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Production Notes & Screen Credits - SYE Publicity

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Gru is deliciously wicked, and his surroundings<br />

reflect that. The keen observer of Despicable Me can<br />

find elements throughout the film that offer nods to<br />

the brooding humor. In a direct nod to the father of<br />

The Addams Family, there is a painting on the wall in<br />

Gru’s lair in which a boulder is falling off a cliff and<br />

about to squash a hapless tour bus that is motoring by.<br />

Stuffed game mounted on the wall showcase—what<br />

else— predator swallowing prey that is swallowing<br />

weaker prey. As well, in the Bank of Evil, as Gru<br />

walks through the main corridor, the pillars progressively<br />

show hapless victims squished by the columns.<br />

These are simply some of the many tongue-in-cheek<br />

references inserted by the team.<br />

For the environmental design, Coffin brought art<br />

director Guillon, an artist with whom he has worked<br />

for many years, onto the production. “Eric actually<br />

spoke maybe three or four words of English,”<br />

Meledandri explains. “Pierre has tremendous confidence<br />

in Eric. From the very first images that Eric<br />

drew, the suggestion of both color and style of the<br />

world was absolutely present. His artwork is so<br />

extraordinary that when he creates a piece of what we<br />

call ‘visual development’ or ‘visual design,’ he does it<br />

in a way that when you look at it, you say, ‘Oh my<br />

gosh!’ The personality that he places in his design is<br />

extraordinary. There’s a whimsy to it; there’s warmth<br />

and a distinctive edge.”<br />

As they considered creating locations for Despicable<br />

Me, the directors and producers knew that there had to<br />

be a significant discrepancy between the Gothic lines of<br />

Gru’s black house (first imagined by production designer<br />

Cheney) and the postmodern visuals of the spoiledrotten<br />

Vector’s fortress. Offers Meledandri: “The array<br />

of styles was designed by Pierre and Chris and Eric to<br />

reflect how the characters fit into this world. Gru lives<br />

in a black house in this picture-perfect suburban neighborhood<br />

where the only blight on the neighborhood is his<br />

home, with its hint of a Gothic style. His vehicle is probably<br />

the least environmentally conscious vehicle ever<br />

placed on Earth. It’s all a bit ragged since he’s a character<br />

who is no longer in his prime.”<br />

Gru and his minions are on an ambitious mission.<br />

– 21 –

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