Production Notes & Screen Credits - SYE Publicity
Production Notes & Screen Credits - SYE Publicity
Production Notes & Screen Credits - SYE Publicity
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ABOUT THE<br />
FILMMAKERS<br />
Having worked for Marvel and DC Comics from<br />
1994 to 2000, CHRIS<br />
RENAUD (Directed by/Dave<br />
the Minion) comes from a<br />
background in comic art.<br />
From there, he moved to<br />
production design at Shadow<br />
Projects and Big Big <strong>Production</strong>s,<br />
where he oversaw all<br />
aspects of the animation<br />
process, including character<br />
development, creating concept storyboards and managing<br />
teams of digital modellers and artists.<br />
He progressed to Blue Sky Studios/20 th Century<br />
Fox Animation, where he worked as a story artist on a<br />
number of feature animation projects, including<br />
Robots, Ice Age: The Meltdown and Dr. Seuss’Horton<br />
Hears a Who! His role was to translate the screen<br />
story into the visual language of cinema, inventing<br />
and staging both dramatic and comedic action.<br />
In 2007, Renaud conceived, wrote and storyboarded<br />
the animated short No Time for Nuts, overseeing<br />
every creative aspect of production, including<br />
design, layout, lighting, rendering, music composition<br />
and sound design. No Time for Nuts was nominated<br />
for an Academy Award ® , and it went on to win<br />
the animation industry’s Annie Award for Best Short.<br />
PIERRE COFFIN (Directed by/Minion Voices)<br />
studied cinema at France’s<br />
Sorbonne University between<br />
1985 and 1988, and the<br />
Gobelins school of animation<br />
from 1990 to 1993. He then<br />
moved to England and worked<br />
as an assistant animator at Amblimation,<br />
Steven Spielberg’s<br />
animation studio.<br />
In 1996, Coffin began<br />
working at Ex Machina, one of the leading French<br />
CG-animation companies at the time. While there,<br />
he became lead animator, then animation director,<br />
and directed his short film Pings (1997), which<br />
captured the industry’s attention and started his long<br />
career in commercials.<br />
He then joined Passion Pictures as a director.<br />
While there, he made highly praised and prizewinning<br />
commercials, in addition to a miniseries<br />
called Polar Bears (part of The Lenny Henry Show)<br />
for BBC1. Coffin’s commercials and television series<br />
shorts have been huge Internet successes. His Pat &<br />
Stan pilot received more than 10 million hits in just a<br />
few weeks.<br />
In 2007, Coffin directed a seven-minute teaser for<br />
his feature film Bones Story. The teaser, combined<br />
with Coffin’s long career in animation, eventually got<br />
Hollywood’s attention. By the end of 2008, Chris<br />
Meledandri asked him to direct Despicable Me with<br />
Chris Renaud.<br />
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