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Production Notes & Screen Credits - SYE Publicity

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generated animation and visual effects division. She<br />

has been responsible for recruiting artistic and technical<br />

talent, developing a production pipeline to efficiently<br />

create and manage CG film assets and developing CG<br />

production and business strategies for the company. In<br />

an effort to keep production costs down while still maintaining<br />

high production value, Rowan has cultivated<br />

relationships with some of the world’s top overseas<br />

animation studios and has delivered high-quality animation<br />

at extremely competitive costs.<br />

Rowan was also responsible for heading up creative<br />

development for Wild Brain. She has worked closely with<br />

writers, directors and producers, developing screenplays<br />

for feature films and television series for both animation<br />

Rowan’s film and commercial projects have<br />

garnered the most prestigious awards in the industry<br />

including the Oscar ® , the Emmy, the CLIO, the Effie<br />

and the Mobius, among others.<br />

Prior to Blue Sky Studios, Rowan was a producer<br />

of cel animation at Broadcast Arts <strong>Production</strong>s,<br />

following her role as assistant to the director of<br />

animation at Mark Zander <strong>Production</strong>s, both in New<br />

York City.<br />

Rowan has a BA in art history from the State<br />

University of New York at Purchase. She is the<br />

Northern California chairperson for Women in Toys<br />

and is a member of ASIFA-Hollywood and the Visual<br />

Effects Society.<br />

and live-action productions. During her tenure at Wild<br />

Brain, she sold an original television series idea to the YARROW CHENEY (<strong>Production</strong> Designer)<br />

Disney Channel and an original feature film idea to<br />

Universal Pictures; both properties are currently in<br />

development. Rowan produced Wild Brain’s first CG<br />

film, Hubert’s Brain, which is an original 17-minute<br />

short that highlights the studio’s superb character animation.<br />

Hubert’s Brain won first place in its categories at<br />

the World Animation Celebration, the ASIFA-<br />

Hollywood Annie Awards and Synthesis 8 in Belgium;<br />

garnered the Silver Plaque at the Chicago International<br />

Film Festival; and received a host of other accolades<br />

from film festivals around the world. The success of this<br />

film led Wild Brain into the feature film arena by<br />

securing a $40 million co-production partnership and a<br />

five-picture deal with Miramax Studios.<br />

Rowan segued to Wild Brain from Blue Sky<br />

attended the California Institute of the Arts from 1992<br />

to 1995, before beginning his career as a character<br />

animator at Turner Feature Animation/Warner Bros.<br />

Feature Animation on Cats Don’t Dance, Quest for<br />

Camelot and The Iron Giant.<br />

In 1999, he won an Emmy Award for Outstanding<br />

Main Title Design for his opening title sequence to<br />

Sony’s Dilbert series. Cheney went on to design Sony<br />

Pictures Imageworks’ Academy Award ® -winning<br />

theatrical short The Chubbchubbs! and Universal<br />

Pictures’ Curious George.<br />

In 2006, he directed, produced and production<br />

designed The Very First Noel holiday special.<br />

In 2008, Cheney joined Illumination Entertainment<br />

as production designer for Despicable Me.<br />

Studios in New York. In addition to producing Bunny<br />

at Blue Sky Studios, Rowan was the executive<br />

producer of the studio’s multimillion dollar feature<br />

film and commercial production. She produced the<br />

animation and digital effects for films including<br />

MTV Networks/Geffen Pictures/Warner Bros.’ Joe’s<br />

Apartment and The Bubble Factory’s A Simple Wish,<br />

and was executive producer for Blue Sky Studios on<br />

Paramount Pictures’ Star Trek: Insurrection.<br />

PAMELA ZIEGENHAGEN-SHEFLAND (Edited<br />

by) grew up in Minnesota and went to St. Cloud State<br />

University. She lived in Los Angeles from 1980 to 2006<br />

and moved back to Minnesota in 2006.<br />

While in Los Angeles, she worked on commercials,<br />

rock videos and television shows like Quantum<br />

Leap, the Emmy Award-winning Northern Exposure<br />

(from 1991 to 1995) and the pilot for Melrose Place<br />

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