Untitled - Chandos

P..lo.-c.s
Kirster L*d J.nscn - R Eco R D E RS
Pe.Weile B.k - nrcr LurE, RENATssANCE LUrE
Instruments
D".."aalto - FRIEDRIcH v0N HUENE (19851
Sto.""byJr". - rrEDERrcr( MoRGAN (ree6)
"lto
D.rrerr.ice flulc - n ^pupLr
LOB\rp,99rr
Sop"nao - RoESSLER, H ErDE (r990)
Sopranino - RoESSLER, HEIDE (199r)
ArcLl.t" ir G - rromas NEr rERr (1eBe)
Renaissancelute -

o
Paolo Be.edetto B.lli.rori
t,.reeo rzszr
Sonata Quarta in C minor, opus 3
AJ"g;" (s'ss)
(All"g"")(t,r+)
AJ"g;o (t,to)
(V;"""")(t,z:)
ALTO RECORDER, ARCILUTE
@
o
(D
(9
A""..$.lo Co..lli tras: rzr:r
So.rt* I\/ i. F major, opus 5
Adogr" (z,zo)
Allce"o (z,sl)
M'o". (t,tlo)
Ad"Eio (2,:o)
All.g." (z,el)
Frangois Coupcrin t166s-17331
L" Rossignol e. r-or. (5,1t1)
SOPRANINO
G.".g Plrilipp T.l"-r..
Fantasia in D mi.o.
RECORDER, ARCHLUTE
tr6ar-rt67t
Lo"po-V"acc- Larpo-Vivace All.g."
(s,ro)
ALTO RECORDER
J.-.* O**.ld klirt ri6el
S.o* D.op (Ai." {o"th" Wi.t..)
Af[.rt'.*"i-o (4,05)
@ Go'"t" (t,tS)
ALTO RECORDER, ARCHLUTE
(D
o
@
@
@
CL
.f oh. Dotl"rd rrs63-r6261
P""l'J;"- (t,tz)
F-antasi c I .v o. 7 (4,37)
RENAISSANCE LUTE
1-u.lor{L O'C^rolan tt67o 17381
Bli"d NIo"y (r,s+)
For.1, Poo.." (3'51)
C..oln.'" D""ot"t
(2'18)
Co.ol..'" Conccrto o. M"". P"." (2,2o)
Plo."+1, Co4.o" " (z,zs)
Nlodo^ C"l" (+'+s)
ALTO/
*-VOICE
*SOPRANO
FLUTE,
RECORDER
ARCHLUTE
OR

1. JA N UA R I700. Str.rrc.rrclll,,rrr.,,{,\"",,t.4.'l,rC,,""lli*
.ptrs 5 t,r' ,r.,1,,1, I'l.,r
"t .,.lqir.l. r\11., .,.1. i,..1.',r *i,r.11.'.LliEE.""l*.
".
*,,,.r1i,.e..r ,,l l'l i,,li,r*,,n,,1.'
'
duroque
1,,' *til: inr,,J
"li'.liin.li{. ti.l.,r" ","t1
.,,,,..L,,, (',,,"11i rrlpr.rcl .,.,1,..",.. i irrc.i*. llrrn*,,rr"""1*.,i It,,li",. b1"."t
",,11i".'.1 '{ ",
%aste
for
lr.l,r*t"l ,,l ,,pu* l-1. r.cn 1..,,, *it1..,"." (',r,",lli pi'r sirr t.rnnrerrtl,,*.r"".*.1",r,r. l,r"*1. Jrr{ i clet
,,.. i,, 1,.,,..1,.,1"'/
S.',".1 l,i, .i 1,,'",,,,1.''t1i4,,1.1,i13. .r.,,(',,""11;
l.u'J. il h. i si,r .ildestc lanlasi
",,I
1,,".*till.t si{ clcn nrrrssir'.,poprrlrrlitel. s()rn ol)us S pir Lort ticl opniLcclc,,r'." h"l" Iir.,,1ru. Su,r.-
li,rr.3.,r lr,,,rr g,,n*lr.."nlr.ll lil rrl srcttt.,r.. *t,,,r.1,,,.1.r f,,r irr"lrunrcnLrls.natcn.,r{

li",r*1." L", t,,,rr*t L,,.,1., 1.,,rr *,r,. ,,1t,,1g,,",,,r,1. srrrirqscl()r.r'cr'prrt.rrl pir. ,,t ll,,,r*L. ,,E 1.,,. l,'u,.*1.
,rr.,*il.,ri..l..l.
l)crin \irLc .,n.l.r.l.ll.
t,iti*1.. ttrn!c-orcn. Sonr h

I
nrusik dog at verc umishend"ligt T;l E".g*ld r',r" J". ,,.d". "ituli.,t*k" b.lg"" i b"E n-
".E"lrk.
,1"1r",. n{'i"t 18. fir}.r'd"eJe *a !"u{ilg. u[ .r.n ktnne {rtgle {or d".
,'usik" c$enu't' I
".E.'l*k"
L..Jr. ,'r," ,kot*k o$ i"*L t,.t"ik oQsi hojc'ste t'Q 1'y"t ttt" Jt"fo" t"*tplo"t"" It'" kttttptnister
sonr .Lotten Jar-es O*r"old. Hu,. lik L*"d"|.*h"d
,."d sine nre$et poetiske
'tt'dc'
"r"""*
'\i''s
Fo, th" For" S"n*on". rJEi.,"t i l7:r7. \/erket [,.stt1" a{'48 s.ft suitcr. d"" ltt"" .pkoldt 6tt
"" "Ii""
a[ i,rsliderne* blo*"tcr. ll'e" *rite er noje rfstemt *i. bl.-*t" *v,tbolit og tdsectdc oE
"1i."
,'r'"ihL".* kompletsilet tJ''ikl"" siA tilliAc lennem firets Etn$ '
irhelutten var |ojt verdsat i
Lordo.. .,Q t'i ,,nsker ,t"d .'.".* tid.*t1'piskt instrumenterirrf ut kastc n1't ly" tt'"" d"ttt t''t"lt*
ud*oEte dcl it"tc**c.
I Jet ,n"dr,.*tlig" 1r.1."." ol Er"op" d.,kk." C.""lli* novn op attcr enfan!. nu i li'r-
Li.d"lr. ,."d d"t f,li.d" i""L" l'u"p",pill"" Tt'lttgh O'Cu'olu'' Cn"'lnt ['lcv i$e'rne"
"i''c
hompo*itione" d"t p""f"kt" bi.J"l"d r,."11",r. t"uJiti...'l i"*L og Jcn it*lienske conccrt.
-.,*ih
.E giEo of t.,rrp,,.i"t"" C.""lli .g (lcmi.iani. strertc"t stfrr tilLnl.tninpc n i Co"olon; Cun-
"o-
""i.tir 14Nln,lo^ Cu/". ,r",.* u.d"..f ho.".,*"1 ." b*""" p"*4 o[d.. Ii',,.*l.".t.tt"t o$ {i!ue frrr
d"t 17.6"hr.d""d". I I"lu.d toQ komponister.." ,rr"d El*d" imod inspiration tJ.li'u. nA Cu"'l'""
itrlicr.k kli.g"rd" til,ru'n Si4nor Cnr"ull;ni bl..' .t""ult bctra$tct s.m ct l,,rne-t kotrpli-ent'
Du d". i"*k" t"*Jiti.,r i L.j !"ud bod ,'usil..rne at lt'e ftrrsirin$er o'er et te,.u. l'e*tftr Il"rc a{'
C,,",,1,,,t* .',."L"" i b"u"lt"jJ"l*" .1 u11"""d" tksisttrcndt
"t"lt'Jitt'
RirE".
"" *lrttct {rr C.""lll til Cn.nl,,r.ft"".. "r",rp*i.k "r,.J""j*" "t"d [,1"-h{1"1-
tcn oQ lutten. Bef$e instrrrmcntc. thr'"e ptp'ltt"" i sarrtiden of oplaftc r'tlg np{tttl*'
"tr" ""J
ul d..." CD'* rcpe"toire. Du instrumcntk,,mbi,.,,tio,.cn i daE ho".r til Jc n.""c *j*ldt". lttlltt'
.,i ,rr"d d".r",Jgi.,.I"" at Iu.ne presc.terc n'c kla,rElucettcr til [ort.,,jclse I,r" ".ht'"". ".,tt
1""
*r.,,e {,r" lro"tk
|
I
I

Ki""t., Lund J.nsen o! Per W.il. B"h ,nudt." i 199o som stuJcrende p6 D.t J""h. Nl""ikko"-
ser,atoriutn. 4"h"". uJ t"" A"" {nlle' Duo al Dentc. s.krnde"et af L"i{
"{ "tudietid 'ok".d"
R"^lor. Su.nJ".n og VigEo Mangor. Ki""t"n Lund J"nsen lottsatte ,ine Llok[l"jt."tuJi". ho"
Vi"hi Bo."h^un pa Det Kgl. D^n"lr. ltlu"ikhonsen'atorium, ,n"n" P"" V'.i\" Buh e{t",
diplo,n"h"u-"n med lut som hot,.dfuE kon"rlt"r"d"Jtkob L;ndberE. Londor.
Sid.n hu" Duo ul Dent. livet tulrige koncerter', inJspillet [o, .o/io oQ TV samt
leteret musih ill {lere teaterprodulrtion.". Ensemblet pA lri"to"i"h" instrumenter eker
"piller
o"iginale spilletralitioner [o" pE de, nlde at !i'e et personliQt bud fi dcn tiJligc musihs
i nten sit et, tem perament o ! cLarrne.

J A N UA RY lst 17 00. l-hc"".,r. i" R,r,r...,,rrd A".,,,r-
Eclo Co"elli's opus 5 has just b".n p.,bli*h.J. A .l'
".llc"ti,rr
12 r'iolin sonotas, exceptional b"[,,". thcir ptrblicution.
".",r
u* Cr""ll; - contrarv to the n.r.r.l prrctice,rl'tLc ti.rcs - hu* 1r"",. p.lishi.E a,rd cxpclimentin{..ith
these'"rn,,t.* 1,," r'.,,"". I Ii" repulalion trs { c()nlp(}scr Lu*,,1"",,d. lr""rt
cemcnted i" Italv th""ugh hi* ,,p.,*"* l-J. but h,,..
".nll.l"r.t
i" C.".lli .l [rtr.. s.cccss ()r1
this {lrst J.1, .{'tL.
ncs ccnturr,
Thi" .r'.'
",,,r
,,.1.' $rrcss. Lut t'.'en in his .* il.l"*t J"..-*. C,,".lli "o.,ld hu"Jlu
ha'e irnagineJ thc m^ssi'c p.pulr,ritr'..hich his opus 5 in. sh.rt spacc,rl'ti.,...,,.,lJ
u"hic.. ull ,rr'." Er",rp.. Th"
cltrite sirrrplv scI nc* sttr.da.d* Lrr thc instrurrrcntrl
sonatr,,,.d..u* reprintcd nr,,rc Lhirn 7o tinrcs itr (l.".lli'" lil.'Lir... arrrJ arn,rtLcr
".ll""li,,,r
llo
L"{i,"" th"
".d
.rl tl." ccnturl. Supcr*tar st.cnrs . n.t .,,r".,,",r,.,,1r1.pith.t
{,r" this c..rp,,"-
.r'h,r ...," ,,1". ,r.. .{' th. ,rr.*t outsturrtlin{ r'i.linists trr.d r.r.,*ic peda!o{ucs .l' his timc.
"".
TIrc sonatas 3. I and 6-12 o{'opu* 5 (uictlv p.,ltli*h"J in transcription* l,r" tl.c
'r'erc
"".,r"d"", but sc havc choscn to plrrr't,rnttu 4. usin{ u eJitirn printed in Arrrstcr-
'i,,1i,.
Janr in 1710 "... ruilh Ilr" nrrr,,ncnls of'lhis urr"lr, r,,nrp,,"r'rl lru lvlr. C-,rrelli. n, h" plnu" l/renr'. It is
not ccrtuin..hcthcr
or n.tthcsc.tnanrcnts
scnt thc lt,,liu. irrrp"..,i*cJ orntmcnIirlion
".u111 ...". C,,".lli'" osn. but tl..r,J. ""p..-
prtcticc ,,1't1,. p.ri,,cl.
Alth""EI. Cl"".lli'* entirc proJucLior c.-p"i*.J..lr'(i,rprrs,r.r,rrlr""r, hi* c,,,rpositions
hrd r dcci*i.'c i,rll.,cnc.' ,,n l.,ll,,.r'i.E {enerattions ,r{'",,,r.p,,*."". I Iis comprrtriot
Paolo Betrecle tt. Bcllitrra.i
hu.l C,,"clli re"p."t[rllv ir .,irJ .. L.,. h. * r.tc Lis
"l"u"l.'
o\\'n 12 s()natas, .pus 13, prLli"L"J in l72t). Bc-llinzrr,ri. o l,,,,rr.., pric*t l,r',rr L'di,.".
"..,-
p,,""d..u"1." *p""ili".l11'1,r" tl..
i' tLc clcprnt a.d b.illiar.t *ti'lc r.l.ich hud
".".".1.r
lr".,r-" p.pulr,,'since thc tu"rr .l thc cortun. r\lthorgh thcsc s.'utas,,"" *"ld,r,r. 1...".1
toJar'. thc music is,rl ..'""1 higl..1.,,,1it..,,rrd lcchr.icallr'. thc sonata 1+ in () rrrinol is 1r.rticularlr'
.. c'll "ritcd
t. b.tl
tLc """,,",1.,"
,,,.,1 tl." u,'"h1.,t..
aste
e/J -I a r o q u e
Durinf thc Bar.cl,c peri,,cl. rrb*,,lt,tc.t,,r,u""l,. L.ld alr",,l.,t. "..,,1
i,r I1",,,."".

{
..L.". Il',,r,, th.'r.i.l.ll",,l thc lTth cc'['rr'. I-,,.,i* XIV *rrs his countrr"r - u,rd th.,* thc
uni'clse's ,,lr",rl.,t. rliJprrinf, -l-l,. .,.,r",l,r,," co11sLrnrp[;()n ,rl'rr..,*i",rl/" u.J hi"
"ri "u/"i1
c.u't *rrs i,. thc ha,r

"etr".. Foll..ni.Q a later - at the court.{'Chri"ti.n IV.f D".-u"k, Do*,lu.d
"1,,1,,,L".r,,J
p"Lli"h.J in 16lo rl Varictu ol'Lute L""",,n", ..Li"h i."hd"d our Fqntosic No. z TLi" pi"".
ist1,pical,,['the rnatrrc l)o.r'lurd, t]roup]r still roolcJ in thc tonnlity.[ th. Ren.i*"ancc. it
"lca"fv poi.ts in thc dircction .{'tL" Bu".qr.. TL. F,,ntu"i. i* h."" p""""d"d by " Pr"lrdiu-
1".- The Boord Lut" BnnL - th..tl1,p""lrd".r'c still ha"c by Do.'lutd.
Alth""gL Italirn *tvlistic trtits *crc ,.r"L [u".r""J i" E"glu"J, E.gli*h mr"i"
still continucd to bc unmistakuLlv E.Ell*L.'l'Lat is, r.til th. *."..d'ltuli....a"e'at thc
beQinninf th. l8tlt century sursed in .. ith such forcc. that thc charactcr E"gli"h
cnda.Oc""d. I. L..d.. at tlrut timc. Scoftish ..d I"i"L ,nr*ic r'e,'e also
""ic "cerned
"f "pccial "{'
all tlc o.d th" tos,n tLus hud a magnetic attraction I." u* "aEc,
J.-"*
".r-p.r"""* "r"h
O*rtold. n h. J.'r'. fr.,* Ed;nb"rElr. IJ" u"hi"'"d prrticular *ith Lis poetrc
-,r.,"d "rccc*"
A;'" E" lh. Forr S"o"nn". p"bl;*h"d in 1747.TLc *,ork consists .{'48 suitcs, 12 [r
"-.li
".,"h"",,*... EacL *rite 1,c."" th. .,,,rr.,r[ u ll.r'cr,,"*."i,,ted o,ith onc ofth" ""u*..", o.d
re flccts thc ,,.J upp",,",,r"" th.* fl,,.. TL" co-plc*ity .f th.
"r,,rrb.li*.. "f ".. -r"ic
incrcases.r'ith thc pa**oEc,r['thc 1'"u". Th" u".Llrt".rt* Lighly thought.{ in Lrndon.t
the timc, a.d *'itL our vcf),appropriatc instrumcntatiort, rr'" h,rp" to hatc contributcd to
. 1".*h .pp"""i.ti.n .{'the ,,.d d"li"n"y, ofthi" rrrusic.
"h,,".r
In the nortL-.r'csl corner,r[ Er".p.. C.".lli'" namc cr()ps up ye't apain, tLis
time in conncction s,itL tL. tli"d I"i"h L."pi"t Tr.lo.,4h O'C."ol.r. TL"o"gh l,i" ".--
positions. C,,".1,,,. L.",,-c thc pcrlect link bet..'cen traditio.rl Irish music u.d tL" It.li..
concerto unJ Eigu .rf u" C.""lli rrd Gc,.i,rir,.i. Tlr;" li.k i* ".-p."""" "r"L -,r"t "l"urly
c'iJcnt in Cornlrn'" Concerlo u.d &IrJo- C"/". * hil. .t1.." .r.,"k* .l hi" lt.''" in thcrn
rrr,r"" .f th" F""."L rncnuct unJ pipuc o['tLe lTtL ccntury. Irish composc.$ \\'crc very
reccpti'e to nc* idcas und inspirttion f,',r.r ub",,ud, ,,.d Cu".lu.'" .ick.,,r.. Si1no, Cor-
"u//iri.r',,, taLc. t,* u fi." It *,as,,."y rrr"L . p.,t .I tL. I"i"h rnr*ic.l tr.dition
lor rnusicians to elaLorate arnJ ornamcnt a b,rsic thcrnc, so it s,as ratu"al f,r"
",r-pli-"nt.
Cu".l..
to Larsc a .r-b""
.l hi" .. u"k* ,r. ul.",,dy existinA tuncs.

Cu".l.r'* music brings us - hu'inQ .a.ged far and u,ide in Europe s.ith
fecorJer atd lutc - b."k t. tLc influential C.""lli. BotL.."o.dc" and lrt. rre"e immen".ly
p.prlo" in tLe Baro{uc perioJ, a.d *orlJ L.r," bcc. natrrr,l fort}r. picces leut.r.J
.. this CD. l['"""o.d"" .nJ lrtc arc toda1, .r. .f th" l.** lu-ilir" instrumental
"l,.iccs
comLinutions, r." Lop" tlat..ith or" r.," hn". L"",r.bl" to prescnt some ne\\,
(lar.rrrs "."."di.e, to those rvith a taste {or Barodue.
I(IRSTEN LUND JENSEN & PER WEILE BAI(
Dente
Kirsten LundJe,r".,, und Pc. \leile BaL ,rrct in 199O at TLeJutland Acaden4,ot'NIu"ic.
A"h"", Th. tLree tctrrs tLet'*'ere tolether here tts students ,."rrlt"d ;r, Duo al De ntc, sec-
,tnJ.d b1, ilteir tettcLers, L"i{' Rnrrrlor,Sr,.rrJ".r, nnJ \';g4o NIanpor. Ki"stcn LunJ Jc,trc,,

o
%aste
for
aro
Paolo Be.cdett. B.lli.ro.i Lc.r6eo r7s7l
Sonata Quarta in G minor. opus 3
Adag;o (a,:t:t)
(A11"6"") (r,s+)
Aduglo (t,ts)
(Vi"rce) (t,zz)
Fra.gois Coupe"in t1658-17331
l-e Ros*ii..l .r u-o.," (5,1o)
Geo"4 Philipp T"1..r"..
Fantasis in D minor
tr681-r7671
La"Eo -Vi.,oc. - Lu"E. -Vi"tcc -Allcg".
(s,ro)
Jrm." O"rt"ld Lc.rTrr-17691
Sro* D"op (Ai.* f". th. Wi"t.'")
Allett'os"i.'. (4,05)
Ca..otta (1,18)
@
o
@ (9
(9
(D
@
@
@
@
ARCHLUTE, RENAISSANCE LUTE
Kirsten I-r.d J".r".
RECORDERS
A".orQeL Co."lli rro::-rzr;t
S.nota lV in F nrujor. optrs 5
Adugi" (z,zo)
All"A"" (z,et)
Vi"u"" (t'06)
Ad"C;" (z,so)
All"o"u (z,st)
Jolrr Do"ln.d 115;-1626)
P""l"di"'. (t,tz)
Ftntusic N". z (+,sz)
Turlough O'Co".l.t t1670 17381
Bli"d Nlu"y (s,r4)
F,,r.y Rr."e. (11,51)
C,,".I",r'" D."ut. (2'ts)
C.",rlur'* Conccrto ." M"*. R,"" (2'2o)
Pl*nxtl Connor (2,28) fil61itfi_
NI.J,,,, C"l" (+,+r)
riffilllHN
ffi@flffiil
i
>
-