Renaissance and
Renaissance and
Renaissance and
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Hieronymous Bosch. Detail of the Good Thief <strong>and</strong> the Dominican, from The Bearing of the Cross,<br />
Ghent, Musee des Beaux Arts, circa 1505.<br />
Manuscript illustration depicting Roger<br />
Bacon, the Franciscan scientistphilosopher<br />
of the 13th century.<br />
painting are treated as subsumed expressions of the movement that characterizes the entire period.<br />
motion which culminates in Ficino's Five Questions<br />
Concerning the Mind. I have approached the subject In so treating development within the <strong>Renaissance</strong>,<br />
from a vantage point not available to <strong>Renaissance</strong> the <strong>Renaissance</strong> is exemplary of human development<br />
thinkers themselves, but, nevertheless congruent with in general. In a still larger context, it demonstrates<br />
the germinal nature of the dialectic as it then existed, the general law of negentropy for the universe. While<br />
From its implicitness in Leonardo Brunrs writing to that is not discussed here, the coherence of negentropy<br />
its primitive, but full-fledged realization in Fieino, the for both organic <strong>and</strong> inorganic matter has been rigorinternal<br />
dynamic of <strong>Renaissance</strong> thought progressed ously demonstrated in other publications of the Interin<br />
successive phases, predicates of one subject whose national Caucus of Labor Committees. (I) Immediateactual<br />
content is Ficino's perfectibility of existence, ly more significant for our present work is that such<br />
Ficino's work is not merely a phase within the whole, an assumption was symptomatic of Ficino <strong>and</strong> all his<br />
but the highest ordering -- or abstraction "of the self- co-thinkers.<br />
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