
Pictures" "The Norseman" is discovering<br />
receptive audiences throughout America<br />
and is reporting outstanding boxoffice<br />
results in all situations.<br />
Total receipts of $85,985 were recorded<br />
at only six Texas and California situations.<br />
Theatres involved were: Park Central Theatre,<br />
San Antonio, first 19 days; 101 Drivein,<br />
Ventura. Calif., first two weeks; Garfield,<br />
Alhambra. Calif., first two weeks; Big<br />
Sky Drive-In. San Diego, first week of second<br />
run; Hiway 39 Drive-In, Westminster.<br />
Calif., first four days, and Northcross (246<br />
seats). Austin. Tex., first 1 3 days.<br />
Robert Lecky States 'Miss<br />
Wyckoff<br />
Is New Plateau in Women's Films<br />
By RALPH KAMINSKY<br />
HOLLYWOOD — "Good Luck, Miss<br />
Wyckoff." a $1,700,000 feature about a<br />
frustrated Midwestern school teacher who<br />
becomes a new woman after a torrid love<br />
affair, "will reach a new plateau in the<br />
women's pictures that we've had so far,"<br />
in the opinion of Robert Lecky, associate<br />
producer of the film<br />
for Melvin Simon Productions.<br />
Because of its "highly controversial nature."<br />
the releasing strategy for the film is<br />
being planned carefully for the time it is<br />
ready to hit the market in September.<br />
Lecky said.<br />
"We'll send it out in the fall in a limited<br />
release pattern— probably into four or five<br />
major cities." Lecky said, "We'll let wordof-mouth<br />
build up on it and we'll let it<br />
win its media attention gradually."<br />
"Good Luck, Miss Wyckoff" stars Ann<br />
Heywood and was produced by her husband<br />
Raymond Stross. The two also had teamed<br />
in the same capacities on "The Fox" which,<br />
until "Miss Wyckoff." was one of the most<br />
talked about films of the last decade. "As<br />
with The Fox.' " Lecky asserted, "we're<br />
now at another plateau in women's films."<br />
Based on Inge Novel<br />
Based on William Inge's novel. "Miss<br />
Wyckoff" is an explicit story dealing with<br />
the sexual awakening of a 35-year-old Midwestern<br />
school teacher, a virgin who seeks<br />
physical and emotional release after a psychiatrist<br />
advises her to develop a more extensive<br />
social life and enter into a meaningful<br />
relationship.<br />
"It's handled with great sensitivity in the<br />
novel and director Marvin Chomsky and<br />
Anne Heywood deal with it beautifully in<br />
the film." Lecky said. "In less sensitive and<br />
expert hands it simply would have been an<br />
X-rated picture," he said.<br />
The screenplay was written by Polly<br />
Piatt who wrote the script for "Pretty<br />
Baby." Chomsky is "one of the hottest directors<br />
in the business" after his directing<br />
achievements with TV's "Holocaust" and<br />
the eight episodes of "Roots,"<br />
Native<br />
of Australia<br />
Lecky is a native of Australia who has<br />
been serving as assistant to the president<br />
and as a vice-president of Melvin Simon<br />
Productions during the tumultuous period<br />
when Simon, an Indianapolis shopping center<br />
developer, jumped with both feet into<br />
financing motion pictures.<br />
Lecky recently has overseen three other<br />
Melvin Simon productions — "Tilt," "The<br />
Stuntman" and the soon-to-be completed<br />
"Love at First Bite." starring George Hamilton<br />
as Count Dracula. who falls in love<br />
with Susan St. James in a role as America's<br />
most glamorous model.<br />
In addition to his career as an independent<br />
filmmaker. Lecky has been involved<br />
for many years in various forms of media.<br />
including TV. and he owns his own publishing<br />
house. He wrote and edited a number<br />
of books and he was featured on the<br />
video news program "60 Minutes" because<br />
of his exploits in wartime filming in North<br />
Vietnam.<br />
Arranged the Financing<br />
As a film package. Lecky put together<br />
the deal that made financing "Good Luck.<br />
Miss Wyckoff" possible, bringing together<br />
"It's a very powerful picture. I know<br />
exhibitors will like it. because it's a classy<br />
film and it is very exploitable." he asserted.<br />
A major distributor "very much wants<br />
the picture." Lecky says, but there has been<br />
such "strong exhibitor interest" in the film<br />
that he is feeling his way into handling the<br />
distribution as an independent.<br />
Several factors are influencing his<br />
Bel Air Productions, headed by Dr. Victor<br />
Lands: Simon Arts, headed by Herbert<br />
Simon, and Michael Gradison.<br />
"They saw it as a commercial property<br />
and as a story in which William Inge had<br />
something important to say," Lecky observed.<br />
reasoning,<br />
including the fact that, internationally.<br />
Anne Heywood is a salable name. "She's<br />
big in Europe, a big draw there and all over<br />
the world," Lecky observed. Thus, he said,<br />
international distribution for the picture<br />
would have that presell.<br />
In addition, he commented. William Inge<br />
has a following that touches all bases in this<br />
country, dealing, as his story does, with<br />
small-town America — "Mid-America, the<br />
Heartland." he points out. since the setting<br />
of the novel is rural Kansas.<br />
Regional Attraction Noted<br />
"The East and West will go for Inge and<br />
the picture" on a literary-intellectual basis,<br />
he reasons, and the South and Midwest will<br />
go for it because of the human issues involved<br />
in the story.<br />
Lecky said he is planning to move out of<br />
the Simon film-producing orbit and has a<br />
number of pictures which he anticipates<br />
producing on his own.<br />
Among them are a tennis story. "The<br />
Backhand Man." which could go into production<br />
in September and for which a cast<br />
is being signed; "The Link." with a script<br />
by Robin Maughan: an English-Canadian<br />
co-production based on a fabled court case<br />
in England, and "Red Snow." based on a<br />
book he has optioned that is set in the<br />
Rocky Mountains and which deals with a<br />
mountain lion that terrorizes a ski resort.<br />
Landau Gets 'Number'<br />
LOS ANGELES — Martin<br />
Landau has<br />
been signed for a co-starring role in "The<br />
Number." the Suncrest Cinema Corp. film<br />
now shooting in Los Angeles, starring Richard<br />
Harris and Karen Black and being directed<br />
by Roy Boulting. Rich .Abramson<br />
and Michael 'Varhol are the producers.<br />
BOXOFnCE August 7, 1978
Massive Ad Campaign<br />
For 'Goin' Coconuts'<br />
HOl.I.YWOOD— Wilh Donn\ .ind<br />
Nhiric<br />
Osmonds lirsi leaiurc motion picture.<br />
"Goin" Coconuts." scheduled to debut October<br />
4. Osmond Entertainment has launched<br />
a S3. 200.000 advertising-publicity campaign<br />
involving radio and TV saturation, a<br />
record release in mid-August, a Dell paperback<br />
blitz and tie-ins with several national<br />
corporations.<br />
Alan Osmond, vice-president of Osmond<br />
Entertainment, announced that the multifaceted<br />
advertising program is being finalized,<br />
with Kaleidoscope and PFT developing<br />
concepts for key art, ad slogans, billboard<br />
publicity and exhibitors' exploitation<br />
kits. Radio promos and spot placement will<br />
be handled by Scotti Bros.<br />
"Coin' Coconuts," described as a comedymystery<br />
spoof, finished principal location<br />
photography in Hawaii last April, with<br />
Howard Cults producing and Howard Morris<br />
directing. The picture's release will be<br />
handled by Osmond Distribution Co. in association<br />
with Inter Planetary Pictures.<br />
Launching the feature will be a gala charily<br />
premiere in Los Angeles.<br />
Casting already is under way for the Osmonds"<br />
next motion picture entry, a sci-fier<br />
titled "Cybernia." Cutts again will be producer.<br />
Shooting is scheduled for October.<br />
Leadbetter Named Deluxe<br />
Labs Ass't Controller<br />
HOLLYWOOD — Ihe appointment ol<br />
Michael K. Leadbetter to the newly created<br />
position of assistant controller for Deluxe<br />
Laboratories, division of Deluxe General,<br />
Inc., has been announced by Robert J. Aten.<br />
controller of the parent company.<br />
Leadbetter will supervise the accounting<br />
operations at Deluxe, joining the company<br />
from (ircntec. Inc. Hiirbank.<br />
Husky 'Dragon' Grosses<br />
In Initial Openings<br />
Los Angeles— Lduard I.. Mtiiitiiro.<br />
pn-sident of Film > i-nlures<br />
Inti-rnalional,<br />
reports that "Ihe I)ra):on l.ites"<br />
Krossed S310.196 in Its first three<br />
weeks of release. Kc> openings reporting<br />
excellent boxoffitc included the<br />
.Majestic Theatre. Houston: RKO ()rpheuni.<br />
New Orleans: Fox Theatre. Detroit,<br />
and Aztec I hcatre. San .Antonio.<br />
Montoro also reported excellent<br />
};ros.ses in Denver, Norfolk, Columbus<br />
and Oklahoma Citv.<br />
"The Dragon Lives" stars Bruce Li<br />
in the true-life slor> of Bruce Lee.<br />
EMC Distribution Network<br />
Reorganization Completed<br />
LOS ANCiLl ES— John Chambliss. senior<br />
vice-president and general sales manager.<br />
EMC Film Corp.. July 28 announced the<br />
completion of the reorganization of EMC's<br />
film distribution network that was launched<br />
in<br />
mid-July.<br />
In the Jacksonville territory, Clark Films<br />
Co. will take over sub-distribution of EMC<br />
product from New World Pictures of Atlanta.<br />
In the Charlotte territory. Simpson's Distributing<br />
Corp. will handle EMC's "Convention<br />
Girls" and "Naked Rider." New World<br />
Pictures of Atlanta will continue to handle<br />
"At Last ... At Last" in Charlotte and all<br />
EMC product in the Atlanta territory.<br />
'Buckstone County' Scores<br />
$1,600,052 Gross, 7 Weeks<br />
LOS ANC.El HS — Idu-ird I Monloi.<br />
president of Film N'cnlures Inleinalion.i<br />
announced that "Buckstone County Prison<br />
has grossed $1,600,052 in its first se\c<br />
weeks of release.<br />
'Hooper'lo 5309,490<br />
3 Days, 26 Theatres<br />
BIKHWK UaMKi Hu's/ -Hooper."<br />
the Burl Reynolds aciK>n-comed\. recorded<br />
a robust $309,490 in 26 theatres in its first<br />
three days in five U.S. and three Canadian<br />
cities, according to Barry Reardon, vicepresident,<br />
domestic sales.<br />
Heading the list in the U.S. was Cincinnati,<br />
with six hardtops racking up $54,950.<br />
Leading Ihe pack in the Ohio city was the<br />
Tri-County Theatre.<br />
Indianapolis, with two hardtops and two<br />
ozoners. ran a close second with 545.88.^.<br />
Top-grossing situation was the Speedway<br />
Theatre 1.<br />
In Louisville, four hardtops generated a<br />
hearty S.37,053, while the two hardtops and<br />
two drive-'ns playing "Hooper" in Columbus<br />
amassed 533,492 during the initial<br />
three-day period. A single house in Rochester,<br />
N.Y.. recorded SI4'!464.<br />
In the three Canadian cities, the threeday<br />
gross showed great strength, with Toronto<br />
at the top of the list with receipts of<br />
$76,954 spread among four hardtops and<br />
two underskyers. The two leading theatres<br />
were the Uptown 1 and the Scarboro Dri vein,<br />
which accumulated a total 537,695.<br />
Montreal tallied 532.332 in three hardtop<br />
situations and a single indoor theatre recorded<br />
a healthy 51 4^.362.<br />
Burt Reynolds stars with Jan-Michael<br />
Vincent, Sally Field and Brian Keith in the<br />
Burt Reynolds-Lawrence Gordon production,<br />
directed by Hal Needham. produced<br />
by Hank Moonjean and written for the<br />
screen by Thomas Rickman and Bill Kerby<br />
from a story by Walt Green and Walter S.<br />
Herndon.<br />
'Heaven Can Wait' Scores<br />
High First-Wave Grosses<br />
NLW >()Rk — Paramouni I'klures'<br />
Heaven Can Wait grossed 512.381.000 "<br />
in<br />
ihc first three to 12 days of its premiere<br />
engagement in 560 of the 625 theatres playing<br />
the film in the VS. .uid Canada, it was<br />
.innounced by Frank G. Mancuso. Paramount<br />
vice-president for domestic distribution.<br />
The boxoffice for "Heaven Can Wait"<br />
during the second weekend outp.iced the<br />
initial weekend's grosses b\ more than<br />
sSOO.OOO. MaiKiis,i\.iid<br />
.SAI.F.S .SFMIWK— i'acific inlernal a! Fiilcr|Miscs icccnll\ cotixcucd a nalioiiiil<br />
sales nieelinu at (lie hxati scil I Ihc fihuiiiu of I'lF's all-iu'» '-\>ilderness<br />
I :iinil> Part 2 " :il (rested BuK ', ( iilo. ilic purpose of the ^cl-loucliicr »ils to<br />
discuss all aspects of lioiikiiiu. prod icl iiiarkclitii;, ad\ t-rlisiMi; luul pnl)licil> for llic<br />
iii'M film, "liicli is due for rcleasi' ( hrisluias l'>7N. in altciiilancc. left to right,<br />
vM-ri- Nick I'crroll. Ilarr> (.ilu. .Mm \ iel, (,us \\ Uaii(l\ I'asso, Jack
Nat'l VFW Auxiliary Sets<br />
Salute to Dale Robertson<br />
KANSAS CITY— Dale Robertson, longtime<br />
western star and known in both the<br />
production and acting<br />
phases of the industry,<br />
will be honored<br />
by the National<br />
VFW Auxiliary at its<br />
national convention<br />
Tuesday morning (22)<br />
at the Dallas Hilton<br />
Hotel. Dallas, Tex.<br />
Over 3.000 members<br />
will be present to salute<br />
the actor.<br />
DaJe Robertson<br />
Recipient of four<br />
major medals for World War II service and<br />
a graduate of Oklahoma Militar\- Academy.<br />
Claremore. Okla.. Robertson will receive<br />
the American Patriot Award. He also will<br />
be cited for service overseas as a USO volunteer<br />
during the Vietnam conflict.<br />
Robertson, who served in 332nd Combat<br />
Engineer Batallion. participated in all World<br />
War II major invasions in Africa, Italy and<br />
France. The Purple Heart. Bronze Star and<br />
Silver Star were bestowed on him by the<br />
U.S. and he received the Cross of Lorraine<br />
from France. He was discharged with honor<br />
in 1946 because of sustained war injuries.<br />
Robertson will be a speaker's table honoree<br />
at the Veterans of Foreign Wars distinguished<br />
guest banquet at the Hyatt Regency<br />
Hotel the night before the VFW Auxiliary<br />
award ceremonies.<br />
The star now lives at his showplace ranch<br />
in Yukon, Okla., where he raises quality<br />
quarterhorses and thoroughbreds. The owner<br />
of an insurance company and trucking<br />
line in Oklahoma City, he recently completed<br />
a made-for-TV film in California.<br />
IFI Plans Independent<br />
Financing for Feature<br />
NEW ROCHELLE, N. Y. — Leonard<br />
Kirtman. president of International Film<br />
Industries here, announced that although<br />
his company has received support from<br />
many exhibitors for his guaranteed playdates<br />
plan, he intends to use independent<br />
financing for his upcoming film "Off the<br />
Boards." IFI currently is negotiating with<br />
an internationally famous basketball team to<br />
appear in the film and to be available for<br />
personal appearances.<br />
Kirtman stated that he would not forget<br />
the exhibitors who supported his program<br />
and will keep them in mind when the film is<br />
completed. His company will send personal<br />
letters to all the exhibitors who showed enthusiasm<br />
for the plan to thank them and to<br />
inform them of future projects.<br />
He indicated that he would continue to<br />
seek exhibitor guaranteed playdates for films<br />
scheduled for lensing in the fall and winter.<br />
Those who join with him will have the<br />
opportunity to make greater profits with<br />
less risk on a regular basis. Planning to<br />
make five to ten features a year. Kirtman<br />
said that each is geared to a wide commercial<br />
appeal.<br />
'Jaws 2'<br />
Has Five-Week<br />
Gross of $51,106,742<br />
L ni\ersal C il\— "Jav\s 2" aiiia.sscd a<br />
lotal gross of $51,106,742 in the L.S.<br />
and Canada in 652 theatres during lis<br />
first five weeks of release (as of July<br />
20). an average of over $10,000,000<br />
per week.<br />
Produced by Richard D. Zanuck and<br />
David Brown. "Jaws 2" was directed<br />
by Jeannot Szwarc from a screenplaj<br />
by Carl Gottlieb and Howard Sackler.<br />
Roy Scheider. Lorraine Gary and Murray<br />
Hamilton star in the film.<br />
Paperback Sales Precede<br />
1979 'Nightwing' Release<br />
NEW YORK—Dramatizing the importance<br />
of paperback book sales to promotion<br />
of motion pictures, Columbia Pictures and<br />
Martin Ransohoff Productions are joining<br />
Harcourt Brace Jovanovich in an unusually<br />
large 12-market TV buy for the Jove paperback<br />
edition of "Nightwing" a full year in<br />
advance of the movie's release, it was announced<br />
by Robert Cort, vice-president and<br />
general manager of advertising, publicity<br />
and exploitation for Columbia.<br />
More than 800,000 copies of the new<br />
paperback already have been shipped to<br />
national distributors and a second printing<br />
now is under way in anticipation of heavy<br />
reorders. The publisher has provided 5,000<br />
floor displays for point-of-sale promotion.<br />
"Nightwing," produced by Martin Ransohoff<br />
and directed by Arthur Hiller, is in its<br />
final weeks of filming. Cort said the contemporary<br />
thriller will be released in the<br />
summer of 1979. Just prior to the motion<br />
picture's release, another paperback edition<br />
of "Nightwing" is planned, using still photographs<br />
from the big-budget production.<br />
The current saturation buy focuses on the<br />
key metropolitan markets. Jove executives<br />
have advised Columbia and Ransohoff that<br />
the saturation effect of 30-second TV spots<br />
already have been greatly felt.<br />
'Burnout' Global Rights<br />
Are Acquired by Crown<br />
BEVERLY HILLS—Croun International<br />
Pictures has acquired worldwide distribution<br />
rights to the Sonrisa production "Burnout,"<br />
it was annoimced by Crown president<br />
Mark Tenser.<br />
"Burnout" stars Mark Schneider as "the<br />
rich kid" with the high-speed dream of<br />
driving a top-fuel dragster only to discover<br />
that money doesn't buy winners.<br />
Written and produced by Martin J. Rosen,<br />
""Burnout" also stars Robert Louden<br />
and John Zenda, featuring Crystal Ramar,<br />
the BCR Racing Team, Darryl Buehl, Nick<br />
Cirino and Walt Rhodes. Filmed on location<br />
at major drag strips throughout the<br />
U.S., ""Burnout" was directed by Graham<br />
Meeck-Burkestone with H. Paul Savage as<br />
director of photography.<br />
Crown International is planning a March<br />
release in selected engagements.<br />
Two Fealurettes Produced<br />
For Avco's 'Born Again'<br />
LOS ANCiEI.ES— As a major aspect o!<br />
the company's overall marketing plans for<br />
the film, Avco Embassy Pictures is producing<br />
two different featurettes for the Robert<br />
L. Munger production '"Born Again." according<br />
to Bob Rehme. Avco senior vicepresident<br />
and chief operating officer.<br />
Avco currently is at work producing a<br />
13-minute version of the making of the<br />
film which, according to Rehme, will be<br />
made available to church organizations and<br />
forthcoming religious conventions through<br />
Wendy Collins, special religious public relations<br />
consultant working with Avco. The<br />
second featurette is a seven-minute film designed<br />
for general use. including TV and<br />
foreign distribution. Both featurettes involve<br />
Charles Colson: Dean Jones, who stars as<br />
the former White House special counsel,<br />
and executive producer Munger.<br />
"Born Again." which will have its world<br />
premiere September 24 at Kennedy Center<br />
in Washington. D.C.. stars Jones. Anne<br />
Francis, Jay Robinson, Dana Andrews and<br />
Raymond St. Jacques. It was directed by<br />
Irving Rapper for producer Frank Capra<br />
jr. from a screenplay by Walter Bloch. Les<br />
Baxter wrote the music for the Avco Embassy<br />
Pictures release.<br />
Brett Dicker Named UA<br />
Jnt'l Ad-Pub Manager<br />
NEW YORK — Brett Dicker has been<br />
named international advertising and publicity<br />
manager for United Artists, effective<br />
immediately, it was announced by Hy Smith,<br />
UA vice-president of worldwide advertising,<br />
publicity and promotion. Dicker will report<br />
to Saul Cooper, newly named director of<br />
international advertising and publicity.<br />
Dicker, age 28. first joined UA in December<br />
1975 as a fieldman for the Boston<br />
branch. In August 1977 he joined the home<br />
office staff as assistant to the senior vicepresident<br />
of marketing. Dicker began his<br />
association with the international division<br />
in January 1978, joining Smith's staff as<br />
advertising<br />
assistant.<br />
Prior to his association with United Artists,<br />
Dicker spent a year with the New Yorkbased<br />
public relations firm of Solters & Roskin.<br />
He previously worked two years with<br />
Ely Landau's American Film Theatre as assistant<br />
to the advertisins publicity vice-president.<br />
'Girlfriends' Is Scheduled<br />
For NYC World Premiere<br />
BURBANK—The world premiere of<br />
""Girlfriends.'" Claudia Weill's first feature<br />
film, will be held at the Cinema I Theatre<br />
in New York City Friday (II). Ms. Weill's<br />
film, which is being released by Warner<br />
Bros., was featured during the Directors'<br />
Fortnight at the Cannes International Film<br />
Festival.<br />
Filmed in New York. ""Girlfriends" stars<br />
Melanie Mayron and co-stars Anita Skinner<br />
in the title roles. The motion picture also<br />
topcasts Eli Wallach and Vincent Lindfors.<br />
BOXOmCE August 1978
August<br />
Film Buff's Effort Rescues Classic<br />
Science-Fiction Epic From Oblivion<br />
By RON SCHAL.MBLRG<br />
K.ANS.AS CITY— It is surprising to dis-<br />
"Tr^^^^ made before 1950<br />
Wade W.lhams<br />
^^^ produced on nitrate<br />
stock, which can deteriorate in as few<br />
as 15 years. Studios can't afford the time<br />
or space to classify and store old negatives<br />
and original prints, so when shelves become<br />
too full or the vaults loo crowded, reel upon<br />
reel of footage, some famous and some obscure,<br />
is hauled into the parking lot and<br />
burned.<br />
Over half of all U.S. feature films have<br />
been lost forever, either through disaster,<br />
negligence or the mere passage of time. Organizations<br />
such as the American Film Institute<br />
and the George Eastman House have<br />
created an "endangered species" list and<br />
have rescued many films from destruction.<br />
The original "Lost Horizon." for example,<br />
has been restored like a mosaic from various<br />
prints located across the country, but other<br />
films — "The Hunchback of Notre Dame."<br />
"Birth of a Nation" and many others—arc<br />
in danger of disappearing totally.<br />
But large organizations are not the only<br />
ones concerned with the destruction of old<br />
feature films. One individual. Wade Williams<br />
of Kansas City, is blessed with the<br />
time, the resources and. above all. the desire<br />
to rescue a picture which he feels deserves<br />
a better fate than complete annihilation,<br />
"Rocketship X-M."<br />
First Serious Space Film<br />
The film is described as the first sciencefiction<br />
picture to take its story seriously.<br />
.Starring Lloyd Bridges, Osa Massen and<br />
Hugh O'Brian in his first screen role, the<br />
rocket opera was based on relatively accurate<br />
scientific principles and predicted, with<br />
some accuracy, forthcoming events of the<br />
manned space program.<br />
Williams first saw "Rocketship X-M." or<br />
"RXM" as he affectionately refers to it,<br />
when he was eight, logging over 60 viewings<br />
of the film in theatres and on TV<br />
before it eventually faded from sight. In<br />
later years he became alarmed at the fact<br />
that few of his friends had over heard ol<br />
"RXM" and began a search to locate a<br />
print of it and restore it to the public's eye.<br />
After four years, with lime out to earn<br />
a living selling cinema equipment and making<br />
films famong Ihcm a documenlarv about<br />
Charles Manson. "The Other Side of Mad<br />
ness"), Williams located a TV film dislnhiitor<br />
in California who ov^ned the rights to<br />
"RXM." Two years of negotiations later.<br />
Williams arranged for the purchase of the<br />
16mm theatrical and nontheatrical rights to<br />
cover, after all the talk about preserving<br />
^^^^^^^^^^^M great cinema houses<br />
^^^H^^^^^H of<br />
mo- the picture. Learning that the original .^5nini<br />
^^Hj^^^^^^B tion<br />
negative had decomposed in 1965. William^<br />
^Hr ^^^^1 themselves, the staple managed to secure a 35mm fine-grain positive<br />
print from Warner Bros., owners of the<br />
^Vt ^-g^ ^^^^M diet of the patrons of<br />
^^L '^
t<br />
Monday<br />
i<br />
!<br />
tel<br />
i contact<br />
I way.<br />
—<br />
MP Pioneers Name Valenti<br />
Dinner General Chairman<br />
NEW YORK. — Jack Valenti.<br />
president<br />
of the Motion Picture Ass"n of America,<br />
has been named general<br />
chairman of the<br />
40th annual "Pioneer<br />
of the Year" award<br />
dinner honoring Dr.<br />
Jules Stein, it was announced<br />
by B.V. Sturdivant,<br />
president of<br />
the Motion Picture<br />
Pioneers.<br />
Valenti, who was<br />
bora in Houston, has<br />
served as president of<br />
Jack Valenti<br />
the MPAA since leaving his position as<br />
special assistant to the President in the<br />
administration of Lyndon B. Johnson in<br />
June 1966. As MPAA chief, Valenti is the<br />
spokesman for the American film production<br />
and distribution industry in this country<br />
and in more than 100 countries where<br />
American films are exhibited.<br />
Following a stint in the Air Corps as a<br />
pilot of a B-25 attack bomber, Valenti received<br />
a B.S. from the University of Houston<br />
(1946) and an M.B.A. from Harvard<br />
(1948). Presently, he serves on the board<br />
of directors of Trans-World Airlines and<br />
board of trustees of the John F. Kennedy<br />
Center for the Performing Arts. Valenti<br />
has had numerous articles published in major<br />
U.S. papers and magazines and is the<br />
author of The Bitter Taste of Glory" and<br />
"A Very Human President."<br />
"I am very pleased to serve as general<br />
chairman of the Pioneers' annual affair,<br />
especially since the organization is honoring<br />
an individual of such high regard in the<br />
motion picture industry and a man who has<br />
contributed so much to eye research," Va-<br />
lenti remarked. "Dr. Jules Stein is a remarkable<br />
humanitarian and richly deserves<br />
this accolade," he continued.<br />
The annual Pioneer dinner will be held<br />
evening. Oct. 16, 1978, in the<br />
Grand Ballroom of the Waldorf Astoria Hoin<br />
New York. For ticket information<br />
the Pioneer office at 1600 Broad-<br />
New York Citv 10019. or call (212)<br />
247-2588.<br />
Jerry Goldsmith to Score<br />
Two Films for 20th-Fox<br />
BEVERLY HILLS—Lionel Newman.<br />
20th Century-Fox vice-president/ music, has<br />
signed Jerry Goldsmith to score two of the<br />
company's upcoming films. The first is "The<br />
Boys From Brazil," a Sir Lew Grad; presentation<br />
of a Producers Circle production<br />
directed by Franklin Schaffner and starring<br />
Gregory Peck, Laurence Olivier and James<br />
Mason.<br />
Immediately after that assignment. Goldsmith<br />
will complete the score on 20th-Fox's<br />
"Magic." a Joseph E. Levine production directed<br />
by Richard Attenborough from William<br />
Goldman's screenplay. Anthony Hopkins.<br />
Ann-Margret and Burgess Meredith<br />
star in the film produced by Joseph E. Levine<br />
and Richard P. Levine.<br />
'Convention Girls'<br />
Big<br />
In Mill City Playdate<br />
Los AiiKiles—EMC's •Coii\eiitioii<br />
Girls" opened to the biggest independent<br />
drive-in gross of the summer in<br />
Minneapolis during the week of July<br />
28 through Thursdaj (3), according to<br />
EMC senior > ice-president and general<br />
sales manager John Chambliss.<br />
The film grossed $36,209 in its opening<br />
week in three ozoners and is holding<br />
over for a second vteek in three<br />
situations.<br />
The tremendous success of the Minneapolis<br />
engagement has opened the<br />
entire exchange area for "Convention<br />
Girls," Chambliss commented. The<br />
Monday following the Minneapolis<br />
opening, "Convention Girls" was<br />
booked for August in every key city<br />
in the territorj.<br />
'Panther' Reports Lofty<br />
Opening-Day <strong>Boxoffice</strong><br />
NEW YORK — "Revenge of the Pink<br />
Panther" is off and running in the paw<br />
prints of its record-breaking predecessors<br />
"The Pink Panther Strikes Again" and "The<br />
Return of the Pink Panther."<br />
The July 19 opening-day grosses around<br />
the country included a number of new boxoffice<br />
highs, it was reported by Al Fitter,<br />
senior vice-president/domestic sales for<br />
United Artists, which is releasing the film<br />
worldwide.<br />
In New York at 14 theatres, including<br />
the Ziegfeld. the picture rang up a huge<br />
$77,884'^<br />
Other outstanding opening-day engagements<br />
cited by Fitter included Philadelphia.<br />
12 theatres; Detroit, ten theatres; Kansas<br />
City, four theatres; Los Angeles, Cinerama<br />
Dome; St. Louis, Esquire (house record);<br />
Oklahoma City, Continental; Tulsa, Continental<br />
(house record), and Rochester, Panorama<br />
(house record).<br />
Starred in the film is Peter Sellers as Inspector<br />
Jacques Clouseau. Also starring are<br />
Herbert Lom and Robert Webber, with<br />
Dyan Cannon. Tony Adams was executive<br />
producer of the film, which was produced<br />
and directed by Blake Edwards. Animation<br />
is by DePatie-Freleng.<br />
$67,816,000 Total Gross<br />
For 'Grease' in 38 Days<br />
New York—Frank G. Mancuso,<br />
vice-president for domestic distribution<br />
for the motion picture division of Paramount<br />
Pictures, announced that<br />
"Grease" grossed $67,816,000 in the<br />
first 38 days of the film's national release.<br />
In its sixth weekend ending July 24,<br />
"Grease" had boxoffice receipts totaling<br />
$5,392,000, playing in 907 theatres<br />
across the U.S. and Canada.<br />
SMPTE Confab Slated<br />
Oct. 29-Nov. 3, NYC<br />
,SC ARSDAI.i;. \.Y.—The 12()lh technical<br />
conference and equipment exhibit of the<br />
Society of Motion Picture & Television<br />
Engineers will be held at the Americana<br />
Hotel in New York City October 29-Novcmber<br />
3. The conclave will feature, in addition<br />
to the equipment exhibit, a full fourday<br />
technical program of sessions dealing<br />
with subjects of current concern to the motion<br />
picture and TV industries. It also will<br />
have a schedule of social events, a full program<br />
of activities for spouses and a coffee<br />
club.<br />
More than 6.000 film and TV engineers,<br />
executives and production staffers are expected<br />
to attend the huddle at the Americana<br />
in New York City.<br />
Among the subjects to be covered in the<br />
SMPTE technical sessions are: laboratory<br />
practices, satellite systems, satellite equipment<br />
and delivery systems, digital TV. film<br />
production, film-to-tape and tape-to-film<br />
transfers, theatrical sound, video production,<br />
TV sound and special effects and<br />
lighting. There will be. of course, an equipment<br />
exhibit.<br />
Social events will include an evening<br />
sponsored by Eastman Kodak Co. October<br />
29, a "Get-Together Luncheon" with guest<br />
speaker Harry Reasoner and a complete<br />
program of activities for spouses. The annual<br />
SMPTE banquet will be held Wednesday<br />
evening, November 1. Presentation of<br />
SMPTE awards which recognize outstanding<br />
achievements in motion pictures and<br />
TV and service to the SMPTE will be made<br />
at one of the sponsored luncheons during<br />
the conference.<br />
Information on registration and other<br />
facets of the convention may be obtained<br />
by contacting the SMPTE Conference Department,<br />
862 Scarsdaie Ave., Scarsdale,<br />
N.Y. 10583.<br />
Francis O'Brien Is Named<br />
Ass't to Para/s Eisner<br />
LOS ANGELES — Francis O'Brien has<br />
been named vice-president and executive assistant<br />
to Michael D.<br />
Eisner, president and<br />
chief operating officer<br />
for Paramount Pictures<br />
Corp., it was announced<br />
July 31. The<br />
appointment is effective<br />
immediately.<br />
Previously. O'Brien.<br />
who joined Paramount<br />
in November<br />
1976. was vice-president<br />
Francis O'Brien<br />
of marketing ad-<br />
motion picture<br />
i<br />
division<br />
of the company.<br />
In making the announcement. Eisner commented.<br />
"In addition to his excellent background,<br />
both within and outside the motion<br />
picture industry, and the high qualifications<br />
that Francis O'Brien will bring to this position.<br />
1 also am pleased that we are able to<br />
fill this key post from within the company."<br />
BOXOFHCE :: August 7. 1978
. .<br />
Harnell to Head Division<br />
Of Cinema Concepts. Inc.<br />
NASH\ ILLh— Siewari D. Harnell. general<br />
sales manager of National Screen Service<br />
Corp.. has been named executive vicepresident<br />
of the newly formed theatre services<br />
division of Cinema Concepts. Inc., it<br />
was announced by Ron Ellis, president of<br />
the Nashvillc-based firm.<br />
"We are delighted that Stu Harnell. who<br />
has been with National Screen in several<br />
executive capacities during his 11-year tenure<br />
with that company, has accepted this<br />
key position at a time when Cinema Concepts<br />
is experiencing rapid growth." Ellis<br />
stated.<br />
Founded in 1975, Cinema Concepts has<br />
handled the production and placement of<br />
quality theatrical advertising for national,<br />
regional and local clients on more than<br />
1.000 circuit and independent screens<br />
throughout the Southeast. "We also have<br />
access to 6.000 additional screens throughout<br />
the U.S. and Canada through membership<br />
in Cinema Advertising International."<br />
Ellis added.<br />
According to Harnell. "The main thrust<br />
of the new theatre services division will be<br />
to offer exhibitors a quality, yet economically<br />
realistic, line of special films including<br />
exciting and dramatically different film<br />
daters and new circuit/corporate identification<br />
trailers. The entire line will be custom-designed<br />
and professionally scored .<br />
giving the theatres' presentation a uniformi-<br />
ing to reach as much of the th;atregoing<br />
public as possible. They're doing this<br />
through a heavy saturation of 'cross-plug'<br />
advertising. In view of this new direction<br />
by the film companies. Cinema Concepts<br />
sees a very real need to assist exhibitors in<br />
not only giving strong circuit and corporate<br />
identity but to inform audiences exactly<br />
where and when a 'cross-pluggid' picture<br />
is playing. Our line of special films will<br />
help them do just thai most effectively.<br />
"Having spent the past 18 years gaining<br />
a total knowledge of exhibitors' needs by<br />
working closely with theatre owners across<br />
the U.S., I feel that through Cinema Concepts'<br />
theatre services division we can bring<br />
to exhibitors an imprecedenled caliber of<br />
special<br />
film presentations, regardless of their<br />
nature, that will not only be effective but<br />
cost-efficient as well." Harnell concluded.<br />
Ellis said. "Stu will be responsible for the<br />
development and marketing of not only ;i<br />
unique new line of quality custom inslitiit'onal<br />
film but other special and staple pnul<br />
nets for motion picture theatres as well."<br />
'Brink's' Filming Done<br />
Nl W \()\y favorite film and I've<br />
.ilways wanted to appear in it." he smiled.<br />
By using his imagination, coupled with a<br />
liiile nu>nev and ihc magic of film. Wade<br />
WillianiN h.is Ins wish<br />
10 BOXOFFICE August 7. 1978
. . Jay<br />
. . ACA<br />
.<br />
.<br />
( 1<br />
. . MGM<br />
. . Universal<br />
. .<br />
.<br />
.<br />
. . Edward<br />
. . Jorge<br />
. . Margaret<br />
. . Carl<br />
. . Ernest<br />
.<br />
. .<br />
>r ^J^otiuwood rCeport<br />
f<br />
m<br />
'Arabian Adventure' Lensing<br />
To Begin in England for EMI<br />
"Arabian Adventure" will begin filming<br />
later this month in England for EMI with<br />
Christopher Lee starring for producer John<br />
Dark and Kevin Connor directing the<br />
screenplay written by Brian Hayles . . . Bob<br />
LeMond and Lois Zetter have formed Le-<br />
Mond-Zetter Productions and will produce<br />
"Interview With a Vampire." based on the<br />
Frank Perry Named Director<br />
Of Orion Pictures' 'Matinee'<br />
Manuscript," the story of a plot to assassinate<br />
J. Edgar Hoover . has<br />
acquired Peter Benchley's new novel. "The<br />
Island." for producers Richard Zanuck and<br />
David Brown . . . Darth-Palmer Productions<br />
now has rights to Christopher Kecne"s novel,<br />
"The Crossing" . has acquired the<br />
rights to Steve Shagan's story. "The Formula."<br />
which Shagan will write as a novel<br />
and adapt as a screenplay . . . Brilliant Films<br />
has acquired "Names," an original screenplay<br />
by Gerry Renert. John Orland, vice-<br />
novel by Anne Rice for Paramount with<br />
filming slated to begin in October .<br />
president in charge of production, will produce.<br />
Media International Productions of Hollywood<br />
and Burg Productions of Toronto will<br />
begin filming Monday (28) in Toronto on Dom DeLuise Will Be Director,<br />
"Backstretch," an action-adventure drama<br />
Star of Rastar's 'Hot Stuff'<br />
to be produced by T.A. Kramreither, with<br />
Rastar Productions and producer Mort<br />
J. Bond Johnson as executive<br />
Orion Pictures began filming July 17 in Englebcrg will begin shooting in September<br />
on "Hot Stuff." with Dom DeLuise<br />
Paris on "A Little Romance," directed by<br />
producer . . .<br />
George Roy Hill and starring Diane Lane making his debut as director-star. Paul<br />
and Thelonius Bernard.<br />
Maslansky will be the executive producer<br />
. . Lorimar Productions began shooting<br />
July 18 on "The Hamster of Happiness."<br />
with Robert Blake starring. Producer<br />
will be James William Guericio and<br />
Hal Ashby will serve as director . . . Principal<br />
photography will begin in mid-September<br />
on "Promises in the Dark," with Jerome<br />
Hellman producing for Orion Pictures and<br />
directing from a script by Lorine Mandell.<br />
Ned Beatty and Marsha Mason will star . . .<br />
Orion also has signed David Rabe to write<br />
Orion Pictures plans to film "Matinee."<br />
set within the political atmosphere of Washington<br />
with Frank Perry directing from a<br />
screenplay by Perry and Lawrence Marcus.<br />
Bernie Schwartz and Alan Silverman will<br />
produce . . . Bernardo Bertolucci began filming<br />
July 17 in Rome on "The Moon," starring<br />
Jill Claybourgh as a famous American<br />
the screenplay and Brian De Palma to direct<br />
opera star who comes to Rome after her<br />
"Prince of the City."<br />
husband dies. The screenplay was written<br />
by Bertolucci in collaboration with his<br />
Chas. Durning Set for Role<br />
brother Giuseppi . . . Principal photography<br />
began July 31 in Alton, 111., on the 20th In Henson's 'Muppet Movie'<br />
Century-Fox feature. "Dreamer." with Tim Charles Durning will play the owner of<br />
Matheson playing a bowling alley employee a fast-food chain in "The Muppet Movie,"<br />
who dreams of becoming a professional with Jim Henson serving as producer . . .<br />
bowler. Mike Lobell will produce and Noel Kathleen Beller has been signed for a role<br />
Nosseck will direct the screenplay by James in Orion Pictures' "Promises in the Dark"<br />
Proctor and Larry Bischof. Jack Warden and<br />
. . . Jonathan Winters will play a dual role<br />
Susan Blakely also head the cast.<br />
in Lorimar's "The Fish That Saved Pittsburgh"<br />
which began principal photography<br />
.<br />
. . . Domingo<br />
. . .<br />
Rights<br />
.<br />
Studios in Berlin . . . Elke<br />
Rights to 'Links' Aquired<br />
Rita Tushingham will star in<br />
By UA, Jaffe and Katzka<br />
July 31<br />
ALA's<br />
.<br />
"A<br />
.<br />
Judgment in Stone"<br />
Producers Herb Jaffe and Gabe Katzka<br />
Ambriz, Trinidad Silva and Pepe<br />
and United Artists have acquired "Links," Serna will play gang members in Universal's<br />
a new novel by Charles Panati, former production of "Gang!" . . . John Denos has<br />
"Wanda Nevada." shooting<br />
science editor of Newsweek. The story is a featured role in<br />
based on the latest research in hypnosis<br />
in Arizona for producers Neal Dobrof-<br />
sky and Dennis Hackin . . . Marcia Rodd<br />
and life-after-life experiences<br />
and Christopher Walken have been signed<br />
to Robert Handerson's screenplay, "Joe<br />
Montana," have been acquired by the Tony for United Artists' "Last Embrace"<br />
DiDio Corp. .<br />
Productions has Broderick Crawford will play himself in<br />
secured rights to Ruth Rendell's suspense Orion Pictures" "A Little Romance" .<br />
novel "A Judgment in Stone" Valerie Perrine will play a small-town prostute<br />
. . .<br />
Raymond<br />
Chow's Golden Harvest group plans to make loved by Alan Arkin, and Lisa Welchel<br />
a feature based on "The Shipkiller." a novel portray the daughter of Louise Fletcher<br />
will<br />
by Justin Scott, which Scott has acquired. in the Globus/ Golan production of "The<br />
Magician." which began shooting Tuesday<br />
CCC Sommer.<br />
Principal photography is set for early next<br />
summer . Stewart has obtained an<br />
option on "I Was a Spy," an autobiography<br />
Lionel Jeffries and Gregory Sierra have<br />
) at<br />
been cast for Universal's "The Prisoner of<br />
of Marion Miller, a former FBI spy .<br />
Edie and Ely Landau have acquired rights Zenda." starring Peter Sellers, now lensing<br />
to Robert Ludlum's novel, "The Chancellor in Vienna.<br />
Universal Signs Sarah Holcomb<br />
To Co-Star in 'Gang!' Feature<br />
Universal has signed Sarah Holcomb to<br />
co-star in the Turman-Foster production of<br />
"Gang!" on which filming began July<br />
17 in the Venice and Marina Del Rcy<br />
areas of Los Angeles . . . Valerie Perrine<br />
has been added to the cast of "The Magician"<br />
. . . Aldo Ray has been signed for a<br />
role in "Monster," an Academy International<br />
feature shooting in New Mexico .<br />
Signourney Weaver has a role in "Alien," a<br />
20th Century-Fox feature . . . Isabel Sanford<br />
and Sherman Hemsley have signed for<br />
cameo roles in "Love at First Bite" . . .<br />
Terence Stamp has been signed for a starring<br />
role in "I Love You, I Love You No,"<br />
for producers Gianni Bozzacchi and Valcrio<br />
DePaolis now filming near Rome .<br />
John Glover and Charles Napier have<br />
been added to the cast of United Artists'<br />
"Last Embrace" . Cervera jr..<br />
Penelope Milford. Dennis Christopher. Natasha<br />
Ryan. Linda Dangell and Biff Mc-<br />
Guire have been cast in Suncrest Cinema's<br />
"The Number" . Avery. Michael<br />
Gazzo and Nicholas Pryor have signed<br />
for Lorimar's "The Fish That Saved Pittsburgh."<br />
which began shooting late last<br />
month Pittsburgh . . Catherine Leigh<br />
in .<br />
Kiewart will play the daughter of Alan<br />
Alda and Jane Fonda in "California Suite."<br />
'Somebody Killed Her Husband'<br />
Will Be Scored by Neil Sedaka<br />
Neil Sedaka will write and sing "Love<br />
Keeps Getting Stronger Every Day" for<br />
Columbia Pictures' "Somebody Killed Her<br />
. Husband" Rosen is director<br />
of photography on Melvin Simon Productions'<br />
"Love at First Bite," and Lazlo<br />
Kovaks is directing photography on another<br />
Simon feature, "The Runner Stumbles" . . .<br />
Bob Grabeau will sing the theme song for<br />
"Cruise Missle." a Noble Films/Miller and<br />
Briggs production, which recently completed<br />
shooting in Europe . . . Leonard<br />
Rosonman has been signed to write the<br />
musical score for "Dolphin Island," Robert<br />
B. Radnitz' science-fiction film . . . Gene<br />
Callahan has been set as production designer<br />
on Orion Pictures' "Promises in the<br />
Dark," to be produced and directed by<br />
Jerome Hellman from a Lorine Mandell<br />
script . . . Orion Pictures has named Ann<br />
Roth costume designer on its forthcoming<br />
"Promises in the Dark" . Kress has<br />
been set as editor on Avco Embassy's "A<br />
Man. a Woman and a Bank." which will begin<br />
shooting this month .<br />
Gold<br />
will compose the score for "Good Luck.<br />
Miss Wycoff." a Bel Air/Gradison production<br />
. . . Joe Kapp has been named associate<br />
producer on George Litto's production<br />
of "On the Edge" . . . Assignments for<br />
Universal's "Gang!" include Bobby Byrne as<br />
director of photography. Wilbur Mosicr.<br />
unit production manager, and Bill Campbell,<br />
art director . . . Composer Marvin Hamlisch<br />
will write the score for Columbia's "Ice<br />
Castles." He and lyricist Carole Bayer Sager<br />
have completed the picture's love theme,<br />
"Through the Eyes of Love."<br />
BOXOFFICE :: August 7, 1978<br />
11
Wi\ \1b
—<br />
• ADuiiES * exPLomn<br />
• ALPHABETICAL INDEX<br />
• EXHIBITOR HAS HIS SAY<br />
• FEATURE RELEASE CHART<br />
• FEATURE REVIEW DIGEST<br />
• SHORTS RELEASE CHART<br />
• SHORT SUBJECT REVIEWS<br />
• REVIEWS OF FEATURES<br />
• SHOWMANDISING IDEAS<br />
THE GUIDE TO BETTER BOOKING AND B U S I N E S S - B U I L D I N G<br />
Sambo's Tiger Ballys<br />
Run of 'Jungle Book'<br />
Spending only $5 to purchase two stuffed<br />
tigers to be given away as prizes and using<br />
the time of a staffer, along with consider-<br />
The completely domesticated tiger<br />
which the Towne Cinema turned loose<br />
in a shopping mall to promote the film<br />
"The Jungle Book." The borrowed feline<br />
suit carried this message on its<br />
back: "Courtesy of Sambo's."<br />
able ingenuity, Frances Hughes, manager of<br />
GMS Theatres' Towne Cinema in Dover,<br />
Del., created a lot of excitement to ballyhoo<br />
the engagement of "The Jungle Book" at<br />
the theatre.<br />
The first attention-getter was a live tiger<br />
displayed in the lobby of the Towne Cinema.<br />
The second was a not-so-live tiger—actually<br />
a cinema employee wearing a tiger<br />
suit borrowed from Sambo's Restaurant<br />
who walked up and down Blue Hen Mall.<br />
This stunt was a eye-catcher for the small<br />
fry, according to Mrs. Hughes, who said:<br />
"Children were excited to see a tiger walking<br />
around. One child remarked, 'Oh, look!<br />
The tiger is wearing shoes!' "<br />
Patrons at the Towne Cinema received<br />
an extra thrill. The dressed-up tiger strolled<br />
through the auditorium aisles shaking hands<br />
with the moppets and, of course, with their<br />
parents.<br />
At the final showing of "The Jungle<br />
Book," all the kiddies retained their ticket<br />
stubs so they could participate in a drawing.<br />
The other half of the tickets had been placed<br />
in a brown paper bag and, at the conclusion<br />
of the unspooling, the stuffed tigers (bought<br />
from Sambo's) were given to two youngsters<br />
whose numbers were selected at random.<br />
Early Start on Promotion Campaign<br />
Pays Off at Hillcrest 4 Theatres<br />
Bing Frakes, manager of Crown Cinema<br />
Corp.'s Hillcrest 4 theatres in St. Joseph,<br />
Mo., launched a print media campaign, radio<br />
station tie-in and a tire giveaway,<br />
through the cooperation of a local "Tiger<br />
Paw" dealer, to ballyhoo the engagement of<br />
"Here Come the Tigers." A methodical approach<br />
was utilized, with initial steps of the<br />
campaign begun one month in advance of<br />
the playdate.<br />
Sneak Preview Plugged<br />
Radio KKJO was contacted by Frakes to<br />
arrange for spots and a remote broadcast to<br />
hypo a sneak preview held a week before<br />
the picture's regular opening. A set of four<br />
"Tiger Paw" tires was donated by Stephens<br />
Tire Mart to be given as the grand prize in<br />
a drawing that was held for registered patrons<br />
after the regular run of "Here Comes<br />
the Tigers" began. The premium tires were<br />
placed on display in the lobby of the Hillcrest<br />
4 the night the sneak preview was held.<br />
Valuable free airtime was furnished by<br />
the radio station, which siarted awarding<br />
passes to the sneak of "Here Comes the<br />
Tigers" three days before the preview. In<br />
addition to 42 spots plugging the preshowing,<br />
KKJO Radio did a one-hour remote<br />
from the Hillcrest 4 the night of the "Here<br />
Comes the Tigers" preview. During the<br />
course of the on-the-scene broadcast, the<br />
picture's engagement benefited from approximately<br />
12 live spot plugs.<br />
An eye-catching newspaper campaign<br />
marked the opening day of "Here Comes<br />
the Tigers," which also was hyped via 36<br />
additional radio spots. Adding color and<br />
excitement to the first night, the theatre<br />
staff was dressed in "Tiger Paw" jackets and<br />
caps.<br />
Over 3,000 persons were attracted to the<br />
theatre by the multi-media publicity—and<br />
was verified by the number of registrations<br />
this<br />
involved in the grand-prize drawing,<br />
which was held the night after the picture's<br />
opening.<br />
Early Promo Material<br />
In addition to the local tie-ins publicizing<br />
"Here Comes the Tigers," Frakes made<br />
good use of promotional materials for the<br />
picture which were obtained 16 days in advance<br />
of the opening from National Screen<br />
Service. Besides a trailer for the film, NSS<br />
supplied one-sheets, pressbook and fact<br />
sheets intended for media use. all of which<br />
were immensely helpful in designing a<br />
worthwhile and profitable campaign to tout<br />
"Here Comes the Tigers."<br />
WHEEL DEAL — During a recent engagement of Peter Perry Pictures' "Mag<br />
Wheels" at several ozoners in Phoeni.x. Ariz., a drawing was conducted to give<br />
away three complete sets of mag wheels. The Rodeo, Oasis and Mustang drive-ins<br />
arranged a tie-in with a local automobile supply store which provided the wheels<br />
at no cost. Jerry Klotz. general manager of the E&W Drive-ins (standing, far left),<br />
is awarding the grand prize to each winner: Left to right. Raid M. Navarrete,<br />
Ernest Gardunio and Bob Lee.<br />
BOXOFFICE Showmandiser :: AugList 7. 1978 25
WEAOS- JARS UNDER THE STARS NITEI 1<br />
1 rHEMSRETURN'^^*»j^ ^^^H<br />
LET THE (kxWS^^pU 1
Videotapes Confiscated<br />
By Federal Authorities<br />
BURLINGTON CITY, N.J.— In a highly<br />
significant move reflecting the increasing<br />
sale of videotape cassettes of major motion<br />
pictures, federal authorities confiscated master<br />
copies of such films as "Jaws," "Star<br />
Wars," "Annie Hall" and nearly 700 others<br />
in a raid here on Theatre Vision. The local<br />
store has been advertising heavily, in South<br />
Jersey newspapers, its large library of videotaped<br />
motion pictures.<br />
At least 675 recording cassettes, which<br />
are to be used on videotape recorders attached<br />
to home TV sets, were seized<br />
Thursday, July 27 by FBI agents with the<br />
assistance of local police. The agents had<br />
obtained a search warrant from U.S. Attorney<br />
Robert DelTufo and issued by the U.S.<br />
District Court in Newark.<br />
An FBI spokesman said that the master<br />
cassettes can be used to make additional<br />
copies of each film, giving the confiscated<br />
material a potential retail value of more<br />
than $1,000,000. The spokesman said no<br />
arrests were made, but refused to<br />
FBI on the Job<br />
elaborate.<br />
An FBI agent had purchased several<br />
video cassettes at Theatre Vision, according<br />
to the affidavit filed with the search warrant.<br />
Theatre Vision adjoins a Toyota car<br />
dealership on Route 130 here and both<br />
firms, according to the affidavit, are owned<br />
by John Pann.Vhe FBI said it started the<br />
investigation in May after a Pennsylvania<br />
man phoned the Bureau and said he puichased<br />
videotapes of "Bambi" and "Star<br />
Wars" for $65 each.<br />
The FBI agent said in the affidavit that<br />
he was allowed to study a list of 150 film<br />
titles to help him decide what he would like.<br />
Also conf seated by the FBI was electronic<br />
equipment which authorities said was used<br />
to make the copies of the illegal master<br />
tapes. FBI spokesmen said they had checked<br />
out Theatre Vision's newspaper ads. They<br />
said Theatre Vision had legal permission<br />
from copyright holders to reproduce the<br />
movie titles that were mentioned in the ads,<br />
but agents discovered a number of illegal<br />
tapes at the store, such as master tapes<br />
for hits like "Jaws," "The Godfather, Part<br />
II," "Oh, God!" and "The Pink Panther<br />
Strikes Again."<br />
The FBI said the illegal masters apparently<br />
were made from cable TV broadcasts<br />
of the films. The FBI said that using a<br />
complicated formula they determined that<br />
the gross potential of the master cassettes<br />
confiscated was in excess of $1,000,000.<br />
Thomas Emerey, special agent m charge<br />
of the FBI office in nearby Trenton, said<br />
similar "bootleg" operations nationwide ar;<br />
causing serious economic difficulties for the<br />
filmmaking industry which is selling rights<br />
to its major films at high rates to cassette<br />
manufacturers.<br />
Emery said that although no immediate<br />
arrests were made, the case had been turned<br />
over to a federal grand jury and that indictments<br />
were anticipated.<br />
CHINMAN & KRIEGER Al WORK— Iwo .Manhattan film houses are<br />
undergoing extensive renovation, with theatre-building specialists Joel L. Chinman<br />
and Maxwell Krieger in charge of construction. Pictured at left is the Loews<br />
83rd Street Theatre. The house will become a fourplex with a new boxoffice,<br />
a complete new lobby and up-to-date sound and projection equipment. The company<br />
estimates work will take six weeks. Al right is the Cine 42nd Street Theatre<br />
which will be twinned. When completed, the twin will have a balcony with 148<br />
seats and a main floor auditorium seating 337. The house will have new plasticmolded<br />
seats as well as the newest in sound and projection. The five-story office<br />
building in which the theatre is situated will be completely remodeled by Chinman<br />
& Krieger.<br />
Brinks Job' Loses Rushes in Heist<br />
BOSTON— Three gunmen talked ihcir<br />
way into an editing room lor a film ahoLit<br />
the 1950 Brink's robbery, handcuffed foiu"<br />
persons together and made off with about<br />
13,000 feet of film, reports Richard Hart<br />
in the Globe. The heist, which occurred<br />
Friday, July 28, took the film's cast and<br />
crew by surprise. Hart's story is quoted, in<br />
part, below.<br />
Police said<br />
the robbery was nearly as well<br />
planned as the $1.2 million Brink's robbery<br />
itself and as closely directed as the film being<br />
made about it. They did not rule out the<br />
possibility that it was a publicity stunt staged<br />
by the moviemakers.<br />
A spokesman for the production company<br />
denied the robbery was a hoa.x. "We<br />
don't need hoaxes . . . We don't need that<br />
kind of publicity. We're doing all right."<br />
It was reported to police that the gunmen<br />
used the name of a production company<br />
executive to get someone to open the door<br />
of the seventh-floor room at the film company's<br />
headquarters at 441 Stuart St.. Back<br />
Bay. shortly after noon. Police were told<br />
one of the workers was slightly injured when<br />
he was hit in the stomach.<br />
The gunmen demanded to see scenes shot<br />
in the last two days at a million-dollar recreation<br />
of Boston's old Scolly Square. They<br />
grabbed those scenes and others, for a total<br />
of 13 film canisters, and escaped.<br />
Officials with the production company<br />
said last night they were not sure how many<br />
of the canisters contained irreplaceable<br />
negatives.<br />
However William Friedkin. ihe director,<br />
said, "It's unlikely thai it's stuff wc couldn't<br />
reproduce."<br />
No motive for the robbery was readilv<br />
apparent, police said, but ihcy said a future<br />
ransom request was a possibility. They cited<br />
cases in Europe in which original prints<br />
were stolen and held until ransom was paid.<br />
"They got what they came for." said Leo<br />
Janos. a production company spokesman.<br />
The Scollay Square scenes were shot in a<br />
Customs House-area reproduction of old<br />
Scolley Square, which was demolished for<br />
construction of the Government Center.<br />
Police said they had warned the Brink's<br />
production people beforehand that a<br />
was possible.<br />
robbery<br />
"I already told them, way back a month<br />
ago. that this might happen. We had information<br />
that an attempt might be made to<br />
get money being used in some scenes." said<br />
detective Edward Walsh of the intelligence<br />
division of the Boston police department.<br />
"I told them it could happen to Ihe film,<br />
but they said they had special security to<br />
take care of it—so that this could never<br />
happen." he said.<br />
Walsh said he believed someone within<br />
the company may have participated in the<br />
planning of the theft. "They had to have<br />
inside information. They had to know what<br />
to do," he said.<br />
Given the cost of production, the film<br />
robbery could have been worth as much as<br />
the Brink's robbery. The Jan. 17, 1950 robbery,<br />
then the largest of its time, was at the<br />
North End counting office of the Brinks<br />
Armored Car Co.<br />
Friedkin said if the lilm was irrcplacable,<br />
it still was possible to shoot the scenes again.<br />
He added. "From now on. we won't<br />
be handling any film without an armed<br />
guard in attendance. That means the editing<br />
room, and evcrvwhcre."<br />
BOXOFFICE August 7. 1978 E-1
highly dramatii; "In-<br />
the new rell."asL•^ Wed-<br />
i olf<br />
: HNS<br />
"<br />
"'<br />
B<br />
J A D W AY<br />
! its debut ai the Baronet,<br />
reeled by Allen, who does<br />
1,0 film stars Oscar winner<br />
i_) ^ K^.iun. Gcraldine Page. Maureen<br />
Si,i|'liii<br />
by John Carpenter and David Zelag Goodman,<br />
from a story by Carpenter. Co-starring<br />
are Brad Dourif. Rene Auberjonois and<br />
Raul Julia, with covergirls Lisa Taylor and<br />
Darlanne Flcugel in their film debuts. Barbra<br />
Streisand is heard on the soundtrack<br />
Sallv Field. Jan-Michael Vincent. Brian<br />
singing "Love Theme From Eyes of Laura<br />
Keith. Robert Klein. John Marley. James<br />
Mars (Prisoner)."<br />
Best. Adam West and Alfie Wise, the Warner<br />
•<br />
Bros, release was produced by Hank<br />
Moonjean and written for the screen by Tlie John Barrymore Festival at Carnegie<br />
Thomas Rickman and Bill Kerby. from a Hall is under way. beginning Tuesday (1)<br />
Green and Walter Herndon.<br />
with a double bill of 'Twentieth Century"<br />
A Burt Reynolds-Lawrence Gordon (f934) and "World Premiere" (I94t). Wed-<br />
story by Walt S.<br />
production, it was directed by Hal Needham,<br />
nesday (2). the mostly silent fare was "Dr.<br />
a leading siuntman for 20 years until Jekyli and Mr. Hyde"
. .<br />
. . Art<br />
. .<br />
Variety Women of B'more<br />
To Hold Luncheon Sept. 11<br />
BALTIMORE—The Variety Club Women<br />
Tent 19 will hold its luncheon-fashion<br />
show at the Blue Crest North. 401 Reisterstown<br />
Rd.. Pikesvjlle. Monday, September<br />
11. Cocktails and hors d'oeuvres will be<br />
served at 11:30 a.m.. followed by luncheon<br />
at 12:30 p.m.<br />
The program will begin with a tribute to<br />
Oscar de La Renta. one of the world's leading<br />
couturiers and a member of the Coty<br />
Awards Hall of Fame. Also included will<br />
be professional singers and dancers from<br />
Lynne-Rocklin Studios. De La Renta will<br />
be presented with the '"designer of the year"<br />
award from Variety Club Women of<br />
Baltimore.<br />
The designer's fall and winter collection<br />
will be modeled, under the sponsorship of<br />
John Sims. Inc. Commentator and coordinator<br />
will be Shirley Howard of the Patricia<br />
Stevens Institute of Fashion.<br />
Eric Morley of Great Britain, president of<br />
Variety Clubs International, and his wife<br />
will be present, as will Mary Stavin, Miss<br />
World of 1977. Music during the luncheon<br />
will be provided by the Morgan Baer Orchestra.<br />
Door prizes and favors for all will be a<br />
part of the afternoon's festivities with all<br />
money raised to go to a Variety pediatric<br />
oncology isolation unit at the Johns Hopkins<br />
Hospital. Chairperson of the event is<br />
Mrs. William Howard. Mrs. Joseph Goldberg<br />
is president of the local organization.<br />
Tickets may be obtained by calling (301)<br />
744-0900.<br />
Film Club Has Tough Time<br />
Surviving in Resort Town<br />
CAPE MAY. N.J.—The movement to<br />
save a local film club hopefully will become<br />
a community-wide effort in this South Jersey<br />
resort town. Since March, Project Motion<br />
Pictures has been showing weekend<br />
films in the auditorium of the Cape May<br />
reached 120 members, the future of PMP is<br />
by no means rosy. With admission at $2<br />
for adults and $1.50 for children (with a<br />
membership fee of only $1), attendance has<br />
been sporadic at the showing of classics with<br />
Charlie Chaplin. James Dean and Buster<br />
Keaton. and by directors Frank Capra and<br />
Ingmar Bergman.<br />
The Steeles explained that film rentals<br />
range from $80 to $120 and not enough has<br />
been taken in at the door to cover expenses.<br />
As PMP loses money, they plan to continue<br />
the film club and look for support in the<br />
community. Local newspapers and radio<br />
stations have joined the cause alreadv.<br />
PITTSBURGH<br />
pile Forum has only a few weeks of life<br />
left. It will close soon. leaving only<br />
Cinemette's Manor and the Squirrel Hill<br />
offering films in the Squirrel Hill area. The<br />
late Bill Scott was a long-time manager at<br />
the Forum, following his film sales here<br />
with UA and RKO for many years .<br />
The Carnegie Institute Museum of Art film<br />
section will offer international films for its<br />
fall season. Screenings will be held at the<br />
Carnegie Lecture Hall and at the nearby<br />
Pittsburgh Film-Makers location.<br />
Al Glaubinger, former local film man<br />
and veteran of 32 years in the industry,<br />
has returned here to open a film buying<br />
and booking setup. He has rented an office<br />
in the Fulton Building and will have a<br />
name for his operation within a week or<br />
so. He came here with Morris Lefko of<br />
RKO in 1947. In 1962 he became UA division<br />
manager, and in more recent years<br />
operated a booking-buying business in Indianapolis<br />
for Indiana and Ohio theatres.<br />
Al says he is happy to return to Pittsburgh<br />
and feels that many western Pennsylvania<br />
theatre owners will welcome his service.<br />
"Pumping Iron" was exhibited prior to<br />
the physique show "Mr. Eastern America."<br />
July 30 at Soldiers and Sailors Hall in Oakland<br />
. . . Interesting things are happening<br />
at the Studio Theatre in the basement of<br />
the University of Pittsburgh's Cathedral of<br />
Learning . . . Tri-state exhibitor, Christ G.<br />
Velas. died recently at St. Clairsville. Ohio,<br />
at age 79.<br />
The Slrand Theatre in Oakland will be<br />
remodeled into three storerooms. A Rowland<br />
& Clark theatre for many decades,<br />
the Strand featured a giant stained glass<br />
window picturing George Washington<br />
which, under WBT operation, was painted<br />
over. About a year ago this special window<br />
was sold and removed from the building<br />
which used to feature a natatorium. public<br />
auditorium and bowling lanes.<br />
city hall, in a repertory format featuring pictures<br />
not normally shown in commercial theatres.<br />
For the summer months, when Hunt's "The Rocky Horror Picture Show" is a<br />
Beach Theatre is in operation daily, the Friday and Saturday midnight feature every<br />
fihn club has scheduled showings for Sunday<br />
weekend at the Kings Court . . . "National<br />
evenings.<br />
The movement was begun by Elizabeth<br />
Lampoon's Animal<br />
territory and was<br />
House" opened in<br />
on screen here at<br />
the<br />
the<br />
and Robert Steele, who have worked in documentary<br />
Fiesta and at the Showcase Cinemas East<br />
film, to provide resort residents and West . . . It's Exprodico and not Ex-<br />
with non-commercial film entertainment all Exhibitor, says George Tice. NATO of<br />
year. Although membership has now Western Pennsylvania president.<br />
Varietj Club Tent I's Camp Variety in<br />
Bradford Woods again has been very successful<br />
with handicapped children's groups.<br />
George H. Werl is camp chairman, Nathan<br />
Kaufman is emeritus camp chairman and<br />
James G. Butler is vice-president of the<br />
Handicapped Fund. Jeffry A. Weiss is chief<br />
barker.<br />
"Flicks" is Frank Klingensmith's new musical<br />
revue at the Fountain Room Restaurant.<br />
The show, written by Wilkinsburg's<br />
David Bird, spoofs movies and movie stars.<br />
and is scheduled to run through Wednesday<br />
(30). Reservations are required.<br />
The legendary Harry Houdini was denied<br />
permission to do a river stunt here when<br />
this writer was a boy. but that didn't stop<br />
23-year-old Paul Kosak from trying it. Kosuk.<br />
who wants to be "the next Houdini."<br />
was manacled and confined in a crate and<br />
lowered into the river off Point State Park.<br />
He appeared a short time later and swam<br />
to safety following his underwater escape.<br />
Hollywood Home Theatre via Centre<br />
Video, serving cable TV in area communi-<br />
ties, is featuring a variety of films this<br />
month. Multiple exhibitions of "MacAr-<br />
Ihur." "Sorcerer." "King Kong." "Taxi<br />
Driver." "Airport '77." "Slap Shot" and<br />
"Sound of Music" are included<br />
Call It Greed," Forbes magazine's six-decade<br />
documentary on American history had<br />
its first showing here July 27 at the Hyatt<br />
House. Narrators for the film are Orson<br />
Welles, Lowell Thomas, Robert McNeil and<br />
Malcolm Forbes . Fleming of films,<br />
stage and TV, has joined the Lewis & Gilman<br />
ad agency which handles the Pennsylvania<br />
lottery.<br />
Martin Torreano, projectionists union<br />
business agent, denied that his union had<br />
anything to do with the recent shooting of<br />
two Brentwood theatre employes during a<br />
lock-out of lATSE Local 171. Managerprojectionist<br />
Larry Zimmerman and usher<br />
William Traineor said that two men entered<br />
the theatre after closing, threatened them<br />
and theatre owner Michael Cardone and<br />
then shot the two. It is believed that both<br />
will recover satisfactorily. Police continue<br />
investigating the July 1 shooting but no arrests<br />
have been made.<br />
Exhibitors hereabouts hailed Ohio's outlawing<br />
of blind-bidding and continued efforts<br />
to have the Pennsylvania general assembly<br />
enact a similar "model bill" declaring<br />
blind-bidding and guarantees illegal. The<br />
Keystone State measure has passed the<br />
House and now is in the Senate . . . Two<br />
Montgomery Clift biographies were published<br />
this year and from one of these, by<br />
Patricia Bosworth, a film will be produced.<br />
Justin "Judd" Spiegle, film salesman here<br />
for a number of years, died in Cleveland<br />
recently where he was a part-time salesman<br />
with Cinepix. Surviving are his wife Margaret<br />
and two sons.<br />
Area theatres were showing "The Driver."<br />
"Convoy," "Damien—Omen II." "Eat My<br />
Dust," "Star Wars," "Foul Play," "Hoop-<br />
"The Swarm." "The End." "Seduction."<br />
er."<br />
"Valentino." "Inside Jennifer Welles,"<br />
"Swedish Flygirls" and "Stay Hungry" .<br />
"A Little Night Music" went on first-run<br />
screens at the Forum and the Denis I & IL<br />
Elizabeth's Taylor's name was not used in<br />
the advertising . . . Previewed July 2S at<br />
the Kings Court was "The Da\ the Music<br />
Died."<br />
Donald Sutherland. Brooke Adams and<br />
Paul Maziuskv will star in "A Man. a<br />
Woman and a Bank."<br />
BOXOFFICE :: August 7. 1978 E-3
, J-ic<br />
.<br />
.<br />
BUFFALO<br />
^ear Inspector" iho h:cni:h comcu\-m> —<br />
starring Philippe Noiret and Annij<br />
icry<br />
at Ciirardot staricJ July 21 the Thruwa\<br />
Mall Cinema. •International Velvet" with<br />
Tatum ONeal. started July 26 and "The<br />
Driver" with Ryan ONeal and Bruce Dern<br />
opened two days later at the Kensington<br />
and Como 8 theatres.<br />
Western New Yorker Clint Holmes has<br />
been booked lor a return engagement at<br />
Melody Fair Sunday (20). Recently he played<br />
twfore a sold out crowd in a show featuring<br />
Bill Cosby and largely as a result of<br />
that performance. Holmes was booked for<br />
another "one-nighier" and will headline a<br />
program with comedian Dick Lord.<br />
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Ethnic American Film Festival showings:<br />
Italian-American drama 'Lovers and Other<br />
Strangers" and documentary 'La Dolce Festa"<br />
was screened July 26 at the Communication<br />
Center. Buffalo State College . . -<br />
Silent Movie Scries: F.W. Murnaus "City<br />
Girl." July 22 in<br />
the Historical Society auditorium.<br />
Thorn Anderson, film<br />
programer for Media<br />
Study Buffalo, showed and discussed his<br />
film. 'Eadweard Muybridge. Zoopra.xographer."<br />
about the 19lh century serial image<br />
photographer. July 21 in Millard Fillmore<br />
Academic Core. Ellicoit Complex. State<br />
University of Buffalo. Robert Haiko. director<br />
of the photography department of th,<br />
Hotchkiss School. Lakeville. Conn., showed<br />
and discussed his photo images and illumi<br />
naled photographic bo.xes the next day or<br />
UB's .Amherst Campus.<br />
Carl Kinsley, veteran doorman at Loe«s<br />
Teck Theatre, decided to try the movie bus<br />
iness from the other side of the camera<br />
When the casting company came to town<br />
tor "Hide In Plain Sight." Carl answered<br />
the call and was selected lor three different<br />
shots in the film. Spotted by a scout from<br />
the film "Search and Destroy." shooting at<br />
the same time in Niagara Falls, he was advised<br />
to stop over for a second tryout.<br />
Needless to say. Carl came through with<br />
flying colors and as a result now will biseen<br />
in two motion pictures scheduled to<br />
open within the coming months. Carl ha^<br />
not gone Hollywood, however, and is now<br />
at h.ick his regular post at Loews Teck.<br />
Canadian film awards lor l'>78 will be decided<br />
lioin S.picmtHT 14 to 21 in conjunction<br />
Willi ihc K>ronlo International Film<br />
Festival. .Seven c.iiegories are open for<br />
awards, with eligibility dependent on a formula<br />
for deicrniining the [Vtcent.ige ol Canadian<br />
input into the writing, shooting. prx>ducing.<br />
acting .uul editing ol tlie tihn. llntry<br />
forms d.-.idline w.is liiK M. Iilms Monday<br />
(7).<br />
"Ihc I lliiniilv Misiiulily" is .i lilm stale<br />
meiit on iiu
—<br />
—<br />
S. Leslingi. Its success in early showings has<br />
resulted in a request for screening at an upcoming<br />
New York joint meeting of the<br />
American Physical Society and the American<br />
Ass'n of Physics Teachers. The film<br />
will be used for classroom instruction at<br />
Buffalo State College in coming semesters<br />
and has been submitted for presentation at<br />
the American International Film Festival,<br />
Manager Jim Merck had a neat tieup with<br />
WKBW Radio July 25 when he arranged<br />
with them to sponsor the 4 p.m. showing of<br />
"Sgt.<br />
Pepper's Lonely Hearts Club Rand" at<br />
the Como 8 Theatres.<br />
A witty and touching documentary titled<br />
"Street Corner Stories." by Warrington Hudlin.<br />
was screened recently in Millard Fillmore<br />
Academic Core. State University of<br />
Buffalo. Hudlin is an honor graduate of<br />
Yale University. His films, including "Black<br />
at Yale," have been given New York, West<br />
Coast and Buffalo showings.<br />
Dominic Mettica sees TV as a door<br />
through which handicapped people can pass<br />
into the larger world. And the key is cable<br />
TV. For the past three years, Mettica has<br />
been project director for Tel-Catch, learning<br />
program offered to handicapped children<br />
and adults over cable TV. More than 800<br />
people have used the service in the past<br />
year. Tel-Catch is the only system of its<br />
is kind. There similar program in Long<br />
a<br />
it Island, but only services two homes.<br />
Nothing of the magnitude of the Buffalo<br />
is project being attempted elsewhere. Mettica<br />
said.<br />
North-south arterial construction on State<br />
Street in Elmira has forced the temporary<br />
closing of the Capitol Cinema. Tom Roberts,<br />
manager of Genesee Theatrical Enterprise's<br />
city theatres, said the lack of street<br />
lighting, easy access and the removal of the<br />
sidewalk in front of the theatre culminated<br />
in the decision to close. Roberts said he<br />
hoped to use the time to enlarge the pro-<br />
THE WEST LARGEST PRINTER<br />
OF<br />
ONE SHEETS<br />
TWO SHEETS<br />
PRESS BOOKS<br />
SLICKS<br />
1 TO 4 COLORS<br />
CENTRAL LITHOGRAPH CO.<br />
jection booth and install new sound equipment,<br />
a project that had been planned tor<br />
later in<br />
the year.<br />
Terry Levene, New York film producer,<br />
was placed on one-year probation and fined<br />
$1,000 in Federal Court for transporting an<br />
obscene film across state lines to Buffalo.<br />
Judge John T. Curtin sentenced Levene.<br />
who was convicted by a jury last November,<br />
of interstate transportation of an obscene<br />
film. Levene said he will appeal his<br />
conviction and sentence. Judge Curtin also<br />
imposed $500 fines on Aquarius Releasing.<br />
Inc., which distributed the film, and New<br />
Buffalo Amusement Corp. which operated<br />
Loews Teck Theatre, where the film was<br />
shown in 197.1.<br />
Couple Wed in Film House,<br />
'Just Like in the Pictures'<br />
PENNSAUKEN, N.J.— It was right out<br />
of the movies for 20-year-old Joseph Strang<br />
and 16-year-old Carol Edwards. They wanted<br />
a marriage just like in pictures but settled<br />
for a wedding held right in the theatre.<br />
The marquee at the Walt Whitman Theatre<br />
heralded in lights that the feature was the<br />
"Carol-Joe Wedding—Sat. 3 P.M."<br />
Strang has been an usher for the past two<br />
years at the Walt Whitman, one of the<br />
South Jersey area's surviving deluxe film<br />
palaces built during the 1920s. Joe said his<br />
wedding there was "only logical" since he<br />
met Carol in the theatre. That's where he<br />
first dated her and where he fell in love<br />
with her, so "this was the place for the wedding."<br />
The ceremony was performed in the theatre's<br />
orchestra pit, and as they left the theatre,<br />
they were showered with rice and popcorn.<br />
However, Strang said they were not<br />
going to spend their honeymoon at the<br />
movies. They're going camping, bin may<br />
make it to a drive-in.<br />
Futurevision and Storer,<br />
Cable TV Concerns, Join<br />
EATONTOWN. N.J. —Richard E. Bailey,<br />
president of Futurevision Cable Enterprises,<br />
and Arno Mueller, president of Storer<br />
Broadcasting Co.'s cable TV division, have<br />
announced that Futurevision and its subsidiary<br />
Mid-Jersey Cable TV Co.. have<br />
agreed to a merger with Storer. The merger,<br />
Bailey said, will provide Futurevision<br />
with the financial capabilities to expand its<br />
present programing services throughout<br />
Monmouth County in this Central New Jersey<br />
resort area.<br />
This past April, Stoer allocated $100,-<br />
000,000 toward cable TV development. Bailey<br />
will remain as consultant for Storer. with<br />
personnel and management under the dire;-<br />
tion of George C. Bailey, vice-president and<br />
general manager of Futurevision. Futurevision<br />
and Mid-Jersey Cable serve six communities<br />
in the county, have received municipal<br />
consents from two more and applications<br />
are pending with four oiher communities.<br />
Epoch Productions has started principal<br />
photography on "Now Is the Time."<br />
Brothers Bring Family<br />
Films to Cherry Hills<br />
CHERRY HILL. N.J. — The general<br />
trend ol tilm houses turning to X-rated<br />
films to shore up sagging attendance has<br />
done a tiunabout. Here a failing pornographic-programing<br />
format has been supplanted<br />
by an "all in the family" format<br />
much to the relief of township officials and<br />
residents. In fact, township officials were<br />
special guests at the re-opening of Woodcrest<br />
Cinema for the showing of "Capricorn<br />
One." its first family-type film feature in<br />
five<br />
years.<br />
Originally opened seven years ago in the<br />
Woodcrcst Shopping Center, the theatre<br />
changed its name two years later to Route<br />
295 Cinema. From 1973 to its recent closing<br />
because of poor business. Deputy Mayor<br />
Bernard Piatt had been campaigning against<br />
the theatre's switch from a family to a pornographic<br />
format.<br />
The new policy comes with the new owners<br />
in David Hoffman, who lives in the<br />
township's Woodcrest section, and his<br />
brother Jack, of Gaithersburg. Md., is a<br />
fulltime staff member for a consulting firm<br />
in Washington, D.C. Piatt speculated that<br />
the failure of the pornographic operation<br />
by a Boston company was caused by the<br />
public's faMure to frequent the theatie.<br />
Township solicitor Ralph Kmiec noted<br />
that state law prohibits the township from<br />
banning pornographic establishments and<br />
the increasing number of adult bookstores<br />
and mov'e houses in adioining Haddon<br />
Township increasingly cut into the business<br />
of the Route 295 Cinema.<br />
The Hoffman brotheis spent some $20,-<br />
000 in renovating the closed shopping center<br />
theatre and feel that a family film format<br />
has the best chance for success here<br />
since Cherry Hill is dominated by clusters<br />
of residential housing developments. They<br />
said the theatre's survival now will depend<br />
on community response. Admission for<br />
adults on weeknights will be $2. and $2.50<br />
on weekends, w'th two screenings nightly.<br />
The Hoffman brothers said that if they<br />
get good community support, they will be<br />
able to charge low prices, show first-run<br />
films and still enjoy a reasonable profit.<br />
The Hoffmans' future plans include live<br />
Saturday morning shows, featuring magicians<br />
and clowns, children's weekend matinees,<br />
a "drop-a-tot" service for mothers who<br />
want to go shopping while their youngsters<br />
watch the movie and Saturday morning hosting<br />
of childrens' birthday parties. Other<br />
plans call for Frday midnight performances<br />
for teenageis and providing bus transportation<br />
for senior citizens in area apartment<br />
house complexes.<br />
BUX-MONT<br />
Marquees—Signs<br />
LEASING<br />
Horsham, Pennsylvania 19044<br />
Call (2151 676-4444 or 675-1040<br />
August 7. 1978<br />
E-5
, a!uc<br />
, . Bond<br />
. . Ron<br />
•<br />
PHILADELPHIA<br />
Bii :.,f itranting Cilouccsicr Couni><br />
..icMsion. Inc.. of WooJbunvc<br />
to provide cable T\' servresidenls<br />
was introduced by<br />
Hincil in Wcstvillc. N.J. A<br />
in Fair Haven. N.J.. ap-<br />
,'rjvcs ibe service provided by .Mid-Jersey<br />
'<br />
jble TV. a subsidiary of Fuiurevision<br />
( .ible TV in Easlontovvn. N.J. Sammons<br />
t L>ininunications of New Jersey received<br />
Permission to increase cost of its cable TV<br />
•^.-rvicc in the Phillipsburg. N.J.. area from<br />
S4 50 to S5 per month.<br />
The Daily News gave away 25 T-shirts<br />
and 25 soundtrack albums in a random<br />
drawing for the opening of "Sgt. Peppers<br />
lx>nely Hearts Club Band" ai the Eric<br />
Mark I and olh-'r area theatres.<br />
Ramon Posel's Riiz Theatre .' in the Society<br />
Hill section is getting a major piece<br />
of art commissioned by the city's Redevelopment<br />
Authority. It is a 10 .\ 20-foot<br />
wall artist Bill structure by Daley. Made<br />
with tiles held together by stainless steel.<br />
the work is titled "Cellular Persuasion."<br />
The Lehigh Valley Film Workshop in Allenlown.<br />
Pa., is spt)nsoring an aninialcd lilm<br />
festival featuring Walt Disney and Bugs<br />
Bunny cartoons in connection with a sixweek<br />
course in animation conducted by<br />
Amy Black at the Pioneer Community Cenl.'r.<br />
Budco's Midtown Theatre in center city<br />
has installed a Dolby sound system, providing<br />
a new attraction for the current engagement<br />
of "Star Wars" in its original<br />
sound . . . .Music Makers Theatres is making<br />
Monday night "date night" at its Plaza<br />
Theatre in Hazlet. N.J.. offering a 2-for-l<br />
special. It"s a free admission with every paid<br />
adult admission every Monday night.<br />
.<br />
Jon Peters, Barbra Streisand's associate,<br />
was in town to guest on the final locally<br />
produced Mike Douglas TV vhow. which<br />
moves lo l.os Angeles Productions<br />
in New Jersey has been 'hooting<br />
scenes around the area for the film. "The<br />
Other Ciuy." starring local aclor and singer<br />
Billy Kulh. Ihe picture concerns a singer<br />
wild wants to be at the lop in h s profession.<br />
.<br />
Shooting began recently lor parts of<br />
United Arti»ts' "Ihe Last I-^mbrace" on the<br />
campus at Princeton University. Directed by<br />
Jonathan IX-mme. the cast of the film include*<br />
Roy Scheider. Janet Margolin. John<br />
(ilover and Charles Napier . I.ir.da Gold<br />
.<br />
cnht-rg. regional publicity manager lor Columbia<br />
Pictures here, linked with WYSP<br />
Radio in staging a preview showing of "Hyes<br />
o( I. aura Mars" at Milgram's l-'ox Theatre.<br />
Sound and<br />
Projection Service<br />
rio — no all brandt.<br />
ion ot RCA<br />
'Eyes of Laura Mars' Bows<br />
In New York City Mulliple<br />
NLU ^ORK— L>es o: Lau.a .M..I^. ^<br />
romantic suspense-drama starring Oscar<br />
winner Fayc Dunaway and Tommy lee<br />
Jones, opened Friday (4) in a multiple New<br />
York engagement which included the Coronet<br />
and Loews State I theatres in Manhattan.<br />
In the Columbia Pictures release, Ms.<br />
Dunaway portrays a celebrated New York<br />
fashion photographer whose provocative<br />
is style sensual and startling in concept.<br />
When she becomes the focal point in a succession<br />
of bizarre, violent murders, the terrifying<br />
experiences bring her together in an<br />
intimate relationship with an investigating<br />
police detective played by Jones.<br />
A Jon Peters production of an Irvin<br />
Kershner film. "Eyes of Laura Mars" stars<br />
the actress in the first screen appearance<br />
since her Academy .Award-winning performance<br />
in "Network."<br />
Co-starred in "Eyes of Laura Mars" are<br />
Jones; Brad Dourif. an Academy Award<br />
nominee for his performance in "One Flew<br />
Over the Cuckoo's Nest": Rene Auberjonois.<br />
and Raul Julia. Covergirls Lisa Taylor<br />
and Darlanne Fleugcl are featured in their<br />
screen debuts.<br />
Filmed on locations throughout New<br />
York City, the suspense-drama is set against<br />
the background of the high-fashion world<br />
and features the camera artistry of that industry's<br />
most noted photographers.<br />
Produced by Peters and directed by<br />
Kershner. the picture is Peters' first independent<br />
film production since his highly<br />
successful "A Star Is Born." Barbra Streisand<br />
again is featured on Ihe soundtrack<br />
singing "Love Theme From Eyes of Laura<br />
Mars (Prisoner)." Jack H. Harris was executive<br />
producer of the R-raled film.<br />
Marlon Brando Aids Native<br />
Americans in Longest Walk<br />
WASHINGTON — Marlon Brando and<br />
citizens.<br />
Brando claimed that John Wayne's movie<br />
image has been responsible for definite harm<br />
to Ind ans in the last 20 years, "certainly .is<br />
much as any legislators'. " he noted. Bran<br />
d.) also ird caied thai he was |ierple\ed b\<br />
Ihe public's interest in his private lile whn.li<br />
he described as "dull." He added: "I speiu<br />
four hours talking with the staid, dignilicil<br />
Fngli>h press about the Indians, and Ihes<br />
wouiul up wriling aboui how much morc\<br />
I ni.ulc i>ii Sii|HTm.iii.' "<br />
WASHINGTON<br />
J^»co Embas.s> Pittures' Born .Again \s<br />
have its wodd premiere at a lav>''<br />
gala in the Kennedy Center's Eisenhow.<br />
Theatre .September 24. The Robert L. Mir<br />
ger production's showing of the Charles C\-<br />
son story will be a benefit performance t.<br />
Prison Fellowship. lo which Colson reptv<br />
cdly has channeled his profits from the bo<br />
and picture. Fritz Goldschmidt. Avco In<br />
bassy branch manager, exclaimed that the<br />
"Born Again" debut will go "all out" with<br />
stars, personalities ard dignitaries atterd ng.<br />
including national political and religious<br />
leaders. Goldschmidt. who is a tugboat<br />
captain in the Army Reserve, will go on his<br />
annual two-week dui\ September 10.<br />
Ronald N. Nadler, president of Glenmai<br />
Cincstate. the 16 theatre circuit—formerly<br />
District Theatres— will move his circuit's<br />
headquarters from the Van Ness building to<br />
Nadler's parent organization. Farragut Investments,<br />
headquarters at 1 Farragut<br />
Square. N.W. Farragut Investments, of<br />
which Nadler also is president, owns and<br />
operates the posh high rise office building<br />
in which Glenmar Cinesiate will occupy<br />
. suite 400 Steffensen. Cinestate's<br />
head booker, left Sunday (61 on Eastern's<br />
unlimited flying and will be gone two weeks<br />
The Morris and Gwendolyn Cafritz Foundation<br />
has donated a S10.(X)0 challenge<br />
grant to the American Film Institute, contingent<br />
upon .AFI obtaining two-to-onc<br />
matching funds from area contestants<br />
Hence, every S2.000 AFI raises, the Foundation<br />
will match with SI.000. thereby<br />
generating S.'iO.OOO for AFI. The grant is<br />
au courant until April 1479. AFI's activities<br />
include education and public programs.<br />
The AFI Theatre, accord ng to a recent release,<br />
is notable for repertory cinema, presenting<br />
more than 600 classic and contemporary<br />
films and U.S. films yearly.<br />
"Convoy" and "Sgi. Pepper's Lonel\<br />
Hearts Club Band" are motion pictures<br />
without stories, which seems to be ihe latest<br />
several thousand Native Americans climaxed<br />
their "longest walk" here July 24 at a benefit<br />
trend, the Star's critic Tom Dowling advances.<br />
Both are based on music but the\<br />
performance, to finance the journeys<br />
home, in the D.C. Armory. Among the personalities<br />
are movies "devoid of any resemblance to<br />
narrative. They are at least faithful adaptations<br />
participating were Brando. Dick<br />
Gregory. Muhammad Ali and folksinger<br />
of their original material." Dowling<br />
Benny Quintana.<br />
continues: "Even journalists who used to<br />
Brando had walked with the Indians from tell their editors they were working on a<br />
story, now prefer to call their efforts<br />
California. They arrived Sunday. July l
. . . The<br />
American Internationa! Pictures' "Meteor,"<br />
set for release in June 1979. ran a full<br />
page advertisement in the Sunday Post. July<br />
30. .Among the stars in the Ronald Neamedirected<br />
film are Scan Connery. Natalie<br />
Wood and Henry Fonda. The ad asserts that<br />
"a five-mile-wide meteor is on a collision<br />
course with Earth" and that "you won't be<br />
able to escape its impact."<br />
The U.S. National Commission for the<br />
United Nations Educational, Scientific and<br />
Cultural Organization has organized a<br />
UNESCO symposium of international motion<br />
picture directors to discuss "Cinema<br />
and Society" at the API Center for Advanced<br />
Film Studies in Beverly Hills. Calif..<br />
Monday through Wednesday (14-16).<br />
BALTIMORE<br />
J^rthur Hallock, Pulaiki Drive-In manager,<br />
has ample reason these days to feel<br />
good about life. September 28 he will be<br />
72 years old. ""I have 23 grandchildren, two<br />
great-grandchildren and some more on the<br />
way." he says. And he's been married, ""to<br />
the same girl," 49 years as of October 6.<br />
he reveals. He and his wife are hosting Miss<br />
Mary E. Murray of Mount Savage who has<br />
been elected national regent of the Catholic<br />
Daughters of America, the world's largest<br />
organization of Catholic women. Mrs. Hallock,<br />
who is the Maryland state delegate of<br />
CDA. attended the national convention in<br />
New York recently with Miss Murray. Presently.<br />
Hallock. his wife and guest are touring<br />
Nova Scotia.<br />
Francia Feiken, formerly public relations<br />
director for JF Theatres and now director of<br />
marketing and development at Lutheran<br />
Hospital, has been re-elected to a second<br />
term as president of the Mental Health<br />
Ass'n of Metropolitan Baltimore. The<br />
MHAMB is an organization of volunteers<br />
promoting better understanding and treatment<br />
of the mentally ill.<br />
Cable TV service for homes in Baltimore<br />
County will begin this month, according to<br />
the vice-president and general manager J.<br />
Everett Kochheiser of Calvert Tele-Communications<br />
Corp., the firm with the county<br />
cable franchise. Kochheiser said that his<br />
company has laid 24 miles of wire from its<br />
studio at Catonsville Community College.<br />
The firm's service capacity will increase at<br />
the rate of 2.000 additional homes per<br />
month. The cost of basic service will be<br />
$10 a month, and for another $10 Home<br />
Box Office will be made available.<br />
The Governor Ritchie Drive-In, owned<br />
by E.M. Loew's, is putting up a new marquee<br />
which should be finished soon. Triangle<br />
Sign Co., of Linthicum did the job.<br />
according to Bill Steele, manager. Incidentally<br />
Bill will celebrate his tenth year as<br />
manager of the drive-in October 1 . .<br />
.<br />
R/C Theatres is busy installing a complete<br />
computer system.<br />
The Westway Theatre has opened under<br />
the aegis of Marc Kabik Productions. His<br />
new policy includt entertainment and<br />
rock bands . . . Arlene<br />
Rehmann, sccretar\<br />
at Claude Neon S gns. was in a seriou><br />
automobile accident July 14. She was released<br />
from the hospital six hours later with<br />
neck and back injuries.<br />
Other Claude Neon Signs employes at<br />
tended the Maryland Sign Contractors'<br />
Ass'n crab feast at Martin's West Saturday.<br />
July 22. There was great food and some<br />
gambling wheels, w th proceeds going to<br />
MSCA. This was the first time in the 12-<br />
year history of the event that there was a<br />
complete sell-out, according to Jack Nethen.<br />
secretary-treasurer of the organization.<br />
His son Jan N'ethen was chairman of<br />
the<br />
feast.<br />
.<br />
Among the Italtinu>ie exh.bitors who attended<br />
the NATO convention at the Homestead<br />
in Hot Springs, Va., were Phil Glazer<br />
of Associated Pictures Co., and Irwin R.<br />
Cohen and Mike Hession of R/C Theatres<br />
. . Milner-Fenwick, producers of educational<br />
and medical films, recently celebrated<br />
their first birthday at their Greenspring<br />
Drive location. They moved from<br />
Northwest Baltimore in July of 1977. Ms.<br />
Dolores McKee is receptionist for the firm<br />
Northwest Senior Center screened<br />
the<br />
film ""Maryland My Maryland" courtesy<br />
of Western Electric. The showing was free<br />
and open to the public.<br />
Bethlehem Native, Veteran<br />
Hollywood Stunt Man, Dies<br />
BETHLEHEM. PA.—Charles F. Horvath.<br />
a native of Bethlehem who was a Hollywood<br />
film and TV stunt man and an<br />
actor in supporting roles, died July 24 in<br />
the Actors Guild Hospital in Los Angeles.<br />
He was a stand-in for Burt Lancaster in<br />
many of his films, including ""Spartacus,"<br />
"The Crimson Pirate" and ""The Kentuckian,"<br />
for which he coordinated the stunt<br />
work and doubled for Lancaster in the<br />
whipping scene. He also doubled for Errol<br />
Flynn.<br />
Surviving are his wife Margo, a son, two<br />
daughters, a sister and four grandchildren.<br />
Funeral services were held in Hollywood<br />
with private graveside services h;re in Memorial<br />
Park Cemeterv here in Bethelehem.<br />
Asbury Park Film House<br />
Damaged by Recent Fire<br />
ASBURY PARK. N.J.—A fire that<br />
broke out in the manager's office recently<br />
damaged the Lyric Theatre. By the time the<br />
firemen arrived at the scene, the fire had<br />
spread to the lobby. About 20 people, including<br />
patrons and employes, were in the<br />
theatre when the fire broke out. They were<br />
led out of the movie house by firemen,<br />
leaving their coats and umbrellas behind.<br />
Firemen were able to get the blaze under<br />
control in ten minutes, although they stayed<br />
on for several hours to make sure the fire<br />
did not flare up again. The cause of the fire<br />
was unknown and an investigation is being<br />
made by the fire chief. The fire destroyed<br />
the manager's office and some of the equipment<br />
stored there, and damaged part of the<br />
lobby.<br />
Police Arrest Cast and<br />
Crew of Sex Film in NJ<br />
POINl PLEASANT. N. J.— When police<br />
noticed a lot of activity going on after 10<br />
p.m. at a local hair dresser's salon, and<br />
peeking through a back window discovered<br />
movie-mak ng activ.ty going on. They obtained<br />
a search warrant that resulted in the<br />
arrest of the star of X-rated movies, 15 of<br />
his supporting cast and the hair dresser on<br />
charges of conspiring to distribute and produce<br />
pornographic movies.<br />
John C. Holmes of Los Ang;l:s. who is<br />
pornorgraphic films' "Jchrny Wad";<br />
Serena Blaquelourde, the female lead from<br />
New York, and Robert Everett, another<br />
male lead, also of New Yo'.k. were charged<br />
with numerous sexual offenses. In addtion.<br />
more than $75,000 worth of film making<br />
equipment was confiscated and is being held<br />
as evidence, according to police chief William<br />
H. Beecroft.<br />
Municipal Court Judge Mortimer Rogers<br />
set bail totaling $107,100 for the 17 suspects<br />
following arraignments, and scheduled<br />
a Wednesday (23) pieliminary hearing. The<br />
h-ghest bail, $13,600, was set for Holmes,<br />
who complained that he considered the arrests<br />
a ""sexual crusade" and argued that<br />
pornography is actually a type of therapy<br />
for some people. Bail of $10,000 was set<br />
for Ms. Blaquelourde; $8,500 for Everett,<br />
and $5,000 for Louis Argondizza, owner of<br />
the beauty shop.<br />
It was also $5,000 bail for Jack Bravmen,<br />
who police believe is the producer of the<br />
film, and the same for his wife Ellen, who<br />
sad she was a housewife. Bravman identified<br />
himself as a "self-employed film producer."<br />
A 58-page script entitled ""How<br />
About Rita," confiscated during the raid,<br />
listed Mature Pictures and H & V Film<br />
Productions. Inc.<br />
Term-ng th? bails "excessive and not<br />
warranted," J. Barry Cocoziello, an attorney<br />
from Newark. N.J., complained to Judge<br />
Rogers that in another year or so, many of<br />
the obscenity charges made against the 17<br />
would no longer be valid because they are<br />
being eleminated from the state's penal<br />
code. Judge Rogers acknowledged the argument,<br />
but added that the proposed revisions<br />
to the state penal code are only under disctission,<br />
and that until the new penal code<br />
is enacted the current laws remain in effect.<br />
Roberta Finley of New York, who said<br />
she is employed by a major film company<br />
as a film editor, was held in $6,500 bail<br />
when police alleged that she was operating<br />
the camera and directing the various performers.<br />
CWERAMA IS tX SHOW<br />
BrSIlVESS LV HAWAII TOO.<br />
When you come to Walkiki,<br />
don't miss the famous Don Ho<br />
Show ... at Cinerama's<br />
Reef Towers Hotel. f<br />
August 7, 1978
, . 1 1..J<br />
i<br />
Ov:<br />
sofNewS-Plex<br />
lower Prices<br />
^^U It k, \ J I i.vN.niJ .inJ<br />
i.no xpi-ncd MoMc Cil> 5. .1<br />
.;in: con-.plex. I.>;.i:cd at ihc<br />
,-pping Ccnicr hcic. Iho Grants<br />
ihal iheir poIic\ «ill he to prcscii!<br />
'.op t^ualiiv iccond-run fi!n s at all five<br />
hiuisLS lor $1.50 admisiion. with .1<br />
I'f<br />
S2.5() for certain first-run shows.<br />
lop price<br />
Included in all advertising for Movie City<br />
5 IS the phrase. AVhN Pay More?". Grants<br />
ob,eclive is to drive home to the potential<br />
customer that if he waits a few weeks, he<br />
can sec such hits as "Capricorn One."<br />
'Close Encounters of the Third Kind" or<br />
"Saturday Night Fever." in brand new luxury<br />
theatres, for the bargain price of SI. 50.<br />
Cirant. who no:e.l that in the opening<br />
week, over 10.000 people attended the five<br />
theatres. Niated that it cost $500,000 to convert<br />
the building from a W. 1. Grant (no<br />
relation) store to a theatre.<br />
The projection system, centralized for all<br />
five units, is the latest in such equipment,<br />
and cost approximately SI 00.000. The<br />
hand onie bi'ilding is decorated in red and<br />
white, and the units inside range in size<br />
from 240 to 3K0 seals, so films can be<br />
switched around according to popularity.<br />
Grant point.'d out that Movie City 5 is a<br />
real "mom and pop" operation, wth the<br />
Grants' son pitching in to run the projection<br />
room. A film exhibitor for ih.; past seven<br />
years. Grant also operates 'Cv.Tal theatres<br />
along the Soulh Jers;\ shore<br />
Photographer Will Create<br />
NY Film Festival Posters<br />
M \\ >()kK ()::c ol Ih.- u.mMs loremost<br />
photographers. Richaid Av.don. is designing<br />
the poster lor the Uiih New York<br />
lilm Festival, according to Alfred R. -Stern,<br />
president of the Film Society of Lincoln<br />
Center. Avedon has been a supporter of<br />
th: Film Society for many years.<br />
He has done only two previous posters,<br />
both lor gallery exhibitions of his own<br />
work. I here will be a limited, signed edition<br />
o( (he poster available for sale to benefit<br />
Ih.- Film Society. Avedon said that "the<br />
poster will feature late portraits of two ol<br />
the most outstandirg lilm d rectors of all<br />
lime, Jean Renoir and John Ford, representing<br />
the best of Fuiopcan and American<br />
dim, as an appropriate salute 10 the leslival."<br />
Richard Roud, director ol the lestival.<br />
has relumed from looking at Minis throughout<br />
F.iirope to begin screenings here with<br />
the program committee, wh ch is composed<br />
ol Kouil as chaifinan. Richaid Corliss. Roger<br />
CiciisiiMii. ( hailes Michener and, new<br />
•"Mr, Molly Haskell and lorn<br />
'•:" rii.'-, irriiVi Si-|iiL-iiiber 22<br />
losing<br />
M.ill.<br />
'Velvet' Premiere in Philly<br />
Billed as A 'Multi-Benefit'<br />
PHII ADhl.l'HiA A multi henclit<br />
wth society overtones marked the area premiere<br />
of "Inierr ational Velvet" at the Anthony<br />
Wayne Theatre, a key neighborhooii<br />
house in the a! fluent .Main Line suburbs<br />
Thw' benefit showing, at SIO [>er adult lickei<br />
and S5 for children under 16. started off ji<br />
6:30 p.m.. with cocktajis and hors d'oeuvres<br />
The screening was at 7;30 p.m. Also durine<br />
thw" evening there was a raffle drawing ol<br />
SIO donation tickets sold 10 500 persons<br />
Sponsoring the premiere were Dressage .11<br />
Devon, whi.h takes place at the Devon<br />
Horse Show grounds, the Chesterland<br />
Charities Horse Trails, the Radnor Hunt<br />
Three-Day Event and the U.S. Equestrian<br />
Team—organizations patronized by the<br />
suburban social set. Proceeds from the evening<br />
will go to support Children's Hospital<br />
of Philadelphia. Coatcsville Hospital and<br />
Orthopedic Center. Paoli Memorial Hospital<br />
and the U.S. Equestrian Team itself.<br />
The three-day equestrian event at Ihc<br />
Olympic games which provides the story lor<br />
"International Velvet" strikes a responsi\e<br />
note with the socialites in the Main Line<br />
suburban communities.<br />
Music Makers Theatres, Inc.<br />
Expects Boost From Twins<br />
lAKlWOOD, N.J - Iwinning h.is hccn<br />
instruinent.il lor the belter business being<br />
enjoyed by the 42-theatre circuit of Music<br />
Makers Theatres. Inc.. based here and extending<br />
throughout New Jersey and Delaware.<br />
Among its theatres recently twinned<br />
.ire the Dover Theatre in Toms River. N.J..<br />
and the Community Theatre in Eatontown,<br />
N.J. According to David Tuckerman. vicepresident<br />
of the circuit, twinning is done for<br />
economic reasons.<br />
"It's a chance to give the public two<br />
pictures. " I uckerman said. "U you show a<br />
cowboy picture, only people who like cowboy<br />
movies will come. But if you show a<br />
cowboy movie and a love story, you'll get<br />
both groups." He said the Music Makers<br />
company invested a great deal in the twinning<br />
of its theatres.<br />
'Wheels of Fire' Concludes<br />
Jersey Location Shooting<br />
ENGLISH lOWN. N.J. — -Wheeis ol<br />
Fire." the l.iicst motion picture to be filmed<br />
in New Jersey, recently concluded .1<br />
week of shiHiting at the Englishtown Raceway<br />
here. The world of drag racing provides<br />
the background for the film. Buddy Boreii<br />
and Michael Ciriffen. who recently were involved<br />
in "The Buddy Holly Story. " are pro<br />
ducing the film for Five Star Productions.<br />
Arrangements for the filming here wen<br />
handled by the New Jersey Film Commis<br />
sion, taking care of production needs, 111<br />
eluding manpower and location. Joseph<br />
Friedman, executive director of the stale<br />
commission, said that while "Wheels ol<br />
Fire" is a small budget lilm, the lilm company<br />
spent approximately SI 55.000 during<br />
Us stay in New Jersey.<br />
JJi/ery<br />
REFINED<br />
Gentleman<br />
OR how<br />
NORBf RT RILUEUX<br />
y/as the<br />
otiginal<br />
SugarDadc^<br />
On August 2b, 1842.<br />
Norbcrt Rillieux put a patent<br />
on a sweet idea.<br />
It was a wav to refine sugar.<br />
To help the sugarcane<br />
(uices evaporate more quicklv,<br />
he enclosed condensation coils<br />
in a vacuum chamber. A<br />
process that's made things a<br />
lot sweeter ever since.<br />
\ou can make vour future<br />
a little sweeter, too. bv buying<br />
U.S. Savings Bonds through<br />
your Payroll Savings Plan.<br />
Thev're the dependable<br />
way to save for an education,<br />
vacation, or even retirement.<br />
Because they always piv off<br />
with interest.<br />
So buy U.S. Savings<br />
Bonds.<br />
And be a "sugar daddv" in<br />
your spare time.<br />
Take<br />
.stock<br />
in^/^erica.<br />
E-8<br />
Boxorrici:
——<br />
—<br />
Film's Cultural Impact<br />
Examined by UNESCO<br />
WASHINGTON—Thirteen noted woild<br />
discuss the impact of cinema<br />
film directors will<br />
on 20th-century lifestyle at a meeting<br />
sponsored by the United Nations Educational,<br />
Scientific and Cultural Organization<br />
(UNESCO) and organized by the U.S. National<br />
Commission for UNESCO and the<br />
American Film Institute (API). The international<br />
symposium, entitled "Cinema and<br />
Society," will be held Monday (14)-Friday<br />
(18) at the API Center for Advanced Film<br />
Studies in Beverly Hills.<br />
Directors taking part in the meeting include<br />
Lindsay Anderson (England). Alfonso<br />
Aiau (Mexico), Youssef Chahine (Egypt),<br />
Andre Delvaux (Belgium), Susumu Hani<br />
(Japan), Michael Cacoyannis (Greece),<br />
Claude Jutra (Canada), Janusz Majewski<br />
(Poland), Ousmane Sembene (Senegai),<br />
Mrinal Sen (India), Carlos Saura (Spr.in),<br />
Agnes Varda (Prance) and Nelson Peieiia<br />
dos Santos (Brazil). The U.S. will be repiesented<br />
by six American directors who will<br />
attend the working sessions on a rotating<br />
basis.<br />
Discussions at the symposium will center<br />
or; how motion pictures relate to social and<br />
cultural concerns. An agenda for the morning<br />
and afternoon work sessions during iiic<br />
meeting focuses on specific topics such as:<br />
the influence of film on societal att'tudjs,<br />
values, issues and behavior; the role of the<br />
filmmaker as artist, entertainer, educator<br />
and social critic, and the relation of cinema<br />
tc such concerns as environment, energy,<br />
world peace and politics.<br />
"Too rarely do we address basic questions<br />
about the medium whose influence pervades<br />
our lives," commented API director George<br />
Stevens jr. "The API is pleased to be able<br />
to bring to the nation's film capital, undei<br />
the auspices of UNESCO, leading international<br />
filmmakers for a serious exploration<br />
of the role of cinema in world societies."<br />
The meeting on "Cinema and Society"<br />
is part of a program of international symposia<br />
to help UNESCO develop policies and<br />
programs which deal with the educaiional,<br />
scientic and cultural aspects of world society.<br />
The purpose of this symposium is io<br />
relate the social impact of the cinenia to<br />
cultural development, and the meeimg is<br />
tftt ^Sound and<br />
m«P# I Projection Service<br />
Nationwide — on all brands.<br />
RCA Service Company, A Division of RCA<br />
1501 Beach Street, Montebello, Calil 90640<br />
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expected to result in a major UNESCO<br />
publication on the subject.<br />
Special<br />
presentations and other events for<br />
the filmmakers are being arranged in cooperation<br />
with various groups and organizations<br />
representing the professional film<br />
community. A complement to the mesting<br />
deliberations will be a series of public<br />
screenings of each of the participants'<br />
fiirns.<br />
'Girlfriends' West Coast<br />
Premiere Is August 23<br />
BURBANK — "Girlfriends," Claudia<br />
Weill's first feature film which was featured<br />
during the directors' fortnight at the<br />
Cannes International Film Festival, begins<br />
its West Coast premiere engagement Wednesday<br />
(23) at Westwood's Avco Cinema<br />
II.<br />
The motion picture, which is being released<br />
by Warner Bros., was filmed in New<br />
York and stars Melanie Mayron and costars<br />
Anita Skinner in the title roles. Also<br />
appearing are Eli Wallach, Viveca Lindfors,<br />
Christopher Guest. Bob Balaban, Gina Rogak.<br />
Amy Wright and Mike Kellin.<br />
Ms. Weill, who has just been signed to a<br />
two-picture deal with Warners, produced<br />
and directed the film, which is based on a<br />
story she co-authored with Vicki Polon,<br />
who wrote the screenplay. Jan Saunders coproduced<br />
and Michael Small composed the<br />
original musical score.<br />
Prior to "Girlfriends," Ms. Weill was involved<br />
in directing, editing and photographing<br />
the 1975 Academy Award-nominated<br />
documentary, "The Other Half of the Sky;<br />
A China Memoir," with Shirley MacLaine.<br />
Ms. Mayron's previous acting credits include<br />
"Harry and Tonto" with Art Carney and<br />
"Carwash."<br />
LA WOMPI Club Elects Its<br />
Delegates to Convention<br />
LOS ANGELES — The local WOMPI<br />
Club has announced its delegates to the international<br />
convention, to be held in Dallas<br />
September 8-10.<br />
The delegates are Evelyn Gordon and<br />
Vini White, president of the club. Both arc<br />
20th Century-Fox employees. Alternates are<br />
Hilda Frishman of United Artists and Shiela<br />
Arnold of 20th-Pox.<br />
Denver 'Hooper' Debut<br />
Topped by 'Heaven'<br />
DENVER—A strong appearance by Burt<br />
Reynolds' new "Hooper. "' logging a 400<br />
per cent mark on the barometer, was not<br />
enough to overcome the popularity of Warren<br />
Beatty's "Heaven Can Wait," enjoying<br />
a 450 in its fifth week. "Corvette Summer"<br />
also enjoyed a solid debut at 350. The second<br />
week of "Sgt. Pepper's Lonely Hearts<br />
Club Band" was disappointing, hitting only<br />
a 220 to tie the sixth week of "The Cheap<br />
Detective." "An Unmarried Woman" did<br />
average business in its 19th week, and "Our<br />
Winning Season" recorded a low 110 in its<br />
opening week. Figures were not available<br />
i<br />
for "Jaws 2" and "Grease."<br />
(Average Is 100)<br />
Aladdm—A Utile Nighf Music (New World)<br />
2nd wk 125<br />
Century 21 Pepper's Lonely Hearts Club<br />
Sgt.<br />
Band (Univ), 2nd wk 220<br />
Cherry Creek, Villa Italia^Doniien—Omen 11<br />
(20th-rox), 8th wk .115<br />
Cooper—The Cheap Detective (C-:, Mr;wk ,220<br />
Esquire Cat and<br />
Tcrmarac Siv^An Unmarried Woman<br />
Heaven Can Wa<br />
;tty Hills 1, 2<br />
5th .450<br />
ty Hills 3—Coming Home (UA), 7lh wk ...150<br />
3 theatres—The End (UA), lOth wk 165<br />
4 theatres Foul Play (Para), 2nd wk 200<br />
5 theatres—Our Winning Season (AIP), 1st wk ...110<br />
5 theatres—International Velvet (MGM-UA),<br />
3rd virk. .. 115<br />
5 theatres The Cat From Outer Space (BV),<br />
1st wk 135<br />
8 theatres— Corvette Sununer (UA), 1st wk 350<br />
8 theatres—Hooper (WB), 1st wk ...400<br />
10 theatres—Thank God It's Friday (Col),<br />
2nd wk 150<br />
Midnight Show Helps Push<br />
'Thank God It's Friday'<br />
PROVO—A special midnight promotional<br />
show was held Friday, July 14, for Columbia's<br />
"Thank God It's Friday" at Plitt's<br />
Uinta Theatre.<br />
It was a combined effort involving Plilt<br />
Theatres, Uncle Mario's Disco and K.EVV<br />
Radio. Pour hundred tickets were given to<br />
the first patrons at Uncle Mario's that night,<br />
with 200 tickets given out over the air on<br />
KEVY.<br />
The radio station ran a week-long callin<br />
contest to give away their tickets. Uncle<br />
Mario's tagged all advertising for a week<br />
prior to<br />
the screening offering the free tickets<br />
to Friday night patrons. All in all, it<br />
was a double week-long hype for "T.G.T.F."<br />
When you plan to install your Dolby system,<br />
call the service company with the most<br />
Dolby system experience.<br />
TECHNICAL SERVICES CORPORATION<br />
P.O. Box 5150 • Richardson, Texas 75080 • 214-234-3270<br />
ASC<br />
STAB TREATMENT SERVICE<br />
Solt Lake • Boston • Dalloi • New York<br />
NIVERSAL THEATRE SUPPLY<br />
- HOME OFFICE -<br />
264 East 1st South, Solt Lake City, Utah 84111<br />
BOXOFFICE :: August 7, 1978 W-1
Hoiiywood<br />
Happenings<br />
• '-nt of cfcaiive affairs<br />
20lh<br />
Qi nu \SEND h.i'. been promot-<br />
Ccntuo-F'J''-<br />
,s announced by the<br />
^.,c i.Mu^u :oih-Fox in July 1976<br />
:! :o the- head of creative affairs.<br />
^;1 I/, with the company since 1975.<br />
...^i scar as story analyst, and Charlotte<br />
^oss. who has been an administrative as-<br />
^la^t in (he siory deparimeni for four and<br />
, half years, both have been promoted to<br />
-lory editors.<br />
Warner Bros.' "Girlfriends." produced<br />
.nd directed by Claudia Weill as her first<br />
ilm. began its West Coast premiere cngageiiienl<br />
July 23 ai the .Avco Cinema II in<br />
Westwood. Ms. Weill has been signed to a<br />
iwo-piclure deal with Warners on ihe<br />
sirvngth of her film debul. The feature was<br />
shown during the directors fortnight at the<br />
C jnnes Film Festival.<br />
*<br />
tnieriainmeni Licensing Corp. has been<br />
formed by Burl Ward to license merchandising<br />
of product involving lop celebrities.<br />
*<br />
Donn-Terr Productions will conduct a<br />
"Queen of the Beach" competition at the<br />
pier at Manhattan Beach Thursday (10)<br />
with a movie role in its "King of the Beach"<br />
feature offered as the top prize, along with<br />
S2.000 in cash awards. Leading volley ball<br />
players will judge the competitors. The film<br />
deals with the volley ball culture that exists<br />
on Southern California beaches.<br />
•<br />
The Permanent Charities Committee of<br />
the Enterlainmont Industry raised S1.709.-<br />
407 in its 1978 fund campaign— S62.000<br />
more than in any previous drive in its 38-<br />
ycar history, with the money pledged by<br />
21.560 workers in the motion picture, radio.<br />
TV. recording and advertising industries in<br />
Hollywood.<br />
*<br />
Representatives from 14 leading university<br />
film/ video departments will participate<br />
in a national invitational conference Wednesday<br />
through Saturday (16-19) at the University<br />
of Southern California to analyze<br />
and seek t^i dcv.-lop protessicnal and academic<br />
guidehnes in the area ol lilm education.<br />
Film critic and historian Arthur<br />
Knight, professor of cinema at USC. i>.<br />
chairman and editor of the conference.<br />
*<br />
Members of the Hollywood Foreign Press<br />
.Xss'n will honor newly elected officers and<br />
board members at an installation luncheon<br />
Thursday (10) at the Beverly Hilton Hotel.<br />
The new officers arc: Jorge Camara. president;<br />
Bcrtil Unger, vice-president; Yani Bcgakis.<br />
secretary, and Hilda Ulloa. treasurer.<br />
New directors are Judy Solomon, chairman,<br />
and Avik Gilboa. Marianne Ruuih. Sven<br />
Rye. Helmut Voss and Ma.x Miller.<br />
*<br />
Didi Conn ended a one-woman saturation<br />
promotion trip for Universal's "Almost<br />
Summer" July 28 with a three-day stay in<br />
•Atlanta, where she was interviewed by five<br />
newspaper representatives, appeared on six<br />
TV shows and eight radio programs and<br />
made three personal appearances, including<br />
one at the Six Flags Over Georgia amusement<br />
park.<br />
•<br />
Production has been completed in New<br />
York and New Jersey on Avco Embassy's<br />
"The Bell Jar" and Marvin Wallowitz will<br />
edit the Larry Peercc/ Robert A. Goldston<br />
film.<br />
*<br />
Seymour Borde & Associates reports that<br />
"Devil Times Five. " held over for a second<br />
week at the Liberty Theatre in New York<br />
City, reported an excellent gross.<br />
*<br />
Factors Etc.. Inc.. has obtained merchandise<br />
rights to a variety of itjms spinning off<br />
Universal's "Sgi. Pepper's Lonely Hearts<br />
Club Band."<br />
*<br />
Coast Films' "Seed of Terror" racked up<br />
an excellent gross in its first five days at<br />
the San Jose Theatre in San Jose. Calif.,<br />
according to president Howard Willctlc.<br />
*<br />
William Tucker has been named manager<br />
of sales for 20th Century-Fox Telecommunications<br />
and will be responsible for sales to<br />
pay TV and related<br />
videotape markets.<br />
New World Pictures has taken an option<br />
on "Fury in the Fast Lane." a screenplay<br />
by Joel Rapp and David Brod.<br />
. A^<br />
F1LMACR STUDIOS,INC.<br />
taijiSfe WABASH AVE. CHICAGO IL. 60605 (312) 427-3395<br />
SAN FRANCISCO<br />
Vacationing lar Irom Fiimrow arc Tim<br />
Swain (Syufy) in the big sky country.<br />
Carol Simpson (20th-Fox) and Harry Whitson<br />
(L'ATC) at Fenway Park.<br />
Veteran nim booker/ buyer Frank Hopper,<br />
many years with Fox West Coast Theatres,<br />
is at work at Motion Picture Purchasing<br />
while Jess Wright recovers from cataract<br />
surgery at St. Francis Hospital Tuesday<br />
(1).<br />
Ir>'ing Sochin has opened International<br />
Picture Show company offices at Suite 402.<br />
988 Market St.. San Francisco. 94102. Telephone<br />
(415) 771-8700. "Soc" tradescrecned<br />
"The Magic of Lassie" Wednesday (2) and<br />
is busy booking Thanksgiving playdatcs in<br />
this<br />
territory.<br />
Musical chairs: Geri Levy, formerly at<br />
Syufy's. is now at Pacific Film Enterprises,<br />
cashier department.<br />
Readers will lament the passing of Jack<br />
.McDougall. 70. well-known and long-time<br />
manager of Fox West Coast theatres in the<br />
East Bay. Tuesday. July 25. A native of<br />
Washington. Jack is survived by his wife<br />
.Anne.<br />
Lucky Filmrow personnel too numerous<br />
and guilty to mention enjoyed "A Very Special<br />
Day on the Green" featuring the Rolling<br />
Stones and Mick Jagger's birthday at<br />
the Oakland Stadium. Wednesday. July 26.<br />
Lou LencionI .\ward. Noah Category, for<br />
this anonymously reported marquee spotted<br />
recently on Market Street: ".<br />
. . Night Full<br />
of Rain " "Swept .Away."<br />
Filbert Gets Equipment and<br />
Furnishing Job for Sanborn<br />
Cil 1 \n<br />
\1 I . t \1 11 11k- 1 ;llxrl Co..<br />
a theatre ct.|iiipment linn h.iscd here, has<br />
been given the assignment to provide the<br />
entire equipment and furnishings package,<br />
including interior design, for the new Sanborn<br />
Theatres' University Cinema triplex,<br />
located in the shopping center at the University<br />
of Southern California, it was announced.<br />
The three auditoriums, with a total seating<br />
capacity of 602. will make use of the<br />
Massey Polaris chairs in char-brown. Carpeting<br />
and fabric walls will be fashioned in<br />
earth tones, with terra coita the pa'dominant<br />
color.<br />
I he large projection room will feature<br />
Ballaniync VIP projection and automation.<br />
Christie xenon lamphouses and xenon systems,<br />
with Altec Voice of Iheaire speakers<br />
I he new theatres, scheduled for an earls<br />
I. ill opening, are o! speci.il interest because<br />
the shopping center, adjacent to the USC<br />
campus, will serve not only students who<br />
live in ihe area, but members of the general<br />
commtinity as well.<br />
1 ilbert Vo. engineers and creative personnel<br />
will work closely with Art and Bruce<br />
S. inborn, whose the.ilte oper.ilions are based<br />
111 the Newport Be.ich aie.i.<br />
BOXOFFICE :: August 7.
Mill Valley Film Festival<br />
Adds Midnight Screenings<br />
SAN FRANCISCO — Special<br />
midnight<br />
shows have been added to the three-day program<br />
of events scheduled for the first Mill<br />
Vali;y Film Festival. Friday (1 1)-Sunday<br />
(13). according to festival director Mark<br />
Fishkin.<br />
"Woodstock." the acclaimed "document<br />
an era." will be shown Friday (11). The<br />
of<br />
its film, praised as much for camera work<br />
as for its music, was shot by Bay Area cinematographer<br />
David Myers, and the festival<br />
will be honoring Myers with a tribute Saturday<br />
(12). Fishkin notes that "Woodstock"<br />
is considered "the definitive music documentary,"<br />
and, as such, ideally showcases<br />
Myers' documentary work.<br />
"Chac." Rolando Klein's film based on<br />
ancient Mayan legends, will be shown Saturday.<br />
Shot in Chiapas, Mexico, "Chac"<br />
features a cast of nonprofessional native actors.<br />
Before the screening, Joaquin Gallardo,<br />
instructor of mythology and folklore in<br />
the ethnic studies department of the College<br />
of Marin, will introduce the film and explore<br />
"Chac's" use of myth and symbolism<br />
as well as the linguistic aspects of making<br />
a film with Mayan. Aztec and Spanish dialects.<br />
The film festival showing of "Chac"<br />
will mark its first Marin County performance<br />
in 35mm.<br />
The first Mill Valley Film Festival also<br />
will include features, shorts, animation, documentaries,<br />
children's programing, filmmaking<br />
seminars, video premieres and a<br />
series of tributes to Bay Area filmmakers.<br />
The festival is presented in cooperation<br />
with the Mill Valley Center for Performing<br />
.\t\s and the Mill Valley parks and recreation<br />
department and is made possible, in<br />
part, by grants from the Mill Valley Art<br />
Commission and Fidelity Savings and Loan.<br />
Festival tickets are available at Fidelity<br />
Savings in Marin, downtown San Francisco<br />
and Berkeley, and the Book Depot in Mill<br />
Valley. For further information call 383-<br />
5256.<br />
Winner of Contest Bites<br />
Off $150 Gift Certificate<br />
PROVO—The final "bite-off" in the<br />
"Jaws 2" Bigmouth contest was held at<br />
Plitt's Paramount Theatre, with Randy<br />
White of Orem walking away with all honors.<br />
Ten finalists were selected from scores<br />
of entrants. To enter the contest, hopefuls<br />
had their first bite taken out of sandwiches<br />
measured at the Hip Pocket restaurant.<br />
When all entries were in, the ten biggest<br />
mouths were selected for the bite-off.<br />
The final round was held in front of the<br />
Paramount Theatre prior to the 9:30 siiowing<br />
of "Jaws 2." The winner received a<br />
gift certificate for $150 from Wolfe's Sporting<br />
Goods in Orem. The runners-up received<br />
passes to see the shark film.<br />
The four-week contest was a joint promo<br />
involving Plitt. KEYY Radio and the Hip<br />
Pocket restaurant.<br />
".4NIMAL HOUSE" PROMO—Representatives from radio stations KSAN<br />
San Francisco, KZAP in Sacramento and KISW in Seattle met July 19 with<br />
in<br />
Peter Shanaberg and Morrie Eisenman of Selluloid, Bob Goodwin of Boots Rule<br />
and Cathy Moulon of Jack Wodell Associates to discuss upcoming promotions for<br />
Universal Pictures' "National Lampoon's .4nimal House." .\ buffet lunch was<br />
served and the film was shown, followed by a discussion of all promotion activities<br />
devised for the Friday (4) release.<br />
Adult Theatres File Suit<br />
Against Tucson Ordinances<br />
TUCSON—Thirty minutes prior to summonses<br />
being serviced against three adult<br />
theatres for operating without licenses, under<br />
provisions of the city's new "get-tough"<br />
license laws for adult entertainment businesses,<br />
a lawsuit was filed in Pima County<br />
Superior Court challenging the constitutionality<br />
of Tucson's licensing and regulating<br />
ordinances.<br />
Attorney William G. Walker representing<br />
two of the involved theatres, the Follies<br />
Burlesque and Miracle Mile Adult Movies,<br />
stated, "the court maneuver was intended<br />
to protect my clients from criminal prosecution<br />
at least until a jury determines<br />
whether the four-month-old city ordinances<br />
are proper."'<br />
Owners of the two theatres, Bobby Wortham<br />
of the Follies Burlesque on North<br />
Main and Habib Carouba of the Miracle<br />
Mile on Miracle Mile Strip, were charged<br />
with 32 counts each of operating an adult<br />
theatre without a license from June 6 to<br />
July 7.<br />
Summonses also were served on Niks<br />
Fliks adult theatre on South 6th Avenue,<br />
and on the Elite Book Store on Speedway.<br />
Aot»!<br />
Filbert Company<br />
Theatre Systems<br />
1100 Flower Street<br />
Glendale, CA 91201<br />
The ordinances in question, passed by the<br />
city council April 3, were designed to tighten<br />
control of prostitution through more<br />
strict regulation of adult entertainment businesses.<br />
TUCSON<br />
phe Tucson world premiere of Eyes of<br />
Laura Mars" was held Tuesday ( 1 at<br />
)<br />
p.m. at the Catalina hardtop. KTKT<br />
8<br />
Radio sponsored the event.<br />
Co-produced by the University of Arizona<br />
and British Broadcasting Corp.. a<br />
documentary recently filmed here features<br />
the great Sonoran Desert. The film will be<br />
distributed throughout North America by<br />
the U of A.<br />
"Barefoot Doctors of Rural China " was<br />
the feature film shown Tuesday (1) in<br />
U of A modern languages auditorium.<br />
Other films screened were about TV commercials.<br />
Nobel Prize-winning women and<br />
Walt Whitman's poetry.<br />
Otto Preminger will produce and direct<br />
The Human Factor."<br />
CO r(»P»t»^<br />
From initial design<br />
to construction supervision,<br />
to selection of proper<br />
equiptnent & furnishings,<br />
the Filbert Company will<br />
deliver professional results.<br />
Talk to a Filbert professional<br />
today: (213) 247-6550.<br />
August 7, 1978 W-3
AKL<br />
SelecTV Begins Operating<br />
Over KWHY in Los Angeles<br />
LOS ANGELES— ScIecTA'. the tirsi overihe-air,<br />
per-program pay TV service, pieniierid<br />
i: S p.m. Jul> 23 in Los Angflc-.<br />
Operated by American Subscription<br />
IcIcMMon of Calitornia (ASTC). SclecT\'<br />
Mill suri broailL-aNdng with a special premiere<br />
hosicd b\ r.!dio personalities Lohman<br />
and Barkics<br />
The premiere provided viewers with information<br />
on how SelecTN' works, how to<br />
Mibscribe to the service, the types of programs<br />
to be offered and interviews with<br />
celebrity guests.<br />
SclccTV will be broadcasting pay programs<br />
(scrambled) over KWHY-TV. Channel<br />
22. beginning at 8 p.m. weekdays and<br />
at 7 p.m. weekends. During the daytime.<br />
KWHY will continue its regular programing.<br />
KWHYs transmitter, located on Mount<br />
Wilson, has been increased in power from<br />
107.000 watts ERP to 2.57.000.00 watts<br />
ERP. the maximum permitted by the FCC<br />
at KWHY-TVs antenna height of 5.896<br />
feet above sea level.<br />
.According to ASTC president Robert S.<br />
Block, the almost 25-fold increase<br />
in effected<br />
radiated power makes KWHY among<br />
Southern California's most powerful TV<br />
stations. SelecTV is able to serve more than<br />
3.K00.000 households in the Los Angeles<br />
market.<br />
SelecTV will be featuring current as well<br />
as classic motion pictures—uncut, uninterrupted<br />
and commercial-free. All of the major<br />
film production and distribution companies<br />
have released their product to SelecTV.<br />
including Walt Disney Productions<br />
which has provided five films in its first<br />
major market participation in pay TV.<br />
Exhibitor Charles Stokes<br />
Dies in Phoenix at 61<br />
I'HOI-MX - VelLT.in exhibitor Ch;irlcs<br />
Stokes. 61. manajier of the Bethany Theatre<br />
and a resident of Arizona since 1968. died<br />
July 22 at St. Joseph's Hospital.<br />
Stokes, winner of numerous citations<br />
from BoxohTio, is survived by his wife<br />
Jean: three children. Linda Gaudioso.<br />
Jackie Thorpe and Ian; two hrolheis; two<br />
sisiers. ami nine LTJiulchililren<br />
WOMPI Roster Grows by 4<br />
LOS ANGELES — Four new members<br />
were added recently to the memberNhip<br />
rosters of the Hollywood-Los Angeles<br />
WOMPI Club. They are Susan Ciranas and<br />
B. Elena Velasquez of 20lh Century-lox<br />
studios. Laurie Ciranas of Sherman Grinbeig<br />
Productions .md Anita Jung of Pix<br />
Fix.<br />
« l\|J
—<br />
. . "Jaws<br />
—<br />
KANSAS CITY Critic<br />
Qary Pulver, National Screen Service,<br />
found a way to spend his vacation time<br />
having fun while he also performed some<br />
helpful volunteer work. Last month Gary<br />
took a group of Boy Scouts on a 63-mile<br />
canoe trip. It sounds like he did a nice job<br />
of enjoying nature and helping a deserving<br />
group of kids.<br />
Carol Hobbs and Sherrie Hanzel returned<br />
last week from their whirlwind five-day tour<br />
of the West Coast. They flew to Los Angeles,<br />
where they stayed with Dick Hill,<br />
former Warner Bros, branch manager here<br />
and now with the company's L.A. district<br />
office. While there they also visited with<br />
John Chambliss, another former K.C. industry<br />
member. In the tradition of the showbiz<br />
types they are, the dynamic duo dined<br />
at the Hog's Breath Inn—Clint Eastwood's<br />
eatery—and spent a night in Monterey. On<br />
the fourth day of the trip the pair rented<br />
a car and drove from Los Angeles to San<br />
Francisco, where they visited with Charley<br />
Jarrett, a longtime Filmrow veteran here<br />
and former K.C. booker for Fox who was<br />
transferred to California in May. Charley<br />
showed the two ladies the city of hills in<br />
a personalized tour. The girls then hopped<br />
a late Sunday night flight back to K.C,<br />
arriving here at 5:30 Monday morning.<br />
Work started three hours later, and Carol<br />
and Sherry both were on duty for the entire<br />
day— groggy, but on duty.<br />
National Screen's Virginia Free vacationed<br />
last month for two long, lazy weeks<br />
on the Lake of the Ozarks.<br />
Carmen Blake, contract clerk at National<br />
Screen, retired last month. She was succeeded<br />
by Mary Lou Stanton who moved to the<br />
position from another department in the<br />
company.<br />
Universal shipper Bob Jackson returned<br />
from vacation last week, during which time<br />
he probably was in search of a cache of<br />
cheap cigars to keep him in plentiful supply<br />
until next summer. Jackson denies smoking<br />
nickel cigars; his are much cheaper.<br />
Beginning with the release of "The<br />
Norseman," pressbooks for all future American<br />
International releases will be handled<br />
through the local branch, rather than<br />
through National Screen Service. NSS will<br />
continue to handle all other supplementary<br />
material—one-sheets, trailers, stills, etc.<br />
and will continue to handle pressbooks on<br />
all previous AIP releases.<br />
Crown Cinema's Jeanne Buell vacationed<br />
with her family last week, traveling down<br />
(Continued on next page)<br />
Gives Tips on Choosing Films<br />
CHICAGO—Gene Siskel, film critic for<br />
the Chicago Tribune, recently provided a<br />
series of sure-fire tips on how to avoid going<br />
to see a bad motion picture. His report<br />
on the clues which reveal cinematic turkeys<br />
follows:<br />
They say you can't tell a book by its cover,<br />
but often it is possible to tell a movie by<br />
its advertising campaign.<br />
'Rabbit Test' Promo<br />
Last month Joan Rivers buzzed into Chicago<br />
to promote her film "Rabbit Test,"<br />
She proceeded to pounce on virtually every<br />
local newspaper and TV station for interviews,<br />
with interviewers who hadn't seen<br />
her movie because she wouldn't let them.<br />
She wore a tacky "Rabbit Test" T-shirt<br />
wherever she went. She even made personal<br />
appearances in the lobbies of theatres in<br />
which her picture was playing. In the parlance<br />
of the movie game, Rivers worked<br />
her butt off to sell her picture. Her actions<br />
were extreme, and sure enough, "Rabbit<br />
Test" turned out to be a dreadful comedy.<br />
Some weeks ago the advertising campaign<br />
for Sylvester Stallone's "F.I.S.T." was<br />
changed in Chicago and nationwide. When<br />
"F.I.S.T." opened here it was billed as an<br />
jpic story of organized labor.<br />
As the picture failed to connect with audiences<br />
everywhere. United Artists changed<br />
its ads for "F.I.S.T.," downplaying its labor<br />
theme and instead emphasizing its insignificant<br />
love story. If the public wouldn't buy<br />
Stallone as a labor leader. United Artists<br />
gambled, it might buy him in a "Rocky"-<br />
style, shy-girl love story.<br />
Beware of Quotations<br />
Film companies like to use quotes from<br />
well-known critics who sing praises of their<br />
products. The current operating rule at 20th<br />
Century-Fox is to quote local critics in<br />
hometown newspapers and to quote the bestknown<br />
national critics from such publications<br />
as Time, Newsweek and the New<br />
York Times. And critics Gene Shalit, Rex<br />
Reed and Pauline Kael are quoted as individuals.<br />
So far, so good.<br />
But a clear warning sign of a bad movie<br />
is a newspaper ad with a quote from a critic<br />
you've never heard of. Believe it or not,<br />
there are critics who write their reviews<br />
looking to get quoted. It helps get their<br />
names known.<br />
Thus, our third bad movie warning sign:<br />
to the bayou country of New Orleans.<br />
review quotes from persons you've never<br />
heard of.<br />
During the final week of racing at the<br />
We had a variation on that gambit in<br />
Ak-Sar-Ben track in Omaha, one Filmrow<br />
Chicago. In newspaper ads running in the<br />
veteran managed to turn a tidy little profit<br />
Tribune, Oscar and Esther Brotman endorsed<br />
the movie "Madame Rosa," which<br />
while playing the ponies. Don Ireland, booker-buyer<br />
for Mann Theatres here, returned<br />
was playing at Brotman's Carnegie Theatre.<br />
from the track last month with $400 extra<br />
"Rosa," in some opinions, is a self-indulgent<br />
mess, but theatre owner Brotman disagreed.<br />
So rather than quote a critic, Brotman<br />
elected to quote himself a clear act<br />
of desperation.<br />
There are other buzz words in movie ads<br />
that should jump off the page and make<br />
you look elsewhere for your evening's entertainment.<br />
For example: "No one seated<br />
in the last ten minutes." That's an often<br />
used come-on for shock films. It's phrased<br />
in<br />
the form of a command, but frequently it<br />
is descriptive of the way the theatre looks<br />
after the so-called shocker has failed to deliver<br />
any shocks.<br />
Another trick phrase is "Only one week!<br />
See it now!" Virtually without exception,<br />
there isn't a new movie being booked these<br />
days into a commercial theatre that will<br />
play<br />
for just one week. Movies play for as long as<br />
people want to<br />
see them. Any film that tries<br />
to rush you into attendance probably isn't<br />
worth attending.<br />
Many of these tricks are used in concert<br />
for a specific kind of movie, the nature adventure—<br />
for example, "The Wilderness<br />
Family"—or the oddball science speculation<br />
flick— "Chariots of the Gods." These films<br />
set is filled with ads for pictures about<br />
bearded men fondling lion cubs or strangelooking<br />
scientists pointing at designs of<br />
Noah's ark. The tag line of these ads is<br />
always the same, "One week only!"<br />
Should<br />
Be No Surprise<br />
It should be no surprise that by the time<br />
that ad is running, the various TV stations<br />
in town already have the films' ads for the<br />
Extreme and abruptly altered advertising<br />
two bad<br />
next week, which exclaim "Held over! Positively<br />
week!"<br />
are just signals of a potentially<br />
last movie. There are others, and they are worth We now are in the summer season of<br />
noting for those times when you are deciding<br />
whether to see a movie you've heard little<br />
movies, when knowing the warning signs of<br />
bad flicks is especially important. To fill out<br />
summer many own-<br />
about.<br />
the long season theatre<br />
ers book films the audience knows little<br />
about. Some weeks ago a shark picture,<br />
"Tintorera," knifed its way into 47 area<br />
theatres. It was a low-budget, Italian-made<br />
shocker booked here suddenly to take advantage<br />
of interest in and publicity for<br />
"Jaws 2."<br />
Some film executives believe that such<br />
warnings are unnecessary.<br />
"1 think the public already is aware that<br />
when they see a lot of TV ads for a movie<br />
that, ergo, it must be a turkey," says Charles<br />
Powell, vice-president in charge of advertising<br />
and publicity for Universal Pictures.<br />
"That way of selling a picture worked for a<br />
while, but the public was forced to see too<br />
many bad films. People are smarter now."<br />
Which, of course, forces the film companies<br />
to get smarter themselves. With great<br />
delight, Powell talked about how his company<br />
has been selling "Jaws 2," which<br />
opened June 16 nationwide.<br />
"I'm very proud of our advertising line:<br />
Just when you thought it was safe to go<br />
back in the water 2." '<br />
. It's not too<br />
heavy a line," says Powell. "It sjimply says,<br />
tongue-in-cheek, here we go again.<br />
"And it's working," Powell added.<br />
August 7, 1978 C-1
•<br />
Cr:<br />
By .5«rf<br />
t<br />
ickledPink<br />
Panther' Film<br />
. * -Lnilcd Arlisl> brouiihi in .1<br />
cngc of the Pink Panihcr";<br />
. ih for thtf<br />
.C.L. Mill rating 400 per cent were<br />
i^ireaM.-" in the lifih week and "Heaven<br />
1 .11 Wjii' in the fourth.<br />
Col La«l Walts<br />
Pt.lty Baby I Pore<br />
Un.vl 6th -k<br />
), 12th wk<br />
Th* Msnileu (Emb),<br />
, . Th. Bad N.WB B*ar> Go le<br />
175<br />
1.'<br />
4- A Dill*tM>l Slory (Emb).<br />
- -375<br />
,<br />
..^-Coo»oy CJA). 4lh wk 175<br />
. H.oT.a Cob Woit (Pora). Hh wk. -
—<br />
Paramount Pictures' staffers are working<br />
on upcoming openings of two new films<br />
"Goin" South" with Jack Nicholson and<br />
"Death on the Nile," based on an Agatha<br />
Christie novel. It stars Bette Davis. David<br />
Niven. Maggie Smith and Mia Farrow.<br />
Greetings to newer members at Universal:<br />
Ron Miller, Wisconsin sales representative;<br />
Nick Dambroskio, Chicago salesman.<br />
and Duke Williams. Milwaukee booker.<br />
Greetings and best wishes to Carl Kahaian,<br />
who recently joined Warner Bros, as<br />
office manager.<br />
Jack Colen and Sheldon Shapira of L&S<br />
Management Co. added the Luna Theatre to<br />
their operations. They already owned the<br />
Adelphi which is located at 7074 No. Clark<br />
St. Howard Schermerhom. formerly general<br />
manager of Gemini Management Co., has<br />
accepted a similar position with L&S.<br />
The Luna opened Friday (28), with "The<br />
Driver." First and second runs are planned<br />
for L&S programing. L&S headquarters<br />
are located at 6310 No. Lincoln Ave.,<br />
Chicago, 111. 60659—telephone: (312) 267-<br />
5010.<br />
Gemini Management, which owns the<br />
Skokie and the Patio, is headed now by<br />
Mrs. Diane Thomas, sister of the late Frank<br />
Mazzone.<br />
All set for opening in the American International<br />
film lineup is "Our Winning Season."<br />
a story about a student who strives to<br />
excel in a track meet. The date is Friday<br />
(18). And September 8 is the date for the<br />
opening of "Mean Dog Blues." which stars<br />
Greg Henry. This movie tells about a youth<br />
who has been falsely accused and his attempts<br />
to get out of prison.<br />
Welcome to Tom Dorich, new assistant<br />
booker for Chicago at Paramount Pictures.<br />
"Foul Play," new from Paramount, will<br />
be previewed Friday (4). prior to Ch cago<br />
area openings on Friday (11).<br />
A good news report: Harry Goodman is<br />
back in the film industry fold. He has taken<br />
over the Coronet in Evanston and the Montclare;<br />
these theatres had been owned by<br />
Tracy Lamb.<br />
Wm. Lange & Associates has set up a<br />
Chicago area saturation of "Cheerleaders"<br />
Beach Party," a Cannon release, for Friday<br />
(18). On the following Friday the Lange<br />
company is set with a big saturation opening<br />
of "Dogs" with David McCallum and "Restless."<br />
starring Raquel Welch, opens in this<br />
area September 1.<br />
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We are glad to report that Rosemary<br />
McLaughlin Martin of Consolidated Film<br />
Delivery is making a fast recovery following<br />
surgery.<br />
The Brotman Carnegie opened July 28<br />
with the exclusive first showing of "Dona<br />
Fior and Her Two Husbands." a New<br />
Yorker film releas.d here through New<br />
World Pictures of Chicago. The Brotman<br />
Cinema also opens with a first exclusive<br />
(Continued on next page)<br />
BOXOFFICE :: August 7, 1978<br />
Call<br />
Get all the facts . . .<br />
your PIC supplier or<br />
PIC Corporation 201-678-7300<br />
li<br />
C-3
DOLBY<br />
. . "Harper<br />
c<br />
AGO<br />
I rem preceding page)<br />
c\s Cinema 5 film. "Dc<br />
I Niii iniiugh Saul Goldman has been<br />
. uJ as head ol Allied Theaires film<br />
iving and booking for ihe pasi few years.<br />
h^ conimues lo lead a very active life.<br />
Jusi recently he attended a 53rd class reunion<br />
at Indiana University. There were 75<br />
iiK-mbcrs of the Cla'-s of '25 in attendance.<br />
Cknn Abram!. jomed Columbia<br />
Pictures<br />
.IS Indianapolis booker. Abrams has a solid<br />
background in the film industry. He served<br />
as an usher for the Plitt Theatres organization,<br />
formerly Balaban and Katz and ABC<br />
Paramount Th.atres. He was manager of<br />
'ervices when he left in 1975 to join<br />
Cieneral Cinema Dallas, during which<br />
in<br />
lime he managed the North Park 1-2.<br />
Abrams transferred to Illinois in October<br />
of 1976 and managed the Highland Park<br />
Cinemas 1-2. Prior to his recent move to<br />
Columbia Pictures, he was also affiliated<br />
with the Tradewinds Cinema in Hanover<br />
Park. 111.<br />
Bv this time it is known ihai instead of a<br />
picnic. Chicago WOMPIs held a Christmas<br />
in July party. This has been a traditional<br />
event which has resulted in<br />
to be used for worthy projects.<br />
substantial funds<br />
In the brief lime that Virgil Jones has<br />
opened an office here to distribute The<br />
International Picture Show product, he<br />
has negotiated openings of "The Magic Of<br />
Lassie." "The Billion Dollar Hobo" and<br />
plans are underway for more of the company's<br />
all<br />
films, of which are Grated.<br />
Jones who operates from 20.'' No. Wabash,<br />
Chicago, 111. 60601. (M2} 7K2-046.'?. will<br />
be representing the Pittsburgh, Cleveland.<br />
Ir.d Detroit. Cincinnati. anapolis. Chicago.<br />
Milwaukee and Minneapolis areas.<br />
Fred Bunkelman. who served Buena Vista<br />
formerly as branch manager, is the Dallas<br />
representative for The International Picture<br />
Show. Recently Virgil Jones took over the<br />
Auto Drive-In in St. Joseph. Mich. Dawson<br />
Aldrich is manager of this property.<br />
HADDEN •-<<br />
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Charles Wolk has been vacationing in<br />
Europe with his daughter Eddi. Eddi has<br />
been attending the University of Paris.<br />
"Hooper," with Burt Reynolds, is a new<br />
Warner Bros, film which will be opening in<br />
Chicagolard theatres shortly.<br />
Irene Salo. who has served as secretary<br />
to Seymour Hite. branch manager at Warner<br />
Bros, leaves Friday (11) to make her<br />
home in California. She was an active<br />
WOMPI worker, so she will be much missed<br />
in<br />
two areas.<br />
ST.<br />
LOUIS<br />
J^adanie Rosa," .Xcadeni) .Vwaid winner<br />
for best foreign film, is on the screen<br />
at Wehrenbcrg's Shady Oak in an exclusive<br />
engagement. S mone Signor.-t plays the title<br />
role, that of a survivor of the Auschwitz<br />
concentration camp who is paid for raising<br />
the children of prostitutes. In a strong supporting<br />
role in the French film is young<br />
Arab Samy Ben Youb. Clai:de Dauphin appears<br />
as a doctor who looks after the<br />
Madame Rosa and the young boy.<br />
ailing<br />
While the action begins in Vietnam,<br />
"Who'll Slop the Rain" from United Artists<br />
is not a story of the Vict" am War but deals<br />
with the American counter-culture of the<br />
early 1970s, with filming -n Durargo. Mexico,<br />
Oakland, Los Angeles and Berkeley.<br />
It California. opens Wednesday (9) at Manchester,<br />
Halls Ferry. Holiday and South<br />
Twin drive-ins and the Stariigh: Drive-In.<br />
Alton. 111. Michael Moriaty as a war correspondent<br />
stars with Tuesday Weld as his<br />
wife and Nick Nolte (who gained fame as<br />
the poor man in TVs "Rich Man. Poor<br />
Man") as his Marine buddy. They become<br />
involved in a heroin smuggling racket and<br />
the action takes off from there. The film<br />
is based on Robert Stone's best-seller "Dog<br />
Soldiers." The title was changed to the title<br />
of a<br />
song by Creedence Clearwater Revival.<br />
A suspen.se drama of quite another nature<br />
is "Eyes of Laura Mars" coming Friday<br />
(II) to the Crcstwood. Village. Esquire<br />
and Westport and in Illinois at the B.AC<br />
Cinema, Belleville. Faye Dunaway stais as<br />
a photographer who experiences parapsychological<br />
visions and becomes involved in<br />
a murder. Set against the romantic background<br />
of high fashion, the Columh a release<br />
also features Tommy lee Jones. Hr:td<br />
Doiiril and Lisa Taylor.<br />
In wide multiple beginning \Nednesd.i\<br />
(9) will be "Zero lo 60" and "Speedtrap"<br />
from First Artists, starring JiK- Don Baker<br />
and lyne Daly .<br />
Valley PIA"<br />
^^hl(.h h.iil ,1 highly suecessful Midwest firsi<br />
CAPITOl AVI ANArOLIi. INO<br />
run engagement begins a multiple sub-run<br />
Wednesday (9).<br />
Condolences are extended to Dolores<br />
Strinni. AlP booker, on the death of her<br />
mother Florence Hafertepe July 23 following<br />
a long illness at the Edgewater Nursing<br />
Home. Dolores' two sisters also sur\ive as<br />
do several grandchildren.<br />
Jill JaMonow, daughter of Mid-.America<br />
Theatres vice-president Jiile Jablonow. advanced<br />
to the second round of the US<br />
Tennis Association's Girls' 18 Clay Court<br />
National Championsh cs held in Memphis<br />
Construction has begun to transform the<br />
lobby of the closed Loews State Theatre on<br />
Washington .\venue into a retail store. Bottoms-Up,<br />
which caters to the younger set<br />
as a "dealer in denims," will move in to the<br />
ground floor location in fall.<br />
Ray A. Karpowicz. vice-president and<br />
general manager of KSD-TV who has long<br />
been active with Variety's annual telethon<br />
for "forgotten children." has been elected<br />
to the board of delegates of NBC. of which<br />
the local station is an affil'ate. He is also<br />
chairman of the board of the .Advertising<br />
Club of Greater St. Louis, having previously<br />
served as president.<br />
Fats Domino will be in concert at the<br />
Barn Dinner Theatre Tuesday (8) through<br />
Sunday (13). Rick Nelson and the Stone<br />
Canyon Band will be at the Plantation Tucday<br />
(15) through Sunday (20).<br />
Paramounl's comedy-thriller "Foul Pla>"<br />
was on the screens at the Cypress. Grand<br />
view. South County and Des Peres 4 as ol<br />
Friday (4). .Stars are Goldie Hawn and<br />
Chevy Chase, who led all the madness on<br />
TV's "Saturday Night Live." in his film<br />
debut. Dudley Moore and Rachel Roberts<br />
in also are featured the film, which concerns<br />
a plot to kill off fictional Pope Pius<br />
XIII while he is visiting San Francisco.<br />
Midnight shows are proving popular fo'<br />
the \ounger set and Jerr\ Banta of Thomas<br />
iV Shipp has set up programs for .August<br />
at the St. John and Ritz. "Emerson Lake<br />
and Palmer " was the attract on Friday-Sunday<br />
(4-6); "Pink Floyd in Concert" Friday-<br />
Wednesday (11-23), and "Gimme Shelter "<br />
Friday-Sunday (18-20),<br />
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—<br />
—<br />
—<br />
'Foul Play' Gels Fair<br />
Shake in New Orleans<br />
NEW ORLEANS, I. A.—Summer grosses<br />
continue to soar with two newcomers dominating<br />
first and second spots. "Foul Play"<br />
opened at the Sena Mall with 1.000 and<br />
"Revenge of the Pink Panther" debuted at<br />
three theatres with 800. forcing "Jaws 2"<br />
to third position. "Heaven Can Wait" was<br />
still being enjoyed by the fans with 525 at<br />
two theatres.<br />
(Ave:age Is 100)<br />
Joy, Lakeside—laws 2 (Umv), 6lh wk 550<br />
Loews Stale Passion Plantation (SR),<br />
Loews Stale—The Swarm (WB), 2nd wk<br />
Orpheum—Death Force (SR), Isl wk<br />
Plaza, Robert E Lee Heaven Con Wait (Par<<br />
4th wk<br />
Plaic—The Cheap Detective (Col), 5lh wk<br />
Sena Mall—Foul Play (Para), Isl wk .<br />
3 theatres Convoy (UA), 4lh wk<br />
3 theatres Revenge ol the Pink Panther (UA)<br />
'Heaven Can Wait,' 'Grease' Still<br />
The Big Attractions in Memphis<br />
MEMPHIS—When a film takes off here,<br />
it really soars. Witness the barometer readings<br />
this week for "Grease." still packing<br />
them it with a rating of 1.325 in its fourth<br />
week at the Ridgeway Theatre. "Heaven<br />
Can Wait" is offering some strong competition,<br />
pulling in its own respectable 1.025<br />
in the second week. "Capricorn One" has<br />
fallen below average, but "The Cheap Detective"<br />
is staying in there with 730 and<br />
"Jaws 2" is staying alive with 700 in the<br />
fourth week. "The Goodbye Girl" continues<br />
to be the longest running film here, reaching<br />
a tidy 150 in its 21st week at the Paramount.<br />
Fare Four, Soulhbrook 3—The Norseman (AlP)<br />
2nd wk 200<br />
Make Quartet 3, Soulhbrook 1 The Cheap<br />
Detective (Col), 3rd wk 730<br />
Quartet 1, Soulhbrook 4—The End (UA),<br />
7th<br />
Quartet 4, Whitehaven 1—Damien-<br />
II (20th-Fox), 4th wk<br />
4alco Quartet 2, Soulhbrook 2—Heaven<br />
Wait (Para). 2nd wk<br />
'aiamounl 2, Raleigh Springs 1 Jaws 2<br />
(Univ), 4th wk<br />
Paramount 1 The Goodbye Girl (WB),<br />
21s<br />
Plaza 2—Caprico: WB)<br />
Ridgeway 3 Convoy (UA<br />
Ridgeway 4 Grease (Pare<br />
Raleigh Cablevision Now<br />
Offers Home <strong>Boxoffice</strong><br />
RALEIGH. N.C.—Cablevision of Raleigh.<br />
Inc.. began its new Home Box Office<br />
(HBO), providing feature films, sports and<br />
entertainment specials, Friday (4),<br />
Cablevision previously had said it would<br />
begin the service this summer, but announced<br />
a date only two weeks ago.<br />
The service will cost subscribers $6.95 a<br />
month in addition to the current $7 a month<br />
Cablevision charges.<br />
The advent of HBO will mean the first<br />
uncut. R-rated movies on home TV in Raleigh.<br />
For parents who are concerned with the<br />
films' subject matter, a "key lock" system<br />
— that allows the HBO channel to be locked<br />
and unlocked for parental supervision of the<br />
viewing materia!— will be installed for $25.<br />
HBO will be made available only to<br />
BOXOFFICE Augf 97 S<br />
Cablcvision subscribers. And they had to<br />
give up something to get the chance to take<br />
HBO. To make room for it. Cablevision has<br />
diopped WFMY-TV. channel 2 from<br />
Greensboro.<br />
Approximately 4.000 cablevision viewers<br />
— or 23 per cent of the company's 17.593<br />
paid subscribers— have indicated an interest<br />
in buying HBO since the company first<br />
mailed questionnaires to customers on July<br />
12.<br />
About three full-length films will be<br />
shown each evening.<br />
As a promotion, all Cablevision subscribers<br />
will receive HBO free for the first ten<br />
days. It will be shown on channel 13. which<br />
normally is a music channel.<br />
NEW ORLEANS<br />
jjnitfd Artists'<br />
Pink Panther's short subject<br />
contest is fast drawing to a close. Exhibitors,<br />
rush in your dates to Eileen Dalier<br />
and Catherine Keiffer befor; Thursday (31).<br />
The four foot stuffed Pink Panther is looking<br />
for a home.<br />
Joe Bethea, owner of the Gentilly-Orleans<br />
Theatre which burned down, may be back<br />
in business soon. He recently bought the<br />
old Fine Arts Theatre which has been closed<br />
for years.<br />
July was the month for wedding anniversaries—<br />
Bill and Marijo Everett of Magee,<br />
Miss., celebrated their 25th with a big blast<br />
their home July 23; Carole Roussell. Blue<br />
at<br />
Ribbon Pictures, and her husband Phil enjoyed<br />
an evening out for their 15th July 15.<br />
and Karen Nicole. Universal Pictures, and<br />
her husband Jerry celebrated their fifth<br />
21.<br />
July<br />
Happy Birthday to Eddie Addison. United<br />
Artists. July 31.<br />
Vacation news—Anne Claire Leggett.<br />
Universal, back from a very enjoyable trip<br />
to Disney World; Armand Portie. booker<br />
with Universal, spent his vacation puttering<br />
around the house and fishing; Earline Dupuis.<br />
Universal, takes off for a trip to Gatlenburg<br />
next week; Ron Pabst, Blue Ribbon<br />
Pictures, and family departed July 2S<br />
for Fort Walton. Fla.<br />
Wife of 'Dock' Cawthon<br />
Dies in Jacksonville<br />
JACKSONVILLE— Mrs. Mattie Harvey<br />
Cawthon. 77. died here July 26 in St. Luke's<br />
Hospital following a long illness. A native<br />
of nearby Macclenny and a resident of<br />
Jacksonville for 60 years, she was the wife<br />
of Bender A. "Dock" Cawthon. a wellknown<br />
industry figure and motion picture<br />
historian of the Florida scene.<br />
In addition to her husband. Mrs. Cawthon<br />
is survived by two sons, a daughter, a<br />
brother, four sisters, four granddaughters,<br />
five grandsons and eight great-grandchildren.<br />
Funeral services were conducted July 29<br />
'Super Cellar' a Hii<br />
With Teenyhop Crowd<br />
BIRMINGHAM. ALA.— Cobb Theatres<br />
new eighl-auditoriimi complex has been<br />
drawing crowds since it opened in mid-June,<br />
btit one of the most successful aspects of the<br />
enteitainment center is its basement disco<br />
and boutique. Kitty Frieden, staff writer for<br />
the Birmingham News, visited recently and<br />
returned with the following report:<br />
On hot summer nights in Birmingham,<br />
there isn't anything much more attractive<br />
to some teenagers than the new "Super Cellar"<br />
at Cinema City 8.<br />
The Place to Be<br />
With films like "Grease." "Saturday<br />
Night Fever" and "Corvette Summer" playing<br />
upstairs, and disco music, pinball machines<br />
and a Movie Boutique that caters to<br />
John Travolta lovers in the Super Cellar<br />
downstairs, it's no wonder the entertainment<br />
complex has become THE place to be for<br />
the younger set.<br />
Two petite girls visiting Cinema City one<br />
afternoon were complimentary of the cellar,<br />
which has been open several weeks. "We've<br />
been here twice." one said.<br />
"Three times." her freckled friend in<br />
braces corrected her. "We like it."<br />
One mother, who had brought her sixyear-old<br />
daughter and two friends to see<br />
"Grease" for the second time and to visit<br />
the gameroom. said she likes the concept<br />
of Cobb Theatres' new complex, mainly<br />
because it gives youngsters a place to go.<br />
"We love to watch them dance." said<br />
Mrs. Jeanne Price of Forestdale. She said<br />
first her visit was on a Saturday night when<br />
disco music was loud and the restaurant<br />
Disco Deli—was packed.<br />
Every Teen's Dream<br />
The deli offers every teen's dream: hot<br />
dogs, hamburgers, "cellar shakes" and<br />
homemade pizza plus a variety of sandwiches.<br />
Cobb Theatres is planning to expand<br />
the luncheon menu to serve the customers<br />
who work in the Roebuck Shopping<br />
City area and have begun visiting the restaurant<br />
regularly.<br />
The Movie Boutique sells "Grease" combs<br />
and T-shirts, movie posters, small stuffed<br />
pink panthers, music books and stereo<br />
soundtracks from movie favorites, and the<br />
novels from which movies have been<br />
taken,<br />
such as "Jaws 2" and "Capricorn One."<br />
There are also scrapbooks on John Travolta<br />
and Shaun Cassidy, the latest teen idols.<br />
The gameroom next door with pinball and<br />
pool is called the state's largest by a Cobb<br />
Theatres official.<br />
George Turbett, who manages the Disco<br />
Deli restaurant and discotheque, said.<br />
"We've been packed. People have been<br />
standing in line to get in.<br />
"It's become pretty much of a leenybopper<br />
hangout. They didn't expect ihc disco<br />
part to be as popular."<br />
Turbett said he doesn't know how many<br />
have been packed into the disco at times.<br />
(Conlinued on page SE-7)
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Miami Fesi Receives<br />
Money From the City<br />
vnxMl Ihj Ci;L.i:.r Miami Inlcrnalional<br />
hilm he>.nval. sch.-dul.-d lo iK-gin<br />
N'jv. 10. 1978. received this week S72.50U<br />
in help from the Miami City Commission,<br />
including a S25.000 cash grant approval hs<br />
the commission. The commission, however,<br />
agreed to stipulations by mayor Maurice<br />
F.-rre thai the S25.000 grant be dependent<br />
upon certain things, such as the festival's<br />
being awarded a matching amount from<br />
Dade County or the state, having a busiiK'ss<br />
group overseeing the festival's finances,<br />
having vice mayor Manolo Rcboso serving<br />
on the festival's board of directors and having<br />
an independent audit of the festivals<br />
books.<br />
Continuing his report on the meeting<br />
printed in the Miami Herald. Morris E<br />
Thompson says the comm ssion also agreed<br />
to allow the festival the u?e of Gusman Hall<br />
in downtown Miami free of charge, agreed<br />
to spend some S20.000 to equip the hall<br />
with .^5 and 16 millimeter sound projectors<br />
and a screen and to supply an approximate<br />
S25.000 in services from the city publicity<br />
department, as well as to allocate 52.500<br />
for the festival grand prize, which will identify<br />
the city as its benefactor.<br />
Festival organizers hav.' sad they need<br />
S750.000 in all. Donald Kahn is the festival<br />
boards secretary. J. Hunter Todd is the<br />
festival's executive director.<br />
Operator of Six Theatres.<br />
Kermit High. Dies at 64<br />
CH ARIOITF -ScpMces were held recently<br />
for Kermit High, operator of the<br />
landmark Carolina Theatre and a pioneer<br />
in the film induslrv here, who died at age<br />
64.<br />
High, who began as an usher in Wilson.<br />
N. C. helped boost Elvis Presley's career<br />
by booking him into the Carolina Theatre<br />
in 19.S6. In recent years High built a circuit<br />
of six theatres, five of which are in Charlotte.<br />
The theatre operator moved to this city<br />
in 19.S2 as manager of the Carolina and<br />
Liter became city manager for ABC Southeastern.<br />
In 1972 High resigned from .\BC and<br />
formed K&H Enterprises lo lake over the<br />
Carolina, last year he reopened the Visnlite<br />
and Center theatres.<br />
He IS survived by his wife Helen, a<br />
daughter, two sisters, three brothers, a stepdaughter<br />
and a stepson.<br />
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JACKSONVILLE<br />
^ebra Capps, daughter of Robert E. Capps,<br />
Florida film buyer for the extensive<br />
American Muhi Cinema circuit with headquarters<br />
in this city, became the bride of<br />
Kevin D. Rehkoph July 22. The wedding<br />
was a Fiimrow social event for numerous<br />
friends of the Capps family, several of<br />
whom have had prominent roles in the local<br />
and Chicago motion picture industry for<br />
many years.<br />
Michael Wilson, eight-year-old grandson<br />
of Rexene Grimm, WOMPI officer^ at Warner<br />
Bros., went into St. Vincent's Hospital<br />
for treatment after being struck by an automobile<br />
near his home in Murray Hill.<br />
Saturday night sneak previews of "Foul<br />
Play" were twosomed by the Normandy II<br />
and the Orange Park Five, while "Hooper"<br />
sneaked on the single screen of the Kingsle\<br />
II . . . Harold Gibson's new Sherwood Cinema<br />
in Sherwood Square is a recruit to the<br />
$l-a-seat set and has begun a series of Saturday<br />
morning kid shows. Admission is $1<br />
with the presentation of a newspaper ad cutting<br />
the price to 50 cents . . . Kent Theatres"<br />
Normandy duo screens dropped their Thursday<br />
morning kid shows like a hot potato<br />
. . . not enough kids.<br />
No motion picture earned the Journal's<br />
top rating in what could be a stingy handing<br />
out of accolades. Currently enjoying 3<br />
ratings are "Sgt. Pepper's Lonely Hearts<br />
Club^Band," "S'aturday Night Fever." "The<br />
Jungle Book" and "Star Wars" which has<br />
proliferated onto the screens of seven theatres.<br />
Ratings of 2'/2 were given by Journal<br />
jugglers to "Secrets," "International Velvet,"<br />
"Grease," "Jaws 2" and "The End."<br />
Reaping 2s were "Hot Lead and Cold Feet,"<br />
"The Swarm," "Big Wednesday," "Heaven<br />
Can Wait" and "The Cheap Detective." At<br />
the bottom of the pack with a scant l'/2<br />
was "Thank God It's Friday," and no thanks<br />
to<br />
the Journal.<br />
A retired contractor and veteran of the<br />
World War II U.S. Navy, he is survived by<br />
his wife, a son, a daughter and three grandchildren.<br />
BOXOFFICE correspondent Bob ( ornwall<br />
who has been covering his Jacksonville<br />
area each week for some 27 years, came<br />
home from a Florida tour with Surya Kramer,<br />
his 10- year-old granddaughter from<br />
Bolinas in northern California, a small town<br />
and wildlife bird retreat under federal protection<br />
where Alfred Hitchcock filmed his<br />
thriller "The Birds" . . . Joyce Malmborg,<br />
WOMPI publicist and Kent Theatres home<br />
office stalwart, is scheduled to take over<br />
coverage for <strong>Boxoffice</strong> when Bob slips<br />
loose for a mid-to-late August visit with<br />
relatives the Berkshire Hills of western<br />
in<br />
Massachusetts.<br />
Rental Space Is Available<br />
In Atlanta's Fox Theatre<br />
AJLANIA—Cushman & Wakefield has<br />
been named exclusive leasing agent for the<br />
retail space located in the historic Fox Theatre<br />
Building here. There are eight units<br />
available in the famed structure, one of the<br />
city's most popular entertainment sites.<br />
Andrew L. Ghcrtner, regional vice-president<br />
of Cushman & Wakefield, will have the<br />
responsibility for leasing the space in the<br />
Fox. "In addition to the large numbers of<br />
people who arc coming into the theatre for<br />
entertainment," Ghertner commented,<br />
"there are thousands of people working in<br />
the immediate vicinity." Southern Bell presently<br />
is constructing its headquarters building<br />
right behind the theatre, and will be<br />
employing about 5,000 workers.<br />
Specially Designed for Drive-ln Theatres<br />
HARMLESS • PLEASANT<br />
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IMPROVEMENTS<br />
Exhibition bookers flocked to the Preview<br />
Theatre at the invitation of Vivian<br />
Ganas, ABC Florida State Theatres' manager,<br />
for an advance screening of Avco Embassy's<br />
"Day of the Dcilrh'n."<br />
Diane Ruhoy, local WOMPI president,<br />
and Sandy Easley, the group's recording secretary,<br />
will head a delegation of members<br />
at the 25th annual convention to be enclaved<br />
at Dallas September 7-10. Their alternatives<br />
are to be Tanya Russell, corresponding<br />
secretary, and Mary Hart, industry<br />
service chairwoman. Also planning to attend<br />
is a group of WOMPI members and<br />
their husbands.<br />
The week's movie bargain was a $1 fare<br />
for "Coming Home" at Marvin Skinner's<br />
Five Points . and stage star Cesar<br />
Romero bowed out after a long record run<br />
as the star of "Never Get Smart With an<br />
Angel" at the Alhambra Dinner Theatre.<br />
Victor McDuffie, an industry worker and<br />
husband of Virginia McDuffie, manager of<br />
Kent's Neptune Theatre, died here July 12.<br />
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BOXOFFICE :: August 7, 1978
,<br />
iiHluccr<br />
1 Hollywood<br />
—<br />
AT' A NT A<br />
r, .1 Atlanta and its environs<br />
ui. Few Georgians, of late,<br />
with much siic-<br />
.' Hugh Wilson, a 34-ycar-<br />
. :iij advertising executive, to<br />
1 . ..I c-.^cpiion. Since his move to Hol-<br />
K»MH.iii slightK more than two vears ago,<br />
ihc AiLinian has moved from a writer at<br />
M.ii><br />
Ivler MiKire Productions to executive<br />
of his own show. His "WKRP in<br />
( utcinnati" is expected to be one of the fall<br />
hits of the seastin. Hollywood Reporter says A program of summer stories and films<br />
chances of the success for Wilson's show for youngsters 3 to 5 years will be held at<br />
based on the whacky doings at a Midwest the West Hunter Library Thursday (10).<br />
rock music station are "excellenl to good." Parents can browse or read while the children<br />
attend the program.<br />
Several other Atlantans are working on<br />
Wilsons show, including Bill Dial. Wilson<br />
also has written a motion picture script on<br />
National Triple, Miracle and Slonemount<br />
the life of Ailanlan Alex Hawkins, former<br />
staged a special preview of Universal's "National<br />
professional football great, and Burl Rey-<br />
Lampoon's Animal House" Friday<br />
night. July 28.<br />
nolds has purchased the screen rights to it.<br />
Wilson says he sorely misses Atlanta, but<br />
adds that he has adjusted to the life of a<br />
Hollywoixl writer of sitcoms. "It's simple,"<br />
he says. 'You get up at 10 a.m.. put on your<br />
tennis outfit, go see your analyst, and then<br />
head into work where you sit<br />
in a circle with<br />
a group of other writers and trade one-liners.<br />
It's great for your ego when no one<br />
laughs at your jokes. Thai's where the<br />
analyst comes in."<br />
Tradepress screenings at Century Cinema<br />
Corp. screening room: "Games Lovers<br />
Play" and "Piranha." distributed by New<br />
World Pictures of Atlanta: "Smile Orange."<br />
Stable Films. Jamaica: "Slipping Into Darkness."<br />
distributed by Chappell Releasing<br />
Co.: "Fiona." distributed by Dixie Films<br />
Releasing Co.; "Escape to Witch Mountain.<br />
"<br />
Buena Vista Distributing Co.<br />
spent at Fipp Island. S.C. . . .<br />
Martha Williams, secretary to United<br />
.Arlisls branch manager Robert Tarwatcr.<br />
has returned from a delightful vacation<br />
Marjorie Roberson.<br />
20ih Century-Fox booker, visited<br />
her mother Mrs. Jean Tcagiie. ABC-FST<br />
retiree living in Jacksonville, and her sister<br />
Vivian Ganus, who is a booker for the company.<br />
Harry Purdy, 20lh-F-ox office manager,<br />
r.frcvhcil fnirii ,i s.iL.ilion spent at his hidewav<br />
retreat on a North Georgia lakc. is<br />
back at his desk.<br />
A motion picture titled "The Peanut Conspiracy."<br />
starring Buddy Hackeit. Tina<br />
Louise. Donald O'Connor and Cieorge Raft.<br />
is scheduled to start shixiting in middle<br />
Georgia early in August. Some of the scenes<br />
of the movie to be produced by George<br />
Scares Associates of Los Angeles will be<br />
shot at Plains. Ga.. the home of President<br />
Jimmy Carter. The story line is about a<br />
scientist-farmer who develops six-foot peanuts<br />
to provide the world with protein.<br />
Angela Lansbury announced when she<br />
came to ,\tlanta to star in "Gypsy" that<br />
this was the last week she will play it anywhere.<br />
She said: "It is time now to go on<br />
to other things." One critic, who gave her a<br />
rave review for her performance opening<br />
night, closed her critique thusly: "Lucky are<br />
the theatregoers who can lock the memory<br />
of her performance in their treasure box of<br />
exciting moments in<br />
theatre."<br />
An Inventory relea.scd in Chattanooga of<br />
th^' estate of the late Margaret Lupton.<br />
daughter-in-law of one of the founders of<br />
the Coca-Cola soft drink empire, reveals<br />
one of the largest estates in Tennessee history.<br />
Mrs. Lupton died in November. 1977.<br />
Her husband. Coca-Cola heir Carter Lupton.<br />
died in February. 1977. Lupton was responsible<br />
for helping establish bottling franchises<br />
across the nation. The inventory lists holdings<br />
exceeding S300.000. Among the holdings<br />
listed were 12.168 shares of Coca-<br />
Cola Co. and 52.901 shares in the Coca-<br />
Cola Bottling Co. According to Mrs. l.upton's<br />
will, her estate is to be divided evenly<br />
between her son ami her d.iughicr. I li/.ibeih<br />
Lupton Davenport.<br />
A new two-liter plastic bottle h.is been<br />
introduced in the Atlanta area by the Coca-<br />
Cola Boltling Co. Rich.ird D. Horses, pros-
'<br />
CHARLOTTE<br />
H Foster McKissick (president. Fairlane<br />
Litchfield Theatres) spent a<br />
few days at<br />
Litchfield Beach and then came on into<br />
Charlotte for a confab on new product and<br />
future playdayes with the "Big 4" Locke.<br />
Jones. VanderHorst and Jordan, who handle<br />
h-s buying. horkTg and exploitation<br />
(Southern Booking & Advertising Co.).<br />
Deepest sympathy to James Craig (head<br />
shipper. .American Int"l Pictures) and family<br />
on the si]dden death of his wife.<br />
Harry L. Kerr (Dominant Pictures) announced<br />
recently he has moved his suite of<br />
offices to the fifth floor (Suite 594) of<br />
Northwestern Bank Building, retaining his<br />
telephone number (704-334-1391).<br />
New pictures on the marquees: "Revenge<br />
of the Pink Panther" (South-Park). "Foul<br />
Play" (Eastland Mall). "Star Wars" (Village.<br />
New Visulite and Thunderbird).<br />
Ken Mitchell (Howell Theatres. Smithfield.<br />
N. C.) was in town visiting Fiimrow<br />
and theatre supply houses for concessions,<br />
etc.<br />
Smilin' Jack Jordan (Advertising executive.<br />
Southern Booking & Advertising Co.)<br />
is going all the way to promote "Revenge<br />
of the Pink Panther." Th;y are sending a<br />
special Pink Panther 24" x 82" banner and<br />
ten Pink Panther dolls to all their theatres<br />
playing the film. These can be used for a<br />
resale item on concession stands or for promotional<br />
purposes with radio stations. Jack<br />
suggests managers get the radio station to<br />
prepare a sign and use it with one of the<br />
dolls in your lobby. The sign should read:<br />
"Win a Pink Panther . . . Listen to WXYZ<br />
for details." Take my word—your patrons<br />
would like to have one of the dolls. The<br />
girls in our office went wild over them. As a<br />
matter of fact "Big-Hearted" Jack almost<br />
broke down and bought them one . . . note<br />
the "almost."<br />
Notes from Southern Booking: Bill VanderHorst<br />
and wife Cathy are on a short vacation<br />
attending the old-time western classic<br />
convention in St. Louis. When Bill returns<br />
we will report the highlights of the affair.<br />
Fra.k Jones is away on a family vacation<br />
to parts unknown; he's being moi^e secretive<br />
than a C.I.A. agent.<br />
A. Foster McKissick announced with<br />
pleasure that "Star Wars" at Capitol Four<br />
Cinemas in Talahasse celebrated a year's<br />
engagement with festivities, etc., and the<br />
picture resulted in the largest seven-day<br />
gross the theatre has had since mid-January.<br />
No end in sight as they are now in<br />
their<br />
55th week, and going strong.<br />
Changes on Fiimrow: Joe Bishop to<br />
Steve Smith (Independent Theatre Booking<br />
sales<br />
Service) slowly but efficiently is building<br />
at Columbia Pictures, replacing Harold<br />
his business with<br />
Duckett who moves to branch manager.<br />
two new accounts this<br />
w:;k Curtis Theatre. L'berly<br />
Warner Bros. Janet Hone>'cutt from Stewart<br />
and Siler<br />
City Drive-In.<br />
& Everett Theatres is now booker at Warners.<br />
N. C.<br />
Debbie Reavis, Warners, moves from Vacationers on Fiimrow: Dessie Guyer<br />
booker to head booker, replacing Joe Bishop (Carolina Booking) at her mountain home,<br />
jr.<br />
Franklin. N. C. . . . Frank Savage (American<br />
Int'l Pictures). Long Beach. N. C. . . .<br />
George Royster (.'MP) Garden City Beach.<br />
S. C. . . . Harold Duckett (Warner Bros.).<br />
Long Beach. N. C. . . . L. A. Ireland (Charlotte<br />
Booking). Hampton Beach, N. H.<br />
Johnny Martin (Dominant Pictures), who<br />
Top grosses of the week: "Grease" (Manor<br />
Theatre). "Heaven<br />
underwent<br />
Can Wait" (Charlottetown<br />
Mall 2).<br />
surgery recently, is convalescing<br />
nicely at his home in Pineville. N.<br />
"Jaws 2" (Tryon Mall 2).<br />
C. and<br />
"Saturday<br />
expects to be back<br />
Night Fever"<br />
at his desk in a couple<br />
(South Park 1 ).<br />
of weeks.<br />
Exhibitors on Fiimrow: Dr. H. H. Bennett<br />
(Janus Theatres. Greensboro. N.C.).<br />
J. K. Whitley (Kannapolis. N. C). Clyde<br />
Bolt (,'\nderson. S. C). Howard Stephens<br />
(Lumberton. N. C). Rudy Howell (Howell<br />
Theatres. Inc.. Sm'thfield. N.C.). Harry Osteen<br />
(Anderson. S. C). Sonny Baker (Gastonia.<br />
N. C), Jack Fuller sr. and jr. (Irvin/<br />
Fuller Theatres. Columbia. S. C). Ken Benfield<br />
(Valdese. N. C).<br />
Chariie Mincey (Ace Films) is<br />
on a business<br />
trip to Atlanta making calls enroute at<br />
Spartanburg. Greenville and Anderson.<br />
S. C. picking up playdates and new deals.<br />
John R. McClure and wife Becky (Charlotte<br />
Booking) are enroute to Las Vegas for<br />
a few days and then on a business trip to<br />
the West Coast.<br />
Del Carty (WRAL-TV. Raleigh, N. C.<br />
sales executive) was in for a confab with<br />
Margie Thomas (Queen City Advertising &<br />
Amusement Co.) setting up fall TV saturations<br />
in th; :astern part of Norih Caro-<br />
Utopia Pictures will produce "Natural<br />
Enemies," starring Hal Holbrook. Louise<br />
Fletcher and Jose Ferrer.<br />
3-Week Film Fest Offers<br />
Nostalgia, Foreign Works<br />
NEW ORLEANS— Forty-four films are<br />
scheduled to be shown during the first New<br />
Orleans International Film Festival, a threeweek<br />
event being staged in conjunction with<br />
Interfest '78. The two major segments of<br />
the film festival arc 14 "nostalgia" films to<br />
be shown at the Prytania Theatre and 25<br />
foreign films screening at the Toulouse Theatre.<br />
Additionally, several contemporary<br />
films will be shown at the Pitt and Robert<br />
E. Lee theatres.<br />
Two American Premieres<br />
According to the festival's organizers. 25<br />
of the films are New Orleans premieres,<br />
and two of those are American premieres.<br />
Several of the nostalgia films are not often<br />
seen in theatres and hardly ever on TV,<br />
while a number of the foreign films are not<br />
widely known. The following sampling attempts<br />
to highlight several films of particular<br />
interest.<br />
James Cagney is the actor most represented<br />
in<br />
the films selected for the nostalgia<br />
series (features screen at 5 p.m. at the Prytania.<br />
each accompanied by three "vintage"<br />
cartoons), with five Cagney films on the list.<br />
Cagney Film 'Camp'<br />
"Lady Killer." Wednesday (2). has been<br />
called a "monument of "30s camp." This<br />
case of Hollywood self-mockery has gangster<br />
Cagney becoming a motion picture star,<br />
with Ma; Clarke as his former moll showing<br />
up with the old gang and a plan to plunder<br />
homes of the stars. The 1931 "Blonde<br />
Crazy," Monday (7). was made right after<br />
Cagney 's big success in "The Public Enemy."<br />
Teamed with Joan Blondell. Cagney<br />
and director Roy del Ruth offers a lively,<br />
unpretentious glimpse of the underside of<br />
Depression America. "Jimmy the Gent."<br />
directed by Michael Curtiz. is considered<br />
one of the great comedies of the '30s. Cagney<br />
plays a fast-talking fellow whose racket<br />
is tracking down (or inventing) missing<br />
heirs the of recently deceased. Bette Davis<br />
plays the girl he loves. Other Cagney films:<br />
"Boy Meets Girl" Friday (4) and "Hard to<br />
Handle" Friday (11).<br />
Also worth noting on the nostalgia series<br />
was Ben Hecht and Charles MacArthur's<br />
rarely-seen "The Scoundrel" Tuesday (1).<br />
Noel Coward plays an unscrupulous publisher<br />
in this "entertaining exposure of<br />
Broadway's notion of sophistication" (Andrew<br />
Sarris). Julie Haydon. Lionel Stander<br />
and Alexander Woolcott are co-starred.<br />
Ernst Lubitsch's "Bluebeard's Eighth Wife"<br />
is one of the director's least appreciated<br />
(Continued on page SE-6)<br />
r-
'<br />
N<br />
. .<br />
.<br />
" . . Smoking<br />
. . Extra<br />
. • No<br />
No.-<br />
!m Fest Offers<br />
Foreign Works<br />
,cd from page SE-5)<br />
r>c>;ausc of the collision of<br />
,i.il slslc with screenwriters<br />
II Bill> and Wilders more<br />
.,^h. It is still M\ intriguing<br />
h! I, a >. (.j.tis Cooper as a modern Bluebeard,<br />
and a strong supporting cast compiised<br />
ol Claudette Colbert. Edward EveaMt<br />
Horton. David Nivcn and Franklyn Pangbtirn.<br />
rhe three New Orleans premieres set for<br />
ihe Pitt Theater include the 1978 "The<br />
Duellists." Tuesday (l)-Thursday (3). starring<br />
Keith Carradinc. Harvey Keitel and<br />
Albert finney in Ridley -Scotis adaptation<br />
of Joseph Conrad's "The Duel." set in the<br />
Napoleonic era. The 1977 "Rolling Thunder."<br />
Friday {4)-Sunday (6). has a screenplay<br />
by Paul Schraeder ("Taxi Driver"), and<br />
stars William Devane. Tommy Lee Jones<br />
and Linda Haynes. Also scheduled is "The<br />
Chosen" Monday (7)-Wedncsday (9).<br />
The foreign films at the Toulouse, from<br />
14 countries, offer a number of interesting<br />
— if obscure—choices. Kach film is shown<br />
two or three times, at different limes on<br />
sequential days.<br />
A Look at lar/ans Widow<br />
"Jane Is Jane Forever." July .^1. Tuesday<br />
(1) and Thursday (i) in its American premiere,<br />
was a new German film that attracted<br />
much attention at recent film festivals in<br />
Berlin and Locarno. It looked at the later<br />
years of Tarzan's widow, living on a pension<br />
in Cologne.<br />
"A Geisha." Monday (7)-Tuesday (8), and<br />
"Talcs of the Taira Clan" Wednesday (9)-<br />
Thursday (10) are two soldom-seen films by<br />
Kenji .Mizoguchi. one of Japan's most highly<br />
regarded filmmakers.<br />
Vincent Canby called "A Geisha. " made<br />
1953, "the most intelligent film made<br />
in<br />
about women seen in the last 12 months."<br />
"Tales of Taira Clan." made in 19.'i5. deals<br />
with the rise of the Samurai against the<br />
frenzied daily life in the Kyoto of 1198.<br />
Muneh Film 'OverwhtlminK*<br />
"hdvard Munch" Wednesday (16)-Thursday<br />
(17). was well received at its recent<br />
New York premiere. Made in Norwegian<br />
by Peter Walkins. it lakes Scandinavian<br />
artist hdvard Munch (IK63-1944) from<br />
childhiH>d to age 4.S Film critic John Simon<br />
called ihe film "an overwhelming accomplithment.<br />
Every frame is perceived through<br />
Munch's eye, Munch's brush, Munch's state<br />
ol<br />
HOUI."<br />
"Lucia" Sunday (I3)-Iuesday (15) telN<br />
the story of three women, and Cuban Humbertn<br />
.Solas directs each segment in<br />
radically<br />
tliflereni fashion. The lirst, set at the turn<br />
of the Lcniury. is reminiscent ol a silent<br />
;ii.)vi.. I), •.iniul parodies the styles ol<br />
11 comedies of the "SOs,<br />
' I lie present, is describ<br />
' lliealer will<br />
-I I'/alu" Mon<br />
' '0 i.m n.<br />
.•ian"s unit) with nature won the 1^7^<br />
.Academy Award for best foreign picture.<br />
Naturally, as is the case with all schedules,<br />
there is the possibility of last-minute<br />
changes.<br />
Committee Heads Nomeci<br />
At Charlotte WOMPI Lunch<br />
CHARLOrrE- WO.MPI president Clara<br />
Finlayson has named Ihe following to serve<br />
as committee chairmen for the year 1978-<br />
79:<br />
Finance: Lou Ann Stringer and Beisy<br />
Jackson. Columbia Pictures; community<br />
service: retired: Hazel Miller, program: Lucille<br />
Nantz. Universal Films: member-iiiip:<br />
Janet Honeycutt. Stewart & Everett TV.eatres:<br />
Will Rogers: Myrtle Parker. Panmount:<br />
by-laws: ,^malie Gantt. Howco International:<br />
industry service: Ava Magee.<br />
Columbia: scholarship: Lavern Flannigan,<br />
20th Century-Fox: bulletin: Virginia Porier.<br />
Queen City Advertising: publicity: Blanche<br />
Carr. <strong>Boxoffice</strong> correspondent: social: Des-<br />
Films, and telephone: Irene Lauer. retired.<br />
At the July luncheon delegates and alternates<br />
were elected to represent the club at<br />
the Dallas convention in September. The<br />
ler, chairman of the committee, and approved.<br />
Free 'Abbott and Costello'<br />
WATERTOWN. MASS.— "Abbott and Costello<br />
Meet Frankenstein." a Universal 1948<br />
release, was shown as a free attraction at<br />
ih.' Waiertown Public Library.<br />
"The Dilessi Affair" will be produced by<br />
John Hanson.<br />
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Good Old Days: When Feet<br />
Didn't Stick to the Floor<br />
NLU UkLLANS— 1 iaiiK Ljuj;i,..iJ. .v;.:<br />
er for the Times-Picayune, had a chan^-.<br />
recently to recall some of the pleasanic<br />
moments of theatregoing and found hini<br />
s-'lf longing for the gcx>d old days. H -<br />
whimsical article follows:<br />
A bunch of us old-timers were reminisc<br />
ing about the movies the other day. The<br />
good old days, ,^fter the third round of<br />
cherry phosphates. Zeke broke down. "Remember.<br />
"<br />
he sobbed, "remember when your<br />
feet didn't stick to the floor of the theatre?"<br />
A loud wail arose. The "Concession<br />
Counter Blues."<br />
'Bonbons in Bondage*<br />
Then Rule. tear\-eyed as Shirley Temple<br />
in "Little Miss Marker." put in his two<br />
cents' worth. "Licorice whips." Rufe re-<br />
you will, but those were the days.<br />
Im not just nostalgia-tripping, or mourning<br />
the loss of innocence that comes with<br />
the first critics' screening. Some of the early<br />
pleasures were purely personal, sprung frv»m<br />
youthful exuberance— like silting through<br />
"Gilda" three times straight without being<br />
hassled. Or feeling guilty.<br />
Today. I know that "Gilda" hn't the<br />
greatest movie ever made. But I also know<br />
that these are pretty cheesy times for film<br />
exhibition. Exhibitors are not neces-sarily at<br />
fault, although there are as many faulty as<br />
fine ones. The changing industry itself is<br />
partly to blame by distributing movies as it<br />
they were fast-food franchises, with everybody<br />
bidding on the Whopper.<br />
Ihe public also helps take the comlort.<br />
the joy, the occasion out of moviegoing.<br />
Sure, the concessions are sold at the theatre<br />
counter, but the customer is under no obligation<br />
to turn the auditoriunt into a picnic<br />
grounds. No matter what you wear into<br />
Slime bouses. \ou c»Miie out with crepesi»led<br />
shoes.<br />
Moviegi'ing. though a group activity,<br />
used<br />
u> .illord orderh pleasure Ihere was private<br />
communication with the screen. Now, some<br />
.uidieiices constitute a nois> public lorum<br />
I dont know it its \' I watcher's syndrome.<br />
i>r ih.il mi.iinl old quantity "New Orle.ins<br />
Hide, but " It olten sounds as it the Oolb)<br />
BOXOmCE :; August 1'>7S
speakers were aimed at the screen.<br />
It's enough to keep the movie fan at<br />
home, and, unfortunately, kill pride in the<br />
theatre manager. At one time, the manager<br />
was something of an impresario, a personality<br />
strongly identified with his theatre and<br />
his product. The late Rodney Toups, for<br />
instance, was better known here than many<br />
of the stars who played on his screen.<br />
But there are still pockets of pleasure.<br />
The Joy Theatre is an anachronistic holdout,<br />
with its mature, vigilant ladies in pink<br />
smocks providing a sense of family, of genteel<br />
going-out. And such a youngster as<br />
Jay Cooper still believes that movies are<br />
show business and tries to heighten theatricality<br />
in his showings. Neighboring managers<br />
Bob Bibeau and Herman Gentry are<br />
among the old-style dedicated pros. too.<br />
There are contrasts to the manager who,<br />
when being interviewed some time ago for<br />
a possible piece on today's theatre operators,<br />
said discouragedly "I'm just a bookkeeper."<br />
I'd trade four multithcatrc complexes,<br />
complete with adjoining shopping centers,<br />
for just one friendly neighborhood theatre<br />
with one feature film, a change of bill every<br />
week and a concession stand that sold only<br />
jawbreakers, which melted in your mouth<br />
and not on your Florsheims.<br />
MIAMI<br />
is the hero of 16 adventures written by<br />
Sarasota author John D. MacDonald.<br />
"King Kong" and a "Star Trek" episode<br />
were featured recently at the Science Fiction<br />
and Fantasy Society's meeting in the<br />
Museum of Science here.<br />
Storer Broadcasting Co.'s cable TV division<br />
has acquired several cable television<br />
systems serving Monmouth County, N.J.,<br />
which are operated by Futurevision Cable<br />
Enterprises and Mid Jersey Cable TV Company.<br />
The purchase still is subject to regulatory<br />
approval. The purchase price has not<br />
been announced.<br />
Among the 38 corporations in Dade<br />
County which were honored by the Greater<br />
Miami Opera Association recently for their<br />
contributions to opera during 1977-78 was<br />
Wometco Enterprises. The plaques were<br />
presented by Mrs. Joseph E. Crawley, chairman<br />
of the opera's board of directors and<br />
Robert Herman, opera general manager.<br />
Presentations were made at a cocktail reception<br />
at Herman's Coconut Grove home. The<br />
.^8 corporations gave $75,000, the majority<br />
of the funds earmarked for the operas' highly<br />
successful community Opera Education<br />
Program. The opera annually spends upwards<br />
of $200,000 for its free in school<br />
music workshops, seminars and concerts for<br />
senior citizens, the handicapped, the underprivileged<br />
and hospital patients.<br />
In presenting the plaques, Herman said,<br />
"We presented these plaques and certificates<br />
of appreciation in recognition of the support<br />
of the opera and thus the improvement of<br />
the quality of life in our community."<br />
The $4,500,000 Derby Cinematografica<br />
production "Odds and Evens" has been<br />
shooting in Greater Miami locations recently.<br />
The movie, it has been estimated, is<br />
pumping well over $1,000,000 into the local<br />
economy. It is a comedy with cosmopolitan<br />
flavor directed by Sergio Corbucci. Stars of<br />
the film are Terence Hill and Bud Spencer,<br />
both Italians with Anglicized names. "Odds<br />
and Evens" is being shot with English dialogue,<br />
but it will be dubbed into Italian.<br />
Spanish, German, French and Japanese. It<br />
is scheduled for a Christmas release by Warner<br />
Bros. -Columbia International but probably<br />
will not be shown in the United States<br />
gome south Florida TV viewers were outraged<br />
when NBC pulled "Darker Than<br />
tmtil next summer.<br />
Amber." Among them was Travis McGee The Apostolic Revival Center, a church<br />
who has a 52 foot barge-type houseboat in located in the old Liberty Theatre at 6702<br />
Fort Lauderdale. "Darker Than Amber" N.W. 15th Ave. here, has been nominated<br />
was to have been the first network showing for the annual Guideposts Church Award<br />
of McGee's adventure, the only one filmed given each fail by the inspirational maga-<br />
so far, with Rod Taylor starring. "McGee"<br />
zine.<br />
The old Liberty Theatre had been vacant<br />
for a decade or so and the building stood<br />
empty when a band of believers resurrected<br />
the 750-seat structure and gave it new life<br />
as a church. That was four years ago. The<br />
partment.<br />
band of believers, headed by Elder G.S.<br />
Smith consists of 175 members, 350 worshipers<br />
and a staff of 13 associate ministers,<br />
all laymen. The ministers carry on various<br />
programs around the world and at<br />
home—in jails, on streets corners, through<br />
evangelism, marriage counseling, a school<br />
in Haiti, radio services, bus ministry, etc.<br />
Free 'Moonfleet' Showing<br />
BROOKLINE, MASS.— "Moonfleet." the<br />
MGM 1955 release co-starring Stewart<br />
Granger. George Sanders and Joan Greenwood,<br />
was shown at the Brookline Public<br />
Librarv. Admission was free.<br />
Cobb's 'Super Cellar' Is<br />
A Hit With Teenyboppers<br />
(Continued<br />
page SL-1)<br />
but "more than the fire marshal would like<br />
to see."<br />
Now there is a security guard who keeps<br />
an eye on crowd size, and lines have been<br />
forming outside to get in.<br />
Cobb Theatres has had to require a minimimi<br />
purchase from people using the tables<br />
in the restaurant, which seats about 100.<br />
because of the appeal of the disco.<br />
"We were forced to try the minimum because<br />
a lot of kids would just come and<br />
dance. If people came in to have dinner,<br />
there was no place to sit. We don't want<br />
to charge a cover," said Norman Levinson,<br />
executive vice-president of Cobb Theatres.<br />
Inc.<br />
Turbett said apparently there was a real<br />
need for a teenage discotheque. "It gels<br />
them off the streets. A lot of discos don't<br />
let them in because of the liquor." he said.<br />
Levinson says Cinema City offers entertainment<br />
for all the family and is not just<br />
"a teenage hangout." What it is, he says,<br />
is the "ultimate entertainment center" and<br />
the only one of its kind in the country.<br />
"The theatre is for the family and so is<br />
downstairs," he said.<br />
Whatever it is, Levinson said the movieentertainment<br />
complex is very successful.<br />
He said he has received a number of phone<br />
calls about the concept from across the<br />
coimtry and "compliments galore."<br />
Levinson estimates 20,000 people visited<br />
the theatre during a week's time, with about<br />
half that number venturing into the Super<br />
Cellar during the same period.<br />
Editor's Note<br />
A credit line was inadvertently omitted<br />
from a photograph which ran in the July<br />
31 issue of BoxoFFiCE.<br />
The photograph, showing Norm Levirson<br />
and R. C. Cobb in front of Cobb Theatres'<br />
new Cinema City 8. was courtesy of<br />
the Birmingham News Photographic De<br />
Lee Canaan Names King<br />
New Account Executive<br />
NEW YORK—Lee Canaan, president<br />
and founder of the public relations firm.<br />
Lee Canaan Associates, Ltd., announced the<br />
appointment of Bernard King as account<br />
executive.<br />
King was the general manager associate<br />
producer of Music Fair Enterprises. Inc.,<br />
manager of creative affairs for the American<br />
Film Theatres and an executive with<br />
Actors Equity Ass'n.<br />
BfA^B Sound and<br />
Nationwide<br />
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on all brands.<br />
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460B Bibb Blvd Tjcker, Ga 30084<br />
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FLORIDA THEATRE<br />
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don't miss Uic famous Don Ho ^^<br />
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Show ... at Cinerama's • ^ .-<br />
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[lAWAIji<br />
EOXO.-FICE :: August 7. 1978
John tt!i>-nc, Honorar>' Crusade Chaii<br />
aybe well cure cancer<br />
without your help^<br />
but dorft betyour life on it<br />
The way it stands today, one American out of four will someday ha\e<br />
cancer. That means it will strike some member in rvvo out ot three<br />
American families.<br />
To change those statistics we ha\e to brint:: the promise ot research to<br />
everyday realit>'. And to expand our detection program and techniques.<br />
And that takes money. Lots ot money. Money wo wont ha\o — unless<br />
you help us.<br />
The American Cancer Society will no\or i^i\c up the ti^ht. Mavbe we'll<br />
find the answers even without your help. But doii t bet yiuir lite on it.<br />
American Cancer Society<br />
I,<br />
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BOXOrriCE AukuM 7.
Alamo City Hosts Film<br />
Tryouts; Turnout Big<br />
SAN ANTONIO—Carol Burnctl and<br />
Joan Crawford move over—San Antonio<br />
may soon claim two more hometown Hollywood<br />
stars, it was reported by Michael<br />
Quintanilla. That was the assessment of a<br />
Warner Bros, casting director who was in<br />
the Alamo City recently scouting local talent<br />
for the leads in the company's feature<br />
film "King Kobra."<br />
"I can surely say that the trip to San<br />
Antonio has been well worth it. We've already<br />
found some good actors here and<br />
some will be considered for the parts, but<br />
we still have a lot more to see," said Shari<br />
Rhoades, who is casting for the leads.<br />
Slarry-Eyed Hopefuls<br />
Her casting call for the film, to start production<br />
in Los Angeles this month, started<br />
at 9:30 a.m. at the downtown Holiday Inn.<br />
She was met by about 1 1 starry-eyed Hollywood<br />
hopefuls.<br />
The two roles being cast are for Mexican-American<br />
males. The lead role is that<br />
of a 15-year-old boy involved in the world<br />
of street gangs. The second lead is for the<br />
older brother, about 21, who was a former<br />
member of the same barrio gang. The latter<br />
is<br />
trying to help his younger brother stay out<br />
of trouble. Miss Rhoades explained.<br />
While some of the aspiring actors nervously<br />
chewed on fingernails, paced the hallway<br />
and frantically tapped their feet, others<br />
teamed up to rehearse the five-page script<br />
of an emotional scene.<br />
Valdemar Dela Garza. 22, and Robert<br />
Calderon, 15, teamed up and rehearsed the<br />
scene in a vacant room. "Sure I'm nervous.<br />
This is the big time." Calderon said.<br />
Frank Gonzalez, 16, complaining of butterflies<br />
in his stomach turning into bats, said<br />
the reading was worth a chance to stardom.<br />
"I'm going to see if I can get in there and<br />
do it— get the part," he said with a gleam<br />
of determination.<br />
Frowns Precede<br />
Relief<br />
Others entered the room—some with acting<br />
credits a mile long,<br />
others claiming zilch<br />
in the drama department—and exited with<br />
sad frowns, exuberant faces, but most of all<br />
relief. "This is exciting. Now I can say I<br />
auditioned for a real Hollywood movie even<br />
if nothing comes of it. I mean, someone<br />
from Hollywood, taking time out, coming<br />
here," Steven Martinez, 21. said after reading<br />
for one of the parts.<br />
Miss Rhoades said that within two days<br />
actors considered for the part would be<br />
called in for a final reading for director<br />
Michael Pressman. Pressman's latest film is<br />
"The Bad News Bears in Breaking Training."<br />
"Who knows what will happen after<br />
that," she said. She noted the film company<br />
had scouted Los Angeles and New York but<br />
were looking forward to San Antonio "because<br />
it's a good city to try for a Chicano<br />
turnout. I've been very pleased."<br />
BOXOFHCE August 7, 1978<br />
Rocky Horror Cult Phenomenon Hits<br />
Sooner State, Plays to Odd Audiences<br />
OKLAHOMA CITY—A cult<br />
phenomenon<br />
which is sweeping the rest of the country<br />
has arrived in Oklahoma. According to<br />
reports in<br />
the Oklahoma City Times and the<br />
Tulsa World, the film which has run for<br />
over a year in Denver, Kansas City, Los<br />
Angeles, Dallas, San Antonio, Houston and<br />
Austin, finally arrived in the Sooner State.<br />
It's "The Rocky Horror Picture Show" and<br />
it has been playing the Will Rogers and<br />
May theatres here and the Southside Cinema<br />
in<br />
Tulsa.<br />
Cult Film<br />
Reaps Profits<br />
Cult films are offbeat pictures with immense<br />
appeal for limited audiences, the<br />
Times said, "Harold and Maude" and "The<br />
King of Hearts" are other examples. Often<br />
of fans coming back again and again,<br />
"Rocky Horror" is the midnight movie<br />
attraction at the Southside in Tulsa, according<br />
to manager Suzanne Fromtling, and will<br />
remain there for a year. Jack Olcott, May<br />
manager, says: "I'm going to play it as long<br />
as people keep coming to see it."<br />
Screened at Midnight<br />
Last winter the film was screened hen.<br />
for several weeks as a "midnighter" at the<br />
MacArthur Park Cinema 4. Now it has been<br />
brought back by the Denver-based circuit<br />
which operates both the Will Rogers and the<br />
May. "We'd only have played it a week as<br />
a regular feature," adds Paul Tompkins,<br />
manager of the Will Rogers. "But the way<br />
to develop it is as a midnight feature."<br />
But just what is all the fuss about? asks<br />
the Times.<br />
"Rocky Horror" was created for the stage<br />
by Richard O'Brien, first playing at a small<br />
London Theater in 1973. That year, it was<br />
named best musical in the London Evening<br />
Standard's poll of drama critics.<br />
The show progressed to runs on Broadway<br />
and Los Angeles. Then music producer<br />
Lou Adier bought the screen rights, and a<br />
film was made in 1975.<br />
Classic<br />
Horror Elements<br />
"Rocky Horror" blends many classic<br />
horror<br />
and science fiction film elements. It's<br />
the story of a straight-laced young couple<br />
who stumble upon a remote castle. There, a<br />
hedonistic group of aliens is partying, led<br />
by Dr. Frank N. Furter, who's making a<br />
Frankensteinian creature named Rocky.<br />
Amid its boisterous pop music score.<br />
"Rocky Horror" is marked by leering, anything-goes<br />
sexuality. But there's no nudity<br />
on screen—the naughtiness is talked about<br />
and implied, rather than enacted.<br />
Tim Curry, from the Broadway show,<br />
portrays Frank N. Furter. Other stars are<br />
Susan Sarandon (of "Pretty Baby" and "The<br />
Other Side of Midnight"), singer Meat Loaf,<br />
Barrv Bostwick (of the Broadway version of<br />
"Grease") and the play's author, O'Brien.<br />
O'Brien's music also has been revived,<br />
with soundtrack sales totalling more than<br />
300,000 copies.<br />
Olcott said the film's success stems from<br />
audience participation. "It's the adult version<br />
of 'Frankenstein' with a twist," he said. "It<br />
creates a party mood which people enjoy<br />
Half the fun of seeing the film is being in<br />
the audience and taking part in it."<br />
Olcott said<br />
Audience Sings Along<br />
viewers sing along with songs,<br />
hiss the narrator, throw rice in the air during<br />
a wedding scene and hold up lighted<br />
matches during another sequence. Also,<br />
about a dozen people each week come garbed<br />
in costumes from the film.<br />
these films attract sparse crowds in their Olcott said he considers the movie "a<br />
initial release. But when revived as weekend party in itself. One week, about 15 persons<br />
midnight features their fortunes sometimes<br />
with and<br />
were down in front dancing at the conclusion,"<br />
soar, a loyal, often weird, cadre<br />
he noted.<br />
"This picture doesn't appeal to a mass<br />
market," he concluded. "It's really sheer<br />
madness. But there's nothing really objectionable<br />
about it. It's just a very funny picture<br />
which was done with old-time moviemaking<br />
in mind."<br />
Texas County Cooperates<br />
In Filming of 'Red Ryder'<br />
LL PASO. TEX.—A potentially impressive<br />
film has been in the making in this area<br />
for the past few months, according to Film-<br />
Texas. It is "When You Comin' Back, Red<br />
Ryder?", produced by Paul Maslansky and<br />
Marjoe Gortner for Mel Simon Productions.<br />
Based on the original play by Mark<br />
Medoff, the screenplay, also by Medoff,<br />
deals with "the mind games of a semideranged<br />
Vietnam vet and dope smuggler<br />
(played by Gortner) who corners a group of<br />
seminormal citizens in a small-town diner<br />
and gives them all a thorough psychological<br />
workout," the Te.xas Film Commission reports.<br />
The cast includes, besides Gortner, Lee<br />
Grant, Peter Firth, Pat Hingle, Candy<br />
Clark and Hal Linden. Milton Katselas is<br />
director of the film.<br />
The company, FilmTexas continues, enjoyed<br />
excellent cooperation from local citizens<br />
and officials, including former film<br />
commissioner Norma Mayo. A portion of a<br />
major highway in nearby Fabens was closed<br />
by El Paso County officials for three weeks<br />
to accommodate some of the shooting.<br />
Of course, the community profited financially<br />
in the form of company and crew<br />
expenditures, and enjoyed being part of this<br />
major production, the publication concludes.<br />
Trans-Atlantic Enterprises has acquired<br />
rights to Leslie Fiedler's book, "Freaks:<br />
Myths and Images of the Secret Self" and<br />
plans to make a documentary feature with<br />
shooting to start in October.
. . . Rudy<br />
. .<br />
—<br />
. .<br />
AS<br />
HC iSTON<br />
.
I<br />
SAN ANTONIO<br />
JJicky Cruz, internationally acclaimed crusader<br />
against drugs and violence, made<br />
an appearance July 29 at the Municipal<br />
Auditorium here. Cruz was depicted in the<br />
book and film, "The Cross and the Switchblade"<br />
. . . Dancer Ann Miller who was<br />
seen in a number of musical films drove to<br />
San Antonio from Austin, where she is appearing<br />
in a dinner theatre show, to visit<br />
friend Virginia Mayo, who is appearing in<br />
a dinner theatre engagement in the Alamo<br />
City.<br />
The Theatrical Historical Society, as reported<br />
in BoxoFFiCE, met here July 16 and<br />
17 and was given a walking tour of the<br />
downtown movie palaces Sunday, July 16.<br />
Members of the society enjoyed a display of<br />
the special effect lighting in the auditorium<br />
of the Texas Theatre. The sky and garden<br />
effect as well as the lighting of the murals<br />
was restored by the theatres chief maintenance<br />
engineer Robert Nigri, who spent many<br />
hours working on the lighting. Don Mosher,<br />
owner of RG Theatres, and William Burns,<br />
city manager of the circuit, also served as<br />
hosts to the fellow society members. Burns<br />
also has been serving as the treasure<br />
for the<br />
society. The Texas also was opened to the<br />
public Monday morning for a picture taking<br />
session.<br />
Warner Bros, is conducting a search in<br />
the San Antonio area for an unknown 15<br />
20-year-old, handsome young man to star<br />
in an as yet unnamed full-length motion<br />
picture. Vic Ramos, Warners' New York<br />
casting director, will be holding auditions<br />
in Dallas. He says he is hoping to find an<br />
Anglo-Saxon with dark hair and pale eyes,<br />
an air of British nobility, tall, slender and<br />
lithe. Ballet or gymnastic training would be<br />
advantageous, Ramos said. The picture<br />
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DOCTOR IN HOUSE—"Dr. Samuel<br />
Spitz," noted "love doctor" paid a<br />
vi&it to the new Cinema 6 complex in<br />
Temple, Tex., recently to check patron.s<br />
for "Saturday Night Fever." The doctor,<br />
who actually is Garry Gibbs, Showtown<br />
manager, found fun and good<br />
publicity rather than any illness. Pictured<br />
are (from left to right) KTCM<br />
deejay Bob Kelly who conducted an<br />
interview with the phony physician, the<br />
"Docotor" and Miss Maureen Blake<br />
who underwent test.s. Not pictured is<br />
Bing Bengtsson, Cinema 6 manager and<br />
engineer of the unique promotion.<br />
deals will a child lost in the jungle who<br />
grows up with apes. Ideally, the character<br />
will have an untamed, even frightening manner<br />
but with charisma and charm. Interested<br />
actors are asked to contact Don Dailey<br />
in San Antonio at extension 224-8570 between<br />
the hours of 1 1 a.m. and 2 p.m.<br />
Big John Hamilton lost his pet poodle<br />
Buck who would have been 15 years old.<br />
Buck's death came while Hamilton was in<br />
Hollywood on a film assignment. Hamilton<br />
was on location in Palm Springs for the<br />
shooting of "Flying High," a TV pilot in<br />
which he plays the lead heavy. Big John<br />
also will be seen in a forthcoming episode<br />
of "Dallas." While in Hollywood he renewed<br />
acquaintances with John Wayne, with<br />
whom he has appeared with in a number of<br />
ilms, and Jimmy Stewart . . . Thunderstorms<br />
dampened the enthusiasm of a fre<br />
sundown showing of "Rocky" recently at<br />
ihc Sunken Gardens Theatre, causing the<br />
vhow to be postponed for a day. The screening<br />
was sponsored by the parks and recreation<br />
department. The film was named<br />
best picture of l'.>76 and stars Sylvester<br />
Stallone.<br />
Bob Polunsky. whose "Micker Footnotes"<br />
appear in the Light, was on the north shore<br />
111 the Hawaiian island of Oahu at the premiere<br />
showing of "Revenge of the Pink<br />
Panther." In the audience were Peter Sellers,<br />
Herbert l.om, Dyan Cannon, director Blake<br />
Edwards, composer Henry Mancini and<br />
Burt Kwouck. Also present were comedian<br />
Steve Martin, Bernadettc Peters, Julie Andrews<br />
and Tony Adams, executive producer.<br />
The film is at the New Laurel Theatre . . .<br />
William Burns, city manager of RG Theatres,<br />
which has headquarters here, reported<br />
that the circuit has just acquired the Citrus<br />
Theatre in Edinburg.<br />
Miami Ad Man, Writer New<br />
WKAT Criticat-Large<br />
MIAMI—Nicholas F. Spanos, local<br />
screenwriter, journalist and head of his own<br />
advertising agency (The P. A. System), was<br />
appointed entertainment editor and critic-atlarge<br />
by WKAT Radio here. He joins<br />
WKAT's popular morning program "The<br />
Informer" from 6 to 10 a.m. and will cover<br />
not only motion pictures but legitimate theatre,<br />
nightclubs, TV and various tourist and<br />
entertainment attractions in two states.<br />
In making the announcement, Sid Levin,<br />
e.\ecutive vice-president and general manager<br />
of WKAT, said: "Nick Spanos fills an<br />
obvious vacuum in our news-oriented morning<br />
show and it's hard to find someone with<br />
his talent and credentials in filmmaking and<br />
journalism.<br />
Spanos added, "I've eliminated any and<br />
all conflict of interest with my advertising<br />
agency, handling exclusively nonentertainment<br />
accounts and clients. I plan to funnel<br />
as much time and energy into this as possible.<br />
I may even review my own film<br />
'Whiskey Mountain' negatively."<br />
Spanos graduated from the University of<br />
Southern California in 1967 with a BA degree<br />
in cinema and journalism. He wrote<br />
or the Los Angeles Times while an undc<br />
graduate student.<br />
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August 7, 197S SW-3
I<br />
I<br />
DALLAS<br />
YA : .jrtipleied 32 years of serv-<br />
liiicrsiaie Theatres Friday.<br />
Schind many fellow work-<br />
•M. Shw' carries with her<br />
memories to fill a book<br />
.utement and glamour of be-<br />
, ...i;!\e secretary for "the No. I<br />
; K.. . uiii in Texas." She started with<br />
I'lictMale m IV46 with such top executives<br />
.,, Karl Hoblitzclle. R. J. ODonnell and<br />
John .Adams in the city's most deluxe showplace,<br />
the Majestic Theatre Building on Elm<br />
Sire.t where celebrities were seen coming<br />
and going as frequently as if they were on<br />
Broadway. .As time marched on she was<br />
executive secretary to W. K. Mitchell. Raymond<br />
Willie and her current boss Joe Jackst»n.<br />
Hach in his own way made an individual<br />
and indelible impression in her book of<br />
memories.<br />
Martha says she has loved every part of<br />
her .^2 years in the exciting and ever-changing<br />
world of entertainment and knows there<br />
will be times when her eyes will fill with<br />
tears after leaving the industry she has loved<br />
so much. But she knows that she made<br />
the right decision and can enjoy many<br />
memories. She says she is happy that her<br />
association with the industry started at a<br />
time when it was truly an exciting event to<br />
have the movie stars visit in her office,<br />
and some, like Bob Hope, seem close enough<br />
to be a part of her family.<br />
Martha not only will be missed by her<br />
fellow-workers but WOMPl will miss her<br />
too. as she always was eager to help in<br />
various service projects even though she<br />
was not a card carrying member. She was<br />
proud of WO.MPIs contribution to the community<br />
and to the industry and showed her<br />
interest in any way she could. We all wish<br />
her an enjoyable retirement.<br />
Juanita White has moved her Ind-Ex<br />
Booking Service office irom ou^-.X. 5()ii<br />
South Ervay to the first floor of the same<br />
building, officing now at I24-A. The telephone<br />
remains the same. 741-1974. The<br />
move was effective as of Tuesday ( 1 ).<br />
Paramount employes enjoyed a luncheon<br />
Jul> 27 honoring branch manager Royce<br />
Brimage who left the Dallas office to become<br />
district manager in Jacksonville. Fla.<br />
He will work under Wayne Lcwellcn. division<br />
manager in the Dallas office. We extend<br />
best wishes to Royce in his new assignment<br />
. . . Tery Kierzek replaces Brimage<br />
as Dallas branch manager.<br />
Paramount also announced a preview of<br />
the comedy "Up in Smoke." starring<br />
Checch and Chong. The sneaks were held<br />
in Dallas. Fort Worth. Houston and San<br />
.Antonio Friday (4). and will open in Texas<br />
Friday (11).<br />
"Go Modem...For All Your Theatre Needs'<br />
Bennie Lynch of Grimes Film Booking<br />
says they plan to spend a lot of money for<br />
a good radio promotion of their comedy<br />
"The World's Greatest Kicker." She suggests<br />
theatres book this now in time for the<br />
football season opening here the week of<br />
September 15.<br />
Cinema Centers Corp. Buys<br />
Twin Theatre in Lewiston<br />
BOSTON—Cinema Centers Corp.. areabased<br />
affiliate of Theatre Management<br />
Services, has purchased the Northwood<br />
Twin Cinema in Lewiston, Me., from General<br />
Cinema Corp., it was announced.<br />
Located in the well-known Northwood<br />
Plaza Shopping Center, the modern 800-seat<br />
twin complex boasts the latest and finest in<br />
projection equipment and patron comfort.<br />
Cinema Centers, along with its affiliate,<br />
owns and operates the Promenade Twin<br />
Cinema and Lisbon Drive-In in Lewiston.<br />
along with over 50 screens in New England,<br />
New York and the Midwest.<br />
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OKLAHOMA CITY<br />
Jack WheUhaii. uiircd ;Uih Ceniiir>-Fo\<br />
salesman, made his first hole-in-one<br />
29 at the Lake Heffner South GoU<br />
July<br />
Course. Witnesses were Frank .McCabe and<br />
Audie Adwell of Video Independent Theatres,<br />
Jerry Malone and Eddie Greggs ot<br />
United Artists and Pete Williams. Jack has<br />
told us many times recently that he intended<br />
to quit the game, but now we think he will<br />
play a little while longer.<br />
Jay and Patty lAtag are the new owneri<br />
of the Liberty Theatre in Konawa. This is<br />
their first experience in the business . .<br />
In to take care of film chores were Jerry<br />
Marshall of the Circle Theatre in Waynoka<br />
and Max Hamm of the Hankings and<br />
Mount Scott drive-ins in Lawton.<br />
.<br />
J.A. "Smitty" Smith, retired Columbia<br />
salesman, was in town to visit with film<br />
. . Bruce Westbrook,<br />
friends and son Jim<br />
Sunday Oklahoman reviewer, says of "Revenge<br />
of the Pink Panther": "As usual Sellers<br />
and Blake Edwards (a Tulsa native)<br />
cook up some fanciful stunts and slapstick,<br />
to make this a very entertaining film."<br />
New films on local screens; "International<br />
Velvet" from MG.M-UA. "Eyes of Laura<br />
Mars" from Columbia. "Five Days From<br />
Home" from Universal and Warner Bros.'<br />
"Hooper" . . . Tulsa marquee changes:<br />
"The Driver" and "Hooper."<br />
A Midwestern film buyer did an informal<br />
survey of all the films that seem to be do<br />
ing business these days and devised this dynamite<br />
plot outline: "The film is about a<br />
shark who drives an 18-whecler rig and<br />
spends a lot of time on his CB radio.<br />
The entire film is set to '50s rock n roll,<br />
with John Travolta playing the part of the<br />
shark and Darth Vadcr as his "good buddy.'<br />
"<br />
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Truckers Find Ozoner<br />
Welcome Slop on Road<br />
MILWAUKEE— Because truckers cannot<br />
get their big vehicles under the gates at<br />
drive-ins. they go to the movies in ordinary<br />
cars— which for them is not the same<br />
thing. That is. until John Anoszko. who<br />
owns and operates the 59 Outdoor located<br />
just east of Waukesha and west of here,<br />
opened up a service road to accommodate<br />
the truckers. This idea has been received enthusiastically<br />
with more and more of the<br />
rumbling rigs showing up.<br />
It all started about three years ago. in<br />
1975. when Milt Rusch. a trucker from<br />
Waukesha who used to appear at the drivein<br />
with a semi-trailer truck full of his<br />
friends, hit upon the idea of hauling a flatbed<br />
behind his semi-trailer. The film feature<br />
happened to be "White Line Fever." and<br />
Rusch decided to make a real live party<br />
out of it. The idea caught on. Soon other<br />
truckers also were hauling flatbeds. "This<br />
whole thing seems to mushroom each year."<br />
says Anoszko. "These people really have<br />
themselves a good time." Not only is there<br />
room to dance on a flatbed, but there's<br />
room also to rela.x in lawn furniture, play<br />
cards at card tables, tend to brats and cooking<br />
grills, and quaff some of the brew that<br />
Milwaukee is noted for—from half barrels.<br />
On a Saturday night in July, standing<br />
outside the drive-in entrance near the marquee<br />
which listed a triple offering "Cannonball."<br />
"Gumball Rally" and "The Swarm."<br />
was a long double line of diesel trucks.<br />
Earlier this summer when he booked "Convoy"<br />
(all about CBs and trucker power),<br />
which appeared to be a natural attraction<br />
for truckers, Anoszko contacted Rusch and<br />
plans were made for another flatbed party.<br />
However, it was postponed until July when<br />
it became known that most of the truckers,<br />
those regarded as drive-in regulars, were<br />
on the road.<br />
When Journal reporter Ron Elving asked<br />
Anoszko (who collects a per head admission<br />
before a truck and its flatbed can roll<br />
on in) if there are any problems, he replied:<br />
"Ifs just one helluva big picnic. Everybody<br />
gets along fine and has a good time. Ifs<br />
always been a clean deal."<br />
In what has become a traditional<br />
practice<br />
with the truckers, as their convoy rolled into<br />
the drive-in grounds, they first made several<br />
tours of the lot while blasting their air<br />
hoses. They then parked, fired up the grills,<br />
tapped the beer and settled down to chat<br />
and watch the features.<br />
New Haven's Loews College<br />
To Be Razed by Rosencrantz<br />
NEW HAVEN—Nathan Rosencrantz.<br />
president of Rosencrantz Associates, disclosed<br />
plans to raze the long-shuttered,<br />
1,200-seat Loews College Theatre, with intent<br />
of donating memorabilia to area nonprofit<br />
organizations.<br />
The Rosencrantz interests acquired the<br />
cinema and adjoining property two years<br />
ago for some $750,000.<br />
Theatre Once a Plush Picture Palace<br />
GRAND ISLAND. NEB.— Longtime<br />
area residents remember the Capitol Theatre<br />
as the plushest movie palace and vaudeville<br />
theatre in town during the golden age<br />
of Hollywood, according to Jeff Sorcnsen<br />
of the Daily Independent. His story about<br />
the venerable house is reprinted, in part,<br />
below.<br />
Opening in March 1927 with the silent<br />
film "The Love Thief" starring Laura La<br />
Plante, the Capitol featured hundreds of<br />
comedians, singers and vaudeville performers<br />
over a period of 25 years.<br />
Gish, Stanwyck, Others<br />
Such well-known stars as actresses Lillian<br />
Gish and Barbara Stanwyck and magician<br />
Harry Blackstone played on the stage<br />
of the Capitol, a theatre once decorated in<br />
a grand, elaborate style.<br />
"Everything was done with a lot of showmanship."<br />
explains Wally Kemp, who managed<br />
the theatre in 1937 and from 1940<br />
until 1951.<br />
"It might have been kind of corny, but<br />
we liked it." he says. "Nowadays they come<br />
in and want to see Robert Redford. and the<br />
surroundings and luscious seats don't mean<br />
a lot—that stuff is gone with the wind."<br />
Kemp reports that the ceiling was once<br />
dark blue and was sprinkled with flickering<br />
stars and that a machine created an optical<br />
illusion above of moving clouds. Artificial<br />
vines and colored lights covered the walls,<br />
and sculptures adorned the boxes on either<br />
side of the stage. A maid was kept on duty<br />
at the mezzanine level, which was once a<br />
plush lounge with tapestries and luxurious<br />
chairs.<br />
.At that time, the bill tor an evening often<br />
included a feature-length movie, a newsreel<br />
film, several musicians and a comedian. The<br />
silver screen was then on counterweights<br />
and could easily be moved up and other<br />
backdrops put down in its place for stage<br />
shows, he recalls. Dressing rooms were kept<br />
for traveling performers, and the Capitol<br />
Orchestra filled the pit in front of the stage<br />
near the Wurlitzer "wonder organ."<br />
Organ Has Been Sold<br />
Like maiiy of the other furnishings in<br />
the theatre, the organ has been sold, and<br />
Louella Davis, the current Capitol manager,<br />
says she thinks the instrument is still in<br />
town, but efforts to locate it have so far<br />
been unsuccessful.<br />
Kemp explains that during the '.^Os and<br />
'40s an artist was hired by the theatre to<br />
design displays and posters, which often<br />
filled the lobby and showcase. He says that<br />
"it was after World War II when things<br />
changed. Then the old atmosphere didn't<br />
sell tickets anymore."<br />
The bill changed three times a week, says<br />
the former manager, and admission prices<br />
were as low as 25 cents for the main floor<br />
and 15 cents for the balcony.<br />
When Barbara Stanwyck and her first<br />
husband. Frank Faye. played in the traveling<br />
show "Tattle Tales" here in the late<br />
'.^Os. tents were set up in the alley behind<br />
the theatre to accommodate all the performers,<br />
he explains.<br />
Lillian Gish was in Grand Island in the<br />
late '4(h to star in a stage version of "Bringing<br />
Up Father." according to Kemp. Some<br />
other big-name acts to appear at the Capitol<br />
included composer Sigmund Romberg and<br />
his orchestra and Eddie Foy and his Seven<br />
Little Foys.<br />
Performers could easily be booked into<br />
Grand Island because many of them played<br />
in Omaha and would stop here on their way<br />
to Denver.<br />
Islander Warren Conncll. who worked at<br />
a business across the street from the Capitol<br />
during this time, says that vaudeville and<br />
live touring shows were already on the decline<br />
by the late '20s.<br />
"The movies ruled out a lot of the vaudeville<br />
acts," according to Connell. While the<br />
silent films hurt live theatre a little, the<br />
sound pictures eventually put an end to<br />
most of vaudeville, he says.<br />
Yet in the late '20s and early '30s Islanders<br />
still had a wide choice of live entertainment.<br />
The Bartenbach Opera House pre<br />
sented traveling shows, the Majestic Theater<br />
featured vaudeville acts and the Michelson<br />
and Empress Theatres and the Liederkranz<br />
offered live performances.<br />
Fred Travelena Promotes<br />
'Buddy Holly' in Kenosha<br />
KENOSHA. WIS— Actor Fred Travelena<br />
made a personal appearance at the<br />
Roosevelt Theatre here recently to promote<br />
a local run of "The Buddy Holly Story."<br />
Travelena portrays the deejay who is determined<br />
to play a Buddy Holly song,<br />
"That'll Be the Day." on the air for 24<br />
consecutive hours and locks himself in the<br />
studio to do so.<br />
At the Roosevelt, he signed autographs<br />
for at least an hour and chatted with fans.<br />
He also did a live broadcast from the theatre<br />
lobby with "Big Tom" Rivers over<br />
WRKR-AM-FM of Racine. The comedianimpressinonist<br />
then met with other local<br />
media representatives at a press luncheon.<br />
Travelena's father, also named Fred, was<br />
a singing waiter with Frank Sinatra in New<br />
Jersey in the 1930s. The younger thespian<br />
sa;d Sinatra also had aided his career. He<br />
has appeared on the "Tonight Show" and<br />
other TV talk and variety shows.<br />
UA Dominates NY Theatres;<br />
Three Films on 200 Screens<br />
NEW YORK— United Artists has been<br />
dominating the Greater New York area recently<br />
with three major films playing at<br />
nearly 200 theatres, it was announced by<br />
Al Fitter, senior vice-president for domestic<br />
sales.<br />
The pictures are "Con\o\" which has<br />
played al 63 Red Carpet theatres: "The<br />
End." which opened July 5 at 50 Premiere<br />
Showcase theatres, and "The Last Waltz,"<br />
which has been slotted at 13 select theatres,<br />
including the Ziegfeld.<br />
BOXOFFICE :; August 7. 1978 NC-I
I DeKclir*<br />
'<br />
A<br />
'<br />
Color 'Panther' Green<br />
In Minneapolis Dates<br />
MINMiAI'OI.IS-HK- l';nk r..iMh.-:<br />
Cok or<br />
threatening, it was a week litcrallv designed<br />
in heaven (or exhibitors hereabouts. -And<br />
speaking of that lofty place. "Heaven Can<br />
Wait" in a fourth week still was a divine<br />
750 at the Park Theatre. -Sgl. Peppers<br />
I-onelv Hearts Club Band" had an odd bow;<br />
It was indifferently received at the .Academy<br />
but scored heavily at the .Souihdale<br />
and ended up with an over-all 215. "Dona<br />
I- lor and Her Two Husbands" at the Kdina<br />
II made up a trio who attracted a 2.^0.<br />
Other newcomers hit close to the average<br />
mark, except "Dear Inspector" at the<br />
World. It gasped out a 50. indicating very<br />
litil.'<br />
inspecting, indeed.<br />
(Avt^rag* Is lOO)<br />
Academy. Souihdale—S«1. P«pp*r's Lanely<br />
-" " - (Univ), Isl wk<br />
e—|aw( 2 (Univ). 6lh wk<br />
(Co!). Sth wk<br />
>T«ng« ol Itie Pink PoDllie<br />
:—Dona Flor and Her Two Huabands<br />
al Valvol (MGM)<br />
Small Community Screens<br />
Classic Pictures Weekly<br />
k \\1 NN A \l I', I av lilms. sponsored<br />
b> ihc .Mid- Nebraska Community Action<br />
Program, are being screened here weekly,<br />
according to the Cirand Island Daily Independent.<br />
I he pictures are exhibited for the<br />
public Wednesday evenings at H p.m.<br />
Beginning July 12. the series will run<br />
until Wednesday (2.^), lilms already shown<br />
M \\ SI VI I I KS \l SI NN—<br />
NchI> appointed .Minneapolis branch<br />
nianu)>er for Sunn Classic Pictures is<br />
Randy Green, it was announced recently.<br />
Ctreen (pictured above) has accumulated<br />
several >ears in the industry<br />
and will lend much to the future<br />
growth of the Twin Cities operation,<br />
the company .says. Most recently he<br />
served as operations supervisor in the<br />
area. Also new In the Minneapolis office<br />
are Brian Erickson, operations assistant,<br />
and Nancy Tupper, secretary.<br />
New .*Siiiin offices are located at 5325<br />
West 74th St., Kdina.<br />
Successful 'Heaven' Promo<br />
Puts Manager on Cloud 9<br />
PORT WALTON BKACH. FLA.—<br />
simple but effective idea was used recently<br />
to promote the opening of "Heaven Can<br />
Wait" at Ihc .Santa Rosa Cinema 3 here.<br />
Manager Tony Bruguiere of the Ogden-<br />
Perry-owncd theatre, together with WNUE<br />
Radio, created the "Heaven and Angel"<br />
weekend. Ad spots worth SI. 700 were<br />
played 350 times over a 60-hour period,<br />
urging listeners to call in to win a trip to<br />
"heaven" with their very own "angel." Suc-<br />
include "My Name Is Nobody," "How to<br />
Irame a ligg" and "Cockeyed Cowboys of cessful callers won passes to the theatre and<br />
Calico County." Future movies are "Rooster became eligible for the grand prize, a sevenfoot<br />
tall cardboard cutout of Warren Beatty<br />
Cogbum." "McHale's Navy Joins the Air<br />
I 1 tree" .iiul "Angel in .Mv Pocket."<br />
with angel wings.<br />
Design — Sales<br />
Installafion — Service<br />
Xe^^'<br />
^a t!>f<br />
Ci-^'<br />
%o<br />
PO Box 16036<br />
Minneapolis, Minn 55416<br />
(612) 920 2910<br />
MINNEAPOLIS<br />
Jhe .Midwest Knlertainment annual golf<br />
,>uting was held July 24 at the Forest<br />
Hills Golf Club in nearby Forest Lake, and<br />
was a huge succe-s. Totally perfect weather<br />
combin^-d with the golfing ard th; cveni\<br />
other lures left Filmrow a virtual "ghost<br />
town." The golfers and all other attendees<br />
gav.' the outing "rave reviews."<br />
Don Palmquisi, 20th Century-Fo\ branch<br />
oflic' manag.-r. is back at his desk full time<br />
follciwing his Ma\ 25 heart attack. Palmquist<br />
has his old zest and zing— but don't<br />
offer him a cigaret: He quit "cold turkev."<br />
"How could anyone have such a foul habit?<br />
demands the reformed pack-puffer.<br />
The Revilla Theatre, Renville, owned and<br />
operated by Jim Yates, closed July 21 . . .<br />
Roger Dietz. former Columbia branch manager<br />
here and now in Grand Rapids. Minn .<br />
heading up the Rialio. Rapids and Pine III<br />
Drive-In. is battling back from a recent illness.<br />
Dietz would greatly appreciate phone<br />
calls or cards and letters from his countless<br />
area friends and cronies.<br />
Most area exhibitors will hate to see this<br />
particular summer end. "It's been an excellent<br />
season." they chorus. Often-rainy<br />
weather has translated into moviegoing<br />
weather— and yet enough nights have been<br />
clear that the drive-ins ar* sharing in the<br />
bounty. One exhibitor said: "It's really been<br />
generally strong since last October. ' Current<br />
attractions are so strong that lengthy runs<br />
are clearly indicated, and major companies<br />
are scrambling for screens as the summer<br />
rolls toward its close.<br />
"Star Wars" in rerelease h.is been sensational.<br />
It's not improbable that when the<br />
picture is "vaulted." in September, its gross<br />
total will be close to a quarter of a billion.<br />
Incredible . . . Frank Zanotti. Universal<br />
branch chief, gave "The Greek Tycoon" a<br />
quick sub-run break in the Twin Cities area,<br />
springing the boxofficc success of July 2S<br />
'Grease' Promo Involves<br />
Radio Station Giveaways<br />
I'll ISIU RCill ReJslonc Ihcilrcs pub<br />
licity director lid Knudson and his associates<br />
engineered an eflcciive promotion for<br />
their Showcase Cinema run of "Grease."<br />
With the cooperation of W.XKX Radio.<br />
"Cirease pax" were given awa\ bt.-twxvn<br />
luniiK promotions of the film.<br />
Vhk^'A.<br />
LOW PRICE<br />
FAST SERVICE<br />
;iuw siMvicr company<br />
ioxon ii_L
. . South<br />
. . excellent<br />
. . low<br />
. . located<br />
. .<br />
. .<br />
MILWAUKEE<br />
Jj^nother full-length film is being shot in<br />
the picturesque North Woods area of<br />
Wisconsin. Marshall Films of Los Angeles<br />
is shooting a science fiction story and got<br />
the cameras rolling shortly after July 4 in<br />
the Lake Tomahawk, Harshaw, Woodruff<br />
and Hazelhurst areas. The movie is as yet<br />
untitled but as the story-line goes, a monster—<br />
part fish, part mammal and part human—<br />
is reported to be murdering people<br />
in the region around Lake Tomahawk. The<br />
local sheriff whose job it is to stop the<br />
monster is played by screen veteran Aldo<br />
Ray. Gloria De Haven has a dual role, that<br />
of a grotesque hag (she needs four hours of<br />
make-up time each day to turn her into a<br />
wrinkled old woman) and a middle-aged<br />
pathologist. Another actor, Marshall<br />
Thompson, portrays a doctor. Altogether,<br />
45 actors and production workers are involved<br />
in the filming with the cost estimated<br />
at $1,000,000. Some of the footage also has<br />
been shot in the science laboratory at Minocqua's<br />
Lakeland High School. Michele<br />
Marshall, producer, was counting on completing<br />
the filming by the end of July.<br />
Dale Kuntz, who is organizer and president<br />
of Friends of Old Films, has arranged<br />
a week-long series of silent films to be<br />
shown at the Milwaukee Art Center, where<br />
he is a member of the staff. Beginning<br />
Wednesday (9) with Charlie Chaplin's "Gold<br />
Rush." the series continues with "The<br />
Strong Man," a 1926 film with Harry Langdon.<br />
Douglas Fairbanks stars in "The Black<br />
Pirate" and Lillian Gish in "Broken Blossoms"<br />
(1919). The final two offerings are<br />
"He Who Gets Slapped." a 1924 film starring<br />
Lon Chaney. and "Ben Hur" to be<br />
screened Wednesday (16). The films are to<br />
be shown without charge and all start al<br />
8 p.m.<br />
The Oriental Landmark Theatre on the<br />
city's east side had a tie-in with WZMF<br />
Radio July 29 for "The Grand Finale<br />
Costume Party" with live music in connection<br />
with the midnight showing of "The<br />
Rocky Horror Picture<br />
Show."<br />
"Breathtaking, suspenseful winter scenes<br />
filmed on location in our own Eagle River,"<br />
read the promotional pitch in the newspaper<br />
display ad in an Fagle Rivei weekl><br />
paper as "Damien-Omcn 11" opened a twoweek<br />
run at the Vilas Theatre in July. The<br />
Vilas County News-Review gave the event<br />
good play with the reproduction of three<br />
photos that had been taken while the film<br />
was being made locally. There was the<br />
drowning-under-ice scene involving Lew<br />
Ayres, another of Ayres chatting with Mrs.<br />
R. M. Murphy at whose magnificent lake<br />
home part of the movie was filmed and a<br />
third of actress and Academy Award-winner<br />
Lee Grant as she applied make-up during a<br />
time-out. The news story reviewed the filming<br />
made in the area, stating that "a number<br />
of local adults and children were hired by<br />
the 20th Century-Fox crew to serve as<br />
stand-ins and as the skaters at a birthday<br />
party which culminated in the film drowning<br />
scene." The actors and crew come from<br />
previous filming at Lake Geneva and were<br />
headquartered in Eagle River at the Chanticleer<br />
Inn and four other local motels.<br />
Another photo in the same paper, printed<br />
a week before, had been taken at the world<br />
premiere of the picture in Chicago. It showed<br />
some of the<br />
550 moviegoers who attended<br />
the $100-a-plate social hour and dinner<br />
held at the Chicago City Centre Holiday<br />
Inn. Gentlemen were given a copy of the<br />
book version of the film and ladies were<br />
presented with a long-stem blood red rose.<br />
In keeping with the theme of the picture,<br />
d'nner tables were set with white china on<br />
black tablecloths and featured floral arrangements<br />
consisting of black spider mums.<br />
bla.k leaves, white dais'es. one blood red<br />
rose and a dead branch on which perched a<br />
black raven.<br />
Filmgoers living in .Madison, the state<br />
capital, can take advantage of a bargain<br />
admission of .$1.50 by attend rg either the<br />
West Towne Mall C-nema I & II or East<br />
Towne Mall Cinema I & II before 2 p.m.<br />
Both twin houses are owned and operated by<br />
General Cinema Corp.<br />
The 23 Outdoor near Ripon had a "just<br />
for kids" tie-i.n with the local A&W restaurant<br />
in connection with the Walt Disney<br />
"The Jungle Book." All children, 1 1 and<br />
under, who attended the picture were given<br />
a coupon good at the A&W; "Buy one 25-<br />
cent cone and get one free" . . . It's "ladies<br />
night" every Thursday at the Eagle Outdoor<br />
Theatre. They get in for half price.<br />
'Family Night' Features<br />
Gifts for All Attending<br />
SCOTTSBLUFF. NEB. — The manager<br />
of the Commonwealth Theatres Carena<br />
Drlve-In.<br />
Robert Luehring, staged a "family<br />
night" for the seasonal opening of the<br />
ozoner. Featured was a giveaway of key<br />
chains, coasters and other prizes to all patrons.<br />
During intermission, flying saucers were<br />
hurled from the roof of the concessions<br />
stard with edible prizes offered to those<br />
ca'ch'ng what were really paper plates.<br />
Door County Business & Investment Properties<br />
FOR SALE<br />
1.) A Door County landmark . . . deluxe restaurant .<br />
in Sturgeon<br />
Bay, Wis. ... 2 diningrooms, 2 bars, large kitchen plus rental rooms . . .<br />
terms at $325,000.<br />
2.) Successful Supper Club .<br />
ation . . . $159,000 with terms.<br />
of Sturgeon Bay<br />
The Carisch Theatres 53 Auto Vu at<br />
Rice Lake, Wis., has a flea market and<br />
swapping center every Sunday morning.<br />
Admission is 50 cents per car. A recent<br />
Sunday evening double-bill (with the area<br />
opening for movies at 8:.30 p.m.) included<br />
Disney's "Hot Lead and Cold Feet" and<br />
'Freaky Friday." In this area flea markets<br />
are a regular Sunday feature at 59<br />
Outdoor. 15 Outdoor and Starlite 1. The<br />
15 Outdoor offers free admission to buyers<br />
and sellers and, like 59 Outdoor, has market<br />
hours from 9 a.m. to 4 p.m. Starlite 1<br />
opens its flea market on Sundays at 7 a.m.<br />
In Madison, Mid-City Theatre has a Ilea<br />
market also from 9 a.m. to 4 p.m.<br />
3.) Unique business in Sturgeon Boy area . . . bar v<br />
tal cottage . . . $99,000.<br />
4.) Large Sturgeon Bay Bar .<br />
land contract . . . $150,000.<br />
building<br />
deal family operth<br />
store and separate ren-<br />
down payment .<br />
5.) Rental Property Investment ... 3 brand new 4-1 bedroom apartment buildings<br />
... in new Sturgeon Boy Subdivision ... all presently rented .<br />
$75,000 per building . . . entire complex $225,000.<br />
H<br />
Details upon request all replies confidential<br />
James P. Norton, Broker<br />
J. P. Norton Real Estate, Inc.<br />
149 School St., Chilton, Wis. 53014<br />
phone 414-849-9718—849-9565<br />
IE<br />
August 7, 1978
'<br />
. . John<br />
PES MOINES<br />
M.,<br />
• t'loducikms and Heartland Pro-<br />
K ...4 received awards ai the recent<br />
Distributors Assn convcn-<br />
:•; -.<br />
t Iil;ii<br />
:; ..;•.; ihL- Academy of Cinema Graphic<br />
A:. The two companies walked off with<br />
four o! the seven awards presented. Heart<br />
land won recognition for Sammy" as the<br />
hest<br />
children's film of the year and the star<br />
of that picture. Eric Burr from Pleasant<br />
Hill, was named best actor of the year.<br />
Mark. IV won the award for best picture<br />
with "All the Kings Horses" and star Dee<br />
Wallace won the best actress prize for her<br />
rwie in the same film . . . Heartland has<br />
announced the release of "Nile Song." A<br />
premiere showing is expected here within<br />
the next few weeks.<br />
Rick Sands of Long Island is the new<br />
sales trainee at Columbia. Incidentally, his<br />
father. Ernie Sands, has worked in the film<br />
business as general sales manag.-r for Paramount<br />
and Allied Artists for a combined<br />
total of over 30 years . . . Columbia office<br />
manager Patty Crouse is vacationing in California<br />
for two weeks, visiting friends and<br />
relatives . . . Our sympathy goes to Linda<br />
Stewart who has experienced car trouble<br />
every day for the pasi two weeks.<br />
As reported last week, the Dubinsky<br />
Bros. Lorum 4 here tied in with two local<br />
radio stations for an unusual promotion of<br />
"Revenge of the Pink Panther." Patrons<br />
donated four bananas (correction of previously<br />
reported amount) for admission to a<br />
special screening of the film. Dubinsky<br />
Bros, thought 600 bananas, to be donated to<br />
the Des Moines Children's Zoo. would be a<br />
good take. However, about 3.200 were collected<br />
and the theatre had to schedule a<br />
second showing . Johnson of the<br />
Iowa Theatre in Onawa was in town July<br />
26 visiting relatives.<br />
Lniversal'ii Mike Dunn and his wife Donna<br />
are the proud parents of a baby girl. We<br />
send our congratulations.<br />
to be doing well recovering from recent<br />
surgery.<br />
The old watering hok, "famous" for<br />
years here, closed July 29. There are some<br />
who will mourn the passing of ihe Film<br />
R.nv T.ivern.<br />
October Opening Set<br />
For River Oaks Four<br />
CHICAGO—An early October opening<br />
is expected for the newest theatre in South<br />
Suburbia, the River Oaks 4. It is located<br />
to adjacent the River Oaks Theatre at 300<br />
River Oaks Dr.. Calumet City, III.<br />
The River Oaks 4 will offer the filmgocr<br />
the best in motion picture enjoyment. Plu^h<br />
rocking chair seating with plenty of stretchout<br />
room and the latest in sound and projection<br />
systems are equipment features.<br />
Special attention is being given to the River<br />
Oaks 4 custom-made screen which will be<br />
of a size to fit all ratios of film from the<br />
normal 35mm to the largest of the<br />
"scopes."<br />
In the tradition of its three sister theatres,<br />
the River Oaks 4 will offer ample free<br />
parking with matinees presented daily.<br />
The River Oaks 4, the most recent Plitt<br />
Theatre shopping center project, was designed<br />
by Finck. Stowell and Frolichslein<br />
of Chicago. Richard Hoffman & Co.. also<br />
of Chicago, is doing the construction.<br />
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SIrongsville,<br />
Beatly's 'Heaven' Puis<br />
Cleveland on Cloud 9<br />
CLEVELAND—-Heaven Can Wait" has<br />
that star quality at the boxoftice with a 580.<br />
followed by "Grease" with a 370 in its fifth<br />
week. "Jaws 2" in its fifth week also is still<br />
swimming strong but is lagging behind. "The<br />
Swarm" had impressive opening week figures,<br />
as did "The Cat From Outer Space.'"<br />
"The Cheap Detective" was still packing in<br />
film fans in showy numbers.<br />
(Average Is 100)<br />
2 thealres—Coming Home (UA), 9th wk 95<br />
2 thealres—Convoy (UA), 3rd wk 90<br />
4 thea.ref—Heaven Can Woit (Para), 3rd wk 580<br />
5 theatrv;-The Cheap Detective (Col),<br />
4th w£ 225<br />
5 theatres—Greose (Pa.-a), 5th wk 370<br />
5 theatres—Jaws 2 (Umv), 5th wk 270<br />
6 thealres—The Cat From Outer Space (BV),<br />
Isl wk 23C<br />
6 thectres—Good Guys Wear Black (SR),<br />
2nd wk 105<br />
6 theatres—The Swarm (WB), 1st wk 255<br />
CLEVELAND<br />
The Cleveland Play House, America's first<br />
professional repertory theatre, announces<br />
its 1978-79 season with the opener<br />
by Margaret Hamilton. She will star in<br />
Emiyn Williams' psychological thriller<br />
"Night Must Fall." Ms. Hamilton is an<br />
alumna of the Play House.<br />
"The Last of the Mar.x Brothers' Writers"<br />
also will be presented this year. A<br />
prominent guest artist is being sought at<br />
present for the leading role of Jimmy<br />
Bryce, raconteur, ex-vaudevillian. one-line<br />
stand-up comic and former Marx Brothers'<br />
writer. There will be a special preseason<br />
opening at the Play House of William Windom<br />
in his one-man show "Thurbur." Windom's<br />
Hollywood roles include "Escape<br />
From the Planet of the Apes," "Brewster<br />
McCloud" and "To Kill a Mockingbird."<br />
An evening of vintage comedy films was<br />
presented at Case Western Reserve's Hillel<br />
July 22. The admission-free event was open<br />
to all young adults and featured were comedians<br />
Laurel and Hardy, W.C. Fields,<br />
the Marx Brothers and favorite cartoon<br />
characters.<br />
An interesting letter to the entertainment<br />
editor appeared in the Plain Dealer: "As<br />
a fellow artist and Glenville classmate of<br />
Jerry Siegel and Joe Shuster. the creators<br />
of Superman. I think the city is a long time<br />
overdue in bringing the boys back to Cleveland<br />
and bestowing on them the honors<br />
they have been deprived of since the birth<br />
of Superman in 1938.<br />
"A suggestion was made last year to erect<br />
Ohio Gov. Rhodes<br />
Bill<br />
Despite Pleas<br />
COLL.VIBU.S— Despite picas by Jack<br />
Valenti and others affiliated with the Motion<br />
Picture Ass'n of America. Gov. James<br />
A. Rhodes signed House Bill 809. to outlaw<br />
blind bidding and other film distributing<br />
practices on July 24. The bill will become<br />
effective October 23.<br />
Gov. Rhodes made no comment on the<br />
signing, though it was said that several top<br />
entertainers, including his close friend Bob<br />
Ho{>e, reportedly called the governor urging<br />
him to veto the bill.<br />
The measure not only outlaws blind-bidding,<br />
but also bans distributors from making<br />
deals for any films that have not been<br />
tradescreened. It also will prohibit license<br />
agreements to show movies if an owner has<br />
to pay a distributor based on boxoffice receipts<br />
or attendance. In addition, producers<br />
may not collect advance payments for films<br />
more than 14 days before they are available.<br />
The law sets up extensive requirements<br />
for distributors to seek bids from exhibitors,<br />
including trade-screening a film in one of<br />
the state's five largest cities during the bidding<br />
process.<br />
Exhibitors have argued the producers use<br />
a statue of Superman in the downtown area<br />
so that visitors coming to Cleveland would<br />
be aware that the city is famous for more<br />
than being the home town of Bob Hope and<br />
the Cleveland Orchestra. Warner Bros, soon<br />
will release a multimillion dollar film. "Superman.'<br />
and I doubt if Shuster and Siegel<br />
will even get a credit line.<br />
"Why couldn't it be arranged to have the<br />
premiere of that movie right here in Cleveland,<br />
where the greatest cartoon hero of the<br />
century was born 40 years ago? Let's get<br />
this project going "faster than a speeding<br />
bullet.' " (Signed) Irwin L. Horowitz. Warners,<br />
take note!<br />
Case Western Reserve University Film<br />
Society showed three films this week including<br />
""The Opening of Misty Beethoven."<br />
""A Member of the Wedding" and four classic<br />
comedy shorts starring Charlie Chaplin.<br />
Debbie Reynolds will open the Front<br />
Row's fall series with her singing and<br />
dancing show the week of September 5. And<br />
even though Frank Sinatra appeared at the<br />
Coliseum in June, the rumor persists he'll<br />
appear at the Front Row in late November<br />
or early December.<br />
Jonathan Forman, director,<br />
Cleveland International<br />
Film Festival, screened his next<br />
Signs Blind-Bid<br />
From Valenti<br />
the bidding process to raise money for film<br />
production. Operators argued they have<br />
been required to put up money they had to<br />
borrow to get unseen films, and many have<br />
been losers, with no way for operators to<br />
recoup losses. Producers argued the advance<br />
bidding was necessary to allow scheduling of<br />
films at opportune times. Valenti said Ohio<br />
exhibitors will be much later in getting highdemand<br />
films than those in the other states.<br />
Valenti said that the Ohio bill was "special<br />
interest legislation that benefits large<br />
theatre chains and large independent theatre<br />
operators, and not the general public.<br />
Actually, advance bidding is in the interest<br />
of movie-goers. It allows the truly entertaining<br />
film to be scheduled for release at<br />
Christmas or Easter or the summer, and not<br />
delayed." He predicted that Ohioans would<br />
not see the "really important films" until<br />
three to four months later than the states<br />
that do not have the restrictive legislation.<br />
He also said that ticket prices would go up,<br />
because once films have been proven to be<br />
popular in other states, local theatre owners<br />
would bid higher and have to recuperate the<br />
cost of those higher bids at<br />
the boxoffice.<br />
attraction "The Lacemaker" at Motion Picture<br />
Sound July 24. His present attraction.<br />
"Madame Rosa." has proved so popular<br />
that he has held it for four weeks and is<br />
considering another holdover. Kathleen<br />
Hackman. executive assistant to Forman.<br />
is a student at Case majoring in film and<br />
art history. Ms. Hackman was co-chairman<br />
of CWR University Film Society from<br />
1975-78. She sponsored a Lina Wertmuller<br />
event and is planning to study at the Sorbonne<br />
in Paris this fall.<br />
Wednesday night is festival night at the<br />
Cleveland Museum of Art and the large<br />
crowds attest to the popularity of the entertainment<br />
offered, all without charge. Wednesday.<br />
July 19 the program began at 5:30<br />
p.m. with a concert by the Mark Gridley<br />
Jazz Quartet. All four musicians are associated<br />
with music education in Cleveland,<br />
Mark Gridley. the flautist, has played with<br />
Sammy Davis jr.. Andy Williams. Steve<br />
Lawrence and Eydie Gorme. Vic Damone<br />
and many other stars. Drene Ivy. the pianist,<br />
has appeared with Lou Rawls and<br />
Gladys Knight. After one hour of leading<br />
edge jazz almost everyone adjourned to the<br />
sculpture garden of the museum for a box<br />
(Continued on page ME-2)<br />
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CLEVELAND<br />
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lunch in incredibly beautiful surroundiniiv<br />
Ai 7 p.m. a BBC-produced movie or<br />
Helen Frankenthaler (a coniemporarv<br />
artist) was shown and ai 7:30 p.m. "Animal<br />
Crackers." featuring the Mar.x Brothers was<br />
presented. Also at 7:30 p.m. for those with<br />
differ.-nt tastes, a gallery talk on Paul K.lee<br />
was available. Hundreds of people were in<br />
line to take advantage of the 1930 Mar\<br />
film.<br />
All during the year this outstanding institution<br />
presents a potpourri of visual and<br />
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busy, bustling, successful flea market. It is<br />
one of those rare circumstances where<br />
everyone concerned gains an advantage-<br />
Lou Raiener. the genial owner of the Montrose,<br />
explains the workings of this Sunda\<br />
business for his theatre.<br />
There are 375 vendors who come from<br />
all over the country, even as far away as<br />
California. Many vendors arrive on Saturday<br />
night and buy admission to the theatre<br />
and are then permitted to park iheir vehicles<br />
overnight. The grounds of the<br />
theatre<br />
afford a well-protected area in which to<br />
park and sleep. Of course Lou earns extr.i<br />
admissions to his theatre and sonw addi<br />
tional business for the concessions.<br />
On Sunday each vendor pays S2.00 rem<br />
for his sales position and ea^h of the 1.81)0<br />
cars that appear on an average Sundas<br />
pays 50 cents lor parking. Lou estimates<br />
that the l.SOO cars bring at least 8.(K)()<br />
people into the flea market. The shoppers<br />
havj a happy time hunting for barg.iins.<br />
the vendors do a brisk business and the theatre<br />
generates income on what would be<br />
otherwise vacant time and the concession<br />
business is great. In plain English, everyone<br />
is happy—a rare occasion in the theatre<br />
industry.<br />
Bruce Stem held a critics' screening ai<br />
Motion Picture Sound of "Hooper" starrlne<br />
Hun Rexnolds. A ten day radio promotion<br />
on WDHCi was very exciting and culmi<br />
M.iicd in .1 phone call to the winner from<br />
Hurl Reynolds July 28. Listeners mailed in<br />
.1 c.ird with the answer to the question.<br />
Wh.ii question would you ask if you h.iJ<br />
.1 phone call with Burt Reynolds?" "Hoo|v<br />
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Bill Aiidcrhall, 20th Century-Fox branch<br />
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week and looking forward to many more<br />
with the grosses from "Star Wars." It is on<br />
1 1 screens in Cleveland and 52 total around<br />
the territory.<br />
"Alice in Wonderland," directed by Norman<br />
McLeod was shown at the Cleveland<br />
Museum of Art July 27. Stars are Gary<br />
Cooper. Cary Grant. W.C. Fields, Jack<br />
Oakie. Roscoc Karns, Edward Everett Morton.<br />
Sterling Holloway. Edna May Oliver<br />
and Baby LeRoy.<br />
Mare Bladd, United Artists<br />
regional publicist<br />
flew into Cleveland last week for the<br />
special screening of Peter Sellers" "Revenge<br />
of the Pink Panther" at Loews Village Theatre.<br />
Marc personally greeted the media<br />
with his warm winning way!<br />
Central Ohio Chosen<br />
As 'Brubaker' Site<br />
COLUMBUS—Central Ohio has been se-<br />
of the action will occur at a former prison<br />
farm in Junction City, about 40 miles from<br />
Columbus. This prison farm was phased out<br />
as a branch of the old Ohio Penitentiary in<br />
1967 and served as a treatment center for<br />
psychotic prisoners until 1976. when it was<br />
sold. The studio has signed a five-month<br />
lease for the former prison farm, which will<br />
be reconstructed for the film.<br />
Prison scenes for another film, "Harry<br />
and Walter Go to New York," were shot in<br />
1975 at the Mansfield Reformatory. However,<br />
this is the first full-length film to be<br />
shot exclusively in this area in 20 years.<br />
Filming of "Brubaker" must start in six<br />
weeks, because action is set in the summer.<br />
and cornfields— an essential part of the plot<br />
—must be green for the shooting. It casting<br />
problems are not settled soon, the script will<br />
have to be rewritten, to accommodate the<br />
change of colors in the fall.<br />
Rafelson originally wanted to sign Jack<br />
Nicholson for the lead, but he had other<br />
commitments. The title character, Brubaker,<br />
is a warden who is appointed superintendent<br />
of a Southern prison farm operated<br />
by trustees. Reform-minded, he encounters<br />
obstacles and conflicts with the inmates.<br />
Ms. Barnum said several state agencies<br />
worked together to lure the film to the area.<br />
The Ohio Department of Rehabilitation and<br />
Corrections assisted in locating the prison,<br />
the Bureau of Employment Services will<br />
screen applicants for the roles and the Natural<br />
Resources and Agricultural departments<br />
will give free technical advise.<br />
To date, the film bureau, formed in 1975,<br />
claims to have brought more than ten films<br />
to Ohio, adding about $7,000,000 to the<br />
economy.<br />
'Night Flowers' Shooting<br />
Continues in New Jersey<br />
NEW YORK—"Night Flowers," starring<br />
Jose Perez and Gabriel Walsh, has entered<br />
lected for the shooting of "Brubaker" by<br />
20th Century-Fox, because the area<br />
has "one of the few empty prison farms<br />
that's privately owned in the entire country,"<br />
announced Mari Barnum of the Ohio<br />
Film Bureau, a division of the Ohio Dept.<br />
its fifth week of shooting under the direction<br />
of Economic and Community Development.<br />
of Luis San Andres.<br />
The prison drama will need as many as<br />
Julie Garfield and John Bartholomew<br />
1,100 local extras, as well as a cast of 80<br />
Tucker have been signed to featured roles<br />
in the motion picture which filming in<br />
is<br />
speaking roles, half of which will be local<br />
the streets of Hoboken and Jersey City,<br />
talent.<br />
"Brubaker," to be directed by Bob Rafelson<br />
N.J.<br />
("Five Easy Pieces'"), was reported The psychological thriller is being produc-<br />
budgeted at $5,000,000, half of which<br />
ed<br />
is<br />
Sally Faile for Willow Productions<br />
by<br />
expected to help the local economy. Most<br />
a script by Walsh. Larry Pizer is the<br />
with<br />
director of cinematography and the executive<br />
producer is Ronald Jeancon.<br />
Joan Blondell, Jeff Blum and Mary Jo<br />
Catlett have been added to the cast of "The<br />
Champ."<br />
YES<br />
There is another booking and<br />
buying agency in the Cleveland,<br />
Cincinnati, and Detroit exchanges.<br />
Youngster Learns Theatre<br />
Operation in Seguin, Tex.<br />
SEGUIN, TEX.— Bill Pressly, a youngster<br />
from Dallas who turned 12 years of age<br />
last December, is "a full-fledged operator."<br />
Bill<br />
Pressly, a 12-year-old Dallas native,<br />
is seen here with the projection<br />
system at the Palace Theatre in Seguin,<br />
Tex., which he operates in the summertime.<br />
His uncle, George Roscoe, tells<br />
BOXOFFICE that the boy is a professional.<br />
according to his uncle George Roscoe of<br />
Seguin Theatres here.<br />
Young Pressly has spent his summers in<br />
this town since he was seven. He started<br />
out sweeping up popcorn, and taking tickets<br />
at the Palace Theatre. Then, a year later,<br />
he began going into the booth with his<br />
cousin and learned to operate the projection<br />
system on his own.<br />
The Palace since has converted to platters<br />
and the boy, says Roscoe, "took to this<br />
change-over like a duck takes to water."<br />
"He can sell tickets," continues Roscoe,<br />
"and makes change better than our older<br />
employes. He can check the film, make<br />
splices and thread up. In fact he is a fullfledged<br />
operator." His uncle added, however,<br />
that due to a state child labor law the<br />
boy's cousin has to stay with him at all<br />
times and he is not on the payroll.<br />
During his school terms in Dallas, Pressly<br />
operates a Super 8 theatre in his home,<br />
renting film from the local library. At<br />
school he operates the 16mm projectors.<br />
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The only handicap to hiring us<br />
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.AiUJiiNl 7, l''7S
—<br />
Ozoner Owner Fights<br />
Town's Curfew Law<br />
By ALLEN M. WIDEM<br />
WILBRAHAM. MASS.—In what is considered<br />
by western Massachusetts exhibition<br />
to be a "first," the management of the Parkway<br />
Drive-In Theatre, in this Springfield<br />
subuib, indicated there might be a court<br />
suit against the town of Wilbraham because<br />
of its 2 a.m. closing ordinance.<br />
Harry L. Schwab of the underskyer management,<br />
calling the town ordinance a violation<br />
of his "constitutional right to operate,"<br />
contends that during summer months<br />
he cannot begin shows until 9 p.m., with<br />
the drive-in's business dependent upon<br />
three-feature programs, which normally<br />
conclude after 2 a.m.<br />
Under guidelines of a town ordinance enacted<br />
in 1977, restaurants, theatres and<br />
other places of amusement must be shuttered<br />
between 2 and 5 a.m.<br />
Continuina complaints from a neighborins<br />
couple, have sparked threatening action<br />
on the part of Wilbraham police and the<br />
board of selectmen. Earlier, adult films<br />
and patron noise triggered complaints<br />
against the Parkway. However, Schwab emphasizes<br />
that he does not show X product,<br />
and, what's more, the current main attraction,<br />
Warner Bros.' "The Swarm," contains<br />
thousands of bees rather than undraped or<br />
abont-to-be undraped women.<br />
For his part, the ozoner owner comments<br />
that no closinn restrict'ons were in effect<br />
when the Parkwav began operations in<br />
1950. The complaining couple, he continues,<br />
built a house next to the theatre a decade<br />
ago.<br />
Mindful of the noise factor and squawks<br />
encompassing "viewing" of the screen offpremises,<br />
the communitv-minded Schwab<br />
proceeded with expenditures of upwards of<br />
SlO.nOO for a solid fence, installation of<br />
new lighting and closing of an access road.<br />
Three-feature programs. Schwab comments,<br />
are no problem insofar as the 2 a.m.<br />
ordinance is concerned during non-summer<br />
months. It gets darker earlier, and thus the<br />
Parkway can become operational much earlier<br />
than 9 p.m.<br />
At BoxoFFiCE press-time, a meeting was<br />
to be firmed with the Wilbraham police denartment<br />
and the board of selectmen on<br />
Schwab's situation. "This theatre," he emphasized,<br />
"will play three shows and I will<br />
go to any extreme I have to appeal to the<br />
courts for justice,"<br />
Free Screening at Library<br />
CAMBRIDGE, MASS.—"West Side<br />
Story," United Artists' 1961 release with<br />
Natalie Wood and Richard Beymer, was<br />
shown as a free Tuesday night attraction<br />
recently at the Central Square Branch Librarv.<br />
Sack Twin to Grow to Quad<br />
NATICK, MASS.— Sack Theatres will<br />
expand the Natick Cinemas 2 to a fourscreen<br />
plex.<br />
Once the Source of Pride and Profit,<br />
Are Large Cinemas Becoming Passe?<br />
By ALLEN M. WIDEM<br />
HARTFORD—With today's proliferation<br />
of multi-auditorium plexes, containing 500<br />
or fewer seats, across the New England<br />
region, there is little to remind even the<br />
most outspoken industry booster of the<br />
single-standing cinema with 3,000-plus seats.<br />
One school of thought in the exhibition<br />
ranks points up the obvious economy of<br />
smaller auditoriums with resultant savings<br />
during non-peak performance times. A second<br />
school holds for fewer performances in<br />
a larger auditorium for prestige's sake alone.<br />
Once a Different Story<br />
Thirty and 40 years ago, with motion<br />
pictures the dominant factor in American<br />
entertainment, the very mention of smallsized<br />
theatres invoked imagery of minimal<br />
profitability. The desire then was for large<br />
auditoriums— a la the 4,200-seat State Theatre,<br />
Hartford, ard the 4,000-plus Metropolitan<br />
Theatre, Boston. Today the Merrill<br />
G. Jarvis owned-and-operated Flynn Theatre,<br />
Burlington, with 1,250 seats is considered<br />
a large-s'zed cinema in Vermont. Of<br />
course, there are multiples with more than<br />
1,250 seats scattered around New England,<br />
but the fact remains that a single-standing<br />
unit is considered large indeed if it contains<br />
over 1000 seats.<br />
Proponents of the<br />
multiple concept point<br />
to better turnover, greater patron choice<br />
and the sporadic opportunity to use more<br />
than one auditorium in the event of a blockbuster<br />
or so-called "sleeper" attraction<br />
scheduling. The variety tests the individual<br />
exhibitor's sense of audience development,<br />
say these same proponents.<br />
At the same time, it must be remembered<br />
that the ill-fated Jerry Lewis Cinemas circuit,<br />
on a franchise approach, sought to go<br />
with small auditoriums, with multiples to<br />
be developed as audiences gathered in s'zc<br />
and significance.<br />
Product<br />
Means Profit<br />
Exhibition, particularly in New England's<br />
largest cities, has proved, time and again,<br />
that with good product, any theatre anywhere<br />
can be a profit-maker.<br />
It is significant that with suburban largescale<br />
housing past the so-called "peak," real<br />
estate developers again are eyeing longrange<br />
prospects of apartment blocks in city<br />
environment. This in itself augurs well for<br />
revitalization of in-town exhibition plants.<br />
It augurs well, moreover, for new cinema<br />
construction. And the latter implies larger<br />
theatres. Why? Simply because apartment<br />
dwellers are more specialty film-oriented<br />
than their suburban counterparts. Certainly,<br />
it's a matter of product availability, but<br />
when, in all truthfulness, hasn't the industry<br />
depended on product to bail itself out?<br />
Not by any stretch of the imagination<br />
will there ever again be. brand-new, fromthe-ground<br />
up. 4,000-seaters built in New<br />
England major municipallies. At the same<br />
time, it is conceivable that "large" houses<br />
over the 1,000 seats Lmder one roof—can<br />
emerge again. Such cinemas can be expected<br />
to return profit on long-run engagements<br />
of motion pictures acknowledged in the<br />
trade for their extended engagement capability.<br />
Single-standing cinemas, above all,<br />
need assurance of audience durability the<br />
year round.<br />
The enormously expanded Redstone circuit<br />
presently has the largest complex in the<br />
six-state region—the eight-screen Showcase<br />
Cinemas in West Springfield. Mass. The<br />
plex is not in downtown Springfield—across<br />
the Connecticut River—but in suburbia and<br />
doing just fine with an audience-drawing<br />
rang; of many miles.<br />
The overall seating capacity of such a<br />
house rivals that of a single-standing, intown<br />
theatre of 30 and 40 years ago. A<br />
"Star Wars" now can play over a year.<br />
Never before in New England exhibition<br />
history has a market the size of metropolitan<br />
Springfield been capable of "holding"<br />
film so long and so profitability. "Star<br />
Wars" had its metropolitan Hartford prem'ere<br />
in suburbia and then went into a<br />
city-based plex (SBC Cinema City 4) for<br />
spectacular move-over trade. All of which<br />
goes to prove that if theatres are given topgrade<br />
product, everything else falls into<br />
place.<br />
New Haven as Example<br />
Where once there existed a half dozen<br />
sizable first-run houses in downtown. New<br />
Haven is now the home for adult film units.<br />
Remaining larger theatres either are temporarily<br />
shut-down or are destined for sporadic<br />
reopening with specialized programing.<br />
Beyond downtown, of course, exhibition<br />
is flourishing— given product. The pattern<br />
is repeated in Providence. Bridgeport<br />
and elsewhere.<br />
There are a lot of skeptics in the exhibition<br />
ranks who will say that downtown exhibition<br />
can never return. Yet even a cursory<br />
study of what the major circuits across<br />
the country have done to "dress up" intown<br />
cinemas and to design and develop<br />
new units, indicates what can be done to<br />
make of in-town exhibition a viable force<br />
anew.<br />
A 5.000-seat theatre is not likely to position<br />
itself suddenly in city after city simply<br />
because of the resurgence of in-town living<br />
in these late 1970s. After all. the 4,000 and<br />
5,000-seaters catered to what were essentially<br />
city audiences in a time when suburbia<br />
at best contained single-standing 500-<br />
seaters.<br />
But the discernible real estate trends<br />
point to a pattern of profitability in 1,000-<br />
seat-and-up cinemas in the cities, given the<br />
key ingred-ent: product.<br />
It's been said—and with considerable justification—<br />
in this business that you're only<br />
as good as last night's grosses. No more, no<br />
August 7. 1978 NE-1<br />
less.
, . Sandy<br />
"<br />
'Pa rand 'Pepper'<br />
LuJin Cily Parade<br />
AS KN— Lniicd Aril-.;- • Re<br />
}'.nk Panihcr." wiili .1 busk<br />
:,\ "Sgl. Peppers Lonel\<br />
;;..nd." with 450. .ind MGM-<br />
l \ ;Mii;.iional Velvet." vsiih 300. gen-<br />
.i.iicU considerable aiieniion. oser and<br />
.itH>\e toniinuing strength of Paramounls<br />
••C}redsf." 350: L'nivcrsal's "Jaws 2." 325:<br />
Paramounls "Heaven Can Wait." 300. and<br />
Warner Bros.' "The Swarm." 290.<br />
(Average !• 100)<br />
(WB)<br />
Cin.m.5tt II Milloid II—Th» Cheap D*I*c
MAINE<br />
^he Ellsworih-Trenton Drive-In doublebilled<br />
Buenii Vista's more recent "Candleshoe"<br />
with "Darby O'Gill and the Little<br />
The Lincoln<br />
People" (1959 release) . . .<br />
Cinema, Lincoln, continued its Sunday<br />
"family night" plan with showings of MGM-<br />
UA's "Coma." Under the plan, there is a<br />
$5 admission for "mom and/ or dad &<br />
kids."<br />
Pine Tree State exhibition might take<br />
heed of comments expressed in a letter to<br />
the editor appearing in the Portland Telegram.<br />
It seems that a woman patron at the<br />
Pat and Debbie Boone Civic Center concert<br />
got irked indeed. "People arrived up<br />
to 20 minutes late and streamed to and fro<br />
past those of us sitting in the first rows off<br />
the main floor," the letter lamented. "We<br />
heard very little of the concert and even<br />
less of the opening act by a comedian."<br />
The South Portland Public Library screened<br />
Buena Vista's "The Apple Dumpling<br />
Gang" on a Wednesday afternoon at 2:30<br />
p.m. Admission was free . . . Four David<br />
Wark Griffith efforts—"Corner in Wheat,"<br />
"Lonely Villa," "Musketeers of Pig Alley"<br />
and "New York Hat"—were shown at Open<br />
Space, Bangor. A "modest admission<br />
charge" was in effect . . . The Performing<br />
Arts Center, Bath, brought back Columbia's<br />
"Lawrence of Arabia" (1962. Peter O'Toole.<br />
Alec Guinness).<br />
The Neighborhood House in Northeast<br />
Harbor happened to screen 20th-Fox's<br />
"Sleuth" (1972, Michael Caine and Laurence<br />
Olivier) just when the play (written by<br />
Anthony Shaffer) opened at the near-by<br />
Somesville Acadia Repertory Theatre. The<br />
happenstance sparked this commentary by<br />
Robert H. Newall, arts critic for the<br />
Bangor Daily News: "The camera, of<br />
course, can roam, focus on a special object<br />
by way of creating an<br />
image, can influence<br />
the viewer, and can indulge in special effects,<br />
whereas the stage picture is 'fixed,'<br />
this forcing the onlooker to single out his<br />
own referents."<br />
Film showings at the University of Maine<br />
Orono campus: "The Lady Eve" (Paramoimt.<br />
1941, Barbara Stanwyck, Henry<br />
Fonda), "The Gunfighter" (20th-Fo\,<br />
1950, Gregory Peck), "The Searchers"<br />
(Warner Bros,, 1956, John Wayne), "Air<br />
Force" (Warner Bros., 1943, John Garfield)<br />
and "Paths of Glory" (United Artists.<br />
1958, Kirk Douglas). Free admission was<br />
in effect for all attractions.<br />
A note from Rockland: Strand The;u:e<br />
projectionist Richard C. Welch and wile<br />
Clara recently returned from a vacation trip<br />
through Massachusetts, Pennsylvania and<br />
New York. The couple visited her brother<br />
and his wife in Scranton, Pa., and then<br />
motored to Niagara Falls. On their return<br />
they spent three days with their daughter<br />
and son-in-law in Dorchester, Mass. A<br />
grandson and granddaughter returned with<br />
the Welches for a visit at their home here.<br />
CANDIDATE MEETS THEATRE OWNERS—Congressman Ronald Sarasin,<br />
(R., Conn.), gubernatorial candidate, meets exhibition at a garden party in<br />
his honor, hosted by longtime friend, attorney Herman M. Levy (far left). Levy<br />
also is legislative agent for the Connecticut Ass'n of Theatre Owners. Others pictured<br />
(from left to right) are Sarasin, Mrs. Sylvia Stieber, CATO's present president,<br />
and Robert C. Spodick, CATO treasurer and past president. Seventy-five<br />
guests attended.<br />
Levy tells BOXOFFICE that Congressman Sarasin has been of "great help"<br />
to exhibition as a member of the labor sub-committee dealing with minimum wage.<br />
SPRINGFIELD<br />
^^illiamstown's Clark Art Institute hosted<br />
free showings of "Pride of the Yankees"<br />
(RKO, 1942, co-starring Gary Cooper<br />
and Teresa Wright) and "Pride and Prejudice"<br />
(MGM, 1940, with Laurence Olivier<br />
and Greer Garson).<br />
Richard Freedman, film reviewer for the<br />
Newhouse News Service, in a dispatch to<br />
the Springfield Newspapers, said in part:<br />
"Exploitation movies are usually X-rated<br />
porn flicks shown in sleazy flea pits. But<br />
there are G-rated exploitation films as well<br />
that open simultaneously in respectable theatres<br />
across the country. The people they<br />
exploit are children too young to go to the<br />
movies by themselves and the parents who<br />
must take them there."<br />
The Agawam Twin Cinemas, now on a<br />
$1.25 admission policy (applicable for all<br />
seats at all times), are advertising. "See the<br />
The Sundown Drivc-<br />
In, Westfield, now on a $5-per-carload policy<br />
(regardless of number of passengers),<br />
had sub-run booking of UA's "The End,"<br />
with AIP's "Here Come the Tigers" as cofeature.<br />
Ad catch-lines read: (for "The<br />
End") "It'll blow your mind!" and (for the<br />
AIP release) "Watch out Bears!"<br />
'African Queen' at Museum<br />
LINCOLN, MASS.—The DeCordova<br />
Museimi screened "The African Queen,"<br />
the 1951 United Artists release with<br />
Humphrey Bogart and Katharine Hepburn,<br />
on a recent Wednesday night. Admission<br />
was $2, general public and $1.50, museum<br />
members. The program was presented in<br />
the outdoor amphitheatre.<br />
Mt<br />
lords.<br />
Gordy will prodi The Over-<br />
SUBSCRIPTION ORDER FORM<br />
BOXOFFICE: 825 Van Brunt Blvd., Kansas City, Mo. 64124<br />
Please enter my subscription to BOXOFFICE<br />
n $15.00 FOR 1 YEAR Q $28.00 FOR 2 YEARS<br />
Outside U.S., Canada and Pan American Union, $25.00 per year<br />
Remittance Enclosed D Send Invoice<br />
THEATRE<br />
STREET<br />
TOWN STATE ZIP<br />
NAME<br />
POSITION<br />
BOXOFFICE August 7, 1978 NE-3
. . General<br />
. . There<br />
'<br />
H r<br />
ITFORD<br />
on a ihenit: A lor<br />
ni department store off East<br />
El Street has been converted<br />
1- showing motion pictures,<br />
id<br />
current, at a cost of SIOO.-<br />
K, ....iiii; the place, called Poor Richards<br />
Puh and Cinema, is Richard N. Dupuis.<br />
former sales manager lor the .\rTOw<br />
I inc. an East Harlford-based transportation<br />
company. He is scheduling second-andthird<br />
run attractions. The 200-seat capacity<br />
cinema s open seven days a week.<br />
The 1978 Samm> I>avis jr. Greater Hartford<br />
Open, the region's ranking professional<br />
golf event (July 26 30) had former President<br />
Gerald Ford. Bob Hope. Pal Boone. Claude<br />
Akins. Jimm> Dean and Willie Mays for its<br />
CclebritN Pio-Am day<br />
ToninKlon's Tony Raynaud is charging<br />
SI. 50 for adults Mondays and Tuesdays as<br />
"bargain special" at his Canton Village<br />
Cinema (previously known as the Jerry<br />
Lewis Cinema). The theatre was formerly<br />
operated by West Hartford's M.J. Levine.<br />
lndepeDd?ni area exhibitor Leonard Paul,<br />
who recently reopened the long-shullcrcd<br />
Central Theatre. West Hartford, with a<br />
V9-ccnts admission in effect for all seats<br />
at all times, now is scheduling foreign product,<br />
charging $2 admission for the latter.<br />
Stephen J. Rechner has been designated<br />
cinema manager.<br />
Another local independent, Ernest A.<br />
Grecula. implemented a late show policy<br />
on Friday and Saturday (to 2 a.m.) at his<br />
Art Cinema, which has been on an adult<br />
film policy for many yeais. The theatre<br />
is open at 1 1 a.m.<br />
The Hartford city council postponed action<br />
on a request by Irving .S. Ribicoff of<br />
Harkof Associates for authority to proceed<br />
wiih development of a $17,500,000 indoor<br />
amusement park off Capitol Avenue, not far<br />
fiom the Lyric Theatre which was under the<br />
laic A.M. Schuman's banner for many<br />
years.<br />
Lniversal's 'I he Man in the White .Suit "<br />
(1952 release) and MCiM's The Picture of<br />
Dorian (iray (1945) were shown " in Krieble<br />
Auditorium at Irinily Ciillege.<br />
Lynn Redgrave, at a Hartford press luncheon,<br />
sad that she olten is annoyed by<br />
people who assume she shares sister Vanessa's<br />
political opinions. "I here appears, un-<br />
(ortunalcly, to be a lot ol people who don't<br />
know the dlference between her and me,"<br />
the actress commented. She added Ihal<br />
HBflB^BSound and<br />
Projection Service<br />
Natimiwldo - on dll brands.<br />
>.iaKcvp..iicdn drama (she opened in<br />
. . .<br />
"Twelfth Night ' at the downstate .American<br />
Shakespeare Theatre) deals with "life's great<br />
passions That's what's so wonderUil<br />
about it. Whether or not the car starts or all<br />
these silly little other concerns suddenK<br />
seem so unimportant compared to loving<br />
Nomeone at whose hands you might die."<br />
NEW HAVEN<br />
Yincenl Gardenia, currently to be seen in<br />
Paramount's "Heaven Can Wait." will<br />
be at downstate Stratford's Shakespeare<br />
Theatre for the month of September, participating<br />
in workshop productions of a<br />
new musical, in prelude to a Broadway run.<br />
The upcoming project, staged by Michael<br />
Bennett of ""A Chorus Line" fame, is based<br />
on the TV play. ""Queen of the Stardust<br />
Ballroom," which starred Maureen Stapleton<br />
and Charles Durning. Gardenia is costarring<br />
with Dorothy Loudon. The Broadway-bound<br />
show has the tentative title of<br />
""Ballroom." There is a 40-member cast.<br />
. .<br />
Sam Hadelman's Chesire Cinema, normally<br />
on a 99-cents admission policy,<br />
boosted the tab to $1.50 for subsequent-run<br />
booking of Paramount"s ""Saturday Night<br />
Fever" . "Whistle Down the Wind."<br />
Pathe American 1962 release directed by<br />
Bryan Forbes, was shown as a free Saturday<br />
attraction at the Yale Center for British<br />
Art.<br />
Yet another fie to New Haven exhibition's<br />
yesteryear passed on. Thomas Poli<br />
Nolan, 50, part of the family of exhibition<br />
pioneer Sylvester Z. Poli. died. He was a<br />
retired realtor and son of Thomas and Laurina<br />
Poli Clare Nolan. Survivors include his<br />
wife, three dauehters, a brother and a sis-<br />
Bucna Vista's 196.1 release. 1 he Sword<br />
in the Stone,' hill-lcngth animated attraction,<br />
was shown in West Haven's Ken<br />
Strong Stadium a recent Wednesday night,<br />
under the sponsorship of the West Haven<br />
Community Activities Committee in conjunction<br />
with Armstrong Rubber Co. and<br />
Fnlhone. Inc.<br />
Bob Kimickc, tilni reviewer for the Register,<br />
had few tond remarks for MGM-<br />
UA's "International Velvet."" Ihe leviewer<br />
remarked: ""Except for some ol the final<br />
"Rocky'-like sequences (after a disastrous<br />
fall, will Sarah recover to ride in the Olympic<br />
finale'.') whih are complet'jiy assembled.<br />
Forbes has embraced nearly all the conven<br />
tions of the childhood romance stor\ aggressively<br />
and uncritically."<br />
Harold Lloyd Film Screened<br />
WAIIKIOWN. MASS tiirl Shy, .i<br />
Paihe & RKO Pathe 1924 release slarrini;<br />
ll.iiiild Lloyd, was shown on the rear lawn<br />
at the Walertown Public Librar\ on a recent<br />
Wednesday night Ihe original music scoie<br />
accompanied. laurel & Hardy and I hue<br />
Stooges shorts preceded ihe lealiiu-<br />
RHODE ISLAND<br />
^om DeLuise, inlei\iewed b\ ihc Rhode<br />
Island press in conjunciiori with Columbia's<br />
"The Cheap Detective." expressed<br />
a greater preference for feature film over<br />
TV, saying: "Television is like when people<br />
get together for a picnic. They all look to<br />
see what they have in their refrigerators<br />
Ihal they could bring. "Oh. here's an old<br />
piece of chicken. Let's make a lunch out of<br />
it.' Movies, though, are like preparing for<br />
a banquet. You have time to decide things<br />
and go shopping for food."<br />
William Holden, talking with Plantation<br />
State media in conjunction with his newest<br />
film. 20ih-Fox's "Damien—Omen II." ad<br />
milled that he has worked in >ome motion<br />
pictures because the roles paid him money,<br />
making possible a personal involvement in<br />
su;h other activity as conservation in Africa.<br />
He pointed up the feeling of .African<br />
people helping one another—no matter the<br />
d-fficulties thai are sometimes involved.<br />
'"There is almost an unwritten law in those<br />
areas of the world," Holden commented,<br />
"wheie existence itself is so tough thai you<br />
help other people out . wasn'' :i<br />
demand made on me in my 20 years in<br />
Kenya that I wouldn't live up to oven if<br />
it meant I had to deviate from my coursto<br />
dr^e somebody .100 miles to a hospit.d<br />
And with those roads, it takes you ihi-c<br />
days driving 15 to 20 miles an hour."<br />
. .<br />
Film showings at Brown University's Lis!<br />
.Auditorium included "Lovers and Other<br />
Strangers." "Made for Each Other," "Boudu<br />
Saved from Drowning." "The Earrings of<br />
Madame De .". "Bugsy Malone."<br />
"Breathless." "".Mcx in Wonderland" and<br />
"Harry and Tonto." The University of<br />
Rhode Island screened ".All the Kliips<br />
Men" and ""High Society" in Edwards -Nudiiorium.<br />
.<br />
The Four Seasons Cinemas 4, East Prov i-<br />
dence. advertised, "not at our discount<br />
prices." with its booking of ""Convoy" m<br />
auditorium four Cinema Corp<br />
used full-page advertising, no less, ahead ol<br />
Lincoln Mall and Garden City Cinema's<br />
Rhode Island joint pa'miere of "The<br />
Swarm," a Warner Bros, release. Such "'introduction'"<br />
is rate in Plantation State e\<br />
hibition nowadays . . . ""The King and I<br />
2()ih-l o\ 1956 release with ^ul Brynner<br />
and Deborah Kerr, was shown at the I niversitv<br />
of Rhode Island.<br />
Warbrook Productions and William Otr<br />
plan to film "The Gold of Ihe Fox" li • i<br />
a script by Peter R. Brooke.<br />
< I.\riLV»I.\ IS l.\ SIIOH<br />
Il|-M.\'lv5»*» I.\ ll.\WAII ltM»^<br />
^<br />
When youoiuu l.i Walklkl<br />
titm't ints,s the lamii> 1 K>i\ I<br />
Show . . Ill (Tiunimii'^<br />
Kccriowio Hotel<br />
9'3t>>><br />
KKlih»W,MMM M'WI<br />
IMII
World Film Festival<br />
Lineup Announced<br />
MONTREAL—Twenty new teiitiires<br />
and<br />
nine shorts from the world's major production<br />
centers have been selected to compete<br />
in the World Film Festival—Montreal 197S<br />
Friday (25) through September 3.<br />
Among the features in competition will<br />
be "An Enemy of the People," starring<br />
Steve McQueen and Bibi Andersson and directed<br />
by George Schaefer. which will represent<br />
the U.S.: "Stevie." starring Glenda<br />
Jackson and Trevor Howard and directed<br />
by Robert Enders, the British entry: "L'Argent<br />
des Autres," starring Catherine Deneuve,<br />
Jean-Louis Trintignant and Claude<br />
Brasseur, directed by Christian de Challonges.<br />
from France: "Primo Amore," from<br />
Italy, starring Ugo Tognazzi and directed<br />
by Dino Risi. and "Feedback." directed by<br />
Victor Tregoubovitch. from the Soviet Union.<br />
In addition to the films in competition.<br />
Serge Losique, the festival director, announced<br />
that a number of major films would<br />
be presented "hors concours" (out-of-competition).<br />
These will include the new Fassbinder<br />
film from West Germany and the<br />
Italian production "L'Albero Degli Zoccoli"<br />
(The Clog Tree), which won the grand prize<br />
at Cannes this year.<br />
rent hit "Matilda" has been added to the<br />
festival's international jury, Losique said.<br />
He succeeds American producer Allan Carr,<br />
who had to withdraw because his newest<br />
film begins shooting at the time the festival<br />
begins.<br />
The feature films will compete for the<br />
Grand Prix of the Americas, best actor and<br />
actress awards and two jury prizes. Shorts<br />
will be eligible for the Montreal Grand Prix<br />
and a special jury prize.<br />
At a news conference, Losique listed the<br />
titles of 19 of the 20 films in the feature<br />
section: the 20th, a Canadian production,<br />
will be announced shortly. He also said that<br />
two or three other films would be added to<br />
the "hors concours" category as the selection<br />
committee still had several more productions<br />
to screen.<br />
France and Germany led the competition<br />
list with three features selected from each<br />
country, followed by Italy and Spain with<br />
two each and Brazil, Canada, Great Britain,<br />
Hungary, India, Japan, Mexico, the USSR<br />
and the U.S. with one each. Canada, how-<br />
Competing at World Film Festival - Montreal 78<br />
FEATURE FILMS<br />
ever, will have another feature to be announced<br />
later.<br />
Three of the shorts will come from<br />
France, two from Canada and one each<br />
from Brazil, Columbia, the USA and Yuao-<br />
West Germany — "Die Glaserne Zelle"<br />
(La Cellule de Verre/The Glass Cell): director,<br />
Hans W. Geissendorfer: actors, Helmut<br />
Griem, Brigitte Fossey, Dieter Laser. Walter<br />
Kohut.<br />
"Flammende Herzen" (Coeuers Enflammes/<br />
Flaming Hearts): director Walter<br />
Bockmayer. Rolf Bohurmann; Peter Kern,<br />
Barbara Valentin, Enzi Fuchs, Katja Rupe.<br />
"Zwischengleis" (Yesterday's Tomorlow's):<br />
director, Wolfgang Staudte.<br />
Canada— "Blood and Guts": director,<br />
Paul Lynch: actors, William Smith, Micheline<br />
Lanctot, Henry Beckman. Brian Clarke.<br />
Brazil— "O Desconhecido" (L'Etranger/<br />
The Stranger): director, Ruy Santos: actors.<br />
Luiz Linhares, Isolda Cresta, Sonia Otticica.<br />
Spain— "La Cite Brulee": director. Antoni<br />
Ribas.<br />
"La Escopeta Nacional": director. Luis<br />
G. Berlanga: actors, Antonio Ferrandis, Jose<br />
Luis Lopez Vazquez, Monica Randall.<br />
France— "Un Deuxieme Souffle": director,<br />
Gerard Blain: actors, Robert Stack.<br />
Anicee Alvina.<br />
"Martin et Lea": director, Alain Cavalier:<br />
actors, Isabelle Ho, Xavier Saint-Macary,<br />
Cecile Le Bailly.<br />
"L'Argent des Autres": director. Christian<br />
de Chalonges: actors, Catherine De-<br />
Directors of all the features in competition<br />
and most of those with films "hors concours"<br />
are slated to attend the festival, along seur.<br />
neuve, Jean-Louis Trintignant, Claude Bras-<br />
with many of the stars, Losique added. Included<br />
are such well-known actors as Jean- ert Enders: actors. Glenda Jackson, Mona<br />
Great Britain— "Stevie": director, Rob-<br />
Louis Trintignant of France and Lee Grant Washbourne. Alec McCowen, Trevor Howard.<br />
(from the U.S.) and directors Rainer Werner<br />
Fassbinder from Germany, Shyam Senegal<br />
from India, Yasuzo Masumura from Dangereux de se Pencher au Wehors/Do<br />
Hungary— "Kihajoini Veszelyes" (II Est<br />
Japan and George Schaefer from the U.S. Not Lean Out of the Window): director.<br />
Albert Ruddy, the producer of "The Godfather,"<br />
"The Longest Yard" and the curnek,<br />
Gyula Bodrogi, Mari<br />
Janos Zsombolyai: actors, Nandor Toma-<br />
Kiss.<br />
BOXOFFICE :: August 7. 1978<br />
India — "Ligabue": director. Salvalore<br />
Nocita.<br />
Italy— "Primo Amore": director, Dino<br />
Risi; actors. Ugo Tognazzi, Ornella Muti.<br />
Japan— "Sonezaki Shinzu" (Le Double<br />
In addition to the films in competition<br />
and "hors concours," some 45 other features<br />
will be shown in various other catecories<br />
of the Montreal festival.<br />
Screens Go Dark on Lower<br />
Mainland, in Vancouver<br />
VANCOUVER—Motion picture houses<br />
here and throughout the lower mainland<br />
were dark Saturday, July 22. Despite the<br />
fact that there were no picket lines, the<br />
closings came as the result of an impasse<br />
in negotiations for a new projectionists' contract.<br />
Famous Players vice-president Doug Gow<br />
said managers or supervisors could not exhibit<br />
films in British Columbia since go\-<br />
Suicide de Sonezaki/Double Su'cide of<br />
Sonezaki): director, Yasuzo Masrmura:<br />
actors. Meiko Kaki. Ryudo Ukaki.<br />
Mexico — "Llovizna" (La Bruine/ Drizzle):<br />
director, Sergio Olhovich; actors, Aaron<br />
Hernan, Salvador Sanchez, Delia Casa<br />
nova,<br />
USSR—"Obratinaya Sviaz" (Liaison Re<br />
tour/ Feedback); director, Victor Tragoubovitch;<br />
actors, Oleg Yankovsky, Mikhail Ou<br />
lianov, Kirill Lavrov,<br />
— U.S. "An Enemy of the People"; director<br />
George Schaefer: actors, Steve McQueen<br />
Bibi Andersson, Charles Durning.<br />
SHORT FILMS<br />
Brazil— "Noitanda Sa Samba (Samba<br />
Through Carioca's Night); director, C.<br />
Tourinto, — C. Scarpino.<br />
Canada "Pierre a Colon" (Rock Cotton);<br />
director. Jean-Claude Labrecque,<br />
"Pairie Album": — director, Blake James.<br />
Colombia "Montecalvo": director, Gustavo<br />
Nieto — Roa.<br />
France "Leda"; director. Marc Lavriller.<br />
"L'Orniere": director.<br />
Francois Dupeyron.<br />
"Le Phenomene"; director. Paul Dopff.<br />
U.S. — "Landscape"; director, Jules Engel.<br />
Yugoslavia — "Amadeusove Usi" (Les<br />
Oreilles D'Amadeus/Water We Doing); director.<br />
Ante Zaninovic.<br />
HORS CONCOURS<br />
West Germany — "Die Ehe der Marie<br />
Braun" (Le Mariage de Maria Braun); director,<br />
Rainer — Werner Fassbinder.<br />
France "Mon Royaume Pour un Cheval":<br />
director. Serge Bourguignon.<br />
"Je Suis Tiniidc Mais'je^Me Soigne":<br />
director. Pierre Richard: actors. Pierre Richard.<br />
Italy—"L'Albero Degli Zoccoli" (L'Arbre<br />
aux Sabots/ The Clog Tree); director. Emmanno<br />
Olmi.<br />
"Les Affinites Electives": director, Gianni<br />
Amico.<br />
USSR—"Step" (La Steppe/The Steppe);<br />
director. Sergei Bondartchouk: actors, Oleg<br />
Kuznetzov, Sergei<br />
Bondartchouk, Ivan Lapidov.<br />
U.S.—"The Mafu Cage" (La Cage de<br />
Mafu); director, Karen Arthur: actors, Lee<br />
Grant, Carol Kane, Will Geer.<br />
ernmental regulations bar them from operating<br />
35mm projectors.<br />
Only a few ethnic movie houses and other<br />
independent operators continued showings<br />
as usual.<br />
Particularh hard hit b\ the blackoiu was<br />
the Varsity Theatre, 4375 West 10th. Manager<br />
Don Barnes was presenting the 16th<br />
annual International Film Festival but he<br />
said that, barring an early settlement, he<br />
would lose the booked pictures "forever."<br />
Meanwhile, disappointed film buffs appeared<br />
at the boxoffice to secure refunds.<br />
Spokesmen for labor and management<br />
alike said they had "no statement for publication."<br />
Noel Black will d'rect "A Man, a Woman<br />
md a Bank."
'<br />
"Mng<br />
,<br />
i<br />
Capricorn<br />
. Th.<br />
MA<br />
C<br />
H,h<br />
'T' jwarm' Sweeps Into Winnipeg;<br />
Heaven Can Waif' Is Still Strong<br />
'• -Wilh '"The Swjrm" opcn-<br />
, and most holdovers reiain-<br />
.Aing power, overall returns<br />
Still ^..ii... ..vAi >:e3dy. Excellent were<br />
Grease.'" "Heaven Can Wail," "Convoy"<br />
""Biiiilcstar Galaciica." •"The Cheap Detct-iive"<br />
.i.id<br />
and ""Jaws 2"" slowed siighlly but<br />
were still Very Good. The Buddy Holly<br />
Story" remained above average. "A Different<br />
Story"" opened to Good business; the<br />
Downtown's double-bill gave its usual performance.<br />
Capite!—Gf*aa* (Par 3' ^!h<br />
CcDvcnucm Cl wk V.>ry Good<br />
H.ov.n Con Wail (Pata), 2nd wk >;«collent<br />
Good<br />
Th. Goodby. GUI (WB). 25lh wk<br />
Mon Ontl. Anioine (PH), 3rd wk Foir<br />
Th. End wk<br />
Foir<br />
V»,v Good<br />
Convoy IIA' l„l wk<br />
' ...nina Ham. A<br />
Edmonton Holdover Business Is<br />
Steady; 4 New Films Do Poorly<br />
KDMOMON — h «as a sen. Mable week<br />
here, as in most Canadian cities, with all<br />
holdovers but one staying at ihe same level<br />
of business as during the prior reporting<br />
week. The exception was "Jaws 2." which<br />
dipped to the Very Good level in its fourth<br />
week al the Capilano and Odeon I. "The<br />
Buddy Holly Story gained some momentum,<br />
"<br />
hitting Good al the Odeon 2. New<br />
"<br />
films included "Battlesiar Galactica," Ex-<br />
two situations, and "Mag Wheels."<br />
cellent at<br />
"Rabbit Test, " "The Manilou" and "Almost<br />
Summer,"' each earning Poor attention.<br />
Avenue. Rial
I<br />
CALGARY<br />
^nother drive-in here has been razed to<br />
make room for "progress" (more<br />
buildings). The Corral at Anderson Road<br />
and MacLeod Trail is no more. Protective<br />
boarding has been constructed around the<br />
site and earth-moving machines have been<br />
working full blast. This leaves the city with<br />
only three ozoners as compared to Edmonton,<br />
which has a total of ten. Population in<br />
both cities is roughly the same.<br />
It was nice fo chat with Jim Hamilton,<br />
onetime employee of Empire Universal<br />
Films, and to be able to pass on to those<br />
who know him the news that all is well in<br />
the Hamilton family. As with all of us,<br />
time is telling on Jim; his youngsters are<br />
growing up and he is slowing down a bit,<br />
even though he's in excellent health and<br />
spirits.<br />
Just when it seemed that all was set with<br />
the Edmonton E.xhibition Ass'n of the Klondike<br />
Days entertainment, one of the stars<br />
canceled. July 17. Don Clarke, manager of<br />
the association's entertainment committee,<br />
announced that Waylon Jennings' appearance,<br />
as part of a Canadian tour, had been<br />
canceled due to "lack of label support."<br />
Tom Wilson, Toronto agent who had sold<br />
the association the Jennings show, was unable<br />
to contact the singer's booking manager<br />
to find out what was meant by "lack<br />
of label support." No one involved in the<br />
arrangements was able to clarify the reason<br />
and Clarke was at a loss to understand why<br />
Jennings would not be coming, since approximiately<br />
$60,000 worth of tickets had<br />
been sold for the concert—and the balance<br />
was selling well. With no replacement arranged,<br />
ticket holders were given the option<br />
of attending a substitute concert or getting<br />
a refund.<br />
The balance of the Coliseum of Stars<br />
concert series was all set, so the entertainment<br />
was kicked off July 19 by the Beach<br />
Boys. The following day featured a "Band<br />
Extravaganza" with top Canadian and U.S.<br />
groups competing for championships.<br />
Frankie Valli performed July 21. Other<br />
stars providing entertainment included Dolly<br />
Parton, Blake Emmons, the Eagles rock<br />
group, Frankie Laine, Tex Beneke with<br />
Paula Kelly and the Modernaires, Charlie<br />
Pride, Dave and Sugar and April Wine.<br />
Closing the series was Canada's Superkid.<br />
Rene Simard, who has his own TV show.<br />
Former film business personality Angel<br />
Drummond, who toiled at Canfilm Screen<br />
Services, appeared on a recent local TV<br />
program with a children's fashion show. The<br />
clothing exhibition was put on by the local<br />
Hudson's Bay store where Angel is now employed.<br />
Could this be a sign of the times? A mugger<br />
in Edmonton tried to steal, not his victim's<br />
wallet, but a case of beer the man was<br />
carrying! The mugger was apprehended<br />
quickly and sentenced to 18 months in jail.<br />
The Chine.se Library Ass'n in Edmonton<br />
sponsored the screening of two films on<br />
China July 21 in the Tor\ Building on the<br />
University of Alberta campus. A National<br />
Film Board documentary, "Glimpses of<br />
China," and another documentary, "Thunderbirds<br />
of China," were shown. The latter<br />
follows the University of British Columbia's<br />
hockey team on a tour of China. The program<br />
was presented twice, at 7 and at 9<br />
p.m., at no charge and the public was invited<br />
to attend.<br />
Some world-famous people are scheduled<br />
to speak at symposium to be held in October<br />
in Edmonton. Sponsored by the College<br />
of Clinical .Social Work of Alberta, the congress<br />
will be held in the Citadel Theatre.<br />
Included in the list of speakers is Alex<br />
Haley, author of the book "Roots." His<br />
theme will be "Man: His Mind, His Feelings,<br />
His World."<br />
June was the heaviest month, insofar as<br />
workload is concerned, so far this year for<br />
the Alberta Motion Picture Censor Board.<br />
A total of 47 features was viewed. For the<br />
first time in many a moon, there were no<br />
pictures passed with warnings. Either films<br />
are becoming less violent and bloodthirsty<br />
or wc are becomirg mor; c,imp!a:er.t. Th:rc<br />
were two features in the Family category,<br />
1 1 passed as Adult, 1 1 classified as Adult<br />
Not Suitable for Children and 2.^ (almost<br />
half) fell in the Restricted Adult group.<br />
Films came from China, Italy, Germany,<br />
France and Britain as well as from Canada.<br />
A total of 16 distributors submitted pictures<br />
to the board, including one newcomer, Creswin<br />
Film Distributors. Cinepex sent in the<br />
largest number of any one distributing company—<br />
nine—and all were classified as Restricted<br />
Adult.<br />
Sask. Upping Age Limit<br />
For Restricted Films<br />
REGINA. SASK.—Under the stipulations<br />
of a bill introduced in Saskatchewan,<br />
restricted motion pictures may not be viewed<br />
by 16 and 17-year-old persons unless<br />
they are accompanied by parents or legal<br />
guardians. Previously, only those under 16<br />
have been subject to this restriction for this<br />
film category.<br />
The Saskatchewan Film Classification<br />
Board decided to raise the age limit following<br />
an appeal last fall from the provincial<br />
exhibitors'<br />
association.<br />
J^ WATC H PROJECTION IMPROVE WITH >€<br />
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MONTREAL<br />
JJenrik Ibsen's "An Enemy of the People,"<br />
a First Artists presentation produced<br />
and directed by George Schaefer and starring<br />
Steve McQueen, will have its international<br />
premiere Saturday (26) at the World<br />
Film Festival. First Artists will release the<br />
Solar product'on internationally, while Warner<br />
Bros, will handle distribution in the<br />
U.S. and in English-speaking Canada. Also<br />
starring in the picture, on which McQueen<br />
served as executive producer, are Bibi Anderson<br />
and Charles Durning. The film was<br />
written by Alexander Jacobs from Arthur<br />
Miller's American stage adaptation of the<br />
Ibsen play. The music of Leonard Rosenman<br />
is featured in the motion picture, for<br />
which Ph'lip Parslow was associate produced.<br />
An impressive delegation of French film<br />
personalities, including American actor<br />
Robert Stack, who is bilingual, will participate<br />
in the World Film Festival-Montreal<br />
1978. which will be held Friday (25) through<br />
September 3. Stack, best known for his role<br />
in the long-running TV series "The Untouchables,"<br />
has the lead in one of the two<br />
French films in competition. Other personalities<br />
include actor-directors Pierre Richard<br />
and Gerard Blain and actors Bernadette<br />
Lafont, Catherine Jourdan, Klaus Kinski,<br />
Jacques Villeret and Alain Delon, a member<br />
of the festival's international jury. France<br />
will have one of the largest festival representations,<br />
according to Serge Losique, director<br />
of the event. Some 16 feature and<br />
four short films will be screened and many<br />
directors, producers and industry officials<br />
be present.<br />
will<br />
The two new films in competition are<br />
"Un Deuxieme Souffle," directed by Gerard<br />
Blain and starring Stack and Anicee Alvina,<br />
and "Martin et Lea," by Alain Cavalier.<br />
Two major films will be presented out of<br />
competition— "Mon Royaume Pour un<br />
Cheval," by Serge Bourguingnon, and "Je<br />
Suis Timide Mais Je Me Soigne," d'rected<br />
by and staring Piere Richard. "Heureux<br />
Comme le Regard en France," by Frederic<br />
Rossif, and "Couleur Chair," directed by<br />
Francois Weyergans and starring Bianca<br />
Jagger, Dennis Hopper and Veruschka, will<br />
be presented in the "Cinema of Yesterday,<br />
Today and Tomorrow" section. Ten films<br />
will be shown in the section entitled "Presence<br />
of the French Cinema."<br />
Directors of many of the productions will<br />
be present, including Serge Bourguignon,<br />
Alain Cavalier, Alain Fleischer, Luc Beraud.<br />
Vera Belmot, Iradji .Azimi and J. F.<br />
Stevenin. Unifrance Film, the industry association<br />
promoting French films, and the<br />
Perspectives du Cinema Francais 1978 each<br />
will have sales stands in the film market at<br />
the Meridien Hotel. Several well-known<br />
French producers and film exporters, including<br />
Gaumont. Xavier Gelin. Claude<br />
Nouchi. Alain Vahnier and Messrs. Bagge.<br />
Katz and De Place, also will attend. A large<br />
number of French critics and journalists will<br />
(Continued on page K-4)<br />
BOXOFFICE :: August 7. 1978
ONTO<br />
'U' firsi feature film. "Leo-<br />
Snow." hasn't been released<br />
..Ja hill this company already<br />
will be shown in this city next fall or in<br />
early 1979— but with "a totally changed<br />
advertising campaign."<br />
"Island of Dreams' concerns a girl who<br />
has been reared in the West Indies and a<br />
painter with whom she is reunited in this<br />
city. "We're looking for an Ameiican lead<br />
and cast'ng for an unknown Canadian actress."<br />
Harrop stated. The budget has been<br />
pegged at more than $2.f)0().()()().<br />
The next project for Canadian producers<br />
Harold Grcenbeig and Sandy Howard will<br />
be "City on Fire. " filmed in Montreal. With<br />
Montreal. Filming is slated to begin this<br />
month.<br />
"The Plouffe Family." one of Canada s<br />
earliest TV series in b
BOXOFFMCE BOOKMNCUIDE<br />
An interpretive analysis of lay and tradepress reviews. Running time is in parentheses. The plus and<br />
minus signs indicate degree of merit. Listings cover current reviews regularly. Symbol tj denotes<br />
BOXOFFICE Blue Ribbon Award. AH iihns are in color except those indicated by (b&w) for black & white.<br />
Motion Picture Ass'n (MPAA) ratings: E]—general audiences; PG—all ages admitted (parental guidance<br />
suggested); [R]—restricted, with persons under 17 not admitted unless accompanied by parent<br />
or adult guardian; (X)—persons under 17 not admitted. National Catholic Office for Motion Pictures<br />
(NCOMP) ratings: Al—unobjectionable for general patronage; A2—unobjectionable for adults or adolescents;<br />
A3—unobjectionable for adults; A4—morally unobjectionable for adults, with reservations;<br />
B—objectionable in part for all; C—condemned. Broadcasting and Film Conunission, National Council<br />
of Churches (BFC). For Ustings by company, see FEATURE CHART.<br />
l^EVIEW DIGEST<br />
AND ALPHABETICAL INDEX<br />
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rated 2 pluses, — as 2 minuses.<br />
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("9) CO Cinena 5 3-20-78 B +<br />
5009 Manitou, The (104) Ho-D Emb 3- 6-78 PG B +<br />
5042Malild. (103) C AlP 7- 3-78 63 A2 *<br />
Utri Deren Retrotoectirc<br />
(90) Doc-0 Gro.e Press 619-78 +<br />
5010 HeM Do| Bluet (108) Ac-D ... AlP 3- 6-78 IB -t-<br />
5010 Uttuu Tou:h. The<br />
(110) SusMoD WB 313-78 PG A3 +<br />
5034 HeUaorphoset<br />
- 2+1-<br />
m-<br />
1+<br />
- 5+5-<br />
++ + + ++ 7+<br />
3+<br />
frf<br />
6+3-<br />
4-.;<br />
5+2-<br />
5023 Sea Gypsies, The (101) OD-Ad WB 5- 1-78 Q Al<br />
Sebastiane (90) Hi-Sex-D ..Libra 4-17-78
•ON<br />
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Aiigiisl<br />
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JOSEPH BRENNER<br />
Tht Otfil'l Rlin/Thc Virgin Wilch<br />
(90/90) Il«7g<br />
r.mrH Ikyrpilnc Bil.llr \llwrl<br />
Ar«! Mlrtxllf. Pitrlrli Il«lim<br />
Aulany/Cj/rit (UA)<br />
(85/98) Mir 78<br />
Him) Kunrr Ri) l.mrlwl/<br />
Star Bmrck. John Truolu<br />
ll'l Nol tllc Si» Thlt Countt<br />
(86) May 78<br />
Kike Sooimtf Vlnrrnl r'ri'i-<br />
SoBtr JiKki (90) May 78<br />
Midfltlw I'.lirr<br />
Rntlni (90) Miy 78<br />
Riirirl Wflrti. Illrliard J..lirk1() llrmmlnci. Vn AMtucli<br />
The Senator ....<br />
.Man Mill Mcl.>n Dwiglai<br />
llArtura Harrl<<br />
WARNER BROS<br />
Chefs el Eurpft<br />
Ornc<br />
llackxan<br />
Ctirlilnpher<br />
Itc<br />
lilrnfi Fnr.l Vi<br />
F-*dD. Ok 78<br />
Uu farrlntrr<br />
'"turn pt Snow Whllt<br />
July 78<br />
All Thii Bright and Beautiful<br />
(94)<br />
li.lin Ahlrrt rnlln<br />
The Uit Wwe .<br />
Illrhiril nuimlirilain<br />
Teitu the Thief .<br />
niakriv<br />
Every Which Way But Lease<br />
Pllni r.«.1»nod. RoMln X/tf<br />
FIr.l Bletd<br />
HOXOITICL BookiiiGuide :<br />
7. 1078
• playing<br />
included<br />
Opinions on Current Productions Feature hevicws<br />
specified as black and white (bSw). For<br />
Sgt. Pepper's Lonely<br />
Hearts Club Band<br />
Universal (7816) 111 Minutes Rel. July '78<br />
The Bee Gees, or the Brothers Gibb, meet the Beatles,<br />
with help from Peter Prampton and a wealth of other<br />
talent in one of the wilder musicals of the year. The Robert<br />
Stigwood Organization and director Michael Schultz<br />
have produced a 70mm Dolby Stereo and Technicolor<br />
treat which may not be for every taste but is bound to<br />
enthrall those who love nonstop music. Henry Edwards'<br />
script allows for George Bm-ns to handle the narration<br />
and whatever non-musical dialog is necessary, subtitle^<br />
taking care of the transitions. As in "Tommy," it's a postdubbed<br />
musical show. Most of "Pepper" is lunatic fun,<br />
special effects being used impressively. Once or twice, the<br />
Universal release falters in its presumably serious elements,<br />
as in the reaction to Sandy Farina's death and in<br />
Alice Cooper's Nazi youth training ground. Yet, if nothing<br />
is to be taken seriously, so much the better. George Bm-ns<br />
and Donald Pleasence are good, while the young leads<br />
rely on winning personalities and singing talent to carry<br />
them thi'ough. It may be a treat for teenyboppers, who<br />
won't recognize all of the guest stars at the end; Carol<br />
Chamiing, Gwen Verdon, Tina Tm-ner, Sha Na Na, Jose<br />
Feliciano, Keith Carraciine, Wolfman Jack. etc.<br />
PG<br />
Peter Frampton, George Burns, the Bee Gees, Donald<br />
Pleasence, Steve Martin, Aerosmith, Alice Cooper.<br />
BIG WEDNESDAY<br />
Warner Bros. (78707) 125 Minutes<br />
pg<br />
Comedy-Dran<br />
Rel. June '78<br />
Sm-fing is the passion in this A-TEAM production<br />
with three attractive leads—Jan-Michael Vincent, William<br />
Katt and Gary ("Buddy Holly"<br />
i Busey—but the main<br />
theme is the relationships between three friends as they<br />
struggle to matm-ity. John Milius directed the screenplay<br />
by Milius and Dennis Aaberg from the former's experiences<br />
as a youth. The first half of the film is devoted to<br />
the hedonistic pleasures of the thi'ee and their pals, with<br />
only Katt evoking any sympathy. The excessive incidents<br />
and the raucous humor may appeal to the mider-30<br />
crovi'd. The second half is serious and reflective, even<br />
touching, and could find its mark with a more mature<br />
group. Selling, therefore, may be difficult. With Bruce<br />
Sm-tees as director of photography and sm-fing sequences<br />
proauced by Greg MacGillivray, the Panavision-Metro-<br />
Color-Dolby Stereo presentation offers some spectacular<br />
scenes of surfers riding giant waves as casually as crossing<br />
a street. Veteran Barbara Hale repeats her real-life<br />
role as Katt's mother; she, Lee Purcell and Sam Melville<br />
are the most impressive among the featured cast. Top<br />
sm-fer Gerry Lopez and fellow experts perform some of<br />
the maneuvers in the film. Buzz Feitshans produced.<br />
Jan-Michael Vincent, William Katt, Gary Busey, Lee<br />
Purcell, Patti D'Arbanville, Sam Melville.<br />
TEAM-MATES<br />
Independent-International 84 Minutes Rel. July '78<br />
The ERA era is served by a new comedy revolving<br />
around a high school miss tor ms.) who joins the allmale<br />
football team. Idea for the film came from distributor<br />
I-I's own head, Samuel M. Sherman, also the producer.<br />
Jennifer Lawson's screenplay, with additional dialog<br />
by Madeline Gomez and Eckert Alleman, doesn't concentrate<br />
solely on the main theme and there are numerous<br />
scenes only remotely related. Shot in Nassau County,<br />
N.Y., and directed by former documentary maker Steven<br />
Jacobson, the picture introduces a host of fresh young<br />
faces, starting with lead Karen Corrado. The 23-year-old<br />
actress displays a nice personality along with her talent,<br />
to make the best impression. Co-star Max Goff is her very<br />
macho lover and captain of the team. He has difficulty<br />
winning sympathy because of his character, but goes<br />
through a change of heart. Scene in which he asks Corrado<br />
to give him another chance is the best in the picture,<br />
being well-acted and directed. Robert Rapson's<br />
music leaves no doubt as for whom the whole thing is<br />
aimed and the under-30 audience should be amused. Tlie<br />
R-rating is for a bit of very mild sex and is otherwise<br />
too harsh. In Technicolor. For I-I, it's a highly exploitable<br />
non-exploitation release.<br />
Karen Corrado, Max Goff, Christopher Seppe. Ivy<br />
Sinclair, G. E. Harris, Michael Goldfinger.<br />
m<br />
HOOPER PG<br />
Action Comedy-Drama<br />
Warner Bros. (78711) 97 Minutes Rel. Aug. '78<br />
The stuntman takes top billing in this fast and funny<br />
spoof of the movie business. Burt Reynolds, who's done<br />
a stunt or two in his time<br />
i is a clip from his<br />
rapids action in "Deliverance" i , heads a top cast which<br />
includes his favorite, Sally Field, Brian Keith as an inarticulate<br />
old stunter, James Best as an aging fall guy,<br />
John Marley as a sympathetic producer and Robert Klein<br />
as a nasty director. Under the dii-ection of Hal Needham<br />
la stunt veteran who directed "Smokey and the Bandit")<br />
and with the help of stunt coordinator Bobby Bass, the<br />
film will keep audiences entertained throughout. A few<br />
ingredients don't come off; Jan-Michael Vincent is introduced<br />
as a threat to Reynolds' position as top dog and<br />
that thread becomes lost, the real stuntmen are obviously<br />
doubling for the movie stuntmen lA. J. Bakunas does<br />
Reynolds' spectacular helicopter falli and the big car<br />
jump at the end seems faked. Screenplay by Thomas<br />
Rickman and Bill Kerby, story by Walt Green and Walter<br />
S. Herndon, luckily doesn't take itself seriously for<br />
too long. If stunting ever qualifies for regular Academy<br />
Award consideration, the Reynolds/ Law-rence Gordon<br />
production would be a top contender—as it should be at<br />
the theatres. In MetroColor.<br />
Burt Reynolds, Jan-Michael Vincent, Sally Field, Brian<br />
Keith, Robert Klein, John Marley, James Best.<br />
THE MAGIC OF LASSIE m '''•""''2T.'<br />
"""<br />
International Picture Show 100 Minutes Rel. Aug. '78<br />
The world-famous collie. Lassie, has been off the screen<br />
for 15 years and off the tube for five years
I<br />
I S«nd<br />
AugllsI<br />
FEATURE REVIEWS Srory Synopsis; Exploifips; Adiines for Newspapers and Program<br />
•<br />
»f<br />
I..<br />
I<br />
> .. i\ Hooper" iWB)<br />
i stuui coordinato! and double for star<br />
. .bert Klein's big-budget Win. -The Spy<br />
nar;p\'r K'.ein irvi h ; pqually obnoxi- ^ ,„<br />
T. the mini- .<br />
po)<br />
tod mainly « «'<br />
.iress Sally<br />
lunter who<br />
.);x;i-.Miciiaii \ lufcnt Is saved<br />
race by Rt'ynolds quick actions<br />
•rk on Klein's movie. Vincent's<br />
'a push himself to the limit, his<br />
an- ,i;.ti ji.UiUpit- .1 uiiH-.s causing him some pain. When<br />
Klein devises a six'ctacular car leap across a destroyed<br />
bridgt -span as a clmiax. Reynolds and Vincent are as-<br />
.•iiKned to a rocket-powered auto. Reyniolds bows out and<br />
the stunt, too dangerous for one man. is shelved until<br />
Marley persuade* Reynolds to come back. Keith ton<br />
crutches'. Re\iiolds' pal James Best, the estranged Field<br />
and others wat
. -.ove<br />
: ;.• 1<br />
^<br />
ES: 50c per word, mininmm S5.00 CASH WITH COPY. Four consecutive insertions for price<br />
iree. When using a Boxofiice No. figure 2 additional words and include SI. 00 additional, to<br />
>r cost of handling replies. Display ClassiHed, S38.00 per Column Inch. No commission<br />
wed CLOSING DATE: Monday noon preceding publication date. Send copy and answers<br />
(ox Numbers to BOXOFFICE, 825 Van Brunt Blvd., Kansas City, Mo. 64124.<br />
CLteilin6H0US£<br />
HELP WANTED<br />
MEDIATE OPENING for thectre man-<br />
:or Amanllo, Texas. Th;s is a lust<br />
exclusive General Cinema theatre. For<br />
ler information call Dennis Mahaney<br />
Denver, Colorado, at (303) 343-42C0,<br />
E.<br />
[CITING OPPOHTUNITY to manage<br />
invest in a new automcrted theatre in<br />
orthern California college community<br />
licant should be experienced in a\\<br />
;es of operation. Salary in addition tc<br />
ty position. Phone (916) 891-1742.<br />
flOWING THEATBE chain is seeking<br />
jrienced managers and assistant manrs<br />
lor Eastern theaters. Please submit<br />
me and salary history to Lowe Enter-<br />
;s Inc., 26 Broadway, New York 10004<br />
phone cells please.<br />
ANAGERS AND ASSISTANTS, New Or<br />
3P NEW JERSEY CmCUIT has imn<br />
opening in South Jersey area<br />
lager/Operator of high grossing I<br />
3tion. Salary commensurate with<br />
ence. Excellent benefits and com:<br />
s. Send complete resume to Bo<br />
413''.<br />
5SISTANT MANAGERS Now is your<br />
to Redstone Showcase<br />
.'.":::ester, W. Springfield, Moss.<br />
1 :::d. Conn. Top salaries in the<br />
:. Mujo: medical, dental plan at no<br />
to you or your family. Write: John<br />
e, District Manager, P.O. Box 580, W<br />
nglield, Mass. 01089.<br />
POSITIONS WANTED<br />
RIVE IN THEATRE manag.<br />
erienced in all phases of<br />
£S Drive-In to lease or mc<br />
Southeast. <strong>Boxoffice</strong>, 4128.<br />
FILMS FOR SALE<br />
[IE FANTASY GIRLS 90 minute feature<br />
dy for distribution. Kirk Wooster (404<br />
2252<br />
FILMS WANTED<br />
WANTED: 35mm trailers. 1930-1977, anmtity.<br />
L. Brown, 6763 Hollywood Blvd<br />
lywood, CaHf. 90028.<br />
POPCORN MACHINES<br />
HAND NEW COUNTER MODEL o:!<br />
:CTRIC Display Poppers from $426. EC<br />
:h. Knspy Kom, 120 S Hoisted, Chi.<br />
EQUIPMENT FOR SALE<br />
TICKET MACfflNES repaired. Fast serce,<br />
reasonable rates I. ED. Service Co.,<br />
10 Vi'oodside Dr., Grafton, Massachusetts.<br />
(617) 839-4058<br />
DRIVE-m SPEAKERS reconed, $1 50<br />
ich. to: Send JED. Service Co., 10<br />
Woodside Drive, Grafton, Massachusetts<br />
(617) 839-4058.<br />
BURLAP WALL COVERING DRAPES. $1<br />
per yd , flame retardant. Quantity disunts.<br />
Nurse & Co., Millbury Rd., Oxford,<br />
3SS. 01540, Tel. (617) 832-4295.<br />
NATIONAL CARBONS, 900 y»"<br />
egative; 600 11mm x 20" positive.<br />
753-2355.<br />
DRIVE-IN theatre booth and concession<br />
!and. Brenkert-RCA projection and sound,<br />
lemaker, pizza oven, other related equiplent.<br />
200 speakers plus posts, junction<br />
oxes $3,500.00 takes all. Kansas. (816!<br />
HOLMES portable 35mm projector<br />
mps, stands, sound system. Pair, $800<br />
00. (816) 523-2699.<br />
ONE ECHOLS snow cone machine: pair<br />
Brenkert BX-60 machines: pair RCA-9030<br />
soundheads: pair enclosed bases; pair<br />
Brenkert Enarcs and Carver rectifiers: One<br />
Cretors Olympic popcorn machine. (606)<br />
561-4544.<br />
heads, bases, 5000' magazines, carbon<br />
ctnd rectifiers, lamps splicer and electric<br />
$4800.00 rewind. F.O.B. Los Angeles, Ca<br />
Projector repair shop. (213) 482-4509.<br />
GENARCO Auditorium Carbon Arc follow<br />
Spotlights (8) from large Auditorium<br />
(216) 932-6000.<br />
EQUIPMENT WANTED<br />
WE PAY good money for used equiplent.<br />
Texas Theatre Supply, 915 S. Alalo,<br />
San Antonio, Texas 78205<br />
SURPRISE BONUS for shipping positive<br />
carbon silver contacts NOW, (any condition),<br />
plus postage refunded. Paying $9 OC<br />
minimum; up to $13.00 depending on type<br />
Also buying Strong negative shunts 75c;<br />
Ashcraft ribbon leads 35c. Send insured;<br />
Contact Salvaging, Box 4634, Redding, CA<br />
DRIVE-IN THEATRE CONSTRUaiON<br />
SCREEN TOWERS INTERNATIONAL: Tei<br />
Day Screen Installation, (817) 542-3591<br />
Drawer P Rogers, Texas 76569.<br />
SERVICES<br />
THE RIGHT background music adds th<br />
perfect touch to your theatre. Demo tap<br />
available. (815) 397-9295<br />
WE THANK the many exhibitors whc<br />
have chosen us to provide them with<br />
background music programming. Both of<br />
our programming packages have proven<br />
to be very popular. You too can have<br />
background music that fits your theatre<br />
and your audience.. C&C music service<br />
(315) 397-9295<br />
THEATRES FOR SALE<br />
;<br />
WORLD'S LARGEST THEATFE<br />
lOE lOSEPH. B:x ;..;c^ r i is -:?<br />
363-2724<br />
DRIVE-IN THEATRES m Lemmon, SD<br />
and Bowman, ND. Show good net. Box<br />
189, Spearfish, SD. (605) 642-4857<br />
DRIVE-IN THEATRE. Schuylkill County,<br />
PA. Excellent location on busy Rt. 61, 16<br />
acre commercial property, newly refinished<br />
screen, dual sound system, 56C<br />
speakers, concession stand. Property m<br />
excellent condition. Call CM. Detweiler,<br />
Inc. (717) 345-4475. Ask for Bernie.<br />
y. Buy equipment and business onlv<br />
$10,000, $5,000 down, balance 5 yecrs<br />
Rent building only $150.00 per month. Located<br />
in Wallace, N.C. Write P.O. Box<br />
219, Benson, N.C. 27504, phone (919) 894-<br />
5098. Mr. Billy Stephenson.<br />
THEATRE, redecorated, 450 seats all re-<br />
)vered, new carpet. Excellent business,<br />
come rentals $322 00 mo (316) 583-7145,<br />
6120.<br />
00000 CASH. NO TERMS. Shown by appointment<br />
only. JOE JOSEPH. (214) 363-<br />
2724.<br />
300 CAR DRIVE-IN neai Paolo, Ks, in<br />
Deration. Good grosser, no repairs needd,<br />
extra clean. (913) 755-2325.<br />
ALBUQUERQUE. NM adult theatre, opportunity<br />
of a lifetime $12,500. (505) 265-<br />
8963.<br />
DRIVE-IN THEATRE. Central Minnesota<br />
on busy U.S. 10. Minnesota Realty (218)<br />
894-1050, Ask for Jim.<br />
SOUTHWESTERN INDOOR-new 301<br />
eats, population 30,000, only indoor. Nt<br />
ompetition 90 miles. Serious Inquirie:<br />
nly. <strong>Boxoffice</strong>, 4130.<br />
THEATRE UPSTATE NY. year round<br />
sort. 10 years same owner. $25,000.00 ca;<br />
Long lease. (914) 679-8054.<br />
PACKAGE Indoor Theatre with i<br />
plus DRIVE-IN theatre, both show<br />
books. P.O. Box 308, Ord, Nebraska<br />
(308) 728-3569.<br />
THEATRES WANTED<br />
INDOOR THEATRES or drive-ins wanted<br />
to lease in Mich., Oh. and Ind Open or<br />
closed. Please send information. <strong>Boxoffice</strong>,<br />
TO LEASE, theatres 600 seats or less ony<br />
area. Send full information to: Glenn R.<br />
Henderson, 5115 Industriol Rd., No. 409,<br />
Las Vegos, Nev, 89118,<br />
INDOOR ONLY. 600 seats or less, any<br />
area. Lease or buy. Send full informotion<br />
to Les Baker, 1600 Broadway, New York,<br />
N.Y. 10019.<br />
THEATRE SEATING<br />
TOPS IN THEATRE SEATING upholster-<br />
— hnest materials—low prices— we buy and<br />
sell theatre choirs. Chicago Used Choi-<br />
Mart, 2616 W. Grand Ave., Chicago. Ill<br />
60612. (312) 235-1111.<br />
SPECIALISTS IN THEATRE SEATING<br />
New and rebuilt theatre choirs lor sole<br />
We buy and sell old chairs. Travel from<br />
to coost coast. Seoting Corporation of<br />
New York, 247 Water Street, Brooklyn<br />
Y. N. 11201. Tel. (212) 875-5433 (reverse<br />
500 THEATRE SEATS for sale, rieywood-<br />
Wakeiield p
BOXOFFICE LEADS THE FIELD<br />
with more exhibitor subscribers<br />
because it publishes . . .<br />
MORE<br />
Local and National News<br />
MORE Booking<br />
Information<br />
MORE Showmandising Ideas<br />
MORE Projection<br />
Information<br />
MORE Equipment and Concession Tips<br />
MORE Convention Coverage<br />
MORE on all counts that count most<br />
—read and relied on by MORE Theatremen<br />
than any other film trade paper in the world<br />
THE NATIONAL FILM WEEKLY - WITH THE LOCAL TOUCH
in<br />
niMim<br />
^Siipiigri<br />
I<br />
= And REFERENCE Section ^<br />
August 7, 1978<br />
Section Two<br />
—-—-— Refreshment Service z::^=<br />
Construction • Equipment • Maintenance
ment St. / Baltimore. Md. 21205 7^01) 9^^2010
'<br />
Sways<br />
Christie briyntens your<br />
cture:<br />
Our UL-recognized<br />
XenoliCe' bulbs have<br />
the lowest cost per<br />
operating hour of all xenon<br />
bulbs and the best warranty<br />
on the market.<br />
Our Sound<br />
System Amplifiers<br />
with solid state construction<br />
provide virtually<br />
service-free operation Fewer<br />
problems mean fewer expenses<br />
The Christie<br />
All-ln-One Combo reduces<br />
electrical installation wiring to a single power<br />
cable, saving you up to 40% in installation costs<br />
Ournew Autowind<br />
3 System provides<br />
up to 4V2 hours<br />
of continuous<br />
programming, eliminates rewinds,<br />
reducing manpower needs and costs<br />
Our Xenolite' Lamphouses<br />
require next-to-no maintenance, providing<br />
maximum reliability and the brightest light i<br />
the business<br />
n<br />
Our Film Cleaner cleans and<br />
~ lubricates prints, improves<br />
sound and picture quality and extends<br />
the life of your projector<br />
Our Power Distribution Panel means<br />
tremendous savings on installation costs<br />
because the circuit breakers are factory<br />
pre-wired in the console. You need only<br />
install a mam breaker at the wall.<br />
Our Automation Programmers give fast,<br />
easy, economical programming from the<br />
curtains to screen masking and automatic<br />
shut-downs.<br />
oymbol for UL-recogmzed component<br />
OXOFFICE :: August 7, 1978<br />
SINCE 1929<br />
.ELECTRIC CORP. (213)750-1151<br />
3410 West 67th Street, Los Angeles, California 90043<br />
• TWX 910-321-3867
.<br />
iyDEIl\ THEATRE<br />
BUYERS' DIRECTORY and<br />
REFERENCE SECTION<br />
1^<br />
COnTEIlTS 1^<br />
DESIGN<br />
AND CONSTRUCTION<br />
REFRESHMENT<br />
SERVICE<br />
Texas Cinema Corp. Unveils Multiplex<br />
With Energy Efficient Building Design 28<br />
I In- Ciniitta 6 i\ a tri'i-Mamiini; hiiihlina located in<br />
the liiiiplc Mull Slioprini; Center in Temple. Tex.<br />
Century City Theatres Are Updated<br />
To Utilize Modern Sound Equipment 30<br />
A /Ku Christie xenon system. Century 70inm projectors.<br />
Quad/ Eifihi amplification and a Dolby system<br />
were installed.<br />
Town and Country Drive-In Is Split<br />
Through Unique Conversion Method 35<br />
Two 20-loot wide .screen sections were added to the<br />
existing screen to result in two side-by-side screens.<br />
Careful Feasibility Study Required In Converting<br />
Single Screen Theatre By Samuel Feldman 36<br />
"Siuli (I Loiwcisiiin can he adv(iimi:.;e those<br />
situations wliere the demands justify the expenses .<br />
Interstate Amusement Opens Multiplex<br />
In Jerome, Idaho, With 1,200 Capacity 42<br />
."<br />
A Pictorial Concessions Ponorama 20<br />
Concessions, Liability and the Law By Anthony Marshall<br />
and Marian Mayer 48<br />
"The greatest source of avoidable accidents to the<br />
customer is the concession stand and the theatre parking<br />
area.'<br />
Speed and Efficiency of Microwaves<br />
May Boost Concession Profitability 54<br />
The intermission and pre-show selling periods often<br />
reach fever-pitch and properly estimating demand for<br />
these peak periods is the key to profits.<br />
MANAGEMENT, MAINTENANCE AND OPERATION<br />
Inexpensive Computer Data Systems Can Benefit<br />
Exhibitors in Many Ways By Dean Arnall 12<br />
"Unlii recently, computer u\ai;e has been doimiuited<br />
by the larger circuit ..."<br />
PROJECTION AND SOUND<br />
Monumental Change Has Taken Place In New<br />
Motion Picture Soundtracks By George Finkbousen 6<br />
I inkhousen lakes a look at the advent of SVA soundtracks<br />
and makes some predictiims renardinn sound.<br />
Containment Screen Testing Slated<br />
For 5,000 Square Foot Prototype 38<br />
Formulo Predicts Screen Luminance To Determine<br />
Proper Xenon Wattage By Glenn Berggren 44<br />
/ /( .7 iheie i\ a seiious reliiclanie lo pnilici the re-<br />
\uliiny \rreen linht fur any particular combination of<br />
equipmrni before the purchase and installation."<br />
Better Product, Availability & Terms Are Exhibition<br />
Goals for Coming Year By Paul Hatch 22<br />
It i\ nine lo iiCii:;nize that we are a single, uniiied<br />
industry and that the time for adversary relationships<br />
lo end has arrived.-<br />
Informing, Reminding and Persuading Are Objectives of<br />
Good Advertising By Allen Widem 32<br />
/ \l,ihiu,>n and c.-i/m.-. have dillenng<br />
dislnbuiion. ol<br />
obieciives in the use ol their advertising dollar."<br />
How to Build Special Accomodations to Attroct<br />
Hard of Hearing Patrons By Paul Hatch 34<br />
/ III all iii\ isliiunl ol under S2.'>. any theatie can provide<br />
special accomodations which will be welcomed<br />
by a person who is hard of hearing.<br />
OAKY tURCH, Maii««l"t Mt*«r<br />
Included m one itiue ooch monlh Editorial<br />
Mo 64124 Eattein Rcpif.cntativc- Jomf» A<br />
Hollywood, Blvd. Hollywood. Calit 90076<br />
Tho MODLHN TllLATHt: SECTION
CENTURY<br />
nowdoes it<br />
AUin<br />
Century now saves you the sweat, the<br />
"nuts and bolts" of making separate projectorand<br />
sound reproducerinstallations.<br />
You get your projector and reproducer outof-the-box<br />
as "1". In place as "1". An entirely<br />
professional installation, with unbelievable<br />
ease.<br />
Century now spares you the "grief" of<br />
aligning the projector and reproducer.<br />
Filnn alignment is automatic, right on the<br />
button every time. Every frame feeds true.<br />
Your prints are treated to the tenderest loving<br />
care ever.<br />
Century's "all in 1" design is one of the nicest<br />
things to happen for projection booths in a long<br />
time.<br />
Celebrate the Bicentennial.<br />
Update your theatre with the new Century.<br />
CENTURY'S PROJECTOR/ REPRODUCER<br />
-designed as<br />
* packaged and<br />
shipped as<br />
— or write:<br />
See your<br />
Century Dealer<br />
-installed as<<br />
• CENTURY PROJECTOR CORPORATION<br />
• 32-02 QUEENS BOULEVARD, LONG ISLAND CITY, N. Y. 11101<br />
BOXOFFICE :: August 7. 1978
Simplex<br />
projector...<br />
and your<br />
regional<br />
sales-seivicesupply<br />
man:<br />
OICKLUTZ<br />
41 years -D<br />
GEORGE EITEL<br />
ovei 25 years - Baltimore<br />
Monumental Change Has Taken Place<br />
In New Motion Picture Soundtracks<br />
G. Finkhousen<br />
Modern I himki s<br />
is a good time to look<br />
at the monumental<br />
changes that have<br />
taken place in motion<br />
picture sound presentation<br />
in the past<br />
\ear. It also is a good<br />
time to look into the<br />
crystal ball and tr)' to<br />
part the veil of the<br />
future in order to see<br />
what may be in store<br />
for exhibition.<br />
I think it is very<br />
important for all of us to realize that the<br />
past year marked a historic turning point<br />
in motion picture exhibition. It was the<br />
point at which space-age technology finally<br />
ret'red exhibition's horse-and-buggy. I don't<br />
think too many would disagree with the<br />
idea that theatre sound virtually had stood<br />
still for over 25 years.<br />
Having been involved, I can assure you<br />
that exhibition thought nothing whatsoever<br />
of using 20. 30 or even 40-year-old sound<br />
equipment in its presentations. It always has<br />
seemed inconceivable that an exhibitor who<br />
would not think of driving a 1939 Hudson<br />
car would expect a 1935 Motiograph system<br />
to make the payments on his '76 Cadillac.<br />
I will never forget how hard it was to get<br />
even 12 theatres in the U.S. to invest in the<br />
equipment to run the first release of a stereo/optical<br />
print. It was nearly impossible<br />
10 find exhibitors who had enough faith in<br />
the format to take the plunge.<br />
In fact, it is true that many major cities<br />
screened SVA noise reduction encoded<br />
r<br />
piints with old 1940s sound equipment bec.uisc<br />
exhibitors in those cities tlail\ retiiscd<br />
to invest in the new system. It was not until<br />
they found that they could pay for the updating<br />
with one or two days' profits that<br />
they began to buy new equipment. SadK.<br />
though, there are a lot of exhibitors who<br />
refused to buy even then.<br />
I well-remember the 1976 NATO shovs<br />
in Anaheim. 1 had decorated a booth with<br />
artists' renditions of personalities and hardware<br />
from one of the newly released S\'.\<br />
format films. One afternoon, in order to<br />
help promote this film and the SVA format.<br />
I had some rather distinguished help in the<br />
booth. In addition to my wife Margaret.<br />
George Lucas and Gary Kurtz showed up<br />
and helped work the booth for a while.<br />
Resistance to Change<br />
It seems impossible that these men. whose<br />
names now are world-famous, would ha\e<br />
taken time to help me in the booth, but<br />
such was the resistance to change that exhibition<br />
showed that these men felt the need<br />
to help me tell the story. So, from less than<br />
30 theatres equipped on May 25, 1977, over<br />
700 are equipped in July 1978.<br />
Obviously, when something grows as fast<br />
as SVA has grown, it is inevitable that problems<br />
will develop. There have been too<br />
many inadequate installations made. Too<br />
many old, worn-out, tube-type amplifiers<br />
have been tied to new processes. Too man\<br />
old, weak and dried-out loudspeakers have<br />
been required to handle too much power<br />
Some "bad," or at least "less-lhan-good."<br />
mixes and dubs have been made.<br />
Certainly, everyone will have to accept<br />
that SV.\ is noi discrete four-channel sound.<br />
Left, center and right cannot be totally scp-<br />
Conlinued on /wyf A<br />
Crowd control<br />
equipment for efficient<br />
theatre operation.<br />
n<br />
CHARLES ACHEE<br />
fwcf 29 years -New Orleans<br />
GENEKRULl<br />
wover l§vears~ Kansas City<br />
Luinijli'to i.jUiloy .iiul pi in' l.'.t on luquosl,<br />
Lawrence Metal Products. Inc., PO Box 400 M, Dept B<br />
Bay Shore. L I.N Y H70ti<br />
Lawrence<br />
Tho MODLRN TUtATRE SIXTION
s-<br />
Besides exclusive, free flowing<br />
rocker motion, the AIRFLO<br />
has extra spring cushioning, extra<br />
foam padding and extra comfort.<br />
All models have scientifically<br />
designed, built-in seat-to-back<br />
ratios for health and comfort.<br />
I<br />
-i.<br />
An investment in Heywood-<br />
Wakefield seating is an investment<br />
in comfort, superb quality<br />
and durable construction. Four<br />
models that are bound to pay for<br />
themselves in the long run: the<br />
TC1088 (1); the TC 1025 (2); the<br />
TC 1066 (3); and the TC 2106<br />
AIRFLO rocking chair (4).<br />
f<br />
Heywood-Wakefield seating<br />
keeps coming back for welldeserved<br />
encores. You and your<br />
audiences seem to know a good<br />
investment when you sit in one.<br />
Heywood-Wakefield /"^S^<br />
The First and Last Word / ^«-<br />
In Public Seating (I
HUTIONAL<br />
liCKET CO.<br />
TICKET AVE, SHAMOKIN, fA<br />
it's 'If a ticket. We make it."<br />
ROLL & STRIP • COUPON BOOKS<br />
•<br />
• RESERVED SEATS • MACHINE<br />
Y OFFICE: 1650 BROADWAY, N. Y.<br />
N.<br />
C.<br />
Jack Conwoy, President<br />
Monumental Change-<br />
Ciinlinufd from page X<br />
made wiihin ihc past lew \cars. I think<br />
hibiiors would be wise to prevent chno<br />
logical shock" by analyzing their deprecia<br />
lion schedules and making capital provi<br />
^lons<br />
for equipment obsolescence on an ac<br />
cclcrated basis. The day when a theatre<br />
sound system would have a useful life of 30<br />
years is over. The world is moving faster<br />
every day and exhibition must be prepared<br />
to respond.<br />
No year's review would be complete without<br />
briefly mentioning drive-in sound. I'm<br />
sure we all know that the radio field is the<br />
direction drive-in sound seems to be taking.<br />
I predict that systems using the existing<br />
••:)<br />
^fj<br />
BEON<br />
V >';_ SCREEN<br />
^ IN FOUR<br />
i<br />
» ^ HOURS
Kelmar...<br />
the quality line.<br />
The standard of the industry<br />
REWIND/INSPECTION<br />
svsnM<br />
Contact your independent theater supply dealer<br />
0-<br />
for complete details.<br />
Kelmar Systems Inc.<br />
^^^^<br />
284 Broadway Huntington Station. New York 11 746 516-692-6131
S^ PtC€CucU<br />
THE<br />
SOURCE<br />
FOR<br />
3 Dimensional<br />
Plastic<br />
Letters<br />
6 to 31<br />
The first word in<br />
DURABILITY<br />
DELIVERY<br />
DESIGN<br />
Rapid Change<br />
Letter Co. i<br />
Affiliated with Sign Products<br />
THE<br />
SOURCE<br />
FOR<br />
Acrylic<br />
Flat<br />
Letters<br />
I he compuler system shown ahine hoasis a central processing unit, a lypiwiiicr kt<br />
board, a monitor, IH.OOO-word read-uiit printer and cassette storage.<br />
Inexpensive Computer Data Systems<br />
Can Benefit Exhibitors In Many Ways<br />
phisticated calculators selling for less than<br />
S20! As the market for micro-computers<br />
grew, the same factors that caused calcii-<br />
By DEAN ARNALL<br />
l.ilor prices lo tall bcuan lo «ork on computer<br />
No one can deny that the computer has<br />
prices as well.<br />
come of age and many large and very costly Today, with a flood of video games, microwave<br />
systems are, at this moment, processing data<br />
equipped<br />
ovens<br />
with micro-computers,<br />
and automobiles<br />
the<br />
being<br />
advertised<br />
.n the home offices of many theatre circuits.<br />
price for an Intel 8080 computer on<br />
a<br />
Until recently, computer usage has been<br />
dominated by the larger circuit that can<br />
afford the capital investment required to<br />
build and staff a full scale data processing<br />
installation. This situation is undergoing a<br />
drastic change due to recent developments<br />
in the computer hardware field that arc<br />
bringing full scale processing power down<br />
lo the small business price range.<br />
The price reduction revolution began<br />
around 1974 when a semiconductor company,<br />
Intel, introduced a device about the<br />
-ize of a matchbook that contained the<br />
equivalent of more that 10,000 transistors.<br />
Ihis device represented more computer<br />
power than the large central processors that<br />
sold for $500,000 just 15 years ago.<br />
We all remember when electronic calculators<br />
were introduced with their prices<br />
ranging around $400. And yet, improvements<br />
in technology and mass production<br />
have flooded today's market-place with so-<br />
chip has fallen to less than SI 5.<br />
Admittedly, there is moie to a data processing<br />
system than just the chip. In order<br />
to do useful work, the chip must have access<br />
to memory, input and output devices<br />
and, most importantly, a set of instructions<br />
(called the program) which tell the system<br />
how to handle the information it is given.<br />
At first glance this looks expensive, yet<br />
because of these same technological factors,<br />
there are many companies now selling<br />
equipment that docs all this at prices that<br />
would have be;n derided even ten years ago.<br />
A system available over the counter, from<br />
the Digital Group in Denver, boasts a central<br />
processng unit using the newest, most<br />
powerful micro-processor, a typewriter keyboard<br />
for entering data, a TV-type monitor<br />
for checking the data as it is entered, an<br />
18.000-word memory for storing instructions<br />
and information, a printer for reading<br />
out data and a high speed cassette deck for<br />
bulk storage (three to four million computer<br />
Continued on piige I -t<br />
4 to 17<br />
Self-spacing paniK ili:i(<br />
S-implis (in request,<br />
mv<br />
EFFECTIVE<br />
ECONOMICAL<br />
EASY TO USE<br />
lor compltic<br />
liifiirin;iti")ii, plcav: tiill iniMiitli:ililv .<br />
213-747-6546<br />
lil'» W t !2tl' I'Ih. I/,-. \„.,1, ( A VOOIS<br />
I<br />
I<br />
Attention! . . .<br />
Drive-in Managers.<br />
Don't let the rain stop your<br />
profitable concession sales.<br />
Sell DRIZZLE CARD .<br />
isor keeps your customers on the lot eating and drinking on<br />
in.ikc .1 nice profit on its sales Ttie patented DRIZZLE CARD<br />
lilt producer lor over 15 years<br />
DRl VIEW MANUFACTURING CO.<br />
i.svillc. Ky 40?04 • Phonr (50?) 636 SI'jS<br />
The MODERN THEATHE SECTION
WE SERVE UP THE BEST PLATTER<br />
IN THE INDUSTRY<br />
DRIVE-IN'S ELECTRIC FILM SYSTEM<br />
FEEDS 4V2 HOURS UNINTERRUPTED PROGRAMMING<br />
(rewinds automatically during projection)<br />
• No Swinging Arms to Interfere<br />
• Quickly and Easily Installed<br />
• Factory Pretested (8 hours of film run continuously)<br />
System complete with work table<br />
and two upper and two lower<br />
magazine brackets with rollers.<br />
System complete with work table<br />
and one upper and one lower<br />
magazine bracket with roller.<br />
For Two Theatres<br />
LP270-4-Four Platter<br />
• Each pair of platters<br />
work INDEPENDENTLY<br />
• Can be adjusted from<br />
Automatic to Manual<br />
control if necessary:<br />
simply push a button.<br />
For Individual Theatre<br />
LP270-Three Platter<br />
• Each platter has<br />
permanent control<br />
panels.<br />
• No changing of control<br />
panels from platter<br />
to platter.<br />
Write, Wire or Phone-<br />
Your Theatre Supply Dealer or.<br />
Cicluiivcly Mjnufjctured By<br />
DRIVE-IN'Z^a^<br />
MFG. CO., INC.<br />
709 North 6th St.<br />
Kansas City, Kansas 66101 913/321-3978<br />
iOXOFFICE :; August 7, 1978
I<br />
!i"<br />
.: wn<br />
...itei.<br />
Systemsvei:<br />
This svsiem, complete<br />
- around S3,600.<br />
one of many companies that<br />
..c ilic micro-compuier field and<br />
business applicalions for their<br />
.1,- in a recent electronics magazine<br />
.10 *erc paid ads from no less than 23<br />
.["ipanies offering hardware or program-<br />
services for micro-computers.<br />
\s more and more companies begin to<br />
mpele for the small computer markets, we<br />
m exp.-ct competition to drive these prices<br />
ken lower. Several companies have the prorams<br />
already written to make these computers<br />
do general ledger, accounts receivable<br />
payable, and payroll processing. More<br />
specific systems, custom tailored to the<br />
needs of individual theatres or circuits,<br />
could be generated in a matter of weeks.<br />
These new developments will have a direc:<br />
effect on both large and small theatre<br />
companies. It means thai now even the<br />
smallest circuit can take advantage of modern<br />
data processing techniques by installing<br />
a desk lop computer to reduce their paperwork<br />
burden. At the samj time, this technology<br />
opens a whole new world of equipment<br />
and techniques to the larger circuit.<br />
Using available technology, it is possible to<br />
design an intelligent cash register that also<br />
can automatically keep track of concession<br />
you want more comfort?<br />
The new Irwin<br />
Loge chair's<br />
got it!<br />
:(iinijc)( Randlupp.<br />
Hampshife. enjoying Ihe lu<br />
inventory levels and signal when storeroom<br />
levels start to run low.<br />
With the addition of a sensing pen to the<br />
system and a small printed patch, similar to<br />
those printed on a theatres cups and boxes<br />
along with the theatre logo, it would be impossible<br />
for a concession employee to sell an<br />
unauthorized item or to charge the wamg<br />
price for an item. This system could, .il the<br />
same time, monitor the ticket machines in<br />
the bo.xofficc to update ticket inventories<br />
and process bo.xofficc and concession data<br />
at the local kvel for automatic transfer to<br />
the home office compuler via telephone<br />
lines.<br />
From the point of view of the cashier,<br />
the system would constantly be at her disposal.<br />
It would tabulate the total cost of admission<br />
for any varied ticket prices, calculate<br />
the change to be returned, alert the<br />
customer of any discrepancy between the<br />
amount asked and the amount of the recorded<br />
sale, signal the concession stand of the<br />
business to be anticipated and. finally, warn<br />
the cashier and doorman when a full house<br />
was imminent.<br />
Considering that a micro-system central<br />
processing unit (the CPU is the part that<br />
does the "thinking") can process a concession<br />
customer in about 20 thousandths of<br />
a second, and a boxoffice customer in a<br />
little less, most of the evening it will be idle.<br />
Systems that can remotely and instantly<br />
alter the copy on a reader board already are<br />
on the market. Their cost would be lowered<br />
considerably if they were designed to be<br />
controlled by the theatre system in its idle<br />
CPU time.<br />
Control Technotogj<br />
One aspect of compute, technology that<br />
wo haven't discussed is the ability of a micro-system<br />
to control devices to which it is<br />
attached. With the addition of an interface<br />
the computer can control power circuits<br />
located<br />
at many remote locations throughout<br />
ih.- theatre. This capability opens the exciting<br />
possibility of intelligent automation.<br />
Intelligent automation systems could be<br />
designed that would monitor every aspect of<br />
presentation, automatically checking with<br />
the boxoffice system for a head count belorc<br />
selecting auditorium temperatures and<br />
sound levels. The system could keep a runniny<br />
check on internal systems by sensing<br />
the condition of everything in the boc>th<br />
Continued on /mv '"^<br />
For<br />
YOUR<br />
BOXOFFICE<br />
.Souk; (jf yuur p.ilioiis ( mild iiiayhr<br />
fx! cuinfy sillinK in a buanbug ushtray<br />
For tht-m. maybe you don't need us<br />
Hut not (!vt)rybody"s a lighlwttiKliI<br />
Most lolks would roully<br />
j|p|iri-( iait; all thr; doliciiius<br />
luxury .111(1 comfort of our<br />
new Logi! lino of thoatro<br />
< liiiirs lot Ihum. you notid us.<br />
Till- iM'W LoufM.hair lino<br />
'. • .1 ( ill, hwiiis nrovrfii<br />
.slylinK.inddiir.ibiiilv I<br />
our seat cushion a lot deeper ur<br />
armrests longer and half again as wid<br />
— aiui g our backs a lot thicker<br />
Iding.<br />
We've now got the most<br />
ifurtablo theatre chair<br />
" Irwin Seating<br />
I Company<br />
ilablc- Anywhere. Kven<br />
rhinos. So write, and<br />
11 send you a benutiliil<br />
( liiin-that tells all<br />
proceit<br />
on<br />
LAMOLITE"<br />
ILLUMINATED PRICE ADMISSION SIGNS<br />
Our enlarged plont looMio 0sjui« OVERNIGHT<br />
»er»ice (lom cc
STIttWW^<br />
,.^°"'<br />
Jo^^<br />
^^^\ •o^^<br />
pA°'<br />
^^'<br />
^o X.-^<br />
P,^^<br />
^^..%
INC<br />
sound of the<br />
70'S<br />
Computer<br />
Systems-<br />
Coniiniu'd hum pane 14<br />
-\sicm irom th.- xenon bulb to the change-<br />
.oer coil, detecting faults as far away as<br />
;hc curtain and masking controls. Under<br />
computer control, the marquee can be consLiiitK<br />
updated, and the manager provided<br />
vsith instant information on his operation.<br />
If this sounds like a daydream, it Isn't.<br />
I here are similar sophisticated micro-systems<br />
in operation today in other fields of<br />
business. What is needed is for the exhibiiio:i<br />
industry to become more aware of the<br />
cipabilities of these pint-sized "brains." and<br />
bLM'in to put them to work.<br />
One fear retarding the spread of microcomputers<br />
at the small business level is the<br />
belief that the user will have to be an experienced<br />
computer programmer. Nothing<br />
could be further from the truth. It is a relatively<br />
easy matter to program a memory<br />
board to contain all of the needed dialog<br />
;ind instructions on a non-destructablc memory.<br />
This means that no matter what happens,<br />
the system will program itself and<br />
be ready to run everytime the power is<br />
turned on.<br />
Personnel at the local level would have<br />
no control over the inner-workings of the<br />
system and thus be unable to alter the system<br />
to their own ends. With the spreading<br />
use of micro-systems in schools and in other<br />
businesses it will become easier for those in-<br />
\olved in theatre management to adapt to<br />
.1 computer-supported management information<br />
system. Also, as more of the people<br />
that have been exposed to computer operation<br />
enter management levels in business,<br />
more and more applications will be found<br />
for these systems. \\ the time the system is<br />
generated, the woi^t case errors will be<br />
taken into account, be it an inexperienced,<br />
malicious or dishonest operator, a completepower<br />
failure or just a dust filled, hot environment.<br />
In operation, the system would displa><br />
and discuss options with the manager and<br />
wait for his selection. By printing questions<br />
and letting the manager respond, the system<br />
would step through the opening program^<br />
It is during this time that showtimes woulJ<br />
be set in. ticket and concession prices would<br />
be checked and changed if necessary. th
His<br />
everything you<br />
need in equipment<br />
^Optimum Performance ^ Total Convenience<br />
^Proven Dependability<br />
plus FREEDOM to CHOOSE<br />
the package you want,<br />
the way you want it.<br />
a. n<br />
® '»'*«* 9
.<br />
Computer Systems—<br />
Coniiniied from page 16<br />
open. Atier closing, the system would then<br />
return lo the conversational mode to prepare<br />
the closing reports. A system tape would be<br />
recorded lor automatic playback when<br />
called by the home office computer and a<br />
harJ-copy backup record would be printed.<br />
This gi\es the manager a chance to audit<br />
hut not alter the evening reports and enter<br />
an explanation of any discrepancies. There<br />
are systems in operation today that not only<br />
operate in this manner but can teach a manager<br />
who is new to the system all they need<br />
to know to operate the system.<br />
What we arc describing then is a managerial<br />
information system in which not only<br />
is the manager relieved of time consuming,<br />
repetitive tasks, but also by which distilled<br />
information is made available to all levels of<br />
mangement. Those involved at the operational<br />
level need day to day information in<br />
order to be fully aware of the present status<br />
of the local operation.<br />
Those who work at the tactical level need<br />
distilled reports covering a larger section of<br />
the operation and over a longer period of<br />
time so that comparisons can be made and<br />
trends spotted. Those at the strategic level<br />
who must survey the whole operation for<br />
long term planning need a further distillation<br />
of the operating results of the entire<br />
operation. The system must also, on demand,<br />
be able to provide the undistilled data<br />
on a particular location when requested.<br />
Another cost benefit to the theatre would<br />
be communications. Letters between the<br />
home office and the individual theatre could<br />
be handled after the home office computer<br />
had recorded ih.- daily results. In a matter<br />
of seconds, dozens of full page letters could<br />
be transmitted in both directions to he<br />
stored on tap-- until a convenient time to<br />
print them out. The system could thus sa\c<br />
on p*^>siage and reduce the correspondent<br />
delay. With a computer controlled dialer and<br />
a patch to a phone line this system could<br />
operate completely without human interven<br />
tion. producing the appropriate daily re<br />
ports before the start of the business day.<br />
When they arrived for work, the execu<br />
I ves would not only have a summation oi<br />
the previous nights business, but the concession<br />
department would have the overall<br />
picture of stock levels in the field. The<br />
maintenance foreman would have information<br />
on all equipment problems in the field<br />
ard the bookng department would be analyzing<br />
circuit wide trends. \N'hat"s more important,<br />
if any of these departments needed<br />
more information than that provided b\<br />
iheii routine reports the\ could, by usini;<br />
a real time term nal. have access to the mass<br />
of information sent in from the entire circuit.<br />
The factors demonstrating that the utilization<br />
of this technology is overdue are all<br />
around us; wage demands seem to increase<br />
yearly, worker productivity and job interest<br />
d-'cline. embezzlement is soaring nationwide<br />
and smaller businesses tend to operate<br />
on thinner margins than ever before. Todav.<br />
the success or failure of any size operation<br />
often depends on its management having accurate,<br />
useful and timely information about<br />
the internal workings of the business<br />
Micro-computers can bring the cost of this<br />
information down to the point that any si/e<br />
theatre operation can reap the many beneliis<br />
of modern computer technology.<br />
Dean A I nail is a field represenraiive for ilu<br />
I>i4rcha.\ing department of Commonwealth<br />
Theatres. In addition to ten years of experience<br />
with Commonwealth as an operator,<br />
manager, city manager and projection<br />
maintenance manager. Arnall worked eight<br />
years as a missile electronics technician for<br />
the U.S. Air Force. He was named the<br />
h>77 "Data Processing .Student of the Yeai<br />
III .New \te.xico Junior College and can pins:uim<br />
computers in three languages.<br />
THEATRE EQUIPMENT<br />
I'lni ^'ul'mmt<br />
ulliill Will Cniflnf<br />
""* *"''" ^"'"' '""'<br />
loicnilan<br />
(guipnin<br />
lid Ctrprllni ^,,^„,, R,|,,f,„M«,t<br />
llo'ial Supplln , ...<br />
rd [gulpmlM S""" ""' "•••''<br />
The MODr.RN TIlUATnn Sr.CTION
t?. 'f<br />
0-fault pictures<br />
hocus-focus<br />
tainable for the first time with the<br />
:redible new Cinelux Ultra lUI.C. Lens
Computer<br />
Systems—<br />
Continued from page 16<br />
open. Afier closing, the system would then<br />
return to the conversational mode to prepare<br />
the closing reports. A system tape would be<br />
recorded lor automatic playback when<br />
called by the home office computer and a<br />
hard-copy backup record would be printed.<br />
This gives the manager a chance to audit<br />
but not alter the evening reports and enter<br />
an explanation of any discrepancies. There<br />
are systems in operation today that not only<br />
operate in this manner but can teach a manager<br />
who is new to the system all they need<br />
to know to operate the system.<br />
What we are describing then is a managerial<br />
information system in which not only<br />
is the manager relieved of time consuming,<br />
repetitive tasks, but also by which distilled<br />
information is made available to all levels of<br />
mangement. Those involved at the operational<br />
level need day to day information in<br />
order to be fully aware of the present status<br />
of the local operation.<br />
Those who work at the tactical level need<br />
distilled reports covering a larger section of<br />
the operation and over a longer period of<br />
time so that comparisons can be made and<br />
trends spotted. Those at the strategic level<br />
who must survey the whole operation for<br />
long term planning need a further distillation<br />
of the operating results of the entire<br />
operation. The system must also, on demand,<br />
be able to provide the undistilled data<br />
on a particular location when requested.<br />
Another cost benefit to the theatre would<br />
be communications. Letters between the<br />
home office and the individual theatre could<br />
be handled after the homo office computer<br />
had recorded th.' daily results. In a matter<br />
of seconds, dozens of full page letters could<br />
be transmitted in both directions to be<br />
stored on tape until a convenient time to<br />
print them out. The system could thus save<br />
on postage and reduce the correspondence<br />
delay. With a computer controlled dialer and<br />
a patch to a phone line this system could<br />
operate completely without human intervention,<br />
producing the appropriate daily reports<br />
before the start of the business day.<br />
Wfien they arrived for work, the execut'ves<br />
would not only have a summation of<br />
the previous night's business, but the concession<br />
department would have the overall<br />
picture of stock levels in the field. The<br />
maintenance foreman would have information<br />
on all equipment problems in the field<br />
and the booking department would be analyzing<br />
circuit wide trends. What's more important,<br />
if any of these departments needed<br />
more information than that provided b\<br />
theii routine reports they could, by using<br />
a real time term'nal, have access to the mass<br />
of information sent in from the entire cir-<br />
The factors demonstrating that the utilization<br />
of this technology is overdue are all<br />
aroLmd us; wage demands seem to increase<br />
yearly, worker productivity and job interest<br />
decline, embezzlement is soaring nationwide<br />
and smaller businesses tend to operate<br />
on thinner margins than ever before. Today.<br />
the success or failure of any size operation<br />
often depends on its management having accurate,<br />
useful and timely information about<br />
the internal workings of the business.<br />
Micro-computers can bring the cost of this<br />
information down to the f)oinl that any size<br />
theatre operation can reap the many benefits<br />
of modern computer technology.<br />
Dean A mall is a field representative for the<br />
purchasing department of Commonwealth<br />
Theatres, hi addition to ten years of experience<br />
with Commonwealth as an operator,<br />
manager, city manager and projection<br />
maintenance manager, Arnall worked eight<br />
years as a missile electronics technician for<br />
the U.S. Air Force. He was named the<br />
1^)77 "Data Proce.'ising Student of the Year"<br />
(It New Mexico Junior College and can proi^iain<br />
conipiiiirs in three languages.<br />
THEATRE EQUIPMENT<br />
Complete Pro)«lk» «ld<br />
4,j,„ v„u.l Equipm.<br />
Sound Equipmait<br />
Acoustical Wall Cnirim Coricniion Equlpmirt<br />
.ind Ctrpfllnj<br />
jjn,,,,, R,|i,torcnnnit<br />
J.,Milo,i.l SuppllB<br />
^.._^<br />
„_.<br />
414) 442 M20<br />
Tho MODERN THEATnE SP.CTION
0-fault pictures<br />
^^jiniM<br />
dark pictures<br />
isina the same proiector and<br />
hocus-focus<br />
ainable for the first time with the<br />
Tedible new Cinelux Ultra M.C. Lens<br />
itally new theatre projection lens designed specifically for automated theatres!<br />
y eliminating color "tMngini<br />
also reduces internal heat<br />
(CO Cinelux Ultra<br />
Distributed by<br />
SCHNEIDER
A PICTORIAL CONCESSIONS PANORAMA<br />
,i#'<br />
:^:
COMPLETE AUTOMATED THEATRE -<br />
C.A.X<br />
- wifti the<br />
A time clock can now operate your theatre<br />
wittn greater efficiency and<br />
lower costs CAT, Is a continuous loop film handling system that permits the show<br />
to be operated unattended and continuously with rethreading completely<br />
eliminated. And ORC's new C.A T Platter is easily convertible to the C.A.T.<br />
»o* e\\9*^**<br />
^:'"N<br />
kW<br />
c<br />
PREWIRED CONSOLE<br />
AUTOMATION SYSTEMS<br />
SOUND SYSTEMS<br />
y^<br />
XENON ILLUMINATING SYSTEMS<br />
^.<br />
A PICTORIAL CONCESSIONS PANORAMA<br />
Sleiii U'oociciaft Coip made this concesium \larut inslallalion<br />
(II Radio Cm Music Hall in Nen York Cm diiiiui; /V/*;<br />
This c<br />
in Te
COMPLETE AUTOMATED THEATRE -<br />
- wift-i the<br />
A time clock can now operate your theatre<br />
witti greater efficiency and<br />
lower costs CAT, is a continuous loop film handling systenn ttiat permits ttie show<br />
to be operated unattended and continuously with rethreading completely<br />
eliminated. And ORCs new CAT Platter is easily convertible to the C.A.T.<br />
PREWIRED CONSOLE<br />
AUTO^MTION SYSTEMS<br />
SOUND SYSTEMS<br />
ORG HAS<br />
EVERYTHING FOR YOUR<br />
PROJECTION BOOTH . . .<br />
.isled by<br />
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PROJECTOR<br />
PROJECTioM<br />
^^t^S^m<br />
c<br />
a<br />
#<br />
® L<br />
BOXOFFICE ::<br />
August 7. 17S<br />
Quality is Assured with ORC,<br />
|[#J ()piicalI^eKiiationc:orporation<br />
^^JJL^fl 6362 N. Irwmdale Avenue. Azusa. California 91702 • (213) 969-3344
"<br />
Better Product, Availability & Terms<br />
Are Exhibition Goals for Coming Year<br />
I'ciiil<br />
Hatch<br />
The Red Key Buyers Directory, published<br />
annually at this time, is an opportunity<br />
to review the<br />
past year and to preview<br />
the coming. It<br />
is our chance for a<br />
mid-year. New Year's<br />
appraisal of the industry.<br />
Advice I usually<br />
give relative to the<br />
past is. "Don't dwell<br />
on it." You can do<br />
nothing to change<br />
what already has happened!<br />
However, learn<br />
from it to build for the future and profit<br />
from your mistakes.<br />
With this in mind, let's not dwell on the<br />
past twelve months but. instead, concentrate<br />
on the next twelve.<br />
Ask any exhibitor, circuit or independent,<br />
what he'd like in the next year and the<br />
answers repeated most often would probably<br />
be: 1) more and better product, 2) better<br />
availabilities and 3) terms we and our<br />
patrons can live with.<br />
Now lets look at some of the positive<br />
enjoy certain benefits from inflationary<br />
trends.<br />
Companies in the motion picture industry<br />
are basically immune from concerns about<br />
energy, lack of capital and macroeconomic<br />
cycles.<br />
It is a flexible industry, capable of<br />
weathering almost any storm, and is able<br />
to adapt quickly to the demands and whims<br />
of the public.<br />
How. then, do all of the positive aspects<br />
relate to the three wishes of exhibitors as<br />
previously<br />
stated'?<br />
More & Better Product<br />
Believe it or not. the motion picture industry<br />
is one whose basic business is<br />
generating more capital than needs to be<br />
reinvested.<br />
Because of this, major producers are<br />
diversifying their interests and placing this<br />
capital in other recreation oriented busine.sses.<br />
Examples include Disney's ventures<br />
in Disneyland and Disneyworld: Warner<br />
Brother's interests in recording, soccer<br />
teams, banking and video games: 20th Century<br />
Fo.x's Aspen ski acquisition, and<br />
MGM's vast Reno and Las Vegas projects.<br />
It has been proven that good films, well<br />
made and presold, can and will produce<br />
substantial grosses. Since the capital to<br />
produce new films is there, it is my hope<br />
that major producers will not siphon off too<br />
much for non-theatrical projects but. instead,<br />
will reinvest in more and better pro-<br />
aspects of our industry.<br />
duct.<br />
The motion picture industry, primarily<br />
If this were to be done, all facets of<br />
the major producers, have benefited from<br />
their companies could enjoy a better cash<br />
which has enhanced their strength.<br />
inflation<br />
flow! Major films produce returns of gigantic<br />
Independent producers and theatre owners<br />
portions while low budget films,<br />
have had a positive effect somewhat less<br />
relatively<br />
even when they lose money, cause<br />
than that of the majors but, nevertheless,<br />
insignificant losses by comparison.<br />
A<br />
key firm which produces a minimum of<br />
seven to ten releases a year will find it<br />
hard to lose money.<br />
Major companies have had declining<br />
numbers of releases in recent years (see<br />
dier<br />
COMPLETE CHANGEABLE LETTER SUPPLIER<br />
SNAP-LOK & SLOTTED LETTERS<br />
SIZES FROM 4" TO 31<br />
FLAT LETTERS (PRONTO)<br />
SOLID STROKE<br />
OR 3 DIMENSIONAL<br />
SIZES FROM 3" TO 24"<br />
for information call toll free (800) 421-1256<br />
in California call collect (213) 321-5641<br />
14824 S. Main St, Gardena, Co. 90248<br />
(write for our free catalog today)<br />
I<br />
I<br />
Continued on page 24<br />
lEVELITE-ADLER<br />
BE<br />
LETTERS m<br />
You save big<br />
dollars with<br />
xenon<br />
George Bachar<br />
National Sales Mgr.<br />
Canrad-Hanovia<br />
The development of the xenon bulb is one<br />
of the most positive events m projection<br />
history. It not only allows full automation, it<br />
provides more and better light on the<br />
screen, 10-20% more. But, most important,<br />
Xenon reduces operating costs significantly<br />
because there are no moving parts<br />
to wear out.<br />
A quick look at a comparison of cost reveals<br />
a 40-50% savings in operating costs for<br />
Xenon bulbs over Carbon Arcs.<br />
Big Yearly Cost Saving<br />
8 mm Carbon<br />
ui 70 Amps Save<br />
versus<br />
^,^^0 nn<br />
Lume-X 1600 W Xenon $906. 00<br />
13.6mm Carbon<br />
(a 150 Amps<br />
Save<br />
versus<br />
X-60C 4000W Xenon $1968.00<br />
llmm Carbon<br />
((( 110 Amps<br />
Save<br />
versus<br />
X-60C 3000W Xenon $1418.00<br />
Savings like this, plus one of the best bulb<br />
warranties available today should make any<br />
exhibitor think twice before ordering the<br />
next batch of Carbons. Our entire line of<br />
bulbs carry 100% credit should one fail at<br />
less than one half its rated life and our bulbs<br />
are completely interchangeable with other<br />
manufacturers.<br />
Let us share our nearly fifty years of experience<br />
in the industry with you. Call or write<br />
and we will send you the full details on all<br />
the above money-saving facts.<br />
canridl<br />
HRnouiH<br />
See your local dealer<br />
Tho MODERN THEATRE SECTION
No money down.<br />
25% trade-in allowance.<br />
5-year proiector warranty<br />
The Big three<br />
replacement trade-in plan<br />
hais everything<br />
Our plan is simple. Give us your present<br />
equipment, no matter what age or condition,<br />
and we'll provide you with the VIP-35 system<br />
that fits your operation. There's no money<br />
down and your old equipment represents a<br />
25% payment.<br />
You won't miss a single showing while installing<br />
the new equipment, because the VIP-35 is<br />
pre-assembled, pre-wired and pre-screen<br />
tested. Installation takes less than 9 hours.<br />
Automation and reduced maintenance costs<br />
are important savings. Don't pass them up.<br />
With the VIP-35, multi-theatre operations can<br />
be operated conveniently and economically<br />
With half the moving parts of other projectors,<br />
maintenance is cut to the bare minimum.<br />
And to top it off, the Big Three offers a 5 year<br />
projector warranty That's the best you can get.<br />
Your increased cash flow can make the payments<br />
The best times three<br />
CANRAD-HANOVIA<br />
BALLANTYNE<br />
STRONG<br />
^^^<br />
See your local dealer.<br />
BOXOFFICE .August 7. 1978 23
TWIN IT"!<br />
Call Harry Jones<br />
Drive-in Theatre Construction Sinct 1946<br />
a<br />
• Steel Towers<br />
• Painting • Repairs<br />
Free Estimates<br />
Theatre Construction Co. ^^5<br />
Folrfidd Drtv*-ln ThMtr* ^^S<br />
Firirf
I<br />
< Save<br />
1<br />
.<br />
The Only True Endorsement Is A Reorder -<br />
Of the 24 new installations sinee January 197H,<br />
14 are reorders from delighted exhibitors.<br />
Let Cinema Radio put you on the map .<br />
.<br />
Each dot represents a previous install<br />
Each star is a 1978 installation.<br />
Save up to $9,000 per year in maintenance.<br />
up to $15,000 in rewiring or multiplexing.<br />
4>#n)^<br />
Aztec Theatre Service & Supply<br />
3219 Maquoit<br />
Brunswick, ME 041 1<br />
207-7290866 or 207-729-3007<br />
Capitol City Supply Co Inc<br />
2124 Jackson Parkway N.W,<br />
Atlanta. GA 30318<br />
404-792-8424<br />
Filben Company<br />
1100 Flower Street<br />
Glendale. CA 91201<br />
213-247-6550<br />
General American Theatre Supply<br />
3202 South East Hawthorne<br />
Portland. OR 97214<br />
503-231-7673<br />
General Sound & Theatre Equipment<br />
7 Banigan Drive<br />
Toronto. Canada M4H IG4<br />
416-425-1026<br />
Joe Hornstein. Inc of Florida<br />
759 West Flagler SI<br />
Miami. FL 33130<br />
305-545-5842<br />
Contact Cinema Radio dealer nearest you.<br />
Joe Hornstein. Inc.<br />
341 West 44th Street<br />
New York. NY 10036<br />
212-246-6285<br />
Harry Melcher Enterprises<br />
Box 16528-West Fond Dulac Avenue<br />
Milwaukee. Wl 53016<br />
414-442-5020<br />
Mid Continent Theatre Supply<br />
1800 Wyandotte<br />
Kansas City. MO 64108<br />
816-221-0480<br />
Pacidc Theatre Equipment Company<br />
142 Leavenworth Avenue<br />
San Francisco. CA 94102<br />
415-771-2950<br />
Pinkston Sales & Sen/ices<br />
2017 Young Street<br />
Dallas. TX 75227<br />
214-741-1638<br />
South Western Theatre Equipment<br />
1702 Rusk Avenue<br />
Houston. TX 77003<br />
ri3-654-1461<br />
Standard Theatre Supply Co<br />
1624 W Independence Blvd<br />
Charlotte. N C 28208<br />
704-375-6008<br />
Standard Theatre Supply Co<br />
125 Higgins Street<br />
Greensboro. NC 27402<br />
919-272-6165<br />
Standard Theatre Supply Co<br />
107 Sudbrook Lane<br />
Baltimore. MD 21208<br />
301-484-7211<br />
Universal Theatre Supply<br />
264 East First South<br />
Salt Lake City. UT84111<br />
801-328 1641<br />
Western Service & Supply Inc.<br />
POBox 1259<br />
Denver. CO 80201<br />
303-534-7611<br />
Western Theatrical Equipment<br />
187 Golden Gate Avenue<br />
San Francisco. CA 94102<br />
415-861-7571<br />
Call (212) 787-5452 Collect<br />
One Lincoln Plaza, New York. New York 10023<br />
OXOFFICE ::<br />
August 7, 1978
Exhibition Goals-<br />
Continued from page 24<br />
for their product, then it is time for realistic<br />
restructuring of the present system of establishing<br />
terms for films.<br />
Because cash flow is so important to all<br />
sectors, it also is necessary for the age old<br />
policy of seasonal releasing to end. No<br />
longer can we expect new product to become<br />
available only between July 4 and<br />
Labor Day, and at Christmas and Easter.<br />
Product release schedules should be designed<br />
so that a constant supply of new<br />
product is always available.<br />
These thoughts are important and represent<br />
only a few of the conditions all of us<br />
in the industry should expect. There are<br />
more concerns with which we should acquaint<br />
ourselves. Once again, rather than<br />
dwelling on the past, we must now learn<br />
to anticipate and plan for the future, especially<br />
in the area of competition.<br />
On the horizon, we see the advent of the<br />
home video-taped movie. As mentioned<br />
earlier in this article, the subject of post<br />
theatre redistribution should be discussed.<br />
Home video systems need not be the<br />
enemy of the theatre owner. The copyrights<br />
on the product that will be sold on VTRs<br />
are held by the producers. These are the<br />
very same people who supply theatres with<br />
todays film product. Further erosion of the<br />
moviegoing audience will be financially disasterous,<br />
not only to the exhibitor, but<br />
ultimately to the distributors as well. Therefore,<br />
it behooves us all to find a common<br />
ground on which we can travel with regard<br />
PETERSON SOUND SYSTEMS<br />
DIVISION'S<br />
SERIES 8000 SOUND SYSTEMS<br />
Formerly Electro Sound, Inc.<br />
The finest qualify<br />
Multi Channel<br />
Sound Systems<br />
for Magnetic or<br />
Multi Channel<br />
Optical<br />
For information<br />
call<br />
Carl E. Peterson<br />
or<br />
Al Lewis<br />
Peterson<br />
Sound<br />
Systems<br />
Division<br />
455 Bearcat Drive<br />
Salt Lake City, Ut.<br />
(801) 466 7642
Is yourbox office<br />
out ofcontrol?<br />
Ikme it with Pacer Cashtronic!<br />
With a I'acer Cashtronic system in your box office,<br />
you'll have all of these answers at tlie tip of<br />
your fint^er:<br />
1. Ininiediate customer count, or individual<br />
descending house counts for up to four sei)arate<br />
auditoriums.<br />
2. Cash receipts by departments and auditorium<br />
whenever needed.<br />
3. Total tickets s()ld,l)roken down by tyi)i' of ticket.<br />
4. instant audit trials for verifying the number of<br />
tickets and dollars sold in each i)rice category.<br />
Improve profit and security. I'acer<br />
Cashtronic can lielj) you incrcise profits because<br />
admission prices are [)re-|)rogrammed. The cashier<br />
simply issues the tyi)e of tickets in each transaction<br />
and the price is calculated automatically<br />
and displayed to the customer and casiiier. Change<br />
is calculated electronically to eliminate error and<br />
speed ticket .sales.<br />
Tickets cannot be issued without recording<br />
a sale and a complete hard copy of all transactions<br />
is available when neecled.<br />
BOXOFFICE ::<br />
August 7. 1978<br />
Free box office taming kit. .^c<br />
lul for our<br />
free guide to bo.x office control. It could be the<br />
most i^rofitable thing you do today. For your copy,"<br />
contact I'acer Corporation. 220 .South River<br />
.Street. Seattle. WAWIOS.<br />
nione20(i 7(i2-li;«.<br />
PACER
Tlie exterior oi the Cinema 6 was lined with people during their<br />
recent opening night. "Jaws 2" and 'Grease" were featured.<br />
The boxoffice in Cinema 6 is incorporated in the front of a<br />
"U"-shaped concession counter under a custom-built marquee.<br />
Texas Cinema Corp, Unveils Multiplex<br />
With Energy Efficient<br />
Texas Cinema Corp. recently opened its<br />
newest multiplex, the Cinema 6, in Temple,<br />
Tex. The six auditoriums boast a combined<br />
seating capacity of 1,264.<br />
The Cinema 6 is a free-standing building<br />
located in the Temple Mall Shopping<br />
Center, a project of Paul Broadhead &<br />
Associates. The 18,500-square-foot building,<br />
which is constructed of pre-cast concrete,<br />
is situated on four acres of land with<br />
adjacent parking facilities for 320 cars. The<br />
building utilizes six inches of fiberglass insulation<br />
in the exterior walls, with eight<br />
inches lining the ceiling.<br />
In addition to these energy-saving features,<br />
a General Electric air-conditioner is<br />
equipped with economizer units which utilize<br />
outside air for ventilating the theatres<br />
and conserving electrical power when the<br />
outside air can serve.<br />
Signage includes a triangular, backlighted<br />
attraction board located away from the theatre<br />
on the mall identification sign. Pronto<br />
letters are used on this sign which was installed<br />
by Signgraphics of Dallas. Smaller<br />
signs using two-inch letters list feature titles,<br />
times and auditoriimi numbers on either<br />
side of the theatre buildins; front.<br />
In addition to these, color-coded minimarquees<br />
are used above each auditorium<br />
entrance. Another custom-built mini-marquee<br />
above the boxoffice identifies the direction<br />
to the proper theatre, the auditorium<br />
color code, the feature title and the<br />
admission price. Other crowd control equipment<br />
includes Laurence crowd control tapes<br />
and turnstiles leading into the lobby holding<br />
area.<br />
Patrons enter the theatre through its<br />
glass front wall and are confronted by a<br />
U"-shaped concession counter, centered in<br />
the lobby, which incorporates the boxoffice<br />
at its tip. The Cinema 6 utilizes two fiveunit<br />
and one thrc^-unit Automaticket ticket<br />
dispensing machines.<br />
The concession counter, with its highpressure<br />
laminate surface, houses two Sitco<br />
self-contained dispensers, two Jet Spray<br />
bubbler units, two Star Mfg. VP-24 popcorn<br />
warmers and a Cretors "President"<br />
popcorn machine.<br />
All of the auditoriums are furnished with<br />
American Seating reclining seats spaced at<br />
40-inch intervals. The two 300-seat auditoriums<br />
feature wine-colored seats and<br />
Econo Pleat wall coverings accented by<br />
Building Design<br />
wheat-colored trim. The two 198-seat auditoriums<br />
are furnished with brown seats and<br />
wall covering accented by wheat and brown<br />
trim and the smaller auditoriums, each seating<br />
134, are equipped with gold scats while<br />
wheat and gold accented coverings and<br />
trim adorn the walls.<br />
Technikote screens measuring 31 x 14,<br />
27 X 13 and 27 x 14-feet are used in the<br />
theatres. These are lit by Christie 2.000 watt<br />
xenon lamps and rectifiers through Century<br />
35mm projection and sound heads, and<br />
Kowa lenses.<br />
Two of the auditoriums are equipped<br />
with EKilby stereo/optical systems coupled<br />
with National Theatre Supply PAS-4500<br />
systems. The remaining auditoriums utilize<br />
Cinemeccanica CP-55 amplifiers. All stage<br />
speakers were supplied by Frazier Speakers<br />
of Dallas and include X-15 low-frequency<br />
drivers coupled with F-333 high-frequency<br />
horns and drivers. F-837 units are used in<br />
the stereo theatres.<br />
Texas Cinema Corp.'s engineer Bill Mc-<br />
Connell built and installed the automation<br />
units which include both three and five-disc<br />
platter<br />
systems by Potts.<br />
I he Amrrinin .Scaliiii; icliniin; sr<<br />
nhirh looks toward the bark »all ol<br />
I the .UH)-scal auditoriums in the Cine-<br />
•en measuring .*/ .v 14-fect is used here.<br />
The MODERN THEATRE SECTION
.<br />
CAT" Platter System<br />
The most rugged, reliable, simplest.<br />
superior operating platter in the industry.<br />
Naturally, It's from ORC!<br />
And it s loaded with features<br />
• Continuous playing ot up to 5 hours of programming<br />
• Entirely electro-mechanical system with nm dnve and<br />
floating capstan'<br />
• Self-equalizing controls — no adjustment required.<br />
• Enclosed DC motors and controls for safe, efficient<br />
performance<br />
• Reinforced extra heavy-duty structure.<br />
• Designed for quick, easy conversion to C A T — Complete<br />
Automated Theatre<br />
If It sounds like we re bragging, we are' The CAT Platter<br />
System is. quite simply, superior m performance, operation,<br />
versatility — and value It s the one you ve been waiting for<br />
*\<br />
ORC also offers the latest<br />
in Film Make-Up Tables Unique<br />
side-located reel spindles permii handling<br />
of all si^es ol reels and permit<br />
make-up and tear-down ol shows<br />
simultaneously.<br />
L 11^<br />
Optical Radiatior^ Corf )()rc)ti()n<br />
^^JL^fl 6352 N. Irwindale Avenue. Azusa. Calilornia 91702 • (213) 969-3344
your theatre supply dealer. Sample on request. A- It<br />
I piecisio" Me"'*"'*<br />
dot l*»^<br />
YOO<br />
amo<br />
ROW?<br />
XLP-500<br />
Excellent for mini theatres<br />
where durability<br />
and reliability are a<br />
must. Easy to operate<br />
and maintoin. Features<br />
ozone-free xenon bulb<br />
that lasts for over<br />
1,000 hours. 21/2 hour<br />
capacity reels, optical/<br />
magnetic sound. Also<br />
remote control, booth<br />
monitor speaker built<br />
into pedestal, interchangeable<br />
aperture<br />
masks and automatic<br />
film loop restorer.<br />
Solid State transistor<br />
sound system. Modular<br />
construction. With or<br />
without pedestal. Full range of accessories.<br />
^^^<br />
Digital control system for multiple<br />
projector interlock now available.<br />
Clirix Konios (left) and Dane Denick insp<br />
draws attention to Dolby sound. Christie xe<br />
the Century City's new marquee which<br />
lamps were installed in both theatres.<br />
Century City Theatres Are Updated<br />
To Utilize Modern Sound Equipment<br />
The Filbert Co., Glendale, Calif.-based<br />
theatre equipment firm which furnished,<br />
equipped and served a.s furnishing consultant<br />
for the twin theatres in Century City<br />
in 1972, recently was called back by Ed<br />
Plitt, vice-president of Plitt Theatres, to install<br />
additional equipment.<br />
A new Christie xenon system. Century<br />
70mm projectors, Quad/Eight amplification<br />
and a Dolby system were installed in the<br />
900-seat auditorium II.<br />
New Surround speakers were added to<br />
the 1,400-seat auditorium 1, and all stage<br />
speakers were upgraded to take advantage<br />
of the additional audio information contained<br />
on the Dolby soundtracks. This auditorium<br />
was originally equipped with Century<br />
70mm projectors, Christie xenon lamps<br />
and a Dolby system.<br />
The new equipment made it possible for<br />
the Plitt Century Plaza Theatres to offer<br />
their patrons the improved sound quality<br />
in such films as "Jaws 2" and "Star Wars."<br />
It also represents an investment in the future<br />
of improved soundtracks.<br />
The newly installed equipment makes the<br />
Century City theatres unique, because they<br />
are among the only twin theatres in the<br />
country with both auditoriums fully<br />
equipped to reproduce both 35 and 70mm<br />
film formats, along with the complete range<br />
of Dolby sound—from optical through four<br />
and six-channel magnetic sound reproduction.<br />
for complete details and prices, contact<br />
Rangcrtone Research Inc.<br />
Sales & Services • 509 Madison Avenue<br />
New York, New York 10022<br />
NATIONAL<br />
Changeable<br />
(212) 753-5430<br />
Letters<br />
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ing). Letters slay put. are easy lo change, easv<br />
lo read, available in a choice of colors. Availnblo m<br />
lor<br />
literature.<br />
Prices subject to change.<br />
NATIONAL DEVICES CO.<br />
NATIONAL CHANGEABLE LETTERS DIV.<br />
1535 16th St. Denver, Colorado 80202 (303) 892-1072<br />
lu ( ,;i< ^ ihin
Fhracknowledging<br />
the soctnd ofthe &faiii<br />
in film.<br />
iill.l.ll:>^-1l?TT?n<br />
DOLBY LABORATORIES. INC. 731 SANSOME STREET. SAN FRANCISCO. CALIFORNIA. 94111 1415) 39a-03CXD<br />
OXOFFICE ::<br />
AiiRust 7. 1V7S
NEW<br />
TECHNIKOTE<br />
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TECHNIKOTE CORP.<br />
Informing, Reminding and Persuading<br />
Are Objectives of Good Advertising<br />
Wiiicm<br />
cannot bo expected to<br />
the need for personalized<br />
selling, advertising<br />
can project a<br />
greater sense of salesmanship<br />
efficiency by<br />
"informing, reminding<br />
and persuading prospects<br />
before the salesman<br />
makes the call,"<br />
said A. E. Irwin, vicepresident<br />
of sales and<br />
marketing. Mallory<br />
Capacitor Co.. addressing<br />
a recent quarterly<br />
meeting of the Electronic Industries<br />
Ass'n.<br />
Exhibition and distribution, of course,<br />
have differing objectives in the use of their<br />
advertising dollar. The cinema must build<br />
boxoffice awareness while the distributor<br />
must gain a greater share of the market.<br />
The best approach is to gamer trade acceptance<br />
on a vast scale for each product.<br />
Not to advertise is like winking in the<br />
dark at a pretty girl—no one knows you're<br />
making an appeal. Advertising treated as a<br />
key component in a market strategy can pay<br />
off. Those in the industry who have used<br />
advertising successfully contend that setting<br />
stringent financial limits on advertising does<br />
not take the full scope of marketing into<br />
consideration. Changing market conditions<br />
demand a degree of flexibility in advertising<br />
for the widest coverage of the market.<br />
Develop Objectives<br />
"Marketing goals," A. E. Irwin continued,<br />
"identify specific short and long-range tasks,<br />
and the defined objectives must be the basis<br />
for the development of the advertising program.<br />
Further, they should determine the<br />
budget needed for advertising to fulfill its<br />
very important role. If the budget is less<br />
than optimal—and it will be—cut the number<br />
of jobs, not the quality."<br />
The bigger the objective, in his studied<br />
view, the bigger the budget. "Tell me what<br />
we can afford to spend," he said, "and I'll<br />
tell you how far we can go on it. You will<br />
have to decide whether or not you want<br />
to adjust your objectives but, since every<br />
objective has its price tag, a lower budget<br />
may mean a lesser accomplishment."<br />
What is the ke\ ingredient of successful<br />
advertising? "Check-list guides to instant<br />
marketing success are to be regarded skeptically.<br />
Beware of handy-dandy lists of rules<br />
to bring instant success. They are general,<br />
leave out too much and could mislead."<br />
For A. E. Irwin, if more people concerned<br />
with selling were to understand the<br />
need for equal management status and significance<br />
involving marketing and advertising<br />
departments, the success sfon.' of the<br />
.^mcrican marketing field would have<br />
reached unprecedented heights of prosperity<br />
a long time ago.<br />
A marketing man is as much concerned<br />
with building trade as an advertising man.<br />
To experience a constant sense of bickering<br />
and open hostility is to invite continual<br />
chaos and, significantly, a diminishing of<br />
the effectiveness of the ranking management<br />
"team."<br />
Identify the Market<br />
Irwin calls for an identification of the<br />
individual market by size, type, location or<br />
other evident reference. He prefers to rank<br />
markets before getting around to the allocation<br />
of specific advertising dollars. He<br />
emphasizes, understandably, the use of the<br />
most money for the most important objective<br />
and recommends constant measurement<br />
of advertising results. "If it's worth doing,"<br />
he reasons, "it's worth measuring."<br />
.At the same time. Irwin finds that successful<br />
advertising programs call for sound<br />
marketing input. There always is a need. too.<br />
for the investment of enough money to accomplish<br />
the objective. "If you cannot or<br />
will not invest the money." he insists, "you<br />
never will obtain response levels where the<br />
rate of reaction exceeds the rate of stimulus."<br />
.An exhibitor or distributor must ask himself:<br />
Are the advertisements at hand aimed<br />
at specific audiences? Are the approaches<br />
both sensible and factual? Does the information<br />
take precedence over persuasive<br />
points?<br />
What A. E. Irwin has told an electronics<br />
industry audience merits significant study<br />
b\'<br />
the motion picture industr>'.<br />
Allen Af. IViilcm iv BOXOFFICE's New<br />
F.ni;Umil stales correspondent.<br />
SPECIALIST IN TWINNING. BUILDING<br />
or<br />
REMODELING THEATRES<br />
We are "THE" specialist in the creation ot a twin or multi-theatre from<br />
your existing theatre. Complete turnkey job, plans, engineering,<br />
construction and tinishing. Call or write;<br />
Norman and Friddell. 94 Panorama Dr.. Conroe. Tx. 77301<br />
A/C 713-856-5297<br />
Tho moih:rn theatre section
Theatre Pipe Organ & Christie<br />
Make Beautiful Music Together<br />
Can a 50>cjrulJ thcilrc pipe urg.m Ih.il<br />
once set the musical scene for sileni films<br />
and modern projection equipment find happiness<br />
together, whiiing away the hours in<br />
a rejuvenated Opera House?<br />
If the vibes coming out of the Emery<br />
Auditorium in Cincinnati are any indication,<br />
ihc answer— most emphatically— is "Yes "<br />
Both the pipe organ and the projection<br />
equipment now are firmly situated in the rehuill<br />
opera house that is part of the University<br />
of Cincinnati.<br />
They were joined last October in a ceremony<br />
that had such diverse highlights as a<br />
"Big Chase" medley of sileni film arrangements<br />
played by an organist of that era<br />
and the 35mm magical combination of Julie<br />
.Andrews, the Aiixlri.in Alps and 'The Sound<br />
of Music."<br />
Circuit Orjsans Donated<br />
The pipe organ—a 20-rank, three-manual<br />
—once was housed in the cid .\lbec Theatre<br />
m Downtown Cincinnati and was initially<br />
played for the public on Christmas, 1927.<br />
when the theatre first opened. There it remained,<br />
playing second fiddle to variou'^<br />
films and vaudeville acts, with each passing<br />
year taking its<br />
toll.<br />
In 1968. due to a decision by RKO Stanley<br />
Warner Theatres to donate the pipe<br />
organs in its circuit to appropriate organizations,<br />
the pipe organ in the .Mbce Theatre<br />
began a gradual move to the Emery Auditorium,<br />
about six blocks away. This took<br />
nearly nine years. 30,000 man-hours of labor<br />
by the Ohio Valley Chapter of the<br />
American Theatre Organ Society and substantial<br />
assistance from two philanthropists:<br />
Mr. and Mrs. John Strader.<br />
Its new location—the Emery Auditorium<br />
—had been built in 1912 and saw a great<br />
many musical talents, most of them highbrow:<br />
Stravinsky, Rachmannoff and even<br />
the great Russian ballerina. Anna Pavlova.<br />
Largest Fly-ljpe Screen<br />
As the pipe organ was being installed,<br />
so was the equipment to show the classics<br />
of both the silent and the sound-film eras.<br />
That job fell to Precision Projection Services<br />
and National Theatre Supply of Cincinnati.<br />
Between them, they selected Christie Electric<br />
Corp. lamphouscs. Christie Xenolitc<br />
bulbs and a power supply for the 35mm/<br />
16mm film system, designed to project on<br />
the largest fly-type screen in Ohio: 19'/i-feet<br />
high and 49'/2-feet long.<br />
The first showing took place on October<br />
21 when a by-invitatior.-only audience<br />
heard Gaylord Carter— a theatre musician<br />
who began his career in 1922 — play not<br />
only the prelude to an oid Harold Lloyd<br />
film (Billy Blazes, Esq.) but provide the<br />
background music for the main feature,<br />
"Steamboat Bill, Jr.", starring Buster Kcaton.<br />
The versatility of the Christie equipment<br />
also allowed the showing of selected<br />
scenes from "The Sound of Music." courtesy<br />
of 20th Century-Fox Film Corp.<br />
The prospect of a long and continuous<br />
run looks good in Cincinnati, with the pipe<br />
organ and the movies still going strong.<br />
BOXOFFICE ::<br />
August 7, 1978<br />
with continuity<br />
The Pcrf'FiX tllni pnfoialioii it^pair .swstem nu'aii.s:<br />
\'o<br />
ihf Pert-Fix \ysi.Mn<br />
cUuk screen"<br />
lnst
i<br />
I he<br />
How to Build Special Accomodations<br />
To Attract Hard-of-Hearing Patrons<br />
By PAUL R. HATCH<br />
Hatch Theatres. Woljeboro. N.H.<br />
Motion pictures are designed to arouse<br />
two of mans most basic senses, those being<br />
sight and sound. To a person who has lost<br />
either of these senses, movie entertainment<br />
means htlle.<br />
For an investment of under $25, any<br />
theatre can provide special accomodations<br />
which will be welcomed by a person who<br />
is hard of hearing. The small monetary investment<br />
and the minimum amount of time<br />
needed to install these accomodations makes<br />
the project one to consider.<br />
In addition to providing a service that<br />
may reap a great deal of goodwill advertising,<br />
you soon will recapture your investment<br />
with an increased gross from those<br />
who have not been to the movies in years.<br />
Here's all you need to complete the<br />
project: speaker wire, in a length to extend<br />
from the projection room to the seating<br />
area in the auditorium; a pair of headphones,<br />
preferrably cushioned for patron<br />
comfort, and one of the inexpensive TV<br />
listening devices commonly sold in stereo<br />
stores. You also will need an adapter to allow<br />
the phono plug on the headphones to<br />
be plugged into the mini-plug receptacle on<br />
the listening device.<br />
The TV device is a self-contained unit<br />
and is very small, containing its own volume<br />
control and on/off switch. Although<br />
there are two jacks on each unit, only one<br />
is recommended because the volume for<br />
both jacks is controlled by a single knob.<br />
The units are so inexpensive that several<br />
may be installed at minimal cost if the need<br />
WERE THE ONE!<br />
is<br />
present.<br />
To install the device, have your projec-<br />
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jUJSiliM NORTH BERWICK, ME. 03906<br />
Td 800 341 6092<br />
Careful Feasibility<br />
In<br />
Study Required<br />
Converting Single-Screen Theatre<br />
By<br />
SAMUEL FELDMAN<br />
.\Ian\ dri\c-in theatre opL'rations arc going<br />
to be improved o\er the next several<br />
years. One of the prevalent methods of improvement<br />
is likely to be the twinning or<br />
"splitting" of single-screen drive-in theatres.<br />
Such a conversion can be advantageous to<br />
those situations vsherc the demands of the<br />
locality justify the expenses of converting.<br />
Any 1,500-car drive-in theatre could possibly<br />
end up being three 500-car capacity<br />
drive-ins. Any 1,000-car drive-in theatre or<br />
smaller could be divided to become a<br />
drivein<br />
with capacities of between 300 and 500.<br />
But, in order to be a successful financial<br />
operation, splitting must be done economically.<br />
There are many secrets to successfully<br />
splitting an operation.<br />
Is It Possible?<br />
First of all. the physical layout of the<br />
drive-in theatre must be studied for the feasibility<br />
of locating a second or third drive-in<br />
theatre screen, possibly without doing any<br />
excavation or re-ramping any part of the<br />
field. It is necessary to put up the proper<br />
size screen at the proper location in relation<br />
to the projection booth.<br />
If possible, the projection booth should<br />
be the single central operating booth that<br />
now exists. If this is not possible, you may<br />
have to extend the booth by enlarging it to<br />
the sides in order to throw the picture back<br />
lo a screen located in the rear of the theatre.<br />
If the screen can be located where the<br />
existing ramps will not have to be altered<br />
and if the booth can remain in the same location,<br />
with only a minor alteration, you<br />
will then have eliminated all costs except for<br />
the new screen.<br />
The next step is to determine the feasible<br />
size of the drive-in theatres in relation to<br />
booking and operating requirements. This<br />
will determine the location of a guard-rail<br />
fence, which should start at the center of<br />
the existing boxoffice canopy, allowing only<br />
one cashier to sell tickets on either side of<br />
the boxoffice for all screens.<br />
The guard-rail fence should be built of<br />
4 X 4-in. posts placed 10-ft. apart, with 1x6-<br />
in. boards, going from post to post, along<br />
the top and sides of each post. This provides<br />
the appearance of a strong, solid<br />
guard-rail. Or course, this can be painted<br />
in any color desired.<br />
The purpose of the guard-rail fence is to<br />
separate the two operations and to guide patrons<br />
from the boxoffice to the proper<br />
screen. Yet, if an automobile accidentally<br />
runs into the fence, it will be very easy for<br />
the maintenance people to repair it the next<br />
morning.<br />
The guard-rail fence should divide the<br />
entrance roadway into two sections, and divide<br />
the field at the proper ramps. This will<br />
be dctcrm:ned by the boundaries you have<br />
chosen for the sizes of the resulting theatres.<br />
Screen Location<br />
If your new screen is to be located on one<br />
end of the rear section of the theatre, and<br />
you are not using the entire rear part of the<br />
field, then the guard-rail should run through<br />
the field from the refreshment stand to the<br />
back fence.<br />
At all times, you must remember that the<br />
refreshment stand is the center point of your<br />
operation and that everyone must have access<br />
to it. Using a 4-ft. high guard-rail, no<br />
matter where they park, people will be able<br />
to leave their cars and walk to the refreshment<br />
stand by slipping under the fence.<br />
Sections of the fence can be left out as<br />
gates for people to walk through, but the<br />
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36 The MODERN THEATRE SECTION
openings should be not be large enough f»M<br />
automobiles to pass through.<br />
If the field is cut anywhere from the re.ir<br />
of the refreshment stand up to the rear of<br />
the theatre, the dividing of the sound system<br />
in the field can K' accomplished by bnni;<br />
ing in home run leads to the project ioi\<br />
booth. If it is simply divided across a ramp,<br />
these leads already are in the Kmth or in<br />
a ramp switching panel and can be divided<br />
in<br />
the booth itself.<br />
If you are dividing the drive-in theatre<br />
anywhere in the field that will require the<br />
sound to be cut. it is not a serious problem<br />
because all ground wires can be put in on^trench<br />
going from the booth, through the<br />
field, adjacent to the guard rail and at<br />
tached to the last speaker post in each ramp<br />
of the new theatre. The laying of these wirov<br />
is not a complex problem and often can he<br />
done by the theatre's maintenance people.<br />
I'se<br />
Existing Equipment<br />
In the projection booth, a two-projector<br />
operation can be divided to accommodate<br />
two booths, using the existing projectors and<br />
two platter systems. One projector and one<br />
platter system will service each screen. I<br />
also advise that you convert your lamphouse<br />
to xenon if it isn't already. There are companies<br />
currently offering conversion kits<br />
for both lamphouscs and rectifiers. Such<br />
conversions will result in no surplus equipment<br />
after the changeover. It may So possible<br />
to convert the existing amplifiers and<br />
sound-system components to serve two theatres.<br />
Check with a sound service company.<br />
In some situations, the dividing of a<br />
drive-in theatre may help business. But. an<br />
increase in profits cannot be expected to<br />
be overwhelming because some of the profits<br />
come from the original theatre. The costs<br />
of operating a twin drive-in theatre can be<br />
very small since the manager, cashier, ramp<br />
attendants, refreshment stand employees<br />
and the projectionist all remain in their<br />
present job capacities. Their jobs may entail<br />
a few more hours due to double screens,<br />
staggered show times and longer concession<br />
hours.<br />
The splitting of indoor theatres has been<br />
going on now for quite some time and<br />
promises to continue. More drive-in screens<br />
will provide the same results as the increase<br />
in indoor theatre screens: more bidding flexibility,<br />
higher boxoffice potential, increased<br />
concessions profits and. oftentimes, a greater<br />
volume of patronage.<br />
vyur 32/1 a i/jear<br />
J^cri'ina Ilie ^Jlicalre ^niluslru<br />
"Flnt in Automation"<br />
Wc will custom build automation<br />
No job too big . . . No<br />
to your specifications<br />
job too small<br />
Samuel Feldman, Northeast Theatre Corp .<br />
has 40 years of experience in the coiislnu<br />
tion and operation aspect of the ihrulrc industry.<br />
Federal Commerce Department<br />
Issues Security Cost Report<br />
I he leder.il ( .MiinuTce Dep.irlnienI le<br />
ports that public and private enipUiyerx<br />
spent some S 20.000.000.000 on security<br />
forces in 1*>76—more than double the<br />
amount paid in 1969.<br />
Between 1969 and 1976, the number of<br />
full-time security personnel increased from<br />
800,000 to more than I.O(K).000 according<br />
to the department.<br />
BOXOFFICE ;:<br />
.August 7. 1978
. Rebuilt<br />
pPECIALISTS<br />
I El<br />
111<br />
REBUILDING<br />
CHAIRS<br />
workmanship<br />
thele,<br />
Heywood, Id<br />
imeproofing Compound. Su.<br />
plus seats or backs, $2.00. Wc<br />
BUX-MONT<br />
Marquees—Signs<br />
LEASING<br />
Horsham, Pennsylvania 19044<br />
Coll (215) 676-4444 or 675-1040<br />
Containment Screen Testing Slated<br />
For 5,000 Square Foot Prototype<br />
The long-anticipated advent of the "containment"<br />
screen is scheduled to become a<br />
reality early this fall with the practical demonstration<br />
of a 5.000-square-foot prototype<br />
now being installed at Pacific Theatres' Los<br />
Altos Drive-In Theatre in Long Beach,<br />
Calif., according to Robert W. Selig of Pacific<br />
Theatres.<br />
The containment screen project initially<br />
was begim in November of 1972 when an<br />
imposing "wall" of stale laws attempted to<br />
block any situation where the screen picture<br />
could be seen from adjacent highways,<br />
neighborhoods or other public areas. Selig:<br />
Wilton Holm, director of the NATO drivein<br />
comnvttcc. and Petro Vlahos. staff engineer<br />
of the Motion Picture Center in Hollywood,<br />
began an investigation into the practical<br />
problems of developing a containment<br />
screen.<br />
Precision-Made<br />
Parts<br />
The development proposal required a<br />
unique, precision-made plate-master which<br />
would b-; used to plate nickel into a heavyguage.<br />
half-inch-square mirror which then<br />
would be plated with rhodium to prevent<br />
weather deterioration. These original containment<br />
screen segments were to have a<br />
high-gain, reflective, mirror-like finish<br />
which would reflect uniformly for a specified<br />
angle then sharply "cut off" so that the<br />
screen would appear blank to viewers outside<br />
that angle.<br />
Two problems initially encountered in the<br />
screens development were the lack of driveins<br />
with symmetrical, pie-shaped fields and<br />
ramps, and the problem of finding a precision-made<br />
plate-master die which would<br />
meet the stringent specifications of the "lenticules."<br />
which is the proper designation for<br />
the half-inch mirror segments.<br />
Lenticules .Mass Produced<br />
Ihe latter problem was overcome in 1973<br />
when .Marlowe Pichel of Pichel Industries<br />
was contacted to see if he could mass produce<br />
the lenticules and still meet the exacting<br />
requirements the project demanded. Pichel<br />
had worked for Xerox doing electroforming<br />
and previously had developed the<br />
elcctroformed mirrors used to take the first<br />
photographs on the moon.<br />
The problem was solved by designing a<br />
single shape having a curved and tapered<br />
form typical of the nose of a bullet. This<br />
shape is called an Of^ive. Pichel made a<br />
highly-polished and precise ogive and elcctroformed<br />
a nickel shell on the outer surface.<br />
This nickel shell then is stripped off<br />
and the lenticules are cut from portions of<br />
the shell.<br />
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SEE US AT THE NATO SHOW. AMERICANA HOTEL. NEW YORK CITY. OCT 16. 17 4 18<br />
38 Thr MOIM'.HN TH1;ATH1.
The elect roform-\igivc technique accomplished<br />
a production-quaJity die whose complex<br />
curvature elements have a relative<br />
precision<br />
that cannot be achieved by any of<br />
the conventional die-machining lechniqlle^.<br />
Since the entire screen consists nf these lenticule.s,<br />
and each lenticulc must be precise,<br />
the manufacturing procedure did pose a<br />
formidable problem.<br />
The second problem has been in the<br />
mounting of the lenticules on an actual<br />
screen. The lenticule-s first are moimtcd on<br />
panels and these panels are in turn mounted<br />
on the existing screen. While the precision<br />
of the individual Icniicules has been<br />
achieved, the placement of the lenticulc<br />
panels also must be precise. To optimize<br />
gain and maximize audience area and containment,<br />
the screen surface must be an accurate<br />
and carefully positioned segment of<br />
a sphere. Since most screen towers provide<br />
flat surfaces, a method lo mount and position<br />
the panels was required.<br />
Columns Are Relocated<br />
To overcome this problem, the contracting<br />
firm of Mackintosh and Mackinliwh relocated<br />
the steel columns of the existing<br />
screen tower so that they lie in a circular<br />
curve having the proper radius of curvature<br />
from the projector. These columns additionally<br />
were tilled forward to a slope angle<br />
of approximately 1 1 '3 degrees from the vertical<br />
to provide the proper direction and<br />
containment of the image from front to<br />
rear.<br />
A series of wooden beams then were attached<br />
vertically to the existing screen with<br />
adjustable "stand-ofr" bolls. The relocation<br />
of the steel columns provides the required<br />
horizontal curvature and the deflection and<br />
adjustment of the vertical beams will provide<br />
the required vertical curvature.<br />
The resultant screen face then will be a<br />
section of a single sphere. Exact "tuning"<br />
or positioning of each vertical member and<br />
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EXPERTS<br />
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Cemcorp<br />
ibi5 Mpirose Lane<br />
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BOXOFFICE ::<br />
ilKMlrical ciijiinccrioL'<br />
Western .Service & Suppl>. Inc<br />
:i'HtSlinilSl • l)en\cr. COKlOni<br />
(303)5.^-7611<br />
1711 Wc In^<br />
y<br />
August 7. 1978 39
Containment Screen-<br />
Coiuitnicil tram preceding page<br />
t-ross-Dar assembly is being ensured by an<br />
.'P'icai sighting device or range finding tran-<br />
.11 lliis will assure the positioning of each<br />
c anient of the support structure along the<br />
,!c>ired spherical curve within a very small<br />
fraction of an inch.<br />
While the principle of the lenticular<br />
not new— four patents were issued<br />
screen is<br />
between 1914 and 1925 to a man named<br />
Clark—the technology to produce such a<br />
screen has not been available until recently.<br />
The principle of a true lenticular screen has<br />
been demonstrated on paper many times<br />
and there is little doubt that the advantages<br />
of high gain, containment of image and the<br />
rejection of extraneous light are all real and<br />
attainable.<br />
The fruition of the containment screen is<br />
scheduled to be demonstrated early this fall<br />
with the installation of the first containment<br />
screen at Pacific Theatres' Los Altos<br />
Drive-ln Theatre in Long Beach. Calif. The<br />
5,()00-square-foot proto-type is nearing<br />
completion, according to Selig.<br />
'Most significant, perhaps, of the containment<br />
screen's remarkable advantages is<br />
the tremendous gain in light—eight to ten<br />
timesi" Selig remarked in a recent <strong>Boxoffice</strong><br />
editorial. "Thus, for the first time,<br />
drive-ins will present a bright, well defined<br />
picture." Another reported advantage is the<br />
possibility of moving drive-in show limes<br />
up some portion of an hour earlier, but exhibitors<br />
are warned that the containment<br />
screen is not a "daylight" screen.<br />
The containment of the screen image is<br />
expected to permit greater booking versatility<br />
in those drive-ins with two or more<br />
screens. Now, with the containment screen,<br />
an R-rated feature can play in the same<br />
drive-in simultaneously with a G-ratcd feature.<br />
The picture will be directed only within<br />
the periphery and range of the intended<br />
and separate audiences.<br />
The screens ability to reject extraneous<br />
light will have an obvious advantage to<br />
all existing and future drive-ins. The ambient<br />
light problem long has been a negative<br />
factor in the achievement of proper drivein<br />
screen luminance. With the containment<br />
screen, automobile headlights, full moons<br />
and adjacent shopping centers with brilliant<br />
street lights will be of no concern. Only light<br />
projected into the screens center will be reflected<br />
back to the audience. Light hitting<br />
the screen from an angle off center will be<br />
rjflccicd out of the contained area.<br />
The liny, hall-inch-square mirror held<br />
above by Petro Vlahos. chief scienlisi of ihe<br />
Research Center of the Ass'n of Motion<br />
Picture ami Television Producers, is the<br />
basis of the containment screen being developed<br />
for drive-in theatres. The directional<br />
or containment screen is designed to<br />
make the screen appear blank to anyone<br />
looking at it from outside the confines of<br />
the theatre. The principles of the new screen<br />
were developed by Vlahos for the National<br />
As. there were .^11 single screens, 32<br />
twins, 6 triples and I four screen operation<br />
in the slate, while in 1978 there are 21.^<br />
single screens, 40 twins, 12 triples and 3<br />
four screen drive-in theatres,<br />
During the ten year stud\ period, lit)<br />
screens were closed while 22 new drive-in<br />
iheatres were built,<br />
[)rive-in iheatres leached their peak in<br />
l').S9 when 47.1 of the outdoor operations<br />
StereoScope 3-D Projection Attechment<br />
For Slackod-Ftjinn t\Mmal 3f> rilm. In<br />
•lonlly »wilch beiwcn "llol" and 3-0 ptinu<br />
Purlsct lor 3-0 (hotH olc. Send lor bro-<br />
Th.. MODLHN THKATHt SECTION
flouri'hcd in Tcias. Al that lime, drivc-m<br />
theatres represented around 37 per cent of<br />
all of the movie screens in Texas. In 196^<br />
their numbers had decreased to 3S4 and the<br />
downward trend has continued.<br />
Cause of the decrease appears to mvoKc<br />
several factors, according to N.AfO ot<br />
!e\<br />
president Al Re>nolds. who ran one of iIk<br />
country's largest drive-in theatre circuitduring<br />
the '.''Os and '60s. "It started m the<br />
early 1960s when drive-m theatre owner',<br />
had to pay much higher film rental for their<br />
demand of a 14-day and finally a seven-d.i'.<br />
availability," he stated. Reynolds said infoi<br />
mality in dress was a plus for underskyci<br />
until the vogue of informal dressing reach;,<br />
i<br />
its apc\ in the late '6(K and people felt corn<br />
fortable going to indoor theatres in casu.i<br />
attire.<br />
"Then." Reynolds continued, "when da\<br />
light saving time came upon the scene m<br />
1966. and drive-in theatres were forced lo<br />
start their feature picture around 9 p.ni .<br />
it made the hour too late for family patronage<br />
which was the backbone of the outdoor<br />
theatre business."<br />
Reynolds averred that in the middle size<br />
towns with a population of up to 100.000.<br />
drive-in closings were less and. of the 2.1<br />
that closed, it appeared exhibitors found it<br />
more profitable to sell the drive-in acreage<br />
at an inflated price and install multi-screen<br />
indoor theatres in shopping centers. He said<br />
this was mostly true in the urban areas of<br />
Texas, where the communities have grown<br />
rapidly, inflating the price of real estate.<br />
Today. Mi former drive-in theatre sites are<br />
major shopping centers.<br />
While there are only half as many Texas<br />
NATO<br />
drive-in theatres as there were 20 years ago.<br />
Reynolds predicted a renaissance for underskyers<br />
with the breakthrough of the<br />
containment screen and the new remote<br />
sound systems which utilize the car radio<br />
(instead of the car speaker attached to .i<br />
post). Reynolds said the tremendous increase<br />
in illumination from the new screen will<br />
enable drive-ins to start earlier and still<br />
portray<br />
a bright picture. .And. with car<br />
radios carrying the sound, he believes patrons<br />
soon will be returning to the drive-in<br />
theatre.<br />
Eastman Photography Museum<br />
Takes Inventory After Fire<br />
( iir.ilors .'! the (lecrye I-:islnian Hmisc<br />
International .Vlusjuni ol Photography are<br />
studying inventories to measure the loss<br />
from a fire that destroyed thousands of historic<br />
film clips and still photographs.<br />
Many of the items cannot be replaced,<br />
officials said after the fire which occurred<br />
in mid-June of this year.<br />
They said up lo 100.000 one-of-a-kind<br />
film clips and still shots featuring Buster<br />
Kcaton and other early movie stars probably<br />
were destroyed.<br />
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.August 7. IV7S<br />
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Access to interior through full hinged doors<br />
Adjustoble nose cone. Heavy duty igniter<br />
• Horizontal tomp and 14 inch dichroic coated,<br />
glass reflector proride greater light pickup ond<br />
excellent screen coverage Focusing and l>«am<br />
controls provided.<br />
• Accommodates 1000 through 4000 wall Xenon<br />
Lamps for indoor and outdoor screens up lo<br />
125 feet «ide.<br />
• Magnetic ore stobiliiotion properly positions<br />
arc toil flame around anode, increasing lomp<br />
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• Bbwer Manual and manual<br />
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douser are standord. Automolic ignition op-<br />
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Pinkston Sales & Service<br />
MOTION PICTURE EQUIPMENT<br />
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AUTHORIZED DISTRIBUTORS FOR MANY MANUFACTURERS<br />
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•® 214-741-1637<br />
or •^•il ItS.lP
•<br />
shows<br />
The Grosh "waterfall" curtain is seen in action in this photo<br />
taken in auditorium I. All of the theatres employ Hurly l.enliclitc<br />
20 matte white screens measurinf; 12 x 28 feel.<br />
Intersfafe<br />
In<br />
Interstate Amusement, Inc., recentl\<br />
opened the newly constructed Jerome Cinema<br />
in Jerome, Ida. The free-standing building<br />
was constructed at a cost of $400,000<br />
and is situated on seven acres of land in the<br />
suburbs of Jerome.<br />
The parking area in front of the building<br />
has a 400-car capacity. The building front<br />
is brick with three, large glass entrance<br />
ways flanked by the masks of comedy and<br />
tragedy. A 50-foot, back-lighted, changeable<br />
letter board prominently displays the feature<br />
titles and showtimes for the four auditoriums<br />
on white and yellow background punels.<br />
All signage in the Jerome Cinema was<br />
installed by Lytle Signs of Twin Falls.<br />
As patrons enter the lobby, they walk<br />
through a foliage-lined corridor which leads<br />
to the front of a 'U"-shaped concession<br />
stand. The ticket issuing machines are<br />
housed in its tip.<br />
A huge montage of movie posters and<br />
The Jerome Cinema is a free-standing building situated on seven<br />
acres of land in the suburbs of Jerome. Ida. The population of<br />
ihc theatres drawinf" radius is estimated at nearly 40.000.<br />
Amusement Opens Multiplex<br />
Jerome, Idaho, With 1,200 Capacity<br />
stills occupies the space above the concession<br />
area and entrance way. Unlike most<br />
movie montages, however, the films and<br />
stars depicted in this collection are of a<br />
recent vintage. "Oh God," "Annie Hall,"<br />
"Saturday Night Fever" and "Rabbit Test"<br />
are just a few of the films represented.<br />
Once the patron has purchased a ticket,<br />
he is directed to one of two lobby holding<br />
ureas on either side of the concession stand.<br />
Each holding area serves two theatres and.<br />
because of the shape of the concession stand,<br />
all waiting patrons have easy access to the<br />
refreshment counter.<br />
A Cjold Medal Cornado popcorn popper<br />
is the heart of the concession stand accompanied<br />
by True Temp warmers, Supurdisplay<br />
butter warmers and a Star Mfg. hot<br />
dog cooker. The boxoffice, incorporated in<br />
the concession counter, is equipped with<br />
a Sweda Model-405 cash register which uses<br />
the receipt tape as the ticket.<br />
Hach of the four auditoriums seats 300<br />
the comfort of Griggs Model-4200 seats.<br />
in<br />
Auditorium 1 is color coordinated with<br />
beige seating and rust-colored Soundfold<br />
acoustical wall covering. Auditorium 2 is<br />
decorated with dark-purple seating and<br />
light-purple trim and wall covering. Auditorium<br />
3 has a color scheme utilizing differing<br />
shades of red in the seating and trim<br />
while auditorium 4 is resplendent in shades<br />
of orange. Two of the theatres are equipped<br />
with Grosh "waterfall" curtains.<br />
All of the auditoriums utilize Hurly Lenticlite<br />
20 matte white screens measuring<br />
I2V2 X 28 feel. These are lighted by Christie<br />
CH-20 consoles using either Schneider<br />
Magna-Com or Sankor anamorphic lenses<br />
from the Marble Co. Ballaniyne of Omaha<br />
Pro-3.*> projectors also are used. Cinema 1<br />
is equipped with a Dolby Cinema Processor<br />
and each auditorium employs Altec A-7-<br />
500-8 speakers.<br />
jiisl a luiil til the comnuni pn'jectiiin timm kmi/ Un aii nl li:<br />
in the Jeiome Cinema. Chiistie CH-20 con.\oles and Autowind 35 platii<br />
used in conjunction with Hallantyne Pro-.^.^ projectors. The photo at<br />
iilia\.;e-lined enliance wax. the liui;e iiuivie montane anil the hoxollice wliu<br />
the lip III II "l"-\hiiiieil concewinn stand.<br />
42 The MOnr.RN THEATRr SF.CTION
'Very Kind to Film' Sprocket<br />
Endorsed by NATO Committee<br />
Among the main probkms that tvlting<br />
a theatre owner, bad prints, damaged<br />
10<br />
film, mixcd-up "hfads and lails" and mixcdup<br />
reels arc all problems they eoiild do<br />
well<br />
withiiut.<br />
The Technical Advisory Committee of<br />
NATO has been working for twelve yean,<br />
on these problems among others. Now (he<br />
committee repiirls success concerning<br />
several of these problems and suggests that<br />
it is up to ea>:h individual manager, projectionist<br />
and theatre owner to follow<br />
through and put these improvements into<br />
use.<br />
The committee reports that the I.aVczzi<br />
Co. has developed a universal '"very kind to<br />
film" sprocket. This sprocket will work with<br />
both CinemaScope small perforations and<br />
with the standard Kodak large hole perforations.<br />
Why<br />
Wagner?<br />
Unlike the Fox tooth sprocket, with its<br />
gross misalignment with the ccnterline of<br />
the Kodak standard perforations, the new<br />
VKF sprocket from I.aVczzi is very kind<br />
to film, according to committee spokesmen.<br />
More Contact Area<br />
The new sprocket has approximately 50<br />
per cent more contact area with the driven<br />
face of the perforation. It also has smixjthly<br />
rounded comers and edges and reportedly<br />
will not erode the corners of the perforations<br />
as does the Fox tooth sprocket, the<br />
committee claims.<br />
The increased width of the sprocket teeth<br />
is in the direction which properly tends<br />
to limit the lateral back-and-forth motion<br />
of the film as it runs across the sprocket.<br />
The committee recommends that every<br />
theatre in the U.S. change every sprocket<br />
in its projectors and soundheads to the new<br />
VKF sprocket. They further suggest that<br />
exhibitors planning to purchase new equipment<br />
request their suppliers to install the<br />
new sprocket before delivery.<br />
In lieu of this, the committee suggests<br />
that exhibitors equip one bixiih with the<br />
sprocket and learn first-hand what a major<br />
improvement the new sprocket will make<br />
in the handling of film and prevention of<br />
damage. Exhibitors interested in further<br />
information mav contact Al Boudouris. 12.^<br />
W. Woodruff. P.O. Box 4712. Toledo.<br />
Ohio. 43620 or phone 419 243-S106. Harmon<br />
Rifkin. also of the committee, may be<br />
reached al 39 Church St.. Boston. Mass..<br />
(I?llh or hv ph. in,- .il f.17 4s:^-1ll()<br />
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We believe your copy board should be<br />
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Fool-proof changes.<br />
VVcigner letters exilusive slotted design<br />
means r\n dips, no hooks, no possible<br />
upside down or backward mounting.<br />
And no freezing to the track—even<br />
when It's zero<br />
A helping hand.<br />
Wagner s inechanical hand works like<br />
fingers that mount messages quickly,<br />
conveniently up to 22 feet No ladders.<br />
Wagner.<br />
Call your theatre supplier for immediate<br />
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National 3!0<br />
ELECTRICAL SIGN PflOOUCTS<br />
.TKXniirvhSlt.vt<br />
M.lrs.P.,il.. Illinois (lOlW'l<br />
O X OFFI C E August 7,<br />
43
1<br />
AN "OLD"<br />
INNOVATION<br />
Since 1934, theatre owners ha\e used<br />
Heyer Shultz metal an lamp<br />
retletiors and avoided the hazards of<br />
glass reflector breakage caused by<br />
poorly ventilated lamp houses.<br />
improper start-up. thermal shock<br />
or other aixidents.<br />
Heyer Shultz metal arc lamp<br />
reflectors are available from stoc k<br />
for the follouins lamp houses:<br />
Ashcrafl. Ballantyne. Brenkert.<br />
Kastman. Forest. Morelite<br />
Motiograph. National. Peerless.<br />
RCA. Simplex, and Strong.<br />
For further information contact<br />
your local dealer, or:<br />
sion of Special Optic<br />
Bon 163. Little Falls, N| 07424. (201) 785-4015<br />
Formula Predicts Screen Luminance<br />
To Determine Proper Xenon Wattage<br />
There seems to be a continuing move<br />
toward changing to xenon lamps this year.<br />
There also is a trend<br />
in splitting theatres,<br />
including drive-ins, to<br />
result in more and<br />
often smaller screens.<br />
While some drive-ins<br />
use a 4,000-w a 1<br />
xenon lamphousc to<br />
ight a 50 X 120-1001<br />
screen, a smaller<br />
screen at the same<br />
site also may be<br />
Glenn Berggre<br />
equipped with a 4,-<br />
000-watt system during the conversion or<br />
split. Why doesn't the owner use a 2,000-<br />
watt system with the smaller screen? How<br />
are screen luminance and lamphousc requirement<br />
decisions made?<br />
With indoor and drive-in screen light, I<br />
feel there is a serious reluctance to predict<br />
the resulting screen light for any particular<br />
combination of equipment before the purchase<br />
and installation. Perhaps there is a<br />
lack of experienced understanding or just<br />
a neglect to determine the real performance<br />
of a system before the purchase is made.<br />
In any case, brightness levels do have a<br />
cost related to them and screen brightness<br />
and cost can be predicted.<br />
Let's take a typical drive-in example. The<br />
average 4,000-watt xenon lamp will provide<br />
about 20,000 lumens after passing<br />
through the shutter, aperture and lenses.<br />
On a 50 \ I20-lool screen (6.000 squarcfect)<br />
with 1.0 gain factor, such a lamp<br />
a<br />
will result in about three footlamberts in<br />
the CinemaScope format.<br />
20,000 lumens<br />
--3.33 footlamberts<br />
6,000 square feet<br />
Of course, after 500 hours, the light level<br />
can be expected to deteriorate to a degree.<br />
In this example, we are assuming the most<br />
efficient shutter, the 1.2 ratio CinemaScope<br />
aperture plate and the most efficient of<br />
standard lenses used over the years, the<br />
//I.7.<br />
Suppose this drive-in is split, adding another<br />
4.000-watt xenon system and a 25 x<br />
60-foot screen for a total screen surface area<br />
of 1,500 square feet. The resulting screen<br />
brightness formula, assuming CinemaScope<br />
and the other existing conditions mentioned<br />
above, would look like this:<br />
20,000 lumens<br />
,500 square feet<br />
= 13.33 footlamberts<br />
This would be great! You would have<br />
about four times the light if all of the items<br />
keep the same efficiency.<br />
Many people seem to assume that all pro-<br />
Thr MODERN THEATRE SECTION
jcclion equipment is interchangeable and<br />
will yield the same results in differing situations.<br />
This absolutely is not true. Different<br />
equipmcnl mado by different manufacturers<br />
offers differing resulu. Not all automobiles<br />
are the same, nor are steaks. pc>iple. nor<br />
projection equipment<br />
Practical<br />
Kxamplc<br />
Another gixnl ex.mipic is a recent layout<br />
review for a drive-in theatre which was to<br />
be split. The old theatre had a 42 x 100-<br />
fool screen with a projection throw of 240<br />
feet. Two-and-a-half and four-inch lenses,<br />
K>th ri.7. were being used and the theatre<br />
recently had been converted to 4,000-watt<br />
xenon. The theatre had 4.5 foollambcrts<br />
with Cinema.Scopc and 3.5 footlamberts<br />
with 1.85, which is about right for a drivein.<br />
.\ftcr the split, 30 x 70-foot screens (2.-<br />
100 square feet) were lit by the same projectors<br />
and the same 4.000-watt xenon system,<br />
but a six-inch lens for<br />
1.85 and a fourand-three-fourths-inch<br />
lens on reverse anamorphic<br />
were used. The plan called for another<br />
4.(XX)-walt xenon system and secondhand<br />
lenses of a small diameter, adding the<br />
reverse anamorphic. The six-inch lens was<br />
//2.4 and the other was an older ffl design.<br />
With the correct lenses, the predicted<br />
light level should have been about 9.5 footlamberts<br />
lor CinemaScopc and 7.5 foollambcrts<br />
for the 1.85. except that this ignores<br />
the lens factor.<br />
The second-hand, six-inch //2.4 lens<br />
would be only about 50 per cent a-s efficient<br />
as a new, six-inch /' 1 .8 lens of a larger diameter.<br />
This would result in approximately<br />
3.5 footlamberts on the smaller screens. The<br />
second-hand. four-and-thrcc- fourths-inch.<br />
//2 lens would be only about 70 per cent<br />
as efficient as compared to a new lens.<br />
The CinemaScopc format therefore yielded<br />
only about 6.5 footlamberts. excluding<br />
ncariy 10 per cent efficiency for the reverse<br />
anamorphic.<br />
At that point, the protect was revised to<br />
use ihc .ilrc.uK piirchasctl 4, (MX) wall xenon<br />
equipment, but lenses were changed to N->«>st<br />
efficiency, and the much less costly .l.fKK)-<br />
watt xenon bulbs were used Ihc lenses selected<br />
will result in a long-term reduction<br />
in the cost of xeron bulbs.<br />
The 1.85 lens is a new, six-inch, high<br />
efficienc) type, four inches in diameter,<br />
which has an efficiency factor of at least<br />
125 per cent when compared to a six-inch<br />
/l.S lens. This 1978 model lens provides<br />
over nine footlambcris with 4.(XX> walls and<br />
seven fiwtlambcrts with .^.000 walls. TTiese<br />
levels are about right for drive-in luminance.<br />
The CinemaScopc combination is a new.<br />
four-and-three-fourths-inch, //1. 8, high-ef<br />
eJ on following p78
CIRO<br />
self-perforating<br />
frame-line tape<br />
SPLICERS<br />
AND TAPE<br />
The walla^'f of the<br />
laniplioiise. the age<br />
of the bulb, the distance<br />
from the bulb<br />
to the lens, the size<br />
of the aperture and<br />
the quality of the<br />
screen surface are<br />
all important to the<br />
actual light level<br />
achieved. When purchasing<br />
new equipment,<br />
remember the<br />
relationship<br />
components<br />
these<br />
h a v c<br />
with each other in<br />
achieving a bright<br />
screen.<br />
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6820 Romaine St., Hollywood<br />
Calif. 90038. (213)466-3591<br />
^<br />
EQUIPMEWT CORPORATIOW<br />
Screen<br />
Luminance—<br />
Coiuiniicd Inini preceding page<br />
ficiency lens in combination with a new reverse<br />
anamorphic. This set<br />
No matter what kind of<br />
projection system<br />
you have ....^^KeitK^^^ff<br />
at this<br />
end...<br />
of lenses provided<br />
over ten footlamberts with 4,000-watt<br />
xenon and 7.5 footlamberts with 3.000-watt.<br />
Either kmiinance level is about right for a<br />
drive-in so they used the 3.000-watt.<br />
No xenon equipment has a "corner" on<br />
efficiency. No single manufacturer has all<br />
the answers nor the same efficiency for all<br />
wattage n\ stems. Man\ bu\ers select projection<br />
equipment based on their pre\ious<br />
experience. But. to be sure, get a practical<br />
prediction of the end performance for the<br />
entire system before you decide on what<br />
equipment to buy. If all else fails, turn to<br />
a formula. The formulas below are simple<br />
and rather basic but contain an empirical<br />
factor. They should suffice to give you a<br />
reasonable guideline.<br />
You first need to learn some screen light<br />
rules. Screen light decreases as screen area<br />
increases. Screen light increases as wattage<br />
increases but decreases as I number in-<br />
...you will get<br />
a brighter,<br />
sharper<br />
picture<br />
with a new<br />
^<br />
PRominaR PROjecTion tens<br />
PRIME • ANAMORPHIC • ZOOM • 35mm • 70mm • 16mm<br />
^<br />
Distributed in Iho USA by<br />
DO INDUSTRIES INC /KOWA OPTICAL DIVISION<br />
MOKl.HN nil. Anil. Si:CTION
creases. Of course, screen light also varies<br />
with screen gain.<br />
The following formulas assum.- ihat the<br />
aperture plate is correct and not croppcvl<br />
and Ihat. with standard lenses, the 1 KS pu<br />
turc normally is 25 per cent lower in light<br />
level than CinemaScope.<br />
The first formula provides a wattage re<br />
qiiirement and the -ccond uses projecliiMi<br />
data to arrive at a predicted light level. F>m<br />
the watiiigf result, use this abbreviated fiM<br />
mula for intUxn theatre use:<br />
Watts=^l2 X Scre.-n Height'<br />
(for 1.66 and CinemaScope)<br />
Watts' 15 \ Screen Height' (for I ..S5|<br />
Walls=l8 x Screen Height' (for 2 to 1)<br />
This a.ssumes a matte screen, average light<br />
output for miVii .xenon units, all-new //2<br />
standard lenses and 16 fooil.inibcrts in the<br />
screen center. If a gain factor is<br />
used, divide<br />
the 12. 15 or IS factor by the screen gain<br />
factor but do not use a<br />
factor of more than<br />
1.3 or the light distribution will void the formula.<br />
For the light output in a drive-in theatre,<br />
use the following formula:<br />
Watts X 1.62 X 2.2<br />
Screen Brightness- ^— _<br />
Watts would be 4.()00. VOOO. 2.000. etc.<br />
The actual screen height squared is H'. The<br />
constant which designates the optimum lens<br />
//number is 1.6'. The empirical factor is<br />
2.2 and P is the /number you actually will<br />
be using.<br />
For example, if a 42 x 100-foot screen<br />
using 4.000-watt xenon with a //1.7 lens<br />
were to be considered, the equation would<br />
look like this:<br />
Screen 4000 .\ 1 .6' X<br />
Brightness^ 4 22^1.72"<br />
=4.4<br />
This formula will work in most cases. As<br />
I mentioned above, it is only a guideline,<br />
but the empirical factor makes it more accurate<br />
than guessing. If you're considering<br />
a new lamphouse, a higher gain screen or<br />
new lenses, remember that these compn<br />
nents arc related very closely to screen luminance.<br />
It may be that you are considering<br />
one of the components when the problem<br />
could be solved nn>re economically through<br />
the purchase of a different component<br />
which will provide the same end result.<br />
The<br />
difference<br />
between<br />
a film with torn<br />
perforations<br />
machine works, inc.<br />
900 North Larch Avenue<br />
Elmhurst. Illinois 60126<br />
(312) 832-8990<br />
and a<br />
projectable<br />
print can be a<br />
LaVezzi VKF<br />
sprocket<br />
Murphys law is at work in motion picture proiectors' It anything<br />
can go wrong it will And where it is often likely to occur<br />
In the film A film can be projected repeatedly Then<br />
without warning, perforations tear Film is damaged and requires<br />
immediate repair The movie audience is irntated.<br />
LaVezzi has developed the VKF sprocket that can reduce<br />
film damage caused by abnormal contact between<br />
the film and sprocket The new VKF sprockets are shaped<br />
with the widest possible teeth compatible with the narrow<br />
CS CinemaScope film perforations, as well as the wider KS<br />
perforations Each tooth is meticulously profiled with<br />
rounded corners to eliminate any contact with the corners<br />
of the perforations-the place where tearing often starts.<br />
With no sharp edges on the sprocket, it reduces the<br />
chance of cutting, tearing, or abrading the film-even<br />
i.nder heavy tension, uneven film travel, or other abnormal<br />
condition<br />
The new VKF sprocket does much more' It reduces<br />
film dust" caused by shaving, and the resulting protector<br />
wear and costly maintenance Sound and image projection<br />
are improved to the appreciation and continued patronage<br />
of the audience<br />
Change to the new VKF sprockets throughout your<br />
projectors They will prove Very Kind to Film'<br />
Consult with your theatre equipment dealer lor details<br />
concerning the VKF sprockets, or write or call us direct<br />
for more information<br />
Glenn Berggren is<br />
vice-president of the theatre<br />
products division of Schneider Corp.<br />
of America. Prior to lux affiliation with the<br />
Schneider Corp.. he managed the .tales division<br />
of Kollmorgen Cinema & Lighting.<br />
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From mitidl design<br />
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deliver professional results.<br />
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Glond.iif CA 91?ni<br />
Talk to a Filbert professional<br />
tod.iv (213) 247 6550.<br />
b O X O K f i C fc.
CONCESSIONS, LIABILITY AND THE LAW<br />
By ANTHONY G. MARSHALL<br />
And MARIAN E. MAYER<br />
To the theatre owner, the sweet smell o(<br />
success comes from popcorn. If he's toughing<br />
out a week with<br />
one of those compulsory<br />
p a c k a g e-deal<br />
films which are so bad<br />
ihey might replace<br />
capital punishment,<br />
the crunchy "manna"<br />
helps plug the profit<br />
drain. But with a bonanza<br />
feature release,<br />
But beware! For, along with the gold to<br />
be found at the bottom of every emptiedout<br />
popcorn cornucopia lies serious danger<br />
to the theatre owner's financial health. The<br />
threat lurks in negligence suits. The menace<br />
hovers like a hawk over every business open<br />
to the public and the recreation-entertain-<br />
the natural consequence<br />
is the increasingly<br />
frequent trips<br />
Dr. Marshall<br />
th; patron will make to the refreshment<br />
area. As the excitement builds, the entire iheutr<br />
Cleanliness.<br />
more popcorn he'll stuff in his mouth. An<br />
enchanted patron, tense with suspense, becomes<br />
a popcorn "freak," a lucrative con-<br />
source of avoidable accidents to the cus-<br />
ment business is no exception. The greatest<br />
dition for the theatre owner.<br />
tomer is the concession stand and the theatre<br />
parking area.<br />
From the instant the patron drives his<br />
car into the cntranceway, leading to the<br />
parking section adjacent to the theatre itself,<br />
an invisible vulture is circling: the risk of<br />
loss in huge accident awards for injuries<br />
born of hazards ranging from inadequate<br />
% THE RETURN •.<br />
•^ of the •^<br />
••golden profits •J<br />
starring<br />
^* Genuine James River Brand #<br />
• Smithfield Barbcquc<br />
• • • •<br />
• • • • 4<br />
Hrinj? Ihr
no furihcr. If. however. Mr. Patron objects<br />
and bandies about some earthy epithets directed<br />
at his verbal attacker. .Sir Theatre<br />
Owner might have a physical altercation on<br />
his hands, and worse, on his premises.<br />
Depending on the circumstances. .Sir I he<br />
atrc Owner could be held liable fiu the<br />
physical attack of one patron upt>n .mother<br />
which results in an injury to either or both<br />
If the theatre has an indoor boxofficc, the<br />
risks of negligence liability<br />
arc even greater<br />
For instance, in a fast fiwd faciliis. while<br />
two customers were waiting for their footi<br />
orders at the counter, they got into an ar<br />
gumcnl with one another. A security guanl<br />
near the concession stand put an end to Ihi.<br />
heated "discussion." One of the bad-tcni<br />
pored customers invited the other outside<br />
to settle the fray, but he declined this urgent,<br />
impassioned invitation and took his food<br />
over to an upholstered couch just off the<br />
k>bby and sat down to eat. ignoring his bellicose<br />
opponent.<br />
The opponent, in turn, left the premises.<br />
but he returned shortly in the company of<br />
four husky brutes. .Ml five as,saulted the<br />
customer who had been peacefully chomping<br />
on his p*ipcom. Witnesses testified that<br />
the security guard was only about eightfeet<br />
away from the spot where the assault<br />
was underway, and he did absolutely nothing<br />
to<br />
interfere.<br />
.Show Reasonable Care<br />
Because of this employee's neglect in acting,<br />
the theatre would be guilty of negligence<br />
because the theatre did not show "reasonable<br />
care" for preventing injury inflicted<br />
by a patron on another customer.<br />
The security guard knew, or should have<br />
known, as soon as the hostile patron reentered<br />
the premises with four men in his<br />
wake, that they intended to assault the other<br />
man. But. on the other hand, the theatre<br />
need not be the insurer of this patron's absolute<br />
safety.<br />
No establishment is obligated to hire<br />
escorts on a one-to-one basis to protect each<br />
patron against the possibility of harm from<br />
another customer. But the proprietor must<br />
use "that degree of safety necessary to<br />
protect<br />
a patron."<br />
In legal jargon, it's termed "reasonable<br />
care." The standard for what consiiliites<br />
"reasonable care" has been getting bro;aler<br />
and broader wiih each negligence case decision<br />
pertaining to the care that must be<br />
exercised for the patron. Facts similar to<br />
this resulted in a relatively modest award<br />
of $7,.S45.' Nevertheless, how much less<br />
damaging to profits for Sir ITieatre Owner<br />
if he would hire a few imposingly tall, immaculately<br />
uniformed ushers, schooled and<br />
ready for crowd control in concentrated assembly<br />
areas like those in front of boxoffice<br />
windows, refreshment sections and lobby<br />
crowd-holding areas.<br />
When you or a jur\' finds a foreseeable<br />
lisk of harm to your patrons, good manage<br />
ment and the law of negligence require you<br />
to exercise reasonable care for their prole*.<br />
Conlinucd on foUowinn /hiv.<br />
2 Mow York Law Jounal. lanuarv 12. 1977<br />
Hsrahdoll v«. Iack-ln-lh«-Box, Inc.<br />
BOXOFFICE ::<br />
.August 7. IV7S<br />
Crctors Giant Popping<br />
fi.TI< silU .•<br />
ISN3.)
. . scratch<br />
. .•,
Owner could he taken for a six-figure award<br />
if a patron slips and falls. What happens<br />
inside with finid spills cli>sel> followed Hv<br />
patron spills on floors could happen ouisul<br />
your privately owned pavements whieh v;i<br />
covered with snow and ice.<br />
Such was the fate of the .Atlantic and<br />
Pacific Tea Co. only two years ago in Michigan.<br />
' Mr. larry Quinlivan won a $16n.(XM)<br />
award for a broken hip he suffered when he<br />
fell on ice and snow. It happened in the<br />
A & P parking lot, adjacent to the super<br />
market, abt>ut two days after a snowstorm<br />
The defense claimed immunity under<br />
precedent that the defendant is not liable<br />
for injury if the injury occurred as the result<br />
of a fall caused by n.iiural accunnilalion<br />
of ice and snow on the j;round\ of ;i biisi<br />
ncss<br />
establishment.<br />
Natural<br />
.\ccuniulalion<br />
But, right in line with the current treml<br />
toward favoring the consumer-customer, thi.-<br />
Supreme Court of Michigan cast an icy cnc<br />
upon that concept and ruled that a proprietor<br />
must sustain his duty to take reasonable<br />
care of the person invited into his business<br />
area and 15 liable for failing to remove even<br />
the natural accumulation of snow within<br />
a reasonable period of time.<br />
The snowfall happened two days before<br />
the accident. Mr. Quinliven bit the ice and<br />
busted his hip. thus forcing the A & P to<br />
bid farewell to SI 60.000. Ifs the time clement<br />
that is crucial.<br />
From the moment the slippery stuff falls,<br />
whether it"s snow, popcorn, soda or milkchocolate<br />
balls rolling in the aisles, if the<br />
debris remains "more than 20 to 30 minutes,<br />
"* the chances are a jury will be inclined<br />
to find that Sir Theatre Owner h;is<br />
not taken rea.sonable care to avoid an accident<br />
to his patron. The injury is directly<br />
attributable to Sir Theatre Owners failure<br />
to remove a hazard within a reasonable<br />
time. He also should be prepared to bid<br />
farewell to a six-figure loss in the form of<br />
an award to his injured customer.<br />
Time Is<br />
(Xsential<br />
The time element occurs again and again<br />
in deciding a standard of conduct judged<br />
as reasonable care. Docs $2,5(K) sound less<br />
financially ruinous than $160,000? Of<br />
course, the mathematical weight is far less.<br />
but in terms of heavy awards. $42,500 levied<br />
against a business compares with S160,-<br />
000 in the same way that being four months<br />
pregnant compares with being nine months<br />
pregnant. They both hurt . . . for a long<br />
time.<br />
A restaurant case, which should be of<br />
great concern to the theatre food services<br />
industry, is one in which $42..'>(K) went to<br />
a widow whose late husband choked on a<br />
piece of steak, three by four inches in size.<br />
It stuck in his windpipe. It doesn't seem<br />
reasonable to hold a restaurant liable for<br />
lack of an acceptable standard of cire when<br />
a patron tries to swallow so large a hunk<br />
of steak. But it wasn't failure of the food<br />
Conlinueil <<br />
fnllowinfi page<br />
3 Quinlivan vb Ur^al Atlantic & Pacific Tea Co<br />
.<br />
Inc.. 235 N W 2d 732<br />
4: Woahinglon S\ai. S B.-3 S«pt»mb*r 21. 1976<br />
House, Tonl U S Dlstrtd Coun ca««<br />
BOXOFFICE ;:<br />
August 7, lOTS<br />
Server y> -<br />
America's most f<br />
"<br />
experienced f -^j.v'i<br />
manufacturer of ''^^^ ,w^<br />
h.-)ve<br />
p^^^V^^^^^HP^^ been designing, developing<br />
^^B Ipi^l IpV^M<br />
I ^^^1 '^
A good theatre manager<br />
will lake inspections<br />
before<br />
showiimes, after intermissions<br />
and between<br />
shows. At regular<br />
intervals, the<br />
theatre seats should<br />
h e inspected for<br />
damage. For some<br />
patrons, a broken<br />
seat can be as dangerous<br />
as standing<br />
up on a roller coast-<br />
Concessions Liability-<br />
Continued from preceding page<br />
cet the standard of merchantability^<br />
that brought about the adverse ruling to the<br />
restaurant. It was the conduct of the restaurant<br />
employees.6<br />
The customer was eating alone in a Washington<br />
D. C. restaurant. The employees discovered<br />
him when he had slumped over<br />
with his head in his plate. Most unkindly,<br />
and even worse, very stupidly, a couple of<br />
the employees carried him into the alleyway<br />
outside and propped him up against<br />
the alley wall of the restaurant.<br />
According to the restaurant's attorney,<br />
their employees had tried to revive him<br />
after discovering his unconscious state by<br />
"tapping him on the chin." They had only<br />
carried him outside for some fresh air, said<br />
the attorney. But they neglected to call a<br />
doctor immediately, or at all, and left him<br />
unattended in the alleyway until a more<br />
wide-awake employee noticed the man in<br />
the alley, who had fallen over on his side.<br />
His widow won an out of court settlement<br />
because she validly charged the res-<br />
Usage ol Trade,<br />
pose<br />
Ibid, Footnote 4.<br />
Address all<br />
correspondence to Dept. BMTS<br />
WW<br />
INSTANT CHILI MIX<br />
•MIX ANY QUANTITY NEEDED pour dry<br />
into suitable container. STIR In warm water<br />
rlooirefiihickness."<br />
',.. (.k^^'H// •l WCkM '"tluwv"'!! IW •<br />
JMly Fitnkt Inc., 1800 Austin Natl BanhTowai<br />
Au«lln.T«»»« 78701<br />
Pn 512 472 8462
isn't all that unreasonable. Really. Ihe hesi<br />
insurance you can have is a professional,<br />
conscientious theatre manager who is well<br />
educated in legal safely measures and orderly<br />
procedures for cleanliness and staff<br />
supervision.<br />
A good theatre manager will<br />
not consider<br />
his theatre open for business until all debris<br />
has been cleared away from access and<br />
egress areas; imtil all parking lot lights arc<br />
working: until all repairs have been made<br />
to carpets, loose flix>r boards. kx>se tiles.<br />
etc. Of course, lights in all public areas will<br />
be in working order.<br />
Where it has been impossible to provide<br />
for the safe reception of your patrons, you<br />
can legally accomplish this with signs warning<br />
them of the danger, such as these;<br />
"Danger—Keep Out." "Danger—Construction<br />
.\rea." "Wet Flixir." etc. These signs,<br />
coupled with vclvct-lypc ropes where necessary,<br />
should be plainly evident to the average<br />
person. The risk bcaimes the patrons<br />
if he enters. He"s chosen to assume it. The<br />
courts still hold that it's the plaintiff who<br />
must prove lack of reasonable care on the<br />
part of Ihe defendant business.<br />
Insist On laspections<br />
The g.ood theatre manager will insist on<br />
a sufficient staff of ushers and maintenance<br />
personnel, whom he will train and supervise.<br />
He will circulate a standard form, designed<br />
to fit Ihe need of a particular Iheatre.<br />
among the employees who will log the inspection<br />
period times. These should take<br />
place before showtimes, after intermissions<br />
and between shows, .\t regular intervals, the<br />
theatre seats themselves should be checked<br />
for damage. For some patrons, a broken<br />
scat can be as dangerous as standing up on<br />
a roller coaster.<br />
Not only must you exercise reasonable<br />
care, you must also be able to demonstrate<br />
it. What better method to defend a possible<br />
negligence suit than to log inspection periods<br />
on a simple form which you have designed,<br />
kept current and filed for your records?<br />
What jury would fail to be impressed<br />
by your reasonableness? Remember, you<br />
only lose when the plaintiff can prove that<br />
you were, in fact, less than reasonable.<br />
If it all seems as though it's too much<br />
trouble and too large an investment, just<br />
remember sums like S24.50O. SI 60.000 and<br />
SI. 000,000 plus. The investment is minute<br />
in comparison. It's your business. You decide.<br />
Or . . . the jury will. The trend is for<br />
the patron. Happy viewing!<br />
Anthony G. Marshall. Esq., /v the Associate<br />
Dean of the Hospitality Management<br />
School at Florida International University<br />
in Miami. Fla.. and Professor of Law there.<br />
Dr. Marshall recently addressed a seminar<br />
of 2.^0 theatre owners and delevales to .Show-<br />
A-Rama 21 and has published a niimher of<br />
articles on negligence law and the inherent<br />
liahilities public entertainment and recreation<br />
industries may encounter. His work<br />
has wide circulation in various magazines<br />
addressed to lliese industries as well as many<br />
other publications of even broader range.<br />
Marian E. Mayer is an author wlio speciali'es<br />
in writing for legal and business<br />
publications. Ms. Mayer also lias an extensive<br />
background in drama and literature
Now..<br />
A lull line of cold drink "POP CUPS"<br />
join ihc -HAPPY TWINS" family of<br />
Speed and Efficiency of Microwaves<br />
May Boost Concession Profitability<br />
In any theatre tood service, hot dogs can<br />
be a major dollar-volume item. They also<br />
can be a major headache to the theatre manager<br />
using conventional heating equipment.<br />
Many wieners are lost through over-estimating<br />
the wants of theatre patrons and<br />
many sales are lost through underestimating<br />
patron demands. The intermission and preshow<br />
selling periods often reach fever-pitch<br />
and properly estimating demand for these<br />
peak periods is the key to profits.<br />
Losses through estimating had been the<br />
experience of Jack Banister, manager of<br />
United Artists' Cine I and II theatres in<br />
Dallas, Tex. Banister managed another theatre<br />
several years before, where rotisserie<br />
type equipment had been used to heat the<br />
wieners. It proved to be unsatisfactory, he<br />
recalls.<br />
"For one thing, you had to pierce the<br />
ends of the wieners to mount them in the<br />
rotisserie, which lets some of the juices out.<br />
The longer the wieners stayed in the cooker,<br />
the more juice you lost, making them less<br />
pleasant to eat. Since you had to heat them<br />
ahead of time, you had to guess how many<br />
you would sell. and. of course, you rarely<br />
guessed right. Afterwards. Ihc leftover wieners<br />
were unsalable, with the result that in<br />
many of our two-week accounting periods,<br />
we threw out more wieners than we sold,"<br />
Banister said.<br />
When he became manager of Cine I and<br />
II. he didn't want to sell wieners in the food<br />
I'opcorn Cups! I<br />
Send for samples telling us who your<br />
present supplier is.<br />
For complete product information,<br />
call or write Don or Court.<br />
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A Division of National Cup Co.<br />
P.O. Box 558<br />
Dover, Delaware 19901<br />
Phone (302) 674-1403<br />
Want To Save Money?<br />
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54 Th.. MODr.RN THr.ATRi: SF.CTION
'<br />
««rvice. Besides potential food and sales<br />
losses, he knew a roiisseric cixikcr would<br />
discharge odors and contaminants into the<br />
lobby air, leading to a need for frequent<br />
cleaning of drapes and other surfaces.<br />
Therefore, for the first several years of<br />
I operation, the Cine and II did not ofi. •<br />
hot dogs to their theatre patrons.<br />
Approximately one year ago, the south<br />
west district office of United Artists installed<br />
I.itton microwave ovens in a number<br />
of their higher volume theatres, including<br />
the Cine I and II. They were purchased<br />
specifically for heatmg hot dogs. 'This was<br />
a development I welcomed." said Banister.<br />
"I foresaw that it would increase other food<br />
service sales in addition to confidently expected<br />
hot dog sales.<br />
"They would do this with no loss of wieners<br />
or buns through spoilage, while delivering<br />
a better quality product to the buyer,"<br />
Banister continued. "It has worked out exactly<br />
that way."<br />
Fa.s1<br />
Cooking<br />
The five concession girls responsible for<br />
the fcKtd service assemble the hot dogs and<br />
buns ahead of lime, which would be impossible<br />
with other kinds of equipment, and<br />
store them in the refrigerator until needed.<br />
Then, they simply put them into the microwave<br />
oven to be heated to the desired temperature.<br />
The patron applies his own choice<br />
of condiments from a condiment table.<br />
It takes just 30-scconds to heat two hot<br />
dogs and they continue to heat for nearly<br />
a minute after leaving the oven, making<br />
them just the right temperature when eaten.<br />
The theatre charges .SO-cents-per-hot dog.<br />
for which the patron receives a wiener of<br />
generous size. At eight to the pound, these<br />
good quality wieners cost the fixid service<br />
89-ccnts-per-pound, plus five-cents for<br />
each bun.<br />
This provides the theatre with a profit<br />
margin of nearly 70 per cent, but that's only<br />
part of the advantage, according to Banister.<br />
Increase Sales Volume<br />
"Even though hot dogs comprise only<br />
about \5 per cent of our total food sales,<br />
they have increased over-all sales volume<br />
by a good .^0 per cent." he said. During a<br />
typical two-week period, the food service<br />
averages approximately S!^.000 compared to<br />
an average of $2,000 or less previously.<br />
The theatre is able to meet the demand<br />
for hot dogs during the brief intermission<br />
period. "We can, of course, put more than<br />
two wienoes in the microwave at one lime."<br />
he pointed out. "In addition, we do not have<br />
to assemble them to order as we would with<br />
other equipment."<br />
According to Banister, the additional<br />
over-all sales volume is accounted for bv<br />
sales of other items available at the foo.l<br />
service counter, such as beverages and ic<<br />
cream. Many patrons go to the food scrvi^i<br />
counter during the show as well as at inter<br />
mission.<br />
Profits from the sale of hot dogs more<br />
than paid for the cost of the microwave oven<br />
during its first year of operation. Banister<br />
believes. "When you add the additional<br />
sales attributable to the microwave, the ad<br />
vantages become even more significant " would depend on factors other than the<br />
The use of microwave ovens can be ex- capability of the equipment. But, there is<br />
tended to reheating pre-cooked hamburgcra, no doubt that microwave oven* could be<br />
meat sandwiches and pi7Xa. "Whether Ihii used to handle such an extended cooking<br />
would be desirable for our food icrvice avtignmcnl," Banister concluded.<br />
Howlo butler up an<br />
The Pope<br />
come< tnat noirts a rxxro^. rx/;vot '-r^j<br />
a dnnk cup in one convenient package<br />
So evet3tles ovoikable<br />
For nnofe mfomahon about tr>e<br />
nxxiey-making Popcorn Trotn<br />
contact Dnoe Morottxx^.<br />
2A5 AnTeocon Lar>e.<br />
Greenwich. CT 06830<br />
(203) 552-4183<br />
DISCie/MaRaTHON<br />
AMAZING<br />
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DEVFIOPMENT/ ;<br />
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'Funspof Funfoods III' Forum<br />
Seeks to Help Concessionaires<br />
Cold Medal Products Co. will host the<br />
third annual "Funspot Funfoods" forum in<br />
cooperation with the National Ass'n of Concessionaires<br />
and the International Association<br />
of Amusement Parks October 5 and<br />
6.<br />
Last year, 51 experts attended the seminar<br />
and discussed menu planning, training,<br />
merchandising and snack bar layout. This<br />
year's forum will cover the topics of pricing,<br />
sizing, new products and sales promotion<br />
among others.<br />
The sponsors request that executives with<br />
a food service responsibility forward ideas<br />
and problems that they would like to discuss<br />
at the convention to be held at the<br />
Quality Inn-River\'icw in Covington, Ky.<br />
Further details are available from the<br />
Gold Medal Products Co., 1825 Freeman<br />
Ave., Cincinnati, Ohio, 45214. Foodservice<br />
and concession directors in mass entertainment<br />
locations are invited to attend. There<br />
is no registration fee.<br />
Average Age of Shoplifters<br />
Moves Upward in Population<br />
The age of shoplifters is moving upward.<br />
Commercial Service Systems Inc., notes that<br />
persons in the 18 to 29 year-old bracket<br />
were responsible for 33.1 per cent of apprehended<br />
shoplifting incidents in 1977<br />
28.7 per cent were between the ages of<br />
12 and 17. The surveying organization adds<br />
that, until 1975, the largest number of<br />
shoplifters were found to be in the younger<br />
ago<br />
category.<br />
It is suggested by Commercial Services<br />
that the escalation in the number of shoplifters<br />
between the ages of 18 and 29 may<br />
be linked to the "informal handling" of the<br />
younger population element.<br />
LET<br />
BUTLER<br />
GET ON YOUR CASE.<br />
Case in point: this ingenious and superbly<br />
etilcleni concession stand was custom<br />
engineered to fill ttie needs of ttie busy<br />
Highland Cooper Cinema In the Pueblo, Colorado.<br />
Mall<br />
It (eaturcs three complete stations In one<br />
unit Each station has lull services — fountain,<br />
cand/ and popcorn. And the entire unit can be<br />
worked by three to six people who do not have<br />
to cross oach other<br />
No pandemonium No lines Just plenty ol<br />
sallstlt.d customers<br />
But ma/be /our case is dlderent Instead ol<br />
a completely new initallatlon, your needs may<br />
call lor inmodnling an existing area<br />
Let Butler gni on it We'll Iranalorm your present<br />
concession iriio one that 18 more accessible,<br />
visible and ellicleni — one that will add<br />
greatly to your profits<br />
So no matter what your case may be —<br />
starting from the ground up. remodeling or<br />
simply adding on — get Butler on It<br />
CENTRALLY LOCATED, BUTLER PRO-<br />
VIDES ON-TIME DELIVERY TO BOTH<br />
COASTS<br />
Butler Fixture & Mfg. Co.<br />
II 2323 S. Lipan St<br />
Denver, Colo 80223<br />
I<br />
U.S. Bureau of Census Report<br />
Shows Shift in Population Age<br />
Ihe Bureau of Census of the L'.S. Dcpnrimcnt<br />
of Commerce reports that the rate<br />
at which the U.S. population is growing<br />
declined slightly again in 1976 as compared<br />
to 1975.<br />
America is now growing by 1 ,576,000<br />
persons per year (.7 per cent) which is<br />
650,000 persons less than in 1970 when<br />
the annual p)opulation gain was in the vicinity<br />
of 2'/2 million. The declining growth<br />
rate is due to a drop of 600,000 in the<br />
annual number of births compared with<br />
1970.<br />
Life expectancy is at an all-time high of<br />
72.5 years. A female's life expectancy is<br />
76.5 years and a males life expectancy is<br />
considerably lower at 68.7 years. Both birth<br />
and death rates were at all-time lows for<br />
the second year in a row.
. happier<br />
Religious Symbolism Contained<br />
In the Legend of the Pretzel<br />
ConsiJcr the prol/cl Simple I.hhI. v.i •<br />
and snappy. Bui ihc story of the prcl/cl<br />
neither simple nor snappy.<br />
In about the year 610. goes the legend.<br />
a monk in a monastery in stiuthern Irancc<br />
wanted to make a treat tor his students He<br />
shaped the remnant of some bread dough<br />
into a loop and was inspired to crovs the<br />
ends to resemble praying hands. He then<br />
gave the dough a second twist to symboli/c<br />
the union of husband and wife and. after<br />
flipping the twist over to toueh the top<br />
of the loop, three smaller loops were<br />
created. These three loops symbolize the<br />
Father, the Son and the Holy Ghost.<br />
The original prte/el was believed to have<br />
been coated with sugar and drew its name<br />
from the Latin word "prctziola." which<br />
is a small reward or praser gift. When the<br />
pretzel traveled to Germany, the natives<br />
it substituted salt for sugar to make more<br />
palatable with beer.<br />
Federal Commerce Department<br />
Reports on Candy Consumption<br />
Candy ^.onsumpiion is dropping in the<br />
U.S. The Commerce Department reports<br />
that the average .American ate 15.4-pounds<br />
of candy during 1977. This is believed to<br />
be the smallest amount since the Depression<br />
year of 1938.<br />
The department said that the cost of<br />
candy last year averaged at 94-cents per<br />
pound compared with 84-cenis per pound<br />
in 1976 and 15.2-cenls per pound in 1938.<br />
The average American consumed about<br />
240 candy bars last year which accounted<br />
for 29 per cent of total candy sales.<br />
TONE Annual Convention Held<br />
In Conjunction With NAC Event<br />
The Northeast Regional Conference ot<br />
the National Ass'n of Concessionaires will<br />
be held in conjunction with the Theatre<br />
Owners of New England annual convention<br />
at Gros.singer's in the Catskills of New<br />
York. August 14 to 17. The announcement<br />
recently was made by Richard Kane of<br />
Samcric Corp.. Philadelphia, NAC regional<br />
vice-president.<br />
The package rate for the conference and<br />
convention is SI 57.74 per person double<br />
occupancy and $196.26 per person, singleoccupancy<br />
with a registration fee of $2"^<br />
per person. The package rate includes de<br />
luxe accommodations, three full meals<br />
daily, gratuities, sales tax. nightly entertain<br />
ment. cocktail parties and a g.ihi banquet.<br />
New Jiffy Franks Distributor<br />
Is Appointed by Curtiss Ryan<br />
Curtiss Ryan, president of Jiffy Franks,<br />
Inc.. recently announced the appointment<br />
of Dick Gibboney of Custom Food .Services.<br />
1347 Maple Ridge Dr.. F'airborn. Ohio, as<br />
distributor of Jiffy Frank products in the<br />
midcast U.S.<br />
Jiffy Instant Chili Mix and Jiffy Frank<br />
weincrs are just two of the products dc<br />
veloped by and packed exclusively for Jiff-.<br />
Franks. Inc.<br />
BOXOFFICE ::<br />
August 7. 1978<br />
Pop**U^f^<br />
More sales, less expense, more<br />
profit . customers — all<br />
when you pop Live". Gold Medal<br />
Poppers, like the Cornado Popcorn<br />
Bar (shown), merchandise your<br />
product better and help you sell<br />
more. And the Cornado features the<br />
Accumeter Oil Pump to help you<br />
save popping oil.<br />
For customized Cornado Popcorn<br />
Bars, contact Stein Woodcraft Co..<br />
Amityville. N.Y. (For standard popcorn<br />
bars contact us.)<br />
Gold Medal, the nation's leading manufacturer<br />
popcorn poppers ... 44 models to choose from<br />
Write for free catalog.<br />
^.<br />
s<br />
i<br />
GoM Medal Funfoods<br />
OOLD MKDAL PRODUCTS CO.<br />
1835 Freeman Ave., Cincinnati. Ohio 45214<br />
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• Needs no refrigeration<br />
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CONDENSED INDEX OF PRODUCTS<br />
Page<br />
AMPLIFICATION SYSTEMS<br />
Christie Electric Corp 3<br />
Dolby Laborotories, Inc 31<br />
Eprad, Inc 15<br />
Kelmor Systems, Inc 11<br />
Optical Radiation Corp 21<br />
Peterson Theatre Supply 26<br />
Xetron (Carbons, Inc.) 17<br />
AUTOMATION SYSTEMS<br />
Christie Electric Corp 3<br />
Drive-ln Theatre Mfg 13<br />
Optical Radiation Corp 21, 29<br />
Xetron (Carbons, Inc.) 17<br />
BOXOFFICE EQUIPMENT & SUPPLIES<br />
Consolidated Engineering 39<br />
Dura Engraving Corp 14<br />
Globe Ticket Co 36<br />
Indiana Cash Drawer Co 36<br />
Lawrence Metal Products<br />
* 6<br />
National Ticket Co 10<br />
Pacer Corp 27<br />
Weldon, Williams & Lick 26<br />
CARBONS<br />
The Marble Co., Inc 27<br />
Xetron (Carbons, Inc.) 17<br />
CONCESSION SUPPLIES & EQUIPMENT<br />
Bally Case & Cooler 52<br />
Blevins Popcorn Co 56<br />
Butler Fixture & Mfg 56<br />
Butterful, Inc 54<br />
Comet Products, Inc 54<br />
Cretors, Inc 49<br />
Dixie/Marathon 55<br />
Goetze's Candy Co., Inc 2<br />
Gold Medal Products 57<br />
Greer Enterprises, Inc 53<br />
Jiffy Franks 52<br />
Monley Inc 50<br />
Miami Margarine Co 52<br />
Ogden Food Services 53<br />
Odell Concessions Specialties 57<br />
Server Products, Inc 51<br />
Smithfield Ham & Products 48<br />
Stein Woodcraft Back Cover<br />
TV Time Foods, Inc Inside Back Cover<br />
Victor Products, Inc 55<br />
CONSULTANTS & BUILDERS<br />
Butler Fixture & Mfg 56<br />
ChinmanKrieger 38<br />
58<br />
Page<br />
Filbert Co 47<br />
Forest Bay Construction 40, 44<br />
Mel Glotz & Associates 36<br />
Norman & Friddell 32<br />
Western Service & Supply 39<br />
DRIVE-IN THEATRE EQUIPMENT<br />
Cinema Radio 25<br />
Drive-ln Theatre Mfg 13<br />
Dri-View Mfg. Co 12<br />
Delmor F. Harris Co 56<br />
LocRod, Inc 20<br />
Lomma Enterprises 43<br />
Nick Mulone & Son 45<br />
Projected Sound, Inc 16<br />
Reed Speaker Co 8<br />
Selby industries, Inc 18<br />
Spatz Paint Industries 41<br />
Technikote Corp 32<br />
Theatre Construction Co 24<br />
FILM SUPPLIES, REPAIRING<br />
Christie Electric Corp 3<br />
Ciro Equipment Corp 46<br />
Goldberg Brothers 8<br />
Kelmar Systems, Inc 11<br />
Perf-Fix Co 33<br />
LAMPHOUSES<br />
Christie Electric Corp 3, 9<br />
Kneisley Electric Co 41<br />
Optical Radiation Corp 21<br />
Strong Electric Co 23<br />
Xetron (Carbons, Inc.) 17<br />
MARQUEES & LETTERS<br />
Bevelite-Adler 22<br />
Bux-Mont Sign Co 38<br />
Dura Engraving Corp 14<br />
National Devices 30<br />
Poblocki & Sons 32<br />
Sign<br />
Products<br />
(Rapid Change Letter Co.) 12<br />
Wagner Sign Services<br />
(3M National) 43<br />
PROJECTOR LENSES<br />
Heyer-Schultz (Special Optics) 44<br />
Kowa Optical Div. (Prominar) 46<br />
The Marble Co., Inc 37<br />
Optical Radiation Corp 21<br />
Retina International Pictures 40<br />
Schneider Corp. of America (Isco) 19<br />
PROJECTOR PARTS<br />
Page<br />
Arcol Theatre Products 39<br />
LaVezzi Machine Works 47<br />
Edw. H. Wolk, Inc 45<br />
PROJECTOR SYSTEMS<br />
A.V.E. -Rangertone 10, 30<br />
Ballantyne of Omaha 23<br />
Century Projector Corp 5<br />
Alan Gordon Enterprises 24<br />
National Theatre Supply 6<br />
Optical Radiation Corp 21<br />
Xetron (Carbons, Inc.) 17<br />
REFLECTORS<br />
The Kneisley Electric Co 41<br />
The Marble Co., Inc 37<br />
SCREENS & TOWERS<br />
Consolidated Engineering 39<br />
Nick Mulone & Son 45<br />
Selby Industries, Inc 18<br />
Spatz Point Industries 41<br />
Technikote Corp 32<br />
SEATING & EQUIPMENT<br />
Heywood-Wakefield 7<br />
Hussey Mfg. Co 36<br />
Irwin Seating Co 14<br />
Manko Fabrics 45<br />
Seating Corp. of New York 38<br />
Spatz Paint Industries 41<br />
THEATRE EQUIPMENT & SUPPLIES<br />
Arcal Theatre Products 39<br />
Hayes Equipment & Supply 40<br />
Harry Melcher Enterprises 18<br />
Perdue Motion Picture Equipment .... 37<br />
Pinkston Soles & Service 41<br />
Universal Theatre Supply 34<br />
Western Service & Supply 39<br />
TRAILERS<br />
Motion Picture Service Co 47<br />
WALL COVERINGS<br />
AcoustiWall 41<br />
Econo Pleat 16<br />
Novelty Scenic Studios 10<br />
Soundfold, Inc 24<br />
XENON BULBS<br />
Conrod Hanovia, Inc 22<br />
Christie Electric Corp 3, 9<br />
The Marble Co., Inc 37<br />
Optical Rodiation Corp 21<br />
Strong Electric Co 23<br />
Xetron (Carbons, Inc.) 17<br />
Tho MODERN THEATRE SECTION
fj<br />
THECKEYJTO BETTER BUYING<br />
FOR<br />
THE MANUFACTURERS' & DEALERS' DIRECTORY<br />
Directory<br />
Classifications<br />
of The MODERN THEATRE section of BOXOFFICE<br />
1. Advertising Disploy<br />
2. Air Conditioning<br />
& Heating<br />
3. Automated Theotre<br />
Control Equipment<br />
4. Concessions<br />
5. Decorating<br />
Lighting<br />
6. Floors and Carpets<br />
7. Frontage<br />
8 Lighting<br />
9. Projection<br />
10. Restrooms<br />
11. Safety Devices<br />
12. Sanitation<br />
13. Seating<br />
14. Sound Equipment<br />
15 Stage Equipment<br />
16. Ticket Office<br />
17. Vending Machines<br />
18. Miscellaneous<br />
19. Drivc-lns<br />
j/
I<br />
1600<br />
I<br />
10<br />
Memphis.<br />
FREE Kl^moiler coupon preceding this sccr<br />
Not.onol Screen Service Corp. 1600 Broodwoy, New<br />
York, N Y. 10019<br />
Notijna: Ticket Co., 1650 Broodwoy, NY, NY<br />
Romor Vide Co., 1128 2ncl St., Chetek, Wis 54728<br />
Air Conditioning<br />
and Heating<br />
201 -AIR CONDITIONING SYSTEMS<br />
Dunhom-Bush,<br />
Vo 2280)<br />
Bay Construction<br />
Burgess Rd., Harrisonburg,<br />
.. ^<br />
640 Barnord Ave., Wocd-<br />
F-fcs-<br />
Co ,<br />
3600 Pommel Creek Rd., La Crosse, Wis.<br />
202-BLOWERS<br />
Forest Boy ConstrLKtion, 640 Barnard Ave., Woodmere<br />
NY. 11598<br />
Inc., McQuay-Perfex 13600 Industrial Pork, Minne<br />
opohs, Minn 55440<br />
Co., Spencer Turbine 486 New Park Ave., Hertford<br />
Conn. 061 10<br />
203-CLEANERS, AIR CONDITIONING<br />
Chemical Solvent Co., P. O. Box 487, Birminghom,<br />
Dunhom-Bush, Inc., 101 Burgess Rd., Horrisburg, Va.<br />
22801<br />
McQuay-Perfex, Inc ,<br />
13600 Industrial Pork, Minneopol<br />
b, Minn 55440<br />
204-FAN, HEAT CIRCULATORS<br />
Trone Co., 3600 Pommel Creek Rd., La Crosse, Wis<br />
54601<br />
205-HEATING SYSTEMS<br />
Forest Boy Construction, 640 Sornord Ave. Woodmer.;,<br />
NY 11598<br />
McQuoy Div., McQuoy Perfex, lr>c., 13600 Industrial<br />
ParV, Minneapolis, Minn. 55440<br />
Trone Co., 3600 Pommel Creek Rd., La Crosse, Wis.<br />
5461)1<br />
206-ROOF COOLING SYSTEMS<br />
Forest Boy Construction, 640 Barnord Ave., Wood-<br />
Los Angeles. Colif. 90045<br />
Automated Theatre<br />
Control Equipment<br />
301 -COMPLETE PR0JEai0NPR06RAMING<br />
EQUIPMENT (totolly automatic)<br />
Lee Artoe Corbon Co., 1243 W. Belmont Ave., Chicago,<br />
III. 60657<br />
Atlontic Audio-Visual Corp., 630 9th Ave., N.Y., N.Y.<br />
10036<br />
Corbene, Inc., 10 Soddle Rd., Cedor Knolls, N.J. 07927<br />
Century Projector Corp., 32-02 Queens Blvd., Long<br />
Island City, N.Y. 11101<br />
Drive-ln Theotre Mfg. Co., 709 N. 6fh St., Kansos<br />
City, Kos. 66101<br />
Eprod, Inc , 123 W. Woodruff, P.O. Box 4712, Toledo,<br />
Ohio 43620<br />
Kelmor Systems, IrK., 284 Broadway, Huntington<br />
Station, N.Y. 11746<br />
Kinotonc, Inc. 257 10th A^e., Poterson, N.J. 07524<br />
tJoiionol Thi.-Qire Supply Cu , Broodwoy, NY.,<br />
NY, 100)9<br />
Optical Radiation Corp., 6352 N. Irwindole Ave.,<br />
A7U50, Colif. 91702<br />
Perdue Motion Picture Equip., Inc., 2315 Williomson<br />
Rd., Roanoke, Vo. 24012<br />
Pinkvton Soles & Service Co., 4207 Lownvlew, Doilos,<br />
Tex 75227<br />
Rongertone Rescorch, Inc., 509 Madison Ave., New<br />
Y',r)h Ave. New<br />
yort-, IJ Y. 10036<br />
Carbom, Inc., 10 Soddle Rd., Cedar Knolli, N,J.<br />
0792^<br />
Century Projector Corp.. 32-02 Oueoni Blvd., Long<br />
lilond City, N Y. 11101<br />
Drive-ln Theatre Mfg. Co., 709 N. 6th St., Konsos<br />
City, Kos 66101<br />
Eprod, Inc, 123 W. Woodruff, P.O Box 4712. Toledo,<br />
Ohio 43620<br />
Freeman Theatre Service, Irvc , 5 Hudson Rd.. Gordcn<br />
City, NY. 11530<br />
Kelmor Systems, Inc.. 284 Broodwoy, Huntington<br />
Station, New York 11746<br />
Notional Theotre Supply Co., 1600 Broodwoy, NY.,<br />
NY. 10019<br />
Rongertone Research, Inc., 509 Modison Ave., New<br />
York, N.Y. 10022<br />
Theotre Products Int., Inc., 9249 W. 3rd St., Beverly<br />
Mil's, Calf 90210<br />
303-AUTOMATION CONTROL UNITS<br />
Lee Artoe Coroon Co., 1243 Belmont St., Chicago,<br />
III. 60657<br />
Atlantic Audio Visuol Corp., 630 9th Ave., N.Y.,<br />
N.Y. 10036<br />
Boliontyne of Omoho, Inc., 1712 Jackson St., Omaho.<br />
Neb. 68102<br />
Carbons, Inc., 10 Soddle Rd., Cedar Knolls, N.J. 07927<br />
Century Projector Corp., 32-02 Queens Blvd., Long<br />
Island City, NY. 11101<br />
Christie Electric Corp., 3410 W. 67th St., Los Angeles,<br />
Calif. 90043<br />
Dnve-ln Theatre Mfg. Co., 709 N. 6th St., Kansos<br />
City, Kos. 66101<br />
Eprod, Inc., 123 W. Woodruff, Toledo, Ohio 43620<br />
Freeman Theotre Service, Inc., 5 Hudson Rood,<br />
Garden City, NY. 11530<br />
Kelmor Systems, Inc., 284 Broodwoy, Huntington<br />
Stotion, New York 11746<br />
Notional Theatre Supply Co., 1600 Broadway, NY.,<br />
NY. 10019<br />
Optical Radiation Corp., 6352 N. Irwindole Ave.,<br />
Azuso, Colif. 91702<br />
Perdue Motion Picture Equip., Inc., 2315 Williamson<br />
Rd., Roanoke, Vo. 24012<br />
Rongertone Reseorch, Inc., 509 Madison Ave., New<br />
York, N.Y. 10022<br />
4. Concessions<br />
401 -BAGS<br />
Blevlns Popcorn & Concession Supply Co., P.O. Box<br />
Blvd., 171233, 813 Ridge Lake Memphis Tenn.<br />
38117<br />
Victor Products Corp., 328 N. 18th St., Richmond, Vo.<br />
23223<br />
Word Popcorn Co., Inc., Highway 72, East Scotts<br />
boro, Alo 35768<br />
BEVERAGE DISPENSERS, Coin Operated,<br />
See 1705<br />
402-BEVERAGE DISPENSERS, Manually<br />
Operated<br />
SUPPIN<br />
Lake Memphi! Tenn<br />
Coco-Colo Co., 310 North Ave., Atlanta, Go., 30301<br />
E. Dr Pepper Co., P.O. 5523 Mockingbird Lani<br />
Dollas, Texas 75206<br />
Dripcut Corp., P.O. Box S, Goleto, Calif. 93017<br />
825 Freeman Ave,,<br />
Gold Medal Product<br />
45214<br />
Ohii<br />
95 Bear Hill Rd., Wollham, Moss.<br />
Inc, 2335 S. Inco, Denver, Colo<br />
80223<br />
Ross-Temp, 2321 15th St., S.W„ Moson City,<br />
Iowa 50401<br />
Stein Woodcraft Corp., 22<br />
Ave., Amltyvllle,<br />
Victor Products Corp., 328 N. 8th St., Richmond,<br />
Vo. 23223<br />
Word Popcorn Co., Inc, Hiqhway 72 EosI<br />
boro, A'u 35768<br />
403-BEVERAGE DISPENSER-ICE MAKER,<br />
Combination<br />
Proctor Dislr. Co., Inc , 2335 S. Inco, Donvei, Colo,<br />
80223<br />
Ross-Temp, Inc., 2421 15th St. S.W., Mason City,<br />
Iowa 50401<br />
Seven-Up Compony, 121 S. Mcromec, Clovton, Mo<br />
63105<br />
Scotmon Ice Systems, 505 Front St., A't.icrt Leo,<br />
Minn., 56007<br />
Stem Woodcroft Corp, 22 Sprogue Ave., Amltyvllle,<br />
N Y. 11701<br />
404-BEVERAGES, SOFT DRINK SYRUPS<br />
Ulcvins Pupcurn S. C..nce-.sion Sun.ly € |i.>»<br />
,<br />
171233, 813 Ridge Loke Blvd. Memplns, Tenn<br />
38117<br />
Coca-Cola Co., 310 North Ave., Atlanta. Go. 30301<br />
Di Pepper Co ,^<br />
PO 5523 E Muckingliiid lone,<br />
Dollas, Tox. 75206<br />
Federol Mochine Corp, P O, Box 1713. Do; Molnet,<br />
lowo 50306<br />
C, R. Frank Popcorn & Supply Co., 2311 Chestnut,<br />
SI. Louis, Mo. 63103<br />
Gold Medal Products Co., 1825 Freemon Avi<br />
Cincinnati, Ohio 45214<br />
Koyal Crown Cola Co., 1000 10th St., Columbus, Go<br />
31901<br />
Roy Smith Co., 365 Pork St., P.O. Box 264«. Jock<br />
sonvillc. Flo. 32204<br />
Seven-Up Co. 121 S Meromec, Cloyfon, Mo 631.1<br />
Victor Products Corp., 328 N. 18th St, Richmond<br />
Vo 23223<br />
405-BEVERAGES, DRY SYRUPS<br />
Cromore Products. Inc., 1200 Mil.k St., Corteret, N;<br />
07008<br />
Gold Medol Products, Inc., 1825 Freeman A^i.<br />
Cmcinnoti, Ohio 45214<br />
Victor Products Corp, 328 N 18th St., Richmon::<br />
Vo. 23223<br />
406-BEVERAGES, FRUIT JUICES<br />
Blevins Popcorn i Concession Supply Co.. P O. 6;-<br />
171233 813 Ridgc Lake Blvd. Memphis, Tenr<br />
381 17<br />
407-BUTTER DISPENSERS, POPCORN<br />
Blevins Popcorn 8. Concession Supply Co, PO B.-<br />
171233. 813 Ridge Loke Blvd. Memphis, Tenn<br />
38117<br />
Cretors & Co.. Box 90346. NcKhville. Tenn 3720^<br />
Gold Medal Products Co, 1825 Freemon Ave., C.n<br />
cinnoti, Ohio 45214<br />
Krispy Kist Korn Machine Co., 120 S. Holstod St<br />
Chicago, III. 60606<br />
Monley, Inc., P.O. Box 1006, 1920 Wyandotte, Kon<br />
sas City, Mo. 64141<br />
Proctor Distr. Co., Inc , 2335 5. Inco. Denver, Co<br />
80223<br />
Star Mfg. Co., 9325 Olive Blvd., St. Louis, Mo. 63132<br />
Stein Woodcraft Corp., 22 Sprogue Ave., Amityville<br />
NY. 11701<br />
Victor Products Corp, 328 N. 18th St., Richmond<br />
Va. 23223<br />
408-CANDY<br />
Blevins Popcorn & Concession Supply Co, P.O. E;-<br />
171233, 813 Ridge Lake Blvd Tenr<br />
,<br />
38117<br />
D. L. tlork Co. 503 Mortindole St.. Pittsburgh, Po<br />
15212<br />
Goetze's Condy Co., 3900 E. Monument St., Bo'timorc<br />
Md. 21205<br />
Goldenberg Candy Co., 161 W. Wyoming Av«., Philodelphio.<br />
Pa. 19140<br />
Henry Heide. Inc P O. Box 271. 14 Terminal R^t<br />
New Brunswick. N.J 08903<br />
Hershey Chocolate Corp., 19 E. Chocolate Ave., Hefshe><br />
Pa. 17033<br />
Hollywood Brands, Inc., 836 Chestnut, Centrolio, 1<br />
62801<br />
M & M/Mors, 2019 N. Oak Pork Ave., Chicago, li<br />
60635<br />
Nobiico Confections, Inc., 810 Mom St.. Combndgi<br />
Moss 02139<br />
Nestle Co.. 100 Bloomingdole Rd., White Plain*, N.Y<br />
10605<br />
Peter Paul, Inc , New Hoven Rd., Nougotuck, Conn<br />
06770<br />
Plonters/Curtiss Confections, Div. Stondord Bronds.<br />
3638 N. Broodwoy, Chicogo, III. 60613<br />
Pride of the Farm Inc 2970 BIystonc Ln Dollos.<br />
Texas 75220<br />
Quaker City Choc, i Confectionery Co., Inc., 2901<br />
Grant Ave., Philadelphia, Pa. 19114<br />
Switzer Candy Co, 1600 N. Broodwoy. St. Louis<br />
Mo, 63102<br />
Victor Products Corp.. 328 N. IBth St., Richmond.<br />
Vo. 23223<br />
409-CANDY APPLE EQUIPMENT & SUPPUES<br />
Blevins Popcorn & Concession Supply Co, P O, Box<br />
171233, 813 Ridge Loke Blvd. Memphis. Tenn<br />
38117<br />
Gold Medol Products Co., 1825 Freemon Ave, Cn<br />
cinnoti. Ohio 45214<br />
Krupy Kist Kom Machine Co., 120 S. HoMcd, Chicago,<br />
III 60606<br />
Victor Products Corp, 328 N. 18th St.. Richmond. Vo<br />
23223<br />
410-CANDY FLOSS MACHINES & SUPPLIES<br />
. Blevins Popcorn & Concession Supply Co P O Bo*<br />
171233, 813 Ridge Loke Blvd. Memphis. Toon<br />
38117<br />
C^etor^ & C.) PO Box 90346 No^hvllle Tenn 37209<br />
Gold Medol Products Co. 1825 Freeman Ave. Cm<br />
cinnoti. Ohio 45214<br />
Kriipy Kist Kom Mochin* Co., 120 S. Holtlad. Chicago.<br />
'T<br />
411 -CARAMEL CORN EQUIPMENT &<br />
SUPPLIES<br />
Go'ld Medol Products Co. 182S Fteetnon Awt', C.n<br />
cinnoti, Ohio 45214<br />
Kriipv Kist Kom Machine Co., 120 S. Holilod, Chicago.<br />
Ill 60606<br />
Monley, Inc., P.O. Sox 1006, 1920 Wyandotte, Korwos<br />
City. Mo. 64141<br />
Victor Products Corp, 328 N 18th St, Richmond<br />
Vo 23223
Bluv.n-. • ,<br />
1<br />
Inc.<br />
120<br />
Worthom.<br />
.<br />
. ctor (r^djcts Corp.. 338 N I8lh Sf ,<br />
Rkhmood.<br />
Indionopolis,<br />
120<br />
P<br />
:r<br />
1825<br />
rhcir distributor! plaoM nwahoa Tk« Modem Tkootro "uyon' DirKtory "<br />
412-CARBONATORS<br />
420-DEEP FRY EQUIPMENT (GAS)<br />
Proeloc Durr Co. IfK . 2335 S IrKO, 0««>«»'. Col5<br />
5t« n Woodcfoft Corp . 77 Sero«u« Avt ,<br />
CARRY-OUT TRAYS-Sce 425<br />
Amitvvlllo.<br />
41^C0FFEEMAKERS AND DISPENSERS<br />
Cotfo* Mot Corp. 251 $. 31»t SI.. KonMwonh, NJ<br />
07033<br />
Cory Food Sorvicoi. IrK . 3200 W P«ltnoo Avo<br />
Chcooo. Ill, 60*59<br />
Dripcut Corp. P O. Box S. Golofo. CoHf «30)7<br />
Gold Modal Produeti Co.. 1825 Froomon Ave. Cn<br />
umott. Otilo 45214<br />
Jot Sproy C^rp 105 Bear Hill Rd Mmi<br />
.<br />
02154<br />
Ogclc" ' • .••• • it' •<br />
COfFEE VENDING MACHINES, AUTOMATIC<br />
-See 1703<br />
414-CONCESSIONS EQUIPMENT REPAIRS<br />
171233, 8;3 K.>!*c Lotkc Bud.' .V\cmph.s. Tcnn<br />
38117<br />
C. R. frank Popcorn & Supply Co., 2311 Chcjtnuf,<br />
St Louis. Mo. 63103<br />
Gold Modal Products Co , 1825 Freomon Ave .<br />
Cmcinnoti.<br />
Ohio 45214<br />
Victor Products Corp., 328 N 18lh St, Rchmrnd.<br />
Vo. 23223<br />
415-C0NCE$SI0NS TRAILERS<br />
B'OV.ns P PC rn<br />
171233, 5!3<br />
38117<br />
Crctor & CoTipony P O Box 90346, Noshvillc. Tenn<br />
37209<br />
Popp«r Dr Co. 5523 E Mockingbird Lone. Dollos,<br />
Tex 75206<br />
Gold Medol Produeti Co. 1825 Froconon Ave.<br />
C.ncinrwti. Oh.o 45214<br />
Motion Picture Service Co, 125 Hyde St, San Froncoco.<br />
Colif 94102<br />
41^C0NVEai0N OVENS<br />
Bakers Pnde Oven C- . 1641 E. 233rd St.. Bronx.<br />
NY 10466<br />
Generol E'ectr.c Co, Uth & Arnold St., Chicaoo<br />
He.ghts. Ill, 6041<br />
417-aiP DISPENSERS<br />
Blevins Popcorn & Cor^cession Supply Co,, PO Box<br />
171233. 813 Ridoc Lokc Blvd. Mcmphi Tenn<br />
,<br />
38117<br />
. Butterful. Inc P.O Box 7937, Richmond. Vo 23223<br />
Dixio/Morothon, Americon Lone, Greenwich, Conn<br />
06830<br />
G A Systems, Inc , 5866 Research Dr ,<br />
Hunt ngton<br />
Beoch. Calif 92649<br />
GoM Modal Products Co,. I82S Frecmon Ave, Cincinnati,<br />
Ohio 45214<br />
Proctor Distr Co,, Inc 2335 S Inco, Denver, Colo<br />
80223<br />
Stein Woodcroft Cr'rp,. 22 Spraguo Ave., Amityville,<br />
NY. 11701<br />
, Swootheart Cup, 10100 Reisterstown Rd Owmgs<br />
M,;u, Md 21074<br />
Victor Products Corp.. 328 N 18th St.. Richmond. Vo<br />
23223<br />
41S-CUPS, PAPER<br />
Blevirn Pipc-rn 8, CricciSion Supply Co, P.O Bok<br />
Mcmphn. Tcnn<br />
171233 813 R dqr take Blvd<br />
38117<br />
PC, Box Richmond, Butterful, Inc . 7937. Vo. 23223<br />
Divie 'Morothon. Amencon Lone, Greenwich, Conn<br />
06830<br />
Co.. Gold Modal Products 1825 Frcemon Ave, Cm<br />
cinnati. Ohio 45214<br />
, Owing-.<br />
SvrMthoort Cup, 10100 Reistorstown Rd<br />
Mills. Md 21074<br />
Victor Products Corp, 328 N 18th St. Richmond,<br />
Va 23223<br />
419-DaP FRY EQUIPMENT (aECTRK)<br />
171233. BI3 ,i^r I<br />
38117<br />
Gwwral Electric Corp., Food Service Equip., 14lh ft<br />
Arnold St.. Chicogo, III. 60411<br />
Gold Mcdoi Pf idvxt". Ci 1835 frcemon Ave<br />
Cinc.nnot., Oh-,. 452M<br />
Krispv Kist Korn Mochine Ci<br />
. S. Hoisted St.<br />
Chicogo. Ill, 60606<br />
Star Mtg Co.. 9325 Ollvo Blvd.. St. Louis. Mo. 63132<br />
Super Chef Mfg Co , 12309 Hodget St.. Houston. Tex<br />
77085<br />
Victor Products Corp.. 328 N 18th St, Richmond,<br />
Vo 23223<br />
Word Popcorn Co . Inc , Hiohwoy 72 Eosl. Scoll*<br />
boro. Alo 35768<br />
no Co .<br />
421 -DEEP FRY SUPPLIES<br />
^ MolttoO it .<br />
Dr .<br />
Ind 46202<br />
i.e Btvd. M. Lam. Mo 631)2<br />
12309 Hodges St. Hotaton. T«<br />
Artderton-Cloyton F^t^dt. PO Box 616S, Oollos, Tk<br />
75222<br />
Blevins P:ipcom & Conceunn Supply Co, PC Bo«<br />
171233. 813 Ridge Lake Blvd. Memphis, Tenn<br />
38117<br />
Industry.<br />
Double D-Foods, 14970 E Don Julion Rd ,<br />
Colif 91746<br />
Durkee Food Service Group, 900 Union Comm BIdg<br />
Co. rand Ohio 44115<br />
V Product! Co, 1825 Frcemon A.c<br />
Ohio 45214<br />
Vo<br />
23223<br />
422-DISPENSERS, MUSTARD, KnOIUP<br />
o e<br />
171233 813 R dgc<br />
38117<br />
Gold Medal Pr ducts Co 1825 Freeman Ave<br />
Cincnnati Oh,- 45214<br />
Kriipy KIst Korn Machine Co., 120 S. Hoisted St..<br />
Chicago. III. 60606<br />
Victor Product? Corp. 328 N, IStti St. Richmond.<br />
Vo 23223<br />
423-DISPLAY CASES & COUNTERS<br />
Blevins Popcorn & Concession Supply Co. PO Box<br />
171233. 8)3 Ridge Loke Blvd.. Memphr. Tenn.<br />
38117<br />
Butler Fixture i Mfg Co., 2323 S, Lipton, Denver. 23<br />
Colo. 80223<br />
Gold Medal Products Co., 1825 Freemen Ave, Cincinnati.<br />
Ohio 45214<br />
Star Metol Corp, 4700 Island Rd . Philodelphio, Po<br />
19153<br />
Stein Woodcroft Corp , 22 Spraguo Ave<br />
,<br />
Amityville,<br />
NY. 11701<br />
Victor Products Corp, 328 N 18th St, Richmond,<br />
Va. 23223<br />
424-DRiNKING STRAW DISPENSERS<br />
Blevins Popcorn & Concession Supply Co, PO Box<br />
171233, 813 Ridgc Lake Blvd, Mcmphi>, Tcnn<br />
38117<br />
Gold Medol Products Co, 1825 Freeman Ave<br />
Cincinnati. Ohio 45214<br />
Victor Products Corp. 328 N 18th St. Richmond.<br />
Vo 23223<br />
42S-F00D SERVICE TRAYS<br />
Blevins Popcorn & Concession Supply Co., P O. Box<br />
171233, 813 Ridgc Lokc Blvd. MemphI', Tenn<br />
38117<br />
Gold Medal Products Co. 1825 Freeman Ave, Cincinnoti.<br />
Ohio 45214<br />
Stondord Box Co., 28 Gerrish Ave, Ctwlseo, Moss<br />
02150<br />
Victor Products Corp,, 328 N 18th St, Richmond.<br />
Vo 23223<br />
Winchester Corton C^'P, 105 T-,-. a,. r,,.;,..<br />
Alo 35462<br />
FRANKFURTER & HOT DOG EQUIPMENT-<br />
See 431434<br />
42fr-FR0ZEN FOODS<br />
Durkcc F.ood Service Group, 900 Union Comm Bidrj<br />
Inc,<br />
CIcvelond. Ohio 441 15<br />
Motlow's Food Products, 135 Front Ave, W<br />
Haven, Conn 06516<br />
Pride -( the fo'rt^ Inc 2970 BIystanc Ln Dollov<br />
Tc«os 75.">?0<br />
427-GUM, CHEWING<br />
) Willtom Wrigley Co. 410 N MIchrgon Ave, Chicogj.<br />
Ill 60611<br />
428-HAMBURGER BROILERS<br />
Bakers Pride Oven Co .<br />
N.Y, 10466<br />
Inc , 1641 E 233rd St ,<br />
Bronx.<br />
P-jpcorn C.^nccssicn Blcvms t Supply Co O Bo«<br />
171233. 813 Ridoe Loke Blvd. Memphi-, Tenn<br />
38117<br />
Cradle Queen Borbecue Corp.. 744 Berrlmon St..<br />
429-HAMBURGER GRILLS ft GRIDDLES<br />
71233, 813 Ridgo LoV.e B<br />
8117<br />
Electric Co., 14th &<br />
HelghH, 111. 60411<br />
Arnold St> , Chicogo<br />
430-HOT CHOCOLATE DISPENSERS, MIXES,<br />
SYRUPS<br />
171233. 8T3 Ridge Ldlie Blvd, MemphM. Teon<br />
Oouble-O-foods. 14970 E Don Jui>oo Rd Industry.<br />
,<br />
Colif 91746<br />
Gold Medol Products Co , 1825 Freemon A.e C-r><br />
cnnot. Oh 45214<br />
Henhey Choeoiole Corp.. 19 E, Chocolate Ave . Merger.<br />
Po 1 7033<br />
Jet Sproy Corp. 195 Beor Hill Rd .<br />
Wotthom. Mom<br />
02154<br />
Nettle Co. 100 Btoommodole Rd . White Plo.n.. NY<br />
10605<br />
Sl» Mtg Co. 9325 Olive Blvd. St Lo.i.i Mo 63132<br />
V:t4s)<br />
437-ICE-MAKING MACHINES<br />
v.-C.ov D.v McOuoy Perfex. Inc 13600 Industrial<br />
: . ,M nneopolis. Minn 55440<br />
Equipment Co II 100 £ 45lh Ave.<br />
- lo 80239<br />
„ ••. S. Tr^ip Inc. 1805 55lh Ave, Chicogo. I"<br />
6^605<br />
Scotsman Ice Systems, 505 Front St ,<br />
Aliert Leo<br />
Minn. 56007<br />
Woodcroft Corp., 22 Sprogue Ave Amityville,<br />
Stein .<br />
NY 11701<br />
438-ia SHAVERS<br />
Gold Products Medol C- 1825 Freemon Ave Cm<br />
c.nnoti Ohn 45214<br />
Kr.tpy Kist Korn Mochine Co., 120 Hoisted St..<br />
111. Chicogo, 60606<br />
ctir Products Crr V 32R<br />
"•! 18th St. Richmond.<br />
Vo 23223<br />
439-MALT ft SHAKE MACHINES<br />
1 Sweiien Fr»»Mf Co, 3401 7fh Mfg Ave W Settle<br />
V,ash Ojtllv<br />
440-MEATS, BARBECUED, CANNED<br />
Medol Products Co, 1825 Fn<br />
mail, Ohio 45214<br />
kve,<br />
Cii<br />
>( pid Hom I. Products Co. Inc, PO Box 507,<br />
.thi eld. Vo 23430<br />
' Tr.xtucH Corp 328 N 18lh St, Rkhmood.<br />
23223<br />
441-Nun
• "om<br />
28<br />
Inc<br />
Horshom,<br />
10<br />
FREE self-mailer coupon preccdinQ this jection is prorided to bring you full information on ony advertised prooiKt<br />
23223<br />
Corp., 328 18th St Richmond 448-POPCORN SEASONING<br />
442-PIZZA OVENS AND SUPPLIES<br />
Bokers Pride Oven Co., IrK., 1641 E. 233rd St., Bronx,<br />
NY. 10466<br />
B'cv.ns Popcorn & Concession Supply Co.. P.O. Bo«<br />
•7|3,?3 813 Ridge Loke Blvd., Mjmphii, Tenn<br />
=. ) ! 7<br />
.-..•rol Electric Co., 14th i Arnold Sts.. Chkogo<br />
Hciohts. III. 60411<br />
rgo's Pizza Crust Co., 2236 Conners Ave., Bronx,<br />
NY 10466<br />
443-POPCORN BUHER<br />
8:cvins Popcorn & Concession Supply Co.. P.O. Box<br />
171233, 813 Ridge Loke Blvd., Memphis. Tenn<br />
381 17<br />
ButtcrtuI, Inc., P.O. Box 7937, Richmond, Vo. 23223<br />
Dcub!e-D-Foods, 14970 E. Don Julian Rd., Industry,<br />
Calif 91746<br />
Gold Mcdol Products Co., 1825 Freeman Ave, Cm<br />
cinnoti, Ohio 45214<br />
Odtll Concession Specialties Co., P.O. Box 280, Coldwell,<br />
Ido. 83605<br />
TV Time Foods, Inc , 2277 W. Howard Street, Chicago,<br />
111. 60645<br />
Victor Products Corp., 328 N 18th St., Richmond,<br />
Vo. 23223<br />
444-POPCORN MACHINES<br />
Blevins Popcorn & Concession Supply Co., P.O. Box<br />
171233, 813 Ridge Lake Blvd., Memphis, Tenn.<br />
38117<br />
Cretors & Co, Box 90346, Noshville, Tenn. 37209<br />
Gold Medal Products Co., 1825 Freemon Ave., Cincinnoti,<br />
Ohio 45214<br />
Krispy Kist Korn Mochine Co., 120 S. Hoisted, Chicogo,<br />
III 60606<br />
Monlcy^ Inc., P.O. Box 1006, 1920 Wyandotte, Kon-<br />
505 Citv, Mo. 64141<br />
Midlond Products Co., 1441 W. 46th Ave., Denver,<br />
Colo. 80211<br />
S»or Mfg. Co., 9325 Olive Blvd., St. Louis, Mo. 63132<br />
Stein Woodcroft Corp., 22 Sprague Ave., Amityville,<br />
NY. 11701<br />
Victor Products Corp., 328 N. 18th St., Richmond,<br />
Vo. 23223<br />
445-POPCORN, RAW<br />
American Popcorn Co., 4332 Gront St., Sioux City,<br />
Iowa 51102<br />
Blevin Popcorn & Concession Supply Co., P.O. Box<br />
171233, 813 Ridge Lake Blvd., Memphis, Tenn.<br />
38117<br />
Consolidoted Popcorn Co., Inc., P.O. Box 309, Scholler,<br />
Iowa 51053<br />
C. R. Frank Popcorn & Supply Co., 2311 Chestnut,<br />
St. Louis, Mo. 63103<br />
Gold Medal Products Co., 1825 Freeman Ave., Cin<br />
cinnoti, Ohio 45214<br />
Manley, Inc., P.O. Box 1006, 1920 Wyondotte, Kansas<br />
City, Mo. 64141<br />
Notionol Oats Co., Inc., IButterflake Popcorn Soics;.<br />
1515 H. Ave. NE, Cedar Rapids, lowo 52407<br />
Roy Smith Co. of Jacksonville, 365 Pork St., P.O.<br />
Box 2646, Jacksonville, Fla 32204<br />
TV Time Foods, 2277 W. Howard Street, Chicago, III<br />
60645<br />
Victor Products Corp., 328 N. 18th St., Richmond, Vo<br />
23223<br />
Wcover Popcorn Co., P.O. Box 395, Von Buren, Ind.<br />
46991<br />
W.,rd Popcorn Co., Inc., Highway 72 Eo t, Scotts-<br />
!.-r-,, Ala 35768<br />
446-POPCORN SACKS, BOXES & CUPS<br />
r'r.con Popcorn Co., 4332 Grant St., Sioux City,<br />
.wo 51102<br />
/ins Popcorn & Concession Supply Co , P.O. Box<br />
171233, 813 Ridge Lake Blvd., Memphis, Tenn<br />
38117<br />
Butterful, Inc., P.O. Box 7937, Richmond, Vo. 23223<br />
Dixie/Morothon, American Lone, Greenwich Ccnn<br />
06030<br />
Gold Medol Products 1825 Freemon Ave, Cin<br />
Co.,<br />
cinnoti, Ohio 45214<br />
Manley, Inc., P O. Box 1006, 1920 Wyandotte, Kon-<br />
•os City, Mo 64141<br />
itandord Br.x Co , Gerrish Ave., Chelseo, Moss.<br />
02150<br />
rior Products Corp., 328 N. ISth St., Richmond,<br />
nchtstcr Carton Corp., 105 Totem Aye. Eutow,<br />
Alo 35462<br />
'. ") Popcorn Co, Inc, Highway 72 East, '.c it.<br />
•or-^ Alo 35768<br />
447-POPCORN SCOOPS<br />
Prrjducf. Co., 1825 Freeman Ave., Cin<br />
Machine Co., 120 S. Haltt«), Chkogo,<br />
iuiM, Inc, P.O Box 1006, 1920 Wyondotte, Kon-<br />
-.05 Cily, Mo. 64141<br />
iclor Product! Corp., 32B N 18th St, Richmond,<br />
Vo 23223<br />
Anderson Cloyton Foods, P.O. Box 6165, Dollos, Tex.<br />
75222<br />
Blevin Popcorn i Concession Supply Co, P.O. Box<br />
171233, 813 Ridge Lake Blvd., Memphis, Tenn<br />
38117<br />
Double-D-Foods, 14970 E. Don Julian Rd., Industry,<br />
Calif. 91746<br />
Gold Medal Products Co., 1825 Freemon Ave, Cincinnoti,<br />
Ohio 45214<br />
Manley, Inc., P.O. Box 1006, 1920 Wyandotte, Kansas<br />
Citv, Mo.. 64141<br />
Popped Right, Inc , P O. Box 687, Marion, Ohio<br />
43302<br />
PVO International, Inc., 3400 N. Wharf St., St. Louis,<br />
Mo. 63147<br />
Roy Smith Co. of Jacksonville, 365 Pock St., P.O.<br />
Box 2646, Jocksonvville, Flo. 32204<br />
TV Time Foods, 2277 W. Howord Street, Chicago, III.<br />
60645<br />
Victor Products Corp., 328 N. 18th St., Richmond,<br />
Vo. 23223<br />
Word Popcorn Co.. Inc. Highwoy 72 East. Sc^ttsboro,<br />
Alo 35768<br />
POPCORN VENDERS-See 1709<br />
449-POPCORN WARMERS<br />
Blevins Popcorn 8. Concession Supply Co.. P.O. Box<br />
171233, 813 Ridge Loke Blvd., Memphis, Tenn<br />
38117<br />
Cretors & Co., P. O. Box 90346, Nashville, Trnn<br />
37209<br />
Electrowore Corp., 5150 Angola Rood, Toledo, Ohio<br />
43615<br />
Gold Medal Products Co., 1825 Freeman Ave., Cincinnati.<br />
Ohio 45214<br />
Krispy Kist Korn Machine Co., 120 S. Hoisted St.,<br />
Chicago, III. 60606<br />
Manley, Inc., P.O. Box 1006, 1920 Wyandotte, Kansas<br />
Citv, Mo., 64141<br />
Merco Products, Inc., 1298 Bethel Dr., Eugene, Ore<br />
97402<br />
Server Products, Inc., P.O. Box 249, Menomonee Falls,<br />
Wis. 53051<br />
Stor Mfg. Co., 9325 Olive Blvd., St. Louis, Mo. 63132<br />
Star Metal Corp, 4700 Islond Rd., Philodelphia, Pa.<br />
19153<br />
Stein Woodcraft Corp.. 22 Sprogue Ave., Amityville,<br />
1701<br />
St., Richmond,<br />
450-REFRIGERATORS (UNDER-COUNTER)<br />
Glenco Refrigeration Corp., 8000 Penrose Ave., Philodelphia,<br />
Pa. 19153<br />
Star ,V\etal Corp., 4700 Island Rd., Philadelphia, Po.<br />
19153<br />
451 -REFRIGERATORS (WALK-IN)<br />
Bolly Cose & Cooler, Inc., Bally, Pa 19503<br />
Perlick Co., 8300 W. Good Hope Rd., Milwaukee,<br />
Wis 53223<br />
SHAKE DISPENSERS-See 439<br />
452-SlUSH MAKERS<br />
Gold Medal Products Co., 1825 Freemon Ave., Cincinnati,<br />
Ohio 45214<br />
Victor Products Corp, 328 N. 18th St., Richmond,<br />
Vo. 23223<br />
453-SNOW CONE MACHINES<br />
B'evins Popcorn & Concession Supply Co., P.O Box<br />
171233, 813 Ridge Lake Blvd Memphis, Tenn<br />
38117<br />
Somuel B*rt Mfg. Box 26410, T«x.<br />
Co., P.O. Dallas,<br />
75226<br />
S. Inc., 6, T. Echols, Box Bismarck, Mo. 63624<br />
Gold Medal Products Co., 1825 Freeman Ave, Cincinnati,<br />
Ohio 45214<br />
t Ki<br />
60606<br />
Victor Products Corp, 328 N. 18th St., Richmond,<br />
Vo. 23723<br />
454-STEAM TABLES<br />
stor MclQl Corp.. 4700 l-.lond Rd Philodelphio, Po<br />
19153<br />
4S5-STEAM TABLES, PORTABLE<br />
Greer Enterprises, Inc., 31 Chicago St. Box 35,<br />
Ouincy, Mich. 49082<br />
Star Motol Corp., 4700 Island Rd.,<br />
I9I53<br />
456-STRAWS, DRINKING<br />
BIr<br />
38117<br />
Gold Modal Products Co, 1825 Freeman Ave, Cm<br />
cinnoti. Ohio 45714<br />
Victor Products Corp., 328 N 18th 51., Richmond.<br />
Vo 23223<br />
457-WARMERS, BUN & FOOD<br />
Blevins Popcorn & Concession Supply Co ,<br />
P.O. B; ><br />
171233, 813 Ridge Lake Blvd., Memphis, Tenr<br />
38117<br />
Crodle Queen Boibecue Corp., 744 Berrimon St<br />
Brooklyn, N.Y. 11208<br />
GA Systems, inc, 5866 Rescorch Dr.. Hunfmgt<br />
•<br />
Beoch, Calif 92649<br />
Glenco Refrigeration Corp, 8000 Penrose Ave., Philo<br />
delphio. Po. 19153<br />
Gold Medol Prdoucts Co., 1825 Freemon Ave. C.r<br />
cinnati, Ohio 45214<br />
Merco Products, Inc, 1298 Bethel Drive, Ei icr.<br />
Ore 97402<br />
Stor Mfg. Co., 9323 Othr* Blvd., St. Louis, Mo. 63132<br />
, Star Metal Corp, 4700 Islond Rd Philodelphio, Pc<br />
19153<br />
Super Chef Mfg. Co, 12309 Hodges St., Houston, Tx<br />
77085<br />
Victor Products Corp., 328 N. 18th St., Richmond<br />
Vo. 23223<br />
5. Decorating and<br />
Furnishings<br />
501-BLACK UGHT HXTURES & MURAIS<br />
Copitol Stage Lighting Co., Inc , 509 W. 56fh St<br />
.<br />
New York, NY 10019<br />
Stroblite Co , , E 23 St .<br />
New York, NY. 10010<br />
Ultra-violet Prod., Inc., 5100 Wolnut Grove Ave<br />
.<br />
Son<br />
Gobrcl, Calif. 91778<br />
502-CONTROL ROPES, POSTS & RAILINGS<br />
Capitol Stage Lighting Co., Inc., 509 W. 56th St<br />
.<br />
New York, N.Y. 10019<br />
Econo-Pleot, 2664 S. LoCinenego Blvd , Los Angelc-,<br />
Colif. 90034<br />
R.L. Grosh & Sons, 4114 Sunset Blvd.. Hollywood<br />
Calif. 90029<br />
Plastic Creotions Co., 13777 N. Cenfrol Expy., Stc<br />
401 Dollos, Tex. 75243<br />
503-DECORATIVE SERVitt<br />
Don Acito & Associotes, 132 E. New England Ave<br />
Winter Pork, Flo. 32789<br />
Forest Boy Construction, 640 Bornord Ave.. Woe,-I<br />
mere, N.Y 11598<br />
Scundfcid, Inc, 3704 Wilm.nql^^n Pete. Cost<br />
Ohio 45429<br />
504-DIREaiONAL SIGNS, EXIT SIGNS, ETC<br />
Arrow Sign Co., 1046 - 45th Ave., Ooklond, Colit<br />
94601<br />
Bux-Mont Electric Adv. Leasing Systems, 221 H.<br />
sham Rd , Po. 19044<br />
Capitol Stoge Lighting Co., Inc, 509 W. 56th St<br />
New York. N.Y. 10019<br />
Drive-ln Theatre Mfg. Co.. 709 N. 6th St., Kansas Cty.<br />
Kas. 66101<br />
Forest Boy Construction, 640 Bornord Ave Woo^<br />
mere. NY 11598<br />
Lawrence Metol Products, Inc., 260 Spur Dr. S<br />
Boyshore, NY. 11706<br />
Minnesota Fire Inc 2476 University Ave St. Pau'<br />
Minn. 55114<br />
Notional Screen Service, Broodwoy, N.Y., N.><br />
10019<br />
Sign Products. 1319 W. 12th PI., L.A.. Co. 90015<br />
Inc., Wil-Kin, 800 Lombert Dr. NE, Atlonto. G<br />
30024<br />
SOS-DRAPERIES, ACOUSTICAL<br />
Asco Audil<br />
Scrv.i Adorns St.. Milton, Mo<br />
02187<br />
Copitol Stage Lighting Co., Inc., 509 W. 56fh S:<br />
New York, NY. 10019<br />
Fcrcsl Boy Construction. 640 Bornord ^ve. Weed<br />
mere, NY. II 598<br />
R.L. Grosh & Sons, 4114 Sunset Blvd., Hollyvrood.<br />
Colif. 90029<br />
Novelty Scenic Studios, Inc., 40 SeocUff Ave . GIrn<br />
Cove, N.Y. 11542<br />
Pinkslon Soles & Service Co., 4207 Lownvlcw, Dallas<br />
Tex 75227<br />
Soundfold, Inc., 3704 Wilmington Ptko, Dovton<br />
Ohio 45429<br />
Wil-KIn, Inc, 800 Loml>er» Dr. NE , Atlonto, Go<br />
30024<br />
506-DRAPERIES & CURTAINS<br />
Grcot Western Stoge Equip. Co, 1324 Grond Avr<br />
Kansas City. Mo. 64106<br />
RL. Grosh L Sons. 4114 Sunset Blvd., Hollywood<br />
Colif. 90029<br />
Monko Fabrics Co., Inc , 50 W. 36th St . New YorV<br />
NY. 10018<br />
Novelty Scenic Studio*. Inc.. 40 SmcIIM Av«., Glen<br />
Cove, N.Y. 11S42<br />
S,.iin,ll>.ld. Inc .<br />
3704 Wilmingt.m Pike, Dayton. Ohn<br />
4S4?9<br />
507-DRINKING FOUNTAINS<br />
Sutwoc Corp ,<br />
452. Glen Riddle, Po. IMS7
Du<br />
Los<br />
3M<br />
ufocturtri or th«ir ditlnbutofi pltOM menfiofi Tk« Mo4tni TlMotr* ~tuy«ri Oir«ctor|p "<br />
SOS-PAINT PROOUaS, DECOtATIVI<br />
'<br />
Poot d« N«^.-vjri .'. V Mork«»<br />
.<br />
S» .<br />
E<br />
I<br />
N. L. Induttfiai. Inc., Dutch Bov Ponti Div .<br />
P O Bo«<br />
500, W.M Col PO Box 50070, N«w O.loom<br />
Lo 70150<br />
Econo-Pleot, 2664 S LoC.ncrwoo Blvd. L« Ano«!ei<br />
Calif 90034<br />
Monko Fobrio Co.. Ine , 50 W. 36th St .<br />
New York<br />
NY. 10018<br />
Novtfty Sc«Uc Studtot. Inc.. 40 SmcHH Av« ,<br />
GItn<br />
Cova. N.Y. 11543<br />
SsurvHr'd Inc 3704 W Imm' n Pfcr .::•'•<br />
Oo 45429<br />
510-WAU COVEMNCS, AOHISnOU.<br />
A< -int. Wall 2010 Samodo Ave, Columbui. Ohc<br />
43C85<br />
*T-- »rc-.^rc'( Div, won. PO Bo« 50070. New<br />
-<br />
- TOISO<br />
•IS loCinencfla Bivd , Lm Ano«le»,<br />
•'uction. 640 Bornord Ave. W^.d<br />
598<br />
N:>v.,ty ^«i,c Studia*. Inc. 40 SMCllff Av«.. Glan<br />
Cove. N.Y. 11542<br />
S?und(old, Inc. 3704 Wilmington Pike. Oc/ton<br />
Oh,c 45429<br />
6. Floors and Carpets<br />
601-BlOWER-SWEEPER<br />
602-CARPEn<br />
AleJconder Srnith Carpet, 57 Lyon Street, Amsterdam,<br />
NY. 12010<br />
Burlington House Carpetj, 240 Peochtree. N.W<br />
Atiortto. Go.<br />
Econo-Plcot, 2664 S LoCinencoo Blvd Ani,;lcj.<br />
,<br />
Colli 90034<br />
firth Corpet, 57 Lyon Street, Amiterdom, N.Y. 12010<br />
Lm> Corp«», Volley Forge Corp. Center. King of<br />
Pfujiio. Po. 19406<br />
Mrhav«V Co'tx-V 57 L.n Sf , Amstcrdom, NY 12010<br />
,<br />
.<br />
603-aEANERS, FLOOR<br />
Amencon C'eontng Equip. Corp., Ill S. Route 53<br />
Ill Additon. 60101<br />
BASF Wyondotte Corp. 1609 Biddle, W,ondjtlc.<br />
Mich 48192<br />
Bram Mctollurgical Chemical Co. 15 N<br />
PO Box 298. Nevrtcrwn. Pa 18940<br />
Bruljn & Co P.O. Box 270 Indionapolis,<br />
Elm Ave,<br />
Inc , B, liKJ<br />
46206<br />
Chefnicol Solvent Co, Box 487, Birminghom Alo<br />
35201<br />
Sperver Turbine Co 600 Doy Hill Rd.. V/inj^nr<br />
,<br />
C^nn 06095<br />
3M Co. Bidg<br />
Eldg. 223-6<br />
Service & Cleaning Prod, 3M Ccrtt<br />
S W St Poul, Minn 55101<br />
We»t Chemieol Produeti, Ine, 42-16 Wert St„ Long<br />
:«'ond. MY. 11101<br />
604-aEANERS, RUGS & UPHOLSTERY<br />
BASF Wvoodolte Corp, 1609 Blddlc. Wyondiltc.<br />
Mich 48192<br />
Brom Metollurgical Chcmicol Co, 15 N. Elm Ave<br />
PO Bo« 298. Newtown, Po 18940<br />
Chemicol Solvent Co., Box 487, Birminghom. Alo<br />
35201<br />
3M Co Bldg Service & Cleoning Prod Conlcr,<br />
BIdg 223 S-W., St Pool, Minn 55101<br />
6<br />
West Chemcol Produeti, Inc , 42-16 Witt St Long<br />
Island Cit,. NY 11101<br />
605-MATS & MATnNG
Inc . P<br />
PO<br />
5<br />
I Wolk<br />
'<br />
257<br />
Apporotus<br />
630<br />
.<br />
Cedar<br />
N<br />
liler coupon preceding thij tectkw is proYMed to bring you full infomiotion advertised product<br />
Cet»tury Project Corp. 32-02 Queens Blvd., Long<br />
Islond City, ^ 11101<br />
Eorod, lr>c 123 Woodruff, P.O. Box 4712, Toledo<br />
Ohio 43620<br />
Essonnov Electric Mfg.<br />
51 W. Grand Ave..<br />
Chicago, III.<br />
^,..^.^..^, ...... 257 10th Ave., Paterson, N.J. 07524<br />
Notionol Theatre Supply Co., 1600 Broadway, New<br />
York, N.Y. 10019<br />
Rangertone Research Inc., 509 Modison Ave., New<br />
York, N.Y. 10022<br />
Ed* H Woik Irvc-. 1241 S. Wotxish Av ,<br />
60605<br />
907-CONDENSING LENSES<br />
Ch.cogo.<br />
Atlantic Audio-Vijual Corp., 630 9th Ave., N.Y., N.Y.<br />
10036<br />
Corii-.ns Inc. 10 Soddic Rd.. Cedar Knoll;<br />
07927<br />
908-COOLERS, FILM TRAP<br />
Arcol Theotre Products, Inc., Heisser Lane,<br />
I<br />
Formingdole, N.Y. 11735<br />
Atlontic Audio Visuol Corp., 630 Ninth Ave. New<br />
York, NY. 10036<br />
Ccnrod-Honovio, Inc., Ballantyne<br />
Strong Electric Corp. 1712'jockson St., Omaho.<br />
Neb. 68102<br />
909-CUE MARKERS<br />
Carbons, Inc., 10 Saddle Rd., Cedor Knolls,<br />
07927<br />
Equipment Corporation. 6820 Romoine St.,<br />
Ciro<br />
wood, Calif 90038<br />
910-DEMAGNETIZATiON TOOLS<br />
Century Projector Corp, 32-02 Queens Blvd.,<br />
Island City, N.Y. 11101<br />
911 -DOWSERS<br />
Atlantic Audic -visual Corp., 630 9th Ave., N.Y. N.Y.<br />
10036<br />
Carbon?, IrK., 10 Saddle Rd., Cedar Knolls<br />
C7927<br />
Century Projector Corp., 32-02 Queens Blvd., Long<br />
Island City, 11101<br />
912-FILM CABINHS<br />
Goldberg Bros In: PC Box 5345 T.A., Denver,<br />
Cok. 80217<br />
Plastic Reel Corp. America, 640 S. Commercia'<br />
of<br />
Ave, Corlstodt, N.J. 07072<br />
913-FILM CEMENT<br />
Plostic Reel Corp. of America, 640 S. Commercial<br />
Ave., Corlstodt, N.J. 07072<br />
Edw H. Wolk, Inc., 1241 S. Wobash Ave, Chicago,<br />
III. 60605<br />
914-FILM CLEANERS, LUBRICANTS<br />
& PRESERVATIVES<br />
Corbonj, Inc., 10 Soddle Rd., Cedar Knolls, N.J. 07927<br />
Chriilie Eiectrii Corp., 3410 W. 67th St., Los Angeles,<br />
Colif 90043<br />
Electro-Chemical Prod. Corp., 89 Walnut St., Montcloir,<br />
N.J. 07042<br />
Edw H, Wolk, Inc., 1241 S Wobch Ave., Chicago,<br />
Ml 60605<br />
915-FILM HANDLING DEVICES<br />
Ballantyne of Omoho, Inc, 1712 Jockson St., Omaho,<br />
Neb 68102<br />
Inc., Carbons, 10 Soddle Rd., Cedor Knolls, NJ.<br />
07927<br />
Century Projector Corp., 32-02 Queens Blvd., Long<br />
Islond City, NY. 1 1 101<br />
Christie Electric Corp., 3410 W. 67th St., Los Angeles,<br />
Colif. 90043<br />
Eprod, Inc.. 123 W. Woodruff, P.O. Box 4712, Toledo,<br />
Ohio 43620<br />
, O Box 5345 T A Goldtiprq Bros Denver,<br />
Colo 80217<br />
K«lmor Systems, Inc., 284 Broodwoy, Huntington<br />
Stotlon. N.Y. 11746<br />
Inc., Kinotone, 257 10th Ave., Poterson, N.J. 07524<br />
Notionol Theatre Supply Co., 1600 Broodwoy, New<br />
York, NY 10019<br />
Opticol Rodiotion Corp., 6352 N. Irwlndale Ave,<br />
Azuio. Colif 91702<br />
Pcrf Fix Co, Box 3524, Sonlo Monico, Colif. 90403<br />
Pcieorch Tpchnology, Inc., 4700 Chose, Lincolnwood,<br />
III 60646<br />
Tcxos Theotre Supply, 915 S. Alomo, Son AnIonIo,<br />
Tex 78205<br />
9249 W 3rd St , Bcv<br />
Colif fli'/^r,<br />
916-FILM MAGAZINES<br />
Ballontyne of Omoho, 712 Jockion St., Omotio,<br />
Nel. 6810?<br />
Cort>ont, Inc., 10 Saddle Rd Cedor Ropldi, NJ.<br />
0792:^<br />
Century Pro|ector Corp., 37-02 Queens Blvd. Long<br />
Islond Cily, NY. 1 1101<br />
Notional Theatre Supply Co 600 BroorJwoy, Now<br />
York, NY. 10019<br />
Edw H Wolk, Ine, 1241 S. Wobosh Ave.. Chlcooo,<br />
III 60605<br />
917-FILM MEASURING MACHINES<br />
Cinecrott Internotionol, Inc., 1 I Caesor Ploce, Moonocnie.<br />
N J. 07074<br />
,<br />
918-FILM PERFORATION REPAIR<br />
£: 3524, Santa Monica, Calif<br />
Pc:t-Fi« C<br />
90403<br />
919-FiLM SPLICERS<br />
Atlantic Audio Visuol Corp., 630 9th Ave., New York,<br />
NY. 10036<br />
Ciro Equipment Corporation, 6820 Romoine St ,<br />
Hollywood<br />
Calif 90038<br />
Gclcfccrg Bros., Inc, P.O. Bex 5345 T.A.. Denver, Colo,<br />
80217<br />
Griswolo Machine Works, 4)2 Main, Port J«<br />
,<br />
Neumode Products Corp., 720 White Plains Rd<br />
Scorsdole, N.Y. 10583 , ^<br />
Plastic Reel of Corp. Americo, S. Commercial<br />
640<br />
Ave., Corlstodt, N.J. 07072<br />
Reseorch Technology, Inc 4700 Chose, Lincolnwood,<br />
.<br />
III 60646<br />
920-FILM TRANSPORT SYSTEMS<br />
Atlantic Audio Visual Corp., 630 Ninth Ave., New<br />
York, N.Y. 10036 ^,^,<br />
Carbons, Inc., 10 Soddle Rd., Cedar Knolls, N.J. 07927<br />
Century Proiector Corp., 32-02 Queens Blvd., Long<br />
Islond Citv, NY. 11101<br />
_ ,<br />
Christie Electric Corp., 3410 W. 67th St., Los<br />
les, Colif 90043<br />
Drive-ln Tneotre Mfg. Co., 709 N. 6th St., Kansos<br />
City, Kos. 66101<br />
Eprod, Inc., 123 W. Woodruff, P.O. Box 4712, Toledo,<br />
Ohio 43620 , ^<br />
Frecmon Theotre Service, Inc., 5 Hudson Road, Garden<br />
City NY. 11530<br />
Kelmor Systems, Inc., 284 Broadway, Huntington<br />
Station, N.Y. 11746<br />
Notional Theatre Supply Co<br />
Broadway, New<br />
York, N.Y. 10019<br />
Optical Rodiotion Corp., 6352 N. Irwlndale Ave.<br />
Azuso, Calif. 91702<br />
Rongertone Reseorch Inc , 509 Modison Ave., New<br />
York, N.Y. 10022<br />
Texos Theatre Supply, 915 S. Alamo, Son Antonio,<br />
Tex. 78205<br />
Theatre Products, Int., Inc., 9249 W. 3rd St., Bever.y<br />
Hills, Colif. 90210<br />
921-LAMPHOUSE & PORTHOLE BLOWERS<br />
Atlantic Audio Visuol Corp., 630 N.nth Ave,. New<br />
York, N.Y. 10036<br />
922-LAMPHOUSE CARBON ARC<br />
CONVERSION<br />
Atlantic Audio Visual Corp, 630 9th Ave., N.Y.,<br />
NY. 10036<br />
Christie Electric Corp., 3410 W. 67th St., Los Angeles,<br />
Calif. 90043<br />
Eguipo Soles Co., 915 5, Alomo St., San Antomo,<br />
Tex. 78205<br />
Kneisley Electric Co., P.O. Box 4692, Toledo, Ohio<br />
43620<br />
923-LENSES, ANAMORPHIC<br />
Atlontic Audio-Visual Corp., 630 9th Ave., N.Y., N.Y.<br />
Texo- Theatre Supply, 915 S. Alomo, Son Antonio,<br />
Tex 78205<br />
Toshibo Photo Phone Co.. Ltd 1-6 Uchisolwoi-<br />
Cho 2 Chome. Chiyodo-Ku, Tokyo, Jopon 100<br />
923-A-LENSES, EXPANDING<br />
Supcr-V Coll) .ration, 2020 Sonson\ St. Philodelphio<br />
924-LENSES, PRIME<br />
Atlontic Audio-Visual Corp.,<br />
630 9th Ave.,<br />
N.><br />
Carbons Inc., 10 Soddle Road, Cedar Knolls, NJ. 07927<br />
S. Soles Co., Equipo 915 Alomo St. Son Anionia.<br />
Tex 78205<br />
Freeman Theotre 5 Hud-son Rood,<br />
Service, Inc<br />
City, Gotd.n N Y 11530<br />
JCC. Inc 52 2-chome Onte dorl, Osaka, Japon 540<br />
,<br />
Kinotone, Inc 257 E lOth Ave Paterion. N J 07524<br />
,<br />
Kowo Opticol Div. 317 t<br />
,<br />
Chestnut St, E Rochester,<br />
NY. 14445<br />
P.O. Box 8218, Nashville. Tenr<br />
Morijie C<br />
37207<br />
Opticol Rodiotion Corp, 6352 N. Irwindole Ave<br />
Azuso, Colif. 91702<br />
Rongertone Reseorch Inc 509 Modison Ave Nc.<br />
,<br />
York, NY 10022<br />
Schneider Corp of Americo, 185 Willis Ave Mine: ;<br />
,<br />
N.>. 11501<br />
Texos Theotre Supply, 915 South Alonw, San Antonio<br />
Tex. 78205<br />
Theatre Equipment Co , Box 706. Matthews, N ^<br />
Toshibo Photo Phone Co., Ltd., 1-6 Uchisoiwoi-Ct-<br />
2 Chome, Chiyodo-Ku, Tokyo Jopon 100<br />
Edi<br />
Inc 1241 5 Wobosh Ave.. Ch coc;<br />
60605<br />
925-LENS QEANERS<br />
Corbons, Inc., 10 Saddle<br />
07927<br />
Electro-Chcmicoi Products<br />
Mcntclair N,J 07042<br />
Edword H. Wolk. Inc.. 1241<br />
HI, 60605<br />
Rd. Cedor Knolls, N<br />
Corp 89 Walnut 5'<br />
S. Wobosh Ave .<br />
Chieogc<br />
926-MAINTENANCE MANUALS,<br />
PROJEaiON & SOUND<br />
Cedar Knolls, NJ<br />
Corbons. Inc, 10 Saddle Rd<br />
07927<br />
Century Projector Corp., 32-02 Queens Bhrd., Long<br />
Islond Citv,<br />
Optical Rodiotion Corp, 6352 N<br />
^<br />
Inwindole<br />
.<br />
Aw<br />
NY. niOl<br />
Azuso, Colif. 91702<br />
927-MOTOR GENERATORS<br />
Dist So'es C •<br />
Gcncrol Electric Co<br />
AC/DC ^^,r^ ^ . Motor<br />
Schenectady, NY. 12345<br />
Westinghouse Electric Corp., Large<br />
Div., St., 4454 Genesee Buffolo, NY. 14240<br />
928-NO-REWIND SYSTEMS<br />
Carbons. Inc.. 10 Soddle Rd,, Cedar Knolls. N<br />
Drive-ln Theotre Mfg. Co., 709 N. 6th St., Kansos<br />
City, Ks. 66101<br />
Kinotone, Inc 10th<br />
Optical Radiation Corp.,<br />
Azuso, Calif. 91702 ^,^,<br />
L, Robert Potts Entcpr 616.<br />
sc^ RR 2. Urtxjno, III.<br />
929-PORTABLE PROJEaORS<br />
Lee Artoe Corbon Co., 1243 Belmont St., Chieogo, II'<br />
Atlontic Audio Visual Corp., 630 9th Av«., N.Y., NY<br />
Corbons. Inc. 10 Soddle Rd ,<br />
Knoiis, N<br />
Kinotone Inc., 257 10th Ave., Poterson. NJ. 07524<br />
Opticol Rodiotion _ Corp., 6352 N. Irwindole A\e<br />
Azuso, Colif. 91702 _ _ ^<br />
Rongertone Research, Inc., 509 Modi!<br />
York, N.Y. 10022<br />
Texas Theatre Supply. 915 S. Alomo, Son Antonio,<br />
Tex 7820S ^. , ,^<br />
Toshibo Photo Phone Co., Ltd., 1-6, Uchis
257<br />
• •<br />
Box<br />
O<br />
N<br />
NY<br />
N<br />
1243<br />
1243<br />
1243<br />
630<br />
405<br />
1243 Beimool SI . Chicogo.<br />
When writing nMitufoctuttn or their diitributwi piMM nwatKMi TIm Medani TiMatr* ~t'. CC-. - .. :<br />
.<br />
.<br />
AtlonK Audio-V.suol Corp »'h Ave N •r<br />
N Y 10036<br />
Corboni. Ine. 10 Soddlt Rd . Cedor Knolls. NJ<br />
0792/<br />
Century Proiector Corp.. 32-02 Queem Blvd Lon«<br />
Islond City, NY. 1 llOl<br />
Eprod. Ine 123 W Woodruff. P O. Bo» 4712, Toledo,<br />
Ohio 43620<br />
Pinkston Soles & Service Co . 4207 Loumvlew, Dallas,<br />
Tr. 75227<br />
Rongertone Reseorch, Inc., 509 Modison Ave , Ntw<br />
York, N Y 10022<br />
RCA Service Co. Cherry Hill Offices, BIdg 204-1,<br />
Comden, NJ 08101<br />
Te«ai Theotre Supply. 915 5 Alomo. Son Antonio.<br />
Tc. 78205<br />
Statu<br />
939-REAMERS<br />
LoVcizi Moehme Wxks inc 900 N Larch<br />
Ill Elmhurst. 60644<br />
M. Inc.. Edwora Wolk, 1241 S Wobosh Ave<br />
III 60605<br />
940-RECTIFIER BULBS<br />
Lee Arte Cor'-n C . Belmont St. Chicogo, 111.<br />
60657<br />
941-REaiFIER BULBS, SILICON<br />
Lee Art-e Corb^n Cr> 1243 Belmont St., Chicogo. Ill,<br />
60657<br />
Kneisley Electric Co , P.O. Box 4692, Toledo, Ohio<br />
43620<br />
Edw. H. Wolk. Inc.. 1241 S Wobosh Ave. Chicogo.<br />
Ill 60605<br />
942-REaiHER BULBS, XENON<br />
Lee Artoe Carb-^n Co Bc'mont St , , Ch cog^, '«<br />
60657<br />
Eprod, Inc , 123 W Woodruff, PO Box 4712. Toledo.<br />
Ohio 43620<br />
Toshibo Photo Phone Co.. Ltd., 1-6. Uchisoiwoi-Cho<br />
2 Chome Chiyodo-Ku. Tokyo. Jopon 100<br />
943-REaiFIERS, BULB TYPE<br />
944-REaiFIERS, SBJNIUM<br />
Arcol Theoire Products, In<br />
Formngdole. N Y. 11735<br />
Lee Art-e Ca*3n Cn , 1243<br />
60657<br />
51 -C Heister Lone,<br />
Ti:nt St., Chicogo. Ill<br />
. .<br />
,<br />
945-REaiFIERS, SILICON<br />
Electronic Meosurcments, Inc Essex Rd Nop<br />
tunc, NJ 07753<br />
, JCC, Inc 52 2-ehome Ohtedori. Hlgorfiiku, Osoko,<br />
Jopon<br />
Kneisley Clectric Co., P.O. Box 4692, Toledo, Ohio<br />
43620<br />
5 Texas Theotre Supply, 915 Alomo, San Antonio.<br />
Tex 78205<br />
Toshibo Photo Phone Co., Ltd, 1-6, Uchnoiwol-Cho<br />
2 Chomc Chiyodo-Ku. Tokyo Jopon 100<br />
Westinghouse Electric Corp,, Semi Conductor Olv<br />
, Amibrust Rd Youngwood. Po. 15497<br />
946-REaiFIERS, XENON<br />
Let Artot Carbon Co., 1243 Belmont St., Chicago, III.<br />
60657<br />
Ationtic Audio Visuol Corp , 630 9th Ave .<br />
New York,<br />
NY 10036<br />
Corbons, Inc , 10 Soddie Rd , Cedar Knolls, NJ. 07927<br />
Christie Electric Corp. 3410 W, 67th St . Los Angeles.<br />
Colli 9004.1<br />
Eprod, Inc. 123 W Woodruff, PO Box 4712. To1ed^.<br />
Ohio 43620<br />
Kneisley Electric Co., P.O. Box 4692. Toledo. Ohio<br />
43620<br />
Opticol Rodioticn Corp, 6352 N Irwindole Ave.<br />
Aiuro, Colif 91702<br />
Texas Theatre Supply. 915 S Alomo, Son Anton. o.<br />
T»« 78205<br />
Toshibo Photo Phone Co. Ltd, 1-6. Uchisoiwo. :•<br />
2 Chome Chiyodo-Ku, Tokyo. Jopon 100<br />
947-RECnFltt CONVERSION UNm<br />
Lee Artot Car^on Co Bel-nont St , .<br />
Chicogo, 111<br />
Equips Soles Co. 915 S Alomo 51 Son Anlmio<br />
Tr. 78205<br />
JOC, Inc, S2 a-Chome Ohtedori. HlgotNku. OtofcO.<br />
948-REEl BANDS<br />
949-REa END SIGNALS<br />
«SO-REaS, PROJECTION<br />
rV-,. ITrv^I, U ) 07977<br />
,<br />
10 Soddta (W, C«lor Kna«t, N J. OTV]?<br />
W<br />
Corbone. Inc.<br />
Eprod ln< 123 Wcxxlrutf. P O Bo. 4712. To«e*>.<br />
0^ t 1-..<br />
G<br />
• 5345 T A Oerwer.<br />
P=<br />
.<br />
Edw M Wo* "^<br />
III 60605<br />
640 $.<br />
936-PROJEaiON SYSTEMS<br />
Amcrico, P.O. Box 1I02C, Wood-<br />
JY 11377<br />
Audio Visual Corp., 630 9th Ave , NY<br />
,<br />
10036<br />
"e of Omoho, Inc.. 1712 Jocksoii, Omoho<br />
'8102<br />
v.sion Berkley Morkctmg Componics, 25-20<br />
West, Woodside, NY 11377<br />
Ine . 10 Soddie Rd., Cedar Knolls, NJ. 07927<br />
Projector Corp., 32-02 Queens Blvd., Long<br />
9S1-Rmi, SUPER-SUE FOR AUTOMATION<br />
Carbons. Inc . 10 Soddie Rd . Cedor Knolls, N I 07927<br />
Eprod, Inc. 123 W Woodruff. PO Box 4712. Toledo,<br />
Oh 4 3420<br />
O Box 534S<br />
De»>.r-<br />
K.. S09 Modison Ave. New<br />
Ine ,<br />
4700<br />
952-REFlEaO« RIPAIR<br />
Cha-.e L-neyn<br />
Eprod Irx 123 W W>,jrjl(. fO B ' . 4 / 2 ToiedO.<br />
Ohio 43620<br />
Soles Equipo Co. 915 S Alomo St. Son Antonio.<br />
Tex 78205<br />
Heyer-Sholfx Div.. Special Optles, PO Box 163<br />
Little Foils. NJ. 07424<br />
953-REnEaORS<br />
Arco' Theo"e Products. Ine. 51 -C He.ssler Lone.<br />
Forminijdole. NY 11735<br />
AflontK Audio Visual Corp. 630 9th Ave. N»» York,<br />
N Y 10036<br />
Corbons. Inc., 10 Soddie Rd., Cedor Knolls, NJ. 07927<br />
Eprod Ine 123 W Woodruff PO Box 4712, Toledo.<br />
Ohio 43620<br />
Heyer-Schulti Div Speciol Optics. P O Box 163.<br />
Little Foils. NJ. 07424<br />
JCC, Inc 52 2-Chome Onte-dori. Osoko, Jopon 540<br />
,v«orble<br />
.<br />
Co. Inc. PO Box 8218, Noshviilt. Ttnn<br />
37209<br />
Toshibo Photo Phone Co, Ltd, 1-6, Uch.so
'<br />
.(476<br />
Box<br />
Box<br />
B:v<br />
1<br />
15<br />
FKEE Klf-inailer 1$ provided fo bring you full intormotion on any advertised product<br />
958-REWINDS, POWER<br />
At anr.c Audo Visual Corp., 630 9th Ave., New York,<br />
:JY 10036<br />
Eprod l.oc. 123 W. Woodruff. P.O. Box 4712, Toledo,<br />
Ohio 43620<br />
Inc., G.MJbefg Bros. P.O. Box 5345 T A., Denver,<br />
Cd!j 80217<br />
Ronpertone Research, Inc., 509 Madison Ave., New<br />
Ycrk, NY. 10022<br />
i^ctccrzh Technology, Inc., 4700 Chose, Lincoln-<br />
III «ood, 60646<br />
Plostic Reel Corp. of America, 640 S. Commerciol<br />
Ave., Corlstodt, N.J. 07072<br />
Texos Theotre Supply, 915 S. Alamo, San Antonio,<br />
Tex. 78205<br />
Ed* H Wolk, Inc. 1241 S. Wobash Ave., Chicago.<br />
III. 60605<br />
959-BEWIND TABLES<br />
Atlontic Audio Visual Corp., 630 9th Ave., New York,<br />
NY. 10036<br />
Eprod, Inc., 123 Woodruff, P.O. Box 4712, Toledo,<br />
Ohio 43620<br />
Opticol Rodiofion Corp., 6352 N. Irwindole Ave,<br />
Azuso, Colif. 91702<br />
Texos Theotre -Supply, 915 S. Alomo, Son Antcnio,<br />
Tex 78205<br />
960-SPROCKnS<br />
Atlantic Audio Vliuol Corp., 630 Ninth Av»., N.Y.,<br />
Carbons, Inc., Saddle Rd., C«dar Knollj, N.J. 07927<br />
Century Projector Corp., 32-02 Queens Blvd., Long<br />
Islond City, N.Y. I I lOI<br />
LoVezzi Machine Works, Inc., 900 N. Lorch Ave<br />
Elmhurst, III. 60126<br />
Edward H. Wolk, Inc ,<br />
1241 S. Wobosh Ave., Chicogc.<br />
961-SPROCKET PULLERS<br />
962-TOOLS FOR PROJEaiON REPAIR<br />
Century Projector Corp., 32-02 Queens Blvd., Long<br />
Island City, N.Y. 1 1101<br />
Eprod, Inc, 123 W. Woodruff, P.O. Box 4712 Toledo<br />
Ohio 43620<br />
LoVezzi Machine Works, Inc., 900 N. Larch Ave<br />
Elmhurst, III. 60126<br />
Edw. H. Wolk, Inc., 1241 S. Wobash Ave., Chicago ^<br />
III. 60605<br />
963-V0LTA6E REGULATORS &<br />
TRANSFORMERS<br />
^°07927<br />
'"'<br />
''"'-' ''^' "'^^ C
.<br />
257<br />
1515<br />
So<br />
.<br />
I<br />
Rd.<br />
Soil<br />
.<br />
When vritinq monuloctuttn or rtiair ditl'ibuton pIrOM mention Tke Modtrn Thratrv "But«>i<br />
13. Seating<br />
1409-PRE AMPIIHU WALL ailNn<br />
1301-AUOITORIUM CHAIRS<br />
Seating Co.. 901<br />
Roiwdj, M
220<br />
Consolidated<br />
?51<br />
1650<br />
2323<br />
Seottle,<br />
FREE Mlf-moiler coupon preceding this secrion is provided to bring you hill inlonnation on any advertised product<br />
1417-STEREOPHONIC SOUND SYSTEMS<br />
1515 S Manchester, Anoheim.<br />
r680<br />
ASC Tectinicol Service Co 'O Box 5150, Ri(<br />
son Tex. 75080<br />
Corbons, IrK., 10 Soddle Rd., Cedor Knolls, N.J. 07927<br />
Century Projector Corp., 32-02 Queens Blvd., Long<br />
Islond City, N.Y. 11101<br />
Dolby Loborotories, Inc., 731 Sonsome St., Son Fron-<br />
Kinotorie, Inc., 257 10th Ave., Peterson, N.J. 07524<br />
Notional Theotre Supply Co., 1600 Broodwoy, N.Y.<br />
N.Y. 10019 , ,<br />
Peterson Sound Systems, 455 Beorcat Dr., Salt Lake<br />
City, Utati 84 11 5<br />
Quad-Eigtrt Cinema, 11929 Vose St., N Hollywood,<br />
Colif. 91605<br />
1418-TRANSISTOR SOUND SYSTEMS<br />
Carbcns, Inc , 10 Saddle Rd , Cedar Knolls, N.J. 07927<br />
Century Projector Corp, 32-02 Queens Blvd., Long<br />
Islond City N Y. 1 1 101<br />
Eprod, Inc., 123 W. Woodruff, P.O. Box 4712, Toledo,<br />
Ohio 43620<br />
Kelmor Systems, Inc., 284 Broodwoy, Huntinglon<br />
Sfotion, N.Y. 11746 „^,<br />
Kinotone, Inc., 257 10th Ave., Poterson, N.J. 07524<br />
National Theotre Supply Co., 1600 Broodwoy, NY,<br />
NY. 10019<br />
Perdue Motion Picture Equipment, Inc., 2315 Williamson<br />
Rd., Roonoke, Va. 24012<br />
Peterson Sound Systems, 455 Beorcot Dr., Salt Lake<br />
City, Utah 84115<br />
Phosor System, P.O. Box 607, Acton, Moss. 01720<br />
Quod-Eight Cinema, 11929 Vose St., N. Hollywood,<br />
Calif. 91605<br />
Rongertone Research, lr>c., 509 Madison Ave., New<br />
York, NY. 10022<br />
Toshiba Photo Phone Co., Ltd., 1-6, Uchisoiwoi-Cho<br />
2 Chome, Chiyodo-Ku, Tokyo, Jopon 100<br />
15. Stage Equipment<br />
1501 -CURTAIN CONTROLS & TRACKS<br />
'02187 '<br />
Automatic Devices Co., 2121 S. 12th, Alientown, Pa.<br />
18103<br />
R. L. Grosh & Sons, 4114 Sunset Blvd., Hollywood,<br />
Colif. 90029<br />
Novelty Scenic Studios, 40 Seocliff Ave., Glen Cove,<br />
NY. 11542<br />
Scundfold, Inc., 3704 Wilmington Pike, Doyton. Ohio<br />
45429<br />
1502-CURTAINS, STAGE<br />
Hoycs Seating Co.. Ii SOO Joy Rd , E. Syracuse,<br />
NY 13057<br />
R. L. Grosh & Sons, Sunset Blvd., Hollywood,<br />
Colif. 90029<br />
Novelty Scenic Studios, Inc., 40 Seocliff Ave., Glen<br />
Cove, N.Y. 11542<br />
Scunrtfoid Inc , 3704 Wilmington Pike, Dayton, Ohio<br />
45429<br />
Wil-Kin, Inc ,<br />
800 Lambert Dr., Atlonto, Go. 30024<br />
1503-MASKING EQUIPMENT<br />
Adams St ,<br />
ASCO Auditorium Service<br />
02187<br />
Automatic Devices Co., 2121 S. 12lh, Allentown, Po<br />
18103<br />
R L. Grosh & Sons, 4114 Sunset Blvd., Hollywood,<br />
Colif. 90029<br />
Hoyc", Sc-otinq Co , Inc., 6600 Joy Rd., E. Syracuse,<br />
N Y I 3057<br />
Novelty Scenic Studios, Inc., 40 Seocliff Ave., Glen<br />
Cove, NY. 11542<br />
Srunrlloltl Inc 3704 Wilmington Pike, Dayton, Ohio<br />
454?9<br />
1504-SCREEN BRUSHES<br />
Broun Brush Co , 43 Albertson Ave,, Albertson, N Y<br />
11507<br />
CEMCOR" 'Consolidated Engineering & Mfg. Corp.),<br />
1515 Mr--lro-,f Lane, Forest Hill, Md, 21050<br />
Tcchnlkoto Corp, 63 Seabrlng St., Brooklyn, N.Y.<br />
1 SOS-SCREEN FRAMES, Variable & Fixed<br />
Curvature<br />
li/CORP (Consolidated Engineering & Mfg. Corp),<br />
•jl!i Melrose Lone, Forest Hill Md. 21050<br />
r.-.i Boy Con tiuction, 640 Bornord Ave, Wood<br />
..
•<br />
n<br />
251<br />
5<br />
1<br />
....<br />
.<br />
-I',<br />
P<br />
When writing nwnufactuitn o> tkair dittnbutsn pleoM mration Tli« Med«'n Tliwitr* "luyttt' OiiKtory '<br />
1702-CIGARET VENDER<br />
federal Mach.nt C^rp. fO ilia<br />
50306<br />
Trov<br />
Row« Inltrrwttorwf, ln< , 75<br />
Ml, 94<br />
r rvi Co, IfK, U35 5<br />
1703-COFFa VENOBS<br />
•r. Mot Cofp.. 2SI S. Jl«t St., K«nllwoflh. N.J<br />
cji Mochirw Corp, PO Bo« 1713, D«t Mo r»«.<br />
-a S0306<br />
3-d Madol Product* Co.. ia25 frttman A.c Cn<br />
cmnott, Ohio 45214<br />
Row* Intomolionol. Inc. 7S Trey Hllb Rd., WNppony,<br />
NJ 079tl<br />
1704-COIN & CURRENa CNANGOtS<br />
• 860 E 345- Oh.<br />
-duct» C.-. 1825 Fr, An*<br />
45214<br />
n, Inc , 220 O*'ov«ar« Ave , Butfolo.<br />
.Ktor». Ind.. PO Box 1550, Hot Sprioqv<br />
., 75 Trov Hllh Rd ,<br />
Whippony<br />
170S-DRINK VENDERS<br />
Federal Mochne Corp , P O<br />
Box 1713, Dei<br />
lo.o 50306<br />
Gold Medol Product! 1825 Freeman Avi<br />
cinnotl. Ohio 45214<br />
iet Sprov Corp. 195 Beor Hill Rd., Walthom. Most<br />
02154<br />
Row* lnto»notionol li>c . 75 Trov Hllli Rd , Whipponv,<br />
N J 07981<br />
1706-GUM VENDERS<br />
Coffee Mat Ccrp . S 3Ut St, Kenilworlh, N.J<br />
07033<br />
Gold Medal Product* Co. 1825 Freeman Ave Cn<br />
cinnotl, Ohio 45214<br />
Row* Internetioool, Inc . 75 Troy Hills Rd., Whippany,<br />
NJ 07981<br />
1707-MllK VENDERS<br />
Federal Machine Corp P O I<br />
i-»o 5030 6<br />
Rowe Intefnotiorol. IrK . 75 Tr-<br />
NJ 07981<br />
1708-NUT VENDERS<br />
X 1713. De^ M.-.ne,<br />
Hllli Rd.. Whippany,<br />
rko. 1*5 Wlllit Ave.<br />
1802-GIVEAWAYS, PREMIUMS, BAUOONS,<br />
THEATRE GAMES<br />
Eagle Rubber C; .<br />
44805<br />
no Oronfl* St, Athlond O'-<br />
Novelfv Gomel Co., RD No 2. Port Jorvlt<br />
12771<br />
Pioneer Rubber Co<br />
Rd. Wlllofd. Tiffin Oh<br />
44890<br />
1803-lADDERS & SCAFFOLDS, SAFETY<br />
18W-IUBRICANTS, PENETRATING<br />
OILS, CORROSION INHIBITORS<br />
Ercr, Mc:Qllurg.col Chcmicol C„., 15 N Elm Ave.<br />
PO Box 298, Newtown, Po 18940<br />
Bruin & Co , Inc , P O Box 270 B. Indianopolii, Ind<br />
46206<br />
Carbons, Inc , 10 Soddle Rd., Cedor KnolU, N J 07927<br />
N L. Industrie!. Inc.. P O. Box 500, West Coldwell.<br />
N J. 07006<br />
El DuPont dc Nemours i Co, 1007 Market St<br />
Wilmingtrn, Del. 19898<br />
1805-ORCHIDS<br />
ISO^SANDURNS<br />
1807-THEATRE BROKERS<br />
1902 AIR CONDITIONERS, IN CAR<br />
1903-BOXOFFICI$<br />
, . !..• r- nc,' 39JO<br />
-.4 r^- 442«»<br />
1904-CANOPIES<br />
44286<br />
190S-CAR COUNTER<br />
•g Co. 7(»9 N Wh Si, IboOMM<br />
' 4713, 123 W. Woodruff. TolMio.<br />
.<br />
KM,: Sgnoi Co, 326 W. 3rd St. Uhrkhevllto. ONe<br />
44663<br />
Pocpfic Theotre Equipment Co. 142 l.r-j>e«wc'»h<br />
St Son FronC'SCO. Colif 94102<br />
1906-CHAIRS AND BENCHES, OUTDOOR<br />
SEATING<br />
Ideo. Sev)t.r>a Co. 519 Aim il, N '.V , C.i.'-- H^^ i-.<br />
Mch 39504<br />
Miracle Plovoround Equip Co., P O Box 275. Gnnnell.<br />
1907-CIRCUlAR TYPE DRIVE-IN THEATif<br />
M.n .Art Ooerot.nj Co, Inc. 2421 N Sa-^tty 51<br />
Sprngt elf). Mo 65803<br />
1908-DIREaiONAL LIGHTS, TRAFFIC<br />
1909-EXIT CONTROLS, TRAFFIC<br />
1709-POPCORN VENDERS<br />
BIcv.ni Popcorn & Concesspcns Supply Co , B'x I7I233<br />
613 Ridqe Loke Blvd ,<br />
Memphis, Tenn. 38117<br />
Ff^ra' Machine Corp., P.O Box 1713, De» Moines,<br />
1710-SANDWICH VENDERS<br />
Federal Moch.nc Corp PO B-« 1713 Dc. v nc\<br />
Iowa 5-0306<br />
Mow* tnternotiorwl, Inc . 75 Troy Hills Rd , Whlppony,<br />
18. Miscellaneous<br />
1801-CONSULTING & DESIGN SERVICE<br />
:.,c..-. Ac I J '. Aii.>c . '.32 E, .'Jew Englono Ave., 'A<br />
•<br />
Fore Corp., 640 Barnord Ave.<br />
1598<br />
W- l-r,,--,- '. <<br />
Orlv*-ln Theatre Mfg. Co., 709 N, 6lh St , Komoi<br />
City, Kot. 66101<br />
Forest Boy Constructron. 640 Barnard Ave, W i<br />
mere, NY II 598<br />
Freemon Thootre Service, 5 Hudson Rd , Garden City<br />
NY 11530<br />
Mel C Giotz & AstoclolM. 1550 Dover St., No. 5,<br />
lol
i M)i,n<br />
)nr<br />
P<br />
1243<br />
3806<br />
FREE jcU-moUer coupon preceding (his section is provided to bring you hill intonnotion on ony od»crt.$«d prodoci<br />
Glenn E Kcropp Co., 2539 Teslo Woy. Socromento,<br />
CoKf. •?5825<br />
T^le^^.•..^lotc^ Corp<br />
QrVwov Loop, Tu^<br />
Ccii. i2i'S0<br />
1916-HEATERS-ln-Car, Gas (Flameless)<br />
1917-HEATER THEFT PREVENTION<br />
Drive- In Theatre Mfg. Co., 709 N. 6th St.. Konsot<br />
123 W. Woodruff, P.O. Box 4712<br />
Speoker Security Co.,<br />
,<br />
1700 Willow Ave., Hobokcn,<br />
Toledo, Ohio 43620 .. ^<br />
N.J. 07030<br />
1918-INCINERATORS & CARTS<br />
Ai..t- C 11052 Pcorl Ave,. Strongville, Ohio 44136<br />
1919-INDUCTION REQIVERS<br />
(For<br />
Car Stereos)<br />
1920-JUNCTION BOXES (For<br />
Speakers)<br />
In-Car<br />
Lee Artoe Carbon Co., 1243 Belmont St., Chicogo, III.<br />
Drit^Pn Theotre Mfg. Co., 709 N. 6th St., Kansoi<br />
City, Kas. 66101 „„ „ ,-,,t<br />
Eprod, Inc., 123 W. Woodruff Ave., P.O. Box 4712,<br />
Toledo Ohio 43620<br />
Glenn E. Koropp Co., 2539 Teslo Way, Sacramento,<br />
Pro^ecied fe^. Inc., Box 112, Ploinfield, Ind 46168<br />
Reed Speaker Co, 7530 W. 16th Ave., Lakewood,<br />
Colo. 80215<br />
1921-LIGHTING SYSTEMS<br />
Cartons, Inc., 10 Soddle Rd., Cedar Knolls, N.J. 07927<br />
Drive-ln Theatre Mfg. Co., 709 N. 6th St., Kansas<br />
, Ci;y, Kg5. 66101 _.<br />
Electric General Co., Apporotus Distr. Soles Div.,<br />
1 River Rd., Schenectady, N.Y. 123^5<br />
GTE Sylvonio, lr.c., 100 Endicott St., Donvers, Moss.<br />
Vorion Electron Device Corp., 61 1 Honsen Woy, Polo<br />
Alto, Calif. 94303 _ „ ^<br />
Westinghouse Electric O. Box Vlcks-<br />
Corp., P. 824,<br />
burq. Moss. 39181<br />
1922-llTTER REMOVAL EQUIPMENT,<br />
BASKETS<br />
At>vater Strong Div., 6284 Waterloo Rd., Atwoter,<br />
Ohio 44201 , , .,.<br />
CiA Distributing, 710 Centrol Ave., Foriboult, Minn.<br />
Purex Corp., 123 Medford St., Maiden, Moss. 02148<br />
1923-MOSQUITO & INSEQ REPELLENTS<br />
Brom Metollurgicol Chemical Co., 15 N. Elm Ave,<br />
PO Box 298, Newtown, Pa. 18940<br />
Moben, Inc., 1980 NW 139th St., Opo Locko, Flo.<br />
330S4<br />
Pic Corp., 224 Main St., Orange, N J. 07050<br />
1924-PAINT, DECORATIVE, for<br />
Drive-ins<br />
E.I. Du Pont deNemours & Co., 1007 Market St ,<br />
Wilmington, Del 19898<br />
Spotz Point Industries, Inc., 1601 N. Broodwoy, St.<br />
Louis, Mo 63102<br />
1925-PAINT, Drive-ln Screen<br />
Courtesy Service, 6350 W. Exposition, Lakewood.<br />
Colo. B0226<br />
E.I. Du Pont deNemours & Co., 1007 Morket St.<br />
Wilmington, Del. 19898<br />
Prokote, 12812 Garden Grove Blvd Garden ISrove,<br />
Cciif<br />
Selby Industries, IrK., 3920 Congress Pkwy., Richfield.<br />
Ohio 442B6<br />
Spoil Point Industries, Inc., 160) N. Broodwoy, St.<br />
Louis, Mo 63102<br />
Tochnikote Corp.. 63 Scobring St., Brooklyn, NY 11231<br />
1926-PEST & INSEa CONTROL<br />
(Also See 1913 & 1923)<br />
t C<br />
, CO Box 270 B, Indianopolis, Ind<br />
46206<br />
Wc-.l Chemicol I'rr.du'-.ts. Inc. 42 16 West St . Long<br />
Morifl Cit/, n f 11101<br />
1927-P1CNIC TABLES<br />
iKKl Device Co,, 1801-31 S. Jockson.<br />
jr/ AnrJcrson ind, 46011<br />
iil
I<br />
RIBBON<br />
.<br />
Memphis.<br />
1 N<br />
..-.<br />
Grond<br />
New<br />
New<br />
PO<br />
P<br />
•<br />
Atlonto.<br />
I<br />
744<br />
14824<br />
Material and Equipment by TRADE NAMES<br />
AN ALPHABETICAL DIRECTORY OF COMMODITIES POPULARLY REFERRED TO AS "ADVERTISED BRANDS"<br />
ASMKOtN con hon(tl'r>« •quipnwnl: Abtwtt Com<br />
Counttr Co. Rvt'dol* A««.. p O. Boi 1341, GrMn-<br />
«.ch Cv^ C483I<br />
ACOUSTUWAIL ocouicollv lr«at«d wall covcrino<br />
Afnirtt.-Woll. JOIO Somodo Av« , Columbui. Ohio<br />
43085<br />
AOO-A STAR r J. I !-:: r^ '.'or Metal Co*D 4700<br />
.<br />
I,,,.<br />
, , r ... , -0153<br />
AD-X<br />
'<br />
h«n AD X<br />
C 80160<br />
1 AlltrLO Co. 3010 10th<br />
S,<br />
ALMOND JOY cx!-njt «. 'h am~.n(i%- P»ttr Poul. Inc<br />
Mi«ter. Anaheitn. Calif 92803<br />
AMBIR homi & hoccru Smithfield Hom & PrcdlKli<br />
C- ln< PO Bo« 487. Smithtield. Vo 23430<br />
AMERICAN DRYER clKtnc hond drven: Anwicon<br />
Kendolville. Ind. 46755<br />
Dfvcr O.v 95 Oak St<br />
ANSCLICA-PREST uniformj- Angelica Uniform Group.<br />
Lous. M- 63112<br />
nc 700 Ro^cdole Ave St<br />
ANSUL (ire Dfotection jvtfems Fire Wotch. Inc. 2490<br />
Uri^er^itv Ave. St. Poul, Minn. 55114<br />
ASCO «a" c-ver.ng ^yitcm ASCO Auditcnum, I<br />
Milton Ma« 02187<br />
*^i.CT^•. Si<br />
ASTRO-LOUNCtR t ROCKER theatre choir: Mousey<br />
Scot no C- PO B-'x 5658. Noshville. Tenn 37208<br />
ASTRO-POP popcorn mochine Gold Medol Products<br />
Co I;. ,r: 1515 H Av.<br />
BUTTlRrUL<br />
P<br />
BOTTIRNUT<br />
' ^rsol Cup Co<br />
* rxl Brands. Irs<br />
CALI carbon sovers Coli Products, 8108 Cop.toio<br />
Ave Foir Oaks. Colif 95628<br />
CANDY APPLE MAGIC coating for condv oppies<br />
Victor Products Corp.. 328 N. 18th St.. Richmond.<br />
vo 23223<br />
CARACOL o<br />
•<br />
cpellcnt Moben. Inc. 1980 N W<br />
o.o stems: Fire
PO<br />
Long<br />
1007<br />
Dayton,<br />
Nouqatuclpcorn bogs; Word Popcorn Co , Inc , High<br />
way 72 EosI, Scottsboro, Alo 35768<br />
KRISPV KIST: Krispy Kl»t Korn Machine Co, 120 S<br />
HolLtcd St , Chicago, Ml. 60606<br />
LAZY SEVEN POSTS boxoffice conopy: Selby Industries,<br />
Inc, :t920 Congress Pkwy., West Richfield, Ohio 44286<br />
LEE ARTOE CINEMA corbons Lee Artoe Corbon Co.,<br />
124a Belmont Ave. Chicogo, 111. 60657<br />
LIC-TIC ticket rocks: Weldon, Williams & Lick, PO<br />
Box 168, 711 No A 5t .<br />
fort Smith, Ark. 72902<br />
LITf-TITE wing wolli ond lencing: Selby Industrie*. Inc<br />
,<br />
:tr^ri Con^i. v. Pkw/ , Wcil Richfield, Ohio 44786<br />
LIT-R-BLO oir I. rooms: Alwolor Strong DIv 6784<br />
Waliflo-, I'll. Alwotcr, Ohio 44J01<br />
LOBBY MARQUEI Indoor illumlnoted multl-theolret<br />
morquees PoblocVI & Sons, 620 St, Mllwou<br />
S 1st<br />
kee. Wise. 53204<br />
LO BLO air brooms: Atwoter Strong Olv., 6284 Woter-<br />
Rd., Atwoter, Ohio 44201<br />
LO BOY Showcosc wormer popcorn warmers Stem<br />
Woodcroft Ccrp , Sproguc Ave.. Amityville N Y<br />
11701<br />
LOMMA CHAMPIONSHIP MINIATURE GOLF COURSES<br />
minioture golf courses locoted indoors or outd'-ors<br />
in limited space: Lemma Enterprises, Inc., 1120 S.<br />
Washington Ave., Scronton, Pa. 18501<br />
LORRAINE propection Arc carbons: Carbons. Inc., 10<br />
Saddle Rd., Cedor Knolls, N J. 07927<br />
LUCITE acrylic lacquers, C.l. Du Pont deNemours &<br />
C- . Morkct St., Wilmington, Del. 19898<br />
LUME-X xenon projection lomphouse system: Strong<br />
Electric Corp, Div, of Holophane, 11 City Pork<br />
Ave., Toledo, Ohio 43697<br />
LUXTROL lighting controls ond dimmers: Superior<br />
Electric Co., 383 Middle St. Bristol, Conn. 06010<br />
MAGNA COM 65 8, MAGNA COM 73: Schneider Corp.<br />
of America. 185 Willis Ave, Mineolo, N.Y. 11501<br />
MANKO FABRICS CO. 13 Seating, seat covers for<br />
MATTE WHITE SCREENS: Technikote Corp., 63 Seohrmq<br />
5! Brnnklyn, NY. 11231<br />
MERRY POPPIN' brand corn and brand coconut oil<br />
TV Time Foods, Inc., 2277 W. Howard St., Chicago,<br />
III. 60645<br />
METEOR EIGHT ouditnrium choirs: Irwin Seating Co<br />
,<br />
Box 2429B Grand Rapids, Mich. 49501<br />
MEXICO FORGE heavv dutv outdoor playground<br />
cquio-nent: Kilgore Corp., P.O. Box 565, Reedsville,<br />
Pa 17084<br />
MIGHTY MITE rectifier- Strong Electric Corp,, Div.<br />
of Holophane. 1 1 City Park Ave., Toledo, Ohio<br />
43697<br />
MILKSHAKE condv bar: Hollvwood Brands, Inc., 836<br />
S. Chestnut, Centrolia. Ill, 62801<br />
MINICINE Sound Svstem; Ouod Eioht Cinema, 11929<br />
Vo-e St., N, Hollywood, Calif. 91605<br />
MINI/TEN concession stand- Stein Woodcraft Corp.,<br />
22 Sproque Ave . NY. 11701<br />
M&M's condies: M&M/Mors, 2019 N. Ook Park Ave<br />
Chicoao, 111. 60645<br />
MODULINE film storoqe rocks: Plastic Reel Corp.,<br />
640 S. Commercial Ave , Corlstadt, N J. 07072<br />
MOUND'S condv bar«- Peter Ooul, Inc., New Hover<br />
Rd,. Nouqotuck, Conn, 06770<br />
MOUNTAIN RANGE hovo'fice ccnooies: Sclbv Industries<br />
Inc.. 3920 Congress Pkwy.. Richfield, Ohio 44286<br />
MP 30 sound proiector: Alon Gordon Enterorises, 1430<br />
Cohuengo Blvd., Hollywood, Colif. 90028<br />
MULTIPOP automatic popcorn mochinery, Electrowore<br />
Corp., 5150 Angola Rood, Toledo, Ohio 43615<br />
02139<br />
NAREN SPOT LIGHTS: Edw. H. Wolk, Inc., 1241 S.<br />
Wobosh Ave., Chicago, III. 60605<br />
NATIONAL CHANGEABLE LETTERS mosonite hordboard-wrinkle<br />
finish: Notional Device Co., 1535<br />
16th St., Denver, Colo. 80202<br />
NATIONAL THEATRE CHAIR & models includno<br />
lounger: Nationol Theatre Supply Co., 1600 Broadway,<br />
New York, N.Y. 10019<br />
NATIONAL projector carbon: Union Corbide Corp.,<br />
Carbon Products Div,, 270 Pork Ave., New York.<br />
NY 10017<br />
NAUGAHYDE vinyl coated fabric & flome resistant:<br />
Uniroyol, Inc., 1230 Ave. of the Americas, New<br />
York. NY. 10020<br />
NCR cicclronic cosh registers NCR Co, S. Moin &<br />
K Sts , Ohio 45479<br />
NECCO condv bars: New Englond Confectionery Co ,<br />
254 Massachusetts Ave, Cambridge, Moss. 02139<br />
NEOPRENE foam cushioninq- Performance Scatmq Mo<br />
tcriols, Inc. 3413 Eastern Ave, SE. Grand Rapids,<br />
Mich 49508<br />
NESTLE'S chocolote candy bors and hot chocolate mix<br />
Nestle Co., Inc, 100 Bloomir)odale Rd., While Plains,<br />
N Y, 10605<br />
NEVA BURN flomeproof compound: Seoting Corp. of<br />
New York, 247 Water St., Brooklyn, NY. 11201<br />
NO JELLY peanut with crispies: Peter Poul, Inc., New<br />
Haven Rd . Conn 06770<br />
NORRIS FVR-FYTER fire protection systems Fire<br />
Watch Inc., 2490 University Ave., St. Poul, Minn<br />
55114<br />
NVLOTILE nvlon corpef tile: Lees Corpels, Volley<br />
Forge Corp Center, King of Prussia, Po 19406<br />
NVRACORD rubber & cord matting, American Mot<br />
Corp, 401 Pork SI. Wopokoncto, Ohio 45895<br />
O'OELL'S ANHYDROUS BUTTERFAT popcorn topping<br />
Odoll Concession SiirdoH.r. r,. pn B,,> 7S0<br />
Caldwell, Ido 83605<br />
ODELL'S "SUPIR-KIST" buttery flavored oil: Odel'<br />
Concession Specioities Co., P.O. Box 280, Coldwell<br />
Ido 83605<br />
OH HENRY!: Word Candy Co , Two Penn Plozo. N Y<br />
NY 10001<br />
OLYMPIC 400 auditorium chain: Irwin Seolirtg Co..<br />
Box 2429B, Grond Ropids, Mich. 49501<br />
ONAN ccctrc generators: ONAN Ccrporot.or, 1400<br />
73rd Ave N.E., Minncopohs. Mmn 55432<br />
ORCON lomphouses Xenon: Opt. col Rodotion Ccrp,,<br />
6352 N Irwindole Ave, Azuso, Col.f 91702<br />
ORCON II integrol xenon projection system: Opticol<br />
Rodiotion Corp., 6352 N. Irwindole Ave<br />
,<br />
Azuso<br />
Calif. 91702<br />
ORCON xenon lomphoute systems: Optical Radiation<br />
Corp., 6352 N. Irwindole Ave., Azuso. Colif 91702<br />
OSRAM xenon bulbs: Mocbeth Soles Corp., R D. 3<br />
Jeanne Dr., Newburgh, NY. 12550<br />
PANIC GUARD pome doors: Kowneer Co., Ifsc.. 1105<br />
N Front St., Niles, Mich. 49120<br />
PALLADIUM Heovy Duty Theotre Corpct: Mohowk<br />
Corpet, 57 Lyon St., Amsterdom, NY 12010<br />
PAS 1000 sound system: Notionol Theatre Supply<br />
Co., 1600 Broodwoy, New York, NY 10019<br />
PAY DAY salted nut roll bor: Hollvwood Brands,lnc<br />
,<br />
836 S Chestnut, Centrolia, 111. 62801<br />
PEC 1000 projection electronic control system: Notional<br />
Theotre Supply Co., 1600 Broodwoy, New<br />
York, NY. 10019<br />
PERF-FIX film perforation repair system: The Perf-fix<br />
Co<br />
,<br />
Euclid St., PO Box 3524, Sonto Mcnico<br />
Calif 90403<br />
PHASOR SYSTEM PS 100 programmable digital deck<br />
servmg as outomotion cueing device, Phaser Systems,<br />
PO Box 607, Acton, Moss. 01720.<br />
PHASOR SYSTEM PS 200 30 amp electronic light<br />
dimmer, Phaser Systems, P.O. Box 607, Acton<br />
Moss. 01720<br />
PHILLIPS corbon severs: Phillips Electro Extensions,<br />
Box 388, Rt. 2, Ronceverte, W. Vo. 24970<br />
PHIREX projectors: Toshibo Photo Phone Co., Ltd<br />
.<br />
1-6 Uchisoiwol-Cho 2 Chome. Chiyoda-Ku, Tokyo.<br />
Jopon<br />
PIC mosquito repellent: Pic Corp , 224 Moin St .<br />
Orange. N J, 07050<br />
PINKEE fountoin svrups: Roy Smith Co. of Jacksonville,<br />
365 Pork St., P.O. Box 2646. Jacksonville<br />
F'o 32203<br />
PLANTERS peonut'i and peonut butter cups: Plonters<br />
Peonuts, Div. Stondord Bronds. Planters 'Curt ss<br />
Confections, 3638 N. Broodwoy, Chicago, III. 60613<br />
PLAYMATE o'ovground equipment: Delmer F. Harris<br />
Co., Box 278, Concordia, Kos 66901<br />
PLAYSYSTEMS heavy duty fibergloss outdoor plov<br />
ground equip: Kilgore Corp , P O. Box 565, Reedsville,<br />
Pa. 17084<br />
PLtO MAGIC 16mm/35mm film reels: Plostic Reel<br />
Corp., 640 So. Commerciol Ave., Corlstodt, N.J<br />
07072<br />
PLUSH SOUNDFOLD acoustical wall covering: Soundfold.<br />
Inc. P.O. Box 2125, Doyton, Ohio 45429<br />
POLARIS theotre seats: Mossey Seoting Co., P.O. Box<br />
5658, Nashville, Tenn 3720B<br />
POLAR PETE slush mochine: Gold Medol Products<br />
Co, 1825 Freeman Ave, Cincmnoti, Ohio 45214<br />
POP-ALL liquid poppinq oil: Durkee Food Service<br />
Group, 900 Union Commerce Bldg., Clevelar»d.<br />
Ohio 44115<br />
POP-A-LOT popcorn machines: Gold Medol Products<br />
C^ 1825 Freeman Ave, Cincinnati Ohio 45214<br />
POPSIT PLUS DODCorn seosoning- C. F. Simonln's Sons.<br />
Inc . Tiogo & Belgrade Sts., Philadelphia. Po. 19134<br />
POPSRITE coconut oil. boxes & bogs: Blevins Popcom<br />
& Concession Supply Co., PO Bex 171233. 813<br />
Ridge Loke Blvd., Memphis, Tenn 38117<br />
PORTABLE combinotien popcorn ond cor>dy casters<br />
Stem Woodcroft Corp , 22 Sprogue Ave , Amityville.<br />
N Y 11701<br />
POSI-TROL sprockets: LaVezil Machine Works, Inc ,<br />
900 N. Larch Ave, Elmhurst, III. 60126<br />
POTTS PLATTERS 3 «. 5 disk no rewind platter syv<br />
t,-ns R >lieri L Potts Enterprises. RR No 2. Urbooo<br />
1601<br />
. New Haven Rd , Nougotuck, Conn. 06770<br />
Inc<br />
PRESIDENT 35/16mm proiector Toshibo Photo Phono<br />
Co, Ltd, 2 1-6 Uchlsaiwol-Cho, 2-Chome Chiyedo<br />
Ku, Tokyo, Japan 100<br />
PRESIDENT IVp^rn Mochm,- Cretor* & Ciwpons<br />
PO P.'x 90346 Nashville Tenn 37209<br />
PRINCE 35mm projector Toshibo Photo Phone Co.<br />
Ltd. 1-6 Uchisoiwol-Cho, 2 Chome, Chlyodo-Ku<br />
PROMINAR proiectlon lenses & onomorphic ottoeh<br />
menis Kowo Opticol Die, 317 E Chestnut Si<br />
E Rochester. NY 14445<br />
PRONTO LETTERS: Bevelite Adier Co, 14824 S Moin<br />
SI , Gordcno. Colif. 90248<br />
PR0-3S proieclors on.t pri,|e
365<br />
Whrppony.<br />
Inc .<br />
Dyer<br />
P<br />
P<br />
Box<br />
,.l«.<br />
•<br />
•<br />
C.nc.noot..<br />
D«»<br />
TRADE NAME INDEX<br />
RAOIASTAT Qj|u»tot)i« ouloltomtorm«r Aminan<br />
Word L.nard El«eti.c Co, 31 So $1.. MounJ Vtrooo,<br />
NY lOiSO<br />
KATID CHAN6C flot icrMnwl pointed l»lt«»»<br />
Pro&.rT*: M19 W » ?«H PUk* ( «* Arv)*l«^<br />
S.fl"<br />
Co'.f<br />
900 l^<br />
RCA<br />
i<br />
tmiTI toff d">* Coco Colo Co , 110 North Av« . Al<br />
STAIRMAITI* tot.t, .tof l.«o<br />
STARSCOPI<br />
I o JJ30J<br />
TROUPIt tpotligM S<br />
Mol-^fxm. II C.lr<br />
Turcoio .. i '.' -t<br />
I ll«1fit Corp., 0»v. 0«<br />
A.< Tv e-j. Of *>*'<br />
f>fl C .clr c Coo 17033<br />
xfctoft Corp. 22<br />
Go'Jena, La ^l. W.'*tt<br />
RICINCV popcorn mach.n*- Sttin Wooderoft Corp,<br />
22 Sprojuc Ave. Amitvville. N.Y. 11701<br />
RILAXRICLINIR f^lin-ng bock cho>r»; Moyvrood-<br />
W
I<br />
i<br />
9802<br />
.")???<br />
PC<br />
1019<br />
'<br />
THEATRE EQUIPMENT AND SUPPLY DEALERS: U.S. AND CANADA<br />
ALABAMA<br />
ille—Smith Sound & Project<br />
S.E (E. 35801 H Sm.thI<br />
ARiZONA: •Phoenix—Arizona Theotre Equipment i<br />
Sjpoly Co.. Inc., 1410 E. Washington 85036<br />
Bruce W.cks)<br />
Theatre<br />
ARKANSA5: North Little Rockply.<br />
Inc., 4270 E. 43rd ot Smokey Lone<br />
iHorngan Wortsmith)<br />
Sup-<br />
CALIFORNIA: •Culver City— Budd Theotre Supply.<br />
*jtt Frank Lash) & 8537 W. Woshnor-.n<br />
Blvd 9O230<br />
.<br />
Glendolc—Filbert Co., Box 5085, 1100 Flower St<br />
91201 (Spero Kontos)<br />
Hollywood: Alan Gordon Enterprises, Inc. 1430 N<br />
Cohucgo Blvd H, 90028 ;Gront Louchsl<br />
Los Angeles— •Notional Theotre Supply Co., 2001 S.<br />
Lo Cienego Blvd., 90034 (John Dolk)<br />
•Theatre Service i Supply, Inc., 1250 E. Walnut Ave<br />
.<br />
Posodeno, Colif. 91106 (Wayne Bosecker, John<br />
Currie, Jock Hessick)<br />
Socromcnto—Glenn E. Koropp Drive-ln Theotre Supply,<br />
2539 Tesic Woy, 95825 (Glenn E. Koropp)<br />
Son Francisco— -Pacific Theatre Equipment Corp., 142<br />
Leavenworth St. 94102 (Robert Woelfl, Jerry Har-<br />
• Western Ttieatrical Equipment, 187 Golden Gate Ave.<br />
94102 (James R. Barry)<br />
Santo Ana—Projection Service Co., Inc. 3818 So.<br />
Birch St., 92707 (Jim Gillespie)<br />
COLORAOO: Oenyer— •Notionol Theatre Supply, 2111<br />
Champa St. 80205 (J. R. Lutz)<br />
•Wes,tern Service & Supply Co., Inc., 2100 Stout St.,<br />
P.O. Box 1259 80201 (Robert K. Tankersley)<br />
FLORIDA: Jacksonville—Roy Smith Co., 365 Pork St.<br />
32203 (Roy Smith)<br />
North Miomi—Florido Theatre Equipment & Supply,<br />
Inc, 1966 N.E. 149th St., 33181 (Morvin P. Toub-<br />
33130 (Hal I<br />
Cii<br />
Court (Ste<br />
5in, Inc., 759 W. Flaggler St.<br />
tein, Norene Hornstein, owner)<br />
Equipment Co., Inc., 6750 N.E.<br />
oms)<br />
GEORGIA: Albany—Dixie Theotre Service & Supply, 1010<br />
North Slappey Blvd., P.O. Box 546, 31702 (J. O.<br />
McClung)<br />
'Atlanta—American Theatres Supply, P.O. Box 47099,<br />
30362 iW. N. Sheorer)<br />
Copitol City Supply Company, Inc., 2124 Jackson<br />
Pkwy. N.W., 30318 (Don Howell)<br />
•Notionol Theatre Supply, 1325 Logon Circle, N.W.,<br />
30318 (J. Whitoker)<br />
•Wil-Kin, Inc., 800 Lambert Dr., N.E. 30324 (Bill<br />
Edmondson, manager)<br />
1370<br />
ILLINOIS: Chicago— •Abbott Theatre Equipment Co.,<br />
Inc., 1311 S. Wabash Ave., 60605 (Harold Abbott,<br />
jr.)<br />
Lee Artoe Carbon Co., 1243 W. Belmont Ave. 60657<br />
•Notional Theatre Supply, 1322 S. Wobosh Ave<br />
60605 (Paul Ayotte)<br />
Coullerville—frank McLean Theatre Service, Second &<br />
Vine Sts. 62237 (Frank R. McLean)<br />
Lincolnwood—Movie Supply Co., Inc., 7380 N. Lincoln<br />
Ave., Suite 202, (Horry E. Goodman, Jock Colen,<br />
INDIANA: Evuniville— Evonsville Theatre Supply, Inc.,<br />
2274 E, Uiv St. 4771 D. Sfi npf)<br />
-•Gcr-Bor, Inc.,<br />
Copit<br />
46204 (Ben Hopkins)<br />
•Notional Theotre Supply Co., 2070 E. 54th St. 46220<br />
(B.N. Peteraon)<br />
Union City—Projection Equipment Co. 47390 (George<br />
& Joe A. Wcnger, portncrs)<br />
Vp;<br />
KENTUCKr:<br />
Co., 427-29 South 3rd St. 40202<br />
•Hodden Theotre Supply Co., o division of Motion<br />
Picture & Broadcost Service, Inc., 3709 Hughes Rd<br />
,<br />
40207 IL. Bornwov;cr, MgrI<br />
LOUISIANA: Baton Rouge—Cinema Concession ond<br />
Supply Co , Florida Blvd., 70815 [John Bojon)<br />
Now Ortoani (Konncr)—Trons World Supply, Inc.,<br />
2711 Virginia Ave 70062 (Norm Levcnson)<br />
tJoliono! Thi.-alrc Supply Co, 1821 Airline Highwoy<br />
70001 (C. A. Aeh«», Jr.)<br />
MARYLAND: Baltimore— *Alllid Thtotr* Equip. Co.,<br />
Inc, 12 E. 25lh St., 21218 (Jesio Horper, Monoger)<br />
Eott Coast Theoir* Supply, 5321 Kenwood Ave., 21206<br />
Notionol Theatre Supply Co., 6707 Whilesfone Rd,,<br />
21207 (George F. Eitel)<br />
Brentwood' Cordmal Pr.Jnv.irinol Scrviteii, 4300<br />
r'h',rlc l-.kind Av.- (Chotlc. C. Cordinol)<br />
,<br />
,<br />
MASSACHUSETTS; Boston Cincino Service & Supply.<br />
Inr 179 Piillond Street, Boston, Mou. (Bud<br />
Major Theatre Equipment Corp., 28 Piedmont St<br />
02116 (Dove Fox, Ernest Comj)<br />
•Notional Theotre Supply Co. 95 Broodwoy 02116,<br />
[J. Norlon)<br />
Universol Theatre Supply of Boston, Inc ,<br />
80 Copelond<br />
St., Quincy 02169 (Bob Molcomion)<br />
MICHIGAN: Detroit—Amusement Supply Co., 208 W.<br />
Montcolm St. 48201 (Russell Rub«n)<br />
Gordcn City—Ringold Theotre Equipment Co., 29525<br />
Furd Rd 48135 (John Kenny, Horry Russell)<br />
•Grond Rapids— Ringold Theatre Equipment Co.. 952<br />
Ottawa Ave. N.W. 49503 (Poul J. Voudouris, Pres.)<br />
MINNESOTA: •Minneopolis—Cinema Systems, Inc.,<br />
P.O. Box 16036 55416 (Paul J. Wenz)<br />
Minneopolis Theatre Supply, 51 Glenwood Ave. 55403<br />
iRobert C. Lohti-Chorles Lohti)<br />
Plymouth—Notional Theotre Supply, 1113 Vicksburg<br />
Lone 55391 (P. Ayotte)<br />
MISSOURI: Kansas City— 'Mid-Continent Theatre Supply<br />
Corp, 1800 Wyandotte 64108 (W R. Dovis)<br />
Notional Theotre Supply, 1800 Boltimore Ave.. 64108<br />
(G. J. Krull)<br />
^ ^<br />
St. Louis—Cinequip Compony, 6311 Southwood Ave,<br />
63105 (H. I. Moseley)<br />
Ringold Cinema Equip., Inc., 8421 Grovois Ave., 63123<br />
(Mike Mottler, John Mottler)<br />
NEBRASKA: Omoho- Boliontvne of Omoha. Inc<br />
Jackson St. 68102 (Edward J. Nelson Pres.:<br />
•Slipper Theatre Supply, Inc., 1502 Davenport<br />
102 iCathe<br />
1712<br />
NEW JERSEY: Asbury Pork—G.B.C. Clark, Motion<br />
Picture Engineer, P O. Box 835 07712<br />
•Notional Theatre Supply, 130 Ferry Avenue OB104<br />
(J. Link)<br />
Moonochie—Cinecroft Internotionol, Inc., 1 Caesar<br />
1<br />
PI., 07074 (Don Copono)<br />
Newark—Rongertone Reseorch Inc., 1195 McCorter<br />
Highway 07104 (George Zozzoli)<br />
NEW YORK: Albony—Albany Theatre Supply Co., Inc,<br />
443 N. Pearl St. 12204 (J. McGroth)<br />
Notional Theatre Supply, 1600 Broodwoy, 10019<br />
(R. H, Brunckhorst) International D--<br />
496 Peorl St.<br />
•Buffalo—^Notionol Theotre Supply Ct<br />
14202 (J. Lovoroto)<br />
Jomaico-" Universal Theatre Supply, 167-08 Hillside<br />
Ave 11432 (Joseph StiHel, Sheldon ""<br />
1432 (Joe Stiftel,<br />
Avidyne, Inc., 167-08<br />
Sheldon Spiro)<br />
New York—Associated T8.R Co., 146 Eost 151 Street<br />
Bronx, 10451 (George CorbeH)<br />
Rongertone Reseorch Inc., 509 Madison Ave., n.y,<br />
N.Y. 10022 (George Zozzoli)<br />
•Capitol Motion Picture Supply Corp. 630 Ninth<br />
Ave. 10036 (Ben 8. Horrv Persel<br />
Cinemotogroph International, Inc.. 341 w itin m.<br />
10036 (Georqe Hornstein, Lee Hornstein)<br />
•Joe Hornsltin^lnc, 341 W. 44th St. 10036 (George<br />
Hornstein & Lee Hornstein)<br />
•Notional Theatre Supply Co., 1600 Broodwoy 10019<br />
i(A. McLoughlin)<br />
SOS Photo-Cine-Optics, Inc. 315 W. 43rd St. 10036<br />
(Walter Druker)<br />
Stor Cinema Supply Co., 2 7 W. 21st St. 10 )11 (S.<br />
Tonney)<br />
NORTH CAROLINA: ChoiloMo- •Charlotte Theatre<br />
Supply, 229 Church St. 28202 (Tommle Melton)<br />
Americon Theotre Supply Co 529 So. Tryon<br />
28202 (Ponny Cobb)<br />
•Stondord Theotre Supply Co., 624 W. Independence<br />
Blvd. 28208 (Rolph Hurto, ^°'/^^'- J^'^"^y''lL^n^<br />
•Wil-Kin Theatre Supply Co., 800 S. Graham St. 2820.<br />
(Horry Wovnel<br />
— Greensboro •Stondord Theatre Supply Co., Inc.,<br />
P.O. Box 20660, 27420 (.Lowson Ronkin)<br />
OHIO: CincinnotI—Notional Theatre Supply Co.,<br />
1150 W, 8th St. 45201 (T. M. Fisher)<br />
Cleveland—Cinctronix Inc., 11303 Hessler Rd 44106<br />
'dL\^ooU?"M Co., 7976 Broodview Rood,<br />
Broodview Heights, Ohio 44147 (Nick Lubich)<br />
Columbus— Americon Theotre Equipment Co., 165 N.<br />
High St. 43215 (F. R. Gardiner)<br />
Toledo— Toledo Theatre Supply Co.,<br />
43623 (R, " ~ '<br />
Brockwoy)<br />
OKLAHOMA:<br />
Supply Co.<br />
Peek)<br />
Oklahoma<br />
Johnston) _ . . j cc D.»ti.<br />
General Sound and Theatre Equips, 1-td 55 Bently<br />
St. E2K 1B2 (C. L. Johnston, Dist. Mgr)<br />
& Elec-<br />
NEWFOUNDLAND: SI. John's—Allontic<br />
AlC 5V8 (A J«*>sto<br />
OREGON: PorHond-<br />
935 " '<br />
3916 Secor Rd<br />
PENNSYLVANIA: Doyloitown: Theotre Service 8. Sup<br />
ply Co 623 N Shody Rest Rd Box 784 18901<br />
,<br />
(C C Bnnhom)<br />
Phllodelphlo- 'Allied Theotre Equip Co., 155-57 N<br />
I2lh St 19107 (Ronald Franks, Hormon Fine)<br />
Pittsburgh—Notional Theotre Supply Co. 107 Sixth<br />
St 15222 ^':<br />
78202 IR. Bortelt jr Pres, C J. ^^St^;J^<br />
Texas Theotre Supply, 9^5 South Alomo, 78205 (E. G<br />
Olivorri<br />
ir)<br />
UTAH: Solt Loke City— Peterson Theatre Supply, 455<br />
Bearcat Drive 84115 (Carl E. Peterson)<br />
•Universal Theotre Supply, 264 E. Firrt ^"h 84111<br />
Herb Schoenhordt, Keith Perry, Gory Rushton)<br />
VIRGINIA: Roonoke— 'Perdue Motion Pictur. Equlp^<br />
men: Inc 2315 Williamson Rd. N E. 24012 .(Roscoe<br />
E. Perduo)<br />
WASHINGTON: SeottI*—Americon General S«)plv Co<br />
Inc., 2300 First Ave. at Bell 98121 (R. E. W<br />
Fair'eigh)<br />
•S. F. Burns «. Co., 231<br />
Second Ave. 98121 (S.<br />
Notional Theotre Supply, 2413 Second St., 98121<br />
(D. L. Wilmoth)<br />
.<br />
WEST VIRGINIA: Chorleiton— •Moor. Theotre Eauip_<br />
Co., 213 Box 782 25323<br />
Deloware Ave., P.O.<br />
;D. Moore)<br />
Clarksburg—Lovett 8. Co., Box 1127, 26301 (Groy<br />
Barken<br />
-Theotre Service i Supoly Co Tenth<br />
)X 1389, 25701 (S. T. Gollimore, Mgr.,<br />
Blaine Gollimore, Soles)<br />
WISCONSIN:^Milwoukee— Horry Meteher Ent«r^'|n<br />
3615 W. Fond Du Loc Ave. P.O. Box 16528 53216<br />
CANADA<br />
ALBERTA: Colgory—Generol Sound and .^Theotre<br />
T2H<br />
Equip., Ltd., 3, Unit S.E 415-60th Ave. 2J5<br />
John J Kilcullen Jr District Manager)<br />
Sharp's Theatre Supplies, Ltd., 104 4th St.. S. W.,<br />
T2P 1R8 (M. Gregg Nelson)<br />
Edmonton—General Sound ond Theatre<br />
10201-104th<br />
Equip|ment<br />
Ltd., 415 Revillon Building,<br />
Street<br />
Indef^n'ien'i^Theitre Supply, 10904-80 Ave. T6GORI<br />
;Tom Hutchinson)<br />
roiTicu rniiiMBIA- Vancouver — Dominion Theotre<br />
EqiT,^en"co. Ud', 3;3'Rai.way Street, Voncouver<br />
BC. V6A-1A4 (0. V. K. Foirleigh)<br />
Generol Sound 8, Theatre Equipment, Ltd Room 105<br />
2182 West 12th Ave., Voncouver B.C., V6K-2N4<br />
lA P. Mulcohy, Dist. Mgr.)<br />
^°^or Jo^o'u've^g^^ V6'';,Vr.Vfo..'."E* hVoT<br />
'^rn\°?fd\^4'3t';r^r^°'—'—-'^"<br />
IJ7 i-Wordc<br />
Tullt<br />
General Sound Thootn<br />
ssington St.,<br />
NEW BRUNSWICK: St. Joh.^G«^rQl |~"d ' ^l^'?<br />
Equipment, Ltd., 55 Bentley St. E2K 1 B2 (C L<br />
owner)<br />
NOVA SCOTIA: OoHmoulh—Gilbert Sound Supply Co<br />
15 McKay St. B2Y 1R3 (G.J. Gilbert)<br />
'''<br />
"•,"5'?5<br />
B^or",-n'gt'on^rB3rizrrT"Vd!.^"orti<br />
Gen Mgr)<br />
, . , ,.<br />
•Toronio— Generol Sound i Theatre Equljx^enl Ltd<br />
7 Bonl7on Orlv., Toronto M4H IG4 (R. Frosw Neol)<br />
QUEBEC: Montreal 'Best T hoot lo Supply, l-^ . ><br />
i»0<br />
E^.1. Ave Ml Royal Monlieol PO H2J 122<br />
Generol Sound k Theoire Equipment. Ltd.,<br />
Rd M^nlrool H3S 1A3 (J. J. KtlculUn n<br />
Notionol Th«jlr. Equipment Co.. Ltd., 6212 longel...<br />
Blvd, Monlreol HIM 2B8 (G. Lollbortel<br />
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